#he is kind and giving and loves being alive

[linkspooky]

YUTA WAS ALWAYS SELFISH

I was originally going to make this post the week the big twist with Yuta in Gojo's body happened, because of the massive subversion that it was. It was the kind of twist that made you question if everything you ever knew about the character was wrong. Namely, Yuta one of the most empathic sorcerers we see in the series - the character who seems to lack the selfishness of the other sorcerers that make up jujutsu society. The kid who fights with the literal power of love.

Was Yuta a monster to begin with and we just didn't see?

So ignore the clickbaity tagline, Yuta is one of my favorite characters I'm not going to start calling him a terrible person. Rather that Yuta is dismissed as a soft kid or a wifeguy, when he's actually more cunning and cutthroat than anyone gives him credit for.

If a sorcerer is nothing more than a con-artist, then if the talent for trickery he displayed in the Sukuna fight is anything to go by Yuta is a true sorcerer down to his bones. Yuta turning Gojo's body into a puppet seems like a massive twist, and almost out of character for Yuta who was so devoted to Gojo.

His earlier fight in the culling game even seemed to hint that Yuta was too soft and he didn't truly have the attitude to fight someone like Ryomen Sukuna who was the embodiment of a calamity.

These panels seemed like a prophecy that Yuta was doomed to fall short against Sukuna. That he could never live up to his title as the next Satoru Gojo, because unlike Gojo and Sukuna who can stand on the top alone Yuta clings to his loved ones.

Sukuna got to where he is by rejecting love. Sukuna is Sukuna because he's never needed anyone to satisfy him. So how can Yuta who needs to be surrounded by his loved ones at all time to validate him and tell him it's okay for him to be alive even compete?

However, even in JJK zero Yuta's love is questioned on whether or not it's as selfless and "pure" as it seems. To begin with, Maki calls him out early on for attracting bullies by playing the victim a lot. He pretends to be a good and innocent person put upon by his circumstances and bullies when really he doesn't want to help himself. Instead of standing up to the bullies he's always let Rika protect him and then condemned her for being a monster. He's let Rika take the blame for all the destruction, even though Rika is HIS cursed technique, created by HIS emotions, and is protecting him.

Yuta doesn't make any attempt to try to learn to control Rika, or even work with her, he just shrivels away in fear.

"You act like a good person, but it feels fake..." Yuta has always adopted the facade of a good person. He seems soft, socially anxious and withdrawn, even after he gains confidence as a sorcerer those traits don't go away because they're a part of his outward persona. Jung divides the psyche into two parts, the persona a mask that faces the world the parts of yourself that come out in your social interaction with people and then there's the shadow your repressed personality.

Yuta's shadow is a literal monster that declares her love for him and then expresses that love by violently destroying everything around him.

Yes, Rika initially contained the soul of someone else but Rika the curse was created by his technique, her power corresponds to his emotions, she comes from his shadow, and even after the real Rika passes on the Shikigami RIKA still remains completely under Yuta's control. Rika is Yuta, the embodiment of his twisted definition of love that would curse his loved ones to keep them by his side forever because he can't live without them. All of Rika's insane possessiveness? That's Yuta's too. Rika's violent overprotectiveness? That's Yuta.

How poetic is it really that Yuta and Rika are so codependent that Yuta's shadow, the other half of his personality is literally RIKA. Yuta cannot exist without love, and without someone too love, he's so terrified of being alone that he cursed Rika and then turned her corpse into a puppet after death. He uses his loved one as a weapon to fight his enemies.

If you think about it for more than five minutes Yuta's cursed technique and Rika has some seriously messed up implications, but it's hard too because as messed up as Yuta's love is it's still genuine.

Love is a curse, but in 236 Nanami speculates that sometimes curses can save people too, just like how Jujutsu Sorcerers use curses to fight and protect others.

So Yuta's love is a screaming, raging, overprotective monster, but it's also what give shim the motivation to fight ofr others. Yuta's love is a curse, but curses can save people too.

