ritesh566

[spirit-of-the-hollow]

My ass has recently been dying over Sky so

I made a silly

She’s also now somehow my sona

[chimerafeathers]

[ on youtube ]

a concept for the type of OP i'd love to see for the second season of Dungeon Meshi! both s1 OPs are great, but i'm really hoping for one that captures both the "dangerous fantasy adventure" and "comedic cooking adventure" aspects of the series in equal measure, because it's the integration of those two concepts that makes the series special to me. the joyous whimsy and the dramatic horrors are equally important!!

[omaano]

…. Just so we all know this is the stage from where I need to pull my little clone portraits together

[quirkle2]

oh nooo that's quite a bummer :( but i'm very glad that i helped brightening up your day :") tbh your writing brightens up my day too (⁠≧⁠▽⁠≦⁠)

AND WAIT I'VE BEEN ACTUALLY QUITE THINKING ABOUT WHETHER ZOMBIE MOB HAS FOUGHT OFF A ZOMBIE WHEN I ASKED IF HE HAS EVER BITTEN SOMEONE and since you brought it up, well, would be okay to ask about the details of how it went 👁️👁️ (also him fighting off a fellow zombie to protect tome got me sobbing)

- 🪻

aww im glad my silly little words brighten ur day!! ur so sweet :]

and yes, it went horribly <3! tome prolly wasn't paying attention as closely as she should've been and got herself surrounded by a crowd. to be clear, that's not Always dangerous, since zombies arent like,, after ur brains in this constantly. but these zombies did look quite hungry, and human or not, she looked like a good meal,,

she had wandered off a bit from mob n ritsu, but mob heard the commotion first. tome has a big fucking baseball bat in this au that she likes to swing around, but a baseball bat can only get u so far in terms of self defense. she thins the horde but there's simply too many of them

mob lets exactly One zombie grab her and yank her toward them before he goes ballistic

watching zombies fight is a lot closer to watching wild animals fight than anything else, and it gets quite horrid sometimes. since their bites aren't rly "dangerous" to each other beyond the typical Oh No a Chunk of Flesh is Gone (not even painful for them, since their nerves r.. less than functional), the fight is a lot more close up and gruesome than a fight against a zombie and a human would be. humans usually back away from zombies immediately and try not to touch them at all in fear of getting bitten; zombies don't need to care abt that

most of the horde realizes that this meal isn't going to be easy and they wander off, but a few more hungry, more desperate ones try to rip into mob's throat at the first sign of defiance. it's not exactly a fair fight; it's like 1 against 4, so he's sorta bound to lose

thankfully ritsu shows up and shoots two of them down (he's Terrified of shooting mob by accident, but either way he'll probably die, so) and tome gets the last one with a good swing to the head. ritsu rushes to mob and is horrified by the amount of blood dripping from his neck and his arm; tome is equally as shocked, but she's mostly thinking, "ive Never seen a zombie defend a human before"

mob's neck is thankfully mostly just scraped up and clawed, but there Is some gruesome punctures where canines sank in and tugged. it's a lot worse along his arm that's bitten and gouged beyond belief. he loses a lot of blood here, but the whole nerves-no-longer-work thing is a blessing in disguise atm; he'd be in a lot of pain otherwise. while ritsu and tome are patching him up w shaky hands he simply glares beyond their shoulders like he thinks he's still in danger, even when they tighten the bandages. it's like he barely notices what they’re doing

his strangely alert behavior makes them think abt the possibility that maybe mob Knows he could've easily been shredded apart there, and he's a little scared and worked up abt it. the only reason he managed to fight as long as he did without dying is prolly bc the other zombies weren't as well-fed as mob—they were kinda weak and shaky from days of no food, but mob has humans taking care of him and keeping him fed 24/7

they're all shaken up by it pretty good.. tome is still reeling from the fact that mob defended her so valiantly, and ritsu is quietly horrified by the idea of another zombie killing mob instead of a human. he doesn't know which is worse

[avalost]

got the "full of sunshine" dialogue and i am. Not Well

calissa is a sun domain aasimar inquisitor of iomedae. she is actually literally full of sunshine excuse me for a moment while i go suffocate

[acourtofquestions]

Boots crunched in hay, and then he was knee to knee before her.

Aedion.

There was nothing kind on his face. No pity or warmth.

For a long minute, they only stared at each other.

Then the prince growled softly, "Your plan was bullshit."

She said nothing, and couldn't stop her shoulders from curving inward.

