#from: ambition

[ambiosollicit]

s1 charlie

[cy0120]

ambiosollicit -> cy0120

[lazylittledragon]

open discussion: do you think gale lets himself go fully grey or does he see one silver hair too many and immediately start looking for the fountain of youth

[tsunosagun]

i flew too high, please catch my fall

[mollysunder]

There is a theory that the way children play serves as a means to simulate and prepare them for the tasks they'll take on as adults. So for all the narrative weight both Jinx and the story give the boxing machine at the arcade it would never have prepared her or the kids to take on Piltover.

What are the two things that Piltovans excel at over their Zaunite counterparts to keep the hierarchy? Weapons and technological development.

When you look at the way Piltovans invest in their children, they don't prioritize hand to hand/melee combat training. Piltovans focus on giving their children experiences in handling firearms, a pursuit that is both leisure sport for the wealthy and a key offense against dissenting Zaunites.

And from the show notes even Jayce, whose family occupies the upper middle class, was sent on educational excursions across Runeterra to explore the world and learn what it had to offer. Without Jayce's education abroad he would never have been inspired to pursue the concept hextech.

It's no wonder that the two figures that are set to be Piltover's biggest threats from Zaun are Jinx and Viktor, becasue they engaged in the same kinds of games and activities as their Piltovan counterparts.

Jinx didn't have an entire forest preserved to help her practice her sharpshooting like the high houses of Piltover, but she did excel in the few games at The Rift (the arcade) that built on her talents. She's the only Zaunite thus far who's long distance offensive is a strong counter to Piltover's forces.

Viktor couldn't travel the world like Jayce did, but for better or worse he managed to stumble into an opportunity to get real opportunity in research not offered to his peers through Singed. It was through that experience that Viktor knew to turn to Singed when he was at the end of his rope, and the consequences of that will be fully realized in season 2.

Ironically, the kind of skill the boxing game champions is only good for keeping other Zaunites in line. Vander's days of fighting Piltover were way behind him when we first met him, and Vi spends season 1 primarily fighting other Zaunites. It's no surprise the Zaunites who embody the old ideal of strength in Zaun that the game portrays, Vi and Vander, are largely at the mercy of Piltover and end up collaborating with them to avoid further harm.

Zaun's future as an independent city-state couldn't happen if they stuck to their old ideals. The people who stand a chance against Piltover are the ones that not only succeed but excel at playing Piltover's games against them.

[wizardemotions]

pinterest showed me some screenshots of posts that gave me the concept for an au where both harry and ron are sorted slytherin & draco is just slightly less rude in the first book. i could go into why i think this makes a lot of sense for ron but i won't. i've affectionately dubbed them the platinum quartet in my head and they will not leave me the fuck alone

[thegreatyin]

fallen london stat prioritization is so funny because you're supposed to level all of your stats equally but also the way ambitions and stat specialization is structured means your character will inevitably end up with at least one or two stats that are their Good Ones and also watchful. level your watchful. level your watchful right now. post cancelled this is now a psa. railway content does not become accessible unless you have 200 watchful and this is a hard requirement You Need To Level Watchful

[souenkun]

Oh... where do I even start (collapses)

From the february issue of animage!

[polepositioned]

AYRTON SENNA / ALAIN PROST / THE MEDIA x mark antony's "friends, romans, countrymen" monologue from julius caesar by william shakespeare, act III, scene ii

[ @nicaeno , @sebsonism , @l0vagrend , @dafunzies , @28ms28 , @schumi-honey \ if you'd like to be tagged in stuff like this, tell me! ]

[canisalbus]

i would like to imagine that after machete dies, vasco starts collecting red things. red, like the soles of machetes shoes and the hems of his cassocks, the front of his nightgowns after a heavy nosebleed. or maybe he collects pink things, like machete's nose and ears and paw pads, or things white like his fur. he never collects anything black, however. red like the hems but never black like the fabric. black is too sad. it's grief, it's unfathomable loss and it means admitting machete is actually gone, stolen from the world. but ludovica is there, and she indulges his collections in little ways on the occasion. it's a small comfort, her love for her husband in their lavender way.

