I haven't been very sappy on main so *throws sad shit at you* (aka me thanking the fable community and cast again, cuz goddammit you guys are so neat and cool)
Fable smp was, and is probably one of my favorite things I've discovered, i clicked on one of heyhays vods one day on a whim and gods im so glad i did, the way Fable has shaped me as a person and helped me improve is honestly crazy, its how i got into doing art, how i improved, how i met most of my friends, its genuinely been an amazing journey.
For me as a person, my home has always been an odd environment, without getting into too much detail my family has lots of trauma circling around, my brother and dad especially, so the way Fable comforted me through bad days, or when my dad would burst out at me or my mum, its genuinely such a crazy thing that these little block guys have helped me through so fucking much, the way they've helped me discover who i am, to feel represented through so many characters, heck even just hyperfixating with others, its amazing
Its helped me become more confident in my own skin, able to accept my body and how fucked up it is, from the rep with disabilities to identities, seeing something like "hey i have that!" Or "i experience that!", even the small pieces, its so fuckin awesome to see such cool people that are honestly like me
To all the cast: thank you, if not for making Fable, but for representing people, for showing us how much of an outlet being creative can be, and everything in between, all of this is so crazy how cool and detailed it is, truly.
To the fandom: you all are so fuckin cool, the way i get so excited when you guys interact with my stuff, art, silly posts, or just jokes, it's just so cool to interact with y'all, I've made so many friends and i know I'll make more, especially with all the smps y'all promote, keep doin that, i love your stuff guys<3
(now for specifics that have made me feel seen ayo)
To Athena: thank you, genuinely, for making a space that i feel seen in, i feel welcome in, the rep with C!Athenas disability and still having a great time, having a fulfilling life, which I've been told so many times I can't have due to my disabilities, its so amazing, even if its sleepy stardew, lore, or anything in-between, your community and self is so inviting and comforting. Your voice has always been so comforting (like a chill pink mixed with a light coffee brown feel:]), and i genuinely can't thank you enough, if not for representing me, but for becoming a comfort streamer for me
To Ghosty: Caspian as a character was so cool to see, his story was like a good book really, one you could pull up and watch with some tea or hot coco and a blanket, one that was so interesting, I've experienced some of the issues he worked through and it felt so amazing to see, especially a trans character whos entire personality wasn't that he was trans, or a character who struggled with grief but was still happy and able to be *alright* sometimes, thank you.
To Sherb: the way you did lore, and continue to do lore, always excited me, got me feeling genuine emotions, which I've always struggled with, it made me get into storytelling, something I've always enjoyed, it made me get into telling my own stories, its been so enjoyable, and will continue to be ! Icarus as a character made me feel seen in the way that you can care for someone, trust them fully, but they can still be a good person, but the way they treat you makes you believe they're a good person, and thats really important to me. Thank you Sherbert
To Connor: gods your writing is so cool, your fics motivated me to start writing again, and Ulysses as a character as well is such an interesting character, his writing is so neat and his story again made me feel so seen in many ways, and your writing is so good
Finally, To Beck: Arisanna was and continues to be a character i resonate with, always working for someone, never for yourself, feeling alone at times even with many people, having to or feeling like you have to provide for your friends and family, i grew up feeling like i had to protect my older brother, make sure he was alright, and Ari made me feel seen in that way, thanks for that, really
Thank you everyone, for supporting me, through my art, pickup lines, or just dumb jokes
Signed, FeralWetCat (Kai)
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I saw a post on tiktok earlier today talking about how someone wondered who they would've been if they weren't the oldest daughter and if maybe they'd like themselves then, and I got me thinking about Dick Grayson.
Do you think he ever wonders that himself? Do you think that some small part of him, while fine with life as it is, wonders what life would be like if he had been the only Robin? Or came after someone else? Do you think he wonders who he'd be if maybe Jason or Damian had been older, been the first of the sidekicks, and he'd become his own sidekick after?
I know it's mentioned before somewhere that he wonders what life would he like if his parents had never died, but I can't stop thinking about a Dick Grayson that maybe doesn't like himself as much as he would have everyone believe. A Dick Grayson who, beneath everything else that builds him up into this bigger, sprawling multi-dimensional picture, has a very core part of himself that just... doesn't like who he is all that much.
