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#fucking identical twins
excali8ur · 4 months
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So there's this AU,
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sharkylad · 16 days
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Thinking about the fact that Mabel and Dipper didn't know they had two great uncles.
Yeah they are 12 and at 12 I had a shotty understanding of my family tree- But really? Nobody brought up their great uncle? Stanley? Especially since they'll be staying with his twin brother, Stanford?
Shermie never went to Stan's fake funeral, which to me means the twos relationship was strained on some level. If Shermie is older that means his view of Stan was poisoned in some way, that even as kids they weren't close. If the Shermie is younger then he never even got to meet Stan and all he knew about him was how he failed his family. Hell, people probably barely mentioned Stanley TO Shermie.
The fact that Stan had become a black stain upon the Pines family name makes me so vividly upset. Stanley faked his death and the family just- seemingly decided to strike him from the record. To pretend he didn't existed to spare themselves the sadness and shame.
Stanford and Shermie Pines. The only children worth mentioning of Filbrick and Caryn Pines.
It was never Stanford that was lost to the world. It was Stanley, ever since he had to leave New Jersy- it was always him that had to be struck from the record. Change his name, change his state, change his affiliations, destroy the remains of ghost that was Stanley Pines. Kill him so the family doesn't bring him up, doesn't ask questions, stops asking "Stanford" about his twin.
I just keep thinking about the fact that since the day he made one single mistake all the way up until Ford walks out of that machine- Stanley Pines was killed and did not exist. And Stan himself had no one to blame, he had to play the part in his own demise- He is the only one who ever knew Stanley was alive and has been for decades.
He lives in the multitudes of every personality he's ever taken, all in the hope that he himself can stop being Stanley Pines.
#gravity falls#grunkle stan#stanley pines#STANLEYYYYYY#STANLEY THEY COULD NEVER MAKE ME HATE YOU STANLEY!!!!!!!!!!!!!!#sharky rants#Just. Imagine the fucking shame you have to live with#the shame that you can never be yourself. That anything you were is unwanted and forgotten#The shame of just BEING- Of taking space of- of /breathing-/#Imagine the world; your friend; your family; your colleagues being so ashamed of having known you#that you feel more comfortable with a persona to present.#You feel more comfortable stealing the identity of someone you care for deeply if only to help#If only to feel capable for once. To feel like you belong- Like youre doing something good for once#Imagine the shame that brings you to be comfortable not being yourself for 40 years.#ALL CASE YOU BROKE ONE FUCKING PROJECT??????? COME ON#I mean- the deeprooted shame was started from earlier. He was 'the stupid twin“; 'the troublemaker”; “the cheat and thief”#This was a long time coming#But those werent MISTAKES- The one time he genuinely made a Mistake he lost everything#Like he really mattered so little to the people around him#and he cant really blame them.#My cousin is a genius. Hes smart and academically achieved since I was a baby.#The only thing I had that he didnt was my ability to draw. to be creative. The guy for the longest time had a better social life then me too#I used to get brought to tears seeing his accomplishments- seeing people praise him. The shame lived in me any time I had to see him#The shame that I was the black sheep of the family next to the golden standard for a son- for a student- for a friend.#when I was none of those things#And Im lucky he was my cousin- cause if he was my brother that would have haunted me EVERY DAY rather then once or twice a year#Im better with it now; Im more content with who I am- But trauma dump aside-#I very very very much understand Stans shame in being the stupid one. The unachieved one in a family full of achieved people#the shame thats angry at him for being better. at the family for treating him special. and most of all at yourself that you cant be better#its a visceral feeling that I sadly understand
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samanthamulder · 1 year
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TVARCHIVE'S TV APPRECIATION WEEK 2023 | DAY 5: lgbtq+ pride —Denise Bryson in Twin Peaks (1990, 2017) 🩵🩷🤍
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tapeworrmart · 1 year
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"Seperation can be a terrifying thing" 🥩🔪
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starry-bi-sky · 7 months
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I'm having incoherent thoughts about clone danny again from the clone/clone^2 au (when am I not?) but more specifically I'm thinking about his reaction to finding out he's a clone. The standalone clone au digs into that a little more than clone^2, which is more focused on Danny and Damian's relationship. But neither (so far) really get into Danny's issues about finding out he's a clone after 15 years of thinking he wasn't.