.

[felidaeng]

crystal

[eluminium]

Impulse: talking about how cool it was to reach 1 mil subs Someone in chat: Skizz is gonna overtake you soon

Impulse, no hesitation, with his entire impussy:

G O O D.

I can't wait. I can't wait! Honestly I would LOVE- I would ABSOLUTELY love to see Skizz pass me in everything. Subs, views, everything. Dude deserves it. I've been dreaming about that since I started. Him coming along and making his way up and overtaking me and me riding- I'll ride his coattails for a while, you know!

[theabigailthorn]

spent ages preparing to audition for a role I really really wanted and it's looking like (still unconfirmed) they might not even be holding auditions at all but have just given it to someone directly

which, meh, that sucks but that's the industry!

I'm just like now what? I spent a lot of my free time the last few months prepping and I genuinely don't know what to do with myself now!

[chandralia]

The big marshmellow seat in Kacchan's car is prob bc he wanted to show off that he got an expensive upgrade lol added bonus if he specifically chose to let Izuku be in the most comfortable and fun seat lol

I also like the headcanon of him protecting izuku it’s very cute 😭 and deku sinking further into it the more katsuki talks, like he’s enveloping and securing him… hashtag symbolism hashtag thinking 🤨🤨🤨🤨🤨

[mohntilyet]

Wait is the middle picture from those three sketches that one scene from the wigmaker job?

yes! it's this specific passage where lucanis is just seething with rage and trying to keep a lid on it, and illario's a stablising, comforting presence. BROTHERS!!!!! <3 though i chose to draw his hand on his shoulder rather than his arm i guess. artistic liberty!

[fisheito]

i am thinking about. From the Earth, Nectar

[wordpress-blaze-129103422]

Song of the Day: Leonard Cohen - Suzanne

A fine song and even finer piece of poetry (it began life as a poem, published in 1966 as part of a collection titled Parasites of Heaven), Leonard Cohen's signature Suzanne remains one of the most well-regarded and widely-appreciated popular compositions never to crack the Top 40. Part autobiography, part religious allegory, it seems to mean something profound to almost everyone, even though its real meaning is, I've discovered, a matter of fierce debate. In completing my customary research for this entry, I encountered all sorts of interpretations, various writers peeling away layer upon layer of supposed substance, and honestly, I've never in my life had to wade through such a morass of pseudo-intellectual gobbledygook, while emerging none the wiser.

Maybe the self-anointed intelligentsia are making it more difficult than it needs to be. There’s certainly not a lot of allegorical sub-text to the first and final verses, which actually form a straightforward account of his relationship as a young man with one Suzanne Vaillancourt, née Verdal, a bohemian performance artist and blithe free spirit with whom Cohen became close in his years circulating among the various artistes of the Montreal cultural scene. She was, by all accounts, almost irresistibly alluring, and according to Cohen every man she met fell in love with her. Alas, she was married to a fellow artist, a man so attractive in his own right that apparently, every woman who met him fell in love too, and in his best moments, listening to his better angels, Cohen wasn’t about to do anything to insert himself between the two, even if she’d been amenable, which she wasn’t; he once told an interviewer that as a couple, they were inviolate, you just didn’t intrude into the kind of shared glory that they manifested. Not that he didn’t think about it, of course, c'mon, a guy couldn't help but at least toy with the idea, just in the abstract, but he satisfied himself with an entirely platonic, albeit exquisitely intimate, relationship that never developed into anything untoward. This is from an interview conducted by Kate Saunders of the BBC:

Saunders: The song is about the meeting of spirits. It’s a very intimate lyric, very, very intimate.

Suzanne: This is it.

Saunders: It seems very sad that the spirits moved apart.

