#feel free to share yours!

[octarineblues]

supporting communities & people impacted by the Southport attack and the far-right riots in the UK

here is a list of community fundraisers I found, starting with those aiming to support the Southport community after the appalling attack at a children dance party, to the fundraisers helping those affected by the subsequent racist and Islamophobic far-right/nazi riots

Edited on 5 August to include Middlesbrough fundraisers. Edited on 6 August to correct the link on the Books for Spellow Lane fundraiser, to adjust the name change for the Belfast fundraiser, and to adjust the wording in the second last paragraph.

Southport:

Southport Strong Together Appeal - organised by the community foundation for Merseyside, for those affected by the Southport knife attack

United for Southport families - the funds will be distributed among the nine families of the children who were at the party

Swifties for Southport - a fundraiser for the Alder Hey Children's charity, which supports the victims and the affected families, as well as first responders and clinicians. Extra funds will also support the wider Southport community

Fundraiser for the Southport Mosque - a fundraiser to aid rebuilding or possibly re-locating the Southport Mosque after the damages it suffered during the riots

Rebuilding Windsor Mini Mart - fundraiser to rebuild the locally-owned grocery store that was targeted during the attacks, broken into, and looted

Liverpool:

Fundraiser for the Spellow Hub - the Spellow Hub was broken into, looted and set on fire at night during the riots. The Spellow Hub is a newly created one-of-a-kind (in the UK) institution, which consists of a library as well as a community centre with a mission to help people get education and pathways to work

Books for Spellow Lane - another fundraiser for the library in the Spellow Hub, to replace the books and rebuild the library there edit: included the correct link

Hartlepool:

Fundraiser for the Nasir Mosque - the Nasir Mosque was attacked following Southport riots; this fundraiser is organised by Hartlepool citizens to help the mosque deal with the damages as well as to show appreciation for the role of the mosque in the community. edit: the funds will be also distributed to the local community!

Rebuilding the Farm Shop - the shop was targeted during the riots, and when the owner and his son tried to protect it, they were also violently attacked. The fundraiser is to help fix the damages to the store.

Sunderland:

help rebuild Citizens Advice Sunderland offices after arson - two of the Citizens Advice Sunderland offices were set on fire during the riots, and one of them is completely destroyed.

Hull:

Hull Help for Refugees - a local fundraiser to support the Hull Help for Refugees charity, the donated money will be re-distributed to community members affected by the riots

Fundraiser for Hull Help for Refugees and Welcome House in Hull - collected money will be donated to the two charities

Belfast:

help fix racially motivated damages - originally the fundraiser for the Sahara Shisha Cafe which was targeted by the far right in Belfast during the riots, now a fundraiser for all affected businesses in the area. edited to reflect the change of the name of the fundraiser to avoid any confusion

Middlesbrough:

Supporting residents after the riots - Middlesbrough has suffered so much during the riots, lots of businesses as well as just regular family homes were vandalised, had their windows smashed or even were broken into. This fundraiser wants to distribute the funds between affected people to help them fix the damages, and to generally support the local community. the newest fundraiser, imo potentially the most urgent one

Fundraiser for a Care worker's car which was set on fire - a car belonging to an employee of a care agency was set on fire during the riots while he was on shift at a care home.

If you want to donate locally but there is no fundraiser to support where you live, consider donating to your local charities oriented towards Muslim or PoC communities, or towards anti-racist and refugee organizations! And go support your local Muslim/Arab/Black/Asian/Refugee owned businesses!

If you have any information about other local fundraisers, feel free to add to the post or don't hesitate to let me know and I will add them here! We have seen so much hate in the past few days, we have to stay strong and keep supporting each other!

Stay safe everyone 💛

[jakeperalta]

letting celebrities think they can and should "use their platform" to speak on all current events and political issues regardless of how educated they are on them was a grave mistake

[agendercryptidlev]

Update: The claim that Hergie Bacyadan spoke out against Imane Khelif seems to be misinformation. I apologize for spreading it, no one is immune to propaganda etc. This does not change the fact that the trans community has an intersexism/interphobia problem that is being made incredibly obvious by this olympics discourse.

Seeing the recent bigoted comments by transgender Olympian Hergie Bacyadan, it's past time for the perisex trans community to address the normalized intersexism/interphobia that so many of us spread.

