#he’s a child. treat him like one.

[vampyrixdarling]

Okay another rule:

Tails will be strictly platonic. Unless you happen to be unaware, that child is eight years old. Eight. Not even entering the double digits.

This isn’t even about mental age, I don’t care about that, I’m more concerned about the fact that you’d have a crush on a 8 year old child. Fictional or not, I just know you aren’t allowed near a school.

[crybaby-bkg]

cw: babies!!!! you’re also referred to as “ma” once

okay but like,,,,,first time dad Bakugou giving his baby their first bath after coming home!!! you’re fluttering around the kitchen, trying to make sure you have your daughters towel ready, her baby safe soap, a tiny washcloth, that her teeny tiny pajamas are in the dryer.

it’s only when you take a second to ask Bakugou something do you finally just—pause. your gaze instantly softens, a lovesick smile inching on your face as you watch your big buff pro hero husband hunch over the kitchen sink.

your daughter is resting in the baby bath seat, lilac colored and reclined back. she squirms when Bakugou lets the warm water run over her naked, fat little belly. her face scrunches at the new sensation, fists balling up against her chest. he coos at her, gentle,

“I know, ya little princess. Feels weird on ya, doesn’t it?” he asks her, voice so small under the running water. he cups his hand, holds a handful of water, tilts her fat cheek up to let it slide in her neck rolls that always smell like milk. she whines at that, sniffles and hiccups before she cries. you go to take a step forward, to console her, but Bakugou is so patient.

“It’s alright,” he kisses her tears away. “Daddy’s just tryna help you.” he runs the water all over her body, and paired with his softly spoken words, does she finally quiet after a few seconds. her little body trembles with the aftermath, pouty lips puffy and he can’t help but smooth his hand over the softness of her face.

“Yer a crybaby, just like your ma.” he whispers to her, grinning when that breaks you out of your stupor to smack him on the shoulder. you both laugh at that, and you finally feel the peace that is your little family. you lean against Bakugou’s shoulder, pressing a kiss to his jaw before looking at your daughter again.

“You’re gonna be a great dad,” you mumble into his skin. he doesn’t say anything, but you can feel his shuddering breath, and the calmness that blankets the rest of your house.

[justaz]

somehow some time magic goes wrong and young arthurs from different points in time are pulled into king arthur era. everyone kinda has this back and forth of who is going to watch the literal 8 month old. gwen and lancelot are pretty good at taking care of him, so is percival but he doesnt seem comfortable with it so no one forces him. elyan tried to hold him but baby!arthur started wailing after three seconds. leon is sorta good but he has like no idea how babies work or what they need so when baby!arthur found his sword and almost lobbed his own head off, leon was forbidden from taking care of the child. gaius is too old and busy researching how to reverse the issue. who the HELL would trust gwaine with a child? arthur has this Odd aversion to the child but no one pushes him on it. ofc merlin, magic incarnate, has this like aura or energy that draws all these innocent woodland creatures to him so obviously little arthur is also drawn to him. in fact, merlin seems to be the person he likes the most. and merlins a natural w kids apparently so hes often the one that baby!arthur is handed off to.

he complains about it at first but when baby!arthur breaks into a fit of giggles after merlin calls adult!arthur a clotpole, he has merlin wrapped around his little finger. merlin stops complaining but does let arthur know that the one thing he Will Not Do is change his diaper. arthur laughs and walks away. merlin talks to baby!arthur like they’ve been friends for years (bc they have). arthur points out that baby!arthur cant understand him and merlin retorts that its like how it normally is. merlin gets to perform magic in front of baby!arthur and he LOVES it

my point to this was merlin dotting on little versions of arthur is a way that no one ever really did for him growing up and adult!arthur seeing it and healing little pieces of his inner child as he watches merlin play games with baby!arthur and make sure he’s taken care of. it especially hits him when gaius finally finds a way to send baby!arthur back and while everyone seems torn between upset they have to say bye, they’re also relieved to get the baby back where hes supposed to be,, merlin is like choking back fat tears. everyone backs off to give them privacy and merlin just kisses baby!arthur’s forehead and whispers some encouraging and heartachingly sincere words that have adult!arthur choking back tears.

