#fun fact i was originally going to put the actors names instead of my own username but i changed my mind at the last minute

[brokenhardies]

Life on Mars AU Barbie Posters

"Liz Tyler? I'm the Doctor, and I need you to come with me."

Jane had retired after finding out the truth of the Timeless Child. She was living a normal life under a fake name in an apartment on Ruby Road. She spent 3 years getting used to normalcy and she was certain that was what was going to continue to happen for the rest of this life... Until she gets dragged onto the dance floor by a stranger at a nightclub.

"Absolutely not!"

Taglist

@darth-caillic​ @sterling-writes​ @wonderguards​ @reirvival​ @arrthurpendragon​ @foxesandmagic @eddysocs @superspookyjanelle (want to be added or removed? send an ask or a dm!)

[phoenixmosheh]

6/20/23

Caution:

Welcome to the Phoenix Mosheh Blog. If you come across any accounts asking for money or donations of any kind using the Phoenix Mosheh name. You are being scammed and hustled out of your doe (money). Phoenix Mosheh does not ask for money or sell any products.

Phoenix Mosheh provides FREE CONTENT ONLY...

This goes for any affiliates working in cohesion with Phoenix Mosheh such as ...

1. The Brand Enchantress

Or

2. Eden's Nightgarden.

If you get scammed...this is your own fault.. because you believed in a lie without doing your own research and without any evidence.

Stop being a follower and use your own brain.

...with that said

Enjoy the Blog (show). If you are 18 or older you have the option to turn on your mature tumblr settings... so that you can view "mature audience themes" because Phoenix Mosheh has a bunch of copycat haters who got their feelings hurt when Phoenix Mosheh threatened to expose their sorry fake personas, crimes, work ethic and moral to the public, even though this blog has no followers (dummies) ...which resulted in these "we have money but no brains idiots" peeing on themselves over how to hide certain blog post. Instead of these idiots apologizing for all the dumb and selfish chess moves they have made in life... they reported certain post to tumblr in fear of exposure and becoming a hit tv show.

You will not see all of these exposures without turning your tumblr settings to mature audiences...(again switch on all the mature audience settings...like you do lightbulbs.

https://youtu.be/0z0J_t33-b4 - YouTube Fifth Amendment Miss Sloane Scene

(This Katy Perry video reminds me of that time they made up "Eve eating the forbidden fruit" great myth. The subconscious is a beautiful thing.)

The Goal: I want to recreate this scene of Jennifer Lawrence...only I want to see if you can do a better job than an actor after realizing your subconscious has been asleep. (Like a science experiment).

Who am kidding...I have this bet with God that you won't survive this blog or be able to comprehend the underlying patterns within the entertainment content posted (recreated by the actors, musicians & everyday souls you love) which are most certainly based on biblical characters and predicted prophecy hidden within your entertainment (your welcome again). God seems to think differently. \

Fun Fact: Muslims.

Did you know the hijab was originally used in the bible to hide a Melchizedek's womans beauty in order for her to flee...it was a whole movement of women...Don't get me started on the Burqa...poor Sarai those eyes would have given her away...please don't cut my head off. (you all have made it look sexy asf though ...great work)! Stay safe.

Luckily, I'm not here to force you to read the blog...I am just here to put the information on the blog ...so when sh*t hits the fan ..you as an individual cannot say "why didn't God send someone to help us." This is most certainly on purpose... So, I can sleep peacefully at night knowing I tried.

Are You Still Awake?

...every now and then Phoenix Mosheh throws in what many would call gangster...ghetto music... God calls it "Its time to hurt somebodies feelings music"...don't be so sensitive betch... we have a gangster theme going on ... its like putting hands on someone audibly. It would not have the same effect if acoustics were playing...this does not mean we don't like classical. It means the message we are delivering would most likely fail otherwise. Do you shag (have sex) to the ABC's betch...the Phoenicians did check them out... hit that g note!

You may also notice Phoenix Mosheh uses your everyday entertainment like scenes from movies, scenes from tv shows and tarot readers to get our message and points across in order to awaken two of your spiritual senses...sight and sound. Which will eventually awaken your natural spiritual intuition (subconsciousness)...everybody has it.

Fun Fact: Tarot Readers...What if I told you that when slave masters outlawed reading...they meant tarot (your real connection to God...couldn't allow you to find out that bible was not real copy).

This blog will expose this real story (many of the tarot readers on YouTube can verify this story...if they take the time to use their intuitive prowess together (take the time to study other videos besides your own without thinking its a competition).

Example 2: For Elias 6/25/2023

https://youtu.be/Lj4adAAHa68 - Training Day King Kong

https://youtu.be/yWYw - The Mistake You Made - The Equalizer

Why do Melchizedek Trust Angels to fight their battles (wars) Instead of Humans?

Lets take a look back in time....for starters It never works. Humans wimp out too easily, decide to switch sides (become Judas's) when Melchizedek start becoming too powerful and resort to ruthless acts in order to eradicate bloodlines who would eradicate you all if they could...and what leader would want to subjugate the fragile human brain, prone to ptsd and other mental health disorders in order to fight for causes that could possibly sacrifice their own families (with no benefits after war).

Who would want to follow leaders of nations who never set one foot in battle, while you uplift their children, who watch yours go to war, only for their nepotism babies to lead you into a new one (even nepo babies have to earn their stripes...oh wait...are you all fighting battles and supporting people (Kings and Queens & Presidents & Celebrities etc... who have sacrificed nothing in return?). Did Caeser teach you nothing?

Example Videos Below: Why do Melchizedek Trust Angels to fight their battles Instead of Humans ?

https://youtu.be/SaGI4tX9FVw - Ex 1: (Imagine the Michael they are referring to in this clip is Archangel Michael)

https://youtu.be/eOoRqesH0sk - Ex 2: Jon Snow Kills Danny

Why Melchizedek prefer Angels (Guardians) to fight wars...no fingerprints!

https:/youtub.be/T9sKhnO9osM - Final Destination (There is no Hell after Earth people...its Earth than Heaven) Anyone Remember what angel plans out death...the answer was given on this blog previously no its not archangel Michael..

Thank you Elias, for playing decoy with me. I couldn't have done it without you. You were the operative (secret detective/spy) ...way to form an "alliance."

(Don't be mad at me blame God... I didnt know ...but I do know, I don't heal as fast as you, so I would have died...thank you for your sacrifice (service)

Did you know in The Book of Eli when they took Noah's wife and killed her he became an alcoholic?

Elias, Abba told me to place this message for you, its from your gaurdian Raphael. (I didn't finish watching it yet...but I am just trusting God (Abba) that it resonates).

I still have trouble determining when it's my Angel (gaurdian) or God responding to me.. gaurdians act as personal assistants depending on their giftings. They like to show you signs (think of a brother who likes to play with a younger sibling or protect them by teaching them what they know) while God is more affirmative, reaffirming, no nonsense, Fatherly. For instance if You ask God a question the response is straight to the point: "I said this" "Do it like this" "Don't be afriad" "You can do it"...

The angel (gaurdian) is going to show you signs based on what God has affirmed... "God said this...here's the dream..." Do it like this... here are the resources , the plan" "Don't be afraid (your gaurdians will get it done but eventually you'll be able to do it yourself) "You can do it (I told you so)." Eventually, you will be a le to see your gaurdian...you have more coming by the way.

If you think the Melchizedek woman is mean/bad....you haven't met the real Melchizedek man (Elias). His wife is "nice" compared to him.

If you (humans) don't have this gift (intuitive energy reading/tarot) from God...you most likely have another...

-empath intuitive (trait/gift knowing the contents of someone's heart...not to put therapist out of business because God is my only therapist but...if you get a therapist get one that is an empath...so they don't break HIPPA law and make fun of your poor choices amongst other medical personal when you leave...)

https://youtu.be/hWTBvWfsU34 - An example of empath intuitive tarot reader based on how Elias may have been feeling during this ordeal (this breaks my heart 😢)

Every time, I see that scene from Avengers Endgame, where black widow dies. I low key think of Elias and his wife intuitively telling one another "you are not leaving me here with these crazy humans...I'm throwing myself off of a cliff...we are going thave to fight for this suicide my love?...lol

https://youtu.be/DG_IhmVKbxU - Black Widow Dies

An Empath intuitive is similar to an energy reader. You may notice that in tarot a normal energy reader will read the energy of a person and judge the whole energy based on a piece of information they are currently reading about a person. So, if the person (masculine or feminine) has done something wrong, like committing a crime (i.e stealing) they will judge the person solely off of that crime without actually looking into why this person was stealing...were they stealing because they were under a spell, were they stealing medication because their child was sick and prescription prices are through the roof or are they just a pathological liar and thief? This is often what people forget to look into when judging people and whether they deserve forgiveness or a slap on the wrist or a death sentence. This gift is important because people often judge others for what they have heard about other people instead of trying to clarify or go deeper...people fail to empathize because they don't know the full story and do not take the time to see if what they have been told about others is actually true or just a rumor. People also fail to try and relate to choices people make and often can't see why someone chose a certain route that maybe they wouldn't have chose. Not everyone has the same weaknesses, dysfunctions, childhood wounds or habits...but it doesn't mean you don't have any...different weaknesses can cause you to fall prey to different entrapment, tricks, spellwork, vicious cycles. Etc. (you may not be an alcoholic it taste bad so why would you use it to drown your emotions ...but you are an emotional eater yes?) One sounds better and maybe is more socially acceptable both are still unhealthy coping strategies.

-art intuitive - some people create messages from God using art (the guy I'm staying with drew this it's almost time to meet up again Elias (like Isaac and Rebekah 😉) Get some rest and smile more.

https://youtu.be/KiKD6i_QRJI - Matrix Resurrections Coffee Shop Fight Scene

When you get invited to a motorcycle party by the guy, you are staying with that is not Elias and Gabriel reminds you "aren't you pregnant, don't you have a husband?" ... (Elias' Wife: where he at though jk jk)?

-creative intuitive - ever have a random dream or an idea and it becomes an invention, book or a movie

-reiki healing - if you're a nurse or medical personal who went to nursing school because you actually had a desire to help heal people without beating them in the head or just for the mula. (Be careful who you let "lay hands" on you...you could end up sick or dead).

(Also, things like sage, salt around your house, wolf's Bain, silver bullets(werewolves), rocks (healing stones) for protection, these trinkets and gemstones will not protect you supernaturally. The universe? The universe listens to its Creator...its best to know which god (spirit) you are talking to because some of them are thirsty and looking for vessels stupid enough to be used. A soul is not a spirit.

Intuitively God knows your heart ...so whether you believe in the universe or Sun God Ra ( EviRAh an original) or Allah etc....The original God who crested these spirits (gods) will know, so don't worry about your religion. However, if you call on the universe its a lot more vague than calling on Allah or Jesus...but it goes back to God knowing your heart because even people who can pronounce the name of God with their hand on a bible can be fake believers.

The law of attraction is true in that you can attract a specific god based on what's in your heart (your mentality, your desires, and moral). You can ask the universe for something you want and get it...but you always want to know which god is giving it to you (who is behind your universe, whos power are you borrowing to get what you want, and does it want something in return?) Basically, be careful who you pray to ...you might want to be more specific.

Oh and Samjaza doesn't like humans at all...he think their messy and dumb and easily controlled. Honestly, if he could get back into heaven by sacrificing you all he would. Samjaza (Satan): "How many times do I have to tell Adam I'm sorry for raping his wife forbidden fruit style?" (In case someone was wondering...Samjaza also has a thing for black women...right Evirah? Samjaza has narcissistic traits... do you know what happens when you reject a narcissist? (Why do they hate black people so much, and treat black women like dirt...? Please don't tell me it's a skin color thing?...doesn't your food grow from dirt something that is black and brown and you eat it! Lets not forget the sh*t that falls out of your booty hole comes in many shades of healthy browns/blacks... when it comes out a different color you get scared and run to a doctor...and beg them to make it brown again! Lol I Crack myself up)... This is an observation people chill... the sight of black/brown people thriving and remembering their culture and how to grow out their own hair... reminds Samjaza of what he did to his beloved Eve. God forbid they look like his original Queen and haunt him. You're welcome black people, let racial slurs bother you no more and let's move on.

The Original Harriet Tubman was White.

Angels only answer to Melchizedek...so don't waste your money on things like spellwork to try and conjure them...its a deaf ears kind of thing. They can however interact with humans and show them signs as well.

etc etc...

Phoenix Mosheh is Ethnicity Neutral aka not racist ...but sorry if we offend you in some way shape or form...you all are very sensitive, especially when it comes to Cultural Appropriation and Gender...he she they them it...who you currently think you are...does not affect my life... just don't try and steal someone's identity out of jealousy, like the basic betch that gets dragged on this blog. Otherwise...Phoenix Mosheh prefers to mind our own businesses..

...although we may suggest some things within this blog regarding gender or race at the end of the day ...you don't have to believe in what others believe in...in order to listen to someone's point of view...not hate them...and move on with your life unbothered...

You will find that Phoenix Mosheh also uses a variety of ethnicities and cultures and curse words (not curses...curse words) ...this is to debunk untruths about God and who He can and will use to get a message across... it also makes our enemies who can't stand watching certain ethnicities "angry, irate and sick to their stomachs." We love making our enemies sit and suffer...and if they don't sit through it and suffer... they are still going to suffer because this is information whether they define it as ghetto or not. The truth is the truth no matter who it comes from.

Besides... How do you defeat an opponent without information about them? Phoenix Mosheh suggests even if you don't agree with what Phoenix Mosheh has to say... as an intellectual... Phoenix Mosheh believes it's important to study things you don't believe in...like witches or magic...because you don't want to be caught blind from an attack you don't believe in...(at least with some information on the topic... your brain could at least form the concept that maybe...the attack is coming from something you probably didn't believe in. Phoenix Mosheh studies all of you and honestly, we see a lot of stupid things people believe in and we just keep it in the "perhaps this information will be necessary one day to win wars."

(by the way it's not just white people who are racist...you have black and brown shades from all cultures/and ethnic backgrounds who have colorism brainwashing and they can do this delusional trick where... they look in the mirror and think certain racist commentary wouldn't apply to them... (recommendation for those who are sadly mistaken: replace your mirror).

We also like to reveal encrypted messages from Heaven...like this.. you kind of have to seek and you will find on this blog people...stop being lazy...this is a group project and you all are sleeping like you don't have technology. Moses and the tribes back then had it wayyyyy worse than you all...like what are you doing?

Don't tell me you all are somehow slower than people who took gold from their ears and made a cow to worship it...no offense India...(i'm going to throw a Band-aid in the air because I know that hurt somebody) ... On the bright side...Phoenix Mosheh prefers Bollywood over Hollywood! And India thank you for keeping Rebekahs fashion alive ...those nose rings are still in style. Oh...and Rachel. Jacob's wife would also like you all to know her name is pronounced Raquel.

Why didn't Phoenix Mosheh use more religious music artist throughout this blog (like Lecrae or Kari Jobe) we appreciate it truly, but Phoenix Mosheh is trying to prove a point; God can use anyone...even those that don't believe or preach the word of God. So be careful who you are following...if it could happen to a Melchizedek, it can happen to you. (Phoenix Mosheh is not asking anyone to commit violent acts in anyway unless provoked and your laws permit it. Phoenix Mosheh's' first line of defense is to fight in the spirit... (so you don't leave fingerprints) this is just a blog to inform and educate.

Thank you for your cooperation.

Happy Rude Awakening!

[usergreenpixel]

JACOBIN FICTION CONVENTION MEETING 12: THE FLAMES OF PARIS (1932/2008)

1. The Introduction

Hello, Citizens, and welcome to the 12th meeting of the Jacobin Fiction Convention!

Okay, as you might have noticed, I put two dates in the headline on purpose, because the latter marks the premier of the revised ballet while the former is the year of the premier of the original ballet. No worries, I’ll talk about both to the best of my ability.

You might also have noticed that I’m quite excited about this review. Because it’s true! I’ve seen this ballet during my last year of high school with my mom so it’s really nostalgic and I’ve been meaning to discuss this ballet for a while now. Gotta bring something from my own country to the table too!

