#goes without saying i have done all of these

[strwberri-milk]

I heard the raphael tipsy audio (omg he’s so sweet and attached) and now I cant hep but wonder how all the guys would react to MC going on a long mission.

Zayne doesn't mope - or at least that's what everyone thinks when they see how he goes about his day normally regardless of the fact that you aren't currently home with him. He's perfectly professional at work - almost too professional. In actuality he's trying not to let the fact that you won't be there to welcome him home bother him too much.

When he goes home he finds himself more distracted than usual. He watches the clock until it's time for you to call him, noticeably calmer during the call. He doesn't want to talk about his day at all - he just wants to listen to your voice talking at him for as long as possible. He manages to trick you into speaking about your day the entire call, looking at you with such an affectionate gaze you can't help but melt under it.

He counts down the days until you come back, planning a nice quiet evening for the two of you to celebrate a job well done for when you finally come back to him.

Xavier tried to get assigned to the same mission as you in hopes that the two of you could spend the entire time together. When he failed to make that happen he pouted a little as you packed for the mission, trying to convince you to call out or do something that would let you stay home with him.

He's even more quiet at work, finding that there's not too much that catches his attention if it's not you. He makes conversation with the others at least but he doesn't seem to be all there. Everyone knows exactly why that is but they choose not to tease him because it's like kicking a dog while it's down.

He plans little online game dates for you two to do while you're working. Even if it's just card games and he has to hold up your hand to you he's more than happy to do so because he wants to spend time with you doing anything.

When you come back he's definitely a little clingier, not wanting you to go anywhere without him in a subtle manner. You can tease him all you want but he won't admit it, just saying that he's allowed to miss you since you were gone for so long.

Rafayel isn't very happy you have to go but he understands that you have to. He will complain a little despite also packing your bag for you, asking you to text him or call him - preferably video calls - whenever you can so he can see your cute little face. He doesn't want you to forget about him after all.

He's significantly more prone to getting frustrated or totally zoning out. His art always somehow comes back to you or he just sits there thinking about you in his downtime until it's time for you to call him. He immediately brightens up and is in a significantly better mood when he can talk to you again, happily working if you're there on the call.

When you finally get back he insists on making back all the missed cuddles he can. He has to make up for lost time and totally insists on doing so by keeping you in bed all day with his face buried in your chest.

Sylus asks if it's really necessary for you to be gone for so long. You have to remind him it's part of your job and he casually tells you that Mephisto will be tagging along for your safety. You know it's partially that, partially because he likes the idea of being able to see you whenever he wants. You also know there's no point in saying no to him and it'd help with his peace of mind so you agree anyway.

He doesn't obsessively check Mephisto's camera, surprisingly. He doesn't want to accidentally scare you off despite knowing that his every thought centers you. He finds himself missing you more than he thought he ever would, attributing it to the fact that now that he's had you he doesn't want to go back to what it was like without you.

When you finally come home to him he's made sure to have your favourite meal and some presents as your homecoming. The calls the two of you had were all poor replacements for your presence and he makes it known with how he laments it to you, telling you that he won't be letting you out of his sight any time soon.

[ckret2]

What's your stance on Ford as a person? Honestly, I believe that for thr majority of canon he is a bad person. But I believe he grew. Still not great though XD

(Love him anyways obvs)

I disagree entirely! I think he's equally as good a person as any of the other main cast.*

*Except Mabel, who, as we all know, is always right about everything.**

(**This is a lighthearted joke. For the love of god, I don't want Mabel discourse in my inbox.)

His biggest sins in the show:

After telling his brother that he was thinking about changing their shared life plans, and then discovering that his brother had gone to the high school that night for no good reason and gone to the science fair for no good reason and messed around near Ford's science project for no good reason and broke it and didn't tell Ford about it... Ford believed Stan did it intentionally and held a grudge for it. You know what, it WOULD be pretty damn hard to believe it was an accident.

Hilariously ill-equipped to cope with Fiddleford's mental health. A guy who responds to "I have anxiety" with "have you tried yoga, it helps me" isn't a bad person, he's clueless. "Character cheerfully enacts a bad idea while a loved one in the background goes NO PLEASE DON'T DO THAT" describes half the episodes of Gravity Falls.

Was successfully manipulated by a professional manipulator into believing his best friend wished him ill. Man, what a terrible person Ford is for being manipulated by a manipulator and saying cruel things to somebody he'd been genuinely convinced was trying to harm him.

??? Didn't say thanks to a guy he was still mad at after the guy fixed a problem he himself had caused. This is a solitary example of stubborn bad etiquette, jesus christ. There's half a dozen different reasons why it makes perfect sense Ford wasn't in the right mindset to feel grateful, this is not something worth indicting his entire character over.

He had high ambitions, which everyone seems to lambast him for, but high ambitions that wouldn't have required doing anybody harm! (Until the professional manipulator started manipulating him into harming the people around him, but we are going to demonstrate some reading comprehension and not blame Ford's underlying morality as a person for things he never would've done if not for Bill's bullying, con artistry, and outright lies.) Like, what is it that he wanted to do with his life? Use his talents to get rich and famous? Shit, that's exactly what Stan wanted to do with his life. It's what Dipper fantasizes about doing with his life. Even Mabel, who thinks about her long-term future the least, dreams big with her art & performances and is already making big money off cheap-ass commissions. What terrible people they all are, for—let me check my notes here—uhhh... unrealistically fantasizing about achieving success in life by doing the things they're good at.

When their dad accuses Stan of lying as a child, Ford puts his entire summer on the line to defend Stan even though he knows Stan is a habitual liar and has no reason to believe Stan is telling the truth this time.

When his new college roommate he barely even knows gets laughed at for proposing an outlandish scientific theory, his first emotion is outrage at this injustice and he drops everything to convince his already-despondent roommate that he was right and help him prove it beyond a shadow of a doubt.

When he moves to a new town, he tries again and again to befriend his new neighbors, and fails not because he's rude or a jerk, but because he's awkward as hell, tells terrible jokes, and sucks at identifying phoenixes.

When Fiddleford gets hurt around him, he cares about it, feels guilty about putting him in that position, doesn't want it to happen again, and tries his best to help even though he's bad at helping.

When he gets kidnapped by a weird holiday folklore creature, he concludes without even thinking about it that he's now in charge of protecting and rescuing the kidnapped kids. Yeah, then he immediately starts hollering at the folklore creature for trying to impose his religious beliefs on Ford and the kids—but like, Ford was right tho, he just had bad timing.

When he discovers that the Northwest family committed atrocities against their poorer neighbors a century ago, his first instinct is to march up to their house, find the first Northwest he can locate, and give them a piece of his mind for it. Like, this won't even FIX anything. He's just THAT OUTRAGED over the injustice.

When he sees what he thinks is a fortune telling fraud conning the people, he attempts to debunk her because he's mad to see someone cheating other people with lies—and when he can't debunk her, he just leaves her alone rather than harass her about it. Typically, if assholes think somebody's doing something wrong but don't have any proof of it and fail to get proof when they look, they decide they're right anyway and keep giving that person shit. Ford doesn't give her shit. That's the opposite of an asshole move.

When he discovers his Portal To Knowledge (And Fame & Fortune) is actually a Portal To Doom (But Still Possibly Fame & Fortune, Maybe Even Godly Power), he isn't tempted for a second to keep working on it anyway. There is no moment where Bill manages to tempt him. No matter what Bill offers, no matter how long Bill offers, never, at ANY point, does Ford have a SECOND of "but what if I did make a deal with the devil?" the way so many heroes in similar situations often do.

You ever notice that? So often moral moments in the show are presented as choices the characters make. Will or won't Dipper give Bill a "puppet" in exchange for knowledge. Will or won't Stan fight a pterodactyl to protect Mabel's pig. Will or won't Mabel hand Bipper the journal. Ford is never given a "will or won't he" moment over Bill's threats, offers of friendship, or offers of infinite power—he steamrolls straight past them without a second of consideration—because, to him, the selfish, cowardly, easy choice ISN'T EVEN AN OPTION. He doesn't even SEE it as making a choice because the possibility of doing the wrong thing is invisible. A character who wavers first before turning Bill down would look more noble for "overcoming" temptation—it's harder to notice just how much stronger Ford's moral compass must be to not even feel temptation in the first place.

Greed and pride never tempt him to join Bill's side. Exhaustion, despair, and fear never tempt him to give up. He bears up under weeks, possibly months of extreme sleep deprivation, physical torture, psychological torture, emotional torture, threats of death, threats of brainwashing, threats to his family. He doesn't hold up so that he can pat himself on the back for being a hero—if that was all it was he would've gone "screw it, this isn't worth it and nobody would know I'm the one who gave up" a week in—he does it because he simply knows it must be done and because he's so isolated (half because of Bill's influence!) that he believes he's the one who must do it, all alone.

Thinking he has to do it by himself isn't egotism or pride; it's helplessness. He thinks no one else stands a chance. He thinks he's alone.

And, when he discovers his Portal To Knowledge is a Portal To Doom, he immediately feels guilty. No trying to deny the situation to protect his ego. No shuffling the blame off to someone else. No "maybe the apocalypse could have a silver lining!" No locking the door and trying to ignore the problem. He blames himself for being fooled—he IMMEDIATELY takes full responsibility for his actions—and he CONTINUES to take responsibility FOR THE NEXT THIRTY YEARS.

He takes more responsibility than is even warranted—he treats himself like he's an idiot for believing in an APPARENT GOD who's been practicing manipulating humans for thousands of years and who had never given Ford reason to believe the portal was anything but what Bill said it was. He beats himself up to no end every single time his past with Bill comes up. He even keeps beating himself up thirty years later when he's shoving warning notes to future readers in Bill's evil unkillable book!

When he falls into the multiverse, he dedicates his entire life NOT to finding a way to rescue himself, but to finding a way to permanently stop the CHAOS GOD who's still at the threshold of destroying Ford's world and countless others. He makes himself a hated criminal in the process, just to stop Bill. He's ready to spend the rest of his life trying to protect a world he doesn't think he'll ever see again. He does it because, as he sees it, somebody has to stand in between the children and the obnoxious folklore cryptid menacing them, and he's the only adult in this damn cave with the skills and knowledge for the job.

When he gets home, he doesn't tell his family about Bill and his quest because he's afraid that doing so will get them involved and endanger them too—and because he's too deeply ashamed of himself and his mistakes to stand the thought of his family knowing about the horrible things he's done (AGAIN, WHILE BEING MANIPULATED BY THE GOD OF MANIPULATION).

He loves his great-niece and great-nephew the second he lays eyes on them; he nevertheless tries to steer away from them to keep them safe from Bill; and yet he caves to the very first temptation to emotionally bond with his great-nephew he gets, because in spite of his noble "keep them safe" intentions, he wants so so badly to be close to his family.

As pissed as he still is at Stan and even though neither of them can look at each other without hissing like cats, he still makes an attempt to start bridging their divide by inviting him to play DD&MD.

When the apocalypse happens, he immediately puts his life on the line to try to kill Bill.

And when he's captured, isn't fazed for a second by Bill's offers or threats... until his family is threatened. The exact thing he'd been trying to avoid & prevent from the very start.

And when he's reunited with Fiddleford, his immediate reaction is to point out that Fiddleford's well within his rights to hate him—which isn't a new revelation, it's not like Ford had to do any soul-searching to reach this conclusion, he'd concluded that 30 years ago the instant he realized Bill had played him and that he'd been lied to about Fiddleford.

And then he tries to kill Bill again.

And then he's ready to sacrifice his own life to kill Bill—and the only reason he doesn't is because he has a metal plate preventing him from making the sacrifice... but, Stan doesn't have a plate. If Ford hadn't had the metal plate, he would have gladly done the exact same thing Stan did—and he would have thought it was right for him and only him to make that sacrifice, because it's VERY clear he feels (and has felt from the start) that this is all his fault and he's obligated to fix it.