Because he resents his parents for not telling him for so long. He resents the way he found out; through a trivial school project rather than a sit-down talk. He resents the fact that, apparently, they had meant to tell him sooner. But forgot. He resents the fact that they never told him because finding out feels like something was stolen from him when it had the chance to not be.
Danny Fenton, just fifteen, cloned not even half a year ago, knows what that personal violation of autonomy feels like. He knows what it's like to be cloned and while he loves Ellie, he does, she's his sister, and in this au his twin. But he is still left with that feeling of unsafety after realizing he'd been cloned. Being cloned is violating. The onset realization that it's so easy to get DNA without the other party noticing, and that what was stopping someone from trying to clone him again?
Followed only after with the rest of the inexplainable mix of feelings of being cloned, the rest of that inner conflict and panic that's an ugly mocktail of emotions that range from horror to fear. Trying to imagine what it's like to be cloned from the cloned party, and I imagine that it leaves you with the feeling of needing to crawl out of your own skin with discomfort.
And then he gets put on the other side of it. Danny Fenton, only fifteen, was cloned not even half a year ago, finding out he is a clone. And reactions, I imagine, can vary from person to person. But to him, it feels like something got stolen from him, like someone took a hole puncher and stuck it right into his chest and stole a chunk of himself from him.
It changes nothing about him and yet it changes everything. It's a betrayal on it's own to just find out he was a clone and they didn't tell him for fifteen years -- it shouldn't mean anything, because he's still Danny, and yet it means everything. It's him, it's him, it's about him. It's his personhood. It's about the fact that a load-bearing rock in his identity just crumbled beneath his feet and now there's a rockslide.
Because then he finds out that they used the wrong DNA. Its like pouring salt in an open wound. He's not even related to his parents or his sister, when for years he thought he was. It's the fact that pieces of his identity that he's been so secure in for so long just got ripped away from him in an instant. Then they tell him -- only through his own horrified prompting -- that the person whose DNA they used -- Bruce Wayne -- didn't even know he existed. That they accidentally used the wrong DNA, then didn't tell the person whose DNA they used.
The betrayal of being lied to for years turns really quickly into horror at his own existence. Something very similar to the horror he felt at being cloned and the skin-crawling discomfort that made him feel like his own skin wasn't really his. And then its not. It's actually not. Nothing but his own name feels like it belongs to him anymore -- not his hair, not his eyes, not his heart or his lungs, nothing feels like his anymore and he didn't know what that felt like until it was gone.
It's a question of Nature Vs. Nurture -- where does the line of "nature" begin and where does the line of "nurture" end? What of him is actually his? What of him is Bruce Wayne's? It's not logical, it's not supposed to be. It's a load-bearing wall on the house of his identity being destroyed and now everything else is caving down in on him. What belongs to Danny, what belongs to Bruce Wayne?
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kookyburrowing · 5 months
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some of you will really look at a group of people who regularly refer to each other as siblings and have close relationships with each other and are literally genetically identical and go “but it’s not incest because there’s so many of them!” girl there are a great many royals in europe and yet that is very much still incest.
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akuma-tenshi · 4 months
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been thinking about them again
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tennessoui · 1 year
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we're firmly stepping into clueless kit territory but modern au where obi-wan goes out to a bar to watch a basketball game with his friends from work and while he's waiting for a 3rd/4th round of drinks, he spies a very pretty and handsome guy leaning up against the counter looking bored af
and no one that pretty should look that bored, especially in a crowded and loud sports bar, so he makes his way over to the man.
"not your thing?" he asks, gesturing to the television, and the guy looks over, takes his measure, gets a hungry glint in his eyes, and says, "no, i'm not really into it, i just came with a friend" and obi-wan takes this to mean the very attractive man looking up at him beneath his eyelashes and touching his arm is not into any sport and he's quick to be like oh yeah no me neither i don't have the head for it i don't know anything about sports fuck sports 100% i hate sports (never mind that obi-wan coaches a little league, baby's-first-soccer-team part-time and loves it) and the attractive man laughs and rubs the back of his head and agrees and gives him his name and lets him buy him a drink
and they spend the night together and it's great and then a week or so later the assistant coach and league admins are all abuzz because famous (and single and hot) hockey player ani skywalker enrolled his twins in their soccer team program and obi-wan doesn't think anything of it until his one night stand rocks up to drop off his twins and they're both like :0 before going to argue in the locker room
("you said you hated sports, mr. hockey legend!!"