then BOOM the spell also backfires and while yes baby!arthur got back to where hes supposed to be, now theres toddler!arthur. he has this gravitational pull to gaius (can recognize him) and merlin (magic soulmates ofc he has an innate trust in the man). merlin is happy to have his little friend back and gaius goes back to the drawing board. now they have this little 2-3 year old toddling after them and blabbering something that sounds like english if you’re patient enough

(merlin makes another comment about how little arthur has changed over the years)

the cycle repeats, merlin and toddler!arthur get attached and adult!arthur watches and heals a bit more of his inner child. gaius finds another cure that falls through the same way and now they have child!arthur. he has a bit more of uther’s influence in him but hes still a child. he gets hurt and tries to fight back tears but merlin sees he’s in pain and tells him it’s okay to be hurt, to feel pain, to cry. child!arthur says in that stutter cry children do when they’re fighting back tears that his father says boys shouldn’t cry. merlin wipes a tear that slips down child!arthur’s face and whispers about how he cries and lets himself feel his sadness before picking himself back up and dusting himself off before getting back to it, that it doesn’t make him weak but stronger. adult!arthur hears this and this may not be the beginning of his deconstruction but it makes a tremendous amount of progress in him rewiring his brain away from his father’s toxic ways of thinking.

idk if they’d get a teen!arthur since gaius probably would’ve learned his lesson by then but if they did, we’d get to watch Merlin vs Arthur Showdown 2.0 as merlin humbles the young prince and i think that’d be funny. especially for gwaine since he didn’t get to see it happen the first time.

[rush-the-stars]

thinking depraved thoughts about nanami x gojo x reader mafia au

[rayssion]

Solangelo fic idea because I love them,

Soulmate au wherein once you're claimed the mark of your soulmate appears as a tattoo on your body, it might be the same place as your soulmate, it might be different. If your soulmate is a mortal then only a letter 'M' appears.

Everyone is so worked up because Will never showed his mark, some of them speculated his soulmate is a mortal, some of them argued that it could be unrequited love like his soulmate might be Annabeth but she found her soulmate so he's destined to be alone. No one knows for sure, except for his sister Kayla.

The helm of darkness? Geez who could it be? The only child of Hades out there is Nico di Angelo. Will is 100% sure that the boy despise his guts, also he heard from Kayla that the boy already has a crush, and he's not sure if the concept applies on roman demigods, but didn't Hazel have a soulmate already?

Will never shows his mark, he felt devastated especially that the son of Hades is quite distanced.

Nico tries to operate between his pitiful crush on Percy, Jason who's urging him to let go and find himself another person, and his own mark.

The little sun tattooed on the side of his torso.

Funny thing, everyone thinks his soulmate is a mortal.

[tetrakarn]

pulling myself briefly out of the depression pit to say i don't think it's fair to say ivan is outright violent towards till or shows his affection through violence bc in every piece of media that shows them fighting ( that i can find at least ) till always turns things physical first

not that ivan doesn't instigate by doing or saying things that might provoke him ( intentionally or otherwise ) but aside from touching till's injury in one of the r6 flashbacks he doesn't seem to be physically hurting him for attention. i think the fight scene in r6 is also the only time we've even seen him retaliate

[comradekatara]

sokka, katara, and the paradox of “the gifted child”

something i’ve noticed is a tendency to (mis)characterize sokka as someone who is dismissed due to being a nonbender, when that’s only partially true. sokka is certainly dismissed by some for not being a bender (namely, by benders), but i think there’s a key difference between being dismissed and not being valued in one specific way. katara was valued by her tribe for being a waterbender for the very crucial reason that she was the last one left. had she been a dime a dozen in her tribe, which would have been the case were it not for the systemic extermination of her people, she would not be valued as highly for possessing this skill. that said, while sokka clearly does hold some resentment over his lack of bending ability, calling himself “the guy in the group who’s regular,” i think it’s folly to assume that this means that sokka was dismissed and discarded as “average” while katara was put on a pedestal for being special. because while katara obviously was considered special, sokka is also clearly considered special by his family, merely in different ways. and if anything, sokka embodies the archetypal struggle of the so-called "gifted child” far more than katara does.