Over and over and over, these are Ford's two defining character traits: getting so pissed off at injustice that his common sense shuts off and he goes into terminator mode until he's righted this wrong as best he can, even when he can't actually do anything about it; and feeling like he's Atlas, weighed down with the full responsibility of fixing everything he's done wrong and made to believe that, for everyone else's sake, he has to do it all alone. Even when doing so puts himself in harm's way, even when he has to put his entire life on hold for it, even if it might cost him his life. Scrape off his awkward social skills, his loneliness, his nerdiness, his endless curiosity, his zealous love of the strange, his starry ambitions, his yearning for recognition and success—scrape his personality down to the bone and that's what you're left with. A man who believes in defending the exploited so strongly that it makes him a little stupid.

I'm gonna go out on a limb and assume that you probably don't think Stan's fundamentally a bad person, and that you probably think that isn't even worth questioning. Stan's made a whole career out of swindling people, conning them out of as much money as he possibly can, stealing, lying, committing a long list of goofily-named crimes, and attempting douchy pick-up artistry on women; and to cap it all off, he held the safety of the entire universe hostage to demand a goddamn "thank you." Don't send me any "But he had reasons—" "But it was only to—" I don't need it, I don't want the essay, I'm not arguing that Stan's a bad guy, it's fine.

But. You can look at Stan's moments of cruelty and unkindness, his uncharitable thoughts, his character flaws, and think, "that doesn't define him. He's more than his cruelest moments and worst mistakes. He's imperfect, but he cares so much and his heart's in the right place, and beneath all the flaws his core is good."

And if you can't do the same for Ford, it's not because he's a worse person. It's because we got two seasons with Stan and five and a half episodes with Ford—and while we saw Stan yearning to fish with the kids or encouraging Mabel to whoop Pacifica's butt at minigolf or crying over a black and white period drama or punching zombies to save his family, we only saw Ford at the worst moments in his life and under the stress of a prolonged apocalyptic crisis—and, it so happens, all the moments he was pissed at the guy we spent two seasons learning to love.

Ford's got moments of cruelty and unkindness, uncharitable thoughts, and character flaws. But, at his core, he's a good person, and he always has been, and he still is.

[nvieditz]

bad decisions pt 2

alexia x reader

hey everyone! sorry it took a bit for this to be done (and i apologize for the bit of a cliffhanger but i have the “rest” of this done and will be coming out so i just liked how this ended haha)

warnings: no smut just plot (smut in the next part i promise) 2k+ word count

You get back to Ana’s apartment and it’s quiet and dark. You don’t even bother turning the lights off you  hang up your keys and head to the guest bedroom you’re staying in. 

You hop in the shower quickly before putting on a big t shirt and heading to bed. Out of curiosity you turned on your phone and opened google. 

You searched Fc Barcelona Alexia

The results were… wow.

You found yourself going through the images tab and reading her description. There was an instagram account link. You couldn’t help but click on it. 

Holy 3 million followers.

You basically stalked her whole profile for an embarrassing amount of time, being blown away by all the awards and trophies she’s won. You finally put your phone down when you realized what time it was. You had to stop thinking about her. 

But how could you when that was the best sex you’ve had in a long time. 

The next morning you wake up to noise in the kitchen. Ana must be up and getting ready to go to the gym, she always goes on weekend mornings. 

You have to get some work done so you decide to head to a coffee shop and do some work there. 

You throw on some jeans and a t shirt, grab your laptop and leave your bedroom. 

But what you see in your kitchen is a surprise. 

Ana is making breakfast and one of Alexia’s friends from last night was sitting on one of the stools from the kitchen island. 

“Oh, Hi y/n I didn’t hear you come in last night,” Ana asks, just as shocked as you are. 

Alexia’s friend flashes you an awkward smile. 

“Yeah sorry I got back pretty late,” you respond which adds more awkwardness to the air. “Well, I’m heading out so have fun.” You smile as you grab your house keys and head out. 

You put on your headphones and walk towards the coffee shop you saw that looked cute. 

It was a beautiful day in Barcelona, as always. You were considering moving here since your job is work from home and you’re tired of the rainy weather back home. And, it would help you be farther away from her. 

You reach the coffee shop and order your drink before claiming a small round table and get to work. You’re the social media manager of a new language learning app so your work today was mostly research, looking into new trends and what catches people’s eye. 

But then something catches your eye. 

Or someone. 

Shit. 

There’s Alexia, in line for a coffee, with another one of the girls from last night. 

You try to pretend you didn’t see her and continue work. You focus on your work and the Fletcher song you love playing in your headphones. 

You suddenly see Alexia standing in front of your table holding her coffee. “Mind if I sit here?” she asks. 

You wanted to say no but you didn’t want to be rude. “Sure,” you said as politely as possible without trying to incite anything. 

You try your best to ignore her and continue your work, but you can feel her staring at you. You look up at her from your laptop. 

“Why are you ignoring me?” She asks, clearly annoyed. 

“Because I came here to do my job not chit chat.” you realized you snapped at her a beat too late. Her face flashed with anger. “I’m sorry, I’m just not in the best mood.” you try to salvage the situation.

“No, I mean clearly you couldn’t wait to leave yesterday so I don’t know what happened because according to… you know… you seemed like you had a good time.” she presses. 

You take a deep breath before answering. “I did have a good time,” you pause, “but if I’m being honest, I just wanted a one night thing to distract me from- well it doesn’t matter from what.” you shake off the mopey feeling creeping back up. 

She looks confused. “Ok, I don’t fully understand but I respect your boundaries.” she states but she doesn’t get up.

You look at her just as confused. She finally starts to get up but before she leaves she leans in and whispers, “Oh and you left your strap in my apartment,” she winks. “and your hair looks really good down like that.” she smiles as she walks away. 

You hide the blush her comment made you get by taking a sip of your coffee. You finally get back to work. 

You’re packing up your stuff after a few hours doing some work and your phone dings. 

Thinking it was Ana you pick up your phone immediately. 

[instagram] @alexiaputellas has started following you 

You scoff at your phone. You ignore it and put your phone away. How did she even find your profile anyway? 

You walk out of the coffee shop and head back with the intention to just relax for a few hours and maybe go grab some dinner with Ana. 

Your phone dings again.

[instagram] @alexiaputellas “when do you plan on picking up your things 😉”

You can’t help but smile because clearly she wanted to see you again, very badly. But you still felt like she wanted something more that you didn’t want. 

You ignored the message again for now and headed home with Ana. 

You walk in the door and see Ana sitting on the couch watching tv. 

“Hey,” you say as you kick your shoes off. 

“Hey where’d you go?” she asks.

You set your bag on the counter and head over to sit next to her. “I went to the coffee shop to do some work,” you reply nonchalantly. 

She looks at you for a beat. “Are you ok? You seemed off this morning. And also why were you here this morning weren’t you going home with Alexia?” her voice came off teasing at the sound of Alexia’s name. 

“Yeah I’m fine, I did go home with her but decided it was best not to stay.” you replied trying to end the conversation. 

“Well, what was it?” she asks, “Was she… bad?” she whispered jokingly. 

You laughed softly, “No, she was… great,” you smile. 

“Sooo… what was it?” she asks, clearly genuinely interested. 

You take a beat to think about what to say, “Well, I don’t know. I feel like staying would insinuate that I wanted more than just a one night thing and you know I’m not looking for anything right now, not so soon after.. you know who.” you look down sadly. 

“You can say her name you know… she’s not

voldemort,” Ana laughs, “and I understand, and I’m sorry about the whole thing with Ona this morning, I didn’t mean for it to be awkward.” 

You laugh, “It’s ok. So how was that?” you tease. 

“Really good,” she smiles. “Oh and she asked if we wanted to go to a party she’s having tomorrow?” she slips in quickly. 

“Oh god I don’t know, Alexia’s probably gonna be there isn’t she?” you ask worriedly. The last thing you needed was seeing her again. 

“Oh come on, I don’t want to go by myself and I like her. If you see her you can just ignore her, flirt with another one of her friends, let her know you don’t want anything for sure,” she begs, “Please? for me?” she begs like a small child. 

You think about it for a second, “Fine.” 

Ana practically jumps for joy and kisses your forehead, “Thank you thank you. It’ll be fun I promise,” she runs over to grab her phone, presumably to text Ona and let her know we’re coming. 

You get comfortable on the couch and put on an episode of Modern Family before you and Ana sat on the small table in the kitchen eating some leftover Paella from a few nights ago, still as good as new. 

After eating you decide to go to bed early, needing to catch up on sleep. When you get in bed you open instagram and once again are reminded of Alexia’s message. 

And the fact that you hadn’t followed her back. 

You were too tired to do anything about this—smartly at least. 

You ignored it again for now and went to bed. 

The next morning you wake up dreading this party— and that was an understatement. 

But you had to get up to get some

work done.

You get up and sit yourself on the couch with a cup of coffee. You didn’t bother to change out of your pajamas since you had no meetings today. 

You spent the next few hours designing posts for the company and diving into instagram looking for potential trends for promoting the company more. 

By the time you’ve almost driven yourself mad, your computer is about to die and it’s almost time to clock out. You go to grab your charger but your phone pings. 

You turn around to grab it and see the notification from instagram. 

[Instagram] @alexiaputellas “can’t wait to see you tonight.”

You scoff and ignore the message. You grab your computer charger and plug it into your laptop. 

Your phone dings again. 

[Instagram] @alexiaputellas “you can’t keep ignoring me you know?” 

You smiled at the message and continued to ignore it. 

After a little bit, you finished work and started to get ready since the party was in a few hours. 

You started to realize you feel a little excited to see Alexia. You like the attention. 

And as long as you don’t let it get any further, there’s no harm in a little fun.

You just had to make sure it was just for fun.

You were finishing getting doing your makeuo when you heard Ana get back from work. 

“Hi babe, how are you?” she called from the living room. 

“Good, just getting ready!” you called back. 

You hear her footsteps getting closer to you before she enters the bathroom that you’re in. “Sorry it took me so long to get back we’ll probably be late to the party,” she said. She looked at you and your almost finished makeup, “You look really hot for someone who doesn’t want to go to this party.” 

You laugh as if what she said was ridiculous, “Oh please. I just don’t want to be caught underdressed,” you joked. 

“One thing is not being underdressed and another thing is looking like you want Alexia to fuck you senseless again,” she teases. 

Your face goes red, “When did I say anything about senseless?” you laugh. 

“Oh you don’t have to tell me. I know,” she whispers as she leaves to go get ready. 

You look at yourself in the mirror thinking maybe you are overdressing. 

You decided to wear a red tank top that showed just enough cleavage to not be too showy but not modest. You wore your low rise, black jeans that fit you so well and you know you look really good in them. You decided to add a belly chain to the outfit to make it look even better. You decided to keep your hair down for the night. 

You convinced yourself this hair decision had nothing to do with Alexia’s comment in the coffee shop the other day.

When Ana is done getting ready you order an uber to come pick you up and you wait until it arrives. You grab your bag and your keys and you and Ana head out the door. 

When you’re in the uber you find yourself mindlessly scrolling through instagram and you end up going through the barca femenil squad instagram. 

Just to see who may all be at the party, not to look at pictures of Alexia. 

When you get there you get out of the uber and realize, this is the same building Alexia’s apartment is in. Figures that they live in the same building. 

Unwanted memories of the other night come flooding back. 

You shake off the warm feeling in your body as you walk into the building. 

You can hear music from the entrance and you assume that’s coming from the party. 

You head up the stairs and reach the apartment where the party noise is coming from. Ana knocks on the door a d a few seconds later Ona opens the door. 

“Hi,” she hugs Ana then gestures for both of you to come in, “Come in” she smiles. 

You walk in and in no surprise, most of the women there are all extremely fit and definitely fellow footballers. You spot Alexia in the kitchen talking to someone else. You pretend you didn’t see her as you said hi to the others. 

Ana sits down to where Ona is sitting and Ona offers to grab both of you something to drink. You taker her up on her offer and ask for a rum and coke. 

You sit down on the end of the couch no one seems to be taking up. 

You mindlessly switch from paying attention to the conversations around you and not. You’re happy Ana seems to be having a good time but you’re a little bored. 

That is, before someone sits next to you. 

This woman is FIT. 

Brown hair with dyed blonde highlights and an energy that exuded so much confidence it was intimidating. 

She’s wearing a tight white t shirt and some dark blue pinstripe low rise jeans, with some boxers

peaking above them.  

