#gay kdrama

[myromancedramas]

SEMANTIC ERROR (2022)

[absolutebl]

Hi, hello, do you have any clue of where can I watch the korean movie Between Complete and Incomplete? I've been searching for it but it seems internet straight up doesn't knows about it. Please help, and thank you either way! <3

I do not. Sorry I hadn't heard of it.

Between Complete and Incomplete (2021)

They say that sex is natural in a loving relationship, but Min Ho doesn’t even like to be touched. Suddenly, he starts to think that he is the reason for the distance in his throuple, with Sung Jin and Kyu Tae. He loves them both, but he can’t speak their sexual language. Will they be able to complete their love?

I would search the comments on MDL to see if they have any shares or suggestions.

You can also try searching the grey sites using its other names:

완성과 미완성의 사이

Wanseonggwa Miwanseongui Sai

It's VERY likely pay-to-play on Vimeo.

It's coming from MATCHBOX and a lot of their queer stuff (Strongberry) ends up on GaGaOOLaLa so you might try VPN checks of there, or hope it will show up on gaga eventually.

[wlwcatalogue]

Some WLW (?) Jdrama & Kdrama recommendations!

Jdramas and Kdramas have a (not-entirely-unearned) reputation for being very straight, but here are a few which are either canonically F/F or which prominently feature a female-female pair-- please enjoy! For those who enjoy following series in real time, Chaser Game W and She Loves to Cook, and She Loves to Eat S2 are both airing this January 2024 :)

As with my post on anime with yuri subtext, since subtext is so subjective, this list only includes series which I’ve actually watched, and so is by no means intended to be comprehensive. Also, it doesn't include any webseries, since those probably deserve a post of their own.

At-a-glance list:

Miss Sherlock (8 episodes, 2018) (subtext)

Night Light (20 episodes, 2016) (subtext)

Tokusatsu Gagaga (7 episodes, 2019) (subtext)

Painter of the Wind (20 episodes, 2008) (canon?)

She Loves to Cook, and She Loves to Eat (10 15-minute episodes and counting, 2022~) (canon)

Sono Toki, Heart wa Nusumareta (5 episodes, 1992) (canon)

Chaser Game W (10? 30-minute episodes, 2024) (canon)

Doctor X (7 seasons and counting, 2012~) (subtext)

Bonus: SKY Castle (20 episodes, 2018) (subtext)

Summaries under the cut!

1. Miss Sherlock / ミス・シャーロック (8 episodes, 2018) (subtext) – MyDramaList | AsianWiki

The elevator pitch for this show is simple: it’s Sherlock Holmes, but where Holmes and Watson – here named “Sherlock” and Tachibana Wato, and played by Takeuchi Yuko and Kanjiya Shihori, respectively – are both female, and the cases are all set in modern Tokyo. As with other adaptations, mystery-solving and the budding relationship between the two leads takes centre stage, but Miss Sherlock manages to carve out an identity all its own.

There’s a calm beauty to its visuals, which favour sunlight and urban greenery, and the show’s focus on former doctor Wato as she tries out new jobs and goes to therapy means that there’s a surprisingly high number of slice-of-life scenes. It’s also subtly more female-focused than the source material; Sherlock’s gossipy but good-natured landlady Ms. Hatano (Ito Ran) is as much a member of the household as Sherlock and Wato, and the cases often revolve around female characters. But more than anything, it’s just really fun to watch Sherlock and Wato’s relationship bloom as they snip and snipe and are utterly unable to stay out of each other’s space (literally – the body language and blocking is *chef’s kiss*). Their relationship is the heart of the show – watch this one until the end, you won’t regret it!

(CW: psychological abuse, manipulation, and genre-typical murder, violence, and gore)

2. Night Light / 불야성 (20 episodes, 2016) (subtext) - MyDramaList | AsianWiki

(Note: spoilers for the mid-season twist, but it’s impossible to allude to a good portion of the F/F subtext without doing so, and I think knowing the twist ahead of time doesn’t make it any less enjoyable.)

