#head frames

[swkrullimaging]

Mine Country Autumn and a Hawk

Mine Country Autumn and a Hawk

[egophiliac]

bring back zooterkins, the best 17th-century swear word

I don't normally do Just Characters Swearing, but. ...this kind of wrote itself and then wouldn't leave my head. it comes from both a piece of character-writing advice that has always stuck with me, and also my conviction that Leona is 1000% funnier as a character if his dialogue has to stay G-rated. let Kalim say fuck, but don't let Leona say bastard.

(I'm sorry)

[mothfulhansel]

some magma doodles from earlier

[idolomantises]

Does it like, annoy anyone else when a story presents itself as "feminist" and "progressive", but also punches down on women who are sex workers or sexually active.

[piedpip3rrr]

Get these boys on the volleyball court STAT

[hydrachea]

Thinking about Robin and Sunday's halos.

About how Robin's halo isn't a closed circle, but more like a branch forming a circular shape, where the start and stem don't touch. It's also uneven in shape and splits into three flowers, like it's allowed to grow freely, unobstructed. Something about Robin having left Penacony and having escaped the confines of her cage, being able to flourish. About her being able to let people in, and connect to them.

Meanwhile Sunday stayed behind to be the head of the Oak family and conform to the strict role that's expected of him, and his halo is a perfectly symmetrical shape that's practically fully closed off. It's sharp, almost more like a crown of thorns than a halo. And it almost doesn't have any openings to let anything, or anyone, in easily. It actively discourages getting close to it.

And then if you want to get sappy about, which I will - Sunday doesn't let anyone in, with that almost completely sealed, thorny halo of his... But there's an opening in Robin's halo, and so it can fit around Sunday's. Something about him always being able to find solace in her, because there's room for him in her (halo) heart always, by design.

Anyway I'm not normal about them.

[yangjeongin]

HYUNJIN BIRTHDAY COUNTDOWN (2024): hyunjin in every letter... ↘ D-11 | TUMBLR TEXT POSTS

[gazpachoandbooks]

Currently imagining Arthur + Gwen + the knights asking someone (maybe druids?) who this famous "Emrys" is and they proceed to do a version of "We Don't Talk About Bruno" while Arthur, Gwen and the knights grow increasingly more distressed with each line and Merlin hyperventilates in the background

[rendevok]

“Take my hand” pages 12-15

1 - 2 - day 3 - 💙free day❤️ - 4

[lowkeyremi]

⚠ not proofread cuz I'm tired. enjoy!!!

Moments before disaster struck, soft babbles and tiny feet smacking against the floor were unmistakable to the ears. While your husband "chases" the fourteen month old baby who's wobbly on their feet, you're finishing up some work.

As of recent, your baby has become a better walker, they still crawl around and wobble a little bit, but they're walking none the less. From their perspective, those tiny little legs make them unstoppable. In order to avoid being caught by their daddy, they must "run" away.

"I go get you!!!" He says in his little baby voice, watching his baby stop to look at him with a gummy smile that contains around four or five teeth.

Baby quickly turns around, their little legs carrying them as fast as they'll go and suddenly they bump into the wooden door frame that leads into your bedroom.

The bump was pretty loud and you just know that had to hurt. The joy on your baby's face soon turns into a little pouty frown and baby starts crying out in pain.

"Uh oh! Let daddy see." He rushes over to pick up his chubby little baby. Your husband examines baby's forehead which has a little knot forming on it.

The hollering gets louder as he tries to comfort the infant.

"It's okay. Look at daddy!" He tries making silly faces which distracts the baby's one track mind for a few seconds. They remember what they were doing previously and starts up the tears again.

"Mommy!!!" He yells out; unsure of what to do. He's slightly panicking seeing his baby in so much stress and pain like this... maybe you'll know what to do.

Relief floods through him when you come and take the little baby out of his arms.

"[baby's name] got a little boo boo on their forehead. I was chasing them and they bumped into the frame over there."

Baby stops crying when they're in your arms. You giggle softly at how quickly baby changes up.

"Did you just play your daddy? Yes you did! Oh yes you did." You ask in a soft baby voice. Baby starts to clap and giggle, you're sure they don't even grasp what you're saying.

"I did not get played by a baby!"

"Yes you did. Their boo boo was not as bad as you made it out to be." As soon as your husband tries to argue back, Baby has some words of their own:

"DAAAAAAAAAAAAAAAAAAAA," Baby says with a mouth full of fingers.