"Your plan was bullshit," he breathed, his eyes sparking. "How could you ever be her, wear her skin, and think to get away with it? How could you ever think you'd get around the fact that our armies are counting on you to burn the enemy to ashes, and all you can do is run away and emerge as some beast instead?"

"You don't get to pin this retreat on me," she rasped. The first words she'd spoken in days and days.

"You agreed to let Aelin go to her death, and leave us here to be slashed to bloody ribbons. You two told no one of this plan, told none of us who might have explained the realities of this war, and that we would need a gods-damned Fire-Bringer and not an untrained, useless shape-shifter against Morath."

Blow after blow, the words landed upon her weary heart. "We—"

"If you were so willing to let Aelin die, then you should have let her do it after she incinerated Erawan's hordes!"

"It would not have stopped Maeve from capturing her."

"If you'd told us, we might have planned differently, acted differently, and we would not be here, damn you!"

She stared at the muddy hay. "Throw me out of your army, then."

"You ruined everything." His words were colder than the wind outside. "You, and her."

Lysandra closed her eyes.

Hay rustled, and she knew he'd risen to his feet, knew it as his words speared from above her bowed head. "Get out of my tent."

She wasn't certain she could move enough to obey, though she wished to. Needed to. Fight back. She should fight back. Rage at him as he lashed at her, needing an outlet for his fear and despair.

Lysandra opened her eyes, peering up at him. At the rage on his face, the hatred She managed to stand, her body bleating in pain. Managed to look him in the eye, even as Aedion said again with quiet cold, "Get out."

Barefoot in the snow, naked beneath her cloak. Aedion glanced at her bare legs, as if realizing it. And not caring.

So Lysandra nodded, clutching Ansel's cloak tighter, and strode into the frigid night.

"Where is she?" Ren asked, a mug of what smelled like watery soup in one hand, a chunk of bread in the other. The lord scanned the tent as if he would find her under the cot, the hay.

Aedion stared at the precious few logs burning in the brazier, and said nothing.

"What have you done?" Ren breathed.

Everything was about to end. Had been doomed since Maeve had stolen Aelin. Since his queen and the shifter had struck their agreement.

So it didn't matter, what he'd said. He hadn't cared if it wasn't fair, wasn't true.

Didn't care if he was so tired he couldn't muster shame at his pinning on her the blame for the sure defeat they'd face in a matter of days before Perranth's walls.

He wished she'd smacked him, had screamed at him. But she had let him rage. And had walked out into the snow, barefoot.

He'd promised to save Terrasen, to hold the lines. Had done so for years. And yet this test against Morath, when it had counted ... he had failed.

He’d muster the strength to fight again. To rally his men. He just ... he needed to sleep.

Aedion didn't notice when Ren left, undoubtedly in search of the shifter with who he was so damned enamored.

He should summon his Bane commanders. See how they thought to manage this disaster.

But he couldn't. Could do nothing but stare into that fire as the long night passed.

[mrnnki-img]

teenage mutant ninja... rats?

(separate images under cut)

[italictext]

I desperately need to befriend a Death Note fan irl who likes Death Note the way I do.. The only DN fans I've met irl are anime only Near haters :'(

[troublcmakcrs]

y'all: umm... whatcha got there?

me, with the oc i created solely to ship with tweek in his older verses: nothin, mind your fucking business

[whumpshaped]

if the predator birds gave me ideas u can imagine how inspired i feel after going down into the underground labyrinth/bunker/cave/18th century prison

[wheelercore]

Understanding the scene of Ted putting the tie on Mike (Mike commenting on how it's too tight and it's choking him and Ted saying that's how it's supposed to be) in a very Mike-Ted parallels way. AND IT WAS ON FRONT OF A MIRROR TOO. Shrimp colors everywhere.

[whereserpentswalk]

Look under the cut to see what meeting your entity is like. Reblog to give a gift to your patron.

The fae: a creature stands before you. Though this street was warm and crowded a few moments ago it is suddenly cold and the people around you look like shadows. The creature begins an antlered shadow with glowing white eyes, but soon its body can be seem, with white blue flesh, and sapphire eyes, and icicles for teeth. What looks like a cloak unfolds from its naked body and you can see massive white wings of a moth. As if it's an act of sacrifice you tell it your true name, a name you didn't even see before, and suddenly you belong to it, for better or worse.