“Hola,” she says to you, her eyes quickly rake down your body and back up. “I’m Misa, nice to meet you.” 

She extends a hand for you to shake, you smile a little before grabbing her hand and shaking it lightly. “I’m y/n, nice to meet you too.” 

She smiles at you, “So, how do you know Ona?” she asks. 

Not wanting to tell her the full truth, you said, “Oh, Ana’s my best friend,” you gesture toward where they’re sitting. 

“Lovely,” she teases. You can feel her slowly inching closer to you. 

“So, do you play on the barcelona team as well?” you ask her, subconsciously hoping Alexia is watching this conversation, you try to be more into this conversation. 

“No,” she smiles, “I play for Madrid but I’m friends with most of these girls from the Spanish national team. I’m here visiting.” 

Misa was about to say something else,

but you can feel Alexia watching you from your peripheral and something took over you. 

You quickly break the distance between you and Misa and kiss her. You can feel her surprise at first but she slowly deepens the kiss as her hand wanders to your thigh. You break apart from the kiss after what felt like hours. 

“Can I get you another drink?” she asks you softly. 

“Yes please,” you smile. She grabs your empty glass off of the table and heads to the bar to refresh your drink. 

Immediately as she’s gone you feel someone else sit next to you. 

You turn to see Alexia. She looks… mad. But why would she be mad? You guys aren’t together. 

“Hi Alexia,” you say blankly. 

“Hi,” she says flatly, “why have you been ignoring me?” 

“Who says I’m ignoring you?” you snap back. 

“You, right now.” she bites back. “Why are you acting like this? Did I do something?” now she seems worried. 

You sigh and look down for a moment. 

You think about what to say for a moment. 

You put your hand on her thigh. You look at her and your eyes darken. She looks really good and you hadn’t noticed from how much you were trying to pretend she wasn’t there. 

“We can keep doing this,” you point between the two of you, your voice lowers, “if you promise, there are no feelings. This is just for fun. Because I am not ready for a relationship,” You say blatantly. 

She seems a little taken aback at first but then her eyes darken. “Ok,” she pauses for a moment. She leans in to kiss you. It’s a soft kiss but slow. Painfully slow. She pulls away and whispers, “Meet me in my apartment in 30 minutes,” before getting up and heading out the door. 

You realize you don’t remember which apartment is hers. 

Shit. 

[walkingstackofbooks]

I just want someone to ask Julian if it hurt, when he was enhanced.

You know, just for one of his friends to have really think about what having such drastic bodily changes might include, and what having the procedure done in a place without Federation medical standards might mean...

(Perhaps Keiko or Miles have a moment when they've taken Molly to the infirmary and Julian is reassuring her that it will only hurt a little bit--

Or Odo had been wanting to discuss Dr Mora with someone who might understand a little of what he went through, and ends up noticing that Julian seems to be relating to his past far more than he expected--

Or Ezri overhears some remark Julian makes to Sarina about how he goes his infirmary feels far safer than the ones their parents had left them in--

Or Garak realises why he doesn't feel like deriding the book that Julian has chosen this week, despite the fact that the plot of Matilda is absurdly ridiculous--)

...And maybe Julian would reply that no, it didn't hurt. There's no canonical evidence, as far as I'm aware, and his parents did find a 'decent doctor', after all.

But I think he'd get a funny, unfocused look in his eyes for a few moments, before saying, "No-one's ever asked me that before."

"And? Did it?" they might ask softly, a little unsure if they actually want to hear the answer.

And Julian would frown: appearing puzzled, though, rather than troubled.

"Of course," he'd reply. "I'd thought that was obvious."

[too-many-hyperfixations]

Transformers One Megatron Character Analysis

The movie calls him something else for a lot of its runtime. I’m calling him Megatron because that’s what we know him as and it’s cooler. Spoilers for the movie and a TON of paragraphs ahead.

Megatron’s arc in Transformers One isn’t primarily about betraying Optimus, it’s about his trust in authority is shattered and how that affects all other forms of trust for him.

We meet Megatron in this movie before he believes himself on the level of the primes and thus not having taken up the name of one. This movie is Optimus’ movie, as most transformers movies are, so we have to encounter Meg through him. Meg’s first time speaking his own mind rather than just covering for Orion is on the train shortly after his initial onscreen appearance, where he chided Orion for breaking into the archives yet a g a i n. The reason he does this is interesting to me though!

See, Megatron doesn’t just point out that it’s dangerous because this isn’t the first time security has chased him down, he says it’s an unnecessary risk. Meg cares as much about the source of the planet’s energon being revitalized as anyone else, but he wholeheartedly believes that their leader is not just looking in the right area in the first place, but that he is fully capable of wrenching free the matrix from the forces that be on the surface! Mind you that these are forces he nor anybody else can verify. Only Sentinel and his personal cabinet (who have everything to gain from keeping their mouths shut) have ever actually BEEN up there!

For all the faults of Orion in this movie before the consequences of his actions force him to discover what it takes to become a dependable leader, Orion forces Meg out of his comfort zone in the ways he has to be to grow as a person! This is what leads to Megatron getting into the race, which is the first time we see Meg having to make split second decisions, and doing really well at it! The two nearly get first by a close margin!

The next time that Orion manages to talk Meg into a situation outside of his comfort zone is when he gets them to go all the way to the surface, and even explore there, instead of going home! Meg’s journey on the surface marks the first time he really starts making choices for himself, because although he has a friend he trusts enough to follow the decisions of with him, there’s no authority up here with him. Sure, his former manager is there, but she was demoted earlier and he followed Orion’s judgement over hers even then. Megatron is now making decisions as part of a group in a situation with nobody qualified to give orders. Even when a sudden mountain formation starts taking out the tracks, listening to Bee and running is a conscious decision made in the moment rather than one made because he does this every day this is what you do. He can make decisions in a split second for himself, he's done it with hiding Orion in his cart, but never without the safety net of someone to defer to. When the quintessons are scanning, Meg is at equal standing in the group with their discussion agreeing that those ARE quintesson ships and then helping decide their course of action about the danger. This all comes to a head in the cave, when Megatron, loyal Megatron finds out his life is a lie. His own words on his LIFE BEING A LIE! The minute he fully processes that this information is real and what it means, he goes into a pretty brutal explanation of how he wants to kill Sentinel! This doesn't just break his trust in authority, however, he starts questioning if he can trust ANYONE he's meant to trust! He takes the capsule of proof the original prime gave them partly because he doesn't trust others with it, and partly because he now has a need to be the one in control, including over how that crucial information gets used. If he can't trust the person whose integrity is the most important for their entire society, can he even trust his friends? By the time they reach the Old Guard, Meg has already decided that the answer to that question is no. Even while running over Sentinel with a TRAIN, Optimus is set on using the power of broadcasting and entrusting truth with the people to do the right thing with it! Megatron believes Starscream's philosophy even before he's told the words of it, the strongest bot gets all the power. His trials out here have been those of combat as well, that have fortified his mind, made him worthy! The problem isn't in the system, it's in this one specific person who needs an example made of him for all time! "The rebirth of Cybertron cannot begin with an execution!" Says Optimus. To Megatron, it was always the only way. The strongest bot deserves all the power.

[johnwickb1tsch]

Wick fic ideas, pretty please?

Oh dear. 😆 So this doc is my dumpster fire catch all. This is an outline/imagine I wrote for an Assassin!Reader x John Wick fic last december. I kind of imagine them having a sort of hostile Perkins/John vibe? Thank you @sweetwolfcupcake Sweets!! 😘😘😘😘

warnings: nsfw, violence, sex, angst 😱

You are an assassin, and you keep beating John wick to his targets. He doesn't appreciate it. You beat him two times. “No hard feelings, John.” You kiss him on the cheek, the corner of his mouth really, patting the scruff of his beard a little hard. He is like a block of wood, frozen in his self control. He doesn't lash out, like most in your profession would. 

Maybe that's why you make it your mission to poke him. You're curious if you can get him to crack. Just a little. 

The third time your paths cross you fight. It's brutal. You've already done half the work of killing the guards, you're not losing this payday if you can help it. You hit each other and throw each other around, and you are ridiculously turned on by this man. You can tell he's trying not to really hurt you, but he's not letting you have it either. 

In the end he pins you against a grate and whips his belt out of the loops. He uses it to secure your hands above your head. “Stay,” he growls, gasping for breath. It's ridiculously hot and you are soaking wet, but still you snarl, “Hey!” 

But he's gone like a shadow to finish the job. You hear fighting and gunshots, then silence. A good ten minutes go by before he returns to you. He looks at you warily, which is wise. He's clearly trying to figure out how to free you without getting hurt. In the end he sighs and decides to bite the bullet, stepping in to you and reaching for your hands. No hard feelings, he says, parroting your earlier words back at you. 

Holding on to the bars, you wrap your legs around his waist, quick as a striking snake. You pull him against you hard, winning a surprised grunt. Well John? You won. Are you going to claim your prize? His gaze involuntarily drops to your mouth, and you're 80 percent sure you have him in the bag. 

His hands travel from the belt down to your butt, helping to support your weight. You feel that his enthusiasm for this situation is growing by the second.

“Is this what you want?” he asks, pressing against you. 

“Doesn't matter what I want,” you say breathily. “I lost.”

He tilts his head, giving you a look. Some form of consent clearly matters to him. You squash the warmth you feel for him for this. There is no room for softer feelings in your world. That's how you end up dead. 

“Go on,” you urge him. “You won the night. Fuck me. You clearly want to.”

He narrows his eyes, leaning closer as you grind against his now hard erection between you. 

“Maybe I'll let you into my sweet, wet little cunt,” you goad him further. “Or maybe, I'll try to kill you while you're inside me. Hard to say. But secretly I think you like that, don't you, John? Everyone thinks you're such a sweetheart, but I think deep down, this is what you want. To take what’s yours because you fought for it and won.” 

He frowns like he wants to argue, until you squeeze him again with the strength of your legs, and you see something snap in his eyes. You have a nanosecond to savor it before his mouth crashes against yours. You kiss him with equal fury. Your teeth sink into his bottom lip, just this side of drawing blood. He growls in warning, and after a moment you release him slowly, meeting his eyes from across your noses.  

In the end, he does as he's told.

___

This competition goes on for several contracts.

Then you get a text. Want to come over?

You're confused, wondering if it's some kind of trap. What do you mean?

Ill make you dinner?

Huh. Ok.

You go. Out of curiosity more than anything. He has an apartment in manhattan. He makes you fucking spaghetti bolognese, and pours you wine, and its almost like youre normal people on a date. After dinner you watch a movie, and you make out. He picks you up, and doesn't slam you into the wall or take you on the floor. He carries you to the bedroom, where he sets you down gently on the bed, and fuck if he doesnt make love to you. It's beautiful and scintillating and you are not sure you like it, when all is said and done. 

You feel very open, and vulnerable, and warm, and fuck. No, you do not like this at all. You don't stay for breakfast, slipping out. The next time he texts you stare at it for a whole day before answering, i can't be your girlfriend, john.

A long time goes by before he answers with one word: Fine. 

You know there is a sea of emotion behind that single word. You know you've hurt him. You just know. But you are a vicious little thing, forged in the fires of the foster system and the streets. You're not ready to show your soft underbelly to anyone. Not even John Wick.

You stop poaching his contracts after that. Not because you're afraid of him, but of the way he makes you feel. In fact you don't even see him again until two years later. He's sitting outside at a bistrot with a gorgeous brunette, and it hits you like a punch to the gut. 

As though he senses you, the way predators scent other killers nearby, he turns to meet your eyes on the street. Maybe you've just been standing there staring like a crazy person, but he says something in his friend's ear, and gets up to meet you. “Hey, y/n.”

“Hi, John.” 

“How have you been?”

“Oh, you know. That your girlfriend?” He looks at you, assessing the threat level. You dont blame him. 

“Fiancé,” he finally admits.

“Wow. I’m...happy for you, John.”

You are surprised by the surge of envy in your breast. You could have had that, had him, if just maybe you weren't quite so broken.

“Are you?”

You nod, and goddammit if there's not moisture stinging your eyes. It's going to ruin your eyeliner.

“Yeah. I am. See you around, John.” You turn to go, but a pressure on your arm calls you back.

