#given. everything going on

[malinaa]

if i think about the hunger games in peeta's perspective i WILL start sobbing

[jameszmaguire]

I think it would be better for everyone if I were to be left alone in the future. Don't you?

[newvegasceo]

The one you gravitate towards the first time playing any cRPGs. Included Pillars of Eternity races and Divinity Original Sin ones.

[meagancandraw]

You ever think about how neither of them got to say goodbye?

[avalencias]

yes I was inspired by the latest chapter of this fic, no I don’t want to talk about it.

(fic by @picturesofthegoneworlds)

[poorly-drawn-mdzs]

The girls are plottinggggg

[First] Prev <–-> Next

[amelia-yap]

puts them in a microwave

[nellasbookplanet]

Okay but I'm going a bit insane about the growing disconnect of "maybe we're meant to harness it"/"maybe we're meant to fight it". They both thought they were on the same page when they said it, when actually they were on polar opposite ends of the same spectrum. Imogen meant "I never plan to give in to this power even if part of me wants to, I will continue fighting it, but it’s a comfort knowing there’s someone who understands the temptation and who I know won't judge and will still love me and understand if I ultimately fail and give in". Meanwhile to Laudna it meant "I've been in this struggle for longer than I can remember and I don’t know if I can do it much longer. I don’t know if I want to. I don’t know if I even should, or if giving in would be better for all of us because I'm a lost cause. You understand this about me and won't judge as I inevitably am doomed by the narrative, and you won't demand of me that I fight an inherent part of myself, even if it’s destroying me". And Imogen is finally catching on to this disconnect, is realizing that to Laudna their connection isn’t just understanding but an excuse, not too different from Lilliana. And, desperate of losing Laudna to power just like she did her mother, she says, 'if you let me go, I'm gone', meanwhile Laudna is going 'all I can do for you is die and let you go to lift you up' and both of them are going 'why are you so upset about this. i love you'.

[a-dauntless-daffodil]

Emily: “I’m really sorry Vaggie didn’t feel comfortable coming back here. If there’s anything I can do to change that-”

Charlie: “Probably not! It was kinda a sign of her endless love for me that she visited haven again at all!”

Emily: “Oh! Oh that’s nice!!”

Charlie: “Which I NEVER would have asked her to do anyway, if I’d KNOWN the truth about her history up here!”

Emily: “Right. I’m so sorry about that too, by the-”

Charlie: “I mean, I’m not the kind of girl who askes her girlfriend to go spend an afternoon sitting across from the people who ripped off her wings! And her eye! And left her slumped against a dumpster looking half dead!”

Emily: “A… dumpster?”

Charlie: “Making the woman you love relive all that without even rEALIZING it would be pretty fucked up, wouldn’t it??”

Emily: “V- very.”

Charlie: “IT HYPOTHETICALLY COULD MAKE SOMEONE FEEL KINDA TERRIBLE AFTERWARDS, DON’T YOU THINK?”

Emily: “I’m sure it did!”

Charlie: “H Y P O T H E T I C A L L Y”

Emily: “Could! I could see that, yes, if it HAD happened, that would’ve been…”

Emily: “…”

Emily: “Are you- um, is she, errr.. doing better now?”

Charlie: “SO much better she’s doing SO great these days!!!!”

IN HELL

Vaggie: (lying face down on the hotel lobby floor) “I promise I won’t stop helping you morons when she dumps me. I won’t let her dream die just because I was dumb enough to think I could be part of it.”

Angel Dust: “That’s nice toots.”

Vaggie: “Thanks.”

Angel Dust: “Not sad or stupidly gay or anythin’.”

Vaggie: “Thanks.”

Cherri Bomb: “Sad? Angie, it’s perfect!” (takes picture) “I’ve been thinking this place could use a new rug…”

Niffty: (stepping on vaggie) “Squishy!”

Husk: “Get the fuck off her.” (at vaggie) “You, get the fuck UP.”

Vaggie: “Why.”

Alastor: “Hmmm, because this is PAINFULLY pathetic to watch, even for me?”