"i awkwardly laughed when the guy whose dick i wanted to suck said he hated my livelihood!! and you're one to talk, mr. coach of my twins' soccer team!!")
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the previous poll and post it is referenced from:
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animalcrossingshowdown · 10 months
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you’re pitting those bad bitches(mom’s plushie) together and it pains me to see them fight😔
okay people say this every round for most match ups but it has never been more true than with mom's plushies
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delusionalblfan · 9 months
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you know what i miss the most? a stable mental state
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tomatoluvr69 · 8 months
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Sure I’m glad (mostly) that YA is the booming juggernaut it is today because it’s cool that 14 year olds can have stories for them. Sure. More books is always better. That’s fun— thoughts on book influencer culture and grown-ups and literature as soulless and ever-churning product aside. It’s cool to walk into any tiny neighborhood library branch and see a dedicated space for teenagers. When I was a young teenager there were a couple of small shelves in between adult audiobooks and the biographical section where you walked in and your choices were either Twilight, Eragon, or some candy-pink Sex And The City-lite dishy little book like the one that has got some reason come rushing unbidden to the forefront of my memory this morning called “Vegan Virgin Valentine” which I never wound up reading but was always compelled by through a mixture of intrigue and condescension. The YA landscape pre-Hunger Games mania was like…here’s a super scandalous book about anorexia or teen pregnancy written in verse. Or a pandering Book For Boys about combat or fart humor. Or a twilight knock-off about a girl who has sex with a ghost. So while any glimpse of the bloated realm of teen publishing makes me feel exhausted on account of the feverish adult fans who populate it it’s probably full of important stories for teenagers. But like truly Kids These Days have no idea what it’s like to have your only option be called “The Earth, My Butt, And Other Big Round Things” (real) or “Everlost: Soulfyre Book 3” (fabricated poorly for effect)
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Building off of what I wrote in my fic "Sparks," I'm really compelled by the idea of Ford genuinely no longer being interested in sailing around in a boat with Stan by the time they were seniors in high school.
I like the idea of it not being just a symptom of the resentment that had been building between them, nor it being a dream of Ford's that only paled in comparison to west coast tech, but it being a genuine loss of interest on Ford's end. I think it complicates things even further in some really juicy ways.
Like, imagine going through high school slowly losing more and more interest in the dream you've shared with your twin and only friend ever since you were little kids. How do you break it to him? How do you explain it to him without making it sound like a rejection of him? Without it making him hate you?
How do you explain it without it feeling like a spit in the face to all the hard work he's put into a plan that started out as a way of him comforting you by telling you "it doesn't matter what people say about you, you're going to be an adventurer who sails away into the sunset and never has to hear their mockery ever again, and there will be babes and treasure and heroism, and then they'll all see how cool you really are!"
And all through high school you think to yourself, "he's going to move on to more realistic dreams any day now, and then I won't have to say anything about it!" But no matter how many times you mention something else he could do with his life that he seems interested in, or bring up the challenging logistics of traveling around long-term in a boat, he sounds just as committed to the childhood dream as ever, and completely oblivious to how apprehensive you sound.
So resentment grows, little by little. Because that's easier than confronting the soul-crushing levels of guilt that are building up inside of you, every time you don't take an opportunity to tell him you don't want to do the plan anymore. You don't have a single person in your life who modeled how to have difficult conversations for you. As far as you know, having this conversation with Stan would crush him into tiny little pieces and then he would hate you forever, and you can't stand the idea of losing the only friend you've ever had.
So tensions grow. A lack of interest turns into a bitter resentment that, if you were really being honest with yourself, is directed more at yourself than it is at Stan.
And then the falling-out happens, and it seems like you were proven right. Stan hates you now, and he's never going to forgive you for giving up on his dream. But two can play that game, so you try to hate him too. Because if you hate him too, then maybe it won't hurt as much that he never came back. That he never even turned up at school, or by the boat, or in through your bedroom window in the middle of the night. He knows what dad's like, and how he says impulsive exaggerated things when he's angry, and haven't you both dealt with his harsh words countless times before and been able to dust yourselves off and joke about it later? So why isn't he back at home, joking with you about how absurd your dad acted that night, being impossible and belligerent about ruining your dream, but at least now you're even, because you've ruined his dream too.