“Y/n.” 

Hes looking at you with those fucking puppy dog eyes and you know he knows you are not all right. But you put on a brave face. “Its ok, John.” You kiss him on the corner of the mouth. See you. You turn to go, and this time he lets you.

You don't see him again until five years later. When you hear his wife died you actually feel sorry for him. No really, you do. And when you hear there's a hit out on him after the Tarasov punk kills his dog and steals his car...you find yourself gravitating towards the Continental, like you just know in your bones he might need a little extra help.

[thatwritterbeach]

One messed up bat pt.2

Dc masterlist all other parts found here

Batfam x reader Jason Todd x reader

Summary: the batfam's approach to Y/n self harming, Bruce is a meanie, and neglectful meanie

warnings: Angst, self harm (active), self hate, depression, anxiety, eating disorder,mentions of alcohol and drugs but not use of either, sexual assault mention, non-con mention, joker has bad touched y/n, puke, purging,

I do not own dc, kinda short sorry. Full bruce hate, I never forgave him for not killing the joker, among other things

Bruce, Dick, Tim, and Damian all sat around her while Alfred poured tea. Her leg was bouncing and her fingers were tapping on her knees.

"Somebody gonna fill me in," Bruce asked into the silence.

"I second that," Jason said.

"Well, we are here to support-" Tim started to say before Damian cut in.

"Y/n was cutting herself and you have to fix it," he said from his spot next to her. He latched himself onto her arm and rolled her sleeve up to show off the bandage.

"Y/n," Bruce said softly, running a hand down his face in exhaustion. He's too tired to put up with you.

"Why," Jason asked moving to sit next to her and grab her other hand. Tim was sitting on the back of the couch behind her, Dick was perched on the arm next to Damian and Bruce was across from her in an arm chair.

"I'm in a family of superheros that spends more time looking after strangers than they do their own people."

"Y/n," Dick said on a sigh.

"It's our job," Bruce said. Like that excused all the neglect.

"If you're just gonna undermine everything I say and bring up 'the mission' as an excuse for everything there's no point in having this conversation cuz it's just gonna make things worse," she seethed glaring at Bruce.

"No more work talk, just tell us about you," Dick said.

"Damian go help Alfred with dinner."

"But-"

"Go." He rolled his eyes but stomped out of the room.

"I've been cutting since Jason died-"

"Shit," Tim interrupted quietly.

"Burning too when I feel like it. Definitely have an eating disorder, depression goes without saying. All forms of anxiety, panic attacks, anxiety attacks, hmmm," she paused in mock thought looking to the ceiling for answers.

"What do you mean burning," Jason asked before she could continue.

"I use a lighter to heat up a blade, or something else metal and hold it to my skin. Just 1st and second degree, enough to blister. I prefer burning because the pain lasts longer," she explained casually. Stop talking you idiot!

"Y/n," Dick muttered, so sadly the guilt crept up her throat.

"How else do you hurt yourself," Bruce asked sliding her tea closer to her, like that helped.

"I think that's it, don't know I've done shit for so long I don't even think anymore. I blink and there's a few new cuts I don't remember making." Stop talking!

"Oh my god," Tim whispered.

"You black out? Do you drink," Jason accused, unwilling to ask about drugs.

"Nope, never touch the stuff." Where her hands shaking or was she imagining that? Didn't matter Jason's warm and rough hand enveloped both of hers to stop them. Are your eyes meant to get fuzzy when your crush touches you?

"What can we do to help, what do you need from us," Bruce asked eyeing their hands with a touch of unease?

"Oh, now you care. What fifteen, twenty kids later you care? I don't need or want anything from you, actually, no, what I want is my damn job back." Is your heart supposed to be at 150 BPM?

"Sweets, I can feel your heart through your finger tips."

"I'm fine, my heart rate's always a bit fast." But she was starting to sweat.

"Are you having any other systems, how often do you have anxiety attacks," Dicks asked sitting beside her to hold two fingers to her pulse and count.

"Once a week, once every two weeks, I don't know, why?"

"Do you feel like you're going into one?"

She took a deep breath and did a mental self-assessment. Fast heart, sweat, shaky hands, but clear thoughts.

"I don't-I don't...it doesn't feel like it? Maybe just heightened anxiety, I don't know, I feel more anger than anxiety," she told him smacking his hand away when he tried to check for a fever.

"Does your heart rate usually get to 160 when you're mad," Dick asked.

"Sounds right, I have anger issues." Jason snorted out a laugh.

"Welcome to the club kid." His hand moved to tug on her hair then dropped to her neck to rub circles with his thumb.

"When you call me kid it makes me feel small and useless," she told him with soft smile.

"Shit, sorry."

"I cal you kid, like ninety percent of the time," Dick panicked.

"Chill big bird, it's not gonna drive me to a cliff."

"You're not going back to work."

"Wayta' read the room, Bruce," Tim chastised dramatically draping himself over the back of the couch.

"Careful, Tim your fruit is showing," Y/n said, laughing at her own joke. ( Tim is bi in this)

"His what," Jason whisper yelled whipping his head around to check his brother fly. Dick who was 'hip' to the kids slang these days just laughed and high fived her.

"What's fruit then?"

"When someone is gay you call them fruity," she explained gesturing to Tim's totally not straight pose.

"Oh, got it. Wait a damn minute, that's what you meant when you called me a mango nerd the other day."

"Dude you said and I quote 'you can't wear that spring outfit with that fall purse you heathen' with a hand on your hip."

"It was for a benefit ball, I was trying to help you, you fashionably challenged fool."

"Get a room," Tim complained throwing a hand over his eyes like even watching them was painful.

"Was it that peach dress with the blue clutch," Dick asked, of course, he hadn't attended but he saw the papers and news.

"Sorry, I thought I was the girl in this family, let me just turn my closet over to you-"

"Can we get back to your issues," Bruce interrupted, freaking buzzkill.

"Sorry, was my bonding time with brothers I haven't seen together in over a month cutting into your plans. Are you trying to wrap this up so you can put on your Halloween costume and go beat up poor people. Sorry my depression is such an inconvenience for you. Don't worry, me slicing into my own flesh can take a backseat to your useless and selfish vendetta.-"

"That's enough, I do care-"

"Really! Did you care when your second robin got murdered and you couldn't be bothered to stop his killer, did you care when you forced me into that suit and took me out with basically no training? Did you care when the man you refused to kill took me hostage, when the devil you clearly love sank his claws into my innocent skin? Did you even ask when I came back to the cave with blood running down my legs-" Her jaw might have popped from the grinding of her teeth if Dick and Jason hadn't cut her off.

"What the actually fuck, Bruce!" Jason.

"What the hell!" Dick.

"I didn't know," Bruce said hanging his head and shoving his fingers into his hair.

"You didn't fucking ask. Why the hell else would I have come back looking the way I did, did you even notice I was gone?"

"I-"

"I don't care," she interrupted with an eye roll, shaking the boys off her to try and leave the room. Tim was faster and blocked her path but she knew he would cave, they would all give her alone time after the bombshell she'd just dropped. She tried not to smirk when Bruce moved to follow her and both Dick and Jason stood in his way.

"So not only did you fail to stop a kid from being murdered, you failed to tell me he was even dead until after his funeral, and you failed to protect her."

"I hate you," Jason said and they all knew he meant it. The guilt was back, clawing at her insides and making bile rise to her throat. They'd been mending their relationship and she just turned Jason on Bruce without thinking.

"I'm sorry," he tried.

"We don't care," Tim spoke for all of them stepping aside to let her through. She hurried to leave before they changed their mind but stopped short with a soft 'shit' when she nearly ran into Damian.

"You heard it all didn't you?"

"Father's an idiot."

"I'm sorry you had to hear that."

"Tt, I'm sorry you had to go through that, my beloved." (he calls her that cuz she's his favorite and acts almost as a mother figure)

"You mind telling Alfred not to set my place?"

"Of course."

Thank God, he didn't insist on following her. With a quick hug and hair ruffle she sent him off and nearly sprinted to her room, her trained feet not making a sound on the polished wood. They hadn't taken any of her blades yet so she had her pick for one last hurrah before they found her. With what could only be described as a quiet evil laugh she selected a simple pocket knife and skipped to her en suit locking the door behind her. her shorts were off in a flash and she had four quick and clean cuts in no time, the sting was ok but not enough to ease the guilt from blabbing her big mouth so she did a few more. The feeling didn't ease and her chest only got tighter in panic of being found so she cleaned and bandaged them then sank to her knees in front of the toilet. Pressing on her stomach right where her ribs met she was able to bring up her food without shoving her fingers down her throat. When nothing but foam came up and her eyes stung from tears she rose to clean up.

"Y/n, you have two second before I kick in the door," Jason warned. Well shit.

9-24-24

[jewish-vents]

i’m a teacher and i had a kid draw a swastika in my classroom on like. the second day of school. so one of our admin came in to two of my classes the next day to talk about it. and she started by telling this story about how she had a hijabi student. and a boy in the class was “really curious about what her hair looked like.” and had the students guess what happened next (pulled the hijab off, gross and awful) and how that might have made the hijabi student feel. at this point i’m sitting at my desk like “it’s been five minutes are we going to talk about the swastika” and then she finally goes “yesterday someone drew a symbol that represents division. and hate. and those aren’t things we stand for” and a kid (of course) was like what was it? and this fucking woman turns to me and goes “are you comfortable sharing what it was?”

?????? i thought that’s why you were here?? i thought you were here to explain why swastikas are not okay, and we are seven minutes into your little presentation and you haven’t said the word swastika or even jewish. so i said it was a swastika and several of the kids didn’t know what that was. which was disturbing on its own as i teach middle school but i digress. i said no way in hell am i drawing one so my admin looks at me and is like “could you google a picture?”

can’t believe i did this but i didn’t know what else to do in the moment so i pulled up a google image search of swastikas and projected it on the board. at no point did the admin say “hey you can take that down now” it just sat up there until i got uncomfortable and sick to my stomach enough to close it myself. and then she came back the next period and did the WHOLE song and dance again (no jewish, no antisemitism, not even the word NAZI which is insane to me) and STILL told the opening story about the hijabi girl even with two hijabi girls sitting in the class this time who were clearly uncomfortable.

this was like three weeks ago and it’s been quietly bothering me for a while and i finally told my (nonjewish) work friends about it and they were all like “holy shit that’s so fucked that she asked you to do that” and i told my (jewish) partner and he went “she couldn’t have picked up a fucking marker??” and that was when it really hit me.

maybe she didn’t want to be in a situation where she drew a swastika on a jewish teachers whiteboard. ok. but she apparently didn’t consider the WORSE implications of asking that same jewish teacher to google an image of a swastika and project a google image search of a page FULL of swastikas on her board.

AND she never once checked in with me after that. she left the class without talking to me again and hasn’t said a word about it since. i remember i even asked her “do you want me to leave the room” beforehand because im thinking i don’t want to have to look at swastikas but she asked me to stay because “the impact is real and they need to see it” which. uh. i’ve been pushing this experience down for weeks bc at the end of the day it “wasn’t that bad” but like. holy shit. she really wanted to put my trauma on display for the students instead of just asking me to leave and explaining what a swastika is/showing them one. and it took her nearly ten minutes to get to the actual swastika!! i’m just. so done

.

[creatingblackcharacters]

here's a threefer if that's okay, all from Codename: Kids Next Door (early 2000s cartoon network show about kids with wacky technology who fight against adult tyranny)—since their stories are pretty well intertwined, and i can't really talk about just one without including the others here's Numbuh 5/Abigail Lincoln, one of the 5 main characters (Sector V of the titular Kids Next Door organization). she's the voice of reason and the "cool" one of the group.

she's the one who holds the group together most of the time, and has great leadership skills—though she refused to be the official leader of Sector V due to an Incident when she was younger. at the end of the show, though, when the actual leader Numbuh 1 leaves for space, he requests that she become the leader of the sector again. she accepts, and eventually then goes on to become the Supreme Leader of the entire KND. love to see a girlboss winning!!

she also has an adventurous side—there's an arc where she goes on various treasure hunts for rare, mystical candies, and i think that's hella cool.

then there's her older sister, Cree. (yes, named after Cree Summer! she voices both her and Abigail.)

cree is a recurring villain—a teenager, one of the natural enemies of the KND. what's unique about her compared to the other villains is that she used to be a member of the KND herself, before betraying the organization on her 13th birthday and escaping "decommissioning" (the process through which all KND operatives have their memories of the organization removed when they turn 13, i.e. are no longer kids).

aside from being just as cool and skilled in combat as her sister, she and her sister have an incredibly compelling dynamic. back when she was a kid, she and numbuh 5 used to be good friends and partners in adult-tyranny-fighting. in fact, 5's signature hat used to be cree's, which she gave to her out of pride for 5 having completed her second mission. in the present, though, their relationship has done a complete 180˚. they're at each other's throats constantly, now that cree had grown into the very type of person she used to be fighting against, WITHOUT memory alteration to boot.