Suzanne: Yes, I agree and I believe it’s material forces at hand that do this to many the greatest of lovers (laughs).

Saunders: So would you say in a way, in the spiritual sense, you were great lovers at some level?

Suzanne: Oh yes, yes, I don’t hesitate to speak of this, absolutely. As I say, you can glance at a person and that moment is eternal and it’s the deepest of touches and that’s what we’d shared, Leonard and I, I believe.

It was beautiful as it was, and it was enough. Well, mainly it was enough. As Suzanne remembered later, once when he was visiting Montreal, I saw him briefly in a hotel and it was a very, very wonderful, happy moment because he was on his way to becoming the great success he is. And the moment arose that we could have a moment together intimately, and I declined. Over the years, there don’t seem to have been a lot of women who said no to Cohen. But Suzanne didn't want to spoil their special bond.

So this is entirely based in reality, an honest account of a precious moment set to poetry in which no poetic licence is taken:

Suzanne takes you down to a place by the river You can hear the boats go by, you can spend the night forever And you know that she's half crazy, and that's why you want to be there And she feeds you tea and oranges that come all the way from China And just when you want to tell her that you have no love to give her She gets you on her wavelength, and lets the river answer That you've always been her lover

And you want to travel with her And you want to travel blind And you think you'll maybe trust her For she's touched your perfect body with her mind

Suzanne really did have a place down by the St. Lawrence River, where the two used to meet and watch the ships go by. She really did serve him mandarin oranges and exotic, orange-flavoured tea from somewhere in the far east. The poem is practically a photograph.

Saunders: When you heard the song as opposed to hearing the poem, did you instantly think, that’s me?

Suzanne: Oh yes, definitely. That was me. That is me still, yes...

Saunders: Could you describe one of the typical evenings that you spent with Leonard Cohen at the time the song was written?

Suzanne: Oh yes. I would always light a candle and serve tea and it would be quiet for several minutes, then we would speak. And I would speak about life and poetry and we’d share ideas.

Saunders: So it really was the tea and oranges that are in the song?

Suzanne: Very definitely, very definitely, and the candle, who I named Anastasia, the flame of the candle was Anastasia to me. Don’t ask me why. It just was a spiritual moment that I had with the lighting of the candle. And I may or may not have spoken to Leonard about, you know I did pray to Christ, to Jesus Christ and to St. Joan at the time, and still do.

Saunders: And that was something you shared, both of you?

Suzanne: Yes, and I guess he retained that.

Thus the subsequent lines about Jesus, so moving and in a sense enigmatic, written, as they were, by a Jewish artist, would appear to have everything to do with the deep spirituality of his relationship with Suzanne, Cohen seeming to equate reverence for the divine with his intense artistic and aesthetic appreciation of his saintly Lady of the Harbour. Black-hearted stone-atheist I may be, but I've always been especially touched by this mournful depiction of a Saviour coming to realize, as he suffers on the cross, that his charges can't be saved, not, anyway, until it's too late to make a difference:

And Jesus was a sailor when He walked upon the water And He spent a long time watching from a lonely wooden tower And when He knew for certain only drowning men could see Him He said all men shall be sailors then until the sea shall free them But He himself was broken long before the sky would open Forsaken almost human, He sank beneath your wisdom like a stone

Only drowning men could see him; it's almost a corollary of the old saying that there aren't any atheists in foxholes, contending that there aren't any believers outside of them, either. In Cohen's telling, people only turn to God when they're in extremis. Otherwise, impliedly, they live meaningless, empty lives devoid of understanding, never attaining the olympian perspective afforded by the high plateau upon which he used to commune with lovely, beloved Suzanne, the deep, captivating woman in the Salvation Army hand-me-downs who saw beauty in the mundane, knew how to find the treasures amid the uncollected refuse, and held the mirror through which Cohen saw himself through her eyes.

+++++++++

Suzanne Verdal

Source: Song of the Day: Leonard Cohen - Suzanne