Yuta on the other hand isn't aware of his own darker nature most of the time.

The big twist in Jujutsu kaisen Zero is that just as Maki accused him of from the beginning, Yuta was playing the victim all along. He acted like Rika cursed him with her dying breath, but Yuta was the one who cursed her because he couldn't bear to live without her.

However, even this apology is a bit telling of Yuta's self-centered nature. He immediately turns everything into his fault and starts beating himself up over it. He doesn't look at anyone else's perspectives or that other people had a role to play. He deliberately ignores Rika's feelings on the past few years, which Rika is quick to point out for him.

This scene has a parallel later where Yuta ultimately, only thinks about himself first and foremost. In spite of wanting so badly to be surrounded by his loved ones, it's more about him loving them, and less about their feelings for him.

After all he's completely willing to commit a double suicide with Rika to protect his friends, ignoring the fact Rika doesn't want him to pass on just yet, and Maki, Inumaki and Panda wouldn't want him to disappear either. This scene has a direct parallel a year later in the fight against Sukuna when Yuta gives up his body.

Maki almost breaks character from her usual culling game arcs stoicity to fight and argue with Yuta to stop him form doing this, and Rika who one year earlier told Yuta to live a long life so she wouldn't have to see him on the other side so soon is reduced to screaming and sobbing while holding his dead body.

Yuta loves people, or at least he feels an intense amount of love for people, but he can be as self-centered as the other sorcerers we see in the story. Geto even points this out right away, that Yuta is selfish, that he's seeking self-affirmation first and foremost. He needs other people's approval, their love, to feel like he deserves to exist. He'll do anything to earn that love, and once he has it he'll do anything to protect it but it's ultimately for himself.

It manifests in Yuta's technique itself copy, which first and foremost requires Yuta to consume parts of his loved ones that can never be healed if he wants to keep their copied technique. Yuta gets stronger by literally eating his loved ones. We have canon confirmation that Yuta fed part of Inumaki's severed arm to Rika.

Yuta's cursed technique is to emulate the strengths of all of his loved ones copying them and making them a part of his oqn technique, because Yuta will take any shape and form in order to be loved. It's also the perfect technique for fighting as a part of a group, because someone like Sukuna will naturally assume that Yuta's technique STEALS instead of COPYING so he'll forget that the original still retains their technique.

Yuta's not only selfish and has a very selfish, overprotective love for others, but it's those exact qualities that make him an effective sorcerer strong in the area that Gojo is the weakest. Group coordination.

Gojo is in his element when he's alone, but Yuta is so codependent that he literally cannot exist unless other people are looking at him. His strength comes from the things he copies and takes from his friend, and he turned his loved one into a puppet to fight others. Is it really that surprising that this kid would willingly use Gojo's body as a weapon after death when that's literally what he did to Rika.

How telling is it that like Yuta learned that Rika was cursed by him, went so far to exorcise her spirit, and then after finally letting go after her spirit passed on he made a second Shikigami named Rika a few months later made out of the small remnants of cursed energy that Rika left behind as a gift after passing on. The dude is not over Rika, he's like, Geto and Gojo levels of not over Rika.

Yuta's cursed technique being the literal weaponization of his love and his loved ones makes him the best character for group coordination in the entire series. Yuta even adopts apsects of hakari's persona when making his plans against Sukuna since he decides to gamble at several key points in the plan.

Several of the key moments in the fight are all Yuta's plans, with some collaboration from Angel. He makes several bets too like Hakari would. The first being going to finish Kenjaku by himself and using both Todo and Takaba in conjunction to trick him. The second is the bet that he'd be able to make it back in time to rejoin the fight in case Higuruma's plan fail.

It was Yuta who let his own domain barrier down on purpose to let Sukuna think he had the victory so he would let his guard down and make it easy for Maki to ambush him. Something that also required perfect coordination between Yuta and Maki working in tandem with one another.