while sokka clearly believes himself to be disposable and intrinsically worthless, i don’t think that he was actively neglected by his family. even if katara was clearly marked by her bending as embodying the last hope of their tribe, that doesn’t mean that she was seen as more gifted than he was or was designated as her family’s obvious favorite. for example, the way hakoda talks about sokka (saying he trusted him with leading and protecting the tribe when he was thirteen, calling him a genius, and other such insanely high praises to heap on a child) shows that he clearly views his son as particularly exceptional and has never been shy about showing that. sokka is distinctly insecure around his father for assumptions he makes regarding hakoda's faith in his abilities and his insecurities when it comes to his perceived failure in not measuring up as a man, but from the second we meet hakoda, it's evident that these insecurities are entirely internal and completely unfounded, at least in terms of his father's perception of him. hakoda is nothing but incredibly proud of sokka, constantly emphasizing just how capable and brilliant he believes him to be. whether or not sokka is capable of internalizing it is another story, but it's clear that hakoda is not stingy in his praise and affection, not even a little bit.

moreover, while katara is clearly kanna’s favorite on an emotional level, she nonetheless affords sokka far more respect. she admonishes katara and tells her to do her chores, and notably, she also impresses the importance of “listening to her brother,” and backs up sokka’s decision to banish aang from the village. you can claim that sexism plays a factor in how sokka views his own supposed position of authority, but kanna is a woman who traveled the entire globe as a teenager because she wanted to escape patriarchal impositions dictating her life. she’s simply far too smart to treat sokka as any sort of authority within their village if she did not fully entrust him with that responsibility. she treats sokka almost like a peer, as if she is legitimately co-running the village with a fifteen year old boy.

katara is only a couple years younger than sokka at most, but her dynamic with kanna is very different. on one hand, kanna clearly sees more of herself in katara, can identify with her sense of adventure and rebellious spirit, but on the other hand, it means that she views katara as a child to be taken care of, who needs to be reminded to do her chores and bailed out when she gets herself into trouble. sokka doesn't want to be viewed as a child, and so he does everything in his power to position himself as kanna's equal rather than her grandson. he takes his duties and responsibilities very seriously, and is obedient to a fault whenever he is submitting to any authority he actually respects, especially his father and grandmother. to be honest, a lot of what katara considers coddling is probably just sokka never being bossed around by their grandmother because she never actually has to tell him to do his chores. because despite katara's claim that he simply faffs about "playing soldier," sokka's problem is actually that he takes himself too seriously for her liking. and with the exception of kanna saying "be nice to your sister," which is the kind of teasing a parent says to their child, she clearly respects sokka's position in the village. when katara tries to run away with aang, kanna takes sokka's side and forbids her from acting impulsively, but when sokka is the one who packs supplies and plans to save aang, kanna gives them both her blessing.

katara is the only person who takes umbrage with the notion of sokka running the village and telling her what to do all day. and those frustrations have likely accumulated up from a lifetime of being told to “do as her brother says” and “why can’t she be smarter and more responsible and levelheaded blah blah blah.” she clearly thinks that she’s punching up when she yells at or mocks him, which may seem crazy to anyone who understands that sokka’s entire identity and existence revolves around being katara’s protector, but katara doesn’t actually know this. in her mind sokka is merely the perfect child who has always represented this impossible standard of “genius.” and what's more, he's absolutely insufferable about it.

and to be clear, this isn’t to say that katara herself isn’t highly intelligent, capable, competent, and skilled. she’s not only an incredibly talented waterbender, but also clever, quick, witty, creative, resourceful, practical, mature, and thoughtful in other ways. at one point, toph calls her a genius (“a stinky, sweaty genius”). and she is, indeed, an extremely powerful and innovative waterbender, both due to her hard work, but also because she is genuinely brilliant. that said, she’s smart in the realistic way that a kid is smart; she works hard to be good at what she cares about (and she has an existentially devastating reason to care about being a good waterbender, mind you), and she’s also good at thinking on the fly when she needs to. however, unlike sokka, or even toph, her intellect may be impressive, but it isn’t astonishing. sokka’s mind functions completely anomalously. i wouldn't say he's unrealistically intelligent, because i do know some people in real life who are similarly adept at processing all kinds of different information with the ability to deftly apply it near-immediately, but it is certainly abnormal, both for real world standards and within his universe.