The intersex community is constantly used as a prop by the trans community. The most frequent way you see trans people speak about intersex issues is just to remind transphobes that sex isn't binary, which is meaningless when the trans community still strictly enforces intersexist binaries like AMAB vs AFAB and TME vs TMA and Transfemme vs Transmasc, all categories that many if not most intersex people, trans or cis, cannot fit neatly into. The trans community uses the intersex community to win arguments and than makes next to no effort to make our intersex siblings feel welcome.

When talking about HRT and gender affirming care for minors, the trans community almost never uplifts the voices of the intersex community who are often forced to undergo HRT as children and surgery on their genitalia as actual babies against their will. It is important for HRT and gender affirming care to be available to transgender children, it is just as important to keep these same things that can be life saving for trans children from being forced onto intersex children who do not consent.

I implore all perisex trans people to do some reading into the history of intersex activism, and the sad reality of life for intersex people today when so many governments and health systems are still bigoted against intersex people. Uplift intersex voices, always.

[my-autism-adhd-blog]

Autistic Things That I Didn’t Realize Was Related To Being Autistic

Neurodivergent_lou

[bytebun]

my piece for @thecodywanzine! thanks to the mods who let me go completely ham and cheese on this bad boy. this one's about living longer than you ever expected and not knowing what to do with it

[d4rk-x-w0lf-17]

"m/f ships are so boring compared to m/m and w/w ships"

BOO! INCORRECT!

[notsogreatdion]

✶ INTERACTIVE FICTION RECS 2.0 ✶

✶ College Tennis: Origin Story - @collegetennisoriginstory (wip)

✶ REMEMBER, YOU WILL DIE - @vapolis (wip)

✶ Crown of Exile - @ramonag-if (wip)

✶ We Wretched Creatures - @darkfictionjude (wip)

✶ The One Chosen - @parrotwatcher (wip)

✶ Checkmate in three moves - @checkmatein3moves (wip)

✶ Zorlok - @zorlok-if (wip)

✶ Chop Shop - @losergames (wip)

✶ Such Happy Campers - @girlfromthecrypt (wip)

✶ The Bureau - @morbethgames (wip)

✶ Citadel - @bouncyballcitadel (wip)

✶ A Tale of Crowns - @ataleofcrowns (wip)

✶ Bad Ritual - @heart-forge (wip)

✶ The Onryō Of Osaka - @osakaonryoif (wip)

✶ Insert-Rich-Family-Name - @when-life-gives-you-lemons-if

✶ A Mage Reborn: Book One - @mage-parivir (there's also a demo for book 2 but I think the author isn't working on it anymore??)

⌣⌣⌣⌣⌣⌣⌣⌣⌣⌣⌣⌣ ✶

VN'S

✶ Reanimated Heart - @reanimatedheart (wip)

✶ Midheaven: Winds of Ambition (wip)

✶ Witches x Warlocks

✶ Chronicles of Tal'Dun (you can play the first chapter for free)

✶ Going Live! (this one gave me trauma :D)

✶ Therapy with Dr. Albert Krueger

✶ Wake Me Up If You Need Me

⌣⌣⌣⌣⌣⌣⌣⌣⌣⌣⌣⌣ ✶

if recs 1.0 & new projects recs

[rememberwren]

The most pointless headcanon I have is that Ghost tears the covers off his books because he doesn’t want people to see what he’s reading and try to start a conversation about it

[gay-otlc]

Recently, it seems like there's been a pushback in the trans community against the "typical" trans narrative- someone who always knew they were a [binary gender] trapped in a [other binary gender] body and has always experienced dysphoria and plans to or has transitioned fully and is gender conforming. And there should be pushback against this narrative, because this is far from the only way to be trans! Trans people who don't fit into this way of being trans absolutely deserve recognition and celebration.

However, some members of the trans community sometimes go too far in their attempt to defend and celebrate non-typical trans people, and end up being hostile to trans people who do fit that "typical" narrative.

"Trans people don't have to medically transition!" and "trans people can still present as their assigned gender!" are both true statements, but it's inappropriate and offensive to say this to a trans person to try to change their mind about transitioning, or the way they present. When a trans person says they plan on going on hormones or getting surgery and someone says "Oh, you don't need to do that to be trans :)", it sounds like you are trying to convince them not to transition, which is the exact same thing transphobes do. And while some trans people are comfortable wearing clothes that are traditionally for their assigned gender, many of people have faced a lot of dysphoria and trauma from people forcing them or pressuring them to wear those clothes. "Pronouns don't equal gender!" is a good way to support pronoun non conforming folks, but it should never be used as an excuse to misgender someone, or tell them that they have to think about their pronouns differently. The "born in the wrong body" description of transness is outdated for many, but it resonates with some people, and that doesn't mean they're making the trans community look bad.

