Nico who has been deified after his death. Nico who's sure, after all this time, he's finally managed to let go of his older sister's death, of course, it still hurts, and of course, he will never forget her, but that fiery hatred and overtaking sadness, has finally been put to rest.
Nico knows and understands that his sister chose to move on without him, and that's okay, no it's never gonna be okay but he's made his peace with that too, and now, that he's an inmortal himself he never expects to see Bianca again.
Nico lives easy. He works for his father, he sleeps for a couple decades at a time, sometimes he goes back to Camp, takes care of some kids during their quests here and there, but for the most part, he's a chain-free roaming God.
And then, one day at Camp Nico meets her, a tiny little girl, with how long he has lived, time has become almost impossible for Nico to really track down anymore, but he's sure this girl can't be more than 10.
And something about her eyes, her dark, void-like eyes, and her long black hair, and her proud stance. It really reminds him of somebody else.
The girl is all alone, no little brother or older sister of her own, no parents either, apparently, she's a child of Hekate, but that really doesn't matter.
Something about the girl's every move, about the way she approaches the darkness without fear, about the way she approaches him, like she's known him all his life, the way she uses her whole body when talking.
It reminds Nico of Bianca. This girl's soul is just like Bianca's.
And Nico supposes it's no longer a fatal flaw, but he still doesn't know how to let go.
Nico immediately claims her on the spot, lets her sleep on the Hades Cabin, helps her out with everything, takes care of her for years and years.
It's the first time in centuries, that Nico as a God feels connected to his mortal side.
When the little girl cuddles against him, because she's had yet another nightmare about manticores and huge robots, while Nico quietly tries to hug her, and reassure her she's going to be fine, he even starts thinking that maybe his family has grown, yet again.
And then, she's send off on a Quest, Nico loudly protests against it, because he knows how those end.
Because, he still remembers waking up screaming and trashing, in the middle of the night, inside the Hermes Cabin, surrounded by strangers and shadows, as he felt Bianca's soul perish away.
But it's no use, the Oracle of her time had already issued her prophecy, this new girl, Rachel having long since passed away, who Nico feels almost comfortable cursing in the spot, just like his father had done so many centuries ago.
The little girl leaves, and Nico now has nobody to swear to keep her protected. Nico knows it's useless to try to convince her to stay, but he still does, it doesn't work, it never has worked
But truth is, she doesn't even look scared.
She's excited, and ready, and determined, and Nico has to wonder if this is how Bianca looked like, during her last week on Earth, too.
The girl leaves and she doesn't come back.
Nico thinks, it should be easier by now. It isn't, it's never gonna be it
Hades catches Nico roaming mindlessly around Elysium, after noticing his absence from The House, for what's either days, or years.
Hades mournfully reassures Nico that Bianca is not there anymore. No, not this time, not last time, not next time either.
After that, Nico chooses to abandon Camp fully, once again, he doesn't come back for another few centuries, until Hermes asks him for help getting his children to satefy at Camp.
Nico swallows the bile, that he's sure a Godly body like his own, shouldn't be able to produce anymore, shakes Hermes's hands, and tells his cousin his children will make it through, just fine.
Nico rescues the kids, regretfully send them off to live all cramped up together at their Father's Cabin forever, but one of the boys of the bunch, just has such dark eyes, like a black hole consuming souls.
And he stands so proud, and Nico just knows once more, and all at once, because he would recognize Bianca's soul anywhere.
In life, in death, at the end of the world, in a Hekate's daughter, in an Hermes's son, it doesn't matter, the person standing in front of him, is simply Bianca in another skin.
Bianca, being a wild hero once more, and Nico has to wonder if she can see him as clearly as he can see her.
Bianca is the only one after all, who has known him all his life, Bianca knew his name before it was even his own. Nico was born knowing her.
If she can see him, or if she can't, Nico doesn't even know which one would hurt more.
Time passes, and if Nico let's the boy sleep at the Hades Cabin, because the nightmares about manticores, giant robots, and magic are too much to bear, and he can't even scream in peace inside the Hermes Cabin, well, that's only Nico's own business to know about.