"That's exactly what I was saying. Daddy got played." Your husband stands in your room completely dumbfounded by what just happened while watching you walk out of the room with baby in your arms.

MHA

Midoriya, Mirio, KIRISHIMA

Haikyuu

ATSUMU, Hinata, KUROO, Suna, Tendou

JJK

YUJI, Choso, Yuta, GOJO

[crabsnpersimmons]

This one goes out to all the slow burn enjoyers, the dense Y/Ns, and the soft robo jesters that suffer in silence!

Inspired by @bamsara's “Solar Lunacy” fic.

If you feel like reading my ramblings and want to experience more heartbreak for fictional jester blorbos, check under the cut where I detail all the planning behind the frames!

so i heard this song for the first time in a while and the opening lyrics immediately made me think of moon, so i was daydreaming some scenes and then i decided to thumbnail some ideas:

and it all went downhill from there as everything became a metaphor and a parallel to each other, which i will now go into detail on!

you thought the animatic itself was sad?

*writing muse laughs maniacally* IT'S ALL A METAPHOR

Frame 1. "turn down the lights" We start with a back view on Moon. The lights are out, the Moon is out, but we do not see his face. The music and the greyscale atmosphere are enough to establish the weight of the moment and the weight on Moon’s mind.

Frame 2. "turn down the bed" We cut to a shot of Moon's body, kneeling on the ground of the daycare, like a padded cell. Moon’s hands are twitching with the effects of the glitch, with purple sparks coming from his hands. We still do not see his face.

Frame 3. "turn down these voices inside my head" Cut to an extreme close up on the dark half of Moon’s face. Now we see his face, but only a portion of it. His left eye is wide open, red and glitching out. The voices in his head can refer to the glitch but also his repressed feelings. Or maybe it could be Sun's voice in their shared headspace.

Frame 4. "lay down with me" Y/N's hand enters the frame from the upper right corner, lowering down to meet Moon where he kneels on the ground. Only a corner of Moon's face appears on the bottom left corner of the frame, his starry nightcap beginning to cover his glitched left eye.

Frame 5. "tell me no lies" An full shot of Moon on the floor and Y/N standing in front of him with their hand stretched towards him. A light spills out from behind Y/N, creating a boundary between them.

Now we see more of Moon. It is only when Y/N enters the frame—enters his world—that Moon’s body is shown in its entirely. When Y/N is here, he is no longer fragmented. He is whole.

Frame 6. "just hold me close" pspspspsps Playfully, Moon extends his own hand, beckoning Y/N to come closer, to join him. His right hand crossed over his body as he uses the playful gesture to hide his true feelings—to put distance between him and Y/N. His hat continues to cover his glitching left eye. He doesn’t want to worry Y/N.

Frame 7. "don't patronize" In response, Y/N’s hand pats Moon on the head, returning his playfulness. Moon looks surprised by the action. Moon, notably, does not lower his hand—perhaps he has forgotten it or perhaps his invitation is still open.

Frames 8-9. "don't patronize me" Moon rotates his faceplate so Y/N’s hand is touching the side of his faceplate, a more intimate gesture than a head pat. However, his hat is in the way. At this angle, his starry nightcap fully covers his glitchy eye and the dark side of his face, hiding his defect and acting as a veil between him and Y/N. A self-imposed boundary. So close, yet thinly separated. It's better this way. It's safer this way.

The lyrics are broken up by Y/N's arm, both to illustrate how the song is sung ("patronize" is drawn out and "me" is briefly added in before the chorus starts) but also to show how Y/N interrupts Moon's resolve, highlighting the irony between the visuals and the lyrics. Demanding not to be patronized, yet Moon happily accepts this play at intimacy. Don't patronize me, I am weak for it.

This is also the only instance where the red light of Moon's eyes glow and tint the surfaces around it. Visually, it makes it look like Moon is blushing (heavily inspired by @restinsodaroni's art). But also, in this moment of honesty, Moon's intrinsic light spills out, colouring the greyscale world. In this brief moment of honesty, Moon touches the world with his own colours, his own light.

(and this is also where i forgot to clean up the shading on Y/N's arm, but it's okay it doesn't need to be perfect it simply needs to be. And Moon will still love Y/N even if they are a continuity error.)