Night Light is a rather odd show. It’s simple enough on the face of it, a story about  successful but ruthless CEO Seo Yi-kyung (an icy Lee Yo-won) who tries to mold the younger Lee Se-jin (a puppy-eyed Uee) in her own ambitious image, only for her protege to develop the conscience she never had and move to stop her dastardly plans… but upon watching it’s a totally different creature,  thanks to the alchemic reactions of some delightfully contradictory acting choices (Uee’s performance convinces viewers less of Se-jin’s supposed latent desire for power and money, and more of a deep love and devotion for the CEO) and the unintentionally (?) inneundo-laden script (“If I like something once, I never forget it– whether it’s a dress… or a person,” declares the CEO less than ten minutes into the first episode while gazing intently at Se-jin).

Honestly, it’s a wonder this series ever got made, but you certainly won’t see me complaining! The first part is full of boss/subordinate goodness; Se-jin is unable to resist the CEO’s magnetic pull despite her hot-and-cold behaviour, while the CEO cannot bring herself to push Se-jin away completely. And then, when Se-jin makes her mind up to stop the CEO, it morphs into a corporate take on a (subtextual) lovers-on-opposite-sides situation, where it is precisely Se-jin’s feelings for the CEO that motivate her to stop her. In short, it’s a workplace GL fan’s dream.

Note: If you do watch it, skip the corporate politicking cutscenes with the old men, you’ll thank me later. Also, there’s a prominent male character who is the CEO’s ex and who works closely with Se-jin in the second half, but don’t worry, all the M/F romance is in the past (and doesn’t get much screentime)– he and Se-jin aren’t interested in each other at all.

3. Tokusatsu Gagaga / トクサツガガガ (7 episodes, 2019) (subtext) - MyDramaList | AsianWiki

Nakamura Kano (Koshiba Fuka) lives and breathes tokusatsu shows (think Power Rangers, if you’re not familiar), but keeps it a secret from her work colleagues to avoid being shunned or laughed at. And yet she yearns for connection, so when she sees a woman on the subway bearing a keychain from her favourite show (Yoshida Hisami, played by Kurashina Kana), she is determined to find her again.

Although ostensibly about being a tokusatsu fan as an adult, this show is rife with queer subtext, and not in the usual way. It deals with the difficulties of staying in the closet (regarding being an adult tokusatsu fan), the desire to connect with other queer people adult tokusatsu fans and how one might do so through hints and signals, parental disapproval arising from gendered and social expectations (that tokusatsu shows are for boys, and magical girl shows for girls), intersectionality and finding comradeship with other minorities people who are excluded due to their interests, and even generational gaps wherein younger queers fans may underestimate the obstacles that still exist. Although all that might sound a bit stressful, it isn’t actually! Difficult incidents are handled with sympathy and a dash of wry humour, and the show never loses sight of the fact that it – above all else – is a story about finding queer community in the face of a heteronormative hostile world, told with warmth and the nuance of lived experience.

4. Painter of the Wind / 바람의 화원 (20 episodes, 2008) (canon?) - MyDramaList | AsianWiki

Adapting the novel of the same name by Lee Jung-myung, Painter of the Wind takes as its protagonist a gender-bent version of real-life Joseon-era painter Shin Yun-bok (Moon Geun-young), whose paintings are used to weave a tale of artistry, political intrigue, and romance, and more than anything else to offer modern-day viewers a glimpse of everyday life in 18th-century Korea.