Yuta set up Hana to do one large jacob's ladder when Sukuna least expected it because he knew Sukuna would forget that his technique is COPY and not steal. He also made the biggest bluff which was leading Sukuna to believe that he fed Rika his last finger.

These aren't just good bluffs, they require near perfect coordination with your allies and taking several chances on them. Nobara might not have even woken up so the last finger / resonance Gambit was perhaps the biggest gamble. Maki and Yuta had to coordinate with each other well so Maki would be there when Yuta dropped the barrier. Yuta needed Takaba a relatively new and inexperienced sorcerer to survive against the threat that was Kenjaku, and he needed all of his allies to stay alive while he was prioritizing Kenjaku.

These are all plans Satoru Gojo would never have been able to pull off, because Gojo only ever relies on himself. If Yuta and Hakari had intervened in the Gojo and Sukuna fight then he would not have been able to go all out, whereas Yuta REQUIRES people collaborating with him in order TO GO ALL OUT.

This is Yuta. This is his strength. Yuta is nothing without love, so he takes on the forms of the people he loves and takes things from the people he loves in order to gain the power to protect him. Yuta copies everything from the people he loves, so is it really that much of a surprise that he'd become a monster just like Gojo.

In some ways, Geto and Yuuta were the same. Geto was too sincere. To someone like him, the reality that the world of sorcerers presented to him was just too cruel. ’…that in a world like this, I couldn’t be truly happy from the bottom of my heart.’ To live for the purpose of being yourself. And for that goal, Geto could only continue to pursue his twisted dream, drowning himself in the curse that lies in the gap between ideal and reality.

Love is a weapon for Yuta. Just like his curse technique can take any form, so does Yuta's love, and so does Yuta himself. Love always wins, and in order to do so Yuta will take any shape necessary, no matter how twisted.

Love is the worst curse of them all, and Yuta will become the worst monster of them all if it means protecting his love ones.

[merwgue]

Tamlin is one of the most misunderstood and controversial characters in the ACOTAR series, and while some of his actions—like locking Feyre up—were inherently wrong and abusive, they stem from deep-rooted trauma and manipulation, making his story much more complex than people give him credit for.

1. Trauma from Amarantha – 50 Years of Hell Tamlin spent 50 years under Amarantha’s rule, being groomed and manipulated. He was powerless to save his court and the other courts from suffering, and that burden fell squarely on his shoulders. For half a century, Tamlin lived under the constant pressure of being the one to break the curse, with everyone’s freedom hanging on him. He was traumatized, broken, and desperate, having endured endless torment. This trauma shaped his every decision when it came to Feyre, and while his actions—like locking her up—were wrong, they were driven by deep-seated fear and an overwhelming need to protect her, which he saw as his only chance at redemption.

Tamlin’s fear wasn’t just about control; it was about trying to keep Feyre safe after having lost control over everything else for decades. But, of course, that doesn’t excuse his abusive behavior. It was wrong, but it’s important to understand where that behavior came from—trauma, manipulation, and the belief that if he failed to protect her, he would fail once again.

2. Reactive Abuse in ACOWAR – Feyre Deliberately Provoking Tamlin In A Court of Wings and Ruin, Feyre plays a dangerous game of provoking Tamlin to make him react in ways that paint him as the villain. This is reactive abuse. She comes back to the Spring Court with the intention of tearing it down from the inside, manipulating Tamlin’s emotions and pushing him to his breaking point. She does things deliberately to make him angry and hurt him, knowing he will react out of frustration and heartbreak.

While Tamlin’s actions in earlier books were abusive, Feyre’s calculated manipulations in ACOWAR cannot be ignored. She deliberately enrages him, knowing exactly what buttons to push, and when he reacts, he’s painted as the bad guy. But let’s not forget: Tamlin was already mentally broken and reeling from losing Feyre, and she intentionally took advantage of that vulnerability.

