But … how the staff swear? We Need to know that too…(of you want of course … love your art and your Amazing humor!!!)
(thank you! :D)
Trein: said 'damn' once when he was sixteen, still lays awake at night in embarrassment about his deplorable lapse in manners.
Vargas: swears like an old-timey carnival strongman. lots of "poppycock" and "what the devil" and an occasional "deuces!" (this makes classes very confusing for poor Deuce)
Crowley: doesn't intentionally swear, but every once in a while he'll, like...put together a presentation on the new staff policies or something that builds up to an acronym which, by complete coincidence, spells out something shockingly depraved.
it happens often enough that you'd think he's doing it on purpose, except. it's Crowley.
Sam: swears in the text, gets away with it because the character reading is always something else
(this is very specific to the Japanese version and probably too meta but I made myself laugh with it, I...I'm sorry)
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Souls are permeable-> The more you interact with a person the more it changes you. This is obvious when it's in friendship, and or it is a chosen change. But even if you don't want to change, knowing others will change you will regardless, in ways you may not be able to predict. That is the nature of all relationships, we are not static things. Yeah. That's it, just gonna think about this one all day
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i was able to snag a scene for the rephanimated project! (it looks SO good so far. everyone did an amazing job!!)(super excited to see the whole thing!!)
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when people try to argue that feminism is unnecessary, western import for bourgeoise women, that the wage gap doesn't exist, that civilisations are built solely by men in construction doing hard labour while the women are at home, show them the impoverished female bricklayers of India, who are 49% of the second largest industry (after agriculture) of 40 million constructors, and get paid less for equal work ($7/day for men, $4/day for women) because of gender discrimination and exploited due to being poor, illiterate, debt trapped, facing gender based setbacks (not being promoted to masonry or carpentry like men) and being unaware of their union rights
this work in general is exploitative, getting paid pennies on the dollar while corporations that build their mega complexes rake in millions, hazardous to health, no safety equipment, regulations, breathing in fine dust and construction pollution for both men and women. but women in particular face gender based discrimination such as getting paid a lower raw wage and lack of opportunities to get promoted from this heavy duty scaffolding work, in fact they often do more work than the men but aren't respected by their male peers. and the idea that only men historically have done hard labour, built civilisations is a false myth that erases the plight of the millions of women in the Global South.
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For folks who missed today's QSMP Movie Night or want to rewatch it with the original audio intact, I've uploaded the Movie Night portion of several members' VODs to a public Google Drive. I will keep these files up until Monday, December 4th, so be sure to watch and/or download whatever you need before then!
UPDATE: The lovely folks at @mcyt-archives have added all Movie Night 2 VODs to the QSMP Archivist VOD Masterlist. If you're still having trouble finding an unmuted version of the VOD you want to watch, check out their archive!
[ As a side note: thank you to everyone who left such kind comments & messages on the previous VOD Archival post. You're all so sweet, it made me feel really happy and appreciated :') ]
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Everytime a creative person doubts their right to create, a bit of universal magic wanes. Your artistic contributions to the world are a sacred act of expression that you gift the collective. It is a coagulation of pure magic & matter. You, the alchemist, stirring it all into harmonious perfection. Your art is not frivolous. Creation is a deeply human act, from sourdough to paint brush. Your desire to share your work and be a maker is not a waste of time. But the unwillingness to honor that creative impulse might be a waste of magic.
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