-
And now imagine you find out he risked the lives of everyone in existence to bring you back, right after you had accepted your fate was to die killing Bill. It would be terrifying and confusing and infuriating. If he cared so much, why didn't he do something to reconnect with you sooner? Why did he ignore you in favor of trying to make it big without you? Why didn't he take the infinitely safer and simpler action of reaching out to you without you having to track down his address and send a desperate plea for help? You were convinced that he didn't care enough to bother with you unless you had an important enough reason for him to come. But even then, he thought your plans were stupid. He didn't want anything to do with you, not even with the world at stake.
Did he save your life out of guilt? Does he pity you that much? It doesn't add up with what he did in the decade leading up to shoving you into the portal. And the dissonance between the version of him in your head that hates you, and the man who held out his arms to welcome you back to your home dimension, is so strong that you feel like you're being lied to again, like you're back in the depths of gaslighting and manipulation that Bill put you through, even though there's no way that's what Stan is trying to do... right? You can't figure it out, so you run away from it. You don't want to know the answer to whether or not Stan hates you, because you don't know which answer would hurt more, so you try to make him hate you more than ever, because at least then you would know for sure how he feels.
And in the end, after he sacrifices his memories for you, and for the world, things seem clearer. The layers upon layers of confusion and anger and hurt seem to have washed away like drawings in the sand, leaving behind the simple truth: that you two had an argument, and didn't move past it for forty years, and despite everything you put each other through, you both still want to re-connect.
So you sail away in a boat together.
And at first, it's wonderful. It's exactly what you want. It feels like an apology to Stan, and a thank-you for saving the world, and a once-in-a-lifetime chance to heal the rift between you two, and it's good to be back on earth, and you wonder why you ever doubted the dream you two once had.
But then, after the first long journey you spend on the sea together, when you get back home to dry land, Stan is already talking about planning your next adventure out on the open sea. He recaps every adventure you had on the first trip, over and over again, and he wants to chat with you all through the morning and long into the night, and you don't have the words to explain to yourself that you don't have enough social battery for this, and suddenly you're slipping back into the horrifyingly familiar feeling of Stan being overbearing and needing space from him and how could you think that? How could you think that about him after everything he's done for you and everything he's forgiven you for? But the longer this goes on, the more you realize that you still don't want to spend the rest of your life sailing around with Stan. It's great fun in moderation, but the idea of your whole life revolving around Stan and going on adventures with Stan and being in a boat with Stan with no time to be by yourself thinking about your own things and figuring out your own dreams makes your skin crawl with a claustrophobic kind of panic that you still don't know how to put into words forty years after the first time this feeling grabbed you by the throat and ruined your friendship with Stanley.
But the first time this happened, it nearly ruined his life forever. You can't let yourself feel this. You don't feel this. You're happy to spend the rest of your life fulfilling Stan's lifelong dream, and making up for the time you crushed his dream, and sure, maybe he crushed your dream once too, and maybe it would be nice for him to support your dreams like you're now doing for him, but you can't say that. He saved the universe, and it would be horrible and ungrateful and cruel for you to try to voice these feelings, especially when you don't know how to voice your feelings without it making other people feel like you twisted a knife into their gut. So you try to pretend the feeling isn't there.
You go out on a boat with Stan again. You planned out another incredible journey together, and this should be fun, and you should be happy about this, but the unspoken feeling you shoved as far down in yourself as it could possibly go is eating you alive. The worst part? Stan is starting to notice. You have never been good at hiding your emotions. The trick to it has always been to convince yourself you don't feel it at all, and not think about it, and that has always worked like a charm. But whenever the emotion claws its way back up to the forefront of your mind, you can tell Stan knows something is wrong. So you can't even give him the happy ending he deserves. You can't even convince him that you want to be here on the open seas forever with him, like he deserves. And you keep trying and trying to hide it, but Stan keeps asking in roundabout ways, like "You're being awfully quiet, sixer," and "whats that look on your face?" and eventually it comes exploding out of you like a shaken-up soda bottle dropped on its cap.
And then it's like you're back at home in New Jersey again, standing in the living room while dad grabs Stanley by the shirt. It all comes pouring out of you, in the worst possible way, with the worst possible phrasing, like a pandora's box of monstrousness, and Stan tries to fight back against the sting of your words, but you're made out of acid and you're burning through him and you can see it on his face, and there's never any coming back from this, not this time, you'll just have to either jump into the ocean or become a monster forever, so Stan can hate you more easily again, and-
-and at the end of the outburst, you're still on a boat in the middle of nowhere in the ocean with your brother, in dangerous waters, and you have things to do to keep the boat running smoothly.