While it may sound like Dickinson’s boring cousin, apart from having a common preoccupation with reframing historical works, another similarity the two shows share is that Painter of the Wind is also very gay. Starting from the first episode, Yun-bok meets and becomes fascinated by the courtesan Jung-hyang (Moon Chae-won), who despite her initial aloofness is drawn to Yun-bok’s intellect and sensitive demeanour. It’s a real meeting of the minds, their witty repartee in early episodes reminiscent of Twelfth Night’s Viola and Olivia, and their relationship isn’t siloed off from the main plot either: Yun-bok’s infatuation quickly starts causing issues with her academic career, and the two eventually have to contend with Jung-hyang’s precarious position as a courtesan as well.

Unfortunately, all this is undermined in the back half of the show, which tries to gaslight viewers into thinking that Yun-bok’s feelings for Jung-hyang were purely platonic all along and that she totally has romantic feelings for her much older male mentor— but hey, at least it’s an open ending. Despite everything, though, I can’t think of another serious historical TV show which features such a prominent F/F narrative for its main character, even nearly two decades later. (Let me know if you have any others! And no, Gentleman Jack doesn’t count, it’s not exactly traditional in style!)

(CW: period-typical sexism)

5. She Loves to Cook, and She Loves to Eat / 作りたい女と食べたい女 (10 15-minute episodes and counting, 2022~) (canon) - MyDramaList

Based on Yuzaki Sakaomi’s manga of the same name, this simple but sweet show follows home-cooking extraordinaire Nomoto Yuki (Higa Manami), who yearns to cook large-scale dishes but doesn’t eat enough to justify making them. Luckily for her, her neighbour Kasuga Totoko (Nishino Emi) has a massive appetite!

It’s always lovely to see more grounded stories about working women, especially when they’re as cute as this one. Though it touches upon some slightly more serious issues, such as with regard to gendered expectations surrounding food and cooking, it’s primarily a feel-good slice-of-life show about two women getting to know each other by cooking and eating delicious food together.

Side note: if you’ve started it and think the show doesn’t look cosy enough, stick it out for a few more episodes, the production values improve after the first part! Also, the series was renewed for a second season with double the episode count (for a total of 20 episodes) which will start airing on January 29th this year, so this is the perfect time to jump in!

6. Sono Toki, Heart wa Nusumareta / その時、ハートは盗まれた (5 episodes, 1992) (canon) - MyDramaList

Sono Heart, as it’s nicknamed, starts off as a typical heteronormative high school romance: bumbling protagonist Shiina Hiroko (Isshiki Sae) is desperate to get closer to her crush Katase Masato (Kimura Takuya), star of the school basketball team and all-round nice dude. However, a spanner in the works comes slouching along in the form of female classmate Aso Saki (Uchida Yuki, in her debut role), a mischievous, short-haired personification of trouble who Katase turns out to have feelings for. One day, Hiroko gets into a fight with Saki, and they end up having to stay together after school as punishment. But that afternoon gives them the opportunity to bond over a heart-to-heart conversation, and things seem to improve… until, just before leaving, Saki kisses Hiroko. And then everything changes.

Or rather, everything changes eventually. What’s great about this show is that it doesn’t take shortcuts: Hiroko doesn’t instantly fall in love with Saki. Instead, what you get is a surprisingly layered portrait of a high school girl whose coming to terms with queerness is merely a natural extension of reckoning with her burgeoning sexuality. And, because Saki is self-destructive in her depression and makes a game of belittling, worrying, and infuriating anyone who cares about her, it’s really a story about what it means to love another person rather than a romantic ideal. A word of warning, though: Katase is actually quite a large character, as he and Hiroko end up becoming friends. Also, the ending is very abrupt and inconclusive, though rest assured that it doesn’t try to roll back Hiroko’s feelings, or pair either girl off with a guy.

(CW: self-harm, attempted suicide, bullying, homophobia, underage drinking)

7. Chaser Game W: Power Harassment Boss Is My Ex-Girlfriend / チェイサーゲームW: パワハラ上司は私の元カノ (10? 30-minute episodes, 2024) (canon) - MyDramaList | AsianWiki

Probably jumping the gun here as only two episodes have aired as of writing, but I feel honour-bound to recommend this as it’d probably appeal to a lot of people, if only they knew about it! Chaser Game W is a standalone spin-off of Chaser Game, itself an adaptation of a manga of the same name by Matsuyama Hiroshi and Matsushima Yukitarou, but you don’t need to know anything going in.