Vaggie: “Guess I’ll be here forever then.”

Angel Dust: “Vag-GAY c’mon, ya girlfirend’s not gonna dump ya. What’s the competition even!?”

Vaggie: “There’s an angel up in heaven who's helping Charlie work towards her life long dreams as we speak, and she's taller than me, got more wings than me, not as stabby as me, and also not a mass murderer or a liar or missing an eye.”

Cherri Bomb: "Hey!"

Vaggie: "No offence to the other one-eyed ladies here, but it's different when you've got a fucked up empty eye socket."

Niffty: (sighs dreamily) "I bet losing it hurt soooo baaaaad..."

Vaggie: "Never telling my girlfriend why I'd actually lost it or how it made me look like the deranged murder angel I was, even while she tried kissing it better for me, ended up hurting way worse."

Angel Dust: “That's a point….”

Angel Dust: “...alright, so Charlie’s PROBABLY not gonna dump ya-”

Niffty: “Oh that’s a weird sound!” (giggling) (bounces on vaggie) “I think she’s dying~”

Husk: “If you fucks kill her, I’m telling her demon princess girlfriend and pouring myself a drink to go with your fucking tormented howls.”

Vaggie: (muffled) “what if she’s my ex-girlfriend”

Husk: “…I’ll pour you a fucking drink and listen to your tormented howls.”

Niffty: “ME TOO I’LL LISTEN TOO!”

Alastor: “Dear one, perhaps if you were NOT standing on her skull and compressing her WRETCHED cries into the floor, we could be hearing them already.”

Niffty: “Whoops~ Heheheeh~”

Cherri Bomb: (recording it) “Damn, that groan’s been going on for ages… Bitch has some lung capacity on her.”

Angel Dust: “Point one for Vag-gay! Probs as good eating out as ya are at HOLDING out on ya girl!!!”

Vaggie: “uuuughhh…uaauuugghhaaaAAAAAAAAAAaaahhhhrrrgh..” (whimpers)

Niffty: “Okay.” (GIGGLES) “NOW she’s dying~” (bounces)

IN HEAVEN

Charlie: “Everything’s totally fine I have NO idea why you’d even ASK!”

Emily: “You’ve spent the entire time up here staring at pictures of Vaggie on your phone?”

Charlie: “I’m allowed to look at my girlfriend!”

Emily: “While crying and sniffling into your sleeve?”

Charlie: (sobbing) (desperately patting down her jacket) “SHE’S THE ONLY ONE WHO KNOWS WHICH OF MY POCKETS HAS THE HANDKERCHIEF IN IT, OKAY??”

Emily: (smiling) “I think you two are going to be just fine.”

Charlie: (BLOWS NOSE LOUDLY INTO JACKET SLEEVE, which catches on FIRE)

Emily: “…..not your clothes, though. You might need a new set of those.”

[beatcroc]

there's no way the bathroom at peppino's pizza is actually that big but ¯\_(ツ)_/¯ . hey ummm anyway.... i care them...... anyway there's a lil ramble on my take on fake pep's like psyche or whatever in tags on the og post if ur into that kinda thing :y

hey! it's a series! fake peppino world tour: [noise] [noisette] [peppino]<- u are here [gustavo] [gerome] [noisette again]

[foolsocracy]

I can't help but notice you haven't posted any angst in a while and I'm suspicious

whipped this one up just for u anon

[magichats]

all the news going around with unity's really got me worried for games that are already several years into development like Hollow Knight Silksong and Billie Bust up.

Just rough because I don't suppose a whole lot of games are going to be able to pivot game engines, let alone so late in development. Like it is easier said than done to pivot early in development but i've been following the development of several games that are years in at this point and the fact that they're grandfathering older titles into this is just... it's just bad.

The potential loss of games in terms of archival on such a massive scale....

