#heh i'm not much of a writer

[yujeong]

For a fic prompt, I’d love to read something about Pete being sick or hurt and needing care that isn’t related to aftercare post-sex. I’ve found a fair few fics centered on Vegas dealing with being sick and cared for (and Pete basically bullying Vegas into letting him care for Vegas), but haven’t found nearly as many focused on Pete in a non-sexual context. I think that would be interesting and lends itself to your style of writing (at least from what I’ve read of your writing, which is just the VegasPete posted on AO3). I love your work, btw! Thanks for being a fandom author-y’all never get enough credit ❤️

Hello, my dear anon! Thank you so, so much for your kind words and your gorgeous prompt ❤️ Generally, Vegas taking care of Pete is one of my favorite concepts. We got crumbs in the show, crumbs, and I desperately need more of that. Thank you for giving me the incentive to do it myself, though I have dipped my toes into it a little bit before with the things you can(not) change, which had Vegas taking care of Pete emotionally. Btw, I'm very sorry for being late in replying to this, but I had a bit of trouble coming up with an idea for it until I got hit with some very specific feels, and now here I am, with 5 whole ass pages of words that made me decide to turn this concept into a proper fic. Looking forward to posting it in 2025 lmao. Here's a part of it: ------------------------------------------------------------------------------ Pete woke up laying on his bed, with no recollection of how he got there. The last thing he remembered was going to the kitchen for some water and the noise coming out of Macau's room. It was probably because of that new game he bought last week that he wanted to play so much. His whining suggested he wasn't very good at it. Pete didn't know what happened after that. He was feeling disoriented, floaty. His head was throbbing. There was bile stuck at the back of his throat, which he couldn't swallow. His mouth was dry. His body was heavy, restricting his movements. He tried opening his eyes, but he got dizzy by the light coming in from outside. He closed them again. "Why didn't you tell me you were sick?" Fuck. When did Vegas come back? Where was Macau? Pete took in a shallow breath, trying to quiet down his heartbeat. He didn't open his eyes. Vegas sounded angry. He had to calm him down, somehow. "Vegas..." "Macau called me in a panic, because he found you unconscious in the kitchen. He thought you died. I did too, when I saw you."

Vegas was holding back tears, Pete could tell; there was a certain way his voice hitched when he spoke like that, vulnerability leaking from his tongue. He sounded small, too, like when he used to do comparisons that led him nowhere. Pete didn't like it when Vegas was talking like that. The fact that he reverted to that state because of him made it even worse. "I'm sorry." "Don't-" He didn't conclude what he was going to say. Pete could hear sniffing, but nothing else. Not looking at Vegas' face was killing him. He opened his eyes with extreme difficulty and found Vegas staring at him, with red smeared across the edges of his own eyes and sweat gathered on his forehead. He was too far away. He wasn't touching him. "Vegas," Pete said, lifting his arm in Vegas' direction, despite how much he couldn't. Vegas widened his eyes and dropped his gaze. He held back a sob. He didn't take Pete's hand. "You look the same as back then." Pete let his arm fall on the bed, stunned by Vegas' words. How could he be so stupid? He completely forgot. He didn't know why. Maybe because everything that had happened at the safehouse had always seemed like a weird dream to him, one that he never really woke up from. Pete didn't have any words of comfort to give. His stomach started acting funny. He hoped it wouldn't lead to vomiting. He hadn't done that since his adolescent days, which had been filled with boxing and violence. "It's not your fault I'm sick," was all he could offer in the end. "I should have been here, taking care of you-" "You had an important meeting with Porsche," Pete reminded him. "Fuck Porsche." He had thought about it once. How it would feel to have sex with Porsche. Pete imagined it'd be simple. Uncomplicated. Fun, even. Now, it sounded painful, more so than all the things Vegas did to him. Perhaps Vegas was right getting concerned about Pete's health after all. He felt a hand touching his forehead. It was cold and sweaty. Pete wished it could get glued there. "Shit, your fever is high. Have you eaten anything?" "No." He felt Vegas suck in a breath, before he heard it. "I'm cooking you something to eat." He tried to get up, but Pete caught him before he could escape. A low, whining sound scratched his sore throat. "Sleep with me. You look tired." "Pete," Vegas warned. "You're burning up and you need to eat." "Just for a little while. It'll help." Vegas sighed. The sound came out unsteady. His bottom lip quivered, or Pete thought it did. His vision was too blurry to be sure. "Fine, but you're taking something for the fever first." Pete smiled tiredly at him. He didn't thank him. He would hate that.