i normally bristle at this term and its applications (for multiple reasons), but since it is explicitly stated multiple times across the show, it is important to acknowledge that sokka is referred to as a genius multiple times, including by his father. katara is referred to as being a genius by toph for using her own sweat to waterbend (which, as hama points out an episode later, isn't even that clever because you can literally bend water from the air around you); conversely, sokka is referred to as a genius for helping to invent hot air balloons and for figuring out multiple escape routes from the world's most secure prison in less than a day. we don't know the exact timeframe under which katara trained with pakku and earned the title of master, but she clearly worked incredibly hard to earn that title, not only as a master, but as the greatest waterbender in the entire world. i assume it was any time between a few weeks and a little over a month in which zhao would organize a fleet to arrive at the north pole, which is, of course, extremely impressive in itself and a testament to her passion and determination. however, on the other hand, piandao claims that sokka has basically mastered the sword and is ready to make his own within less than a day. it's important to remember that katara is also brilliant in her own way, and possesses great skills that sokka lacks: not only bending, but also midwifery, and an ability to locate her own emotions and allow herself to be vulnerable with others, two skills which should never be looked down upon for their association with womanhood and femininity, and are also particularly impressive considering just how young katara is. she is brilliant in her own right, and in any other family, katara would easily have been "the smart one." and yet, sokka is simply in a league of his own.

so, yeah, he can stand to get thrown around and yelled at; everyone her entire childhood just kept on impressing how special and perfect and brilliant he is, he can handle it. she has no idea that he is depressed, depersonalizes, loathes himself, and thinks he’ll never be good enough, because he never actually communicates any of that to her. the closest he ever comes is admitting that he’s jealous due to not having bending abilities, and even that shocks katara, even though it’s such a small and obvious admission in the scheme of things. she has no idea what’s going on with him psychologically, how he views himself in relation to others, and specifically in relation to her, so she kind of just assumes he’s entitled because surely he must know how special he is and thus feels owed accolades by the world at every turn. he deserves to be humbled, and she is in fact righteous for humbling him.

when she makes fun of him for being stupid or miserable or paranoid or cynical, she thinks she’s owning him the way a righteous underdog fights against an oppressor. it's similar to how zuko wants to "put azula in her place." in katara and zuko's minds, they are both the valiant underdog siblings who had to fight and struggle against the siblings for whom everything came so easily. and in katara’s mind especially, she is always punching up, and she always has a moral justification in lashing out at anyone she pleases. so she couldn’t fathom that the reason sokka puts up with her antagonism without complaint isn’t because he’s so above her that he can simply ignore her taunts and gibes without a care (if that were the case, he wouldn't bother to taunt and gibe in return), but rather that he feels so detached from his own personhood that he would never think to actually explain his feelings to the person whom he has defined himself through since childhood. and if he did ever, somehow, communicate that to her, she’d have to reevaluate their whole entire lives and dynamic. but he never will communicate that to her, so she’ll never actually have to do that.

moreover, even though katara often does tease sokka and cast doubt upon his competence and abilities in low-stakes situations constantly, whenever they are actually facing a real problem that requires an immediate solution, katara seems to forget that sokka is supposedly an unhelpful, lazy, immature idiot because she immediately turns to him to fix all their issues. and then once that issue is resolved, katara goes back to finding his existence bothersome. sokka, on the other hand, falls into this role of problem solver instinctually, with the one exception that when they actually name him as the idea guy, he jokingly complains that it’s a lot of pressure to be one who is always expected to come up with solutions. and while he is joking during that conversation in “the drill,” he’s being honest to an extent, because his perfectionism and fear of failure is truly dire.

when katara is faced with failure, whether as the consequences for her own actions or otherwise, she simply gets back up and tries again. she can’t be knocked down, she can’t be deterred from achieving her goals. she has a very healthy approach to making mistakes, and while she doesn’t always learn from them in the longterm, she does always try her best to fix them and amend the situation as immediately as possible. katara is someone who is incredibly resilient and is constantly demonstrating the sheer magnitude of her inner strength, especially in particularly difficult moments. she has the ability to fail as many times as it takes without letting that failure affect her own self-esteem or desire to keep striving for what she believes in.