Anyway, my mom and I saw it at the Bolshoi Theater in Moscow but, if there are no performances going on in your area (or if you have quarantine restrictions), don’t worry about it. I did some digging and found a video on YouTube.

I know it doesn’t have the best quality, but that was the only thing I could find, so here:

https://m.youtube.com/watch?v=WuRkMChN3Vw&t=3072s

Okay, now you (hopefully) have an opportunity to watch the performance too, Citizens.

Before we proceed, let me state once again that this time I won’t tackle Thermidorian propaganda at all. The Eastern Bloc didn’t really buy into it anyway and even the new version doesn’t have anything obvious in that department.

Instead, we’ll look at a different perspective, the propaganda that comes with the positive depiction of the Revolution and the differences between the original libretto and the new one.

Ready? Good. Let us begin!

2. The Story

To sum up, in both versions everything takes place in Marseille (at first) and then in Paris. The time is the beginning of the French Revolution, when the action is only beginning to pick up.

The original version states the year as 1791; the new one doesn’t but I assume that those are still the early years of the Revolution.

The story of the revised version, while extremely similar to the original, combines the revolution with deeply personal stories of two regular people from the Third Estate - siblings Jeanne and Jérôme, both of whom become active participants in the French Revolution as the story progresses.

Personally, I like the idea of starting the story somewhere other than Paris and the idea of featuring just regular commoners as protagonists. Not everyone’s name is going to end up in history records so it’s always nice to focus on ordinary people in such events.

This decision also provides a nice contrast with Versailles, also shown in the first act. It really drives home the fact that the privileged people and everyone else lived in different worlds during the Ancien Regime.

I also like the fact that, unlike the previous version with 4 acts, the modern ballet only has 2 acts, as it doesn’t give the audience time to get bored and gets straight to the point with the action, so there’s actually balance in action and filler.

This ballet also contains one of those rare romantic subplots that I was invested in, but more on that later.

And, finally, we have a story that doesn’t slander our Revolution! Like I said before, the new libretto makes the story a bit more objective and doesn’t shy away from the injustice that could take place at the time, but both versions present the Revolution in a really positive light, which is something that’s worth appreciating!

Honestly, I tried to think of complaints and maybe my only grievance was the fact that the ballet scene at the royal palace drags on a bit, but it’s not really a serious issue.

Side note: In that scene, popular actors, Antoine Mistral and Mireille de Poitiers, perform a scene from a ballet called “Rinaldo and Armida”. I don’t think it actually exists but I found an opera called “Armida” that features characters with those names. Just a fun fact.

Anyway, I won’t say much else about the story because I’d be gushing about it all day, so let’s move on.

3. The Characters

Let me say this. I. Love. Jeanne. She is a “cool action girl” type of character who not only participates in the storming of the palace, but also waves the banner.

Literally.

There’s a scene where she waves the new tricolor flag while all the action is happening.

That said, she isn’t exactly an “Amazon who needs no man” ™️ either. In fact, she does have a pretty sweet and heartwarming love story with a fellow revolutionary going on, which is awesome. Being an action girl and having a love interest at the same time is possible, something I’d like some people to realize.

Anyway, next we have Jérôme. He is a brave and sweet cinnamon roll who sticks up for his sister when the local marquis gets all creepy and tries to hit on her. Jérôme is beaten up and imprisoned for this, but I still love the fact that he showed no fear in that scene.

He is also a revolutionary and also has a sweet love story with the daughter of the aforementioned marquis, Adeline (more on her later). He does his best to fight for what’s right but also can be tender, so during the performance he feels like a person and not some generic macho.

Adeline, Jérôme’s love interest and the daughter of the wicked handsy marquis, is a character who only exists in the revised version (in the original one the marquis had an equally handsy and corrupt son) but this makes the new libretto all the more nuanced, at least in my opinion.

She helps Jérôme escape from her father’s dungeon, falls in love with him and joins the revolution as a supporter, so I think adding her to the story is an excellent creative choice.

Not all aristocrats were assholes and some were indeed revolutionaries so it wouldn’t be inaccurate to have such a character.

(Spoiler alert!)

Adeline’s arc also illustrates the darker side of the Revolution. See, after the marquis is executed (serves him right), Adeline’s nanny decides to avenge him and exposes Adeline’s identity, which leads to her execution.

Now, some people might take it as Thermidorian propaganda and the perpetuation of the old “the revolutionaries wanted to kill all nobles” schtick, but I doubt that this is the point.

Remember what the marquis himself was like? He would’ve been executed regardless of social standing for multiple acts of perversion and cruelty. There’s no way it was his first time.

Of course, Adeline is innocent, but, given the context, I can actually buy that an unfair execution could take place in her case. It illustrates how FRev wasn’t all sunshine and rainbows too, which is good as our community doesn’t condone absolutely everything about it either.

The original version doesn’t have Adeline and her arc, or any heroic nobles for that matter. Understandable given the context, but it does give off the impression that FRev in that libretto was glorified a bit too much, so I’m glad Adeline was added.

Well, what about historical figures? Interestingly enough, most prominent historical figures are absent from the action. The monarchs are there, but they only show up briefly and most people in the story are original characters.

But the revised version actually gives us a cameo of a third historical figure - David. Yes, the painter. Basically, he is there sketching while our main characters are dancing and celebrating the successful storming of Versailles so it’s just a cameo.

Okay, now let’s look at choreography.

4. The Choreography

Oh. My. Supreme. Being. The choreography is something else!

Aside from classical ballet, we get a nice dash of folk dancing mixed with ballet, and wonderful choreography of action scenes as well.

My favorite part, however, was when Jeanne was waving that banner while the background was fire red. I won’t be exaggerating when I say that, while watching that for the first time, I got pumped and had goosebumps all over my body.

That scene really does a great job of making the audience just jump onto the scene and waving banners of their own, joining the Revolution alongside the main characters.

Excellent job here.

5. The Music

The music does a great job of pumping up the audience too. And there’s also a bonus for us, the Revolutionaries, in the form of three revolutionary songs that were incorporated into the score.

I’m not making this up. This ballet uses music from La Marseillaise, La Carmagnole and Ça ira, all of which are real revolutionary songs! I’m really glad that the composers did it and I truly appreciate the fact that the creators of this new version clearly did their homework and included real songs from that era.

6. The Setting

I really love the care and the research that clearly went into the decorations on the stage and the costumes of the characters, especially the revolutionaries, most of whom wear red bonnets, tricolor cockades and tricolor clothes.

The nobles also have fairly accurate dresses here, at least as accurate as the designers can afford to be when it’s necessary to have the actors dance on the stage too, so I’m actually pretty lenient about potential inaccuracies. Besides, who cares about those corrupt nobles anyway, am I right, Citizens?

7. The Conclusion

All in all, while shorter and a bit more objective than the original, this revised ballet only profits from the creative choices and, while preserving the overall positive impression of the French Revolution, shows it in a more nuanced version.

I definitely recommend this to you, dear Citizens, even if you don’t like ballet all that much. After all, it’s not every day our Revolution gets a positive portrayal in the media, so I strongly believe that rare gems such as this one need to be promoted and talked about more in our community.

It’s a good thing that the original version took the stage by storm and the new one seems to be quite popular too (in the Bolshoi Theater, for example, a rerun is apparently due in May), both in Russia and abroad (at least whenever there are shows abroad). However, it won’t hurt to promote something like this just a little more, at least in my opinion.

With that, let us finish the 12th meeting of the Jacobin Fiction Convention. Stay tuned because updates are coming soon.

See you soon, Citizens!

Love,

- Citizen Green Pixel

[another-enabler]

small (probably unimportant) things about lixian's game that i noticed

(I'm going to try and post some Mark birfday fanart later but this has been on my mind and I just need to get it out there now-)

Did anyone else catch on to how the framed objects in the spooky house were all references to the characters of WKM?

A bow tie for the Actor, Mark.

A Markcoin mayor's badge for the Mayor, Damien.

A pink mustache for the Colonel, Will.

A magnifying glass for the Detective, Abe.

A ladle for the Chef.

Two seltzers with coke for the Butler, Benjamin.

And then the black and white spiral was of course a reference to Unus Annus.

I know it's a small detail, but those small details are what I love seeing. Just getting to watch Mark play this amazing game by Lixian was so cool to see. This sort of stuff is a real testament to how amazing Lixian is as a game dev, content creator, and person in general. Just the sheer amount of passion, hard work, and creativity he puts in, adding his own spin on the end of UA and the original end of Damien.

Additional Notes/Details

The fact that the Dark Energy was purple and is found between red and blue was a nice touch. It was a cool design instead of making it straight black or throwing in some chromatic aberration, since red + blue = purple and Celine + Damien (+Manor) = Dark

Mark mentioned that he didn't remember where he said any of those lines at the end. He probably remembers at this point and y'all probably know this (or maybe not), but for reference, the banter at the end between Will and Dark are from the 'canon' end of Damien which Mark voiced here on stream in a breakdown of Damien.

You could also argue that the bow tie was for the Butler and the two drinks were actually a reference to the wine that the Colonel and Actor shared before playing the most dangerous game. This is plausible, seeing as the spooky house is a place where Wilford is trapped in (a sort of hellish purgatory where he can't jump through time and stuff, requiring the help of the player, maybe?) and the glasses are a sort of reminder of the shit that went down in the Manor, but then again, I'm probably looking way too deep into things that were probably just little easter eggs. Plus, I like the idea of the drinks being the Butler's morning seltzers with coke.

Also, this game could totally be canon in the WKM universe including the bits with Unus, Annus, and Lixian, since time is already weird in this universe. (But it's probably not.) Still, you could say the death of Unus Annus happened before Markiplier TV and Lixian's hunt for Lunky (and the 3 Scary Games videos following) could be directly after the events of Damien and the reason why Lixian can destroy Lunky is because of the seer rage Celine has embedded into that axe. So have fun trying to make a timeline, theorizers and lorehunters. (/lh, /j)

I know the Butler has a canon name made by Tyler and I think the Chef does too, but I can't remember for the life of me, and I'm not going to go sit down and scrub through a 2 hour stream of the gang talking about WKM. {Edit: The Butler's name is Benjamin! TY @n-anon for pointing it out!}

Mark's facecam cut it off, but the UI, ending art, playtesting and support for the game was from/by Fiablo Fischer (who you can check out on Twitch).

I'm not sure if Celine had a framed object, and I missed it. Let me know if you saw anything because I'm genuinely curious to find out!

Actually thinking about the point on Celine again: maybe the reason she isn't featured in any of the framed objects is related to how Wilford was trying to avoid her??? I rewatched the scary house areas and saw no sign of her. I would try and say that it's because at this point Dark was formed; however, in AHWM, portraits for all of the main WKM characters were featured with the exception of Damien and Celine. In this game, we see a clear portrait/framed object in reference to Damien with no sign of Celine. Then again, this is Lixian's project and I'm probably still looking way too deep into things.

Also for the lil' fluorescent lights in the hallways leading off the main door room, whenever Mark was a certain distance from them, you could see that the edge of the lights were very lightly tinged red and blue w/ a splash of chromatic aberration, another little reference to Dark.

I paid way too much attention to the minutia of the game,

This post is what happens when I'm bored and have too much time on my hands.

I'm not trying to take this too seriously, nor am I trying to read too into things. The game is just a gift for Mark and nothing more. I just tend to notice small details and needed to get all the funky thoughts/theories in my head out in a somewhat comprehensible way.

Anyways, once again I'd like to say:

Happy anniversary of birth, Mr. Marker Pliers!

And

Big big BIG preesh to Lixian and Fiablo for the amazing game!

That is all. Goodnight.

{Edited for a few more details, theories, and added name for the Butler.}

[kuekyuuq]

Gloria, Jet-lags and Imps [6x11]

Let’s jump right in:

Kinda love how Kara lamp-shaded addressed the fact she didn't tell the gang about her adventures in the PZ. She’s not wrong, tho.

...what do I want to say about Mxy using what's basically a well-known gay-anthem to tell his tale? I mean, it didn’t lead anywhere. The original song is about freeing oneself, liberation, stepping out of a (gone bad) relationship and moving on, stronger for it - empowerment. The only connection I could make, is that originally it was Nyxly’s aim to just do that (freeing herself and her kind from an oppressor), but in the way Mxy performed it, that part of the parallel was long over before he even reached the chorus. It’s also a popular Karaoke song, tho, so... he chose it because it’s catchy? I’ll try not to overthink it for now. At least, the Superfriend’s reactions were fun.

Nia exiting the elevator, "And what's this Old Stone?" I love it when ppl enter a room / situation and pick up on words that they couldn't have possibly heard. I think cinema sins ding such... Are we to assume, she dreamed Mxy's rendition of ‘I will survive’? Or is the elevator not sound-proof at all? (If it’s the latter, Nia later apparently telling Brainy “in private” between scenes / during the elevator ride about her Nyxly adventures, was a silly thing to do.)

So, "Jared" created the ring Old Stone to rule them all, it got shattered into the Paragons totems? Nyxly needs the totems and to get them she needs a crystal which also belonged to "Jared" - who happens to be Mxy's ancestor, which is why she needs Mxy / his blood, too.

I have one important and incredibly relevant question here, tho... 

With the introduced imps and their names... Why’s dude named Jared of all things?!

Really, did I mishear that? If so, I’ll leave it as is and never edit, bc that would be hilarious in its own right 😋

...

Not sure what to make about Supergirl paraphrasing a Dirty Dancing quote.  "Nobody puts Mxy into a power crystal on my watch."  ...is he Baby now? (Seriously, though: Which of the writers thought that was a fitting quote to use in that particular context?)

...now, is the exposition section of the episode over yet?

Sensitive Brainy sensed something was up with Nia. He can relate... Nia doubting Kara would understand, too, is ridiculous. But I get it... insecurities and all. But, I mean, just 5 minutes later Kara announces she wants to save Nyxly despite her wrongdoings. And yet Nia still remains convinced, Kara wouldn’t forgive her own personal mini-me... After having witnessed Kara forgiving Lena for a whole season of the writers being stupid messing up to the nth degree. But I digress, Lena’s Lena.

...how old is Nia meant to be again? Just asking out of completely unrelated curiosity.

F*ck. They really went with NewFoundland...

Imma assume it was an executive choice after realizing they couldn’t find enough actors and actresses with a convincing Irish accent... maybe. Again, no offense to Newfoundland! Just... we got the insinuations of Ireland, not Newfoundland... And truthfully, when I think of magic, Ireland is an easy association. Whereas I only due to this whole debacle learned Newfoundland has Irish ancestry. So, okay, the show forced me to learn something new... I give ‘em that.

An easy journey, she said.

Lena's been off-screen for two whole episodes, Kara announcing at the beginning of ‘Dreamweaver’ [6x09] Lena being “back east” (at least insinuating Lena’s left the west-coast already), which span over at least one full day (feat. a scene at night), and ‘I still rise’ [6x10] at least another a whole day (the whole Nia’s mom back for a day deal). And, now, after at least 48 hours she barely just arrived.

Lemme check how long a regular plane would need to fly from California to NFL......... ... .. .. So... approx. 10 hours with at least one layover. 

Yeah, using a private jet made it easier, but apparently also much, much slower...

Or, Lena randomly went some other places / did some sight-seeing in NFL before she decided to finally visit her mother’s hometown...  [Either that or the timelines don’t match up and Lena’s scenes are flashbacks of sorts.]

Optimistic and relaxed Lena is a sight to behold. I rewound 3 times, just to enjoy it for as long as possible. We all knew it was going to be short-lived... 

Let’s check off a few more items...

OMG, Kara hiding behind Alex at the mere sight of the PZ-projector broke my heart!  😢

"Elisabeth Walsh" is the new 'the one you shall not name'. ...poor Lena. 😭

Oh, so Mxy wants to be Patrick Swayze instead of Baby... gotcha.

...is this going anywhere?

KITTY!!! Okay, this must be the best opponent in the history of CWSG. 