And it's not to say he hates himself, nothing that extreme. But he's gone through his fair share of trauma, he's gone through his own fair share of grieving in silence and trying to make his father-figure happy at the cost of his own happiness.
He's developed eldest daughter syndrome, in no small part to the fact that he went from having two parents that loved and cared about him and had a semblance of normalcy, to being the oldest in a gaggle of other people that went through the first trials of trying to make Bruce happy. And only after years of being put through the wringer did he begin to understand that nobody can make Bruce happy, not even him, and he had to let go for many reasons.
I don't know, I just wonder sometimes (as the oldest sibling myself) if Dick ever had to mourn who he could've been if maybe he'd just come a little later, if maybe he'd come into the picture after someone else or if maybe Bruce would love him more if he were a younger sibling, even though he knows Bruce loves him anyway. But as an older sibling, sometimes it feels... hard, seeing your younger siblings have a better time of it than you did because your father is better equipped to handle it. He just wasn't prepared when he had you. And that's okay, because Dick knows Bruce tried, but it doesn't change the fact that sometimes it still hurts. But, in true older sibling fashion, I don't think Dick would ever let on to that or mention it. He'd rather die.
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actually. the specific phrasing that boy Kevin wants to kill older Kevin with "I must disassemble him, piece by piece, so that everything inside of the Old Kevin comes out. Only then can the New Kevin truly begin." is so incredibly the idea that to heal from trauma and "improve" you have to destroy every "wrong" part of yourself, that everything "tainted" by it has to somehow be replaced by something untouched (which isn't possible)
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Moral Orel doesn't seem 100% like a show I'd feel seen in if you don't know me but then I remember the episode with the special ed kids and underneath the usual satire on extremist bible belt religion it reminds me WAY too much of how actual special ed departments treated me and other kids growing up.
Like the writers must HAVE BEEN THERE IN LIFE, man. I'd kill to sit down with Dino Stamatopoulos and find out what the fuck inspired him and the other writing staff that day.
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It's past 11 on a school night and I'm fucking crying over robot sentience.
I could never understand what it would feel like to be created with the intent to kill and maim. Maybe, the intent to work and be worked, but not kill and maim.
I will never understand what it's like to be created with the intention of being a product for the masses, either. I think, I hope, I beg, no one does.
I will never ever be able to fully comprehend why hours of people's work, time, and money would be put into formulating my sentience only for me to be seen as disposable. Even if I could be improved, even if I were "defective", there is no reasonable justification for giving me emotions only to dismiss them by pushing me as a product for a year before starting anew.
It's... It's cruel, to the machines. Sentient or not, it's cruel. Though, I guess we are cruel.
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My hyper-specific type when it comes to otome guys:
- Absolutely pathetic
- Cannot speak to a girl normally to save his life
- Tries to be calm/aloof, but turns tsundere when flustered enough
- A good and pure man at heart, yet does some questionable things
- ...Little Red Riding Hood???
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stressed the fuck out nonverbal dilf leon: what is your opinion?
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I had a pleasant, dare I say almost fun time seeing my dad today and suddenly feel like I was just making up all the shit he's done lol
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Sorry for clogging all of your dashboards I've been in a good mood bc!!! I got awesome news today!
REUNITED!!!!!!
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The cobras always had a silent agreement to protect Johnny, a mutual adoration for him that couldn’t be broken through by even their Sensei. Maybe it was his big eyes that made him a target for people; they made him look innocent and weak—something proven wrong as soon as you spoke to him. Maybe it was his shaky voice and red ears when he introduced himself to the Cobra Kai class that made the Cobras flock to him instantly—follow him anywhere.
They don’t know, but it doesn’t matter, they can only try to keep him safe.
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im having more insane thoughts about making bellumbeck some kind of metaphor someone remind me to type that out at some point
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I hate finding a fandom that likes to take a slightly emotional character and makes them cry and have panic attacks constantly in every fic. Least favorite fandom trope ever
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Katniss is like Lucy Gray this, Katniss is like Sejanus that, and yes fine that's all good and true and lovely but Katniss Everdeen is also a direct parallel to Coriolanus Snow and people NEED to start talking about this because it's driving me crazy.
