#fibercraft

[saltpixiefibercraft]

I LIVE I SWEAR. Have this 90's soda cup inspired warp as a proof of life lol.

[hattedhedgehog]

My Dragon Age Inquisition character card embroideries all together! Each is 11.5x19.5 cm. Dorian took 73 hours, Cassandra took 89 hours, and Sera took 75 hours.

I wonder which character I'll do next...

-

[Image descriptions: Embroidered versions of the Dorian, Cassandra and Sera character selection card from Dragon Age Inquisition.

Dorian holds a book under his left arm while casting magic with his right. There are white glyphs in the air and a white snake running under his cloak and under his arm.

Cassandra sits atop a war horse with Inquisition soldiers behind her. She wears black armour with a gold-trimmed cloak, and the Seeker flag and he cloak stream behind her.

Sera stands atop a slanted tree trunk with her bow held suggestively between her legs, looking at the Skyhold tower in the distance, where the tiny figure of the inquisitor is present in the window. Mountains and turrets make up the background behind her.]

[lookingforcactus]

Went to a big quilting convention today and am feeling inspired so here's todays edition of

What the fuck do you mean that's a quilt??

Most people have no idea about how much craft goes into quilting or how much quilting as a craft, art, and even a science has been evolving in recent years. So here's my personal appreciation post

And btw the flat images do NOT even do these quilts justice, especially in terms of the absolutely amazing and detailed texture embroidery that a lot of quilters are using these days. Up close the texture and the sheer detail of many of them is just stunning

These are all from the Road to California quilt show 2023

1st Place: Portrait

Title: Sharing the Moment Maker: Hollis Chatelain Quilter: Hollis Chatelain Design Basis: Maker's Original Design African-American women are a powerful force in motivating their families and communities to vote. I wanted to create a piece about this and highlight the fact that African-American women did not receive the right to vote in all 50 states until 1965 when the Voting Rights Act was passed. I met Phyllis at a rally. I was drawn to her and asked if she would be my model. Without hesitation she said yes. She later brought her friend Loretta with her.

1st Place: Naturescape

Title: Augustinii Maker: Andrea Brokenshire Quilter: Andrea Brokenshire Design Basis: Maker's Original Design “Augustinii” is a blue/purple variety of rhododendron my momma planted within her forest garden. I was lucky to be home on when it was in bloom. When I see this quilt, I am reminded of my momma and how she loves to tend her garden and “grub in the dirt.”

1st Place: Pictorial

Title: Leap of Faith Maker: Kestrel Michaud Quilter: Kestrel Michaud Design Basis: Original design In this Steampunk fantasy world, men and women have taken to the skies on ships held aloft by hot air, ingenuity, and luck. Faith’s favorite past-time is bungee-jumping off the side of her airship, with Bubo, her pet clockwork owl. This quilt depicts the photo Faith took on her latest jump to test her brand-new camera and selfie stick.

2nd Place: Naturescape

Title: Homage to Birches Bare Maker: Jessica Noble Quilter: Jessica Noble Design Basis: Fabric recreation of Kesler Woodward's Birches Bare, acrylic on I fell in love with Kesler Woodward’s Birches Bare painting and knew I had to create it in fabric. I cut about 1,700 pattern pieces out of freezer paper and then fused fabric, through the fall of 2019 until the pandemic started. During this time, I homeschooled my two children and the quilt sat in quarantine. I quilted this freehand on my midarm in the winter of 2021. I managed to take the majority of the summer of 2022 on the binding.

2nd Place: Pictorial

Title: Toroweap Overlook Maker: Sandra Mollon Quilter: Sandra Mollon Design Basis: Derived from a photo Toroweap Overlook, in the Grand Canyon National Park, is an incredible view of the Colorado River. When John Slot sent me the photo to consider for an art quilt, I realized the complexity of the amount of the pieces it would require, but knew I had to do it. Raw edge fused, machine quilted, small amounts of media.