Despite the horrible CGI, SG using her heat-vision to project a laser-beam to distract the cat had me in (happy-) tears! 🤣

Gotta love the civilians of National City quickly returning to business as usual once the giant cat is gone. Even the police officers looked rather chill...

Nyxly did look fabulous this episode ^^ 

Andrea being Lena's rock is both great and annoying. I can't fault Andrea. It's just, that we still have to see an on-screen interaction between Lena and Kara and that bugs the heck out of me. I can’t help it. I’m sorry, Andrea.

Nia: "...is my fault." Kara: "Nu, is MY fault!" J'onn: "Stop fighting, kids!" Space-dad has spoken.

Mxy used an LuthorCorp copy machine... and of cos it's faulty. It's not an L-Corp product.

Kara forgiving Nia came as a surprise to her... Oooookay. I mean, the show has been writing Kara a bit inconsistently the past two seasons... so, yeah, maybe being unsure which of her traits apply this week was not such a far stretch...

Maybe it's the hair, but I wished, Florence was played by Alex Kingston.

So, not-Alex-Kingston shows Lena herself with a funny wig and tells her how her mother was still watching her...

If it wasn't for Katie's acting skills (I love her.) I would have already hit my head against the wall repeatedly. Something about these scenes had me constantly cringe and I made it through 5.5 seasons of this show already... Can’t quite put my finger on it, but it was highly distracting from the story that explained Lena’s mom was special even to another witch, where there was domestic abuse, and an accidental murder. Y’know, important stuff, deep-cutting stuff! 

At least, poor widddle Lena got some closure there. Elisabeth was a good cookie. And filled with magic. And Lena’s gotta have that ‘spark’, too... 

....so... Lena’s gonna stay in NFL for how much longer, to train becoming a witch?  Please, just hand her a how-to manual and send her back home, to figure it out on her own, please... (Yes, that would be horrible decision-making, but I need her back with the team!)

On to the finish line: 

So... Mxy IS Nyxly's brother? Wait, that doesn’t sound right... then Nyxly would have the same blood... Did I miss something? Can someone explain, please? Or is he her ex, and that’s where his rendition of “I will survive” makes sense?

Hnn... I can't help, but think Kara's speech for Nyxly was 85% based on her experiences with Lena in s05.

Awww... he said "stronger together"... Mxy... I hope, you'll be okay!

Lena believes in magic now. And I absolutely love how Lena wants to science magic XD

...but apparently magic isn’t science that hasn’t been explained yet, but parallel... powers? concepts? ether strings?

Nyxly has a loyal henchman now. Which was a bit heavy-handed. Took way too much of screen-time, so it better leads to something interesting.

And Kara is on a warpath now. Wooooot! Girl’s got enough.

...what else? 

Did I miss a third Patrick Swayze hint / quote / mention?  I learned, these things come in threes... Y’know, basic writing rules... 

I guess, for once the episode title was meant to be taken literally, Mxy popping up between characters, to try and help. (I need in-show footage, of Mxy sneaking up on ppl, without his powers, on all fours / crouched, just to get the desired effect.) I mean, I’ve never really watched Malcom, but wasn’t he like what Mxy usually is? A bit of a trouble-maker, prankster, chaos-ensuing wherever he goes? ...well, in that case, the episode title didn’t hold up, as Mxy’s scenes were not fun or really goofy. Yes, there was some superficial humor, but just to serve Mxy dealing with not being able to use his powers, which in turn was only barely scratched at (although it turned out to be his final character development crisis, appreciating not having powers and - in turn - facing consequences for once). Again, a whole lot going on in the episode, so a lot of that may have ended up on the cutting-room floor.

...where’s Kelly? Secretly adopting a kid, maybe?

...Kara’s still a reporter, right? I mean, whenever it serves the immediate plot, yes? ...Not even a throw-away line, that she has to pop up at CatCo for appearances sake? Since Andrea is already upset with her AND looking into her friends’ identities? At least, Kara should take a peek to make sure Andrea hasn’t uncovered anything yet... No?

Well, that’s all I’ve got for now. Kue out.

[rachaelswrites]