All this is to say, there are so so many diverse trans experiences, and we should absolutely make an effort to support trans experiences that differ from the "norm." However, trans people with experiences that do fit the "norm" are often treated as though they are responsible for transmedicalism, or for cis people's misconceptions about transness. This is untrue and an unfair way to treat them. In supporting the diversity of trans experiences, we shouldn't throw any under the bus.

[navree]

Incorrect, the fact that Biden has dropped out and a candidate with history of supporting medicare for all and being more receptive to a ceasefire in the I/P conflict has made me go from "I cannot morally support the Democratic nominee" to "I am voting for the Democratic nominee despite the fact she isn't perfect in every respect." I'm really happy this played out. The Dems for the most part abandoned the old Obama platform and it feels like its possible an actual progressive agenda could come to pass in my lifetime.

Kamala 2024!

If you weren't going to vote Democratic in this election before Biden dropped out you're a dorkass loser who does not care about any of the issues you're yammering about here and also a fundamentally bad person, and I hope you get run over by a bus.

But you got one thing right in all of this gibberish, Kamala 2024.

[renshengs]

so i really like this show and decided that i should make a powerpoint to get people to watch it. and now 5 hours later here we are. this is my pitch. please watch 莲花楼

[alltimefail]

Can we take a second to talk about Niko's connection to the Principal?

Because I think we all moved on a little quickly from that!

General disclaimer before we begin: this is just my own theory and my personal interpretations. <3

As a refresher, The Principal is the Night Nurse's "Superior." We see her for the first time at the end of season 1, episode 8. In this theory, I will be analyzing the potential role The Principal plays in DBDA, especially where our beloved Niko Sasaki is concerned.

A connection between The Principal and Niko is undoubtable to me for two reasons: the first reason being that they intentionally focused the camera on The Principal zero-ing in on Niko's case card, and she has a visible emotional reaction to seeing Niko's name.

The second being that, before departing, she quotes what Tragic Mick told Niko before the face-off with Esther which ultimately resulted in her death.

One popular theory I saw floating around in the first few weeks after DBDA released was that The Principal is Niko herself, and while this is a fun concept I can't get behind it because, well, Niko is "alive" at the end of the season. Yuyu has confirmed that she's the one in the igloo with the sprites, and Steve has confirmed that Niko is not dead/off the show as well. While we have no clue where the igloo is for certain, or what state Niko is in, it's safe to say that Niko has not moved on to her afterlife, so she can't be the Night Nurses' superior in the Lost and Found Department.

My theory doesn't reinvent the wheel, but I personally think The Principal could be Niko's mother.

From a non-storyline standpoint, The Principal looks to be a perfectly appropriate age to have a 16 year old daughter. From a casting standpoint, Yuyu and Tamlyn also are a convincing mother/daughter pair. I think their mannerisms (body language and expressions) are even a bit similar:

But most importantly, from a writing and storyline standpoint, Niko's mother is mentioned multiple times throughout the season but we never actually see her or hear from her - not in a phone call, a voicemail, or even in a picture in Niko's meticulously decorated, aesthetic bedroom. This is what leads me to believe that the persistent mention of Niko's mom is an example of Chekhov's gun being fired.

Emphasis here on: "If it's not going to be fired, it shouldn't be hanging there."

From the persistent plotline surrounding...

Niko's grief not just with her father's death but also with her mother who sent her to school across the world literally the day after her father's funeral to "escape the sadness,"

to the pile of letters from her mother that she couldn't bring herself to respond to,

to the response letter she finally writes to her mom but we don't learn the fate of,

to Niko telling Crystal that her mom would always say "A mother's intuition is very strong," (which could be why The Principal reacted to Niko's case card in the way she did...)

to even Jenny mentioning Niko's mom in the finale

... and so on, the writers seem to mention her as often as they can, even up to the very end. This makes Niko's mom a sort of looming figure in the narrative, a thought persistently brought back in a "Hey, remember this?" kind of way to the viewer, and that kind of intentional presence needs to serve a purpose or have some kind of payoff later. After all - if it's not going to be fired, it shouldn't be hanging there... if we aren't going to get some kind of closure regarding Niko's family, especially her mother who is still alive, it shouldn't be brought to the viewer's attention again and again.