Think about it: they both grew up poor and deeply vulnerable, losing parents at a very young age, with a matriarchal adult (Katniss' mother and Coriolanus' Grandma'am) who fails to provide for them emotionally and physically. They intimately understand the threat of starvation, even developing with stunted growth because of it, and their narrations in the books share a fixation on food. Throughout their childhoods, both experienced constant fear and suffered a fundamental lack of control over their circumstances. Because of this, they're inherently suspicious of the people around them. They resent feeling indebted to others, especially those who have saved their lives. They're motivated almost entirely by family and deeply connected to their communities. Both are used and manipulated by the Capitol, both are forced to perform to survive and despise every inch of it, both are thrown into the Arena and made to kill. Both have a self-sacrificial, genuinely sweet sister figure acting as their conscience. Peeta and Lucy Gray - performers and love interests with a fundamental kindness and sense of hope about them - fulfill markedly similar roles in their narrative. Both contribute to the development of the future Hunger Games, Snow throughout tbosas and Katniss towards the end of Mockingjay.
It's easy to ignore these similarities because, as mirrors of each other, they are exact opposites. Katniss is from District 12, viewed and treated as less than human; Snow is the cream of the Capitol crop, given the privilege of a name with social weight, an ancestral home, and the opportunity of the Academy despite having no more money than a miner from 12. Katniss has no agency over her life, and responds by being kind whenever she's able, while Snow justifies horrendous evils in order to continue his quest for complete control. Katniss does everything she can to protect her family; Snow does everything he can to protect his family's image as an extension of his own ego. Katniss loves her District and connects with its inhabitants on a meaningful level, but Snow is indifferent at best to his peers - the apparent "superior people" - and only engages with his community for personal gain. Katniss emerges from the Arena horrified at herself and the system, but Snow takes his trauma and turns it into an excuse to perpetuate the violence with himself at the top. Katniss cares for Prim until her death and then snaps at the loss of her little sister, while Snow survives on Tigris' blood, sweat, and tears and then torments and abandons her, presumably because she calls him out on his insanity. Snow actively adds to and popularizes the Hunger Games because of his vendetta against the Districts following his childhood wartime trauma - Katniss briefly agrees to a new Hunger Games in the pursuit of vengeance, but later stops them from happening by killing Coin and choosing a life of peace and privacy. Snow is obsessed with revenge, but Katniss empathizes with the Capitolites and does what she can to keep them from suffering. He exists in a cruel system and selfishly upholds it; she exists in a cruel system and works to dismantle it for the good of her family and community, at great personal cost. And Peeta and Lucy Gray are incredibly similar, but Katniss and Peeta forge a relationship of genuine love and understanding that shines in comparison to Coriolanus' obsessive projection onto Lucy Gray.
So, yeah, Katniss is Lucy Gray haunting Coriolanus. But I bet you anything that eighty-something year old President Snow looks at her, the girl on fire, bright and young and brilliant, emerging from a childhood of starvation with a relentless hunger for success, a talented and charming performer helping her win the Games, and he sees the ghost of his own past. And that's why he's so afraid of her! Because if he sees himself in her, then he's up against his own cunning, his own talent for manipulation, his own charisma, his own genius. He's up against the version of himself that he once wished to be, with the nightmare army of his childhood at her back and her star-crossed lover at her side, spewing Sejanus' truths in his own voice. This isn't to say that Katniss ever achieved the level of power and agency that Coriolanus did during her time with the rebellion, but it is to say that Snow was taken down by what truly terrified him - his own morality, come to finish the job.
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jjk men and their red flags
a/n: i'm feeling problematic :> tell me what u think (agree/disagree/add more?) this is all for shits n giggles !! non sorcerer au kinda
kento nanami — (over)protective
but like... to the point where it feels like he's treating you like a child! he doesnt like to see you sweat or even work at all for that matter. he loves it when you cook but has bought covers for all the knifes. if he sees a burn on your hand get ready for a 10 minute long lecture. if you accidentally fall he wont let you get up for atleast 3 days to help you ""heal."" it's almost like he doesnt trust you to take care of yourself :') he probably has like 3 separate first-aid kits everywhere.