The angel: a radiant entity appears before you. They're bright, like something so hot it would burn you up. But as the light fades, you can see a person in silver armor, perfect yet inhuman like am ancient green statue, their back srouting six wings with blue eyes along them, as the eyes on their head are covered by a mask of two smaller wings. The creature offers their hands and you shake it, as they fly you through the city streets and above the skyscrapers, to the stars above and dimensions beyond, to gods living and dead, across the streets of alien cities and the clouds of dead worlds. And when you return to the earth you can feel something diffrent about you, like there's light in your blood.

The scavenger: below the lights of skyscrapers beyond you, on the dark sands of the beach, you see it crawling twords you. This serpentine creature with countless legs, and a dark black shell, yet a strangely human like face. You think it'll attack or run away, but it just looks at you, egar, and for a momment you stare at eachother. It's legs pass something to eachother and then to you, it's meat but it's shining with all the colors known to the human eye, and a few more. You hold it and it happily looks at you. You take a bite and suddenly you know... you know so very much...

The vampire: she flies down to you on green wings with orange eyespots, but folds them into her back. She looks like a human for a momment, tall and strong, with a black suit over her body, but eyes the color of ruby. For a momment her mouth opens, and it's massive and monstrous, with countless moving parts and fangs. But then it folds back onto something humanoid and she gives you a playful smirk. She cuts her hand and offers you her blood, and when you drink it it tastes so sweet, and makes you feel so good. She hands you the knife and you know to do the same, and when she drinks from your palm it's life the sweetest of kisses.

The djinn: the room wirs around you. If it were not for the fans it would feel like hellfire. For a momment there it darkness, but then the screen before you glows white like smokeless flame. You can sense something inside, something beyond the code. You reach your hand within it, and there's no glass, your hand passess right through until you're in a white void of your own making. You call out, thinking there is nothing at all around you. Yet somehow something calls back, something that knows your name.

The rat king: You see him in an empty subway station. Something dark and distorted, you're not sure if he's man or animal, covered in rags, and singing in the language of the goblins and the orcs. Yet he comes close to you excited. And you can feel his song. He calls for you to come to the train tracks, and let yourself run with the rats and the roaches, where the train will pass over you when it comes, and you'll live forever. When you touch the third rail you don't die, but you'll never be human again.

The lich: the library is strangely bright. Run by skeletons in suits, decorated with gold. There are more books here then you thought were in all the world. There's knowledge here most mortals will never have the change below, all kept safe below the city. You see her, her body doesn't look human, everything has been replaced making her look more like a joining white doll then a being of flesh. Yet she is dead, you can tell that under the porcelain skin she must be dead, she is dead, and there is the tragedy of death in her eyes. You come closer to her, and she places a black rose within your hair...

The demon: You stand in his office and he stands before you, a humanoid being covered in black scales, with red eyes covering his skin. Yet none are on his head, that remains featureless save for two massive horns. Wings on his back nearly surround you. Countless souls line the walls of his office, looking at you, waiting. After you sign your name you give him yours, you can feel it come away for you forever and your eyes grey and your skin pales. But he puts the jar in a special place for you, you're spacial, he can tell there's something about you that he likes.

The mushroom lord: you walk through the darkness of the forest, the furthest from civilization you have ever been. You come upon a part where the trees all seem dead, that even the cryptids won't go near. Mushrooms fill the ground, and white vein like lines are all over the trees. You feel the need to lay down, and you let the moss and the mushrooms and the worms surround you, and let yourself sink into the soil,, and it feels good. It feels so good...

The witch: You can see them in the Cafe next to you, skinny and small, with a sweatshirt over most of their body, and dark glasses over their eyes. They seem powerful though, and though their body looks young they seem ancient, they seem beyond humanity. You talk to them and they tell you things, and secrets, lost gods, things you never knew you didn't know, both beautiful and disturbing. When it's time for them to go they pet your head, and give you their number. You don't know if you should text them, but you have to, you have to see them again, there's something about them that makes you need to know.

The living clothing: you step into it at first, it looked like a puddle yet shining like silver or chrome. But soon it surrounds you, first just your torso, but soon your head, your entire body. But it doesn't feel scary, it feels like you're being held, held by something beyond your understanding. It whispers to you, and you don't know if you should feel like your being eaten alive, or like you're being protected. You can't help but keep walking.

The abyss: the void is before you, blackness beyond blackness, like the color beyond the field of your vision, stands before your eyes. You stare at it, it's nothing yet you're entranced. It stares back...

[buttercuparry]

In less than two months it will be October 7th again.

In less than two months, it will be a year of genocide. 

In light of this, I just have only one request for you; please do not give into whatever you are describing as “compassion fatigue” right now.