sokka, on the other hand, is very physically resilient (he gets beat up a lot), but his emotional resilience is actually quite pathetic. he has no tools for coping with failure. from even the slightest mistake, like not actually being able to open the doors at the fire temple with his makeshift explosives, to a catastrophic one, like his failed invasion, sokka immediately retreats inward. in “the boiling rock,” sokka demonstrates how his first ever real failure that rests squarely on his own shoulders is so devastating to him that he becomes totally irrational and suicidal in an attempt to “rectify” the situation. he does not know how to cope with failure, because he expects himself to be perfect at all times. and it’s not because sokka is overly proud, but rather that his guilt complex is so profound that he blames himself for every single thing that goes awry at all times, even when it isn’t actually his fault whatsoever. so that guilt and shame is magnified a thousand fold when sokka is actually culpable for those losses.

one of many ways in which it is evident that sokka is the older sibling is that he clearly lives with the mentality that if katara messes up or gets herself in danger due to her own impulsive inclinations, it’s always actually sokka’s fault for not being a better, more attentive brother. when she sets off the booby trap in the banned ship, sokka banishes aang from the village so as to protect katara from herself. when katara experiences the consequences of heedlessly blowing up a factory, sokka gets mad at her for her recklessness, but also immediately finds a way to help her fix this situation, because that’s his job, and in fact, his primary purpose on this earth. this is a dynamic sokka has probably internalized even before he was assigned the role of her sworn protector, because that’s just how being the eldest is.

sokka’s tendency to take responsibility for everyone else’s mistakes and his desire to shoulder everyone else’s pain at all times, coupled with his implicit belief that he, uniquely, cannot afford to mess up ever (if other people make mistakes it’s fine and he can help them fix it, but if he makes mistakes he no longer has a purpose on this planet, goodbye cruel world), definitely indicates that he was held to an incredibly high standard all his life. he expects himself to be able to handle a lot of responsibility with perfect ease because he always has. he isn’t used to making mistakes of any kind. if he puts his mind into learning a new skill, he always masters it within a couple of days, whatever that skill happens to be. unlike katara, sokka is used to things coming easily to him, and what he isn’t used to is failure.

katara and sokka are both exceptional, of course, but in very different ways, and for very different reasons. katara grew up with a lot of external pressure to excel as a waterbender, because she needs to embody her cultural legacy and prove that her mother’s sacrifice was not in vain. it’s an unfathomable burden to place on a child, and the rate at which she improves her waterbending once she is actually given the resources to hone her skills is a testament to her perseverance and untiring dedication. katara becomes the greatest waterbender in the world not because she is a natural prodigy (which is something she bristles at when aang does display prodigious skill), but because she is incredibly determined and no one can outmatch the strength of her heart and unshakable commitment when she is pursuing a goal. as pakku even says, raw talent isn’t everything, and katara’s abilities prove that despite not being “naturally gifted,” hard work and determination is far more important when it comes to excelling in any given domain.

however, if katara’s motivation to be excellent is externally imposed by the tragic circumstances of her life, sokka’s motivations are, at the very least, internally maintained. as aforementioned, i have no doubt that he received a lot of external validation and praise from the adults in his life as a child with a dazzling, brilliant mind. as has been established, sokka is constantly displaying an ability to synthesize new information at a staggering rate, which likely means that before katara had even discovered her ability to waterbend, sokka was probably being fawned over for the impressive rate at which he was picking up new skills as a baby. since pretty much everything (cerebral, at least) comes easily to sokka, i can only imagine that hakoda, who never hesitates to express to his children how proud he is of them, would constantly affirm sokka’s intellect. and by boasting that sokka takes after himself (hakoda also refers to himself as a genius, completely sincerely), he unwittingly plants the first seeds in fostering sokka’s belief that he must be exactly like his father in every way, and that any deviation from hakoda’s image would prove him unworthy. but he will never be the spitting image of hakoda the way that katara is "the spitting image of kanna" because sokka is already the spitting image of kya, if not – perish the thought – his own person entirely.

unlike katara, who spent her whole childhood trying to waterbend by herself with little success (beyond, of course, isolated instances demonstrating her sheer raw power when her bending was being influenced by her incredibly strong and passionate emotions), sokka always felt like he could handle the amount of responsibility he was given, because everything came easily to him. until the day that his life changed forever, and suddenly the stakes were no longer abstract, but tangible and personally devastating. sokka had never learned that it was okay to fail as a child because he never had a reason to, and then suddenly, he could not afford to fail under any circumstances. failure of any kind went from being a (purely hypothetical) blow to the ego, to being something that could directly endanger the lives of his loved ones. and so sokka decides that the only way to not be culpable for his potential failures is to be a martyr.