Protagonist Harumoto Itsuki (former Keyakizaka46 captain Sugai Yuuka) has been assigned a new job: her company has been asked by a Chinese conglomerate to develop a game adaptation of a GL manhua, and she’s been tapped as the project leader. However, what appears to be an exciting prospect soon becomes a terrifying one, as the person sent by the client to supervise turns out to be her ex-girlfriend from university (Lin Dongyu, played by Japanese actress Nakamura Yurika), who is now married to a Chinese man (played by a Japanese actor) and has a child, but remains hell-bent on exacting revenge on Itsuki for their bad breakup. This is a romantic (melo)drama rather than a psychological thriller, though, so you won’t be watching Itsuki getting terrorised the entire time. While she is understandably upset by her ex’s current behaviour, Itsuki can’t forget about their happy days together, and Dongyu herself veers between being a sneering bully and craving Itsuki’s affection.

Do note that the show isn’t without its flaws: it’s very Japanese about the Chinese thing, which is to say it’s filled with comments which range from somewhat offensive to borderline racist, and the script will probably give you a headache if you know even the slightest thing about game development. Your mileage might vary on the ex too, as she can be really quite nasty to Itsuki and her teammates. But if you can overlook those issues, this is a rare prize indeed: a TV drama focusing on a canonical F/F pair, who are specifically exes, and in a workplace setting.

(CW: bullying)

8. Doctor X / ドクターX (7 seasons and counting, 2012~) (subtext) - MyDramaList | AsianWiki

To be very honest, I was in two minds about including Doctor X on this list. It is, with a few notable exceptions, misogynistic and reductive in its depictions of women (especially in the first two seasons), gives too much screentime to objectively awful and subjectively annoying men, doesn’t respect the work done by medical personnel apart from surgeons, and on the technical front is formulaic, repetitive, and often lazy in its writing and presentation. Unfortunately, the dynamic between the genius surgeon protagonist Daimon Michiko (Yonekura Ryoko) and her anaesthesiologist wife partner friend Jounouchi Hiromi (Uchida Yuki) is almost unparalleled in its excellence.

The premise of the series is basic indeed: Daimon Michiko is a freelance surgeon with a healthy disrespect of rules and authority and, unluckily for her detractors, a cast-iron guarantee that she will succeed in any surgery, no matter how difficult. She’s initially portrayed as a lone wolf who’s dismissive of the entire hospital system and anyone who’s part of it— but her interest is piqued by the anaesthesiologist Jounouchi, who is skilled beyond her peers and chafes against the idiocy of her colleagues. For all its flaws, the first season – which is more serious and edgy in tone compared to the others, and isn’t an ensemble cast like the post-S3 seasons – is a fantastic depiction of two people being perfectly matched in skill, intellect, and outlook, and how they come together despite one being standoffish (Jounouchi) and the other not being used to reaching out to or even respecting other people (Daimon).

The seasons after that sadly ditch the emphasis on Jounouchi being Daimon’s professional equal, but in exchange offer up another rare and unexpected gift: two women in their late thirties / early forties who are partners both at work and in private. Jounouchi is Daimon’s designated anaesthesiologist, assisting with nearly every surgery, and she spends so much time at Daimon’s agency-office-slash-house you’d think she’d moved in. Also, after a point they just start being wonderfully dorky and comfortable with each other, while still being consummate professionals in the operating theatre. Although the show is very much focused on Daimon Michiko as its sole protagonist, Jounouchi is undoubtedly the character most significant to her – even more than Daimon’s father figure, the head of the freelance agency – and this is highlighted in the story from time to time. They are very, very good. I just wish the series was better.