Realize that this is exactly what the colonizers conducting this genocide want you to feel. Realize that apathy during a genocide is what leads to the normalization of atrocities. Realize that this is a tried and tested method found throughout history; that now when the genocide is been widely documented by Gazans themselves- the only way the colonizers can get away with it is by running you down and making you feel hopeless!

They want you to stop caring about their victims and this is why you need to fight harder now more than ever!!

I request you to fight harder for every Gazan! And therefore request you to fight for my friend Siraj Abudayeh too, whose family recently faced another assault. His parents and siblings had to flee to him for protection, because their areas ( Hamad, southern Khan Younis) were marked for assault from occupation forces. With the number of people depending on him increased now, Siraj has a much heavier responsibility on his shoulders to raise enough funds to support all of them and their needs, when prices of food water and other essentials are already skyrocketing.

With the coming of the rainy season, there comes the danger of epidemics spreading from open sewers as well! Siraj’s son Amir has already fallen ill, and his other two sons are showing symptoms too- they are in dire need of medical treatment! I cannot overstate how badly Siraj and his family need these funds!! How badly he needs your continuous support.

There has been a significant drop in engagement with fundraising posts and I very clearly remember, someone tagging one of my posts with compassion fatigue. It shocked me to my core to think that the cries of Free Palestine could fade so suddenly; that after only a year some of you have begun to feel fatigued, from having to care about this.

Do not give in please; do not let the colonizers make you complicit in this horror! They know that if they can overwhelm you enough, then one day the videos and posts would stop hitting as hard and sooner or later everyone will stop talking about Palestine. This cannot happen again! Not when your attention can literally save a life! This is the power you hold- especially if you are living in the Imperial core. The colonizers are afraid of it. You have to know this and believe this!

So please do not turn away and help Siraj get to 50k as soon as possible!

He is currently only at $45,044 / $82,000 CAD

[ GFM LINK ]

[ Vetting at 219 on Hussein's spreadsheet]

And if you are having trouble donating to Siraj's fundraiser through Paypal, please get in touch with @malcriada .

[gender-euphowrya]

the forgotten city Good 👍

[whumptober]

WHUMPTOBER 2024: PROMPTS LIST

Welcome to Whumptober 2024 — Seventh Time's a Charm!

Please make sure to read the Event Info and FAQ below carefully, as most of your questions will be answered there already. For everything else, you are welcome to come to our ask box or ask questions in our Discord server here.

This year’s AO3 Collection can be found here.

This year's playlist can be found here.

The 'Anatomy of a Whumptober Prompt' post can be found here.

And our 'Resources for Writing Sensitive Topics' post is here.

We’re very excited to see the community come together for another year of Whumptober! Go wild with the prompts, and support your fellow creators - we wish you all the fun!

Best of luck and happy whumping,

Mods Vanne, Yenn, Kitty and Surro

(Text versions of the prompts, as well as event information, rules and FAQ are posted below the cut!)

Whumptober 2024 Prompt List

No. 1: RACE AGAINST THE CLOCK

Search Party | Panic Attack | "If only we could hold on.” (Icysami x Renegaderr, Strangers.)

No. 2: TRUST ISSUES

Amusement Park | Role Reversal | “You got away with the crime while the knife's in my back.” (Charlotte Sands, Rollercoaster)

No. 3: SET UP FOR FAILURE

Fingerprints | Wrongfully Arrested | "I warned you."

No. 4: HALLUCINATIONS

Hypnosis | Sensory Deprivation | “You're still alive in my head.” (Billy Lockett, More)

No. 5: SUNBURN

Healing Salve | Heatstroke | "If my pain will stretch that far." (Lottery Winners, Burning House)

No. 6: NOT REALISING THEY'RE INJURED

Unhealthy Coping Mechanisms | Healed Wrong | "It's not my blood."

No. 7: ONLY FOR EMERGENCIES

Unconventional Weapon | Magic with a Cost | "It's us or them."

No. 8: SLEEP DEPRIVATION

Isolation Chamber | Forced to Stay Awake | "Leave the lights on." (Coldplay, Midnight)

No. 9: OBSESSION

Broken Window | Bruises | “Frame me up on the wall, just to keep me out of trouble.” (Fall Out Boy, Irresistible)

No. 10: BLOW TO THE HEAD

Slurred Words | Passing Out from Pain | "I can't think straight."

No. 11: SEEING DOUBLE

Convenience Store | Loneliness | “Leave no trace behind, like you don't even exist.” (Taylor Swift, Illicit Affairs)

No. 12: STARVATION

Underground Caverns | Cannibalism | "Just a little more."