of course, there are instances in which sokka is proven to be inept, such as on kyoshi island or with piandao, wherein his humility and open-mindedness are put on display and sokka puts aside his own standards of perfection to learn from a master, but i don't think these instances qualify as failures. for one thing, sokka happens to master the forms he is being taught in less than a day, at an unprecedented rate, and thus these initially humiliating blindspots in his knowledge become victories as sokka absorbs new knowledge. sokka is always eager to learn, and willing to acknowledge his lack of expertise in area, humbling himself to learn from others any chance he gets. no, what i mean by "failure" as it relates to sokka's self-perception and ego is not a lack of knowledge, but an inability to protect another. to sokka, his existence is defined by his ability to provide and protect, and thus, a failure is, specifically, when someone gets hurt under his watch. that is what it means to not be able to afford to fail. he is not overly proud (if anything he is overly insecure), but he also understands that the stakes of failure – real failure – are tangible.

so when it comes to failure that carries grave consequences, he would rather be dead than fallible (or, responsible for not adequately protecting his loved ones), one million times over. and so every time someone makes a sacrifice for him, he feels as if he has failed on a fundamental level, because simply being exceptional is not enough, he must also bear the entire world’s suffering alone – as (in his mind) hakoda instructed him to when he left him behind to protect and provide for the village. otherwise he has failed in his promise to be needed, which is his raison d’être. sokka’s complex is very obviously not informed solely by his upbringing as a “gifted kid,” and in fact largely informed by the dehumanizing logic of war as it necessitates sacrifice, but his inability to accept his own fallibility as a product of his self-dehumanization is, at the very least, compounded by his debilitating perfectionism.

thus, katara and sokka's dynamic within their family isn’t “gifted kid and neglected kid,” but rather “two gifted kids who are gifted in different ways, one of those ways being valued more on a cultural level due to its scarcity as a byproduct of genocide.” while katara was put on a pedestal her entire life due to her ability to waterbend, it doesn’t mean that sokka wasn’t put on a pedestal in other ways. if anything, the reason hakoda entrusted a child with the burdens he did was specifically because he put his son on a pedestal. sokka assumes that hakoda didn't think he was capable enough to join his army, but that couldn't be further from the truth. hakoda trusted his thirteen year old son so much that he genuinely thought it best to leave him alone with this duty to defend his village and protect katara at all costs. he didn't leave a single man behind, not even the other teenage boys, because that's how much faith he had in a child to take his responsibilities seriously and perform them competently. and if that decision gave sokka one million different complexes and fucked him up for life, it wasn’t because he wasn’t valued for his abilities, it’s because he was overvalued and given too much responsibility at too young an age.

both he and katara struggled to live up to the expectations placed on them, forced to fulfill the roles of their parents instead of being allowed to exist as children. but crucially, katara sees the injustice in that, and clings to her childhood even as she strives for greatness, and sokka simply doesn't. he's long accepted that injustice, and in fact feels guilty that he cannot better live up to the impossible portrait of an idolized father, an idealized masculinity, an illusory model of the infallible, unshakeable warrior. despite all his achievements and natural giftedness, he nonetheless feels totally inadequate, deeply flawed, and ontologically worthless. perhaps, in a world beyond the pressures of war and its dehumanizing logic, sokka would have internalized the praise he was constantly receiving his whole life for his gifts. but since he was only ever a prodigy in ways that didn’t matter (within that colonized paradigm), he doesn’t actually care about how clever and brilliant and creative and talented and unique and special he is, because that would first require him to see himself as fully human, and he can’t even do that.

[goldengirlgalaxy]

You know how there's a whole thing about how DC superheroes die and get brought back a lot? Well, for DPxDC, how about this?

Every time a Justice League member gets resurrected, their ghost remains in the Ghost Zone.

So you'll have a member of the Justice League bite the bullet for whatever reason, they'll form as a ghost in the Ghost Zone. They'll make themselves comfortable, maybe they'll even becoming defenders of peaceful ghosts who have no experience fighting or no desire to fight. Maybe they'll find dead family members and re-establish their bonds. Maybe they'll find other dead members of the Justice League and make and undead branch of the Justice League. Maybe they'll meet Danny and either help teach him how to be a hero (if he's still young) or become a hero group supported by him (if he becomes the king).