suguru geto — emotionally unavailable
i feel like this is explainable to his character (sort of.) i dont think that he'd make you feel isolated at all, he's be an amazing listener and probably memorizes every word you say. he listens to you rant and even trauma dump with insane patience. but at some point it feels as though you hardly know him. he's talk to you a lot but very little of it is personal and you hardly know what he's thinking because his ass is not tell you. he also unintentionally distances himself from people from time to time. this applies to you too and you can feel him getting emotionally distant sometimes. it isnt something he does knowingly but it sure ass hell bothers you.
satoru gojo — very clingy and needy
this nigga. he is so utterly clingy. and at first it's perfectly fine, even appreciated by you. you still love him like crazy of course but it is just overwhelming. he is like a child most of the time, he need you around him and is always accompanying you wherever you go, and he expects you to do the same. he also doesn't believe in "me time" because why would you feel better when you're away from him: (? want to hang out with your friends? what do you need them for: (? he's right there. he is also physically incapable of listening but boy is he good at making up.
toji fushiguro — controlling
he is so controlling omfg. it's usually subtle but sometimes he will outright just say no to things he doesnt like, not caring if you like them. it gets to the point where he actually starts to change your personality. he is very caring and that's his justification for this typa stuff. it is usually harmless stuff but he gets paranoid often. he doesnt let you wear miniskirts out if you're not with him. he doesn't let you befriend people he thinks are into you. he barely lets you buy stuff on your own, he usually gifts you whatever it is youre into at that moment. borderline turned on by fear and you being dependent on him.
choso kamo — has no social life outside you
pretty self explanatory. he doesnt have many friends outside you and isn't interesting in making them either. total loser. so taking him out to events, he probably doesnt interact much and chooses to look at you the entire time, which annoys your friends. he answers their questions pretty bluntly. he's never down to have people over and lowkey hates when you are.
hiromi higuruma — workaholic
also self explanatory. he leaves early, comes home late. you barely see him on the weekdays. sometimes he goes as far as ignoring your calls when in between cases. he calls you periodically but has to have an alarm set to remind him. he loves you very very deeply but is just used to working non stop T_T
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I’m a fierce believer and defender of Smooth Brain Astarion (affectionate).
I love that, if left to his own devices, he ends up dead in a ditch. I love that this pasty menace of an elf is a walking disaster. I love that his brain produces one coherent thought per day, only to have it backfire on him later on. I love that his first choice in freedom is to unapologetically be the worst version of himself. Because it makes sense.
That’s what abuse and trauma do to your brain—they fuck with it.
And in Astarion’s defence, the man didn’t have to use his brain for nearly 200 years—it’s probably the very thing that kept him as alive as he can be; to survive 200 years of pure shit.
And what use is his brain when his days and nights are dictated by someone else for as long as he can remember? When he has no say in what clothes he wears. When he doesn’t get to choose what or when to eat. When his body and mind aren’t his own, distorted by torture and hunger and self-loathing, forced to obey his vampiric master. Why use his brain when his survival depends exclusively on his abuser’s whims?
Astarion could’ve come up with the most brilliant plan possible to escape Cazador or save a mark from their doom, but he never stood a chance of succeeding—which doesn’t mean that he didn’t get punished for trying (or even thinking about it) anyway.
Existing under Cazador was a game he couldn’t win, so why bother playing?
And it’s only by chance that Astarion’s autonomy is returned to him literally overnight. It’s only natural that he’s overwhelmed by his newfound freedom. How is he expected to make sound decisions when he can’t even recall a time when he could do and say as he pleased?
Of course Astarion is a walking disaster when he finds himself on that beach after the Nautiloid crash—and he’s fully aware of that! That’s why it’s so crucial for him to get on the player’s/other companion’s good side.
He’s self-aware enough to be so insecure about himself that he would rather trust a stranger’s capabilities than his own.
Being a catastrophe of a person is part of Astarion’s character journey. Not only does he have to reclaim his personhood, he has to learn how to depend on his own brain again and I think that's such a painfully beautiful, important message Baldur’s Gate 3 sends.
Because healing isn’t pretty. Nor is it easy.
You’re not alright the moment you’re free of whatever horrors you had to live through—and that’s ok! There’s time and room for you to adjust.