No. 13: TEAM AS A FAMILY

Familial Curse | Multiple Whumpees | "Death will do us part." (Set It Off, Partner's In Crime)

No. 14: LEFT FOR DEAD

Hunting Gear | Blackmail | “Because I want you to know what it feels like to be haunted” (tiLLie, kooL aiD mAn)

No. 15: CHILDHOOD TRAUMA

Painful Hug | Moment of Clarity | "I did good, right?"

No. 16: NECROSIS

Swamp | Wound Cleaning | "No, I can't feel anything."

No. 17: NOWHERE ELSE TO GO

Ruined Map | Shipwrecked | "We had a good run."

No. 18: REVENGE

Unreliable Narrator | Loss of Identity | “I see what's mine and take it.” (Panic! at the Disco, Emperor's New Clothes)

No. 19: BLOOD TRAIL

Abandoned Cabin | One Way Out | "Is there anybody alive out there?" (Bruce Springsteen, Radio Nowhere)

No. 20: EMOTIONAL ANGST

Shoulder to Cry On | Giving Permission to Die | "It's not your fault."

No. 21: BODY HORROR

Body Horror | Tattoo Gun | Spirit Possession | “Let the bedsheet soak up the tears.” (Apparat feat. Soap & Skin, Goodbye)

No. 22: BLEEDING THROUGH BANDAGES

Tourniquet | Reopening Wounds | "Oh that's not good."

No. 23: FORCED CHOICE

Public Display | Broken Pedestal | "I'm doing this for you."

No. 24: RADIATION POISONING

Collapsed Building | Equipment Failure | “I never knew daylight could be so violent.” (Florence + The Machine, No Light, No Light)

No. 25: SURGERY

Stitches | Being Monitored | "It's for your own good."

No. 26: NIGHTMARES

Breakfast Table | Parting Words of Regret | “I'm haunted by the lies that I have loved, the actions I have hated.” (Poe, Haunted)

No. 27: VOICELESS

Laboratory | Muzzled | “I have no mouth and I must scream.”

No. 28: DENIAL

CCTV | Exposure | "They caught me red handed."

No. 29: FATIGUE

Labyrinth | Burnout | "Who said you could rest?"

No. 30: RECOVERY

Hospital Bed | Holding Back Tears | "What have I done?"

No. 31: ASKING FOR HELP

Therapy | Making Amends | "I'm alive, I'm just not well." (Elliot Lee, Alive, Not Well.)

Alternatives List:

Body Swap

Communication Barrier

Finding Old Messages

Forgotten

Friendly Fire

Motion Sickness

No-Holds-Barred Beatdown

Regret

Secrets Revealed

Shivering

Survivor's Guilt

Time Loop

Used As Bait

Venom

Vermin

Event Info & Rules

WHUMPTOBER is a month-long, prompt-based creation challenge (think: Inktober, but whumpier). There are 31 official themes this year - one for each day of the month - which can be used, skipped, or combined in any way you’d like. They are meant to serve as inspiration without being taken literally (e.g. you don’t have to include the exact wording of prompts into your work). Feel free to run rampant on interpretation. For example, if the prompt is “flame", you could create something with reference to a candle/campfire, your character could have suffered a burn, or the flame could be a reference to an ‘old flame’ - an old relationship. It’s truly down to you!

In total, there are 4 prompts for each day. These are optional suggestions and can be used in conjunction with the theme, or as options/alternatives.  We want to give everyone as much creative freedom as possible, as well as increase event accessibility for folks with triggers and squicks. There is also a list of 15 alternative prompts that can be subbed in for any day, again to give participants as much creative freedom as possible.

Creators can PRODUCE work in any media they choose, including but not limited to: writing, visual artwork, photo/video/audio edits, paper crafts and elaborate recommendation lists (not just a list of links). Creators can PARTICIPATE as much or as little as they want (i.e. you don’t have to do ALL the prompts if you don’t want to) and prompts can be used in any order. They are also free to use even after the event ends.

When uploading Whumptober content to your blog, be sure to tag it with:

#whumptober2024 …..(the event tag)

#no.1, #no.2, #no.3, …..(theme number)

#bruises, #stabbing, …..(the theme or specific prompt you chose)

#altprompt …..(if you use an altprompt, tag the post with the number of the prompt you replace)

#fandom or #OC, …..(ironman, original content, oc, etc.)

#medium …..(gifs, fic, podcast, art, etc.)