[maideninorange]

⭐️ for the To Be series 👀

Anything I want, you say? The To Be (One With the Garden) series of mine they are referring to is...a lot. It's intended to be very open-ended, with a lot of things never being outright stated, and if you read any given fic with a given assumption about Olimar's unfortunate situation, said fic(s) can easily be made more or less horrifying. Add in the fact that neither Olimar nor the Pikmin are always entirely what you'd call a very reliable narrator (no matter how much the former likes to think he is, for the most part), especially as time goes on, and well...things can get tricky, to put it mildly.

As a result, it can be kinda hard to talk about this series, because I don't want people to take my own reading as fact on too many things. It's more fun seeing what kind of interpretations people come to on their own, at least, in my opinion as the author of these four things.

So hm...What to talk about, what to talk about...Do I point out that one bit where I fucked up how much oxygen is in the Earth's atmosphere that's been driving me a little crazy? It's 21% not 70%...Wait! This is probably going to be one of the only times I get to share some language factoids about the Pikminish language I've imagined the characters speaking that I have been writing with in mind! Check what I wrote in Discord convos... remove parts that are kinda spoilery to that huge knife twist in the "back half" I've been planning since the beginning...Place cut for my non-Pikmin followers and here!

Generally speaking, Pikminish outright lacks pronouns. Where pronouns would be in English is generally something most would understand in context. It is generally assumed that plural takes precedent, unless stated to be otherwise (so the word that would most closely resemble "I" and "you" when one must state the topic would most literally translate as "this one" and "that one"). Referring to a third person is referenced through hand gestures like pointing, or through the use of titles (like "Leader", that is ever present). The thing about the Pikmin, you see, is that referring to the group is taken to be the norm due to their odd eusocial structure (For those not familiar with it, eusociality refers to the sort of social structure things like ant nests and bee hives have, although the version in "To Be" is more a cliffnotes version). This is why the default pronoun for the Pikmin is "We" in these fics with "I" being emphasized, due to the fact that they find it unnatural to refers to themselves as individuals. There's, unfortunately, no real way to communicate this in English, but if you are familiar with languages like Japanese, it's kinda like that except Worse.

Adding onto this is the fact that the Pikmin, lacking a social concept of gender, naturally lack a language feature for gender. This is why they refer to Olimar with they/them pronouns, which is something I've mentioned before I think. However, something I haven't mentioned is that I tend to think of Hocotatian as a language with quite a few similarities to Pikminish, one feature of such being that it is similarly context based, although Hocotatian is more just average pronoun avoidant as opposed to outright lacking in pronouns. This is why Olimar never so much as remarks on it when he probably would've otherwise: gender in Hocotatian is typically conveyed through gendered nouns applied to people (think "salesman" or "actress"). As the situation he's found himself in is one in which use of nouns that would be gendered in Hocotatian are few and far between, it's not something he ever really has any opportunity to pick up on, and so it goes unremarked upon. Naturally, English, being a very pronoun heavy language, this kinda makes conveying that specific detail nigh-impossible outside of something like this. Curse you English, you broken broken language.

I like to imagine Pikminish as one of those languages where common words tend to translate to something flowery in another. Not bad for a language where sentences tend to be fast and words are stuffed with as much information as they can be! (Never know when predators might be on the prowl, after all.) This ties into the very musical way I like to imagine them talking, but you already know that, and this thingy is for things I can't convey in fic.

Word order is more than likely SOV in both Pikminish and Hocotatian. (Subject -> Object -> Verb order for those unaware). It's a very common order for words to flow in general out in the real word though, right next to SVO. I just thought this detail was interesting. (English is SVO, so this would've been impossible for me to convey). I like to imagine Pikminish as having pitch accent as well, due to a lack of varied sounds to create various different combinations of words with.

I would've killed to explain any of this in fic, but as you can kinda observe, Olimar is not a language nerd (and therefore would have no reason to take note of any of these things...Though I imagine his notes would've been very extensive if he was lol), and the Pikmin sure as hell aren't. So unfortunately, a lot of this had to go unexplained, even though I was writing these fics with that in mind.

Sorry if this isn't the most interesting director's commentary, but I really wanted to get this bit out there somewhere considering I couldn't write any exposition on it in naturally. But I had fun writing this out, so I hope that counts for something!

