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Onsemi: HyperLux LP Image Sensors
https://www.futureelectronics.com/resources/featured-products/onsemi-ar0830-hyperlux-image-sensors . New family delivers multiple sensor options for versatility and scalability, ultra low power consumption, excellent imaging performance in both visible and low light conditions and multiple functional features. https://youtu.be/Kdy_L-c2gig
#Onsemi#HyperLux#LP Image Sensors#Image Sensors#HyperLux LP Image Sensors#multiple sensor#sensors#low power consumption#low light#functional features#future electronics#future#tech#technology#electronics#Youtube
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oh nothing, just book lawrence and bellini being work husbands who have each other's backs...

....and praying together...

...and supportively sassing each other...

...and being soft ...

...and passing notes during conclave like schoolchildren...


AND WHATEVER IMPROMPTU 'GOODNIGHT SWEET PRINCE' REPRESSED TENDER ROMANCE MOVIE YEARNING BULLSHIT THIS IS

i'm crying, they're married, they're dating, they're confirmed bachelors, they're courting, they're besties, they're flirting, they're in love, they're everything to me, amen
#conclave#thomas lawrence#aldo bellini#lawrellini#ripped through the book the other day and really enjoyed it!!#the movie makes good dramatic adjustments but the book is basically like 'movie + special bonus features!'#i did find the biggest shift was aldo actually!#lomeli-lawrence have a lot of overlap and very much the same essence#book!aldo and movie!aldo feel like different people though. not in a bad way it's just interesting which facets are explored more#book!aldo seems to be a lot more reserved and even-keeled. and any potential ambition he may have is not 'personal' to him#movie!aldo is a little more mercurial and stanley tucci plays him at a higher temperature#so while he comes off a little warmer and gregarious it can also swing into a more 'temperamental' side#the overall 'character's function in the narrative' feels the same though#and i love them BOTH#anyway i want what they have lmao
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star trek tos is deeply entrenched in its identity as a 60s tv show for better or for worse (both) but i think retroactively the city on the edge of forever ends up showcasing this more now since its set in a time we can now as 21st century viewers connect with being closer to the time it was produced, rather than the nebulous 23rd. it's interesting because for me i think the single episode informs the way i connect an imagined future to the actual real 1960s the show was written in, particularly in the language and the way relationships between characters are depicted in the way they speak to one another. in that single episode it suddenly feels that the coded language everyone uses, the subtext, the hints and euphemisms is a necessity of the world rather than a feature of the show. and suddenly (for me, at least) that totally shapes the rest of the way i view the rest of the original series. though the way they speak to one another doesn't really tangibly change all that much, when they're placed in the setting of the 1930s the way that kirk and spock speak to each other and about one another entirely shifts.
edith asks kirk in regards to his relationship with spock "I still have a few questions I'd like to ask about you two. Oh, and don't give me that 'questions about little old us' look, you know as well as I do how out of place you two look here." which. well. hello. and later when she asks "Why does Spock call you captain? Were you in the war together?" and kirk says "we... served together" its like yes the obfuscation of their identities and who they are to one another is a necessity of the plot and time travel reasons but i also can't pretend that particular response doesn't color kirks line 2 episodes later in amok time "you've been called the best first officer in the fleet, that's an... enormous asset to me" in a different light. the necessity of secrets and closed doors and frantically having to conceal themselves and their tiny little apartment with a pair of twin beds and ediths "you, by his side as if you've always been there and always will" and "'Captain'? See, even when he doesn't say it, he does" well i can't act like it doesn't change the way i see their enforced professional distance in other episodes, even when they're back safe in their own century. its why The conversation cut from the original harlon ellison script hits seriously i think. it's like a deeply personal confession of desire for a life that could never be: "On my world the nights are very long. The sound of the silver bird against the sky is very sweet. My people know there is always time enough for everything. You would be comfortable there" and a wistful acceptance ("All the time in the world...") in another time in another life in another place it could be but just not this one. spock's endless resignation. well it just changes everything for me. star trek is about the 1960s!!!!!!