Frame 10. "'cause I can't make you love me if you don't" A parallel to a frame 4, Y/N retrieves their hand away and immediately Moon is reduced to the corner of his faceplate in the frame. Only now his glitched eye is fully covered by his hat.

The lyrics here (and in the next frame) in particular grow lighter to emphasize Moon's diminishing resolve and agency.

From here on out, the lyrics here are broken up, carrying on this theme of fragmentation. Y/N is pulling away, Moon is breaking up, the words are breaking up. Everything is coming apart.

Frame 11. "you can't make your heart feel something it won't" Y/N turns to leave. The lyrics, broken up as before, highlight the irony of the situation. Y/N, a human, can’t feel something they simply don’t feel. Whereas, Moon, the machine, feels something his code never intended him to feel.

Frame 12. "here in the dark in these final hours" Another full shot that parallels frame 5, as Y/N steps towards the light and Moon leans forward into the space Y/N once occupied. Y/N is leaving—that which makes him whole is leaving. And he is only capable of making it to the boundary where the light cuts into the darkness. The "final hours" suggest it might be the end of Y/N’s shift, or perhaps this scene takes place right before the glitch takes over—the final hours that Y/N has with the true Moon. Either way, time is running out—and only Moon knows it.

There is a contrasting display of body language here. Moon is on the floor leaning towards Y/N with his hand still left out. Whereas Y/N is turned away, walking away, and has already slipped their hand away and into their pocket. Y/N is closed off while Moon is limply open. Y/N is actively moving while Moon is on the floor, waiting, hoping, for that which he lacks the agency to reach for himself.

Frame 13. "I will lay down my heart" A close up on Moon’s hand, rising up again, perhaps to beckon Y/N back once more. This is a slight parallel to Y/N's hand reaching out to Moon. While Y/N can freely reach out and touch Moon, Moon cannot. He can't enter the light and more importantly he can't risk potentially harming his relationship with Y/N—be it through the glitch or by his feelings. He can only lay down his heart—put aside his feelings or hope that someone will pick up his pieces and make him whole.

Frame 14. "and I'll feel the power" Still on a close up on Moon’s hand, now clenched in slightly. This initially was going to have the glitch effects. However, I felt it more meaningful for it to be left without. Leave it up for interpretation why Moon pauses his hand. What is the power that he alone feels and stays his hand?

Frame 15. "but you won't, no, you won't" A parallel to frame 1, a view of on Moon's back with his hand stretched out towards the light, and Y/N walking into the light spilling through the open daycare door.

The placement of the lyrics suggest two different “you won’t”—Y/N who won’t realize Moon’s feelings, and Moon who won’t dare speak them into reality.

Another note on the parallel to frame 1, this time we also see Y/N's back, but it is notably different from our view of Moon's back. With Moon, we literally see inside him through the hole for his loop. However, Y/N is shrouded in shadow, just a solid, obscure silhouette against the bright light of a world Moon—and Sun for that matter—are closed off from. We don’t see into Y/N, just as the Daycare Attendant doesn't have any vantage point of Y/N's life beyond their time at the PizzaPlex. (The unfortunate reality of a being a character made for the purpose of being a vessel for the reader.)

Frame 16. "'cause I can't make you love me" We finally cut to face Moon head-on, frozen in place with his hand stretched out, unable to cross the boundary into the light. His eyes have gone dark. Where we began by seeing bits and parts of Moon, and never seeing his full face—now we, the viewer, see the full Moon, open and vulnerable—unbeknownst to Y/N.

Frame 17. "if you don't" But in the dark, behind closed doors, there is no one to perceive him—no one to receive him. The light dwindles as the daycare doors are closed. Moon stays frozen where he kneels. It is no longer the glitch that plagues him, but a far deeper dread.

But a lone streak of light peaks through the gap in the daycare doors. Perhaps that is just enough. A silver lining. A frail hope. A single, ethereal thread out of darkness and into light.

Thanks for reading and watching!

We'll be back to our regularly scheduled fun and games shortly!

[steppesliver]

true detective (2014) / disco elysium (2019)

[theladyyavilee]

you all know the drill, corporate needs you to find the difference between these two pictures 🤣🤣🤣

[mintsdraws]

i saw this meme thing and couldnt resist after finally finishing the story

[ebysse]

snape celebration 2023 week 3 - “the spy”

occlumency, before meeting the dark lord.

[opens-up-4-nobody]

:-P