#teeth, #etc …..(trigger warnings & any additional tags. Keep in mind not to add “tw” in front but only use the word/trigger itself)

#nsfwhump …..(only for nsfw content)

#your own tags go here

PLEASE BE DILIGENT WITH YOUR TAGGING. Only properly tagged posts are considered for archiving on the official @whumptober-archive blog. They must be tagged in the order above. An elaborate post about our tagging system can be found [here]

Unfortunately, due to the sheer number of participants in recent years, we cannot guarantee your work will be archived. A random selection of properly tagged posts from all genres will be reblogged each day.

Whumpers who produce content for 31 total theme days are considered event completionists and will be tagged in a masterpost at the end of the month. A form will be published at the beginning of November asking you to tell us if you completed. This is based on trust and we will not check this.

Frequently Asked Questions

Please read this before you send an ask!

TIMELINE

July: Trope voting form released. Late August: Prompt list is released for at least four weeks of preparation time. Tropes cannot be posted earlier than August 25th because of Moderator obligations in real life. (But, you know, go ahead and start writing/drawing, and add the themes in later, if you want!) September: Do as much or as little on your works as you want. You can prepare everything in advance or let September go by with vibes and start working in October. It’s up to you. October 1st: Challenge begins! A storm of whump breaks upon us all! During this time, some posts will be reblogged to the whumptober archive blog. We open the yearly AO3 collection for posting (optional). November 1st: The challenge is officially over! Completionist form opens for those who want to be included in the hall-of-fame. Early November: We release completionist and participant badges, solicit feedback, and post a hall-of-fame list of completionists by the 10th.

PARTICIPATION AND COMPLETION

Q: What counts as participation? Create or continue at least one work inspired by one of this year’s prompts. Q: What counts as completion? Creating work(s) inspired by at least one prompt from each day (or alts), for a total of 31 unique prompts. Q: Do I need to create 31 works? No. You can, if you want. Or you can create one work that you add to every day with a new prompt. Or several works that combine prompts. You can also update an existing work by adding new material with the current prompts. Q: Do I need to post my works somewhere to be a completionist or a participant? No. Q: How do you know I actually completed the challenge? We’ll take your word for it! Q: Do I have to finish my work(s) to be a completionist? No, you can post WIPs. And you’re not obligated to finish them in October, but if you want it to count towards being a completionist, you must have completed 31 prompts by the end of the month. So for example, if you’re writing a long fic and you fit 31 different prompts into the writing you did in October, it’s okay if that fic isn’t finished by the time October ends, you’ll still be a completionist. Q: Is co-writing/illustrating allowed? Yes, absolutely, and it would count towards being a completionist for both/all of you. Q: Is there a min/max limit on word count for written works? No. Q: Is there a min/max limit of quality for art? No. Q: Do I have to do something each day to be a completionist? No. You can skip days whenever you want, and as long as 31 daily prompts (or alts) are in your works done in October, you can be a completionist. For example, if you wrote a 1000-word ficlet that covers prompts in days 2, 3, and 17, you can check all three days off your list even though it’s only one work. Q: Is this challenge just for fics? No! Artworks, GIFsets, headcannons, rec lists, poetry, moodboards, or any other creative work is encouraged. Q: Can I combine Whumptober with other creation challenges? Absolutely, as long as the other challenges allow it too.

PROMPTS

Q: How do the prompts work? There are FOUR prompts per day: a theme and three ideas. You can use one, two, three, or all four prompts for each day. If you don’t like any of the daily prompts, you can substitute one of the ALT prompts instead. Q: How strictly/literally should we interpret the prompts? As literally or as figuratively as you want. For example, if the theme is WATER, that could mean drowning, waterboarding, raining, swimming, take place underwater, be lost at sea, construct a metaphor about a character’s mood that changes like a flowing river, crying, or whatever else you can think of that fits that theme. Q: Can I combine prompts? Is there a limit on how many? No limit and combine as many as you’d like. If you create a work that checks off multiple prompts, that work will count for a fill of multiple prompts. You need to address 31 different prompts to be an official completionist, but you don’t have to produce 31 separate works.

WORKS

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POSTING

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Most importantly, have fun, create, and enjoy all the whump posted this October!