[harbingersglory]

can i req some arlecchino kink headcanons? no pressure to answer! there's just a lack of new knave content lately ahhh.. (￣ヘ￣)

{☆} characters arlecchino {☆} notes drabble, hc's, gender neutral reader {☆} warnings 18+ content

{☆} dacryphilia

arlecchino is a sucker for crying. doesn't matter if you cry easily or not– either she sees it as a challenge to make you cry in the first place or to see how much you can cry before you have to tap out. her absolute favorite way to make you cry is straight up overstimulating (or understimulating you, depending on her mood) until you're practically sobbing. if you cry prettily enough maybe she'll take pity on you.

{☆} temp play

arlecchino has a pyro vision and she is absolutely going to use it. especially prominent if you're both in snezhnaya– it provides prime opportunities for her to slip her hands under your clothes when you least expect it just to see you squirm beneath her hands. she'd never actually do anything too scandalous in public, but if you're a bit more hidden away she'll have no qualms playing with your chest. if you complain about the cold you're just giving her an excuse to "warm you up" and see you tremble like a lamb.

{☆} face sitting

nothing prettier to her then seeing you above her with her face between your legs. her tongue is just as warm as any other part of her, and she knows how to use it, too. she'll hook her arms around your thighs just to hold you down until you've doubled over from the intensity of it– if you start crying, oh, she just gets worse. absolutely ravenous. she won't stop even if her jaw starts to ache. if you don't want her to stop, she could go for hours without a break.

[dollypopup]

I think it's interesting to look at the 'Mr. Bridgerton' scene as a backdrop for the eventual mirror scene. Firstly, in the fact that I think we've kind of misinterpreted it.

So many people are of the mind that scene's purpose to 'drag' Colin, but really, that scene has 3 primary functions. The first is to inform Colin that Penelope is aware of what he said of her, thus opening the door to clearing the air between them and providing an avenue for which Colin can apologize. The second is to establish the ground that they are currently on: Penelope has given up on the dream of Colin Bridgerton, in particular the perfect prince that can do no wrong, and has made it clear to him. It also creates distance between them that they will bridge.

But the third, and to me the most wrapped up in the mirror and the inner workings of their relationship is that it reveals how Penelope feels about *herself*. It's not necessarily an echo of what the ton considers her as, after all, we have a lot of evidence indicating that, for all intents and purpose, people aren't *unkind* about her, but rather that they ignore her. Audience members recognize this as Penelope's own shyness being the cause, she is often sitting off on the sidelines or not really talking to much of anyone, in the books she's referred to as the 'one who doesn't speak', and her LW business takes her away from being a character in the action of the ton to a bystander, kind of a self-fulfilling prophecy of sorts that perpetuates itself. Pen felt unseen so she became LW to have some power, but then LW herself must remain unseen and Penelope continues to be by design of her own making.

No, I think what it really reveals is that Penelope has incredibly low personal self esteem. We as a fandom has lauded that scene as her dragging Colin, saying that he's cruel and calling him Mr. Bridgerton is absolutely meant to create distance between them, but I don't think she's dragging him.

Because the person she is *actually* dragging here. . .is herself. And it is a general theme in her life. In Whistledown. Aloud. Even with Marina, when she complimented her, she assumes that she's lying. When Edwina says she's wearing a pretty dress, Penelope puts herself down and doesn't believe her, even when the compliment is genuine. In truth, Portia is not seen as being particularly unkind to Penelope. At least, speaking as someone who's mum was *awful* about my size and weight and outfits, Portia is. . .overall rather mild. She's not KIND and loving, not by a long shot, but she's also not targeting Penelope only. She's plenty mean and critical to Prudence, too, even to the point where she foists her off to her own cousin as a pawn piece. Penelope has low self esteem because of a lot of reasons, she's bullied by Cressida (I think a lot of girls are, she was pretty mean even to Daphne in S1) and her family isn't very tender to her, and she's not being pursued at every turn, but part of it is also her own perpetuation.