Note: If you’re curious, I would recommend watching the very first episode in full– by the end you should know if you’re invested enough to continue, otherwise drop it and live in the happy knowledge that you dodged a bullet. If you aren’t so lucky, I’d advise skipping the surgery segments when they start to bore, and in general to skip liberally. Also, season 4 is not worth watching as a whole, except for the last two episodes, which absolutely should not be missed. Sigh. I can’t speak to seasons 6 and 7, due to having paused mid-S6.

Side note: If you’ve watched Doctor X already and liked it (or at least like Daimon and Jounouchi), but haven’t tried Miss Sherlock yet, definitely give that a go because there seems to be a big overlap in the fandoms. Maybe it’s because they both feature a genius protagonist, have the two largest female characters being work partners, and domestic vibes…?

(CW: sexism, genre-typical gore)

Bonus: SKY Castle / SKY 캐슬 (20 episodes, 2018) (subtext) - MyDramaList | AsianWiki

(Note: slight spoilers for the early episodes, but it’s necessary in order to give a more accurate recommendation regarding the F/F subtext, especially as the show is not primarily focused on any one relationship.)

This one’s a bonus because unlike the others on this list, there’s no close relationship between two female characters which could be interpreted in a romantic light. That’s not too surprising as the show is all about the women of a several super-wealthy families trying to get their children into the top Korean universities (equivalent to the Ivy League) whilst supporting their husbands in the rat race: a decidedly heteronormative premise, albeit one that’s executed in an award-winning manner.

So why am I listing it? Well, it’s because somehow, in this series about heteronormative and highly gendered nuclear families, it features possibly the most erotically-charged dynamic I have seen, even taking season 1 of Killing Eve into account. (Though it takes some time to get there, so if you try it out, please watch at least the first four episodes before making a decision!)

That honour goes to the problematic gem that is the relationship between the main character Han Seo-jin (Yum Jung-ah), who is willing to do whatever it takes to get her daughter into Seoul’s top medical school, and star tutor Kim Joo-young (Kim Seo-hyung), who is known for her 100% success rate. It starts off with a mild push-and-pull, when Han Seo-jin wants Coach Kim to take on her daughter, but is wary of the shady rumours surrounding her; the tutor stands firm, and Han eventually has to swallow her pride and accept the risks. Where it really comes into its own, though, is when Coach Kim starts to pose a legitimate threat to everything Han cares for: her daughter, her marriage (or rather, what her husband can give her), her position in the world. It becomes increasingly clear that Han should just walk away, and indeed she tries to do so many a time, only to bend in the end because the coach is key to fulfilling her dearest wish– and so to Han, for all she rages and resents and fears, Coach Kim is nothing less than temptation itself. This is the beating core of the show, and even as the plotting disintegrates and falls into melodrama in the second half, their scenes together still crackle with delicious tension every time. Watch it.

(CW: suicide, psychological abuse, child abuse, bullying, murder)

[robloart]

Kiss💋??

[fr-wiwiw]

Gahan commission for @gayautisticraccoon. Thankyou for your interest and support 🌟💖

If you guys want to see your favorite characters kissing and do fruity things drawn by me, send DMs or email ;)

visit fr-wiwiw.carrd.co for more information!

[he-is-lightning-in-a-bottle]

My God I Love This Show

I think I've rewatched that final breakroom scene from Jun & Jun episode 2 at least a dozen times since it first aired yesterday, and I need to rave about it in its own post rather than just tags.

That scene is... perfection.

First, for non-Korean speakers, it's important to note they've already dropped into banmal with each other in private (the most intimate and casual linguistic form of address). This establishes them as societal equals, despite their wildly different social positions as boss and employee. It was an intentional choice by Choi Jun at the end of episode 1, when he took off his glasses, leaned over the seated Lee Jun in his office and greeted him properly with "오랜만이야" (Long time no see.) The fact that he dropped into banmal here was likely a bigger clue to Lee Jun that they know each other intimately than the actual words Choi Jun chose.