Nicknames

A/N: I didn’t include all actors/characters but if you want one just send it in and I’ll do it. I’ll start including these in my writing

~~~~~~

Here are some nicknames that each of the reader’s have been given

Sebastian Stan “prinţesă”

-Obviously, its Romanian

-There were a few he tried out with you when you were younger but this one stuck for multiple reasons:

-You were a major daddy’s girl (still are) and you pretty much got anything you wanted. You were almost on the verge of spoiled brat

-It also didn’t help that you had a very huge liking for Disney and it’s princesses

-Those dresses with the matching shoes? You had almost all of them

-He called you that until you grew out of your princess obsession, saving it for certain times

-The first time you ended a long term friendship was the first time he used it in years. He’d either call you by your name or something more generic like “Sweetheart”

-You came home visibly upset and ran right into your dad’s arms

-You’d never been this upset before so he said it, hoping in some way it would calm you down

“It’s alright Prinţesă, I’ve got you”

-When it worked that time, he did it again after your first break up.

-You were more angry than sad this time

-He had to hold you down on the couch so you couldn’t hurt anyone

“Prinţesă, calm down. He’s not worth a criminal record

-He used it on days when you were sick or were feeling down

-Maybe even if you were in trouble

-You and him both thought by the age of sixteen, you would hate the nickname but surprisingly, you liked it even more

Chris Evans “peanut”

-Another case of daddy’s girl

-This one comes from several trips to Red Sox’s games

-Chris wanted to get you into sports when you were young (just to watch, not necessarily to play)

-He took you and Scott to one of the first games of the season and he bought peanuts, in his true American way

-You were seated in between him and Scott

-Both of them were sharing the bag while you had ice cream

-Peanuts were a new food for you and you wanted to try them. You grabbed a handful of them and copied your dad’s movements to crack open the shells

-You ate like twenty in less than a minute

-You loved them so much and that’s how that name happened

-Unlike the others, Chris uses this name pretty regularly 

-You didn’t mind how often he used it until he started using it on front of your friends

“Hey peanut, do you guys need anything?”

“Dad! That’s embarrassing”

-Your face went bright red and for the rest of the day, your friends teased you (in a loving, joking way)

-Chris realized his small mistake and was a little more careful about when he used it

-Scott called you it once and you swear, you never saw your dad move so quickly

“She’s my peanut, not yours. Find your own nickname”

-Anytime he posts a picture of you on Twitter/Instagram, he used that name instead of your own

Matthew Gray Gubler “munchkin”

-Three words

-Wizard. Of. Oz.

-You had a very weird obsession with this movie. It’s almost embarrassing looking back at it now

-By the time you were three, you knew all the words (as best as you could) to all the songs

-Matthew was about to lose his mind because he had the songs in his head as well, twenty-four-seven.

-You would talk and talk about how much you wanted to go to Munchkin land and be a Munchkin

-It also didn’t help that at the time, you were probably close to the same height

-Sadly, as you got older, you and your dad learned you didn’t develop his height

-You were a whopping 5’2 at the age of fifteen

-And the name stuck

-He knew you weren’t super fond of the name but somehow, it always cheered you up

-If you had a tough day at school, he’d sit on the couch and let you vent

“Let it all out Munchkin”

-You secretly did like the name (even though the origins were embarrassing)

-Matthew never let you live down that obsession 

-When you were on set and he called you that, everyone asked why.

“Matthew, why do you call her Munchkin?”

“Dad, don’t do it”

“She was obsessed with The Wizard of Oz”

-He also very rarely referred to you as “Y/n” on social media, opting for Munchkin instead

-Trying to get back at him, you tried to come up with some ridiculous name for him

“I’m going to call you dancer. Cause that’s how you broke your knee”

-That one didn’t last long but Munchkin sure did

Tom Holland “bubs or darling”

-Tom gets two because I can’t pick

-Bubs is because you are the baby out of all of the brothers

-It was also because before you could say any brother’s name, you just called them bubs

-Sam, Harry, and Paddy also called you Bubs. They still call you that sometimes so Tom wanted to try something new

-When you were about five or six, he accidentally called you darling

-It wasn’t a typical brother/sister name but it suited you

-You were such a kind person and your favorite movie to watch with Tom was Peter Pan

-And the last name of Wendy was Darling, so he thought it fitted

-When he called you darling, it was mostly after he came home from filming

“I missed you so much Darling”

-You liked the meaning behind your nickname

-Tom used Bubs if you weren’t feeling like yourself

-Whether it was a bad day or if you were sick

“Take some medicine Bubs” or “Bubs, tell me what’s going on”

-He hated the others calling him Tommy but for you, he’d let you do it anytime you wanted

-Literally, you were the only person he let you call him Tommy

-But he was the only person who could call you Darling

Bucky Barnes “doll”

-Classic

-This one is pretty self explanatory

-It was common during your childhood but once you were in the 21st century, Bucky couldn’t part with it

-It reminded him of the past (in a good way) and he always wanted to relive those memories 

-You were eight when HYDRA took him and then you

-The name reminded him of when you were little, and it reminded you too

-While Bucky was in Wakanda, he’d send you letters once he woke up

“Hey Doll, I miss you so much. Hopefully we can see each other soon”

-You kept them all with you

-And when The Snap happened, you’d read those letters back to yourself everyday

“The sunset was really pretty today Doll, it reminded me of the ones from when you were little”

-After those five years, that was the first thing he said to you

“I’m glad you’re safe Doll”

-It only took one time for Sam to tease you about it before you threatened to hurt him

“You make fun of it one more time and I swear it’ll be the last”

-Sam didn’t really understand why that name meant so much to you

-Bucky had to explain it to him

-It was really one of the only things you had left of your childhood

-And it was the one thing you could hold onto for the rest of your life

Ransom Drysdale “princess”

-Again, I think this one is self explanatory and obvious

-You’re spoiled, no doubt about it

-The name actually came from Meg

-She was a few years older than you and she was so used to being the only girl in the family

-And now she had to deal with you

-The reason she called you that was pretty stupid in the first place but as an eight year old, it didn’t matter to her

-You had spilled your drink on her by accident and onto her new shoes

-She went red in the face and started screaming in your face. You burst into tears

-You were only four and Ransom had never raised his voice at you. It was a new experience for you

-All the adults came into the room and walked into the scene of Meg screaming and you crying

-Ransom scooped you up and told Meg off

-Of course Joni took her daughter’s side but no one else did, making her mad

“She never gets in trouble. She’s such a princess”

-After that incident, your dad only used that name just to piss everyone off

-Like there was no need for him to but he just did it

“Princess, come here”

-In general, Ransom liked to show you off and the nickname Princess was the best way to do that

-As you got older, he felt weird using it. Meg had finally gotten over herself and everyone accepted the fact that your dad was spoiling you rotten

-You didn’t need a name to show that

-But as you got older, the issues in the family and all the problems started to weigh down on you

-There was so much drama that happened at family dinners, you were completely drained and exhausted once you got home

-Ransom could tell something was up so he reached into his bag of good parenting skills (which he definitely had, which shocked everyone) and called you Princess for the first time in ten years

“Princess, please tell me what’s wrong”

-For some reason, that one name made everything better for you

-Ransom noticed the small improvement in your mood so he kept calling you that on the daily

“How was school today Princess?” 

-And in front of the family again

“Princess, it’s time to go”

-This name was literally just used to show the other Thrombey’s that you and your dad were better than them

-Of course though, you didn’t need a nickname to see that

Spencer Reid “squirt”

-Another name based on an obsession

-But this one can be blamed on Garcia

-While Spencer was on a case one time, she was in charge of watching you

-To keep you entertained while at the BAU, she put on Finding Nemo

-That was a mistake

-From that point on, you had a weird fascination with sea turtles, because of Squirt

-Once Spencer got back, you would not shut up about turtles

“Daddy, look what I just read”

-He was glad you found something you were interested in. He sort of hoped you would find something closer to a more “normal” topic but he would never stop you from learning

-Spencer wasn’t sure how the name fell onto you but once it did, he didn’t stop using it

-He generally used it in the apartment with just you and him

“Squirt, can you pick your toys up for me?” or as you were older “Squirt, can you grab those books for me?”

-He used it a lot when you felt stressed and you weren’t telling him

-So whenever he called you that, you knew you might as well tell him

“Tell me what’s going on Squirt”

-It was such a small gesture but it really did help you

-He tried to explain why it probably made you feel better but you weren’t too interested in the science behind it

-The only time he used it in front of the team is when he got back from a case

-You always met him at the BAU (he made sure you were there to greet him)

-You would stand in front of the elevator and wait for the doors to open

-And when they did, you ran into his arms and he wrapped them around your body

“I missed you Squirt”

-The team absolutely adored that nickname but knew to never call you that, unless they wanted an angry Reid on their hands

Emily Prentiss “love”

-To me, Emily just has European vibes and so does this nickname

-Probably because Emily grew up in Europe, she developed this habit of calling you Love

-The parents of her friends growing up used that name

-She sort of just picked up on it, starting when she first held you in the hospital

“Hi Love, I’m your momma”

-It’s such a simple but meaningful name to her

-You were truly the one person she loved the most (even her mom and even Sergio)

-Speaking of, once she brought Sergio home you started calling him that as well

-You were only four and didn’t understand the concept but Emily didn’t stop you

“Hi Wove”

-Emily never used this in front of people unless something was wrong

-As you got older, it was used more as a reassurance for you

-Her “death” was really hard on you and every case, she would check in 

-Lots of the time, the phone calls were short and around the other members of the team

“Hi Love, I miss you. The team says hi”

“I miss you too momma”

-Very rarely would she use it in normal, everyday conversation

-If you were visiting the office, sometimes it would slip out

“Hey Love, are you doing your homework?”

-In front of the team, she used names like “baby” or “honey”

-Love was strictly reserved for just you and her

Jennifer Jareau “bug”

-First thing to know

-If anyone besides JJ called you Bug, even Will, she would literally rip their heads off

-This name was super personal to her and she didn’t want the meaning to be ruined

-You had taken after her love and fascination with butterflies

-Except you hadn’t learned the word butterfly so you just called them bugs, hence the nickname

-JJ only called you two things “Y/n” and “Bug”

-Nothing else

-At one point, Will was convinced that she might’ve forgotten your first name because she called you Bug so much

“JJ, she has a first name you know”

“I know, I think Bug fits her better”

-She did attempt to get your name changed, but to be fair, she was drunk when that happened

-She didn’t care that as you got older, the name was a little embarrassing, especially around your friends

“I’ll pick you up at seven Bug”

“Mom! Really? In front of my friends?”

-Your brothers for awhile thought your name was Bug, because she really only called you that at home

“Do you need help with your homework Bug?” or “Bug, can you set the table?”

-You didn’t realize the meaning behind the nickname until she explained it to you

-And once you did, the name meant so much more to you

-Will helped you pick out a matching necklace set of two butterflies

-You gave it to her after a case and she cried, knowing exactly what it’s meaning was

“Thank you Bug, I love it”

-She never took that necklace off, ever

Taglist

@ssebstann @peachyprincessss @emmy-writes-sometimes @dudele @kerrswriting @laura-naruto-fan1998 @multifamdomfan12 @aquariuslavenderhoney @rafehogwarts

[oumakokichi]

hello! could you talk a bit more about the original (as in jp, not localization) ouma's personality and speech patterns? you've mentioned that he tends to trail off or speak more softly when it is implied he is speaking the truth, etc. and how he is not so loud/intentionally obnoxious. //btw when does he call himself a fairy? that's so cute

I got a couple of questions asking about the fairy line Ouma has, so I don’t mind sort of rolling them both into one! And I’m more than happy to talk a little more in-depth about Ouma’s speech patterns and personality in the original game, too!

Since I’ll be covering some late-game spoilers, I’ll put the bulk of this under the cut, so be careful when reading!

First off, I cannot stress how much I recommed playing ndrv3 with the Japanese voices enabled. If you’ve already played through the English dub but never experiened the original voice acting cast, I promise you won’t be disappointed. The Japanese cast are all fantastic, incredibly talented VAs who, unlike the dub, were hired specifically for these roles and not just re-casted from previous DR games.

Hiro Shimono as Ouma gives an absolutely incredible performance. The localization might still have many flaws in its translation and omission of certain lines or punctuation, but you can still very much get a feel for how Ouma’s character was intended by listening to Shimono’s performance. Re-playing the game with the Japanese voices will definitely let you hear how soft and tonally different Shimono’s performance is in places from the English dub, and compare it to the way in which many lines are written and punctuated as if Ouma’s yelling at everyone.

That isn’t to say that Shimono’s Ouma is never loud or excited: Ouma is a character whose moods and façades are all over the place, and therefore his performance requires a voice actor who can similarly change moods and intonation on a dime. Ouma is very much loud and haughty and deliberately annoying when he’s supposed to be, but his voice is also low and ominous at other points when he’s trying to be scary. And again, it’s soft and hesitant in places where he’s considering divulging some of his information, or when he’s insisting that all the things he does are for everyone’s sake, because he cares about them and doesn’t want anyone to die.

These moments feel so much more genuine in the Japanese version of the game--because they’re meant to be. As fantastic of a liar as Ouma is, it’s much easier for us, the player, to tell when he’s lying on a re-play, knowing the information from chapters 5 and 6 that we do, and looking at cues like his sprites (often his blank-faced ones) and, yes, his delivery of certain lines.

This probably sounds like me just gushing about what a fantastic voice actor Hiro Shimono is, and in part that’s exactly what it is, but I want to stress that pretty much every single voice actor in the Japanese cast is just as fantastic and that they all do their jobs incredibly well. With all that gushing out of the way, I’ll move on to talking about some of Ouma’s actual speech tics and the way he refers to other characters.

Like most things about him, Ouma’s speech patterns are sort of an interesting mix and even seem a little contradictory at times. He uses the very masculine pronoun “ore” (オレ), but he also refers to nearly everyone (with only a handful of exceptions) by their surnames and the much more childish honorific “-chan” (i.e. “Saihara-chan,” “Akamatsu-chan,” “Amami-chan,” etc.)

The use of “-chan” is very interesting. Honorifics in Japan are extremely complicated and tend to mean different things depending on who is using them. Typically, “-chan” is seen as a very feminine way to refer to someone else, commonly used in close-knit friend groups among school girls.

There are, of course, a few notable exceptions to this however: often times, middle-aged or elderly people will call a child “-chan” regardless of gender, as a way of showing they find them cute and endearing. And sometimes, people will use “-chan” to refer to other things they find cute, such as pets, or even to refer to themselves in a sort of informal, tongue-in-cheek way.

The fact that Ouma uses “-chan” as an honorific to refer to nearly everyone in the game stands out quite a lot: by and large, boys don’t use this term to refer to other boys. Using “-chan” to refer to anyone you’ve just met or don’t know very well is already somewhat frowned upon, but a boy using it to refer to other boys is especially rare. This helps set Ouma’s character up as someone who is both incredibly casual and informal with others (not to mention, you know, quite coded). Considering childishness and lightheartedness are traits Ouma values, and how much emphasis is put on him having “a very innocent, childish streak that’s hard to hate,” it makes sense then that he would talk like this.

Not counting Monokuma and the Monokubs, the only characters who Ouma doesn’t refer to with “-chan” are Gonta and Kiibo, who he simply calls by name. This also says some interesting things about his character.

Gonta is easily the character who Ouma interacts with the most often, as well as the charater he hurts the most in the end. Ouma’s choice to exclude Gonta from his usual way of calling people is, I think, a testament to how much Gonta really wanted to be friends with him, even if their friendship was never exactly on equal footing.

Meanwhile with Kiibo, I feel the choice to exclude him from his usual way of addressing others is indicative of how much Ouma tried to remind himself that Kiibo “wasn’t human,” and therefore how suspicious he found his presence in the killing game. We know Ouma suspected Kiibo and likely even had an inkling of his role as the audience proxy/camera in the game, due to how Kiibo’s picture is one of the only others set aside on his whiteboard besides Saihara’s, with the word “weird” written next to it (he also clearly guessed about the cameras after Gonta’s line in chapter 2, as we see from how he commissioned Miu for the bug-vac).

Ouma clearly enjoys teasing Kiibo a lot, and their banter reads very much like a manzai comedy duo; I feel like Ouma often tried pushing himself to remember that Kiibo “wasn’t human” on purpose in order to not get too attached to him or too distracted from his goal of ending the killing game. I don’t think Ouma’s decision to exclude Kiibo from the way that he very particularly referred to most of the rest of the group was just an accident or a coincidence.

Honorifics aside, Ouma also refers to several characters in interesting ways. He often uses “daisuki na ___-chan” (大好きな) to refer to some of the other characters, a phrase which more or less equates to “my beloved.” He uses this phrase with Saihara more than any other character of the game, but there are a few other instances where he does use it with Amami, Momota, and (if I’m remembering correctly) Kaede. Pretty much every single instance where the localization put, “because I love you” or “because you’re my favorite” whenever Ouma was talking to Saihara was usually a point where he would specifically call him “my beloved Saihara-chan.”

In chapter 4 during the scene where Ouma is alone in the parlor of the VR world, he also specifically, exclusively refers to Saihara as “suki ni natta hito” (好きになった人), literally: “the person I fell in love with.” This line was changed in the localization to, “when there’s a person I like,” which is more or less literally correct--however, the phrase “suki ni natta” is much heavier and more loaded with explicitly romantic implications than “suki” would be on its own, as it’s often used in Japanese love songs and shoujo manga love confessions.

Worth noting in my opinion is the fact that this is the exact same phrasing Maki uses to describe her romantic feelings for Momota. Since Maki’s feelings for Momota are considered canonically confirmed because of this, Ouma’s feelings should be considered equally canon, but a lot of people don’t know this because, well, it’s sort of been lost in translation.

And now, on to the fairy line! Ouma calls himself a fairy in chapter 3, when he pops up in the middle of Saihara and Korekiyo’s discussion of the katana in Korekiyo’s lab. Full of enthusiasm, he decides to touch the sword and examine it for himself; Korekiyo starts to object, but Ouma interrupts and says:

“Come on, it’s not a big deal! I’m like a fairy, so it’ll be fine!”

I’ve always really loved this line and thought it was super adorable, both as a nod to how fairies aren’t supposed to be able to touch steel in most fae mythos, as well as the fact that fairies tend to also have a love for mischief and pranks and lies. The localization apparently didn’t like it so much though, because this line is simply changed to, “Come on, would I lie to you?” instead.