#star trek#txt#this mess of thoughts#this city on the edge rewatch was deeply and profoundly moving for some reason this time#i have to wax poetic about it now.#its also like this isnt even scratching the SURFACE of my metatextual analysis of how the subtextual coding of their relationship is not#just a feature or necessity of the show but how it functions narratively and as a part of the social context for the constructed tos future#AAAAAA
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DPx DC Au: Might as well be brothers. Young Justice hears about a regional hero disappearing, and while they've never met the guy, Red Robin's contacts say that Ra's is hunting him for afterlife/immortality related reasons.
Tim drake hates the annoying white uniform he's wearing but breaking into this place is crucial to his 24 hour plan to rescue Phantom. He'd never even heard of the guy until a week ago when Pru came to him with info that Ra's was looking into Midwest Real Estate, and then Tim stumbled down the rabbit hole of Ghost conspiracy theories until he saw an article demanding that local officials speak on the hero's absence of 10 days. 10 days was short enough that Tim might find a sign of life and well, another federal agency being hacked by Red Robin is nothing new.
So now, he's walking down the halls with these stupid fucking glasses and this stupid fucking suit while Kon listens from the comfort of the surveillance van. He takes a turn and sees the track suits that the illegally detained inmates are wearing, and pivoting the plan, makes his way to a locker room to get one and get changed. It does take him an extra second and he considers that this might bite him- but Tim knows the place inside and out. He's scoured all their data, and sue him for being cocky, but he has a literal alien ready to tear the place apart waiting for his heart rate to jump above 80 bpm. which is a pretty low heart rate all things considered.
Tim gets exactly where he's meant to go, and waits only a few minutes before he see's the science team extract Phantom from the high security room.
Phantom doesn't make it clear if he notices Tim, but he's basically being dragged by the couple, so Tim decides to beat them to their destination. The experimental wing had shown up in their reported data not long after they made it extremely obvious that they had Phantom in their data output.
Tim's already in the room when he starts to notice that it's not exactly a room... more like a mechanical space. The way the corners curl in the room make it almost tube like... Portal like.
Phantom is thrown in and Tim grabs him the second the scientists leave, but the kill switch key Tim made to get them out isn't working for this door like it did all the others.
"Not... Not a door."
"We're in some sort of device aren't we? Something of their own design that the government isn't aware they're funding?"
"Portal. You've gotta get out, even if you get caught, you gotta get out now."
Tim's comm comes alive in his ear, its Kon responding to Tim's heart rate rising- and Tim is hesitant to call him in but ultimately tells him to start flying over for extraction.
Then the portal goes off, and while he feels pain, he doesn't feel different. Bright light subsiding, Kon's arms around him with a confused voice, and lots of lasers being fired his way... Tim wakes up to see a much younger Phantom looking at him from the other side of the young justice couch.
Kon, Bart and Cassie are all fighting at a white board that's been wheeled in but Tim can only yawn and blink his way into consciousness enough to give a shit.
Black haired and blue eyed, button nosed with large ears, a wry thin lipped smile... Tim realizes that Phantom looks incredibly similar to his younger self. And then Tim looks at his much smaller hands and realizes that he probably looks a lot more similar to his younger self than normal.
Taking in the scenery once more, the white board is divided on the traits Tim has to the children sitting left and right on the couch. Kon didn't know who was who. That meant that maybe... the government didn't either.
Phantom turns out to be a pretty chill dude despite all the trauma, and he's incredibly prepared to both fuck with Ra's and the government in their newly found childhood twin-ship.
One of the twins is scarier than the other, and despite Danny literally haunting them, its always Tim.
