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#god. the original blorbo.
missygoesmeow · 1 year
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i adore sharing media i love with friends and having them go insane over it :) is this how jesus felt when he spread the word of god?
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Ascended Astarion and Vampire!Tav chilling:
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saphushia · 2 years
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ok maybe a lil more for @shepscapades ‘s dbhc au. it’s very amusing to me. etho uses his deviancy to be a bit of a menace methinks
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nylesart · 6 months
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🍜🫤
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renthony · 5 months
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Ren's Endless List of Blorbos ⬥ #1
Character: Viren Series: The Dragon Prince (Netflix/Wonderstorm) Actor: Jason Simpson
He's a mage. He's a divorced single father. He gets seduced by a mysterious entity on the other side of a mirror. He's the most bisexual dumbass in existence. Of course I love him.
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cirrus-grey · 1 month
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Sorry, okay, I don't give two shits about any of the plot or insights dropped in this episode, I'm too stuck on Trevor Herbert, MP.
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azmodeusmors · 6 months
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i sketched this like....a year ago and only finally got around to finishing it because I wanted an excuse to draw the three fictional men that ever had a chokehold on my brain (also sigma....in his labcoat...awooga) enjoy lmao
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brinkle-brackle · 5 months
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did a few lil trek doodles at work the other day and thought some of yall might like :D
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hazy-egg · 1 year
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Fan art I drew of Henry Miller dying in a glue trap
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coolmanchocomilk · 2 months
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Tw!! Blood and stuff. Death.
Decided to draw James Kirk Tarsus IV angst bc I think it's not talked enough Abt often. Like, bro went through a death of a planet. So many people died bc of Kodos and starvation and he lived through that. That's insane I think. Like the duality of the goofy, confident, responsible, charming captain and this starved, feral, half-dead teenager. Who watched all his friends die. Damn.
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creatively-cosmic · 20 days
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missing numbers was secretly a ploy to get really really into doing worldbuilding based on this extremely specific in-universe pseudo-meta horror based in the pokemon franchise. a lot of stuff we're cooking past gens 1+2 is original content based in the spirit of the classic trainerpastas based on those games... something something its all about the natural next step and the world of Pokemon is so fundamentally fucked. idkkkk smiles
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stephantom · 2 months
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I’d need to watch it again to confirm this, but I’m pretty sure that Thomas Becket is the only character who independently initiates touch with Henry?
There are plenty of people whom Henry touches, and it’s almost always possessive or threatening: the villager woman in the first flashback scene, the Saxon peasant girl (and possibly the old man? I think he prods at both of them with his riding crop), Gwendolen (holding her shoulders/neck), the French prostitute (kissing, leaning over, sitting on, slapping her butt), his sons (pushing and kicking them), the bishop (strangling), his barons (clutching onto one, tapping one’s head to indicate his vapidness), and Thomas too—(clasping his shoulders when he realizes Thomas is hurt, holding his hand to put on the chancellor ring).
Interestingly, I don’t think we ever see Henry touch or be touched by his mother or his wife. There’s the moment when he grabs/kicks their needlework, and later on he knocks all the plates off the table, possibly vaguely in their direction—so there are two physical interactions which are violent but still sort of… distant? And still the direction is just Henry to them (in terms of physicality, anyway—verbally, they do initiate conversations/fights with him).
Does anyone touch Henry? There are the monks who whip him in the end, but Henry has ordered them to do it. Likewise, there’s the servant/valet/page who begins to wipe him dry in the bath scene, but again, that’s someone performing a duty. Thomas Becket though, cuts in and takes over the drying, and the dialogue tells us explicitly that he’s not expected to do this, and doesn’t have to (“You’re a nobleman—why do you play at being my valet?”) but Becket seemingly wants to do it, and he knows Henry likes how he does it: enthusiastically, confidently, warmly, and freely (“No one does it like you, Thomas”). He towels Henry’s head, helps Henry put on his boots, and then casually uses Henry’s legs to push himself up to stand.
There’s the scene in Henry’s tent, after the French prostitute has left and the two of them are sitting on the bed: Becket sort of leans in and briefly clasps Henry’s arm where it’s lying in his lap, casually and warmly.
There’s also the getaway horse ride, where Becket is holding onto Henry, arms wrapped around him, and they’re both laughing and smiling. Henry’s shirt actually falls open a little and Becket’s hand winds up on his bare torso.
And then there are the thwarted attempts at touch, after the split: the two scenes where Henry accuses Becket of not loving him. Both times, Becket moves toward Henry and reaches out to touch him, and both times, Henry moves away and tells him to keep his distance.