...or so it seemed. in the episode OPERATION: VIRUS when cree was infected with the KND's "unpoppable zit" virus on the night of her prom, 5 actually went to lengths to get the antidote for her because even she thought it was "too far". in 5's words, "you may be my archenemy, but you're still my sister."

so yeah! they actually still care about each other deep down. aughhhhhh. this is just a headcanon but i imagine that to numbuh 5, her hat is a reminder of the good days when she worked together with cree. perhaps she holds on to it as hope that they can reconcile someday? idk

and finally, here's numbuh 9/Maurice. he was also on abby and cree's team back in the days.

his episode literally made me cry, man. it's focused around his 13th birthday and his decommissioning, which everyone in the KND is tearful about since he was one of the greatest and most beloved operatives in the organization's history. seeing him going from a cool kid operative, dedicated to his organization's mission, to an average, kinda dickish teenager was a bit heartbreaking when i watched it at first

one thing i love about this show is how it's a satire of the childhood experience and the pains of growing up that imo is best understood by ppl who've actually gone through it. the trope of decommissioning, as well as the whole conflict between teens and kids, really hammers in the pain of the end of childhood and how fast things change for you as you grow up. how so many decomm'd operatives had unfinished business that they never get to finish. in real life it's like, there was a moment when you put down your favorite toys or hung out with that one childhood friend for the last time, but never knew it was the last at the time. it's so tragic and juicy aughhhh. a line numbuh 5 says to cree during this episode illustrates it best: "you're a teen...maurice's a teen...soon i'm gonna be a teen...why keep fighting it"

however, it turns out he wasn't actually decommissioned! but rather he kept all his memories and was brought on as a secret undercover teen operative, thanks to all he accomplished while he was in the KND. no one is supposed to know about this except the highest of the higher-ups in the KND, but he trusts numbuh 5 with this info thanks to the bond they had. so he continues his legacy as a heroic figure. i really, really love his character, his dynamics with both numbuh 5 and cree (the latter of whom he pretends to ally with and date), and all the show's themes he represents.

also fun fact he's voiced by Khary Payton, who also did Cyborg from Teen Titans!

Hot Chocolate loves this show, so imma pass it off to him. Though first imma say that I do remember how as a kid I was shocked that it was allowed for your character to have your real name lol, I always thought that was so groundbreaking and taboo. Like aww! Her name is Cree, and so is her character! Now to him:

Hot Chocolate: SOMEONE GETS IT. These three black kids had me ready to join KND, kick butt, and steal ice cream. Numbuh 5 was my favorite! Always cool, and a fantastic leader. I forgot about her becoming supreme leader though, so you know what that meeeeeaans- time for a rewatch. Anyway, her relationship with Cree was so interesting and sad like come on, we were homies! It doesn't have to be this way! 😭😭 Especially because even though Cree was "evil" my young self has a crush on her 🤣.

Anyway the commentary on growing up and becoming old and boring caught me for a while, so I made sure I had as much fun as I could. But then they showed Maurice's episode and I was ready to take on the world. Anything to remain a cool agent of the KND. That being said everyone should give that show a try, it's old but still funny. Think I'll start it again for the Eleventynth time

[mithrifer]

My thoughts on Flipside

Class of 09 Flipside was hilarious, but I don't think it approaches the original or reup in quality.

I don't think it's because the main character is Jecka, or anything. Honestly, Jecka is the best part of the game, she's consistently good whether it be in jokes or likeability. The side characters just don't... live up to her though. Aside from her it's just Nicole, Jeffery, her dad and Kelly. I don't think Nicole is very good in this game, Jeffery and her dad are rather one note as expected and Kelly... unfortunately stars in the weakest route by far and does not much even there. Barely any Emily and Ari, no Kylar, no Karen. No Kyle. Jecka's great and carries herself quite well throughout the game, but she feels really alone narratively. This could be a conscious choice, as she goes through most of her troubles as a lonely girl without anyone to rely on, but I think they could've made that point without sacrificing the interest that comes with everyone surrounding her. Most of her interactions either use the other characters as jokes or to elevate her story, which wasn't how 09 or reup felt. Nicole got to try out new things thanks to all the weirdos she was surrounded with giving her new ways to have fun, whereas Jecka only really has Jeffery and her dad in that way, and she feels trapped no matter what she does. She didn't seem that way in the first twk games, but I suppose you could say those were not about her. I think the fact that you can't see her mom even on the school routes speaks volumes though.

Every ending is there just to shock you, and I'm not saying this because there's no happy endings or anything, the first two barely had those. It's more like... the endings feel like they barely have anything to do with the routes they come from? Why does the foot route end with... that? It's just out of nowhere. Not to mention the deal with the whole FYE route. I don't think there's anything redeeming about that one, it doesn't even feel like it belongs to the same world. And the way the game cheapens one of the best endings in the original by just, inserting Jecka. Which is something people have wanted for a while now, but I don't think the idea was done justice. It feels like a cheap "here you go" moment to me. It's really upsetting because I feel like the game could have gone in a ton of great places, but there's barely any choices or routes and the abrupt, weird endings just feel like a slap on the face even to the ones that were given. I think the best route was the one about drinking because it felt honest to Jecka's character and the ending was something I could've actually foreseen in one of the earlier games. After that it's the one with Jeffery, but I'm kind of iffy on that because I don't think Nicole would do that. Not for any moral reasons but more due overall disgust. Feels inconsistent with her presently given character.

The writing feels overall different imo. It's hard to put a finger on it, because it definitely relies on the same formula it had in the previous entries, but nothing in Flipside packs the same emotional punch. The humor is fairly good, but it's not spectacular like the first two games were for me. I still laughed out a few times though, since this is right up my alley.

I'm still happy I saw it, because it was quite fun... But it wasn't really more than that. It just felt like a humor piece. I don't know what spoke out to me in the first two VN's, but I don't think Flipside has it. And honestly, considering it true to these two (canon, ig?) lessens their value for me due to the shift in the thematics and I guess writing, so I think I'll ignore it when I think about the series in general. Which is such a shame, because I want to love it, it's just... not there.

It's definitely worth the time to check it out either way though. Again, pretty funny. This is what I felt about it, and I wanted to get my thoughts out. Since it's so early in its release, I've tried to avoid putting any spoilers in the post. Maybe someone will read it and appreciate, idk. Drunk driving rules.

[according2thelore]

Thanks Lizzy for the ask!

Here is a Late wincest Weds ask from me!

What is one scene or conversation Sam and Dean had that was especially wincest flavored that you want to rewrite to make it be EXPLICITLY wincest instead of weirdcest?

Muah! Ty again!

- Cassi

hi, cassi!! happy wincest wednesday!

thank YOU so much for the ask!!!

AGH! this one is so hard! my immediate reach for this one is of course the church scene. nothing like gently bandaging wounds/handfasting in a church while proclaiming your love:

DEAN: [...] But I can't do it without you. SAM: You can barely do it with me. I mean, you think I screw up everything I try. You think I need a chaperone, remember? DEAN: Come on, man. That's not what I meant. SAM: No, it's exactly what you meant. You want to know what I confessed in there? What my greatest sin was? It was how many times I let you down. I can't do that again. DEAN: Sam -- SAM: [beginning to cry] What happens when you've decided I can't be trusted again? I mean, who are you gonna turn to next time instead of me? Another angel, another -- another vampire? Do you have any idea what it feels like to watch your brother just – DEAN: Hold on, hold on! You seriously think that? Because none of it -- none of it -- is true. Listen, man, I know we've had our disagreements, okay? Hell, I know I've said some junk that set you back on your heels. But, Sammy...come on. I killed Benny to save you. I'm willing to let this bastard and all the sons of bitches that killed mom walk because of you. Don't you dare think that there is anything, past or present, that I would put in front of you! It has never been like that, ever! I need you to see that. I'm begging you. SAM: How do I stop? [SAM squeezes his hand as blood drips out onto the floor the orange glow is a little brighter but then starts to fade.] DEAN: Just let it go. SAM: I can't. It's in me, Dean. You don't know what this feels like. [DEAN wraps a bandanna around Sam’s cut.] DEAN: Hey, listen, we will figure it out, okay, just like we always do. Come on. [DEAN grabs SAM and pulls him in for a tight hug.] DEAN: Come on. Let it go, okay? Let it go, brother.

i needed sam to make his jealousy over benny more overt, and i would probably rewrite it to make it even more codependent and offputting if that's possible.

my mind also goes to dean's final monologue in s15e20, but...like...that's already borderline textual. it could stand to have just a touch more wincest:

SAM: P-Please. DEAN: I'm fading pretty...I'm fading pretty quick, so... there's a few things that I need you to hear. Come here. (Sam moves closer and Dean puts his hand on the side of Sam's neck) Let me look at you. Yeah, there he is. I'm so proud of you, Sam (Dean's hand is on Sam's shoulder and Sam is holding onto Dean wrist) DEAN: You know that? I've always looked up to you. (Sam is getting emotional, trying not to cry) Man, when we were kids, you were so damn smar... smart. You never...You never took any of dad's crap. I never knew how you did that. And you're stronger than me. You always have been. Hey, did I ever tell you... Did I ever tell you that night that, uh... that I ca... That I came for you when you were at school? You know, when dad hadn't come back from his hunting trip? SAM: Yeah, um.. Uh, the Woman in White. DEAN: The Woman in White. That's right. I must have stood outside your dorm for hours... because I didn't... I didn't know what... What you would say. (Sam is visibly crying) I thought you'd tell me to... to get lost or get dead. And I don't know what I would've done... if I didn't have you. 'Cause I was so scared. I was scared, 'cause when it all came down to it, it was always you and me. It's always been you... and me. SAM (crying): Then don't leave me. Don't leave me. I can't do this alone. DEAN: Yes, you can. SAM: Well, I don't want to. DEAN: Hey. I'm not leaving you. I'm gonna be with you... (Dean is crying as he places his fist over Sam's heart) Right here... every day. Every day you're out there and you're Li... And you're living and you're fighting, 'cause you...You always keep fighting. You hear me? I'll be there every step. I love you so much. My baby brother.

like...c'mon.

i also think i would rewrite dean in croatoan to say "you know what it's about" with his patent sam-smitten-eyes, before he gets cut off:

SAM: Dean, don't do this. Just get the hell out of here. DEAN: No way. SAM: Give me my gun, and leave. DEAN: For the last time, Sam. No. SAM: (slamming the table) This is the dumbest thing you've ever done. DEAN: Oh, I don't know about that. Remember that waitress in Tampa? (shudders) SAM: Dean, I'm sick. It's over for me. It doesn't have to be for you. DEAN: No? SAM: No, you can keep going. DEAN: Who says I want to? SAM: What? DEAN crosses to the other wall and pulls a handgun out of his waistband before sitting on the file cabinet. DEAN: I'm tired, Sam. I'm tired of this job, this life . . . this weight on my shoulders, man. I'm tired of it. SAM: So what, so you're just going to give up? You're just gonna lay down and die? Look, Dean, I know this stuff with Dad has — DEAN: You're wrong. It's not about Dad. I mean, part of it is, sure, but . . . SAM: What is it about? [my addition] DEAN: You know what it's about-- (They hear a noise outside.)

small one, and not "romantic," but definitely wincest, i think it would have been lovely if they changed s4e21 from

DEAN: No. I'm not giving him demon blood. I won't do it. BOBBY: And if he dies? DEAN: Then at least he dies human!

to:

DEAN: Then at least he dies mine!

because i think a lot of the ruby/dean conflict is about control, about who owns sam, and over who has guardianship over sam's decisions. plus, i think it reflects a lot of dean's control issues he has this season.

another small thing that could've been a joke, is during "mystery spot," sam should've tried kissing dean to see if that changed anything. dean could die immediately after, and it could've been played as a gag. i'm actually shocked he didn't try to kiss him. if it works, it works, right?

but i think my final choice has to be not a specific line of dialogue, but a scene. my ultimate choice for tweaking is the final montage in s15.

i'm talking domestic!chesters. i think it's perfect that they end up basically married in the bunker, and i would've loved to see just little hints that it's more than meets the eye. "dean's" room has the other side of the bed perfectly made. sam's jacket hangs on the other chair. dean reaches for someone on the other side of the bed before he realizes they're already up. later, dean rests a casual hand on sam's hip when he passes him in the kitchen.

at the pie festival, someone makes a comment that they're such a cute couple, and sam demurs but dean just winks. sam wipes the whipped cream off of dean's nose and puts his finger in his own mouth. dean kisses him and now they've both got shit on their face.

one of the witnesses flirts with sam and dean makes a weird face. sam steps closer to him and smiles awkwardly.