(Okay now its some one else's turn :D )
#dcxdp#dpxdc#dc x dp#dp x dc#danny phantom#dc crossover#dp crossover#long post#dc universe#tim drake#red robin#twin au#or lol they just look very similar because little kid features are difficult#deaged au#wait until the bats arrive and are equally unhelpful in determining the correct twin#danny and tim silently agreeing that its for the better plot if they don't make it obvious who is who#danny has shit to process about being phantom and just wants to be a kid about things for a lil while#tim can function with any disguise and his whole family will take so long to figure out he's been deaged bc his reports come in on time#kon feels so guilty about not knowing who is who#kon grabbed them both in his panic and in the scuffle of the explosion and the lasers being shot out totally mixed them up
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Tubbo: Yeah no– yesterday I met Roier and Missa for the first time, which was really really freaking cool. Me and Badboyhalo were walking 'round the floor, and Bad got a notification of like– [Briefly interrupted by his father] –with like, Roier taking a photo with like a viewer, and Badboyhalo was like "He is here!" 'Cuz on Insta– [An off-screen "hello" distracts him from the rest of the story] Yes?
#Tubbo#Twitchcon 2024#Twitchcon San Diego#Roier#Missa#Missasinfonia#(Mentioned#September 22 2024#Small snippet but maybe he'll finish this story another day#Anyways. Twitch's new clip function is so bad it makes me want to stop posting clips entirely and I am being so serious about that#Absolutely miserable feature#If it wasn't for my other two clip tools I probably would've stopped#But it does mean I probably can't post live clip updates anymore#Straight up crashes my computer if I make more than 2 clips#and I have a damn good computer#A little older but still damn good#Anyways. Complaints aside I hope you're all enjoying the Twitchcon shenanigans
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I wanna stay I wanna stay here with you
Run Away With Me by Carly Rae Jepsen - The Brainrot Series
(requested by @skinnyscottishbloke)
#not featured: me beating the warp text function to death with my bare hands#good omens#good omens 2#gomens#good omens gifs#ineffable husbands#aziraphale x crowley#crowley#aziraphale#crowley x aziraphale#aziracrow#usersugar#tsusermels#userrlorelei#usereena#brainrot series#my gifs#gifs: good omens
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i hate the ‘top posts’ feature on blogs so much. top to who. i have genuinly popular posts and yet this is a completely random selection of mostly 10 note flops that are completely unfunny
#i would love it as a feature if i could.. choose them? sorta like a pinned post but more like i get to pick ten or so posts that are#repersentative of my blog. like a tasteful little sampler#if they were truly my top posts i could even understand the function#but sometimes they aren’t even originals. what sort of algorithm even decides them
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way too deltasoon for me man how will i process anything this month
#im kinda frozen thinking abt how im gna have to play . 2 . fucking chapters all in one go to avoid spoilers#and then right as im finally starting to process everything tpot 18 is gna come in and fuck my shit up forever#LIKE HOW AM I SUPPOSED TO LIVE KNOWING THAT LOSER IS 100% COMING????? BRO#'featuring characters from season 4b' LOSER. LOSER IS THERE. FUCK.#IM DONE FOR . IM DONE FOR. I WONT BE FUNCTIONING#nate.art
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#anti ai#fuck ai#all my homies hate ai#this is regarding features that a human could do much better. i realize it has some good uses.#but it keeps replacing perfectly good and functional things for shittier ones in the name of bigger profit numbers.#mine
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don’t worry, she’s just getting some help with target practice!!
#kewpie's art#see the full on twitter as always#it features her little robot gf testing out her new vibration functions#the game with the squids in it
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My favourite thing about MCD aaron is that, in any other fantasy show, he would be the MC.
Like, mysterious dude who hunts monsters and spreads legs like butter? That's Geralt of Rivia.
He's the one with the personal vendetta against Zane, he's the one that tracks the Jo9, he's the one slaying werewolves and having a cunty sword.
And then the title of MC goes to the woman with the funny words.