One final thing I can think of as far as Ouma’s speech tics go is that his laugh in Japanese is romanized as “nishishi” instead of “neeheehee,” as this is closer to the Japanese onomatopoeia for the sound horses make--but I actually don’t mind this localization change at all! “Neeheehee” definitely looks a lot closer to the word “neigh” and helps capture that horse joke in a way that I feel like western players can more easily understand.

All in all, while I still definitely feel people can like and enjoy Ouma’s character from playing the localization alone, I still stand by my opinion that listening to the original Japanese voices helps give a much better picture of how the character was intended to come across, and really shows how much depth Hiro Shimono put into his performance. He’s quoted in the official ndrv3 artbook as saying that he believes Ouma is someone who’s actually “really meek if you take away his strong wish to outwit everyone” (credit to @kaibutsushidousha for the art book translation), and I think this interpretation of Ouma really shows through in so many of his lines.

Thank you both for the really fun questions! I hope I could provide some more interesting information about Ouma and the translation!

[evilwickedme]

ok so to sum up my feelings for leverage: redemption, season 1(a): (long post warning, there’s a tl;dr at the end)

I knew that Hardison wouldn’t be in most of the season due to Aldis Hodge being a busy bee nowadays, but I didn’t realize that meant he’d only be around for the first two episodes. He was sorely missed, not only because of my attachment to him, but also because he’s usually the grounding factor in the group dynamic, and his role as info guy and tech guy was split evenly between two characters who had their own issues.

That said, Hardison is absolutely a highlight of the two episodes he’s in. his speech about redemption was everything I could’ve hoped for (plus, more evidence for the Jewish!Hardison pile...). I wish we’d gotten to see more of his dynamic with Breanna because what we saw was funny and sweet and we don’t generally get to see Hardison taking care of somebody who so desperately needs taking care of. I hope that Aldis Hodge is around for more episodes in 1(b), because what we’re left with feels a little hollow.

Sticking to original leverage characters for now, for the most part the leverage crew still felt true to the original series as characters, even if the show itself was a little bit confused at times. The actors understand their characters and embody them so well that I think one could give them the trashiest script ever and they’d still sell it. Sophie is a particular focus in 1(a) because of Nate’s death, and she’s particularly well written as a result.

That said, I’m super bitter that we saw little to no mastermind!Parker. Parker’s character being given the mastermind role was a big deal and it feels like they’re walking it back because they feel uncomfortable with it. It is eventually given an in-text excuse, but literally in the last episode, and it was not a particularly convincing reason, and in fact contradicted moments from previous episodes (Sophie leaving for a client meeting and ignoring Parker in ep3 comes to mind). It’s frustrating, it makes the end of the original leverage feel pointless, and letting Parker make a decision once in a while is not the same thing at all. The original series repeatedly showed us that while everyone in the team had their strengths, Parker works problems and solves them in unique, interesting ways, and other characters’ days in the limelight tended to be comedic or even failures. It’s a broken promise, and a pretty major broken promise at that.

On a more positive note, Parker’s dynamic with literally everyone was fantastic. She’s possibly the best written character this season. They’ve taken the autism out of the subtext and into the text (although obviously still undiagnosed), and given her coping mechanisms that were taken seriously in the text even when they were played for laughs, which I appreciated. Her attempts to mentor Breanna were sweet, her friendship with Sophie was electric and at times (CRIMES) hilarious, and as usual, she has a fantastic dynamic with Eliot that makes my heart burst. If you don’t think they’re romantically involved, at least acknowledge there’s a life partnership here. They’ve spent the last decade together.

(We’ll get to Harry.)

Eliot isn’t given much arc-wise, which is frustrating since he’s my favorite. He’s being presented as the goal at the end of a redemption arc, ie to keep working at it every day until your soul heals or whatever, and it doesn’t reflect the message they’re trying to convey via Hardison’s speech and our two new characters. He’s got his moments, but I think they under utilized his potential.

Breanna!!! Breanna’s my new favorite, except for Eliot. She’s hilarious, she’s insecure, she’s nerdy and excited in a way that’s similar to Hardison but still distinct in its inherent teenage-girl-ness and I LOVE IT. Unlike the previous series, where Hardison’s “age of the geek” was often a joke played on Hardison, we’re at the point where Eliot and Parker are both right there with him, and so they accept and even appreciate Breanna’s nerdiness. Also, canon gay character? In YOUR Leverage? It’s more likely than you think.

(No, I never thought they’d make ot3 canon on screen. I hoped, but I didn’t think it would actually happen.)

I think Breanna’s the character that will be the most interesting to see grow. She’s got a lot of potential and a list of crimes a mile long (or more). I adore her with all my heart. I want to see her tiktok account.

Harry. Oh, Harry.

It took me a while, but I do like Harry. It took a while, because the narrative positioned him at the same level as Nate back in episode 1 of original Leverage. But in episode 1 we didn’t know the other characters. We had Nate as the POV character, and so we cared about him because we were seeing the world through his eyes. (This is TV Studies 101. I know this, because I took TV Studies 101 in 2019.) In Leverage: Redemption, we no longer have a POV character, for several reasons:

Nate, previously the POV character, is dead.

As it is, by mid-season 3 of leverage Nate was no longer a POV character. This is, coincidentally, the point where the leverage writers realized they had four other characters in the main cast they could do something with, and in-universe, Nate accepted that he was a thief, not a special Good Man.

Sophie is sort of a POV character for the first episode of the revival, but only for the first few minutes. Afterwards, the series settles into the groove of seasons 3-5, i.e., the entire crew is our POV. We know our crew, and we love them as is.

Narratively, however, Redemption insists on positing Harry as the POV character, because it is his redemption we are pursuing most vehemently. And I think they really relied on us already knowing the actor - I’ve never seen him in anything before, so to me he was a completely fresh face and they put almost no effort into selling him to me. Beyond being competent and consistently mildly baffled by the antics of the leverage crew, I honestly don’t know who this man is by the end of EIGHT episodes with him. I have a much better handle on Breanna by the end of 1(a), and I can tell you I knew all five of the original leverage crew better by the end of the first episode of the original series than I do Harry. What’s the name of his daughter, John Rogers. Is he still married. How old is the daughter. Why is none of this worth mentioning. Give him a sense of humor that isn’t reacting to other people’s shenanigans. I’m so frustrated. It’s bad writing.

I did manage to grow to like Harry by the end, but I’m pretty sure this is down to Noah Wyle’s charismatic portrayal of an under-developed character, at least partially. And I never stopped being frustrated at not knowing who this man is at all.

The two highlights of the season are undoubtedly episodes five and six. Episode five was the first time I felt like the episode was more than a collection of good moments between the main cast and mediocre moments between the main cast and also the main plot. The issues with pacing and tone that I suffered through for most of the season were mostly non-existent in ep5 and 6, and at least in episode 5 I attribute that to the pared down cast. They had time to focus not only on our actual characters - Sophie, Parker, Breanna - but also on the case. This is the only client from 1(a) I am going to remember next week without googling it first, mark my words.

Episode six worked for the exact opposite reason - it completely disregarded the client and plot and immersed itself in the characters. Breanna gets a moment to shine, but everybody else gets their bits and I wouldn’t be surprised if that was the script that was most fun to write. The characters felt natural, real, and captured the found-family dynamic that’s been missing all season for the first time.

While episode 2 is the weakest episode, I don’t actually have much to say about it. I am disappointed in episode 8. For a mid-season finale, I really expected them to do something. Instead, it was an episode about Nate Ford that copped out of being about Nate Ford (both with fake-Nate and with the new version of him being relayed to us). I would have told the writers to give that energy back to episode 1 and write an episode that’s about anybody who isn’t Harry, oh my God. I know I said I grew to like him but so many episodes were about Harry. He’s the newbie! Why didn’t Hardison get an episode that was actually about him, considering he was only around for two episodes? Why does Eliot have to be the butt of the joke when the theme of the series should directly tie back to him in a much more meaningful way? The last episode parodies their own tagline by saying Eliot isn’t just a hitter, but it deftly avoids noticing that they’ve turned him into nothing more than very muscly comic relief, including in that very episode!

Also, I hated the Marshal. Eliot actively looked uncomfortable around her.

tl;dr

The season took a while, that’s definitely true. But it did find its footing eventually, and by the halfway mark of 1(a) it finally felt cohesive again. The characters were played fantastically even when they weren’t well-written, and if nothing else, the humor landed every time. It still has its kinks and problems to work out, but if you look at it as a brand new show rather than a continuation of one that went off the air over eight years ago, it’s actually doing rather well. I’m choosing to judge it in both lights - according to its own standards, it establishes its identity in episode five; according to Leverage standards, it establishes its connection to its roots in episode six. Either way, I thoroughly enjoyed 1(a), and continue to have high hopes for 1(b).

fic writing will commence in three, two, one...

[dappercritter]

Godzilla vs Kong: Brutally Honest Thoughts

(Took me long enough, eh? Depending on home video releases be like that.)

So first things first, I have a confession to make: I spoiled the movie before I watched it. I was impatient and they had only announced an HBO Max premiere in the states and a theatrical run in Canada at the time. Afterward, I got heads-up from a friend and immersed myself in the opinions of those lucky enough to see it early. I’m just saying that I have some preconceived opinions that I’m sticking to.

That said, Godzilla vs Kong turned out to be more fun than I expected! But you already knew that. Everyone did. The two kings of movie monsters had their rematch and this time it was with glorious Hollywood SFX powering it this time.

The human story was fun but it’s clear they stopped trying at this point. Team Kong stole my heart, especially Jia. Team Godzilla (although the Conspiracy Crew would be a more fitting term since they spend more time chasing down mysteries than trying to back or understand Godzilla) was more fun than I expected and their dynamic was surprisingly enjoyable. Bernie is actually kind of funny, it's nice to see Madison acting more assertive, and Josh was fine--he was the only sane man of the bunch but he was also the butt of the jokes. Still, all the hardcore conspiracy jokes got old fast and it feels off seeing the daughter of two scientists turn into an edgy conspiracy crackpot. Why not an edgy science major?

Team Apex are fun villains, especially Walter Simmons who's a great megalomaniacal CEO type, but Ren Serizawa is a joke. I like his actor's performance but he's just another footnote. Nobody bats an eye at his last name, although the only heroes he interacts with are Nathan Lind and he just misses Team Godzilla. He really could have just been any other villain, but instead, they had to sully Serizawa’s legacy further while robbing a good actor of some interesting material. (As is, it turns out he was just an egotistical jerk with daddy issues--an easy puzzle to solve on day one--after all...)

However, I still cannot and will not approve of the fact that somebody thought it would be a good idea to make the heroes of a sci-fi story into hardcore conspiracy theorists in this day and age. Likewise, I’m not a huge fan of how they essentially made the Hollow Earth into its own universe complete with a crazy portal and an environment with its own laws of physics, nor am I totally crazy about the huge leap in technology that was made between this and KOTM, or G’14 for that matter.

The monsters as awesome as they are, are the biggest mixed bag in the show.

Kong is at his best in ages, and while I am all for the new heroic warrior character that Legendary have crafted and I acknowledge that making him a worthy opponent for their god-tier Godzilla was going to be a hurdle, I think they did a splendid job. Seeing Kong using agility and acrobatics was a glorious sight to behold, and something about Kong becoming a tool-user and weapon wielder just feels right. It’s a far better demonstration of Kong as a “thinking animal” (*wink, wink*).

I’m much less thrilled about their treatment of his greatest opponent ever. After everything they’ve done to build up Godzilla as the incredible force of neutral good fighting to maintain balance and all the build up to ancient rivalry debating back to a great Titan war--even going as far as putting his name in front Kong’s this time!-- they’ve reduced Godzilla back to glorified bully for Kong. He only gets the minimum amount of sympathy from the cast of his movie before they go off to deal with the conspiracy plot or focus on Kong and the Hollow Earth. Worse still, he is somehow more powerful and more aggressive than ever for a good chunk of the movie which leads to an outcome I’m sorry to say we all saw coming. Somehow, I suspect that the reason behind this was how Wingard cited Godzilla vs. Mothra, vs. Destoryah, and Shin-Godzilla as influences for the monsters scale and story, which while cool and all, are all movies where he was played up as a mostly stoic antagonist rather than a three-dimensional character like Kong. (Though ironically vs. Destoroyah and Shin did a better job of making Godzilla feel more sympathetic and in both of them he was a walking nuclear reactor meltdown.)

Due to the unfortunate time constraints of the three-way deal between Toho, WB, and Universal at the time this was in production, Kong was unable to secure a proper sequel that could develop his skillset like Godzilla’s did. Nevermind the fact the filmmakers completely surrendered to the “nothing matters but the monsters” mentality that a chunk of the fanbase has been spouting since this universe unofficially kicked off almost 10 years ago. (Sidenote: Oh god, I’m turning in an old fart already.) As a result, the movie trips over itself trying to set up Godzilla and Kong’s rivalry as well as building up Kong as a worthy opponent to Godzilla while expanding on their shared lore, and as a result countless plot points set up in in the previous movie and tie-in movie are thrown out the window. I’m sorry to say but in spite of all hopes and illusions of grandeur, it’s safe to this damn thing is a Kong movie with Godzilla as the bad guy.

...at least until HE shows up. Yup, Mechagodzilla. The biggest spoiled twist of the centuries steals the show so the movie can pull a Dawn of Justice. But! It does it much better than the fractured DCEU’s most controversial entry ever could. Mechagodzilla’s inclusion gets a decent amount of build up thanks to Team Godzilla/the Conspiracy Crew, and when he shows up, does he make an impression! At first, I wasn’t sure how to feel about his inclusion or his design, but I’ve come to like this one. He’s basically a kaiju terminator built in Godzilla’s image made purely out of heavy machinery piloted by the best Ghidorah head. It’s a jarring change of pace compared to previous MechaG’s but it grows on you after a while. With the abundance of weaponry stuffed into him, he feels like a fitting update of the original killing machine, and even if his inclusion feels like an easy way out of the big showdown, it’s fun to see him played as a literal colossal heel for the kings to team up against. Not to mention he looks shockingly good with those red highlights. However, one still can’t help but wonder how and why he was made in this universe, or how he feels like pure heavy machinery one minute and then an extra-large Ultron unit the next.

As for the the big throwdowns we’ve all been waiting for... well, we’re still in the mixed bag deparment. While the fights are all exciting and excellently choreographed, and benefit from some more eclectic lighting and cinematograph, I’m sorry to say that as far as the rematch of the century goes they dropped the ball on this one.

Don’t get me wrong, the fights are all great in their own ways, but there’s a drastic change in the feeling of weight and power with the monsters. Godzilla, Kong, and even Mechagodzilla all feel strangely floaty in most of their fights. One moments they feel like true behemoths shaking the very earth with every movement and then it’s like they’re in Godzilla Unleashed, running, jumping, and throwing each other around with speed that feels that almost makes you wonder if the Hollow Earth’s gravity inversion stuff is leaking out into the world. While it’s all perfectly cool, you can’t help but wonder how Kong is able to leap between aircraft carriers and buildings, when Godzilla got the ability to blow a hole through the Earth itself, or how a colossal machine is able to move so nimbly or why it has to be flashing blue all the time.

It’s fascinating and fun but you just can’t help but wonder how we got from almost posthuman disaster and war movies exploring how we’re at the mercy of the ancient almost mythical forces beyond our comprehension, we’ve found ourselves smack dab in the middle of Bayformers meets Jurassic World levels of Hollywood absurdity where anything and everything can and will happen in the name of getting to the monster fights. Although I can’t say I’m surprised given the director’s take on Death Note made some questionable choices with it’s take on the infamous cast while still coming up with some genuinely inspired choices. Still, all things considered we could have gotten worse compared to ther cinematic universes made by WB and Universal.

As for some misc. thoughts to close up this rambling mess:

-The soundtrack is fantastic. A great continuation of the feel of Skull Island’s mixtape with some truly wonderful picks. Special mention goes to the opening and ending songs, and they GOT AN ELVIS PRESLEY SONG IN HERE! YES!!! The three kings of pop culture together at last!

-While this movie didn’t need to be any more overstuffed, it would have been nice if the rest of the Titans didn’t disappear entirely from this movie. I get that Godzilla: Dominion already explained what happened to them all more or less, but it really is a missed oppurtunity that we never got to see another Titan war. Or Rodan attacking Kong to avenge his pterosaur bretheren from days long past. Speaking of which...

-“Save Mothra” jokes be damned, Mothra would have been a welcome gues star, not just to help break up the big fight, but to show off Godzilla’s softer, more protective side. And yes, I want more Mothzilla. Shut up, we deserve it.

-Boy, Monarch sure does a whole lot of nothing up-top, huh?

-The cinematography is a great update but there’s a little too much neon lighting, especially in the Apex HQ and the Hollow Earth throne room. It feels like they’re trying just a little too hard to sell the more futuristic, Hollywood sci-fi feel.

-The score is... great but not that great. Of course, I’ve always had mixed feelings about Tom Holkenburg (AKA Junkie XL)’s music. I liked Kong’s themes, but they REALLY dropped the ball with Godzilla’s theme. Mechagodzilla’s works really well as long you ignore that it’s just Godzilla’s theme in this movie with an ominious choir added in.

-The new Hollow Earth creatures are all perfectly fine. Actually, I thought they were another highlight! Especially the Warbats, Hellhawks, and Doug the Titanus Foetodon Man.

-I want to do a release the extended cut campaign but I don’t think any of us have the energy for that s**t anymore.

[according-to-the-laura]

StackedNatural Day 126: 13x14

StackedNatural Masterpost: [x]

March 1, 2022

13x14: Good Intentions

Written by: Meredith Gylnn

Directed by: P. J. Pesce

Original air date: March 1, 2018

Plot Synopsis:

Jack and Mary escape Michael's clutches and end up finding an ally in Bobby Singer; Sam, Dean, and Castiel continue to search for a way to open a breach; one of their own may be working against them and costing them precious time.

Features:

Jack’s dreamscape, Mary and Jack meeting, Gog and Magog, apocalypse Bobby, Cas scrambling Donatello’s brains.

My Thoughts:

I know I’ve complained in the past about the writers finding excuses to put nearly meaningless monster of the week plots in the middle of an overarching plot about the apocalypse, but I’m finding the structure and pacing of a lot of later seasons episodes really weak without the framing of their standard episodes. A fair amount happens in this episode, but it’s really piecemeal and the A and B plots could be happening in completely separate episodes without affecting each other at all. In an isolated the sense the scene with Gog and Magog is fun because of how married Dean and Cas act, and there are funny lines, but in the context of the episode it makes no sense stylistically. If the episode had built up to that scene and then had them realize they had been betrayed at the very end with with the hearts not existing, it could have been a really interesting reveal.

I unfortunately find Apocalypse World as a setting extremely boring. It’s a dull colour palette that completely lacks the charm of the earlier seasons and the style of the angels that we know. Why have them using soldiers as vessels? Why can’t we have the same smarmy actor for Zachariah that we know and love? The new Zachariah’s only thing in common with the one that we already know is his name. Why do angels physically fly through the air instead of teleporting and smiting? Why are women all gone except some of them are still there except it’s weird to run into one? Why is Jim Beaver suddenly a bad actor when he’s in apocalypse world? He barely emotes all episode, even when he’s supposed to be flirting or raging mad. Side note, I don’t care for the weird romance between Mary and Bobby. It’s not even really an age issue I just don’t find it compelling at all. The scene where they run into Bobby could have been super tense or it could have been super exciting but instead it was completely neutral.

The saving grace of this episode is Jack. He gets to be smart and realize what’s going on when he’s being manipulated in his dreamscape and he gets to bust himself and Mary out of captivity. I like that he gets to be sunshiney one moment and dissolving angels in the next. I like that he plays with the other kids at the refugee camp.

Donatello is possibly the character I hate the most in all of Supernatural, and I mean that in a meta sense. You know how the other day I was saying that I like that John Winchester exists even though within the narrative I hate him, because he makes all the other characters more interesting by being around them? Donatello is the opposite of that. I hate him in the narrative because he’s extremely annoying and badly acted, and I also have him in a meta sense because he brings nothing to the table and he replaced Kevin, a character that actually forced emotional changes in the others and who was much more interesting within the narrative. The fact that his character sucks so much makes me not give a shit about this moral conundrum that they’re trying to set up here with Cas stripping the spell from him. It’s extremely rich to watch Sam and Dean talk about Cas not having the right to make that choice when the entire show pivots on them making that choice for every creature that they come across, even ones who try desperately to do the right thing. I wish Cas would straight up kill him so we could find a cooler prophet to have hanging around.

Notable Lines:

“I’m sorry, but I’m not going to let you or anyone hurt the people I love. Not again.”

Laura’s (completely subjective) Episode Rating: 3.9

IMdB Rating: 8.3

In Conclusion: I would have been happy for 42 minutes of Jack doing shadow puppets, but alas.

<< Previous Day  |  Next Day >>

[autisticshadowthehedgehog]

Filmverse!Knuckles is gonna be Tikal’s Little Brother and if he’s not I’m suing Sega

[ID: Two images; one of clipart of Knuckles the Echidna beside a poster for Sonic the Hedgehog (2020), and another from Sonic X of Knuckles and Tikal together while Tikal is injured. End ID.] 

Thankfully, this might be shorter than my last couple theory posts but unfortunately I am possibly more passionate about it because this could conceivably happen and if it doesn’t I don’t know what I’m gonna do. 

So in this theory, I will endeavor to prove these points:

Knuckles will very soon be present in the filmverse. 

In the Filmverse, Pachacamac (and by extention, Tikal) are no longer four-thousand years gone, but exist at the same time as Sonic.

Knuckles is going to be in this clan not just as any member, but as Tikal’s brother. 

We’re going off the rails and I’m going to tie this all in to the Chaos Emerald Filmverse theory. 

Who’s ready to go? Everything under the cut. 

1. Knuckles is Coming #2k22

[ID: Another edited photo, placing clipart of Knuckles beside a promotional photo for Sonic the Hedgehog (2020). End ID.] 

This will probably be a short section but... there’s no way Knuckles won’t be in the filmverse very soon. Likely, in the second fucking movie. 

Let’s start with the basics: Knuckles was originally going to be in the first movie, but was cut in order to better establish the Sonic vs Robotnik rivalry. Director Jeff Fowler made the following statement: 

“For this first film, we really were just looking at the 1991 game and just see where it all started and keep it simple…Just really try to nail Sonic and Robotnik and just set up their rivalry because you don’t…I mean, I love…There’s a lot of great characters in Sonic universe, but it’s the most important thing is just to get Sonic set up and just tell a little bit of an origin story with him, and just do it in a way that really makes everyone fall in love with him as a character and just be rooting for more.

And then, if all that goes well, then we can kind of open it up and bring in some of these other characters that fans know and love. And yeah, I mean, no one’s more excited than me to have that opportunity.”

[x]

As well as this, co-writer for the film, Josh Miller, has stated he really wants to bring in Knux. 

“I will only hint that we wanna bring in some of the other characters from the games. But, really, it’s all about Knuckles’ love.” [x]

Second, voice actors have, reportedly, already been considered for Knuckles’s voice, including Dwayne “The Rock” Johnson. [x, x]

And third, Mushroom Hill. 

[ID: Two photos; one of the Mushroom Planet from Sonic the Hedgehog (2020). The second is a screenshot from Sonic & Knuckles, where Knuckles is running through Mushroom Hill. Both photos feature gigantic mushrooms resembling trees and an orange tint. End iD.]

The “Mushroom Planet” is a direct reference to the first level of Sonic & Knuckles. The first level of.... the game with Knuckles’s name in it. 

So, you wanna hear something funny? What’s the first thing Knuckles does in the game timeline? 

[ID: Screenshot from Sonic & Knuckles. Sonic is standing on the left side of the screen, beneath a mural of something holding an emerald towards something that looks like SuperSonic. On the right side of the screen is Knuckles, ready to fight Sonic. End ID.]

Well... Robotnik shows up, convinces him that Sonic and Tails are gonna try to steal his emerald, and sends him off to fight them. 

And where’s Robotnik at the end of the 2020 film?

[ID: Robotnik on the Mushroom Planet in Sonic the Hedgehog (2020). End ID.]

While the Mushroom Planet may not be where Angel Island is in filmverse, the direct reference would definitely generate fan attention. And it implies that Robotnik, wherever he is or is going, is headed towards Knuckles. And with the game inciting incident of Robotnik having Knuckles fight Sonic for him... well, wouldn’t that be a wild introduction? Especially for casual fans who don’t have Sonic Lore memorized and may not know that Knuckles was originally an antagonist/rival to Sonic. 

Oh, and there’s one more piece of evidence that Knuckles is gonna show up... the fact that his tribe already has. 

And among them, by the way, are Pachacamac and Tikal. 

2. Pachacamac and Tikal are no longer 4000 years old

So. Let’s talk about the opening scene of Sonic the Hedgehog (2020). As many of you have probably noticed, Sonic and Longclaw are attacked not just by any masked intruders, but by... the Knuckles Clan of Echidnas. 

And we’re sure they’re not any other clan, because they have the trademark Knuckled Gloves. 

[ID: Multiple gifs of the echidnas attempt to attack Longclaw and Baby Sonic. They are dressed in vaguely tribal wear, and have gloves featuring pointed knuckles, signifying them as the Knuckles Clan. End ID.] 

Now, that’s not evidence of Pachacamac/Tikal itself; we know the Knuckles Clan lasted at least long enough to spawn our Knuckles. What is evidence, however, is in the specific Echidna who shot Longclaw. 

[ID: Gif of the Echidna who shot Longclaw, isolated in the frame. End ID.] 

Look familiar?

[ID: The echdina who shot Longclaw in the 2020 film next to a render of Pachacamac. The mystery echidna’s helmet has the same forehead markings as Pachacamac, along with a design that looks like his mustache. End ID.]

And fun fact: this isn’t me reaching for once. This was confirmed by Tyson Hesse, film character designer and savior of Sonic, on his twitter. 

[ID: Tweet from Tyson Hesse, showing the pictures of the Echidna and Pachacamac. He says, “Late to the #sonicwatchparty but this is an easter egg I haven’t seen many people catch.” End iD.]

Pachacamac is canonically in Sonic 2020. As director Jeff Fowler has said he believes Sonic as ~13 during the events of the film, we could say he’s about three years old in that intro. And we know this because it is specified specifically that the main timeline takes place ten years after the prologue. 

[ID: Screenshot from Sonic the Hedgehog (2020), the first shot following the logo. It is a landscape shot of a street in the middle of a green field, and the caption reads, Green Hills Montana: Ten Years Later. End ID.]

Meaning... Pachacamac was alive ten years before the film takes place. Quite the departure from the four-thousand year time jump in the gameverse. Seeing as Pachacamac is alive so close to this timeline, we can reasonably assume that Tikal is, too- she’s his teenaged daughter, canonically ~14 when she is turned into a spirit, which would put her as solidly alive during this timeline. 

...wanna know who else would be alive in this timeline? 

Knuckles, who is only a year older than Sonic. 

And, um, obviously a member of the Knuckles Clan. 

3. Where is Knuckles in this Filmverse Canon?

Okay “Knuckles” is going to stop sounding like a word so can we just call the Knuckles Clan the KC rn? okay? Okay. 

Knuckles is canonically a year older than Sonic- listed as 16 while Sonic is 15. So if Sonic’s alive, Knuckles is alive. Basic logic there. 

In the gameverse, Knuckles’s backstory is as thus, paraphrased from Sonic Wiki:

Knuckles was born and raised alone on Angel Island as the last surviving member of the Knuckles Clan, a long-lost race of echidnas devoted to protecting the Master Emerald from being abused. However, Knuckles’s own past was a mystery to him; he knew nothing how he came to be and believed himself to be the last of his kind entirely. The one thing he did know was that he had always been living on his island, protecting the Master Emerald. Knuckles knew from an innate knowledge that his duty was his fate, and he was content with that.

While we can’t expect his backstory to stay exactly the same, seeing as Sonic now has a dead owl mom and knows how to Fortnite dance, but Knuckles’s backstory does fuel a lot of his character and decisions in the games. Here are what I believe to be the two main points of this backstory:

Knuckles is, or at least believes himself to be, the last member of his race 

Knuckles considers it his sacred duty to guard the Master Emerald 

[ID: Screencap from Sonic X of Knuckles the Echidna holding the Master Emerald above his head. End ID.]

Now... if Sonic was three during that backstory, the KC was around at least when Knuckles was about four. Most children don’t develop long-term memories til then, but if 3yo Sonic could remember his backstory in Green Hills near-perfectly, then clearly mobians are a bit different. We can reasonably assume that Knuckles would then remember at least part of his tribe or family, so that’s a definite change. 

Thing is, what would be the reason for this change? Even ignoring Pachacamac, it was definitely intentional for the clan attacking Longclaw and Sonic to be the KC, which does change quite a bit of Knuckles’s backstory. Which isn’t a problem, you see- it’s a drastic change, but character changes aren’t bad if there’s a reason behind them. 

So what would be the reason for Knuckles having memories of his tribe? 

Well... how easy would it be, then, to get that Sonic Adventure flashback via Knuckles instead of a glowing ball of Tikal/Navi? 

[ID: Screencap from Sonic Adventure, showing Knuckles the Echidna staring down Chaos and the glowing ball of light that symbolizes Tikal. They are standing in front of the emerald shards. End ID.]

Would be an easy way to get any chaos emerald/Master Emerald exposition out of the way, as well as establish some basic and early Sonic Lore- Chaos, echidnas, chao. And if Knuckles, um, remembers his entire race being massacred by an elder god?? That would definitely affect him in a way that he’d consider protecting the Master Emerald, the controller of the power Chaos used to do such a thing, a duty for himself. 

And... what would be the best way to get that backstory out? 

4. Knuckles is Tikal’s Baby Brother

Here’s the thing- the KC citizens don’t seem to know much about what’s going on outside of Pachacamac’s orders. From talking to them in Sonic Adventure flashbacks, we can see they’re quite a bit... confused, I think is the best way to put it. 

[ID: Dialogue screenshots from Sonic Adventure that I had to nab from a Game Grumps video because nobody else had these online. The echidnas say, “The daughter? I saw her in front of the shrine.”, “Well... I.... I just can’t sit still!” and “I think, therefore I am.” End ID.]

So if Knuckles was just an ordinary tribe member, it’d be unlikely for him to know enough to provide the necessary flashback details. And if Knuckles’s past was changed in order to provide an easier connection to the SA lore, he’d need to be very near to the action. Of course, he could just be a curious child, but even then, he’d likely be left out of several conversations surrounding Tikal. 

Most of Tikal’s flashbacks are spent alone- she only has a few arguing with her father, but most of her scenes are spent with the Chao and Chaos themself in the Chao Garden. Considering Tikal seems to be the only echidna frequenting the Chao Garden- the chao are afraid of her when she first approaches, Pachacamac arriving is basically seen as a declaration of war- there’d be no reason for an echidna to be there unless she brought them herself. 

Who would she bring with her? Perhaps... her little brother. 

[ID: Screencap from Sonic X of Tikal, surrounded by flying Chao while at the Master Emerald Shrine. End ID.]

First off, let’s get over the age thing-- I know you’re gonna say “Knuckles is 16 when Tikal is 14,” HOWEVER, TIkal did not age while inside the Master Emerald. She could go in at any point in Knuckles’s life, which means she could be anywhere from ten years older than him to a twin sister to two years younger. 

There’s no real concrete evidence of how old Knuckles would be in filmverse when the SA events happen, seeing as we have only seen Pachacamac existing and have no idea where this is in his timeline. However, from a writing standpoint, if you want to keep a bit of Knuckles’s backstory of living alone for a good chunk of his life, I’d say the massacre happening when he was ~8 seems likely. Old enough to have clear memories of the SA events but young enough to have his life completely sidetracked and feel like he raised himself. 

It’d be very easy for the flashbacks to feature Tikal taking a baby Knuckles to the Chao Garden, just telling him “don’t tell Dad, he won’t understand,” to talk to him about the grandmother he doesn’t remember who used to teach peace, to explain Chaos and the Master Emerald to him. 

And it’d be very easy angst for Knuckles being dragged along with the rest of the clan to take the emerald(s), watch his father basically doom his sister and his tribe murder innocent chao, and then see everyone he’s ever known murdered by Chaos, with his older sister stopping the rampage only by sealing herself and the destructive god in that emerald, leaving Knuckles completely alone. That’s all severe angst that pretty much no writer would pass up. 

Especially because it means Knuckles guarding the Master Emerald has now turned into Knuckles guarding his sister. 

[ID: Sonic X screenshot of Knuckles and Tikal looking up, surrounded by fire. End ID.]

So that’s the general theory. But let’s talk about something more fun: how it all ties into the Chaos Emerald Filmverse Theory. 

5. It all ties into our Chaos Emerald theory shh 

If you haven’t read Cori’s manifesto on the Chaos Emerald Filmverse Theory, allow me to summarize: 

Sonic is definitely a living Chaos Emerald, meaning that there are six other living Chaos Emeralds running around that we’re gonna need to track down. At least one of them’s Tails. 

First thing’s first... Robotnik going after Knuckles then makes perfect sense. If Robotnik somehow figured out exactly what Sonic was, he’d want a way to dilute his power. And the Master Emerald literally nullifies the power of the chaos emeralds. So whoever has the Master Emerald can severely nerf Sonic. Imagine Sonic getting within the boundaries of the ME and then immediately losing speed and falling flat on his face. Big oof. 

Second, it’s possible that Knuckles will also know what Sonic is. Because, well... what was Pachacamac after in Sonic Adventure?

[ID: Pachacamac attempting to talk down Tikal, who is t-posing in front of the Chao Garden in attempt to keep them out. Behind him is an echidna army, ready to attack. Pachacamac is saying, “We need those seven emeralds to give us total power!” End ID.]

The Chaos Emeralds. In order to use their power as weapons. 

And what was he after in Sonic 2020? 

Sonic. 

Interesting, huh.

Conclusion

Knuckles is gonna be the last member of the Knuckles Clan, guarding his older sister’s spirit inside an insanely powerful emerald, and will definitely be manipulated by Robotnik into using his Master Emerald to fuck up Sonic. 

And it’ll be really awesome. 

[ID: Sonic X screencap of Knuckles giving a thumbs up. End ID.]

[ryanberga]

tbh i’d love to see ur paragraphs abt ryan & i’m sure other people would too,,,,,,post it?👀

ok *deep breath*

we all always joke about ryan being this dumb himbo jock archetype to shane’s academically-inclined strange man archetype which is funny as hell those jokes are funny and all in good fun but!! let’s not forget that ryan is actually not dumb at all!

let’s talk about ryan & shane’s dynamic and the whole boogara vs. shaniac thing. there’s a decent amount of people who see ryan saying “i believe in ghosts & demons & the supernatural & funny little conspiracy theories,” and then they see shane saying “all that is bullshit, i’m a skeptic & i believe in science,” and they jump to the conclusion that therefore, shane is smart and ryan is dumb, or shane is smarter than ryan, and that’s simply not true!! ryan’s belief system is inherently different from shane’s, but that does not mean he is stupid for it! shane is very outwardly and vocally interested in things like history and science, and i think that’s another reason people tend to fall into the belief that shane is smart and ryan is dumb, but, again: simply not true! just because ryan isn’t as interested in typical academic pursuits doesn’t mean he’s dumb, and i think it’s actually a very problematic mindset to equate someone’s intelligence with like the core subjects you learn in school.

ok, now let’s talk about bfu. let’s talk about how bfu was entirely ryan’s brain baby and how groundbreaking the format of it was. let’s talk about how no other supernatural or true crime shows presented its information the way that bfu does. let’s talk about how when bfu started, ryan did 100% of the work for it. he did the research, the writing, the editing, etc etc all on his own. let’s talk about how much work he put into it and how passionate he was about it. let’s talk about how the format is so smartly done & unique & original. let’s also talk about how no matter how much evidence shane presents that directly contrasts ryan’s theories, ryan stays true to himself and believes in what he believes in and refuses to be swayed. let’s talk about how even when shane blatantly dismisses ryan’s beliefs or insults him or teases him for his beliefs, ryan doesn’t budge. i also think it’s so impressive that ryan remains genuinely curious about these things and continues to believe in these things even when someone (who he cares about & respects!) is consistently telling him his beliefs are bullshit.

ok, now let’s talk about watcher. i’m not going to talk about how much courage it must have taken to leave buzzfeed to create a completely original company because that goes without saying, and it’s been talked about enough before. instead, i’m going to talk about spooky small talk specifically for a second. the fact that both steven and shane have said that spooky small talk is the biggest undertaking that any of them pursued for any of their shows is! pretty impressive! the amount of work that had to have gone into that show is really mindblowing to think about, to have to deal with the scare actors and all the noises and getting through the maze while asking questions and staying engaged with the interviewee. it’s a lot to deal with, and ryan does it fantastically, and he makes it look so effortless, as if it was the easiest thing in the world to create.