3. Feyre Destroying His Court – Overkill Feyre’s decision to destroy Tamlin’s entire court is a massive overreaction. Yes, they broke up, and yes, Tamlin made mistakes, but wiping out his entire kingdom because of a failed relationship? It’s spiteful and malicious. Feyre didn’t just want to hurt him emotionally—she wanted to ruin his entire life, his legacy, and everything he had worked to protect. And for what? A breakup? The level of destruction she brings to the Spring Court is wildly disproportionate to Tamlin’s mistakes. She knowingly and willfully destroyed the home and people he loved, leaving him with nothing but ruin.

4. Tamlin Saving Rhysand’s Life in ACOWAR – And Still Getting Trashed Tamlin’s good deeds get completely overlooked in favor of villainizing him. In ACOWAR, he literally saved Rhysand’s life during the battle. Rhys was on the brink of death, and despite everything, Tamlin stepped in to rescue him. Tamlin put aside his grievances and his heartbreak to do the right thing, proving that despite his flaws, he still cared enough to save someone who had wronged him.

But instead of gratitude or any kind of recognition, Rhysand continues to trash Tamlin in ACOFAS and ACOSF. He makes snide comments, mocks him, and even invades Tamlin’s court just to taunt him. It’s infuriating when you consider that Rhys wouldn’t even be alive without Tamlin’s help. How can someone who owes his life to Tamlin continue to treat him like dirt? It’s an example of how skewed the narrative is in Rhysand’s favor.

5. Rhysand’s Hypocrisy – His Own Crimes Ignored Let’s not forget that Rhysand literally murdered Tamlin’s family. Yes, Rhysand’s family suffered a great loss, but they initiated the blood feud by attacking first. Tamlin’s family was killed in retaliation for Rhysand’s father and brothers attacking them, and yet, all the sympathy is directed at Rhysand’s loss. Tamlin’s pain and trauma from losing his entire family is brushed aside, while Rhysand’s grief is front and center, as if only his loss matters.

Rhysand is glorified, and his family’s death is framed as this great tragedy, but Tamlin’s loss? Barely a footnote. It’s a double standard, especially when you consider that Rhysand’s family brought the conflict on themselves. Tamlin’s trauma from losing his family is completely ignored in favor of building up Rhysand as the hero.

6. Rhysand Telling Tamlin to Kill Himself – Beyond Cruel Rhysand’s treatment of Tamlin post-ACOWAR is downright despicable. Tamlin is left broken, suffering from depression, having lost his court, Feyre, and his family. Instead of showing any empathy, Rhysand invades his court and tells him to kill himself. This is someone who is already at his lowest, and instead of being left in peace, Rhysand shows up just to make his suffering worse. It’s not just toxic—it’s cruel beyond measure. For someone who has supposedly suffered so much himself, Rhysand shows an astonishing lack of empathy for someone else in pain.

7. Tamlin as a Victim of Trauma – Deserving of Understanding In the end, Tamlin is a victim of years of trauma, manipulation, and immense pressure. His actions were wrong, but they were driven by fear and desperation, not malice. Tamlin suffered from Amarantha’s grooming, lost his entire family because of Rhysand’s blood feud, and had his court destroyed by Feyre’s revenge. He is not a one-dimensional villain; he’s a deeply flawed character who was broken by his circumstances.

While Tamlin’s mistakes should be acknowledged, it’s unfair to completely vilify him while Rhysand gets away with far worse. Tamlin’s trauma, pain, and losses are real, and they deserve to be treated with the same understanding and empathy that Rhysand’s story receives. At the very least, Tamlin deserves recognition for the good he has done—saving Rhysand, fighting for his court, and suffering through immense trauma without any support. Tamlin deserved better from both the narrative and the characters around him.

(This took me an hour to write I better see NO ONE discrediting me🤣)

[nanabansama]

hiii it’s tsutsumi-kurose!! would to hear your thoughts on the new chapter!! do you have any thoughts on who the people in the red house were this time? do you think they were really trying to help mitsuba? they seem different from the kannagi we originally saw in the red house arc! also just any thoughts overall bc wow what an ending!!