3rd Place: Pictorial

Title: Catch it Yuri! Maker: Hiroko Miyama and Masanobu Miyama Quilter: Hiroko Miyama Design Basis: Maker's Original Design Inspired by dogs’ action. Yuri, golden retriever big jumped to catch a ball and Ponta, mix hardly waited his turn. Dogs and girl were fused appliquéd.

Seriously can you believe these are all quilts!!! incredible amazing showstopping spectacular

[kiwisoap]

I made a pomegranate :-)

[grison-in-space]

Man, there is a huge bias in the way that hobby fibercrafters approach and think about textiles—and I say that as a hobby fibercrafter myself! See, weaving has a high barrier to entry relative to knitting, crochet, spinning—even embroidery or sewing, these days, as the sewing machine automated much of the tedium of the craft. All of those crafts require a lot less in terms of startup costs to the hobby crafter than the machinery of a loom does.

But... look, if you want to understand mass produced textiles or textiles in any historical context, you have to understand weaving. If you want to understand how most of the cloth that people wear is made, you have to understand weaving, because weaving is the oldest art for mass producing cloth that can then be turned into garments.

Spinning is also very important, of course. Spinning is how you get the thread that you can turn into cloth any number of ways. Historically speaking, though, the most common way that thread or yarn becomes cloth is inarguably weaving. More to the point, weaving is also a historical center of industry and labor organizing. Ironically enough for the argument about how no one asked a woman, the industrialization of weaving is actually an interesting early case example of men organizing to push women out of a newly profitable position.

Besides that, knitting and crocheting in particular are incredibly modern crafts. Most modern knitting as we would understand the craft is shaped by the inventions of Elizabeth Zimmerman, and even things like the circular knitting needle date back only to the past century. Historically speaking, the great innovation of knitting as a tool for fiber craft is the ability to construct garments for small, odd shapes that can stretch and grip: stockings, gloves, underwear. Even that great innovation, the knit sweater, is an artifact of the 1850s—and the familiar cable knit sweaters of the Aran Isles are even newer than that. Crochet is even younger: the entire craft originated in the 1820s as far as anyone can document.

None of that is any shade on anyone. Like I said, I knit; that's the locus of my personal interest in textiles. I just think that textile history is neat, but if you're going to make big pronouncements about the historical development of textiles, it's important to think about what changed about the technology of textile production in the most common ways of turning raw fiber into cloth—and you cannot stop at the level of understanding how to make thread or yarn, because the properties of the cloth are always going to be an artifact of the construction of the cloth.

That's technology, baby! It's literally weavecraft. But it's not obvious that weaving is missing from the bounds of a person's experience with textile manipulation until and unless they're trying to understand and work with a wide range of fabric types—and when you can quite reasonably go from raw fiber to a finished garment using modern popular craft techniques that don't rely on anything that appears difficult for a medieval craftsman to make, it's easy to forget the role of weaving in the creation of cloth as a finished product.

I suppose the point I am making is: think deeply about what your own areas of expertise are not bringing to your understanding of history. It's easier to miss things you'd think.

[solipseismic]

autistic ppl in my phone were right. knitting fucks like hell

[trashpandacraft]

having sat down and spent a bit of time spinning on all the wheels, i have thoughts on them!

our first contestant: a sheridan scandanavian. kinda.

sheridan was an australian manufacturer in the 70s and early 80s, and this particular model is often mistaken for an ashford traditional. one tell that it isn't is the spokes on the wheel—a traddy has eight, and a scandanavian has six.

another tell is its tension knob, which i actually love—this is a lot easier to get a grip on than the ones that are just balls.