Also, The Principal being Niko's mother would make Niko at least half supernatural being (we don't know much about her father, but considering the fact that he's dead we can assume he was likely fully human). Niko being half supernatural-being would explain a few allusive plotlines such as:

Why Angie the fish does not try to tempt Niko into the water.

Why Crystal tells Niko that she should stay behind and not fight Esther because Niko is "Just a human."

Why we don't see Niko's spirit separate from her body at any point, nor do we get Death's blue light.

How the Principal knows Tragic Mick's last words to Niko and why she quotes them to the boys who were not even present at the moment the sentiment was delivered the first time.

Starting with Angie, it's obvious why the boys are not affected by her call: Charles and Edwin are incorporeal spirits, they have no physical body and Angie's call is sent out with the goal of finding food to eat, plain and simple. Niko not hearing Angie's call, considering the fact that she's flesh and bone just like Crystal, is noteworthy to say the least. After all, we can safely assume Angie's call can beckon more than one person at a time because the group is worried about the populated kite festival becoming an all-you-can-eat buffet, essentially. They need to figure out the case and only have 24 hours to do so before area is filled with bodies for Angie to tempt into the water, that's the whole time-constraint conflict that adds pressure to an already delicate situation. The first time Crystal hears the call she is with Charles at the top of the lighthouse with Niko nowhere near Angie, but the second time Crystal hears Angie she and Niko are standing literally right next to each other. Niko then confirms that there's "No voice" coming from the water after they save Crystal, but considering how Niko's grief surrounding the death of her father is such a huge part of her characterization - in the same way Crystal not remembering her parents is critical to hers - it makes no sense that Angie wouldn't try to lure in Niko as well by using the voice of her deceased father.

But let's consider what we learn from the Night Nurse: trans-dimensional beings don't die when they're swallowed by a giant fish, so they do not satiate Angie's desire for food. This is why everyone assumes Kashi is not human because he, like The Night Nurse, is alive inside the stomach of a fish. So if Niko's mother is like The Night Nurse, a trans-dimensional being, that would explain why Angie's call would not effect Niko, because Angie just wants to eat... and ghosts and immortal beings (even if only semi-immortal) do not count as food.

As for Crystal telling Niko to stay behind because she's human: this line felt so... strange to me the first time I watched the series. After thinking about it though, I couldn't help but compare it to Charles' line in the pilot episode right before they enter Esther's house. He tells Crystal that "She still has a life to lose" and they want to "Protect it while they can," and while the sentiment is the same, the dialogue feels vastly more natural and understandable being delivered from the mouth of a ghost - a dead 16 year old boy - to an alive 16 year old girl. On the contrary, Crystal citing Niko being a human when she is also alive and very much a human just as capable of dying as Niko is, feels out of place. There's simply no need for Crystal to clarify that Niko is a human as the audience has already assumed that and been given no reason to believe otherwise. It's a small detail, but the only way for this line to make any sense is if it serves an ulterior motive - perhaps with the intention of getting the audience's gears turning and/or serving as the framework for a future plotline. Again, if Niko is related to The Principal, this would make her half supernatural at least... so, ironically, less human that Crystal is and less likely to face a typical human death...

which also might explain the "Outlook not so good" on the Magic 8-Ball. It's not the worst response you can get, it's not a critical failure or natural 1 in DnD so to speak... but it's also not great. Niko's not alive, but she's likely not as she once was either (but that's an entirely different can of worms).

As far as explaining how The Principal would know what Tragic Mick told Niko, I feel like an infinite trans-dimensional being who works as a higher up in the afterlife's Lost and Found Department would have no issue accessing their own child's file. We know the Lost and Found Department is nothing if not rigid, specific, and detail-oriented, and the files they have include the details of every child's death - it isn't so far-fetched to believe that Niko's file (and all the files, really) would also include insight on what Niko's last day on Earth (interactions and such) were like. Not to mention the fact that The Principal tells the boys she can pretty much do "Whatever she likes..." so she's powerful, she has resources and abilities that might even surpass those of the Night Nurse (who can literally dig around in people's minds and choke people with a snap of her fingers). If she is Niko's mother and she just lost her child and husband in a short amount of time, it would make sense for her to allow Charles and Edwin to keep doing what they do because they are helping people like her daughter, and maybe they could help her daughter again.