Nico realizes, after a few ages of Godhood, that The Fates like repeating their own stories.
Nico knows he hates all of them, deeply and purposefully.
The Oracle comes up to the boy, Nico is sure she must be a new girl, but all the girls Apollo chooses all look the same, and she is the same, she gives the hero the prophecy that will bury him.
And, it doesn't even take Nico a glance to know, that this is where that boy's life thread is cut.
Nico wants to sneer, this would be Bianca's third death, and if a hero dies three times they get the special prize, and yet.
Nico begs the boy to not go, because they both know he's not gonna make it back.
Bianca never has. Bianca never does. This is Bianca's fate. She was already dead before the story even began.
But the boy doesn't even break eye contact with Nico, as he tells Nico that he's very kind, and that he loves him too, but no way.
He's gonna go, and so, the boy does.
The boy leaves and he doesn't come back, and Nico has to crawl at his Godly skin, and remember the sensations, of back when there was human flesh, and blood running through his veins.
And that's just the thing isn't it, that Bianca is never going to stay by his side, because she doesn't want to.
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HUGE FFVII REBIRTH SPOILERS BELOW!!!
I’m still so mad at how the game handled this boss.
Putting aside that you’re still coming off the bizarre, disorienting framing of the previous scene (yes I know why they did it but the execution just doesn’t land), this JENOVA fight is especially frustrating because at first it seems like it’s going to be great. Barret furiously yelling “I’ll kill you!”, Cloud murmuring and rambling to himself as he fails to process what just happened, a heartbreakingly beautiful remix of Aerith’s theme playing in the background. So many of the components here are strong. It seems like it’s going to set the stage for a emotion-driven fight where the party unleash their grief and rage on this monster before them. They know it won’t bring their friend back but they don’t care. They just need this thing to die. And once it’s gone, the horrifying reality of what’s just happened sets in. Just like it did in the original. If the boss ended at just this first phase, it would be fantastic.
Unfortunately, after Remake’s finale, that would evidently be an anticlimax so we need to stretch out the final boss and…fine, I guess. But as long as they can maintain that atmosphere I don’t see why this shouldn’t w-
…Aaaand then Aerith’s theme is phased out for another JENOVA remix. So already you know this gonna be a shitshow. But then the party starts…inexplicably quipping at each other? Cloud and Barret start trading banter about the monster they’re fighting? Excuse me? What happened to the tone? These characters just watched their dear friend get brutally stabbed. Where’s the grief? Where’s the anger? Never mind that, have all the characters get flown up into the air to fight the boss while trading more fucking banter. Why is Yuffie teasing Cloud at being glad he brought her along now? Why are Barret and Red XIII glibly cheering each other on now? Why is Tifa showing no emotion for the death of her best friend (the whole ending does such a disservice to Aerith and Tifa’s friendship after giving them the best developed relationship across two whole games but discussion for another day). Why is Cait Sith making bad puns about ‘dropping in’ and ‘swinging by’?
And on top of all of this, Square-Enix decided that the most fitting way to end this would be a cinematic over the top anime team up attack where Yuffie, Barret and Cait spout dumb one liners. Tonal consistency? What’s that? It’s exactly the same bullshit they pulled when adapting Corel Prison. The remake project has spent the length of two massive RPGs bringing these characters to life as vividly and lovingly as possible. But its insistence on making every moment the biggest, most eye catching spectacle, betrays a total lack of subtlety that does those characters a disservice at multiple pivotal moments. Quiet, melancholy intimacy does not exist in this game. Everything is loud, everything is maximalist. Everything is cool and flashy. And a lot of the time that works exceptionally well. But this game has no off switch. And it really hurts the story at times.
This is without even getting into the rest of the final boss, the whole baffling affair with Sephiroth, and Zack and the fucking multiverse. Because you know what? At least that was done specifically because of Rebirth’s new story. It was done with a purpose, even though I don’t think it was a good purpose. The JENOVA fight is just shallow, tonally borked spectacle. And, much like the ending as a whole, the emotional pathos of Aerith’s death is lost amidst the style, ambiguity and overwhelming presentation.
Aerith and this game as a whole, deserved a better send off than this.
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