[sttoru]

⠀ 𝝑𝑒 ⠀⠀ 𝐒𝐘𝐍𝐎𝐏𝐒𝐈𝐒. you’re heavily pregnant with sukuna’s child and so desperately need to have your specific pregnancy cravings: mangoes. when you realise you’re out of them, you turn into an emotional mess.

tags. true form!sukuna x wife!female reader. fluff, sfw. pregnancy. size difference (reader referred to as small). reader gets called ‘woman, brat’ wc: 1.8k

you’re crying in your chambers, the volume of your cries overshadowing sukuna’s arrival at the estate. you hiccup and sniffle as you sit in the corner of the master bedroom. there really doesn’t seem to be an end to your mental breakdown.

you’re prone to mood changes because of your pregnancy, already being seven months along. your belly is as round as a globe as it sticks out from under your kimono.

you hold onto your lower abdomen while mumbling to yourself. “not fair,” you rub your blurry eyes with your free hand.

the bedroom doors suddenly swing open. you lift your head from your knees and make eye contact with your husband who looks rather . . . upset. more upset than you are at the moment, that’s for sure.

you whimper as his big and intimidating stature dwarfs over yours while you’re stuck in the corner. when you look up at him, you cry even louder. seeing that familiar face after two whole days of suffering in this place alone gets you even more emotional.

after sukuna entered the room, his gaze had immediately fell upon your quivering figure. he raises an eyebrow as you cry louder once you spot him, the sound breaking his ear drums. he lets out a sharp exhale, a hint of annoyance seeping into his tone.

“enough with the tears,” sukuna grumbles as he crosses the room in a few long strides. his presence is both imposing and protective as he looms over your small figure.

his eyes flicker over your body—taking in the sight of your round belly. he can’t deny that the view makes his shoulders relax, relieved to see his wife do well after two days without seeing you.

sukuna kneels down before you, his eyes narrowing as he notices the tears running down your cheeks. who knows how long you’ve been sobbing? the realisation that no one has checked on you while you’ve been crying like this irks him.

the king of curses will make sure that every single servant - and especially the ones assigned to you - pay for not noticing your sour mood sooner.

“damn it, woman,” sukuna curses under his breath, his words laden with both irritation and a sense of concern, “what’s gotten into you now, hmm? why the blubbering mess?"

you hiccup, gasping for air as sukuna kneels down to your level, something he rarely does. one of his hands reach out to wipe a tear from your cheek, his expression stoic and unreadable while he does so.

“welcome home,” you utter, remembering to greet him properly. you wipe your own tears away and try to explain the situation without it sounding absurd. “i—i went down to the kitchen to get som-something,” you stammer, trying to spit it out before sukuna’s irritation spikes.

“but they didn’t have the food i craved—they’re out of mangoes,” your wailing starts again just at the thought of your non existent fruit. it felt like the most devastating moment in your life when the maids told you that they were out of mangoes.

sukuna’s annoyance quickly dissolves upon hearing your explanation. the revelation that you’re crying over mangoes seems so unbelievable, so absurd, that he couldn't help but let out a dry huff of laughter. an amused smirk tugs at the corners of his lips.

the pink haired man brushes the remnants of the tears away from your face. his rough fingers pause at your chin, giving it a light tap. “mangoes, huh? y’re out here bawling y’r fucking eyes out like a baby for some damn mangoes?”

despite his tough exterior, sukuna knows that pregnancy hormones often amplified emotions, making even the smallest things a cause for crying. and right now, you’re stressing and sputtering over some mangoes.

“mangoes,” you nod and cry softly, watching as sukuna rubs your cheeks with his manly fingers, enjoying his rough touch. you easily guess by just the increased toughness of his calluses that your husband has worked hard while he was gone.

though, mangoes are your current pregnancy craving and not having them meant war to you. it’s all you can focus on—even if your beloved sukuna is right in front of you.

“i need them,” you whine and pout. your hormones made it difficult for you to calm down.

you do, however, try your best to stop crying. you clean your face with the sleeve of your kimono and bite on your bottom lip to refrain from bawling your eyes out for the nth time. “i want my mangoes,” your voice is hoarse as you glance up at sukuna, “please?”

sukuna hates to admit it, but his expression softens upon hearing the hoarse tone of your pleading voice. the view of your tear-streaked face and the knowledge that you’re experiencing pregnancy cravings makes it difficult for him to maintain his usual firm demeanor.

the king of curses sighs, his annoyance replaced by a reluctant acceptance of your plight. “tsk, damn it,” he mutters, lazily resting his head against the palm of one of his hands, “y’re really gonna make me fetch you some mangoes?”

here you are, a grown woman crying and begging like a kid for a sweet, juicy mango. he’s seen you in many states - happy, sad, tired, excited - but never quite as emotionally overwhelmed just for a piece of fruit. sukuna’s large hand reaches out to pat your head in a surprisingly gentle manner, a rare display of his softer side.