Hiii!!!! 💖💖💖

I really should write a proper post but...let's see! Yes, the new victims are mysterious, aren't they? I enjoyed the twist that they aren't evil and actually tried to help Kou and Mitsuba. At first their "Get Out"s seemed malicious, but then you realize it was a warning... (so yes, I do think they tried to help Mitsuba!)

I also don't think it's weird to say this is Amane's doing. This was his house, and these people weren't here in the old timeline, to our knowledge. And yes, I'm also thinking these aren't exactly kannagi...

That said, notice where they are. They're submerged in water. They're gurbling and glubbing out their words.

As I've talked about before, the Entity beneath the Red House is associated with water. Water bubbles float around its speech bubbles. It lives in a well. The kannagi were sacrificed into a water-filled chasm. Given that we are in the Red House itself, I am very confident when I say the Entity is a part of all this. (Very obvious conclusion, I know, lol.)

Anyway, I have to imagine these people are similar to Kou in that they were lured to the Red House by Amane. What the victims have in common I'm not sure... however given the fact that Kou was drawn here after being possessed by "Tsukasa-kun" it wouldn't surprise me if these people also came into contact with Tsukasa-kun.

But if that is the case that is extremely concerning... are there a bunch of missing person cases linked to people from Kamome Academy? Or does Tsukasa-kun have a farther reach than we thought?

Let's also remember Amane's age. If I remember correctly the latest we've seen him alive was as a teacher spreading rumors in 1983. It seems like he died that year, or soon after anyway, given his relatively young appearance in Chapter 118.

This could mean he's been at this forrr... more than 30 years?! With over 10 victims at that. It's not too crazy then if he's been getting away with it and that people think the missing person cases are unrelated...especially since the perpetrator, Yugi Amane, is probably considered dead...

One thing I found interesting is some of the victims are rather tall. And some rather short. Either this is a stylistic choice or the victims are all ages. Kind of mysterious! It's hard to imagine elementary schoolers being connected to Kamome Academy, for example, and these beings are really quite short...

They are very vaguely defined though so maybe it's not important. I mean, they don't even have legs.

Regardless, it's at least safe to assume the victims are all from the city of Kamome. Which isn't too weird considering the Red House from the old timeline also had many victims from Kamome.

Anyway, as I was saying earlier the victims are submerged in water which is famously linked to the Entity. I really don't think it's too crazy if these were victims sacrificed to the Entity in order to grant a wish. The Red House has always been a wish-fulfilling house, after all; from when Tsukasa sacrificed animals to it to give presents to Amane, to when Tsukasa asked Kou if he would sacrifice Nene to get his mom back.

It would be strange if the Red House of the new timeline didn't have anything to do with wishes! But that's time paradoxes for you I suppose.

Much to think about...I'm sure I'm overlooking something obvious right now. But I really loved the chapter! Threw a big curveball at me with Amane having a hole for a face. It tickles me that the twins still resemble each other so much, despite the age difference.

Really curious about the ways in which they are different though... and how much of their true selves remain... hmm... still kinda hoping we might find Tsukasa in the Red House!!! Feels wrong without him tbh. Thanks for the ask!!

[ecargmura]

Oshi No Ko Episode 22 Review - Blatant Loophole

You can’t fool my eyes and ears. The man with the sunglasses is obviously Aqua and Ruby’s biological father and he’s voiced by Mamoru Miyano! The man’s back to voice another potential psycho but this time, a psycho daddy. It’s obvious the mystery isn’t resolved as the true culprit is out and about.