#This isn't to discredit MCD aph. I love her and her being the MC is what makes MCD special#But it's still forever amusing that aaron is just 'generic broody male mc in fantasy number 372' and is relegated to a side role#Like we always talk about character tropes and how the cast function within their trope. That's aarons.#like the reason he's so poorly developed may actually be a writing feature instead of a flaw lol#aphmau#aphverse#aphblr
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These are mad times of mechanical cats;
- Lo Ch'ing, "A Poem Is a Cat in One's Mind" (from Shih-jen chih teng)
#concrete poetry#visual poetry#poetry#poets on tumblr#typewriter#typography#took a while but i am ok with how it came out#been really enjoying this collection translated by Joseph Allen called Forbidden Games & Video Poems#and this quote got me really inspired to make something#also a practice in making mistakes into features and functions#i made this#cat#letraset cat my beloved
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Happy Valentine's Day everyone!
I can't wait till the chocolate is finally on sale!
Credits: Error belongs to LoverOfPiggies/CrayonQueen
#weirdghostcat#shaya#digital art#artists on tumblr#clip studio paint#fanart#undertale#undertale au#error sans#cat error#neko error#valentines day#I was brainstorming for a potential valentine's day drawing and this chibi Error was in my head for WHOLE TWO DAYS#can't really complain though 'cause he's sweet#am i obsessed?#maybe#he is just like my fucking spirit animal#loves chocolate and fluffy things and is also socially awkward#that's the perfect cinnamon roll#his destructive tendencies are just a nice feature#it's just killing but like upgraded#... anyway#thanks for coming to my ted talk#It's actually a few hours too early since I am in Germany but fuck it#the queue function is a game changer
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do you think they'll ever invent a work system that doesn't actively sabotage the people that it's supposedly built for

#context: they asked me to use a new version of the software I use at my job#it has a 'shiny and easy to use' UI (it's too simplified for devs aka the people actually using the program)#and is functionally worse. it is actively making my job harder if not downright impossible#(<- won't give me the option to turn off buggy features)
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Wei Wuxian and Narrative Agency – Part Two
For Xiantober Day Three: Conviction (of a sort)... in which the author temporarily forgets to focus on narrative agency or on Wei Wuxian, in favour of analysing relevant themes and characters that relate to Wei Wuxian. But he does get focus, and again, contextualising him is why i’m exploring these other things, so no harm done.
(Part One | Part Three | Full version on AO3)
It’s Not Just Optimism: Resentment and Self-Definition
Before we discuss the narrative again, let’s take a break to discuss one of my other favourite aspects of Wei Wuxian. We’ve seen how the narrative treats tragedy, and we’ll soon explore how it reflects Wei Wuxian’s views on tragedy. But what actually are these views?
Because the thing is – the narrative and plot can emphasise agency and choice all it likes, but focusing solely on that leaves out the character. And it’s Wei Wuxian’s character that deserves the credit for how he defines himself (…in-universe). If someone had gone through everything he had, who could blame them for being unable to keep going, unable to let go of resentment, unable to see anything that was still worth living for, to see any value in altruism?
(Also, I do have to emphasise this: you can have perfectly healthy coping mechanisms, but still get extremely traumatised. Everyone has a limit to what they can take, that limit differs, and that isn’t your fault. It just so happens that Wei Wuxian’s limit is extremely high (and even he reaches it when everything falls apart in such quick succession near the end of his first life!))