...there's also a nameplate identifying the maker and the model. but that's kinda where things get weird, because this? this is not what a scandanavian is meant to look like.

eagle-eyed readers may have already noticed that it's a double drive wheel, which is weird, because the scandanavian was only ever made as scotch tension. sheridan made a similar wheel, the macarthur, that was a double drive. my understanding is that these wheels were sold as kits, so as best i can guess, someone must have had a scandanavian and a macarthur, and at some point, for some reason, they dropped the macarthur's workings onto the sheridan's stand.

whatever she is, though, she spins nicely—works exactly like you'd expect, even after what was clearly a number of years of neglect. i'd like to get some more oil into the leather bearings, but she's in good shape. this one's a surprisingly slow wheel, even on the highest ratio, but will be great for plying and—more importantly—for @binchickencrafts to learn to spin on.

next up is the tarra...something. maybe the evelyn, but maybe the agnes?

she's beautiful, right? another tilt tension, too, which i like. lovely matching orifice hook with a little storage hole, and integrated bobbin storage, which i absolutely love.

so why's she weird? well. the evelyn was the evolution of the agnes, basically. agnes had a block for a mother of all, evelyn was shaped. agnes had a four-part drive wheel, evelyn had six. agnes had eight spokes on the drive wheel, evelyn had six.

this wheel, though. she has a shaped mother of all, an eight-part drive wheel, and eight spokes.

she also has a really neat flyer.

the flyer is part of what attracted me, to be honest, and no regrets. it needs shined up some more—i was eager enough to try her out that i cleaned off the worst of the rust with some vinegar, but it needs some more attention. those hooks, though, are fantastic. i think that they're a curse for a lot of people, because if one's lost, replacements are almost impossible to come by, but if you have them, they're so good. the screw loosens the hook and lets you slide it as needed, and you can get very close to either end of the bobbin—you can use the stationary hook to wind on right at the front, and the movable hook covers the rest of the bobbin easily. all my treadle wheels have been fixed hooks, so this was a new adventure.

this is the wheel in the worst shape, i think. she needs oiled up, but also needs to have the rear maiden reseated—it's loosened and has a fair amount of horizontal play, which doesn't give the best experience. i feel like when that's fixed, which won't take more than a couple hours and some wood glue, she's going to be a sweet spot of a wheel. even with the movement in that back maiden, i can get from worsted down to cobweb on her, so i'm really looking forward to seeing what she's like when she's been patched up.

finally: the pipy saxony.

please clap.

i can't overstate how small this wheel is. she weighs less than five kilos. that's like. a cat. that's a cat of weight. that's how much this wheel weighs. i knew when i bought her that she was a small wheel, but i hadn't realised how small, so i was a little concerned that she wasn't going to be very effective.

turns out joke's on me, because this teeny tiny wheel is an absolute powerhouse—as long as you want to spin finely. which is perfect for me, because i almost never use or spin yarn that's thicker than a light worsted, and even that's kinda pushing it. i'm the kind of person who knits jumpers out of sock yarn and owns multiple pairs of 1.5mm (size 000) circular needles.

this wheel wants to spin fast and wants to spin thin, and I *love* her. the wheel is weighted so it always stops ready to turn clockwise, and it's a string footman, and something about the combination of the two makes this an absolutely amazing experience. i spun for several hours, and my breaking point wasn't knee or ankle pain, but hip pain from sitting in that position too long.

how the heck does a wheel that—again!—weighs like ten pounds manage to weight anything?

it's easy to miss, but in that first picture, there's integrated bobbin storage again, with room for one on each side of the wheel.

the tension system isn't like anything i've used, and can be adjusted both vertically and horizontally. the tension peg does what you'd expect and moves the slider block (and the mother of all on it) closer or further from the wheel, but you can also move the mother of all towards you or away from you to better align it with the wheel.

she's just really nicely designed. look at this incredibly tidy bobbin release!

for the specific things that i spin most frequently, i'm pretty sure that the pipy is going to be my go-to treadle wheel, though i expect the others will see plenty of use, as well. and my eel wheel certainly isn't getting retired—my somewhat broken body is never going to let me use a treadle as often as i'd like, and there's a lot to be said for the ability to spin while watching television in bed. but i'm really excited to have these, and to use them when i can, even if it's not as often as i'd like.

i know that a lot of people are really dubious about buying used (especially vintage used) wheels, but i feel like they're often underrated. there's a lot of cool wheels out there that are as good or better than what you can buy in a store, and it's worth investigating it, if you're able to. (it's also worth noting that buying all three of these cost us less than half of what buying a single new ashford traditional would cost.)