While the Aqua and Kana sort-of date is a nice respite for both of them, it does show that Aqua potentially does have feelings for her as he’s treating her to nice things like paying for the coffee, holding her bag and even taking her back home via taxi. However, Aqua does feel like the type who is nice to girls, but doesn’t really know how to fall in love. Given his past life as Goro and how he grew up as Aqua, he never really had someone he genuinely loved. Sure, he had a crush on Ai, but a celebrity crush is a different kind of love from genuine, romantic love. He idolized the power Ai had as an idol and that love was transferred to Aqua who developed some kind of complicated feelings towards Ai. I won’t deny there was huge attachment to her.

I think his feelings of attachment lingers in Akane who is essentially mimicking Ai. However, remember that she’s not Ai. Akane doesn’t even know if she has romantic feelings for Aqua herself as she’s also clueless about love. I think that the affections Kana and Akane bring to Aqua are different. Kana brings the type of feelings he’s never felt for someone else before because she’s so different while Akane gives him affection but like in the way that makes him attached because he gets reminded of Ai emotionally.

To be honest, I dislike waifu wars because I find them asinine. I honestly don’t flipping care who Aqua ends up with because at the end of the day, people will always have something to complain about when it comes to the character they love or hate. Both Kana and Akane are good choices but I honestly don’t care who is end game. If I had to choose, I'd just go the BL route and have Aqua be with Melt.

Though, I won’t deny that Akane is essentially the smartest character in the show. Even she’s sharp enough to sense the obvious loophole concluding the case. If you’re curious about what that loophole is, it’s the fact that Himekawa’s mother could’ve had an affair with Aqua’s father, which could’ve been why they’re related, and the affair could’ve been the reason for the murder-suicide. Aqua’s been too obsessed with finding his father that he’s denying the possibility that he’s still alive and is just haphazardly concluding everything on him being related to Uehara. Akane is definitely in a dilemma because Aqua is finally at peace, but she also knows that he’s covering his eyes from the real truth because he just wants everything to end. I really like Akane’s intelligence because she does have a way with keeping the mystery going.

First off, I’m surprised that Ruby’s not questioning why a man dressed in sunglasses and a hat is at a cemetery. Second, I’m both surprised and not surprised that the baby daddy is voiced by Mamoru Miyano because Miyano’s essentially the psycho type-cast. Why is it that whenever there’s Koki Uchiyama in the cast, a wild Mamoru Miyano will pop up somewhere? I feel like that’s happened a lot in some animes I’ve watched and reviewed like The Marginal Service and Demon Slayer to name a few. I guess it’s the Himawari Theatre Group prestige or something… I know that while it’s cliche to have Mamoru voice yet another psycho, it’s been a while since I last heard his softer tone which definitely fits the eerie music box background music that played when he walked past Ruby. I won’t deny that Mamoru Miyano will give it his all because he always kills it. Also, is this the first time he’s voicing a dad? I feel like it is…

How many episodes are there left? Two more? Three more? If you know, please let me know. I know that since baby daddy is in the picture now, a season 3 is definitely going to be announced. I wonder what will happen in the last remaining episodes? What will transpire in Miyazaki? What are your thoughts on this episode?

[abyssin]

forming a bond with childe has always been such an interesting moral dilemma when i think about it like. it's not that childe is mentally unstable, it's that he's as stable as can be & knows where his priorities lie. there is no changing someone who knows what he does is morally incorrect, that he will risk the lives of thousands again if he saw it was necessary. but he is genuinely such a sweet, loyal & nice guy outside of being a fatui, moreso a harbinger. it would be so much easier if he were an adventurer like he hoped he would be as a kid. but you do not change someone like childe, not until he sees the endpoint of the tsaritsa's vision. you can't just tunnel vision into thinking he's a good person with a cause. so i think it's always worth asking: will you accept the 11th harbinger, even when he may put you in harm's way, intentional or not?

[seilon]

certainly feeling some things about the fact that simon. bullied edwin, yes, because he clocked him being gay. but not out out of hatred for him because of it. instead it was because he thought edwin was cute and felt sad and confused by edwin not paying attention to him. because simon is also gay. that is some beautiful and tragic storytelling and such a good way to come back around and give edwin some amount of closure on that chapter of his life wow

[villainsandvictimsalliance]

Me: haha this can't affect me because I know this can be just a plot twist and also I don't care that much and—

Me internally:

[amazingspider-z]

Back at it with Bleach!

