ok I just had a really fun hazbin hotel au idea
what if Lillith had dumped Charlie with Alastor before she fucked off to heaven, resulting in Alastor ‘raising’ (I use that term loosely) her for the 7 years leading up to season 1?
Edit: did a redraw of that first scene!!
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who here loves divorce? I do. here's captain star and captain zero: two people who can't help but drag other unwilling people into their huge mess! including the youth. can't forget the youth
(bit of ramble in the tags)
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stultifera navis rerun AKA thinking about Iberia hours again because a lot of the Iberians have such fascinating relationships with the concept of home but specifically Thorns and Lumen are eating at my brain. like where do you call home when the place that is your home Just Fucking Hates You? Elysium's rewinding breeze specifically makes a point to hammers home how differently Iberia treats its Liberi and its Aegir
(which is especially interesting since this comes right after a conversation where Purestream commented on how despite Leizi being a high ranking government official, there are still some experiences that are universal for all Yanese people - because the experience of what Iberia itself is like isnt universal for all Iberians)
But all that being said, Thorns also straight up states that Aegir is not his home, and yeah, how could it be? How could a place you've never been to, never truly known, ever be your home? How could it ever feel like a home?
so where do you go when the place that you are from hates your people and the place your people are from is completely unfamiliar and alien to you? Thorns' answer at the end of the conversation with Aya is: my home is where i chose it to be. my home is where there are people I care about and people who care about me
in the complete opposite direction, Lumen's oprec asks: why do you still stay in a place that wants you gone? because the people of Gran Faro like Jordi well enough but when push comes to shove, they will want the only Aegir in town gone
and yet, when Rald the messenger offers him a chance to leave Jordi turns him down and when he's forced to escape Gran Faro after the people there literally try to send him to his death (or worse) at the hands of the Inquisitors he keeps trying to go back because like everyone in stultifera navis, Jordi is clinging to his own dreams of a golden age
but the shape of that dream is unique to every character and for Jordi, his dreams are deeply, inseparably bound to the Eye of Iberia, the legacy his parents left behind
and it's this dream of becoming someone great, of bringing about that golden age that his parents devoted their lives to help create that ties Jordi to this nothing town because despite everything, despite the mistrust of the townsfolk and the hostility of the Inquisition and the danger from the ocean, he simply cannot leave it behind
(or, because i personally dislike the official translation,)
"I just see this place as my home"
so yeah. not sure what overall point i was trying to make here i'm just. deeply in love with these stories about chosing what is and isn't your home, of saying you will not call a place your home because it has given you no reason to or saying you consider a place your home even though it has given you every reason not to. deeply unwell about them <3
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I am once again asking people to stop assigning family roles to found family. It beats the point of having a found family in the first place
Also: "this character is a mom friend" ≠ "this character is the mom of the group"
One implies the friend is naturally caring, nurturing and thoughtful. While the other implies there's an assigned person in the group who gets emotionally burdened by people of their same age range to act like their mom
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Previous | Next
Transcript:
Matilda: Are you almost done?
Courtney: Uh-huh! Is he getting restless?
Matilda: Erm…
Courtney: Oscar’s outside if you wanna find him.
Matilda: Sure.
Courtney: And tell him he’s not supposed to be smoking!
…
Matilda: You’re not supposed to be smoking.
Oscar: I was just pretending-.. to look cool, y’know?
Matilda: [snorts] You’ll fuck yourself up, like nanna did.
Oscar: Your nan was pretty cool though.
Matilda: Yeah…
Oscar: Thanks for doing this, by the way. I know it’s kinda short notice.
Matilda: Isn’t it usually the woman who does all this wedding planning bullshit?
Oscar: Sexist much? She couldn’t plan a piss up in a brewery anyway-.. and she deserves it, and she loves surprises. So, yeah.. all she’s gotta do, is turn up in whatever pretty outfit you’ve cooked up together n’ have a good time.
Matilda: I wish it could’ve been us, sometimes.
Oscar: What?
Matilda: It would’ve been so much easier if we’d had.. chemistry, or whatever.
Oscar: We don’t though, do we?
Matilda: Fucking-.. obviously! God, you’re so vain; what did you think this was, a confession? You may as well be my brother.
Oscar: The fuck else am I gonna think when you say shit like that?
Matilda: We grew up together, we understand each other-.. we’ve even slept together. Why didn’t it feel right? Why is it so hard to find someone I have an actual connection with? Like we do, but.. romantically. You two you make it look so simple.
Oscar: I don’t know.. I guess fate had other plans, if you believe in that sorta stuff.
[Robin whimpers upon seeing Courtney, immediately reaching for her]
Oscar: He’s hungry.
Courtney: Clearly! What’s up?
Oscar: Tilda’s super jelly-.. she’s finally interested in what’s between a guy’s eyes as well as his legs.
Matilda: [laughs] Fuck off.
Courtney: Awh, you’ll find someone special sooner or later.
Oscar: And when you do, you’ll understand how simple it can be.