This isn’t something that’s ignored in MDZS. We see multiple characters who have gone through similar levels of suffering as Wei Wuxian, or even less suffering than him*, who do react in some of the ways mentioned above. Whether or not the narrative condemns them depends on if they hold onto resentment from their tragedies and use it to harm others – Xiao Xingchen and Qin Su, for example, aren’t condemned for their suicides (nor should they be, suicide/suicidal ideation isn’t anything anyone should be blamed for), because nobody was intentionally hurt as a result. But people like Xue Yang, who was treated cruelly and senselessly lost his finger, but went on to murder an entire clan as a result; or Jin Guangyao, who remembered the slights against him and his mother down to the exact wording of Jin Guangshan’s dismissal of her freedom, which may have justly hurt him but also unjustly lead him to both burn down a brothel and (separately) kill or imprison multiple innocent prostitutes; or Jiang Cheng, whose resentment for Wei Wuxian due to the latter’s actions lead him to harm many others after his death simply because they were similar**, are condemned.
Why mention this? Well, these different reactions show it isn’t just a quirk of the universe that people are more tolerant to pain – Wei Wuxian’s reactions are a deliberate choice on the part of MXTX, not a writing flaw stemming from misunderstanding the severity of trauma***. But more importantly, many of these characters deliberately foil Wei Wuxian, and so they can give us a good insight into what sets him apart from them (or rather, from the characters who aren’t completely broken by their pain, because that way we know it isn’t simply a difference in tolerance but rather one in attitude). And as I’ve discussed, this has to do with accepting events and letting them go, rather than holding onto resentment.
Part of this may come from differences in personality (though that’s never an excuse for hurting others) – but, though Jiang Yanli may claim Wei Wuxian was someone “born with a smiling look” (Chapter 24, EXR), there are two philosophies Wei Wuxian consciously holds onto that have to do with this attitude:
“Let the self judge the right and wrongs, let others decide whether to praise or blame, let gains and losses remain uncommented on.” Chapter 75, EXR translation
“Remember the things others do for you, not the things you do for others. Only when people don't hold so much in their hearts would they finally feel free.” Chapter 113, EXR translation
And crucially, these ideas directly contrast the actions and mindsets of the antagonists above. All three focus on their ‘gains and losses’, with their suffering at the hands of others being a major motive to harm those others/those affiliated with those others (Xue Yang’s finger; the slights against Jin Guangyao and his mother due to the latter’s job; Wei Wuxian’s ‘betrayal’ and his role in Jiang Yanli’s death, as well as false blame on him for the deaths of Jiang Cheng’s parents, and Jiang Cheng’s inferiority complex). Jin Guangyao and Jiang Cheng are also very focused on their reputation, or in other words, on whether ‘others decide (…) to praise or blame’ them (according to Chapter 10 of the EXR translation, in what seems to be omniscient POV heading into Jiang Cheng’s, the latter ‘cared about maintaining his reputation above anything else’. Meanwhile, much of Jin Guangyao’s actions were taken to protect his reputation, including the brothel burning, as a part of the aim was to conceal which brothel he grew up in (Chapter 104)).
Additionally, much of Jin Guangyao’s resentment stems from how others treat (‘blam[ing]’ him, insulting him), compared to how they treat others (‘prais[ing]’ them):
“But do you know what it was that made me lose hope completely? I’ll answer your first question now. It wasn’t that I’d never be worth a single hair on Jin ZiXuan or one of the holes in Jin ZiXun, it wasn’t that he took back Mo XuanYu, it wasn’t that he tried every possible way to make me a mere figurehead either. It was the truth he once told the maid beside me when he was out indulging himself again.” Chapter 105, EXR
Though the other points didn’t make him lose hope completely, the implication is that they did affect him too (as shown by how he speaks about them), with Jin Guangshan’s words about Meng Shi being the final straw. ‘Los[ing] hope’ here of course relates to holding onto resentment, as Jin Guangyao’s loss of hope is what led him to murder out of his hatred.