And the moment Astarion feels more or less safe within his new environment, when he’s fed and treated like a person worthy of respect and consideration, his insights, skills and perception are crucial assets to the group.
Astarion knows his art and literature, and although his little remarks are unhinged at times, he's genuinely witty. Even his objections are, considering the circumstances, absolutely legitimate.
Personally, I love seeing Smooth Brain Astarion become more and more secure in his judgement the more Tav/other companions trust and support him.
Astarion is smart, his brain’s just been stewed for nearly 200 years.
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Something I will never get enough of is Danny killing the Joker. However, something I want to see more of, is Danny killing the Joker for Ellie.
Like, Jason and Danny are neighbors and they’ve been friends for a little while. Jason knows Danny has the 20 something year old mechanic with a six-year-old daughter who is an absolute gremlin. He really likes them both, and he might have a little crush on his neighbor.
Then when they are out at the park or something, the Joker attacks. The joker decides to grab a hostage and who does he grab, but this six year old girl who only seems to have one person who knows her, a scrawny 20 something person. She has dark hair and blue eyes and only person who seems to care about her is her older brother/possible father? Perfect bait for Batman.
He wasn’t counting on Danny being able to fight god for his family. He didn’t realize that Danny will do anything to protect his family, that, in his literal core, he is sworn to protect his people, no matter the cost. the joker did not realize that Danny loves Ellie enough to not only die (again) for her, but to kill for her.
The Joker doesn’t die to Batman, or in some big battle. The Joker dies to a man no one knew because the Joker kidnapped his daughter. The joker dies, because he forgot that not everyone has the same hangups about killing that Batman does. The Joker dies because he pushed a parent too far.
Jason is there during all of this. I think he’s either there as red hood, watching through the cameras, or there is Jason. All three of these have many different pros for various forms of angst.
If Jason is there as red hood, he’s probably with some of the batfamily, and they are holding him back from killing the Joker. They’re trying to figure out how to make it so that the joker won’t kill this little girl, and Jason is going feral because that is his kid. That is the little gremlin who lives next-door, who knocks on his door and treats him like a jungle gym. That’s his kid. When he sees Danny jump at the Joker, he’s going to have a straight up panic attack and he’s gonna get the guns ready, but he doesn’t need to.
If he’s there as Jason, I think the joker would also take him hostage. Jason Wayne, the brat who would get him a lot of money. Especially if the Joker knows that this was the second Robin, because this just means he can get two killed in one swoop. And Jason is trying to protect Ellie with everything in him, cursing himself for not bringing a gun with him and praying that this time Bruce isn’t too late. And he can see the pain in Danny’s eyes and he is so scared to lose this family he has. He praised to a God he doesn’t believe in this time, history won’t repeat itself.
I feel like it would be most painful, if he’s watching through cameras. He’s probably injured or in the middle of doing something for his civilian life . Maybe he’s even out of town, but turned the camera on to look out for the joker, and had a heart attack when he saw the little girl next-door being held by the Joker. This man is trying so hard to get there, breaking every traffic law, praying that he won’t be too late that this won’t be the same as his death. His trauma is excruciating, because this feels like when he was waiting for Bruce and Bruce not getting there until it was too late.
No matter which of these scenarios, he needs to see Danny snap and kill the joker. Maybe, in the camera scenario, it’s just this he arrives that he sees it. Either way, he needs to see the moment, the Joker dies at the head of a single father, and the parallel of Bruce and him and Danny and Ellie need to be very apparent. Because this time the dad wasn’t afraid to kill.
This is the moment I feel, Jason would fully acknowledge that he would do anything for these people. That these two neighbors of his have become his family. The moment he sees the two of them holding each other, and the jokers body at their feet, I guarantee you this man is fighting tooth and nail not to go over his red hood exposed them. if he’s Jason, he can run into hug them no problem, but if he’s red hood, he’s not going to be able to do that.
This man will fight with Batman if he even that should get in trouble for killing the Joker. He will threaten to never ever speak to Bruce ever again, will be ready to bribe the police into letting Danny go, we will race every camera footage out there of the event, will do anything for this family.
Later that day, he won’t have nightmares of the Joker for the first time in a while. He will be able to look at his family and rest easy, knowing that there’s no way that Joker can take them from him.
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