Matilda: [scoffs] With me? Doubt it.
Courtney: Bah! You’re impossible to console.
Oscar: Triss needs a lift, by the way.
Courtney: Now? We could-…
Oscar: Nope! The boy is hungry n’ I’ve got shit to do; Tilda can do it.
Matilda: I wish you’d stop tryna force-…
Oscar: [whispers] He has a girlfriend numbnuts-.. pleeeeease just take him? I’m running out of cars.
Matilda: Okay, okay! Get off me already.
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thinking about how pediatricians in star wars probably screen for force sensitivity, from asking family history to checking midicholorian counts to developmental milestone checks like “does your child every seem capable of moving and/or pushing things without touch?” and then they get referred to like, the jedi ig??? ‘yeah you can expect a home visit in two weeks they’re pretty good at seeing children early, now that other referral? yeah we’re booked out for 38 months but if you can travel two planets over you may be able to be seen quicker’
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It took me ages, but, here we are. I watched Army of the Doomstar.
I kept putting it off, in no small part because... That's it. This was the finale, there's nothing else to come. No more.
Also because we dearly wanted to watch it together with @birbwell since it's this show that brought us together originally and which built up our friendship, so - what a way to go full circle around the Wheel of the Klok, right?
Since 2011 I've been clinging to this show, and for ten years after Doomstar Requiem there was nothing, and now we've been blessed with an epic, beautiful, powerful tale that ties loose ends in the best way possible, and that's All there ever will be.
Just as much as this story was about the band learning to appreciate what they have and appreciate the fans, this movie was made with Metalocalypse fans in mind and it really shows. SO many little references to fanon things, and it was still done tastefully and respectfully of the characters and I just. Man.
What a love letter to us and to this long lasting series.
Seeing where MTL came from and where it ended up, it's so touching and amazing... Brendon built up his universe and decided to get serious and put so much heart into this silly serial shitpost, and what a Culmination for all this labor of love.
Idk if I have the Right words for the emotions I feel really. A mix of amazing glee, of peace, and grief, and it's all very Good.
Anyway. The End.
Chirp.
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# Mcu x Dp 40
The Sokovia Accords will force all enchanted people to register and be monitored by the government. Not only would the enchanted person's name be written down but most likely their power and how to restrain or weaken them if needed.
This means that a government person can easily take the list and sell it to individual people or force an enchanted person to do things for them. The list can also be leaked on purpose or by accident and a bunch of enchanted people would be put in danger by both the public and people who would like to use them.
This is a big problem for the Vigilantes who hide their identities to keep their families and loved ones safe. The civilians who have been minding their own business and probably don't have any experience fighting.
It's especially a problem for Danny, as he never had to keep his identity a secret from his ghost villains, he keeps his identity from the humans that could what to recreate his accident to gain power.
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(Going insane boinkinh one AU in my head)
Hey hey hey
May I interest you in
(Slowly slides my FaaF AU towards you but void just Disappears without a trace one day before the accolade)
Teehee
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Sorry but gone evil s6 pirate jay would be so hot fr fr, I want him to get punched in the face repeatedly before converting a bunch of Ninjago citizens into his gay pirate crew and doing uhhh crime
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this scene was for me and me alone
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like when i was in 6th grade i started an original novel that i then abandoned mostly-complete, came back to a few years later, and finished it, out of SPITE because i didn't like seeing it in my drafts and knowing it wasn't done.
and was it cool that i'd written a whole novel? sure! do i wish i'd, like... enjoyed it more? ABSOLUTELY YES. but at the time when i began the story, i had no idea how to write something that would feel like me. when i returned to it, proofreading was a massive pain because i was constantly cringing at what seemed like sixth-grade-me's embarrassingly clumsy attempts at writing something Cool™. i didn't see any way to salvage the story. and that was because all it had originated in was that desire to write something Cool™. that goal drove every creative decision. not a shred of it was genuine. there was nothing to salvage. so i just slapped together an ending, out of a sense of obligation, and that was that.
in 8th grade, i wrote a psychological horror short story about someone trapped in a room full of unsynchronized clocks. i think i'd just read the tell-tale heart. it creeped out everyone who read it. it wasn't at all Cool™. it was leagues, LEAGUES better - more sincere, more committed, more impactful - than that novel i'd started a couple of years earlier.
fanfiction isn't Cool™. fandom is still often cringed at in the Mainstream™. but Coolness and the Mainstream are the death of creativity. if all you're doing is imitating whatever's recently achieved commercial success, it will feel empty. a pastiche of booktok buzzwords is just that.
but if you allow yourself to create something ~cringe~, fully and wholeheartedly, then you can connect with your readers. you can figure out how you want to write. and you'll enjoy the writing process, instead of staring at a draft you started years ago, wondering how to finish it with the minimum possible effort so you can cross it off your list.
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I know we are not supposed to be rooting for Derrick (or anyone in Penelope's family really)
but he has such pretty eyes
Especially when he's frowning ;w;
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