Finally, both Jin Guangyao and Jiang Cheng also hold resentment due to holding onto what they’ve done for others, or even onto who they themselves are, without being treated accordingly – and though it makes sense to be hurt by all these things and these reactions are valid, the pain from holding that in your heart and the danger from holding onto it is precisely why MDZS condemns it:
“Why is it that even if I face everyone with a smile, I might not even receive the lowest form of respect, while even though your father was extremely arrogant, people flocked to him? Could you tell me why we were born from the same person but your father could relax at home with the love of his life playing with his child, while I never even dared be alone for long with my wife, shivering out of fright at first glance of my son? And I was ordered to do such a thing by my father as if it was natural—to kill an extremely dangerous figure who could flip out and conjure up a bloody massacre with his corpses anytime! “Why is it that even though we were born on the same day, Jin GuangShan could host a grand banquet for one son, and watch with his own eyes how his subordinate kicked his other son down Koi Tower, from the first stair to the last!” Chapter 105, EXR
(He brings up his role in Wei Wuxian’s downfall due to this as well, in addition to creating any excuse he can to absolve himself of others’ blame – he’s being treated unjustly and hated for something he’s done, even though he was ordered to do that thing by his father and it made sense!)
Jiang Cheng, “Are you stupid? You only counted the time to return and not the time to go there? Let alone the fact that after I got there I had to lead people and search through the entire mountain for the old banyan tree, then dig open the hole that got blocked up by Wen Chao and his people, and rescue you within seven days. Where’s your gratitude?!” (…) He raised his voice, “You killed the Xuanwu of Slaughter together with Lan WangJi, bathing in blood! How great is that?! But what about me?!” He punched his fist into a pillar in the hall, clenching his teeth, “… I have also been running around for days, completely exhausted, with not one second of rest!” Chapter 56, EXR
(And, a bonus to show this being a part of Jiang Cheng’s mindset without stemming from being hurt by a specific event, even when he’s being encouraging:)
“So it seems that both of you killed it together. What’s yours is yours. Why would you give him all the credit?” Chapter 56, EXR
(This moment is a nice display of the contrast between Wei Wuxian’s and Jiang Cheng’s mindsets as well, with the former focusing on what Lan Wangji (‘others’) did for him instead of seeking credit for his role!)
To repeat – of course these feelings are understandable, and I’m not blaming them for feeling this way. What I am placing blame on is letting those feelings drive you to murder many innocent prostitutes, or to let this sense of a debt you’re owed (which is what the philosophy is actually warning away from, because if you hold onto what you do for others, the natural expectation is that they’re indebted to you and should do something for you as a result) turn into resentment towards someone for not acting the way you think they should, leading you to help murder them, even if your sister sacrificed herself specifically to save their life.
This is the danger of holding onto resentment. And are these actions not a choice? Would you, independent of MDZS, absolve someone of a crime because their ‘personality just leads them that way’?
The same is true for acting on these two philosophies, and letting resentment go. And it’s all the more impressive when someone has as much potential resentment to hold onto as Wei Wuxian does.
Of course, Wei Wuxian himself isn’t completely infallible – which further supports the idea that this isn’t just a natural, unalterable quirk, since we see him act contradictory to his usual self as well. But the narrative’s view of resentment in these moments doesn’t change. Importantly, the times he does let resentment drive what he’s doing, during the Sunshot Campaign and Nightless City (as well as him being quick to anger at Phoenix Mountain, etc), it isn’t presented as in the right**** — and though he still lets go of it quickly enough to protect a group related to the one that hurt him (people of the Wen sect, the cultivators who participated in the Siege), it doesn’t prevent the harm done during these times. Additionally, the times he metaphorically can’t control and reign in his resentment in the form of guidao – at Qiongqi Path and, again, at Nightless City – pain is caused to innocents (Jin Zixuan and Jiang Yanli). This is what his internal thoughts have to say when he comes across cultivators gossiping about him, shortly after Wen Qing and Wen Ning have sacrificed themselves:
No matter what he did, not a single good word would come out of these people’s mouths. When he won, others feared; when he lost, others rejoiced. Chapter 77, EXR
He’s hurt by other people praising and blaming him! Holding onto this philosophy isn’t automatic, that decision isn’t simply encoded within him somehow.