and then there’s here’s what you do, which i think is a good example of ryan showing that he’s very smart when it comes to emotions and self-care. very often in hwyd, he talks about emotions and self-care in ways that surprise me with how succinctly he’s able to put sort of complex thoughts into words. personally, i also think he gives some of the best and most thoughtful answers (when they’re actually giving serious answers and not talking about piss & shit, that is).

and just a couple more things about ryan i want to point out before i finish this off: no matter what ryan does, in everything he pursues, he seems to me to remain completely genuine to who he was at the start of this all, way back when he was still making videos with brent. he never changes his belief system, no matter what shane or anyone else says to him. he remains compassionate and unashamedly himself in all his pursuits. everything he does is imbued with so much fun. he wants to have fun, and he wants his audience to have fun along with him, and i think it‘s very evident that this is the case.

also, if you listen to ryan speak, like, in watcher weeklys or hwyd or whatever? it seems to me like he says everything with intention, and it seems like most things he says are pretty well thought out (again, when he’s not being purposefully silly). also! he has a great vocabulary! as an english major myself, i am often surprised by some of the words he throws out very casually in conversation!

and one last point, bringing it back to my first paragraph: just because he’s not as into things like history and science, he is still very well-versed in a lot of other things that speak to an inherent intelligence. first of all, it’s been established that he knows tons about true crime and conspiracies and supernatural stuff. he’s also very well-versed in pop culture, and more than just movies & tv shows! he’s spoken lots about books, and music, and podcasts, and video games! (and also don’t forget that he’s mentioned multiple times how he maintained i believe a 3.9 gpa throughout all of high school & college while also involving himself in sports & extracurriculars & a fraternity! gpa is bullshit, but that’s still pretty impressive if you ask me!) 

(edit: also!! the fact that both shane and steven said ryan was the one who was the most prepared in terms of banging out content should something like a pandemic occur before covid was even a thing!! let’s not sleep on that fact, wow!)

((edit pt. 2: also! my total bad for not appreciating his sense of humor! he’s such a funny guy! and so quick-witted! i think his sense of humor on its own is enough to demonstrate how very obviously Not Dumb he is!))

tl;dr: does ryan lean into the dumb jock archetype? sometimes, yes, i think he does. i think he thinks it’s funny to play dumb (and it is!). but is ryan actually dumb? no fuckin way! ryan is smart & talented & very hard-working & passionate & just an all-around great guy. put some respect on his name

[letterboxd]

Third Language.

With her debut film Farewell Amor out now following a successful journey on the festival circuit, Tanzanian-American writer and director Ekwa Msangi tells Selome Hailu about the third language of music, growing up on knockoffs of the Rambo franchise, and her favorite African filmmakers.

There’s a subtle musicality central to the way Ekwa Msangi carries herself. She finds melodies in her words: “You hum the ‘m’,” she says when asked how to pronounce her last name. “Mmm-sangi.” And perhaps to a more subconscious degree, she speaks with rhythm, too: “I do think, and I know, and I can see…” she trails off, ruminating on how much hope she feels for the future of Black filmmaking. Naturally, this musical quality meanders into her work.

Farewell Amor is a quiet film, except for when it isn’t. Three Angolan immigrants revolve around each other in an awkward orbit, each trying to make sense of their dynamic now that they’ve left their home behind. Kept apart for seventeen years by the bureaucratic intricacies of war and paperwork, Walter (Ntare Guma Mbaho Mwine) is finally joined by his wife Esther (Zainab Jah) and daughter Sylvia (Jayme Lawson—soon to be seen as Bella Reál in The Batman) in New York City. But they don’t know each other anymore and spend much of their time in silence, until music and dance burst forward as a chance at common ground.

Msangi’s screenplay never dwells on the technicalities of the family’s struggle against the American immigration system. Instead, it plunges into softer, more personal after-effects of dreams deferred. Walter’s walls bear a faded calendar with Barack Obama’s face on it, even though his empty apartment complicates the “hope” the president promised people like him. When his family arrives at long last, Esther wears a silver cross pendant, having made sense of these years as a married-yet-single mother by drawing closer—almost too close—to religion. Sylvia barely speaks at all, caught between a faith that isn’t hers and a home that isn’t either.

Ntare Guma Mbaho Mwine and Nana Mensah in ‘Farewell Amor’. / Photo courtesy IFC Films

The film’s triptych structure emerged after Msangi spent months grappling with how to create a feature-length screenplay out of her original short film. “Having just come off of the short, I was focusing on Walter’s story. But [I] didn’t think that was the most original story I could tell,” she says. “And then, out of indecision between whether I should make it Walter’s or Sylvia’s story, I decided to just do both. Initially it was two perspectives that I was looking at. But I realized that Esther’s story was really the linchpin for both of their stories, and it wouldn’t make sense not to have hers.”

Giving Walter, Esther and Sylvia their own chapters makes Farewell Amor a stronger film than if it had followed a singular, traditional protagonist. Extreme conservatism in one chapter is revealed as a desire to avoid pain in another; one character’s cramped living room is another’s space to dance freely. Writing on Letterboxd, Tabby points out how the three-part narrative structure grants meaningful subjectivity to characters who deserve it: “It’s so easy for Westernized perspectives to steamroll over films that deal in cultural disparities and thematics, but Farewell Amor takes important steps in showing all sides of the story,” she writes. “It was refreshing to see [the characters] each given the space to exist.”

This layering of voices happens in the camerawork, too. Each section of the narrative is marked with a visual language of its own, complete with specific color palettes and cinematographic techniques. Msangi thinks fondly about the work she put in with cinematographer Bruce Francis Cole to make the chapters distinct. “For Walter’s, it’s sort of a slow cinema, where there’s a lot of still framing. It’s almost like he’s stuck, you know? Stuck in the frame between two surfaces, two hard surfaces, a window frame, a door frame. And in Sylvia’s, we wanted to have it reflect her livelihood, her restlessness. All handheld cameras, all movement. And then for Esther, she’s very observant. She’s been taking everything in, almost in an investigative style, but also a little bit romantic. She’s romanticized this setup, so a lot of close shots, a lot of soft lighting.”

Jayme Lawson as Sylvia in ‘Farewell Amor’. / Photo courtesy IFC Films

Music gives Farewell Amor a cohesion across the different storylines. “Music is, for these characters in particular, and for me, kind of a third language,” Msangi says. “It gives you a glimpse under the covers, what’s under the sheets.” The soundtrack underscores strong performances from Mwine, Jah and Lawson, lending depth to their quietude and vibrance to their movement. Msangi also notes how sound became a cornerstone of her collaboration with the actors: “As I was writing from different perspectives, in order to help me get into each character’s skin, I would listen to the music that they would be interested in.” She later shared these playlists with the actors, using the songs to communicate what words couldn’t.

Msangi has a good laugh as she tries to think about the major films that inspired her to become a filmmaker. “You know, I don’t have that. Well, I do have that, but not for the reasons that most of my film peers have,” she says. Growing up in East Africa in the ’80s and ’90s, little to none of the programming on television was local. What did kids watch instead? “We watched Rambo for probably ten years straight, and then Rambo knockoffs for another ten years after that. I decided to become a filmmaker because of horrible Rambo knockoff films.”

“I grew up surrounded by such colorful and delightful and interesting and funny people,” Msangi says. “And none of that was reflected anywhere in the media.” As she grew older, she sought out African films she couldn’t access in her youth. Now, they’re some of her highest recommendations. Ousmane Sembène is the first African director whose filmography she ever got the chance to dive into. Sembène’s 50-year career has garnered him the affectionate title of ‘Father of African film’ among many critics and scholars, who laud him for his dramas, including Black Girl and Camp de Thiaroye. Msangi, however, finds herself taken with his unique sense of humor. She has also been inspired by Safi Faye, another Senegalese director, who became the first sub-Saharan African woman to attain commercial distribution in 1975—and whose film Mossane portrays sexual intimacy with an openness Msangi hadn’t seen elsewhere.

Writer-director Ekwa Msangi. / Photo courtesy IFC Films

In Farewell Amor, Sylvia’s chapter reads like a compacted coming-of-age film. Msangi points to South African director Darrell James Roodt’s Sarafina! as an influence in that regard. “It was showing for two weeks in Nairobi, and I lined up for four hours to watch,” she says about the film, a drama about youth involvement in the 1976 Soweto uprising. “Even though it’s from a different part of the continent, I’d never seen young African teenagers on a screen before.” More recently, she has loved 2011 TIFF breakout and Oscar contender Death for Sale by Moroccan director Faouzi Bensaïdi, and Radha Blank’s The Forty-Year-Old Version is her favorite film of 2020. She’s hopeful about the future of Black American cinema: Ava DuVernay and Ryan Coogler are two of her favorite working directors.

Msangi’s selections are wide in range, but there’s still one thing holding them together: themes of vulnerability, community and celebration of identity, across different decades and genres. In fact, her approach to watching movies isn’t far off from the way she made her own—Farewell Amor maps concurrent experiences of disparate people, and Msangi’s tastes seem driven by the same balance of vastness and specificity.

“I’m a filmmaker who really abhors working on the same kind of story over and over again, the same genre, the same kinds of characters,” she says. “So I’m not going to make my career just telling stories about immigrants or about, you know, their wretched troubles,” she laughs. “I don’t want to do that.”

Msangi’s next project will be an African-American period piece; beyond that, she hopes to make films in several locations: the Caribbean, Europe and all over the African continent. “I really would like to just have a lot of fun with my career. You know? Because it’s a fun and magical industry that we work in! The work that we do in creating these stories and hopes and dreams—we create magic, so it should be fun.”

Related content

Adam Davie’s Black Life on Film list

Shachar’s 20 Films by Black Directors 2021 Challenge

Screenpaige’s list of Black Women in Film

Follow Selome on Letterboxd

‘Farewell Amor’ is out now in select theaters and on demand through IFC.

[princess-of-the-corner]

I never watched Winx as a kid, so I really hope I don't sound like an idiot for asking this. What exactly does the Netflix Winx series do wrong besides giving it the "dark and gritty" makeover?

So like. There are a lot of problems here and I’ll try to tackle them. I haven’t finished the reboot because I have difficulty getting through things I like, much less things I hate watch. But anyway, this gets long and is separated into parts. 

Let’s start with it’s issues on it’s own and not as an adaptation: 

It’s still pretty garbage. Not ‘the worst thing ever’. Interesting enough. But it does have problems. Some racist and homophobic and fatphobic writing. The characters range from ‘kind of a jerk’ to ‘straight up assholes who will cause physical harm for petty reasons’. The nicest one so far is Terra, but even she kinda snaps and strangles a guy with her plant powers. 

Now on to things it fails on as an adaptation!

First, the whitewashing!

Of the six main characters, 3/6 were poc-coded in the original cartoon(I say ‘coded’ because they’re not Humans from Earth but still). Aisha is black, Flora is Latina, and Musa is Chinese. 

Aisha is the only one who remains black. I’ve heard varying testimonies on Musa’s actor, but the ‘best’ I’ve heard is that she’s 1/4 Singaporean and white passing. I don’t have the authority to say if that’s in the clear or not so I’m leaving that to other fans. 

Flora gets the worst though. They cast a white woman to play her. Then backtracked and said ‘oh, this isn’t Flora. We replaced her with her white cousin Terra’. Yeah you can see the problem there. 

Characters they got rid of entirely! I’ll only discuss characters that showed up in the first two seasons of the original show since Fate only has one season. (I’d say just the first, but they included Aisha who is from Season 2). 

Let’s see. They got rid of Tecna, one of the main six girls. It’s likely because they’re going for a more ‘bootleg Hogwarts’ vibe, and Tecna’s magic being heavily technology based ruins that. So she’s just tossed altogether. 

The boys! Oh my god my boys! Sky and Riven are the only ones who were kept in, while Brandon, Timmy and Helia got scrapped and replaced as well. The other boys like Dane and Sam? Totally could’ve just given them those names and been done with it. 

Then there’s Icy, Darcy and Stormy! I’m counting them together because that’s exactly what Fate did! The three Witches are villains in the series, and instead of keeping a trio, they combined her into a single character. Beatrix. 

I think Silva was also an amalgamation of the remaining Headmaster/Headmistresses and a few other staff members but considering they condensed it to just one school it kind of makes sense. 

Sometimes there’s just a name change like the Headmistress of Alfea was changed to Farah Dowling instead of Faragonda which is so pointless. 

Overall there’s other minor characters that don’t show up, like the rest of the school staff, Mirta and Lucy, so on and so forth. But I’m less upset about that. Still upset though because I love them. 

Personality changes! And romance drama!

Oh boy. Oh boy oh boy oh boy. 

I already mentioned how they made everyone an asshole in this reboot. In the original show, the only protagonist that was consistently a jerk was Riven, but he was more of the ‘grumpy but still a good guy’ type of asshole. 

Let’s compare just one character and her relationships to others!

Stella in the Original Cartoon: Preppy and sometimes a little vain, could be blunt to the point of insulting, but never malicious. Very sweet and loves her friends. She and Bloom are best friends, Stella having been the one to bring Bloom into the world of Magix and will do everything she can to make sure she’s safe. Stella’s love interest is Brandon, who is bffs with Bloom’s love interest Sky. Stella and Brandon are very cheesy and cute together. They aren’t usually jealous, and can even make a competition out of ‘how many phone numbers can I get?’. 

Stella in Fate: Total bitch to all her roommates. She’s getting the common ‘my mom’s a bitch who puts pressure on me so I’m going to be a bitch’ thing that’s become popular now. Since Brandon was deleted, they put her in a love triangle with Bloom and Sky, Sky being Stella’s ex bf. And despite breaking up with him, Stella sees him just talking to Bloom and decides ‘Hm. Let’s prey on her insecurities that she doesn’t belong here, and manipulate her into leaving!’ Which includes walking through a forest where there was recently a man attacked and viscously killed by some kind of monster, so I’m putting it up to attempted murder. 

Yeah. Everyone’s kind of like that. It’s awful. 

Bloom’s backstory and parents!

Okay, this can kind of fall under both ‘personality changes’ and ‘plot changes’ but it deserves it’s own section. 

In the Original Cartoon, Bloom’s home kingdom was attacked and destroyed by villains searching for something called the Dragon Flame. Bloom was a baby with said power, so her older sister sent her to Earth, a world without Magic, where she would be safe and hidden. Mike and Vanessa find her and adopt her, loving her and raising her very well. They are good parents. Bloom learns she has powers when she meets Stella, and instinctively uses Magic to protect her. 

In Fate, the only thing really the same is that Bloom was sent to Earth. I’m a little unclear on why, but instead of giving her loving adoptive parents, they made her a Changeling with emotionally abusive parents! Let me elaborate a little: Instead of adopting Bloom of their own free will, Mike and Vanessa’s real child died in the hospital and was secretly replaced with Bloom. Her parents are also, as mentioned, emotionally abusive. So much so that Fate!Bloom’s powers first manifested by setting them on fire in the middle of the night.

Fun. Ain’t it? 

Now onto plot points!

Again, pretty much the only thing the same is ‘Bloom discovers she has Magic, goes to another Dimension to learn at a school called Alfea. Gets into adventures with her Roomates while trying to figure out where she’s really from’. 

The whole ‘Burned ones’ were.... not a thing at all. There wasn’t any kind of ‘barrier’ to keep out ‘dangerous creatures’ or anything. 

I’m not going to go over every single subplot but that was just. No. They were easily allowed to go outside the school. 

The whole vibe

This is a big thing to talk about. While the reboot went for ‘dark and gritty’ over the bright colors and sparkles, it also went for ‘bootleg Hogwarts’ instead of anything interesting. 

In the reboot, the merging of Magic and Technloogy is mostly like. ‘Yeah we go to school in this old ass castle and we don’t use guns in weaponry class, but we have smartphones and social media and Harry Potter!”. 

In the Original??? The whole world was very Magitech. It was a combination of Magic and Scifi! Kinda Steven Universe style actually. 

The transformations!!!

Look. LOOK. Winx Club is a Magical Girl show! They have those beautiful transformation sequences that last a solid minute or so of screen time. And they also have like. At least one new Transformation a Season, which comes with an ungodly amount of different cool outfits. 

The reboot? One transformation sequence. And while the effects are nice, Bloom doesn’t even get a new outfit. Just a few flames coming off her that look vaguely like wings. 

SPEAKING OF! They are Faeries!!!! But they don’t have wings????? What????

Look idgaf about your effects budget you could’ve made the cheesiest shit like the live action Sailor Moon stuff and fans would’ve loved it!

Bonus: The fact that they didn’t have to change anything to make it ‘Dark’!

So like. Netflix decided to take all the color out of it, and make it ‘dark’ by having the characters smoke and drink and have sex and say swears. 

But they.... really didn’t have to! The original cartoon was plenty dark, despite it’s colorful aesthetic! If you wanted to do a more serious reboot, you could have easily done it by focusing more on those aspects. 

Hell, there are many fans who have done it. I’m one. I know a couple others as well. 

anyway it’s 2:30 am and this is long af so I’ll leave it at that. 

[zerochanges]

2020 Favorite Video Games

I don’t know if I am an outlier or if this is the same for everyone else but I really did not play a lot of games this year. 2020 was a very harsh year for all of us, especially for me for some personal reasons. So to get to the chase, I am just gonna say it left me not doing much in what little free time I did have, and I didn’t play much either. Usually I try to keep my lists for ‘favorite of the year’ to only titles released that year but since I played so little this year, screw it. I am gonna include any game I played this year regardless of release date.

Collection of SaGa

By far a flawed rerelease. It’s bare bones: there are no advance features you would usually expect out of these kinds of emulated rereleases like save states, fast forward, or rewind, and there was no real effort made to touch up almost 30 year old localizations that had to meet Nintendo of America’s then harsh standards. This really is just 3 roms slapped into a nice looking interface with an option to increase the game speed (which by the way you better use, the characters walk very slow in these old games). 

I am bit harsh here, but only because I thought the Romancing SaGa remasters and the upcoming SaGa Frontier remaster all looked like they got a great budget and a lot of love while this is just another Collection of Mana situation (moreso specifically talking about Seiken Densetsu 1/Final Fantasy Adventure/Adventures of Mana part of that collection). I would have loved to see Square Enix do a bit more for these older games. Or at least include the remakes. Seiken Densetsu 1 had two great remakes, both unused in Collection of Mana, and all three of these original SaGa titles have remakes that have never seen the light of day outside of Japan. How great would it have been to get the Wonderswan remake of SaGa 1, as well as the Nintendo DS remakes of Saga 2 and SaGa 3? 

But my gripes aside, these games are still fun as they ever were. Replaying SaGa 1 specifically during the holiday season really helped calm me down and made me feel at ease. It’s easy to forget but even in their Gameboy roots there are a lot of funky and weird experimental choices being made in these games. They aren’t your run-of-the-mil dragon quest (or considering the gameboy, maybe pokemon would be more apt) clones. 