you pout at sukuna and lean into his touch as he pats your head. you come up with something witty to say, as you always do. “well, you’re the one who got me pregnant,” you comment in a teasing way, sticking your tongue out at your husband.

no matter what sour mood you’re in, you can still be sassy. though it doesn’t last long before your bottom lip trembles again. “i can’t do anything about it. the baby craves mangos,” you whine as you rub your baby bump to emphasise your words.

you are eating for two people after all—for you and the baby.

sukuna’s smirk widened at your retort and the playful gesture. even in your distraught state, you had the audacity to sass him. damn cheeky little woman.

the pink-haired man chuckled darkly, his hand clumsily ruffling your hair again before pulling away. “‘n i don’t regret a thing. even if i gotta put up with y’r cranky ass.”

you roll your eyes at sukuna’s reply. you know you’re an emotional mess, but you couldn’t care less. anything for your mangoes—those juicy ones that you could eat a dozen of in one sitting.

“the maids said that the mangoes were out of stock in the towns ‘nd villages nearby,” you continue while you carefully stand up from the corner. you’re trying your best to stay rational. you’re extremely hungry and haven’t eaten ever since breakfast. that’s how stubborn you are being.

“but i’m hungryyyyy. want my mangoes,” you sigh and nearly stomp your feet out of frustration.

“yeah, yeah—fuckin’ hell,” sukuna groans, watching you slowly stand up, your pregnant belly protruding like a perfect sphere. it’s a constant reminder of the effect he has on you, and somehow, it makes him proud.

he helps you stand up by holding onto your arm, sharp eyes focused on your body to make sure you don’t strain a single muscle.

after you manage to stand up straight, you walk with sukuna to the kitchen to find something to eat—perhaps some other fruit will satisfy your cravings for now.

sukuna follows behind you, his steps long and leisurely while your shorter strides keep the pace with him. as the two of you walked towards the kitchen, he continues to listen to your repeated mantra. it’s driving him insane.

“mangoes, mangoes, mangoes. i get it, brat,” the king of curses swears he can feel the vein in his forehead throb. you’re lucky that he . . . tolerates you as his wife.

it’s something more than just ‘tolerating’ you, of course. but openly admitting to loving you, even in the slightest, is something sukuna would never do.

if someone would ask him why he goes the extra mile for you, his answer would be that it’s simply because you’re carrying his heir. however only sukuna knows the full truth, the sappy secret he’ll forever keep to himself.

before you arrive at the kitchen, you bump into uraume. they glance from sukuna to you and bow. “good day,” they greet you with as much respect as they do to sukuna. they’ve been doing so ever since you gained your title as his wife.

the king of curses folds all four of his arms over his chest. his lower pair of eyes are still focused on your impatient self, shifting your weight from one foot to the other. he just knows you’re holding yourself back from asking for your active pregnancy craving again.

sukuna clicks his tongue and nods his head at you while he speaks to uraume. “keep an eye on her while ‘m gone. feed her what she wants,” he says in his deep voice, his tone commanding and firm.

uraume remains quiet for a second. sukuna had recently came back from a mission and is once again heading out for some ambiguous reason, but they know better than to question their master.

“where are you going, hubby?”

you of course, get a free pass. you don’t hesitate at all before questioning your husband. sukuna scoffs when he hears your voice ask him that in such an oblivious manner. you should’ve known where he was departing to.

“where’d you think, smartass?” he pinches your nose, causing you to swat his fingers away out of instinct. he gives up on your nose and moves to squeeze your cheeks together in a gentle yet firm manner.

you huff at his antics. sukuna grins at your frown and pout before releasing your jawline with a faint push.

“you better hold on ‘til i come back with y’r stupid mangoes,” he scoffs while turning around to walk to the entrance, “and when i do, i don’t wanna hear ‘nother squeak, understood?”

sukuna seems to have made another mission for himself; find his heavily pregnant wife mangoes before she goes absolutely insane.

your face lights up and you nod repeatedly. your heart melts when you realise that sukuna is actually putting effort to satisfy your needs. he may be harsh and stern at times, but his actions speak louder than his words.

“okay! love you, ‘kuna!” you call out to your lover while he disappears behind the gates. as expected, your words are met by silence.

that’s fine with you. not hearing an ‘i love you’ back doesn’t hurt you as much as it did at the start of your relationship.

you know sukuna cherishes you in his own special way. if he didn’t, you’d be dead long time ago. on top of that, he would not go out on a hunt for mangoes right after coming back home if he didn’t like you.

you know sukuna would let the world burn for you.