AKA the: If arrancar get to look kind of like shinigami despite starting off as hollows, Visored should get to look a little bit hollow all the time despite starting off as shinigami. As a (not) treat. post

(Bonus: some more floating heads under the cut)

[jrueships]

sometimes i'll think abt a Fandom and wish it were bigger, and sometimes i'll read something from a fandom.. and wish it were smaller

[bedforddanes75]

i think i might just fucking die if i dont post this right now Ok guess what? guess? guess...u wanna guess the colour of my underwear. ok cowboys here wtf ugh anyway dont tell me its bad ill come and get you

[mewtwo24]

So like??? I don't know if I understood this correctly, but the music wwx plays to settle Wen Ning's aggression at the beginning of the first volume is the wangxian song lwj composed and sang/played for him when they were in the cave as kids???

Like. You're telling me that wwx's instinctive focal point of comfort is lwj and lwj was just expected to be normal about all of this.

I'm. rotating this in my head as we speak wwx you're so aksjldfgdhjskjghkfjdh

[renegadeknight]

ooooo so interested in Treacherous!!

Okay this one is still very much an outline/mess of notes so I don't have any snips to share and it's probably the one I'm most shy about, idk why exactly, just feels like it would be less interesting to other people, so I'm just vibing by myself lol.

Anyway! It is an Anna!Lives AU where she ends up as a FEDRA lab rat for ~10 years and escapes right after Marlene finds and sends Ellie off with the fireflies. So then Joel and Tess take Anna to try to catch up at the state house but they miss them. Tess still gets bit (sorry) and then it follows Joel and Anna across the country to try to track down Ellie and as they spend more time together Anna keeps telling him more and more about little Ellie from when they were together a few years before they got separated. By the time they catch up to Ellie, Joel's ready to level the hospital for a kid he hasn't even met, and her mother.

Fun fact, I actually mentioned this one in an earlier chapter of Stubborn Love. It's one of the books Ellie gets at the library 😁

Thank you for the ask!

[pleasedontcareaboutme]

I don't care when people don't include me in stuff, I'm used to it but-----

my own family going on a trip w/o even asking me kinda felt

shit 🫠

[genshin-projection]

i don't think i can be normal about Sunday guys

[spotsupstuff]

i ADORE yoyr skills in making characters with wildly complex personalities. how do you do it this well

THANK YOU!!! I HAVE NO FECKIN IDEA!!!

i usually just start with a concept (heehoo iterator who doesn't care for their puppet and the puppet has a blankie thrown over it and there's creepy peepy teefs under there) and then built off from that (the character now leads death itself to its family no matter how much it hurts and tears away at it because it recognizes this is ultimately the best thing that can happen to them and it Only wishes for the best for its family cuz it loves them a lot. no matter what it will take, its family will be alright.)- OH a VERY important thing for character making is interconnecting them with other characters!!! that is literally the Most important thing Ever imo. and then details. details are what build the complexity!

the more interactions with other characters and the world you put the peepo thru, the more shaped they will be, i suppose? while still keeping a core idea very clear

also taking inspirations from other characters and then remixing n combining these different inspirations is a valid thing to do. one of Notos' big inspirations is, for example, Wednesday Addams from that netflix show! sometimes the inspiration comes from a certain pack of feelings i get from a song/situation, like for example Zephyr and Johanka by Brotosauři/Joan of Arc in general. Johanka and where i first heard it, the way i first sung it, was already full of so many things that simply applying it to Zephyr gave her a complex personality

and as always -claps- don't forget to give your character low points and weaknesses. but ALSO don't forget to give them their shining moments and strengths

[rhymaes]

The Untamed (2019) // “You’re Not a Girl in a Movie,” Hala Allan