(and maybe at the very end of dean's death, a kiss he has to gasp his way through because he can barely breathe at this point.)

i just LOVE domestic!chesters. 🥺 and would have loved to see them living their domestic bliss.

thank you so much for this ask, cassi! i am so sorry it's 37 miles long, lol! this was such a fun ask! happy wincest wednesday! <3

-lizzy

[marshmallowprotection]

Have you ever done a post talking about how Ray stopped obsessing about MC on his own route?

I don't believe I've ever done one in depth before but I would LOVE to talk about that to clear up misconceptions. So, we're all well-aware of the fact Ray is completely in love with the idea of you. To talk about it in depth, we need to start at the beginning of Ray's awakening. While talking about his infatuation, it's important to understand the reason why he became so captivated with you in the first place, so that you'll be able to see how his love changes from mere infatuation with some idea to the conceptualizing of true love.

I'll start at the very beginning of Ray's identity in Mint Eye. When he realized who he was and what he had to do for the Savior, this person who has forced him to undergo torture the likes of which we only see brief spurts of and cannot even conceptualize just how horrible it was for him to experience, he understood the rules. He had to obey every order to survive, even if it made him feel sick to his stomach.

Any sort of deviation from the Savior's expectation would have him back into a basement that held nothing but nightmares.

"I have no one left for me. I have been abandoned by everyone but the Savior. I should be grateful that she hasn't given up on me like everybody I've ever known. I should devote my life to hers because that's all I'm good for. If I was good for anything, V and Saeyoung... wouldn't have left me behind. I see nothing but torment in my life, but that's all I've ever known and that's all I will ever know. I need to be grateful that the Savior saved me, because her torment is what can save me... if I can be good enough for her... maybe I'll be good enough to exist."

You have to understand that this is Ray's core foundation. He has been pressured to believe something that goes against who he is. Ray is described best as someone who cannot stop dreaming, and Suit Saeran said it the best, "Ray won't stop dreaming of a day that might bring V and Saeyoung back to his side, even if Rika's forced us to believe they'll hurt us. Unlike Ray, I know we can't go back to what we had, but he won't stop dreaming. If he stops dreaming, we won't have any hope. To dream is to have hope, and Ray is my hope. That's why I want to help him and you escape this place. So, our hope can... survive."

Ray's very existence is defined by his value to Rika. That's what he's been forced to believe and trust me when I say this, Ray doesn't want that. He doesn't want to be defined by what he can do for Rika to give her proof that he shouldn't be tortured anymore. He wants to be able to exist without the fear of a hammer swinging over his head, but he isn't allowed to have that. Rika's controlling him through fear, through the idea that he has to show her he has value so she won't throw him away like "V and Saeyoung threw him away".

She abuses Ray with a blend of verbal abuse and love-bombing on the regular and this back and forth of "you're an airhead and maybe Ray shouldn't exist in the first place because he keeps failing every task I give him," vs "Oh, Ray, no one in this world will care for you the way you need except for me... I didn't abandon you, so you can truly believe me above everyone else."

How would you feel if the only way you could evade being drugged in Mint Eye's basement would be to work your fingers to the bone?

Would you fight the Savior? Would you try to reason with her even though it is futile to argue with someone who refuses to listen to you? Would it take long for you to realize that the only means to your survival will be to obey? What if you fought her and she cast you aside, sending you to fight for yourself on the streets of Seoul? The very streets where one wrong move could have Saejoong Choi kill you?

What's worse, to be tormented in a basement with drugs until you learn your "lesson", or to be killed the minute you step foot into the outside world your Mother always told you would kill you when you did? You don't want to die. You don't want to die, do you? How long will it take before you accept this awful reality... because you don't have another choice? It didn't take Ray very long to accept that he had no other choice. It was Rika's torment and "salvation" or death.

He understands that he'll probably die in Mint Eye, but at least... in Mint Eye, he can tell himself that Rika didn't abandon him. At least, he would die knowing one person didn't "give up" on him. He settles, because what else can he do but settle? This is the greatest good he may ever get. Is it any wonder why he wants to make the "best" of the nightmare he's living in? No, it's really not.

It's not okay, though. He shouldn't have to make the "best" of what he's given because he doesn't deserve any of the suffering he's been forced to experience at the hand of Rika. None of the believers who found themselves trapped in that place deserved what happened to them. What Ray suffered doesn't justify his decision making, though. His suffering doesn't make what he does with the player before he's able to realize the error of his ways right.

Mind you, as I'm writing this post and explaining Ray's perspective, I don't want any of you to get this twisted. Ray's actions aren't justified in any way. He shouldn't have lied to the player, he shouldn't have told you the RFA were characters in a game, he shouldn't have risked your life and safety for his obsession with the idea of you, etc, etc. I know a lot of people are more understanding of Ray and Saeran than they are of other characters in this game, but I'm still going to say this since it has to be said so often.

Understanding a character, enjoying a character, and knowing the rhyme or reason why they do something doesn't mean you justify their actions. It just means you like that character and tried to get more information to understand why they did what they did and it's okay to morally dubious characters. Let's break down our important critical thinking skills and remember that.

Anyway.

Those images I stitched above are from his diary and show you a tiny glimpse into his formula for bringing someone to Mint Eye.

Ray starts out as the head of security for Mint Eye and he has to work his way up to the creation process that brings us to the RFA "game" he sells the player. He spends the first few months stalking the RFA as best he can to learn more about their habits and how to either eliminate them or bring them to Mint Eye for the Savior, it's only after he has proven himself worthy of gathering information that Rika tells him that he will be allowed to choose whoever he wants to help him take down the RFA.

This is a "reward" he's given for good behavior, as in, doing his job until his fingers bleed and he has to wear gloves to stop himself from dislocating the joints, chugging caffeine pills and his elixir like a "good boy", and keeping his mouth shut about anything but breathing and Paradise. He gets the "honor" of finding someone to help him do his job, and during the process of hunting down that person to help his mission, he finds... you.

I don't think he set out to find someone who could like him. I think he originally sought out someone who could listen to him and believe his lies about the RFA. He wanted someone who wouldn't question him... after all, how can you get someone to be your eyes and ears when all you hear is: "Why is this so life-like? Why do these characters feel so real? I'm starting to believe what they're telling me and I'm having so much doubt what you've been selling me, Ray."

He was looking for a person who would be incredibly naive, but kind-hearted. It's just that in the process of trying to find someone to fit that bill, he discovered you. It's not entirely clear how he found you or what made him like you, that's always left open to the player so they can decide what he liked about them. All we know is that he watched you visit your favorite cafe now and again. Everything else is really up to the player to decide... meaning however dark or light you want that imagery is up to you.

Regardless, he discovered you, and something about you captivated him so much that he told himself there could be no other person to test his game. It would have to be you. There was something about you that made him feel warm and fuzzy inside... it made him feel so good. Here's the thing about his feelings for you in the beginning. He could learn as much as he wanted by scouring information about you online, but that would never be the same as actually getting to know you.

So, from the get-go, Ray's foundation of who you are is based on what he can find.

Everything he can't find is built on what he creates in his head.

This is why he becomes obsessed with the idea of you, and it's so easy for him to slip into this fantasy. The idea of someone can be better than who they really are sometimes, because a concept can't disappoint you or break your heart. Ray spends most of his time fantasizing about what it would be like to be close to you, what it would be like to get to know you, and as he continues to fill in the pieces with his fantasized version of you, the line between reality and fiction becomes blurred. 

You become the only constant in his life that has a driving force for good, frankly. Whenever he is being tortured for a mistake he made or criticized for not being good enough, he slips into his head to just fantasize about what it would be like to be treated with respect by the object of his obsession. The concept of you, it comforts him, it brings him peace, it brings him joy, and it keeps him ALIVE. If not for those months he spent dreaming of you, he might not have survived as long as he did.

Ray, at his core, needs a reason to have hope.

If you strip away all of his hopes and dreams, there is nothing left but a shell. There is nothing left but a husk... and is it really any wonder in this world why Suit Saeran was angry when he woke up and saw his Ray was tortured for daring to dream the impossible?

When that was all Ray ever wanted? To dream? He wouldn't even allow himself a chance to ask for what he wanted, he would beat it out himself to let the Savior know he wouldn't try to fight her for ANYTHING.

Ray was trained to destroy himself from the inside out because Rika intended for him to disappear someday. For Saeran to "take over and prove that strength is only born from survival of the fittest."

The fantasy of you wasn't the real you by any means but Ray could settle for a fantasy if he couldn't taste reality.

The idea of you gave him strength to survive until tomorrow, and that's important to understand. Why else would Ray consistently say, "I will settle for whatever you give me. I don't deserve anything. Use me as you please, even if it hurts me, because I just want you to be happy."? Ray has to settle for less all the time. He is so desperate to be liked, to never be abandoned again, that he's okay with you doing anything to him as long as he can stay with you.

That's what Bad Ending 1 is all about—if you decide to take his offer to hurt him for your amusement.

When all he can dream of is his fantasy and what he settled for, it should become abundantly clear to players why he is so dead set on wanting you to stay with him. His desperation for you to stay with him stems from the fact that he doesn't want to be abandoned. Ray believes he was left behind by everyone who loved him except for his Savior, so when he begs and pleads for you to stay later on, it's 100% because of this fear.

Is it wrong for him to beg and plead to make you stay with him? YES! It's not okay! But, it's easy to understand WHY he's begging so hard in the first place. Ray wants so badly for his fantasy of you to be real. To be liked by you, not even loved, is all he wants because you have become the only thing that makes a smile stay on his face in this den of torment.

Do you know what you do as the player during Ray Route? During your time with Ray, you are constantly and consistently telling him that he should value himself, that he shouldn't beat himself down, that he shouldn't take Rika's torment and believe the horrible things she tells him, and that he should think for himself instead of what he thinks Rika wants him to think. You are actively working to help Ray understand his value as a person, nudging him to decide for himself what he wants.

Do you owe him that kindness? No, no you don't. You don't owe him this, nobody does, but if you decide to love him and give him the time to grow from his mistakes, this is where Ray Route takes you. Tumblr won't let me post more than 30 images, so I will point you to read just a couple of specific chatrooms I can't post snippets of.

Day 5, 19:23, "Small Coincidence" & Day 6, 03:17, "If I was stronger" & Day 6, 20:49, "Suddenly Afraid". Those chatrooms specifically give a player the option to reassure Ray at every turn, to tell him that he is a person who matters to you, and that he needs to trust your words as you say them, and not assume they come with a stipulation like every word out of Rika's mouth.

You're not telling Ray that you want to stay in Mint Eye with these choices.

You're telling him that you want to stay with him.

MC is actively making the decision once they realize the truth to see what they can do to get Ray out of Mint Eye. You may not trust V at first, you may not even believe him, but you have seen Ray suffer at Rika's hand and you know he doesn't deserve that. You want to get him away from this place, far, far away... and the closer you get to the kiss visual novel, the closer you get to helping Ray overcome what was done to him.