Listen to what she says "Of course you would never court me" "I embarrass you" "I am the laughingstock of the the ton". She sees *herself* as an embarrassment. She puts *herself* down. Arguably, more so than the ton does. She's meaner to herself than anyone else is, aside from Cressida. And honestly? Looking at Colin's face there. . .he is HURT that she considers herself this way. That she's projecting that onto him. Yes, he's hurt that he hurt her, of course he is, he never wants to hurt her. And yes, he's ashamed that he said he wouldn't court her the way he did and that in doing so, he validated her fears that she is unloved and unwanted, but also because. . .she already feels that way about herself. She's felt that way for years. And it's painful to care about someone, to see them as wonderful, and realize. . .they don't feel the same about themselves at all. I don't think Colin is out here feeling so wounded over the fact that she called him cruel and won't refer to him by first name anymore, but that he's most hurt by what she says about herself.

Because he *doesn't* see her the way she accuses. She says she never expected him of all people to be so cruel, but he feels the same way. He never expected her to be so cruel to *herself*. He wants to go somewhere private, not because she is an embarrassment, but because he wants to have a private conversation with her. Maybe assure her. Maybe explain himself. Maybe hash it out. But god Luke Newton's acting. . .he is *aching* for her. And it feels like he's going to do those lessons not in atonement for what he said (thank god) but to genuinely help his friend who thinks badly of herself. To lift her up. It's not about him at all, not about earning forgiveness, but about elevating Penelope. And that's. . .fuck, I just find that's just so heart stoppingly beautiful.

You can see, in that scene, how much he cares about her. How deeply and genuinely he adores her as a person. And just how painful it is for him to know he has validated, whether on purpose or otherwise, how poorly she feels about herself. How low her self-confidence really is. She is giving him a glimpse into the cracks of her heart, and when he sees them, he wants to reach out with both hands and make it feel better. Make her feel better.

After she says 'even when I change my entire wardrobe', he looks so fucking crushed. So 'don't say that'. So 'you really believe that?'. So 'God, I hate that you think that way'.

Because regardless of it all, he does love her. It's not romantic yet. It's not sexual yet. But he genuinely, truly, from the bottom of his heart, thinks she's wonderful. That was evident even in the 'purpose' scene. Every time Penelope opens up and reveals a facet of herself, he likes it. He likes her barbs and her dreams, he likes talking to her. He likes her. And he feels awful that he hurt her. And he feels awful that she's hurting herself. He loves her. He wants her to love herself.

And that's where the mirror scene comes in. Because the mirror scene isn't about sex, not really. Not entirely, at least. The mirror scene is about *intimacy*. The mirror scene is about being seen. Not just her seeing him, or him seeing her, but for Penelope to see *herself*. In a way, through his eyes. Because hers are biased rather negatively toward herself, which is evidenced in the 'Goodnight Mr. Bridgerton' scene, and in so many little moments we've already gotten where she's literally looking down on herself, feeling down. She doesn't necessarily *like* what's in the mirror, but he does. Because he likes *her*. And he wants to show her that he does. Show her that he finds her beautiful and have her recognize that in herself.

The 'Goodnight Mr. Bridgerton' scene is about Penelope revealing how she sees herself. The mirror scene is about Colin showing her how *he* sees her. The Goodnight scene is about Penelope thinking she means nothing to him, that he thinks of her the way she thinks of herself, that this is how everyone thinks of her, and the mirror scene is a direct response to that: No, he doesn't. No, he doesn't think she's embarrassing. No, he doesn't think she's a laughingstock. No, he doesn't think she's unappealing. And he doesn't think she should, either.

And he's going to show her that. Not just tell her, but show her. The mirror scene is so often a focus on Penelope, so much of Polin is in Penelope's focus, but approaching it from Colin's perspective and his motivations is so fulfilling, too. It's a glimpse into them in conversation, and a demonstrate of how Colin loves her. How Colin loves in general, openly and earnestly and altruistically. How he encourages her to be braver and more confident in herself, bolstering her because he just likes her *that much*. How he finds the most fulfillment and satisfaction in caring aloud. The mirror scene is a demonstration of his heart in reflection.

When Luke Newton said the first word that came to mind with the word 'Mirror' was 'Exposed', he doesn't just mean physically. He means emotionally, too.

God this couple is so fucking good.

[moeblob]

What if I straight up didn't explain myself? What if I just said trust me on this? Would you?