And then, for whatever reason, someone found the magical amulet that can revive a person, they somehow developed 1-Ups for a limited time, the revival machine finally got a tune up, the hero gets revived. But the ghost doesn't leave the Ghost Zone. Because of this, the revived hero doesn't have any memories of their time in the afterlife. The ghost probably doesn't even notice something changed and that their old body is up and running again.

This all ends up coming to a head when the GIW decide to push the manhunt for Danny Phantom and all other ghosts, lying to the Justice League in order to convince them to help. They eventually decide to hunt down Danny and corner him, ready to capture him...

… And suddenly he's saved by a bunch of ghosts that look identical to them.

[oddly-casual]

Trolls Band Together Spoilers

(Clay and Bruce trying their best)

One thing I’ve been dying to talk about are the little ways Bruce and a lay take care of their other siblings and why.

It’s all in the little stuff! Like I am of the belief that Bruce and Clay are so close is because they could only really find solidarity in each other. Growing up no one liked how JD pushed them to be perfect, but Bruce and Clay were the only ones who felt pushed in a box, they were the only ones who got angry.

Floyd was always the peace maker and Branch was a baby so the only ones who understood their anger was each other.

Clay and Bruce always have each others backs, but I wanna talk about how they take care of baby Branch.

Like when Branch is listening to the broad cast with Velvet and Veeneer, Bruce notices Branch’s worry and turns off the radio. (Bruce also carried around Tiny bc he is a true dad.)

During the ‘It takes two’ song, Branch pulls out his blue prints and John Dory immediately pushes Branch out of the way to take control and you can see Clay and Bruce wince like they know it’s a bad idea before Clay pulls John away for the transition shot.

Not to mention Clay and Bruce seem so unironically excited to see Baby Branch that they side like JD, and I know that was probably because they’re still on weird terms with JD, but I don’t think their happiness to see BB was only for pettiness sake.

Maybe there’s some stuff I missed because I only saw the movie once and I looked down at some points to take notes so may haps I missed some back ground stuff but if there is please tell me!

[some-pers0n]

I don't get people who hate any member of the Jade Winglet. All they did was be traumatized teens who learned to be themselves with their friends what did they do

[dawnssummers]

[strawglicks]

"aww itty bitty flint bby innocent pure bby we need to protecc him" i will break your legs

[ride-a-dromedary]

Thinking about Thaniel and Halsin reuniting again when he wakes.

Thinking about how Halsin describes Thaniel as having been ripped away from him (just as he was from Oliver). How he was the only one able to see and interact with him; how Halsin is very insistent that Thaniel made him who he became. How Halsin's "very first friend" being an encapsulation of nature itself affected the entire trajectory of his life. How that implies, to me, that Halsin and Thaniel were connected on a level far stronger and more significant than just being unlikely playmates as children - even moreso than just Halsin deciding to become his protector as he aged, or the implication of the relationship becoming more along the lines of a parent and child - to the point of being so interconnected and intertwined, Thaniel evidently uprooted and followed Halsin from the High Forest to its own unpredicted detriment.

Thaniel's being cursed and trapped quite literally *did* rip the two of them away from one another, just as tearing Thaniel's being in two twisted and created Oliver. Halsin feels a hole in his absence - a loneliness and disconnect that eats away at him. He describes losing contact with Thaniel all that time ago as being "worst of all", which is saying a lot considering what else was happening to and around Halsin at the time. And all Thaniel talked about whilst trapped was Halsin, insisting to find him because he was the only one who an entire force of nature itself believed could help it.

Losing Thaniel sent Halsin into a century long spiral; Halsin who blames himself for "dawdling" in his own pain as it suffered. Who could almost place himself in the catalyst of Ketheric Thorm's tragedy of losing his daughter pushing him to the edge. It's the elevated metaphorical adult fear of losing a child and the indescribable sorrow involved in that, mixed with the loss of an important childhood and formative influence, mixed with losing a friend, a piece of oneself, all in one.

I just imagine Halsin twitching in his skin to head immediately back to camp after convincing Oliver to return. Distractedly following behind, but evidently elsewhere, until he is dismissed or the group returns. And he is first to arrive and first to break off to his tent, pulling aside the cloth, lacking any considerable delicacy of action, to see Thaniel sitting up, blinking slowly at his surroundings. Alive; the smell of lavender heavy and sweet. Not dead and rotting, not twisted and empty. Small. Frail. Not quite whole. But alive.