Lastly, I can't help but acknowledge how there is some kind of recognition, spark, or tenderness on The Principal's end when she first appears before the boys. I've seen other people say they feel similarly, almost like she seems disappointed or a bit taken aback when they ask who she is. She especially lingers on Edwin for a beat, and we all know how important Edwin was to Niko! Again, this is all just my own theory, but if The Principal is Niko's mother, her sparing the boys of being taken by the Lost and Found Department with the tenderness she does - by using Tragic Mick's words, the ones offered alongside a good luck charm (the last kind act toward Niko before she died) at the boys who loved her daughter and saved her once and could very well save her again - feels tear-jerkingly poetic to me. The Principal seems choked up before she goes, almost as if she's repaying them a favor they didn't know they were owed - the boys saved Niko once, and now that good fortune is coming back around to them.

So what would that all mean for next season? Where might Niko be? Who knows for sure! Perhaps she is imbued with Dandelion Sprite magic, or is currently an "Undead," a zombie, like the kind mentioned in the Night Nurse's book in Episode 6... but whatever she is, I have a feeling the boys and Crystal will find her again.

But all this to say, whether The Principal is Niko's mother, a reincarnation of Niko's father, an estranged aunt or family member we haven't met yet, a complete rando with invested special interest in Niko's case, or shit - even Niko herself somehow - I can confidently say that episode 8 won't be the last time we see The Principal, and that we're meant to draw a connection between her and Niko.

Now we just need a season 2 so we can get some answers @netflix!!!!!

[1000sunnygo]

Law is a lovable character. But I think it blinds people to his flaws.

If Kidd's defeat is considered karma for his bad decisions and bad leadership, the same applies to Law. In fact, in some ways, Law did worse than Kidd. Heart pirates were the least prepared for the race to claim One Piece.

Without Law, Heart pirates had no name and no face. It wasn't because they worked as a team, I think Law intentionally kept them under a veil of protection. His appearance contrasted the rest of his crew mates. He pulled the world's attention towards solely himself, perhaps so his friends could mix within the crowd as civilians when he's gone.

Similar to Luffy, Law wasn't particularly looking for strong people. Now take Usopp as an example. He was a regular village boy with great sharpshooting skills. Roughly, he had the same starting point as Penguin and Shachi, but now he's leagues above them bounty and achievement-wise. Straw hats' journey had a clear aim to be the very best, each of them faced the worst adversaries and grew. Penguin and Sachi, on the other hand, spent over a decade with a Captain who they believed was aiming for a great treasure, when in reality, the Captain was stuck in his own world. He was fighting a lone battle with his friends completely left in the dark.

The lack of transparent communication weakened the crew's foundation. They were sheltered by an overprotective captain, it stunted their growth. In fact, it was simply dishonest of Law to lie about his ambition.

Law's detailed background wasn't decided back then, I think we can overlook this one. When Oda drew the panel above, I'm pretty sure Law in his mind was a much more grey character.

Kidd pirates knew what Kidd wanted. They joined their Captain's reckless adventures willingly and gleefully, Kidd never let them feel like a burden. Zoro and Killer could fight beside their captains on the rooftop, but Bepo - a polar bear mink with a great potential - wasn't ready to be there.

Law realized his goal to claim One Piece only a few days prior to leaving wano, and instead of taking time to grow as a team, he marched ahead to join the flow. I don't think he had many options, but it doesn't hurt to acknowledge his shortcomings.

At the end of day, Blackbeard can't be blamed for playing the game like a pirate. The fault was Law's. His crew was trained to tame the depth of the northern sea, not to find their place in a titan's battle royale.

[noodlesarecheese]

So Watcher is launching a Dropout (it's not called Dropout but they're clearly using the same template format platform thing idk what it's called, and the same pricing structure), and the reaction so far has been wildly different than what I remember from Dropout's launch. I was curious about why that was or if I was just misremembering the Dropout launch, so I went back to the Dropout launch video to compare them and I think I can see where some of the difference is coming from.

If you want to make the comparison yourself: Watcher's Video, Dropout's Video.

I wanna clarify first though that this isn't a knock against Watcher or the fans who are reacting one way or another or anything like that, I genuinely am just fascinated with how different the reactions are to what seems to be the same business decision. This also isn't a 'wow watcher sucks and dropout is so much better' I'm just using them for comparison because they did the same thing with different results. ALSO this isn't about the business decision itself, just the presentation! Disclaimers out of the way, here's the analysis.