So in the breakroom scene. (!!!) Choi Jun is radiating confident dom energy and Lee Jun is INTO IT. He begins by making sure Lee Jun wasn't hurt by scalding hot coffee and telling Lee Jun to take off his shirt. But then he does the most batshit dom thing ever and starts removing HIS OWN CLOTHES. He explains its because he has a spare shirt for himself and plans to dress Lee Jun in the shirt he's been wearing all day. Why? Because he has a scent kink! And he just says it out loud. He wants Lee Jun to smell like he's HIS.

He checks Lee Jun out like a starving man and asks, "would my size fit you?" WHICH IS THE WILDEST BLATANT SEXUAL INNUENDO and Lee Jun KNOWS its innuendo because he clutches his pearls with his hand over his heart and replies "don't people say you worry too much?" causing Choi Jun to call him cute. Lee Jun can't help but smile shyly at the compliment, and Choi Jun pounces, immediately switching gears and ordering him to hurry up and take off his shirt. Lee Jun asks "right here?" as if that's the only weird or concerning thing about being told to disrobe, so Choi Jun takes off his own vest. This man is doing everything in his power to both rattle and comfort his cute former idol childhood bestie, and I AM HOLDING MY BREATH FROM THE SEXUAL TENSION.

And then we get the first truly jaw-dropping scene. Choi Jun calls Lee Jun high maintenance (the Korean phrase is better translated as "You're a handful."). Lee Jun bristles and apologizes. Choi Jun steps closer and tells him he doesn't need to apologize; it's a compliment. He LIKES it when he needs to put his hands on someone to care for them and it makes them smell like him; it makes them feel like THEY ARE HIS. The collar caress!! The neck tie grab and pull!!! The audacity of starting to unbutton Lee Jun's shirt for him since he's taking too long!!!! MY HEAD EXPLODING.

Lee Jun freaks out a little and puts distance between them again, so they have another fun little conversation filled with innuendo about repaying favors American style, which Choi Jun says involves less clothing!

And then we get the second jaw-dropping scene right on the heels of the first. Choi Jun says Lee Jun has grown fiestier (he likes them feisty? just a guess), but that he's still "squishy" on the inside. Lee Jun is already looking 10 times more secure in this conversation, unhesitatingly flirting back through the entire next few dialog exchanges. The eye contact! THE MOST PERFECTLY EXECUTED WAIST GRAB!!

The "you can teach me!!!" The way Lee Jun takes that as permission to manhandle Choi Jun right back, grabbing his hands and moving him around like a marionette!!!!

THE NECK GRAB!!!!!

And that final last line from Choi Jun that sent me SCREAMING INTO MY PILLOWS:

Looking at the rolled up napkin in his hand, "Malleable is something soft..." and then looking at Lee Jun's lips like the very thirsty man he is, he finally makes eye-contact again and finishes with, "squishy is... something sexy?" Lee Jun gulps. Cut scene.

MY HEART CANNOT HANDLE HOW PERFECT THIS WAS. From the dialog to the body language to the eye-work to the kink exposure to the RIDICULOUSLY HOT EXPOSED FOREARMS ON CHOI JUN. I am in awe and Korea is FEEDING ME.

@absolutebl this seems like your jam

[functionalasfuck]

I love how Marry My Husband has a bit of gay vibes. The antagonist, the best friend, loves jiwoon. She is fully obsessed. But the kind of love that wants to hurt and maim and consume.

Every thing Sumin does is because of her obsession with jiwon. She is so unhinged that she isn’t even afraid to die so long as she can die with jiwon.