You can't run away from him. He can't run away from you. You're stuck here for at least a couple more weeks, even if you turned around and sailed back towards shore right away.
-
And the thing that compels me so much here, despite how unbelievably angsty it all is, is that it sets up a situation wherein the Stans might end up forced to actually address the decades of resentment and confusion and wanting-to-reconnect-throughout-it-all that they thought they could gloss over and heal with enough time spent adventuring together on a boat. They might end up forced to actually address the crux of the issue that drove them apart in the first place: Ford wanting a little more space to feel like his own person, and to feel like he's able to have his own dreams, too.
It wouldn't happen easily, nor right away, but if they were stuck together on a little boat in the middle of nowhere surrounded by magical creatures they have to protect each other from in order to make it back home alive, then after they had one fight where they brought up all the things they silently agreed to never bring up again, it would probably happen many more times, and each time it would leave them both angrier at each other than ever, until eventually something honest slipped through amidst all the saying-anything-except-what-they-mean bickering. And once enough of these honest moments slipped through, then they would have a thread to tug on to start to unravel the gargantuan knot of their decades of unresolved conflicts.
And then, eventually, maybe Stan could learn that he can have a good friendship with his brother without needing to be glued to him at the hip, and Ford needing a certain amount of alone time doesn't mean he dislikes him or wants to abandon him, and Ford could learn that he can be honest and have a meaningful connection with someone without it driving them away and making them hate him.
#succumbed to the stan twins angst visions and wrote 2000 words about this#ford pines#ford meta#this turned into a character analysis that almost reads like a fic#godswriting#<- i need to change my writing tag to this#something bothers me a little bit about the solution to their conflict being 'ford appreciates stan more now so he is now fine with-#-boat adventures with stan'. to me it leaves the initial conflict of 'he doesnt want to do that anymore' unresolved#obviously you could easily argue that ford never stopped wanting to go on boat adventures with stan and he just couldnt justify it to-#-himself when compared to the opportunity at west coast tech. but that has one less layer of conflict#compared to the possibility that he truly was not interested in boat adventures anymore. ESPECIALLY if its a manifestation of him#feeling suffocated by the whole dynamic-twins-duo thing#its normal to start wanting a little bit more space especially at that age. to want to have space to figure out who you are#the healthy thing would have been them talking about it and figuring out a compromise. like 'when ford needs space he can spend a few hours#-alone without stan being worried the whole time that it means ford hates him' and 'we still spend x amount of time working on the boat and#-we still chat on the way to and from school every day and hang out at the beach on weekends'#like of fucking course it was never about hating stan or about wanting to get away from him because of who he is as a person!#he literally just wanted to have a little bit of breathing room to be his own separate person. he just didn't know how to put it into words#I really think the crux of it all was them not knowing how to navigate that balance between independence and identity while staying close#so ford misattributing/reducing that feeling to 'I dont have the exact same dream as stan anymore. why does he still have that dream. oh no#feels like a good way of giving that conflict a tangible aspect to it thats easy for the stans to point at and talk about as a way of-#-alluding to the REAL core of the conflict between them.#and of course the show never says 'they sail around the world for the rest of their lives 24/7' so it's not like it Actually Conflicts with#-my interpretation of the conflict and how it should be resolved. but since its the last thing we see happen between them when theyre given#their happy ending. I feel compelled to say 'hey I know them living in the shack together and traveling in a boat every single year sounds-#-really fun and like a satisfying ending but I think they should have a Little Bit more space from eachother than that. Hanging out almost-#-daily but not literally being in the same house and same boat for the rest of their lives. bc if stan was ok with ford asking for that-#-little bit of space and if ford didnt panic and isolate himself from everyone whenever he needs like one hour of alone time? that would-#-feel like a big piece of the puzzle fitting into place for their conflict resolution and growth as characters. to me#and I think they deserve to have all the tied-up-loose-ends and resolved-conflicts and character-growth in the world.