But that brings us to another relevant theme: that these characters aren’t infallible, because they’re not mythical creatures or concepts brought to life. Everyone is human.
However, although he thought that his heart was like a stone, in the end, he was still human, not some emotionless grass or plant. Chapter 8, EXR
OuYang ZiZhen, “HanGuang-Jun, why did Senior Wei collapse?” Lan WangJi, “Fatigue.” Lan JingYi was amazed, “I thought that Senior Wei would never get tired!” The other boys felt somewhat astonished as well. That the legendary YiLing Patriarch could collapse from fatigue from dealing with walking corpses—they all thought that the YiLing Patriarch should be able to settle them with just a snap of his fingers. However, Lan WangJi shook his head. He only said four words, “We are all human.” They were all human. How could a human be tireless? How could they stand forever? Chapter 84, EXR
Even with Wei Wuxian’s temperament, even with his attitude, he’s still human! Just as he’s not immune from being affected by harsh words to do with his past, just as he’s not immune from being affected by exhaustion, he’s not immune to being hurt by or angry at his circumstances. As we see in the Sunshot Campaign and at Nightless City, he’s not immune to dwelling on his misfortunes, to being driven by his hurt and anger and by resentment he holds onto (consciously! At Nightless City, Wei Wuxian deliberately accepts the curses thrown at him, because ‘anger was the only thing that could suppress the other feelings within his heart’ (Chapter 78)).
But nearly always, he chooses not to. The Wen remnants he saved were innocent, yes, and Wen Ning and Wen Qing helped him previously – but in his second life, he could’ve easily kept holding onto his resentment and left the cultivators who besieged him, who killed him and those under his protection, to die at the Second Siege. But he didn’t! He held true to his own philosophy, to judge the right and wrongs yourself independent of what others do, and saved them.
Because this is what’s important to him, because this is how he wishes to act in the present, and because he doesn’t let himself be defined by the tragedies he went through.
The donkey seemed as if it knew that he wasn’t in a great mood [due to others bringing up what happened in his past], and for once, it wasn’t being loud out of impatience. A moment of silence passed, and it turned around to leave. Wei WuXian sat by the stream, not responding at all. It turned around to look, throwing its hooves onto the ground, but Wei WuXian still paid no attention to it. The donkey had to come back sulkily, biting and tugging on the corner of Wei WuXian’s collar. He could choose to go, and he could choose to not go. Seeing that the donkey had [gone] as far as to use his mouth, Wei WuXian decided to follow him. Chapter 8, EXR*****
Immediately after this, he’ll continue investigating the puzzle of Dafan Mountain’s night hunt; he’ll come across a ghost, ask where it’s hurt and offer to take a look at it; he’ll rush off to save Jin Ling and the Lan juniors, figuring out the truth behind the dancing goddess and being the only one to do so. Just as it’s more important to the narrative, this – quick thinking, problem solving, compassion, doing the right thing, even seeking out excitement – is what Wei Wuxian finds more important about his own self, and what he chooses to focus on.
Some final questions to end things.
If you saw Wei Wuxian, without any knowledge of what happened in MDZS, without any work done by the narrative structure or by knowledge of tropes – would you have expected the backstory he had? Would you expect his parents to have died when he was at an age where he could barely remember them? Would you expect him to have lived on the streets until he was nine years old, or to have been taken into an unjust and extremely volatile household, or to have (chosen to) lose the source of powers he was very proud of – shortly before he was thrown, now powerless, into the equivalent of hell for three months? Would you expect his first life to have ended because protecting innocents (knowingly) led to the entire world crusading against him, because their siege resulted in him being torn apart? Or would you not think of tragedy when it comes to this person who gleefully jokes and teases, who’s so smart and competent and knows it, who doesn’t focus on the negatives, who acts so confidently on his morals, who revels in life so much?
If you only saw Wei Wuxian’s backstory with no context of his character, would you expect him to remain this way?