It is the epitome of toxic. But it’s giving Hannibal. And I LOVE it

[theinfinitedivides]

when you're about to get your morally bankrupt batsh*t insane ass strapped to a table and have horrible things happen to you but you felt cute so you took a photo beforehand. Kim Jae Wook ily never stop doing this ever

[magicaldragons]

started vigilante for the legal philosophy and got a faceful of gay

if I had a nickel for every time i've seen a character take the law into their own hands while attempting to homoerotically reveal their perspective of a political issue to another man. i'd have three nickels so far

[myromancedramas]

SEMANTIC ERROR (2022)

[kdramastrix]

this was so parent of them bcs WHY were they so morbidly proud of elijah for basically committing crimes 😭

[dragonsareawesome123]

AJKSJKASLJSKLJSALS

[save-the-data]

JUN & JUN | S01E08

Korean Drama - 2023, 8 episodes

Episodes | Gaga | Viki | YouTube | iQIYI | WeTV | Tencent | Catalogue

[robloart]

What should have happened at the end of Beyond evil

[theongp]

Okay now i'm getting real thirsty for some new gay-undertone kdramas

I desperately want to know what upcoming kdramas (specifically thriller/crime genre) that have potential shippable pair of male lead characters (or supporting char) or have gay-undertones mxm pairing or have homoerotic antagonism vibe (even better)

There are two upcoming netflix's series that seems pretty good, Killer's Paradox (Choi Woo Sik and Son Suk Gu are the leads) coming out next month and Weak Hero Class 2 but it will come out last year i'm afraid. But I NEED MOREEEEEEE.

I already read a list of some upcoming drama this year but major of it has male-female leads so i don't really have much hope tho 🥲

[he-is-lightning-in-a-bottle]

Linguistic & Cultural Tidbits from Jun & Jun Ep 7

When Lee Jun tells Choi Jun to "Go away" after kissing him, what he's actually saying is far more rude. He uses the word 꺼저, literally from the root word meaning "off" and more accurately translated as "fuck off." You can tell our boy is hurting at the idea of being left by Choi Jun for the second time in his life and woundedly lashing out.

Choi Jun says he understands that pain* and teases with a small smirk that because he lived alone as a young adult (something culturally most young Koreans under 30 are loathe to do) he's good at making ramen. THIS IS INNUENDO, FYI. Eating ramen together is slang for having sex, so saying he's good at making ramen is like saying he's good at sex. Simeon also uses this later to suggest Lee Jun comes to his place for a midnight snack of ramen (literally just asking for a booty call) and Jun chooses to play obtuse rather than flirt back.

*MORE ON CHOI JUN'S PAIN. It goes back to the living alone as a young adult bit, which just makes Choi Jun pitiable in the eyes of most Koreans. Even young adults who have their own apartment to be closer to work are still financially supported by their parents who bought the apartment for them and constantly stock their refrigerator with home cooked food. Ramen is for snacks, not meals, but Choi Jun said he lived on it for years at the beginning, a clear indication that he was fully without the loving care of his parents. The actually independent young person in Korea is usually like that because they're either an orphan or had a falling out with their family. Ergo, pitiable, because Koreans value family ties quite highly.

This sympathetic side to him is further expanded on in their later perfume-testing scene, when Choi Jun explicitly says he felt like he was "living on a deserted island" and that he was "afraid and lonely every day." But he sincerely likes Lee Jun, and he wants to be understood. (He's not been flirting this whole time just because of American influence, he isn't getting married nor is he leaving the country. He's been just as lonely as Lee Jun since they parted ways and was afraid his feelings wouldn't be reciprocated. So he didn't dare do more than flirt, but now that he knows Lee Jun likes him back, he can finally explain everything. And he does.) Lee Jun responds by saying he won't misunderstand anymore and won't avoid Choi Jun and even gives him an affectionate head pat as consolation.

In summary, there was a lot of talking about sex this episode, Lee Jun confessed his feelings for Choi Jun and communicated his hurt at being abandoned before by him as well as his fear of being abandoned again, and Choi Jun sincerely apologized and gave sympathetic context for both his past and current actions.

@absolutebl more linguistic notes for you!