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kradogsrats · 9 months
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... my screenshot program crashed with like 30 unsaved shots from the last four hours ha ha ha ha ha haaaaaaa
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so I present to you the one survivor: documentation of the ONE SINGLE MODEL that I have EVER seen in this ENTIRE SHOW with the area where her neck connects to her torso fully exposed
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ruvviks · 8 months
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waller lets the twins dye their hair once a year if they behave ↳ maverick (he/whatever) and monroe (she/her) belong to me, jack (she/whatever) belongs to @reaperkiller
commission info // support me
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i’m obsessed with those “itkg finds out gojo raised megumi” fics & now i’m just giggling at the idea of like every month they find out megumi is someone’s boy. it could be yuuta. shoko. maki. gojo. etc.
kamo is fighting to get megumi as his boy but :( he’s just not valid enough. yuuji is seething at the idea that everyone get to claim megumi as their own in some fucking way but meanwhile, he can barely find the courage to hold his fucking hand.
kugisaki is just wondering if megumi is like the village baby. like does she need to step up? she absolutely will because she needs a doll to practice makeup on & etc. gotta put those lashes to good use.
(also the idea of gojo using jujutsu terms to describe the most parental things like sex. god i don’t even wanna imagine his period talk.)
Megumi had to give the period talk.
It was the second worst and most painful talk of his life. It used to be the first, and then Gojo decided that Megumi needed to learn about safe sex and the magic of his changing body. megumi almost killed them both just to end that conversation.
Tsumiki was unfortunate enough to have hit her period before everyone else in her class, and she was always kind of isolated from the rest of the kids because of Everything with her home life. She wasn't inviting people over for sleepovers, and she didn't really go on them herself. Her mom was completely checked out of her life from a young age. And I head canon her as someone who tends to neglect her own needs in favor of everyone else's. So she had absolutely no idea what was happening when her period came. She hadn't heard of it at school yet. She hadn't heard of it from her mom. She hadn't thought to look up what exactly happened in puberty for herself yet. She thought she was bleeding internally. She thought she was dying. It was a point of hysteria.
It did not help that Shoko had spent years lying wildly about what happened on a girl's "time of the month" to Gojo and Geto. To this day, Megumi has no idea what Gojo thought happened on a woman's period, but it sounds suspiciously like lycanthropy. As a result, Gojo also thought she was bleeding internally. He almost teleported her to Shoko for healing. He was about to take her to a hospital.
Luckily for them both, Megumi secretly loves his sister and had very quietly prepared for this eventuality while hoping beyond hope that it would never come to be.
He didn't want to do it. He just knew that Tsumiki wouldn't think of herself and that she didn't have a mom to walk her through this. At least for him, he knew that Gojo had lived through the amab puberty experience. He assumed that Shoko would step up to the plate when the time came, but Shoko was more of a wine aunt than a mom figure, and he just wanted a contingency if she didn't.
He read a book on what to expect with puberty for afab reproductive systems. He immediately returned this book to the library. He said nothing about any of this to anyone ever. He shut the fuck up about it for years. He was happy not talking about it.
Until Tsumiki got her period. And it was treated like cause for a hospital visit instead of the corner store.
Megumi calmed them both down. He told them that they were going to shut up, sit down, and listen. Absolutely no eye contact would be allowed for the duration of this conversation. They would never speak of this again. There would be no questions at the end. Everyone shut the fuck up and listen.
It was a comprehensive and medically accurate explanation. There were diagrams pulled up from the internet. He gave one (1) stiff hug to his sister and informed her that if they ever spoke of this again, he would have no choice but to kill them both. Then, he went upstairs and tried to forget it ever happened.
legitimately every time they turn around, they find out that Megumi is someone else's Boy. First it's Yuuta, and that's a crisis and a half--mostly for Yuuji, who seethes with a quiet and unexpected jealousy. Then it's Maki, who very unexpectedly fussed over Megumi's injuries after a mission and lectured him about being careful before sending him to bed. Then it's Gojo and finding out that Megumi is literally his boy, like he's his legal adoptive son. Then it's Panda and Inumaki, who have decided that the Village Baby custody agreement that only exists in their head means it's Their Right to harass any of Megumi's potential romantic partners, leading to a very confusing conversation with Itadori, who was still buffering with his gay awakening and hadn't realized he was a potential partner.
It's not Kamo. It's never Kamo.
(Kamo: he could be my boy
Maki, not missing a beat: he really couldn't
Kamo: he could--
Maki: he never will be)
Nobara doesn't have Yuuji's homosexual drive to make Megumi Her Boy but she does have a rapidly developing codependency with him and a healthy sense of competition. Fuck it, he's her boy now. She'll do it better than everyone else. She's got Her Boys and none of them go outside without the other two anymore. They're a Unit. they're gay idiots but they're her gay idiots. Fuck off.
Megumi absolutely has no awareness of any of this happening and would not be happy if he found out it was.
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