finally, you want to see my favourite thing about the pipy? i saw someone complaining about this the other day, that their wheel's prior owner had 'gouged' it. but look.

that little gouge means someone else loved this wheel so much that their yarn wore a channel into the wood. and as soon as i stop holding my yarn back, it slots straight into place.

right where it's meant to be.

this wheel is older than i am—they're dated, on the bottom, and she was made in july 1972. she's only had one owner, a woman who used to teach spinning, but is elderly now and can't spin anymore. her daughter delivered it to me, and told me that this was her mother's last wheel—she'd gotten rid of the others, slowly, but held on to this until she was physically unable to treadle. fifty years! that woman spun on this wheel for fifty years.

i'm old enough that i don't imagine i'm going to get fifty years with it, but maybe i'll get lucky. either way, hopefully in another fifty years, someone new will be taking their turn, weirdly touched by the idea that this wheel has been so loved.

[trinity-jeevas]

I finished this one for a beloved coworker to give as a christmas gift. I can't wait to see what she thinks of it.

Pattern found here

For the back view and my thoughts on this piece, read more below

I actually found this to be a super easy piece to work on. Its only 3 colours and I worked on 14 count DMC Aida cloth. I didn't even have to move my hoop!

I did make a couple of small mistakes that no one wil notice unless they are compairing my work to the original pattern. Which means I don't really care.

I also mildly ignored the exact placement of the "Confetti" and instead chose the "Good Enough" method of placing all of it. Its not something I'm going to lose sleep over LOL.

I am really happy with how this piece turned out. Its been washed and ironed. Now I just need to measure it and go find a frame to put it in before wrapping it up!

[disgruntled-lifeform]

[knittingempress]

So ever since the news Murtagh and Thorn were getting thier own book I’ve been morphing back into the feral 13 year old baby fangirl with her first book boyfriend.

Only this time, I’m 31 with the yarn skills to make a cardigan to snuggle in when I binge it! It’s so big and so cozy and 😍🥰. I am OBSESSED with it!

The cardigan was knit flat seamlessly from the bottom up with increases to make the wing silhouette. The fronts and back were worked separately with short row shoulder shaping and joined with Kitchener Stitch. Stitches were then picked up for the buttonband and sleeve cuffs.

The pattern is mine, but I haven’t released it because it’s only written in one size and not tech edited. I haven’t done much size grading but if there’s a lot of interest I’ll consider it! Yarn is Knit Picks Swish Bulky on US 10.5/6.5mm needles.

[craft-the-wilds]

Purple Deadnettle Pattern

One of my favorite flowers 💜 Free pattern for whatever craft you like!

Based on these:

[saltpixiefibercraft]

Getting another batch of the rainbow fabric worked on as of 1/5/24, going to use this batch to make a bunch more of the little zipper bags and some new *experiments* I'm hoping turn out cool!

Have some loom ASMR!

If you have weaving questions, leave them on this post and I'll do a video at the loom answering the best I can!

[bismutharts]

my celestial squares vest can be put on! look at me making wearables!

i've got quite a bit to go still, here you can see my progress vs what i've done

if you think woah bis! that's a lot of ends you still gotta weave in! you don't know the half of it. i've woven in a lot of ends already! it's just that every. single. square. produces 8 ends! EIGHT. aaaand there's 30 to 38 squares in this project so that's 240-304 ends before even talking about trims and fastenings

i'm sacrificing so much for cool colours

look at this corner join though! i'm so proud of myself :)

if you want to see other posts about this project on my blog, i believe they're all on the #celestial squares tag ! also :) i appreciate likes, reblogs and comments

[kiwisoap]

Slowly working on repairing a worn spot in the heel of one of my fav socks......

[littleyarngoblin]

Quilt progress!

One long year later, THE QUILT IS COMPLETE. I’m absolutely in love with the end results and am also never making another quilt again. This was a major pain in the neck. I’ll knit the next blanket instead lol

[things-from-strings]

switching gears to work on smth w/ less history involved. too much focus on military shit gets me all depressed& angry, so this crazy-ass shirt makes for a good palette cleanser