I understand it can be difficult to grasp what's happening during the first two days of the route because realistically this would be playing out throughout a couple of months. But, what you're doing is helping Ray undo the brainwashing. You are working to deprogram the cult manipulation, and I don't know if any of you know how hard it is for someone to do that in real life, but it's not easy.

There is a reason why it is so difficult to remove someone from a cult once they are knee-deep in the trenches. You can't just tell someone to leave, even if it's detrimental to their health and safety because they won't leave the cult. Cults are designed to keep people inside. Even if you present someone with logic and reason, they have been taught not to listen to anyone who tries to tell them anything that goes against the doctrine they have been forced to believe. 

You are more likely to lose a person if you try to force them out of a cult than you are to save them. Obviously, every situation is different and you need to approach this with care if you encounter something like this in real life, but I would pray nobody would have to learn about this information or how to use it.

I don't want anyone to be trapped in a cult. But, hey, look into how folks do help remove people from cults with SAFETY in mind. It's interesting, if a bit dark because there's right and wrong ways to help people.

That's why I advise you to look in those chat rooms if you want more contextual evidence to understand what's happening here since my images are limited and I had to chop this down to what I knew would be most helpful to someone's understanding of the situation. So, I've got two phone calls below that point out what I'm talking about and show what the MC is doing.

Reassuring Ray of his desires by telling him he's allowed to think for himself, and then down below, you're working to tell Ray that he can trust other people, not just the Savior. It is the little things like these choices that build up to what happens when you kiss him and it just about clicks for him that this place isn't sustainable.

This language the player uses is important in those chatrooms and during every phone call where this conversation topic comes up. He needs to hear it. He needs to know that his life is bound by what he can do for Rika. He can have more what he's been given, he doesn't have to settle for torment and torture. He can have whatever he truly desires as long as he's willing to face the facts. Ray's just... so afraid of what will happen when he stands up that it takes a long time to get him to that point.

Case in point, the fake elixir. He became so incredibly paranoid about his decision to have you forgo the elixir that he decided to cultivate a fake bottle that nobody could distinguish from the real thing just to protect you. He lied about you taking the elixir in the first place and that was dangerous in itself, but it was a decision he made that truly began to send him down a path that would lead him to run away from settling for the hell Rika gave him. 

This lie Ray made was huge, and I don't see a lot of people point that out.

He tells you multiple times that he's afraid of what might happen to you if they find out he lied about your initiation ceremony. He knows what's going to happen to you, and he knows what will happen to him because he lied about it. He might never be able to see you again, and he might never exist again after they're through with him, but he still decided to lie about it because he couldn't stand the thought of seeing you in pain.

Decisions like that are ones that help you understand the "generous" organization you're in isn't trying to help you, it's trying to kill you at every corner. Ray’s devotion is based on fear and fear alone. He truly doesn't believe what he's been sold, the only reason why he fights so hard for this paradise is because he believes that he doesn't have any other choice.

Why do you think he wants Paradise to be as good as he can make it? 

When you try to tell him you want to leave, he tells you that he could never survive in the outside world. It has been beaten into him over and over again. He won't be able to survive out there without the help of the savior. He won't be able to survive anywhere without her help.

That's why he tries to fight so hard to survive, to make the best of this nightmare, because one day he'll be able to catch the carrot on the string. Even if he knows that's never going to happen, he doesn't believe there's any other way for him to exist, and if he's going to be happy with you, the only place he can have it is here. Even when you make him want to believe in the impossible dream, it still feels very impossible.

That's by design, Rika's design.

So, when he actively starts to make hard decisions that go against everything she's tried to beat into him, that shows him breaking away from Mint Eye. That is the first step in the process of getting him out of there. It is not easy by any means, but by God were you so close to getting him out of there. Lying to Rika? Huge. Making a fake elixir to protect you? Huge. Owning up to the fact that he's terrified for what he's done by bringing you here? Huge. A process of accountability on his part and the beginning of Ray's journey to do the right thing.

Every conversation you had with Ray up until this point has helped him little by little realize you care about him and it's not something you're going to throw away. Your affection for him isn't something that's going to be yanked away like a carrot on a string, you intend to give him kindness because you believe he deserves it very inherently, meaning that he doesn't have to prove himself to receive it. He is all deserving of love, just as anyone else is, and you want him to know that because seeing him destroy himself is painful.

Even at the moment when you hold him close to your heart and there seems to be nothing in the world that could tell him you didn’t mean what you told him, there’s still some unease in his chest. You can't help somebody overcome years of insecurity and months of torture with a single kiss. But, it's a start, and the decision to start a journey towards self-reflection is what’s hopeful. 

There's still a hint of what he thought was love when you kiss him. It's not hard to miss. But, if you've been paying attention to the way he's been talking, you'll have noticed that the pressure he laid down to stay with him near the beginning of your journey has decreased by a significant margin. He is no longer trying to find ways to manipulate you into staying with him. 

He's trying to find ways to understand your heart and what it means to be close to the real you.

He's less focused on trying to convince you that this place is great, and he starts to reveal what's going on inside his head. He tells you why he’s lost and afraid, he tells you what keeps him awake at night, and he tells you how he’s come to believe this is truly the only place for him to exist.

His desperation is what asks you to stay with him because he wants to be with you if you’ll have him, but he can’t understand why you don’t want to stay in Mint Eye when he's been coerced to believe this is the only place he can exist. It's important to understand the huge difference in language.

But, now as you hold him close to your heart, his fantasy is starting to fade away by the minute. He's less focused on trying to make sense of his dreams and more focused on trying to understand the reality of what you're living in. You know, "If there really is a paradise, I wish you would be there with me." He's not calling Mint Eye a paradise, he said he would want to be in a "paradise" with you.

Little adjustments to his manner of speech stand out. Read between the lines and compare and contrast the way that Ray talks to you at the beginning and more so as you get closer to him. All that work you laid down as you got closer to him mattered so damn much that I can not even begin to explain it in a single sentence. Do you know why it matters so much?

Rika had eyes and ears on Ray. She knew what you were doing, she knew what you were telling Ray, and she knew Ray was on the cusp of leaving her behind. So, what did Rika do when someone told her Ray kissed the Special Missionary? She got rid of him, or she tried to get rid, at least.

She is using him for everything she can get out of him. She intends to use him until he is no longer useful, and your trying to convince him that he has value goes against everything she's been fighting to make him believe. The minute you help him realize that he has more worth than what she's given to him is the minute he decides to leave. Rika can't have him abandon her, she's the only person who can abandon someone, she says. I'm the only one who gets to decide who suffers after V tried to decide everything for me.

The only reason why he is punished is because you were only an inch away from helping him escape Mint Eye. 

You were THAT close.

He manages to call you somewhere amidst the torture because he finds the courage to tell you the truth. He wants to be with you more than anything in the world because he finally realized being with you made him feel like he was worth something, but he isn't allowed to exist in paradise. He was never meant to know what this felt like this, what it felt like to be loved by someone as kind as you to him, and if he doesn't take this torture, you will know this torture. 

"I must be gone for our salvation. I need to be gone for you to stay in paradise."

vs

"No, no! I want to stay! I want to see you so much! Please, I don't want to disappear! I miss you, please... please! Abandon me, save yourself!"

This is Ray trying to fight the programming that was beaten into him, but he ultimately lost his battle in the basement. He was so close to getting out of Mint Eye but Rika knew better than to turn her back on him. She knew she had to snuff out his light if she wanted to use him for what he was worth.

I do not doubt in my heart that he fought as much as he could to survive those hours of suffering and torment, but he was fighting Rika and God knows how many guards as they shoved elixir down his throat and told him he was a failure. I can't blame him for not being able to believe in his dreams when they held a bottle of poison to his throat and told him he needed to obey or you would suffer. 

Your last interaction with Ray as himself is when Saeran shuts down. When you tell Saeran that you won't treat him like Ray to give him the love he deserves, because you know treating Saeran like Ray won't be good or healthy for him. You want to love him as Saeran, not as Ray... and the idea of being loved as himself is torture. He'll die if the Savior finds out you love him (and he, you, in return) because that's literally what happened to Ray.

Pretending to be Ray was his only hope of tasting that adoration for even a moment. Because he understood inherently that love and kindness would always be a weakness in Mint Eye. Showing even a small amount of that weakness would’ve had him destroyed, and if they destroyed him, there would be nothing to protect whatever remained of Ray, and you. If he's gone and incapable of being the sword and shield of "strength", there will be no hope for all three of you.

I digress, I've talked about Suit Saeran’s desire to be loved before, so I don’t think I need to go too depth about that right here. Just know he craves love too, but he won't let himself have it because he's afraid of being tortured like Ray was for unleashing his desires. He wants to be the strongest so nobody tries to torture him ever again, even when it could cost him a chance at happiness.

I.E. Bad Ending 2, where Suit Saeran goes too far and he breaks the player completely beyond repair and he can't put you back together again even though he realizes he shouldn't have done what he did in the first place.

This moment is the one where everything finally comes to a head and Ray looks you in the eyes and confesses the truth. He apologizes to you for everything he's done, for tricking you, for deceiving you, for putting you in this predicament in the first place all because he was so obsessed with the idea of you.

Even if you decided to give him a chance, even if you decided he was worth fighting for, and even if you decided you wanted to be with him despite everything—Ray understood in that moment you deserved an apology because he shouldn't have deceived you in the first place. He acknowledges that he is guilty, not just Saeran.

They both hurt you and there is no excuse for their actions. Ray is able to conceptualize this need to apologize first, and his ability to own up to everything that's happened so far is what opens the door for Saeran to do the same.  

He tells you that you need to put yourself first, that you need to protect yourself and if it comes down to it, if you need to choose between him or yourself, he would want you to choose yourself. After all this time he spent trying to convince you to abandon everything and stay with him in this false paradise, he realizes that you deserve to decide for yourself what it is you want and after everything that's happened, it's your choice and he can't blame you for whatever you choose. 

He can't force you to stay with him. He can't manipulate you to stay with him. He can't get on his hands and knees and tell you not to abandon him just because he's afraid.

If you want to stay with him, it should be because that's something you want, not because it's something he's tried to make you do for him.

He understands that now, and he began to understand that before, it was hard to see it under all the torture and pain he was experiencing before, unfortunately.

You helped him realize that he's always been a person deserving of love and affection, and if it wasn't for this dire situation, if it wasn't for the fact that he knows if he's not careful you'll be tortured within an inch of your life, his words in this moment would be filled with more gratitude at having the chance to have known you. He's unfortunately still beating himself down because he's not sure if there will ever be a way for him to exist in a world that won't try to destroy him. 

But, he wanted you to know, no matter what, you helped him realize he was worth more than what he thought he was. You made him see meaning in what he imagined was NOTHING. Rika never for Ray to be anything but a tool, and you showed him that Ray mattered.

His existence mattered.

It meant something.

He meant something.

Ray: “Ever since I met you, I thought that I might be able to stay in this world. You made my name mean something when it was never meant to mean anything. You're kind, one of the kindest people I've ever met, and I wish... I wish I could stay with you... but I've hurt you so much.”

Suit Saeran, hours later: "You know, the name Ray wasn't supposed to mean something... but you look a little sad every time I say it. I'm certain that's because you made him feel real... made him feel like he was allowed to be something, more than just an airhead who did all the work they forced down his throat."

Ray realizing that true love sometimes means being willing to let someone go because the environment around the two of you is only going to destroy you in the end is huge for someone who thought his love could only be founded in fantasy. A boy who was ready to cling desperately to you and do anything he could to make you stayed by his side willfully choosing to let you go because he never should have tried to cage you in the first place? 

Character growth!

This here is the pivotal moment when you should understand his love for you has become real, and it is not founded in the obsession it was at the get go. I don't know how else to spell this out any clearer for people to understand, but if I missed anything and you're not sure about something you've come across in the game, please point it out because I would love to talk about it. 

I know that this game is not perfect by any means when it comes to showing his character progression, but the concept is there, and as long as you're looking like you will find it readily. 