Raging Loop

Perhaps my favorite game of the year, Raging Loop is one of the best visual novels I have ever played hands down. The level of creativity and splitting story paths that went into it is simply mind blowing. The basic premise is both a wonderful throwback to the old days of Chunsoft sound novels while still modern and somewhat reminiscent of both Higurashi and Danganronpa. Essentially you play as Haruaki, a poor slub that got lost in the mountains with no clue where to go until you stumble upon an old rural village with a strange history and even stranger superstitions. Before you know it there has been a murder and the Feast is now afoot.

The less said about Raging Loop the better, although I do want to say a lot about it one day if I ever can write a proper review of it. This is a gripping game that will take hold of you once you get into it though and never let go. I actually 100%-ed this and I very rarely do that. I got every ending, every bonus hidden ending, played the entire game twice to hear all the hidden details it purposely hides on your first play through, played all the bonus epilogue chapters, unlocked all the hidden voice actor interviews, collected all the art work, etc, etc. I was just obsessed with this game, it’s that damn good! And the main character is maybe the best troll in all of video games, god bless Haruaki. 

Root Double

From Takumi Nakazawa, long time contributor to Kotaro Uchikoshi’s work comes a game any fan of Zero Escape or Uchikoshi in general will probably enjoy. Root Double, like its name suggests is a visual novel with two different routes, hence Root Double. The first route stars Watase Kasasagi, the leader of an elite rescue team in the midst of their greatest crisis yet that could lead to nuclear devastation as they try to evacuate a nuclear research facility that has gone awry. 

The other route stars Natsuhiko Tenkawa, an everyday high schooler whose peaceful life is thrown into turmoil when he stumbles upon a terrorist plot to destroy the nuclear facility in the city and his attempts to stop them. Together the two separate plots weave into one and creates a really crazy ride. Part Chernobyl, part science fiction, any fan of the genre will easily enjoy it. And hey it’s kind of relevant to include on this list too since it just got a Switch port this year (I played it on steam though).  

Snack World

I was shocked upon starting Snack World as it is instantly incredibly charming, witty, and downright hilarious at times yet I heard almost zero people talk about it. EVER. This game is Dragon Quest levels of quirky though, and the localization is incredible. The game has such an oddball sense of humor that works really well with its presentation right down to the anime opening video that sings about the most bizarre things. Instead of the usual pump up song about the cool adventure ahead we get stuff like wanting to go out to a restaurant and eat pork chops. 

The self aware/fourth wall breaking humor is just enough to be really funny, but doesn't overstay its welcome and always makes it work right in the context of the dialogue. And finally, just everything; with the menus, the name of side quests and missions, and the character dialogue -- are all just so witty and full of quirky humor. This is one hell of a charming and funny game and addictive to boot.

Trials of Mana

Trials of Mana has gone from one of those legendary unlocalized games, to one of the first major breakthroughs in fan translation, to finally getting an official English release complete with a fully 3D remake. In a lot of ways from a western perspective this game has had an incredible journey. As for this remake itself, I really found myself having tons of fun with it. I loved the graphics, and the voice acting while a bit on the cheaper side almost kind of adds to the charm since both the graphics and acting really give it an old PS2 vibe. I know that is probably just more me being weird but yeah, I had to say it. 

I really hope Square Enix sticks to this style of remake more often, instead of just doing Final Fantasy VII Remakes that break the bank and involve extensive tweaking to both plot and game play. I’ll take smaller budget projects that play more like the original game any day personally. I wouldn’t mind if they also deliver a brand new Mana game all together in this engine either. 

Utawarerumono Trilogy

This year saw the release of the first entry in the series, Utawarerumono: Prelude to the Fallen--and thus finally after three years since the sequels Utawarerumono: Mask of Deception and Utawarerumono: Mask of Truth came out in 2017 the trilogy is now complete in English. I ended up binging through Prelude to the Fallen very fast shortly after it came out and immediately jumped on to the sequels. Perhaps the best part of 2020 was that I finally played all three of these fantastic games, and did so back-to-back-to-back. Playing the first Utawarerumono was an experience I will never forget, it was like visiting old friends again that I haven’t seen in ages, by and large thanks to the fact that I saw the anime adaption of the game when I was much younger, nearly a decade ago. Back then I would have never of dreamed that I would get to play the actual game and get the real experience. 

And it only got better from here, as all three games are such wonderful experiences from start to finish. The stories are all so deep, and by the time you get to the third entry, Mask of Truth, it’s crazy to see how they all connected over so many years and weaved together into a plot much bigger than they ever were. What carries it beyond all that though has to be the fun and addicting strategy role playing game aspect, which while a bit on the easy side, is still so much fun and helps make the game feel better paced since you get to play the conquests your characters go on and not just read about all the battles they fight. Beyond that the games are packed full of awesome characters, and I know I’ll never forget the amazing leads in all of them. Hakuowlo, Haku, and Oshtor will all go down as some of the greats to me. 

Ys: Memories of Celceta

Ys: Memories of Celceta is a full 3D remake of Ys IV, a rather infamous game in Falcom’s Ys series. Not to get bogged down too much into the history of Falcom but by this point they were facing a lot of hardship and had to outsource this entry to other developers, and thus passed it on to two particular developers they had a business relationship with, creating two unique versions of Ys IV. Tonkin House who had worked on Super Famicom port of Ys III with Falcom ended up creating their own YS IV entry, Mask of the Sun for the very same system, where Hudson soft who had produced the much beloved Ys Books I & II remakes for the Turbografix (PC Engine) CD add-on created their own Ys IV entry Dawn of Ys for that console. Both games followed guidelines and ideas outlined from Falcom themselves but both radically diverged from each other and turned into completely different games. 

Falcom finally putting an end to this debate on which version of Ys IV you should play have gone and created their own definitive Ys IV in 2012 for the Playstation Vita. I played the 2020 remastered version of this remake on my PS4. I even bought this on the Vita when it first came out but I am horrible and only horde games, never play them. So it was a lot of fun to finally play this. 

Memories of Celceta is probably one of the best starting points for anyone looking to get into Ys, especially if you only want to stay with the 3D titles as out of all the 3D entries this explains the most about the world and series protagonist Adol Christian. Beyond that it’s just another fantastic entry in a wonderful series that has a few good twists hidden behind it, especially for long time fans of the series. 

Random Video Game Console Stuff

Xbox Has Blue Dragon: I actually got an Xbox One this year for free from my brother. Because of that I started to play Blue Dragon again and there’s a lot I would love to say about this game. I don’t know if I am fully committed to replaying it all the way through however but I find myself putting in a couple hours every few days and enjoying myself again. Does anyone else remember Blue Dragon? I feel like it really missed its audience and had it come out nowadays and probably for the Switch it would have really resonated with the Dragon Quest fandom a lot more instead of being thrown out to die on Xbox and constantly compared to Final Fantasy VII and the like which it had nothing at all similar with. 

The Turbografx 16 Mini: This was probably one of the best mini consoles that have come out and I feel like thanks to the whole 2020 pandemic thing it was largely forgotten about. That’s a shame, it has a wonderful variety of great games, especially if you count the Japanese ones (god I wish I could play the Japanese version of Snatcher included), and a wonderful interface with fantastic music. One of these days I would really like to be able to play around with the console more seriously than I have already. 

Fire Emblem Shadow Dragon Never Existed: So Nintendo localized the first ever Fire Emblem game on Nintendo Switch which is awesome to see them touching Famicom games again--I haven’t seen Nintendo of America rerelease old Famicom titles since Mysterious Murasame Castle on the 3DS, but their trailer hilariously made it seem like this is the first time ever they released Fire Emblem when in fact they had already localized the remake Shadow Dragon on the Nintendo DS nearly 10 or 11 years ago. I and many other fans I talked to all found this really hilarious, probably solely because of how much they kept repeating the fact that this is the first time you will ever be able to experience Marth’s story.

All that aside though I have to say the collector edition for this newly localized Famicom game is probably the most gorgeous retro reproduction I have seen in a long time, and I really spent many many hours just staring at the all clear glass mock cartridge. I have found myself really obsessing over retro reproductions during 2020, and obtained quite a few this year. I really hope this trend continues to go on in 2021 as recreating classic console packaging and cartridges is a lot of fun. 

[houseofsannae]

A Fistful of Munny - Extended End Notes

Notes for A Fistful of Munny that don’t fit within the character limit under the cut!

Please, read the fic before reading this post

           All right! Welcome to the extended notes, in which I go into excruciating detail over a bunch of stuff that doesn’t matter, because I like the sound of my own voice!

           Let’s start with some more broad stuff that didn’t make the exclusive end notes space. To do the Fistful of Dollars homage, I needed a place where I could have two villainous factions intersecting for Strelitzia to play against one another. After some brainstorming and asking for help from other people working on the Entwined in Trine Sorikai zine (and ultimately ignoring all their very good suggestions (Sorry, guys!)), I eventually realized that the Wasteland from Epic Mickey was a perfect place for this story, both in the sense of having mooks to destroy without Strels committing actual murder, and in the thematic sense of forgotten characters. There was just one issue.

           I hadn’t played Epic Mickey.

           And that is how I spent my summer, playing both Epic Mickey games. Both, because I was looking for a good location to set the story in in-world. Since the Wasteland is based on the Disney theme parks, I was hoping to find one based on Frontierland, their Western section. Such a location did exist – Disney Gulch – but only in the second game. Which meant I had to play Epic Mickey 2, as well. (The first one is a better game, but that’s not really the fault of the developers; they were not given the time they needed to make it as good as the first one. Here’s a video with trivia about the series that goes a little into the development.) I also needed to learn the Mad Doctor’s ultimate fate, since I wanted his Beetleworx/Blotworx to be one of the two villainous factions. In the game, depending on whether you chose the Paint (Paragon) or Thinner (Renegade) path, the Doc is either redeemed… or dead. Neither of which was helpful, so I had to invent.

           But let’s talk about characters and why I picked them in order. The short version for why these choices, at least on the Final Fantasy side, is set-up for later. Obviously I can’t go into detail why. Before that, let’s talk about the Beanie Baby.

           Chi is, as I hope you were able to guess, Strelitzia’s Chirithy. I’ve brought it up several times, but I personally do not like mascot characters. There are a few exceptions, but Chirithies are not one of them. Like I said, KHUx isn’t what happened in this AU, so you’ll have to wait for in-universe answers on why it’s a cat now. Out-of-universe reason is this was the only way I could make it palatable for myself. I arbitrarily decided on a gender for it because as a real cat, it would have a sex. Canonically Chirithies appear to be genderless, and in Japanese refer to themselves with the gender-neutral (but masculine-leaning) boku. I would’ve left Chi that way, save for the fact that he’s a completely normal cat now. (And before you ask, no, not every real cat that appears in KHΨ from this point on is a Chirithy.)

           As for Strelitzia herself, it’s hard for me to pick up a character’s voice when they’re… not voiced. Intonation and cadence do a lot for me mimicking the way a character talks, so it’s a bit more difficult when they don’t technically speak. I tried for a mix between Sora and Kairi, while still keeping her defining character traits of being shy, but also impulsive.

           You may notice that while she’s started remembering faces, if not names, the Player’s name and face still eludes her, despite her (canonical. Deal with it.) crush on them. There is a story reason for this, and will become clear once Luxu takes centre stage.

           The name “Jane” was chosen with more consideration than just “Jane Doe” being the standard name in (at least my corner of) the English-speaking world for a woman of unknown identity. See, the Man With No Name actually has three names. In A Fistful of Dollars, he is referred to (by one character in one scene, once) as “Joe”. “Joan” might have been a more clear homage, but I figure Jane makes sense. And as you might guess, in the next fic, Strels will be going by a different name, still not her own. She’ll remember her name… eventually.

           One might think I could’ve picked any old Cid, and one would be wrong for reasons I can’t explain yet. In fact, I can’t explain much of anything surrounding him yet. What I can say is no, Cidney Aurum is not dead, she’s just not related to Cid Sophiar in this fic verse. An unfortunate consequence of where I wanted to put each of them in the narrative; making them not be related was the only way it made any sense, geographically speaking.

           Hyperion on the other hand, I can talk about. He’s one of the Gremlins in Epic Mickey, and… wait, first things first. Gremlins are from an abandoned Disney film based on a Roald Dahl book, itself based on the cryptids that supposedly haunted airplanes and caused them to malfunction, the earliest known written-down mention of the concept being from the 1920s. The film never got made, but the designs Disney would have used were adapted into a second printing of Dahl’s book, and they were later used in Epic Mickey. Hyperion is, like the publishing imprint that Disney owns, named after a street that Walt Disney used to live on. In-game, Hyperion is in Bog Easy (based on the Haunted Mansion), not Disney Gulch, but his name stuck out to me as being particularly fun, so I picked him instead of trying to figure out what Gremlins actually are in the Gulch (they have names in the files of Epic Mickey 2, but not in the actual game, so it would have been a hunt).

           Regardless of where the setting ended up, for the second villainous faction, I was always going to plop down the good old Don. More things I can’t talk about. For everything FF7, know that I’m always going to be pulling from a mix of the original game, Remake, and Machinabridged. Hence, Corneo’s outfit is a mix of his original and Remake designs (which basically just means he’s wearing blue jeans instead of brown). I didn’t think bringing in his three lieutenants from Remake was necessary, especially since this was supposed to be a kind-of small operation.

           Leslie is picked up and dropped from Remake pretty much unchanged. I needed someone to do the murders Strels couldn’t, and even if he’s not a complete asshole, he’s still mostly an asshole. Have we ever seen small, Materia-like balls used to cast magic before…?

           Onto the fun bits, which is the Disney characters. We’ll start with Percy, who is from a Goofy short called “How to Ride a Horse”, from 1950. And that’s about it. The conceit in Wasteland is that all of the Toons there were basically actors, and they wound up in Wasteland if they were forgotten (that’s not exactly correct, but I’m generalizing). This is interesting, since two of the Toons in Epic Mickey are Horace Horsecollar and Clarabelle Cow, both of whom… are residents of Disney Town in Kingdom Hearts, having shown up in Birth by Sleep. So that’s an interesting continuity snarl that I’m going to just ignore.

           Persephone and Pluto, on the other hand, are from an earlier short called “The Goddess of Spring”, from 1934. It was one of the projects Disney tried as practice for Snow White. If you’re about to protest that his name should be Hades, not Pluto, then you’re going to need a time machine so you can tell them back in the 30s. The Goddess of Spring is a musical, in the sense that every single line is sung. Watch it for yourself. There’s a video with better quality floating around YouTube, but for some reason it’s the French dub. And that’s why both of them sing most of their lines. I tried matching the meter of their actual parts, but Persephone’s doesn’t actually follow a syllabic pattern that I could make out. I eventually gave up and just gave her the meter from the start of the short. Pluto’s was easier to manage (and more consistent).

           The skeletons are Disney veterans, presumably the same ones from “The Skeleton Dance” (1929), but more specifically they’re mimicking what they did in “The Mad Doctor” (1933), the first appearance of our other villain. They’re fun.

           The original Mad Doctor was supposedly named “Dr. XXX”, according to the name on his door. This was before the modern film rating system was put in place; it was a different time. In the original short, the Mad Doctor kidnaps Pluto (the dog) with the intent of cutting him in half and putting his front half on a chicken For Science!, and Mickey follows him to his castle to rescue the purloined pooch. The short wasn’t a musical in the same vein as “The Goddess of Spring”, but… the Mad Doctor’s only spoken lines were a song (aside from evil cackling). While I had already decided to do the “Toons that sang in their short can only communicate through song” with Persephone and Pluto before starting on Epic Mickey 2, I hilariously discovered that the game developers had done the exact same gag with the Mad Doctor, most of his lines in the game being sung. (In Epic Mickey there were no fully voiced lines, so he speaks as normally as anyone else does). Which made it easier to write his songs here, since I could just rewrite his songs from the game. I used to write alternate lyrics for songs back in high school, so this was an interesting trip back in time for me. They were stuck in my head for weeks afterwards, but it was worth it.

           I believe that’s everything for the characters. Let’s talk about Keyblades.

           It irks me that three people in KHUx have the same Keyblade. Ephemer, Skuld, and Strelitzia all have variations of Starlight. Now, in KHΨ, there is only one Starlight, and it belongs to Luxu, so I’m going to have to decide on different Keyblades for each of them. (Ephemer’s has already been decided, and I haven’t started brainstorming for Skuld yet. No I do not need suggestions, thank you). Pixie Petal bears a noted (by KHWiki) resemblance to one of Marluxia’s alternate scythes, so that tangential connection was enough for me. Both siblings have flower-themed Keyblades – it makes sense to me.

           You might notice a few disparities in the magic. These are on purpose, and will eventually make sense. And that’s all I can say on that at the moment. ;)

           Oh, yes, one important thing I probably should have said on the main notes: I’m not going for a realistic depiction of amnesia here. Anything I got right was entirely accidental, and I’m fairly certain there’s not much. There might be a story reason for why it works the way it does… and it might be the same reason why other people from KHUx have or had amnesia in the present day…

           You know what’s funny? Although Orcuses look more impressive than Invisibles, their stats in Days are actually worse. I’m fairly sure that this is because the only time we see an Orcus, it’s actually an illusion cast over Xion so that Roxas will fight her to the death. There are no other stats for them (according to KHWiki), since they’ve never been used elsewhere.

           A friendly reminder that Apprentice Xehanort invented the term “Heartless”, which was why Aqua didn’t know what to call them until Mickey told her. Thus, nobody from the era of the Keyblade War should know the term “Heartless” without being told by someone in present day. “Darkling” was the term they used instead. I’m fairly certain KHUx ignores the continuity on this (so why should we trust its continuity for anything else, hmm?)

           I think that covers everything! Or at least everything I’m willing to share at this point. If you’ve read this far, thank you! I appreciate your dedication! ^_^