And, if you saw Wei Wuxian’s actions in the present day, without knowing what tragedies happened in his past, would he feel like an incomplete character?
It’s impossible to answer, of course – even in the present day, you get information about his past.
But I’m inclined to say no.
(Part One | Part Three | Full version on AO3)
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*But again, let me emphasise – especially in real life, doing the trauma olympics is never good! As I said, everyone has limits, everyone’s limits differ, and just because one person can cope with something doesn’t mean another person can, even with the same mechanisms. And that shouldn’t lead to any judgement!
I say ‘especially in real life’ because in fiction, some characters’ experiences are often made similar or different to others’ in order to parallel or foil them – in which case comparison is often the point. But trauma olympics (‘this person suffered x amount so the other person should be able to take it!!’) is still bad, guys (especially since, as with MDZS, those parallels or foils are often there to explore the harm they do to others as a result, not simply how much trauma they can take).
**My thoughts on rumours here. Tl;dr, if Jin Ling (someone who’d want to defend him!) is saying he did (and that he “never let anyone go” – Chapter 24), if sources like Lan Wangji and Lan Sizhui act as if this is the case (Chapter 10 – to defend, you could say personal feelings play a role, but Lan Wangji especially is someone who knows not to, and explicitly doesn’t, make judgements without conclusive evidence. Again, see my thoughts on rumours) – and if Jiang Cheng backs up this behaviour (eg by telling Jin Ling to kill every demonic cultivator he sees and feed them to his dogs in his introduction – Chapter 7), it’s probably not a simple unbased rumour. There’s enough evidence to support its veracity.
***However, do note that Wei Wuxian isn’t an outlier, either – Lan Wangji, Wen Ning and Lan Sizhui (once he learns of his heritage) are all examples of other characters who aren’t overcome or twisted by their pain, instead still aiming to make the world a better place. And this is Jin Ling’s whole arc, too!
****I delve a lot more deeply into this here!
*****The role this moment plays isn’t actually something I caught myself – it came from a post about a reread of MDZS’ earlier chapters. I can’t find it myself, but if anybody has the link, that would be great (so I can cite it)!
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Also, a shoutout to this incredible meta by @righteousinadversity – it’s what made me want to delve into this aspect two years ago! It’s still one of my favourite metas, and you enjoyed this, you’ll definitely enjoy that, too.
#yes i did gush a bit at the end but it’s *xiantober* it’s the wwx gushing month!#also re ‘antagonist’ and jc – i don’t want to get into discourse but there are two facts#1) an antagonist is someone who opposes or hinders the protagonists (regardless of their morality - eg L in death note is one)#2) jc is someone who does oppose and hinder the protagonists (capturing wwx in present day + being hostile to wangxian + besieging him in-#-his first life… and in his second life)#sure he isn’t one CONSISTENTLY (not throughout a lot of the flashbacks + during the second siege + in guanyin temple)#but that’s still a frequent role he PLAYS#regardless of how you think he should be presented or what you think he’s feeling – that’s the function his actions serve in the novel#anyway fic for day two will come but it’s still being worked on — i was in an analysis mood today so decided to do this first#mdzs meta#my meta#mdzs#wei wuxian#mo dao zu shi#魔道祖师#grandmaster of demonic cultivation#gdc#jin guangyao#jiang cheng#(<- a little scared of this tag but he does feature a lot)#xiantober day 3#this does admittedly feel less focused than the previous part but maybe i’ll rewrite it later
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list of crazy iwtv twt posts eric has liked recently:
tweet that uses she/her pronouns for sam reid and makes an explicit reference to sam squeezing jacob’s leg for comfort
picture of jacob (as louis) with a caption about how beautiful he is
fanmade thirst trap of him set to "get you wet"
#doing my journalistic duties for the people#i’m functioning only on search feature so if there’s more i’m missing lmk my twitter warriors
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