They’re quick little things, but if they are actually the only instances of anyone touching Henry affectionately (or even of their own volition) that we see over the course of the movie, it does support an impression of Henry as fundamentally isolated—maybe there is truth to his claim that Becket is the only person who’s ever loved him.
What’s tragic is that 1) Henry doesn’t really know how to express love himself (see: Henry expressing nothing but violence and entitlement to everyone else around him, and even to Becket for the most part), and 2) Becket’s love, albeit huge in Henry’s world, is conflicted and unfulfilling—for both of them.
Becket might be the only person who’s dared to reach out to Henry and meet him on something close to a human level, and Henry loves him for it, but why does Becket do it? Part of it may just be an instinct of Becket’s to fulfill a need where he sees one, if he can, and if it benefits him. I think it’s so interesting that Henry seems obsessed with the question of whether Thomas really loves him, when it seems the truth might be that Thomas actually doesn’t know; maybe it’s an unanswerable, even nonsensical question to him. Like, what else could he do? I don’t know. “Insofar as I was capable of love, yes I did [love you].” But the fact that his last words, unwitnessed and private, are, “Poor Henry.” Fuck me up.
Ok, that last paragraph got away from me and now I can’t stop. Tempted to draw comparisons to “Beauty and the Beast” (this is a sad version where no magical transformation happens… unless you take a particular Catholic stance and consider that both of them maybe took real solace and meaning in Thomas being made a saint and that Henry maybe found real absolution through his penance).
I also want to compare all of this to “The Lion in Winter”, where it feels like, rather than a story about one lonely monster in a castle full of people he sees as objects, it’s a whole microcosm of traumatized and power-hungry people, reaching out for power and security and love and stabbing each other in the back, over and over. (Like, of course his mother and wife and kids have complex feelings for him—some of which involve love!) I think that depiction is better and less myopic, more true to life and probably a more accurate portrait of the historical figures involved (even when it comes to Henry and Becket—Becket was of that world too, after all), but I think I’ve rambled enough about all of this, so I’m going to end this post now. I’ll just say that there’s something nevertheless appealing about the boiled-down fairytale melodrama of “no one else ever loved me but you!”
#this entire post (tag ramble and all) was in my Drafts for like 3 months. it’s a lot of words that don’t say much but I’m setting it free ->#and now a new epiphany#henry is just the fucking phantom of the opera again isn’t he lmao#the original blorbo#(for me I mean)#which makes thomas christine and god… is raoul.. :/#maybe it’s a hot take to call becket a simple fairytale melodrama lol#it has its complexities… there’s… spirituality and politics#(although idk if the film is actually that interested in the matter of the separation of church vs state)#there’s the entire thing about oppressive hierarchal social structures and whether love is possible within such a structure#and if it’s not possible to escape and not possible to love in it then is love even a meaningful concept? is this becket’s issue?#in the dvd commentary peter otoole was so unconcerned with / unaware of a marxist and feminist reading of it that I was baffled#and had to realize that I was seeing that by default but that it’s not like. actually the default or Correct meaning#the co-commentator tries to go down that direction talking about Henry’s mistreatment of Becket and Gwendolen#and then he asks otoole if he thought that was reading into it too much and otoole is like ‘yes lol’ so .#his take seemed almost existentialist? like the tragedy of henry and thomas is that they are bound to different Roles in the world#and that they simply couldn’t be otherwise even though parts of them wanted it to be different#because they’ve chosen different paths different meaning to fulfill (but are aligned in a way by becket’s death/ascension)#and that is definitely a huge aspect of it#becket’s line: ‘we must do—absurdly—what we have been given to do’#hmm#anyway clearly I’m fucking insane now so#have this I guess . or don’t lol. goodnight#I’m giving myself a d+ for this tumblr.com paper#becket#peter o’toole as henry ii cinematic universe
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quirkle2 · 2 years
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2022 sans art vs 2016 (probably) sans art
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protectcosette · 3 months
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i know I'm a les mis blog but HOW did i forget how important enjolras is to me. HOW could i let such a thing happen
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difeisheng · 11 months
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i just realized that if you consider the basic philosophy of beifeng baiyang (centered around pure survival and defense of its wielder) and also take into account di feisheng's fighting style against multiple enemies— placing himself at the center of the storm while moving powerfully through deliberate, close moves— his chosen lightsaber form of mastery would be soresu and i don't know why but that's making me want to chew glass
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sinsofsinister · 2 years
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👻💀👻
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