Title and Thumbnail So the Watcher.tv announcement video is titled "Goodbye Youtube" and the thumbnail is Ryan, Shane, and Steven sitting on a couch looking serious, with a dark background. That really makes it seem like they're quitting (which, ok, they are quitting youtube but not quitting quitting). Viewers are already primed to be upset, and it's easier to go from upset to angry than upset to excited, curious, or neutral.

Compare to the dropout announcement video: "How the Internet is Ruining Comedy" - inline with other collegehumor video titles, might make you curious. Thumbnail - Big News! with Sam smiling and a bright background. We know its big news, but he looks happy, and the exclamation point let's us know they want us to be excited. Viewers are primed to be curious and excited.

Tone The Watcher announcement has 2 main tones. The first half is very sentimental, almost sad or wistful at times, and while there are parts that veer into pride at achievements, it's mostly bittersweet and sentimental. The second half is a bit more uplifting, but still quite serious. It reminded me of a tech announcement, like when they introduce the new iphone or something like that. Very professional, sleek, and serious, which isn't automatically a bad thing! But I do think that's not the vibe a decently-sized chunk of the audience expected or wanted. Many people watch Watcher for the cast's dynamic with each other, humor, and the more relaxed/conversational/friendly feel that most of the series have.

Compare to dropout - excited and comedic tone. Still professional, but also fits the expectations of the viewers. People watch collegehumor for the humor (it was in the name, after all). They also poke a bit of fun at themselves, which lightens the mood, shows self-awareness, and alleviates some of the bad feelings about paywalling.

Focus The Watcher announcement focuses a lot on the creative journey of the cast and company, as well as how this move will benefit them. Which isn't a bad thing, that's actually quite interesting! The problem here, I think, is actually more about what isn't here - a solid explanation of how this will also benefit the viewers and why the viewers should be excited. There's a brief description of one new show, and the promise that existing shows will get an upgrade, but we weren't given many specific details about how they'll be improved, and there's only one new show to tempt us into subscribing. Some people will be excited for that, some people won't, and some people will be excited but not enough to subscribe. Having 2 or 3 series (even if it's 1 fleshed out plus a few teasers of what's in production or what is being planned) plus some more details about how existing shows will be improved would've helped. Without that, it really does seem like it'll just be the same stuff viewers were getting for free, but now paywalled, rather than new and exciting stuff. That makes a big difference. I think with the fans not getting as much focus, this also led to some (accidental, I hope) hurt feelings. Based on what I've seen from fan reactions, all the talk about hitting the peak of what they can do on youtube and wanting more, translated for many people to 'youtube isn't enough' which became 'you (the current viewers) aren't enough.' Which I don't think was their intent! But I also don't think fans are wrong for feeling hurt by that.

Compare to dropout: They clearly explain how the move will benefit fans, and reassure viewers that existing content will stay where it is, and only new content will be behind the paywall. (Watcher clarified this too, but in a comment. It's not in the video itself, which is a huge problem.) They include clips of several new (at the time) series that would be premiering on dropout, including things that specifically could not be made on youtube (due to weed, violence, and sexual humor), so the reason for the shift is clear to the audience.

Advertisers Both videos contain the sentiment that being monetarily successful on youtube means working to appease the advertisers, and that over time what the advertisers want and what the creators want drifts further and further apart, putting strain on the creators.

However, I think the message gets lost a bit in the Watcher vid. Instead, it leaves viewers with the idea that the main problem is just ads are annoying instead of advertisers putting constraints on content. I'm not even sure what the specific constraints are for watcher, because they didn't give any examples. And the focus on ads being annoying leaves viewers frustrated because people typically either don't mind ads or they already have an ad blocker.

Timing and Size Okay, this isn't exactly about presentation, but it is still a factor that impacts perception so I'm tackling it. And I'm actually going to do dropout first. CollegeHumor launched dropout in September 2018. Pre-pandemic, but also pre-Sam Reich as CEO. The company was still owned by IAC. It was a Company, and while it wasn't huge it wasn't tiny either. So launching dropout was a Company Decision, a Business Strategy. Some people were upset about, but it wasn't a personal betrayal (generally, anyways). If I remember correctly, this was also not a high point for the company. They kinda needed dropout to do well to keep things running smoothly (which is why they shut it down and sold it to Sam just 1 1/2ish years later), so the sudden shift made sense.