[thatlittlefangirl]

She’s a shit friend because she has no empathy for her impoverished and outcast friend well before the mudblood slur. James is making his life hell, he’s literally described as a wilted plant because of what’s been done to him. And Lil Miss Perfect’s response to this? ‘Why are you so obsessed with them?´ and ‘you should be grateful’. If Severus had an ounce of self worth the friendship should’ve been ended there and then. Anyone who finds their friend’s abuser charming and attractive is no friend at all. Tbh, even as a child she’s constantly abrasive to him. He just has no frame of reference for what friendship is meant to look like.

* it goes without saying that Severus is also an exceedingly poor friend, but he had no adult guidance as to how to be a good one. I just have to add the disclaimer because every time somebody points out how thoughtless and callow Lily is, they get accused of claiming she’s responsible for him. Obviously she had to prioritise her safety.

The thing that ticks me out with Lily is the fact that she seems a tiny bit arrogant and egocentric. And her fans calling her haters mysogynists like who cares that she's a girl? A bad friend is a bad friend no matter the gender

[scotfraweek]

It’s here guys! The long awaited list for ScotFra Week! Thank you to those of you who voted on the poll/form

I hope you guys like the list I created. I had to really think this through and really decide how I wanted to organize the Themes/Prompts in a way that would not only make sense but that would be interesting and bring out your creative and imaginative ideas to the event.

Now without any further ado, here they are

🌹Day 1 - October 20

Soulmates / Reincarnation

“Maybe we make it in another universe/life”

“Have we met before?”

High School Sweethearts

Differences Attract

❤️Day 2 - October 21

Humanverse VS Fantasy

“We can build something new, for us.”

“Have you ever wondered, of what could’ve been?”

Long-Distance Relationship

🌹Day 3 - October 22

A/B/O or Pirates/Merfolk

“I was here first!”

“Is this what you want?”

Unplanned Pregnancy

Jealousy

❤️Day 4 - October 23

✨F R E E D A Y✨

Anniversary

🌹Day 5 - October 24

Horror / Supernatural (In honor of Halloween)

“Why is there so much blood?!”

“So everything you said was a lie?”

There was only one bed

Serial Killer/ Haunted House

❤️Day 6 - October 25

Artist/Fan or Detectives

“There was a slight miscommunication”

“You’ve never done this before, have you?”

Love = Weakness

Rivalry

🌹 Last Day - October 26

Angst/Hurt or Post Apocalypse

“Do you remember when…?”

“I trusted you!”

Character Death/Still Alive

The End of the World

🌹 Of course if you guys would like, you can mix and match. If a prompt from a different day fits your idea for one of the Themes, you are more than welcome to use it. You also can use more than one prompt if you wish as well!

❤️ Art, fics/one-shots and moodboards are all welcomed. Anything that you can use to express your imagination and creativity

✨How to submit your works✨

Just tag the account @scotfraweek as well as the #/ScotFraWeek2024 with your submission/post

✨R U L E S✨

Yes, there are rules guys… please follow them

I will not tolerate any bashing of other Hetalia Characters even if it is for the sake of your idea. Please be respectful of the other characters, I don’t want any fan-wars bc someone’s blorbo was bashed

Try to keep politics and actual life events to a minimum, no need for there to also be any actual hate/fighting during the event amongst participants.

I will say this only once, please to not use other artist’s/writer’s work to enter the event. All work must be solely yours. If someone calls you out for plagiarism, I will NOT be defending you, you’re on your own for that

Please, please, PLEASE, and I can NOT stress this enough, but absolutely no AI can be used for your submissions. Once again, all works must be unique and original. If your work requires AI, then it is NOT original. I will not reblog your work if i get the slightest hint of AI work, and believe me, I can tell

Please keep comments on other participants work friendly. Respect the other participant’s submissions for the event. If you do not like someone’s work for whatever reason — Block the user. I will not stand for any hate/bullying in other people’s post because their work did not meet your expectations. This also goes for spectators who will not be submitting work of their own.

Finally, have fun! This event is about showing love and creativity for the french bastard and his ginger himbo hubby. Bring out your creativity and your best suit!

Late submissions will still be accepted up to 3 days after the event is over!

‼️If you feel like another participant’s work is breaking the rules or is offensive towards you or anyone else, be sure to let me know so proper actions will be taken

📫The account’s inbox will be open for any questions or even ideas that you have in regards of the event!

💔I genuinely do apologize, I had truly intended to have this out a few days ago, but … things happen. I hope you are not too mad or upset with me

🤍 Can’t wait to see all your guy’s works next month, see you then!

@hetaliacalendar if you wouldn’t mind reblogging for a little signal boost pls 😭

[starrysnowdrop]

Were there any barriers to you establishing your OCs relationship? Perhaps social or cultural stigma? Or a concern that "ships" with that character were already overdone? Or simply a fear of being seen as "cringe"? If so then how did you overcome this?

Ohhh now this is a good one, as this is something that I’ve been told, that I have inspired others to “overcome their fears” of shipping based on certain stigmas in the FFXIV fandom, so let’s get into it shall we? Oh and I will apologize in advance, as this WILL get long.

The Stigmas

Hali x Aymeric

So for Hali x Aymeric, the obvious stigma is that Hali is a lalafell, and Aymeric is not. Though I’ve seen lately that this stigma has waned a bit, especially here on Tumblr where people who infantilize lalas don’t seem to last long, but keep in mind that there is still plenty of lala infantilism on the bird app and other places like Reddit and in game.

For my main ship, that is really the only thing that I see that makes the ship “problematic” to some in the fandom; some people still see lalafells as “child-coded”, despite lalafells being a fantasy race of little people, no different to gnomes, hobbits, dwarves, etc. in other fantasy media, and despite the in game world treating lalafellin adults the same as any other race.

Yume x Zenos

(Yume’s blog: @firelightmuse)

So for Yume x Zenos, but also to a lesser extent Urania (Hali’s Azem) x Hermes, and my other secret ship that I haven’t revealed yet because it’s still in development, these ships fall into the category of being “problematic” because they are Hero x Villain ships at their core, and because Zenos, Hermes, and the secret ship partner are all major antagonists in the story, they have many haters.

Now there isn’t anything wrong with not liking certain characters, as I truly think we all have certain characters that we just don’t vibe with for one reason or another. But there is a problem, however, when people go after villain shippers just because they happen to not like those characters.

Just like with the Lala infantilism problem, villain ships get a lot of hate in the fandom, but for different reasons. I would guess that the main reason is the haters assume that villain shippers either don’t see that the villains have done bad things and/or try to minimize or excuse the villains’ bad behavior. Now I won’t say that there aren’t a few people out there who will truly excuse a villain’s bad behavior and try to make them out to not be as bad of a person as they are written in canon. But I really do think that there’s not as many of them as the haters are likely to believe.

Remember: just because someone is a fan of a villain doesn’t mean they agree with their actions, and a writer is NOT the same as their character. For example, Yume may minimize and/or downright ignore all of the pain and suffering Zenos has inflicted upon not only her, but innumerable others, doesn’t mean that I as Yume’s writer share the same views. I actually consider Yume to ride the thin line between anti-hero and villain herself, just so y’all know.

How to Overcome the Stigmas

So now that the individual stigmas of each of my ships have been outlined, how did I overcome the stigmas? And how difficult was it for me to do?

Well, if you’ve followed me for several years already, you might’ve seen that Hali, my lala WoL, is not the first WoL I have written. That honor goes to Yume, who is a Raen Au Ra and she doesn’t come with the same stigma that Hali does as a lalafell. So I had the privilege for several years of being able to write Yume without the infantilism that Hali would have to fight against in the fandom. But those years gave me enough courage in my own writing to create Hali and to fend off the stigma of lala x non-lala shipping and my own insecurities surrounding it.

Though it was difficult, and it took me a long time to do so, I eventually realized that I was happier and way more fulfilled when I wrote what I wanted to and not what I thought my followers or my friends or anyone else wanted. Trust me, I tried more “popular” and less “problematic” ships before, and even though they were nice at the time, I ultimately dropped them because I realized that I didn’t feel fulfilled, and that I was scared to write for more “problematic” ships because I feared the backlash.

One HUGE thing that I highly recommend is to find yourself a good support system to surround yourself with. Whether that be reaching out to your mutuals here on Tumblr or joining discord servers with like minded individuals, having people there who can help you through your journey in shipping will help greatly! Trust me, I wouldn’t be where I am today without my support system to be there for me when I’m having a bout of anxiety and/or insecurity with my writing.

Another thing that I highly recommend you do is to Unfollow, Hide, and/or Block haters liberally!! Please, it’s for your own mental health and wellbeing to do so! If you’re wanting to ship your lala oc for example, never hesitate to block the lala haters out there! No good will come from seeing the hate all over your feed, because it will just bring you down.

That’s about all I have for now. If you have any other questions on this subject, please do not hesitate to send me a message, DM, or ask!! I am always happy to help with any questions or advice when it comes to shipping! Thank you so much @mimble-sparklepudding for the ask, and thank you all for reading this very long winded answer!! 💖

[tubbytarchia]

The thing about Evo Jimmy that makes me happy is that he’s so much more of a menace and messes around with people!! Sure everytime he does it he loses or something goes wrong but he’s not afraid to do it and doesn’t even think of the consequences!! He only acts civil is when Martyn’s there and if he’s not, no one is safe.

Netty and Jimmy’s friendship is also really sweet because she likes to join in on his mischief and follows him without hesitation,same goes with Jimmy. They both share half a brain cell and they couldn’t care less!! I also love the fact that they both had the most episodes on Evo, they quite literally ran Evo together. Even if they weren’t that lore based or whatever,it was still there and Jimmy’s listener lore needs to more appreciated!!! I wish Evo went on longer so I could’ve seen what would’ve happened. Jimmy also out right hated the watchers and didn’t care at all what they said. After the Listeners gave him his little mission he realised it immediately that the watchers weren’t good people. I also love how Jimmy makes small hints of the watchers but never outright says it,or he mentions them and just brushes past it.

To sum it up: I want Jimmy’s mischievous ways back. I miss him being a little asshole and messing with people

I wholeheartedly agree that I wish Jimmy was mischievous more often like he used to be even if he would often get punished for it, although I do think we've been seeing a bit more of that in places, and I also very much miss Netty and her and Jimmy's banter. I don't think Jimmy was that much of a menace though, rather he just sassed people back, especially those who he felt had done wrong by him, but his entire shtick in Evo was to be a cop and he did very genuinely try to be one, setting out to prove himself to be good rather than a troublemaker when Martyn wasn't around; to prove to Martyn that he was good. Eg when he helped mine resources for Netty's library, gave every piece of it to Netty, surprising her, and then said something like "did you get a picture?". But that might be the culprit, that he was overly punished for any mishaps and quips to the point that he wanted to prove his potential and capability till the end of Evo and started feeling progressively more culpable over the course of future SMPs

This is a trend in most of Jimmy's playthroughs where he just gets caught in other people's crossfire and painted as bad rather than doing anything actually worth punishing himself. I like when he has the assertiveness to get back at people, to turn pranks back around like he did in Legacy and for some of X Life, to hold Martyn accountable in Evo rather than always taking the blame himself, to almost beat Sausage to death in SOS after everything Sausage had said and put him through, when he rejected Scott's poppy in RL and proclaimed that Scott wasn't forgiven for getting him killed. I wish he'd gotten back at people in ESMP2 calling him a toy the same way he did at the Mafia in Evo which continuously villainized him. I like when he's sassy, I like when he gets back at people, I like when he stands his ground, I like when he does pranks, I like when he doesn't let himself be shot down, especially when trying to take charge (another trend, where he keeps trying to take charge as he sees necessary in relationships and otherwise, only to be knocked down 500 pegs). I like when banter involves him rather than just being aimed at him. But I genuinely don't think he's ever been a proper asshole, he deserves to stab and kill and I wish he did but he's only done so when he believes to have been wronged, or he'd stop himself and often apologize or feel guilty etc. I wrote a long post on my thoughts on Evo awhile back where I went more in debth

Don't have much to say about the Listener stuff, the time that Jimmy spent without Martyn at the end is important to his character imo but the end of Evo just kinda lost me in general, any kind of watcher/listener lore passes me by unfortunately but if other people enjoyed that whole bit then more power to them absolutely