And Halsin...hesitates on the threshold, hands shaking, everything having come to its head at last and he doesn't know what to do with himself. He holds his breath, fearful of any disturbance spooking the life away that they'd worked so hard to revive, until Thaniel turns its eye slowly towards him. Two deer caught in a crosspath of light. A century past and there are hundreds of things to do, hundreds of things he had planned to say to him if they succeeded, but all Halsin can manage is a strained: "It's me."

And he does not need to say who he is; Thaniel knows. All those rehearsed things fizzle away in its face. Halsin is older now, he reasons, much older; perhaps Thaniel will not recognize the century carved upon his brow just as Oliver had not. In a moment of desperation, he needs it to know him. Needs Thaniel to remember - but, fool that he is to underestimate the power of life before him, of course he remembers. Of course Thaniel would recognize him, just as he had recognized him after the long winter had passed - when he had changed so much, and was no longer a little elfling and never would be again. Just as Thaniel had recognized him every springtime after, the thawing of ice bringing another year with it, even as its face did not change at all. It must; his eyes betrayed the centuries beneath his boots, even as the child rubbed fitfully at them.

"It's me," Halsin murmurs again, falling to his knees - as if he could make himself impossibly smaller - bring him back to the beginning, turn back the years before it all went wrong. And Thaniel just nods its head and touches little hands to his face, and when he echos his name, it feels like that first thaw of spring again.

"I heard you calling," it whispers, gentle like summer breezes. "You cried for me to stop hiding. You were frightened and did not wish to play anymore. But when I came out, it had gotten dark. I could not find you."

"I know."

"I called back," he continues, even and intoned, but his lip wobbles. "You could not hear me.

"I know," Halsin repeats, brokenly.

Thaniel blinks a few more times, seemingly working out how to reteach a face long asleep, though there were no muscles to move. A false start later, a twitch of the nose, and he is...smiling. "But I kept trying - I knew you would find me."

A single stick too heavy and the dam breaks. Eyes filled with tears, he hugs Thaniel to him like he hadn't since they were children chasing each other through the underbrush with glitters of gold tangled in his hair. Since Thaniel had guided his hand to make the flowers in his father's garden grow. Since all they'd had was each other under the endless canopy of trees.

"Forgive me," Halsin whispers, a century of pain and loss and loneliness exiting from him in a single rush, the cold empty spaces inside him filling up with warmth. And at last he wakes, dragged violently into the open air after drowning for too long, blinded but alive and whole once again. Interconnected; not alone anymore. The earth sings beneath him and Oliver's spirit hovers just beyond the outskirts of his vision. Halsin chokes on his laugh. "I was never very good at this game."

[metukika]

ill say it before and ill say it again. hc that teru doesnt like serizawa at all.

[bigdvmnhero]

enamored with the thought of rise mikey never living up to his full potential because: he doesnt have to

he's not weak or naive or anything like that - in fact, i think if he wasn't the Family Baby, doomed to be coddled by raph until he's idk 30, mikey might've been one of the stronger fighters. i mean his weapon of choice in this iteration is the infamous kusarifundo; viciously hard to practice without hurting yourself. idk how splinter managed to train him in those 5-minute commercial breaks. the chains are also fire-generating btw. and the fire might be sentient?? who knows. his affinity for mystic power is off the CHARTS. first episode in - first episode!!! - mikey's opening the gate to the hidden city bc yeah, he can do that. his brothers cant. at 15 he rips open a portal out of sheer faith. no one is teaching him this shit btw. he just pulls it off. just child prodigy tingz

he's pure potential, unpolished and untapped, and he gets to be the carefree younger sibling bc his older brothers decided to bear the burden of leading and protecting the clan. everyone knows mikey's special, but no one's rushing him to fulfill his destiny or whatever. he gets to eat pizza and cook fun elaborate meals and goof off like a kid, bc he IS (for now)

meanwhile mikey in the bad future timeline: a literal time god, balding at 30, the only reason why humanity ever gets a second chance in the first place

[train-fans-anonymous]

(Probably Lukewarm) Hot Take: I fucking hate it when people infantilize Red Alert, there is something so 😬 about it..