Watcher Entertainment is a company, but it doesn't feel like one. Ryan, Shane, and Steven own and operate things, but they're also the faces, and they're youtubers. Which makes every business decision they make feel more personal to viewers, especially those who have been watching for a long time. They've also seemingly been doing well on youtube, which makes it more difficult for viewers to understand why the sudden change is happening now. They do talk a bit about it, about the company expanding and wanting to do things that advertisers don't like (which I've already covered). However, mostly the choice to start a streaming platform is framed as 'the next big step' without much clarification on why it's the next big step. Plus, it's post-pandemic, and a lot of people are still struggling financially with the ripple effects of that. Yes, $6 isn't a wild amount of money, but there have been some months where $5 absolutely meant the difference between paying all my bills or not, and I know I'm not the only one. This, coupled with a lack of clarity about why exactly they're doing this, leads to fans feeling hurt, betrayed, bitter, and frustrated.

Now, presentation and framing isn't everything. No matter how perfect your announcement is, some people are still going to be upset. It's a big change, of course people will be upset! But I do think a more careful presentation would've alleviated some of the hurt and anger that fans are feeling. While I do think a lot of the reaction we're seeing is due to the decision, I think (based on what I've seen) that some of it is also based on the poor communication in the video itself, and that could've been avoided!

So I'm gonna get a little speculative and describe what I would've done. In this hypothetical, they've decided to launch the streaming service and brought me on just for the announcement.

Firstly, switch the title out. If they're married to Goodbye Youtube then add a (and hello...?) after so it's at least obvious they aren't fully quitting. The dark color scheme of the thumbnail fits their regular vibe, but they want everyone to be excited so they should look excited. Next, let's lighten the tone up. Being proud of what they've done so far is great, but we don't need the sentimental music and bittersweetness. Remember, the goal is to get viewers excited about what come's next - so let's focus on what actually comes next! Talk about specific show plans and mention why they wouldn't work on youtube. Then, take some time to reassure the fans. Predict a few likely worries and address them in the video. Acknowledge that it's a big change, that it will take time to get used to, and that not everyone will be onboard, and let the fans know that it's ok if they aren't onboard.

Like I said, this wouldn't fix everything. There are a few differences in between dropout and watcher that don't have anything to do with presentation. Dropout launched with primarily new shows rather than new seasons of existing shows, and they continued uploading to youtube relatively regularly in addition to the content behind the paywall, which I do think went a long way to keeping fans happy. At this point it's unclear if watcher will do either of those or not. But, while I don't think it would fix everything, I do think improved communication in the announcement would've helped.

[my-autism-adhd-blog]

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[luthqrs]

doctor who big finish audio stories!

⚠️ this post is no longer being updated or monitored x ⚠️

you may have seen my nuwho books post and thought “well that’s all good and proper but i wanted the big finish audio dramas >:(“ fear not, because i have a collection of those too and i am still not allergic to sharing :)

also up for grabs: doctor who novelisations (x) and torchwood big finish audios (x)

a list of what’s there + how to play below the cut x

things you’ll find here:

new who + misc

the diary of river song (series 1-12)

the tenth doctor and river song (series 1)

the tenth doctor adventures (series 1-3)

the ninth doctor adventures (series 1-4)

unit incursions (episodes 8.04 + 8.05)

unit nemesis (series 4)

missy (series 1-4)

the eighth of march (3.01 + 3.02)

masterful + terror of the master

rose tyler: the dimension cannon (series 1-3)

the paternoster gang (series 1-5)

master! (series 1-3)

time lord victorious (008)

once and future (005)

tenth doctor adventures: dalek universe (3.02)

classic who

the eighth doctor adventures (series 1-4)

stranded series (series 1-3)

doom coalition (series 1-4) (exc. 3.02.... working on it)

dark eyes (series 1-4)

ravenous (series 1-4)

classic main range (134, 135 + 168)

companion chronicles: the second doctor (vol 1-3 / series 10, 12 + 14)

gallifrey (series 1-3)

!!! torchwood audios have moved. they can now be found here !!!

and how to access them

press play!!

if you like to listen at 1.5x speed like me, you can use an independent media player. on ios, press the 3 dots -> open with: [audio player of choice] (i use evermusic)

make and save copies of what you want even if you don’t have time to listen right now. don’t rely on this link always being here.

want something you can't have?

if there's a particular story/series you wanted to hear that i don't have listed yet, send me an ask or pop it in the comments x

happy listening! x