[fasterthanmydemons]

{out of breath} I am like in the complete wrong mindset to write Pietro tonight. Nothing bad, just... my inspiration is in a totally different place right now. I’m going to try to force some things out because he only gets one day a week and I know people are waiting for replies, but it may be a light night.

[noroi1000]

Hello! Can I request something like the day you became his mate (werewolf au) but this time with gojo? I really enjoyed the geto fic!! You're really an amazing writer you got me into jjk again so thank you for that. I hope you have a wonderful day! You can delete this if you aren't taking request with the honored one event (which I really love)

I want to have a Mate

Author: I am very glad that you like my works. I appreciate it very much. And I love you all Anon-chan. I don't accept requests for the event, but I did it as a normal request outside of the event. You wrote to me just when my requests were open, so there was no problem. This is pretty short because I still have a lot to write for you. But I tried to make it good

Werewolf Gojo x reader

Warnings: Short NSFW

Words: 1,4k

Summary: Gojo wanted a mate. And I really wanted to feel what it was like. And suddenly you appeared, Shoko's friend. He couldn't miss the opportunity when he probably found a mate.

"I want to have a Mate."

"What?"

"You know... Moments when you have a mate are nice..."

"Satoru, are you suddenly talking about wanting a mate? What happened to you?"

"You want a mate too! Say it straight! Everyone wants a mate! I want one too!"

"You know it's not fun?" he asked with a smile. "Mate is the person you will be with for the rest of your life."

"I want mate..."

"I know... You said yourself that everyone wants a mate..." He leaned on the bench they were sitting on.

"How am I supposed to find a partner?" he asked.

His ears appeared on his head, as did his tail under his hoodie.

Something he liked to do because it looked cool.

His ears drooped slightly as he was slightly sad about it.

"You have to search. You can't be sure who it will be or when. You just have to walk among people. Your intuition will guide you."

"Do you think it'll be a woman or a man?" White Hair asked for no reason.

"Who?" He looked at him with a raised eyebrow.

"My mate."

"Heh... Satoru, no one knows who your mate will be! You'll know when you meet her or him. Besides, does it matter?" He chuckled lightly.

"Only a female mate will give me puppies in the future, right?"

His dark-haired friend widened his eyes.

"Who are you and what have you done with my friend." He pointed at him.

"Hah?'

"The Satoru I know never talked about having kids!"

"Isn't it obvious that I'd like to have a Mate and then maybe puppies?!"

"My friend is coming. So I'm leaving soon. I don't have time to spend all day here." He stood up, rubbing his temple.

"T-Wait!" shouted Gojo, getting up.

Geto turned to look at him.

"When will I know that someone is destined for me as a mate?"

He smiled slightly.

His friend was probably old enough to think about it.

Every one of their species wants a mate.

And that comes at different points in time.

The fact that his friend talked about mate now only means that he really wanted to.

"The first time you met." He said. "I met my mate in a store. And then I had to work to prevent her from getting married."

"At least you have a mate..." he suddenly leaned over his friend's shoulder and looked at the woman who was walking towards them. The dark haired man smiled. "Who is it?"

"Suguru." The girl called as she approached them.

"Hello." He said with a smile.

"Shoko told me to go with you, so let's go." You pointed to the road behind you.

"Where are you going?" asked the White Haired.

"Oh, Satoru, that is (y/n), we met when Shoko invited us to her birthday party. She is a friend of Shoko. (y/n), this is Satoru."

"Hello." You smiled slightly at him, looking at the ears on his head, which turned more forward as you spoke to him.

"We're going to Shoko. She probably wants to beat me again for something. We'll meet after that."

White Hair's ears couldn't stop hearing your voice.

His eyes couldn't stay away from you. He felt his heart beating faster.

His tail involuntarily began to fluff and waved slightly from side to side.

He felt something pulling him towards you.

And his friend's words echoed in his ears. Mate can be recognized so suddenly. When least expected...

Did he just...

Did he just meet someone who is supposed to be his mate?

"We can talk?" he asked, turning his head to the side.

Suguru nodded his head, also telling you to wait a while.

Gojo remembered you.

At Shoko's birthday. You were pretty cool. But he didn't talk to you much.

And now... Are you his mate?

Standing behind a tree, Geto looked at his friend's strange behavior.

"Satoru, what's going on?" he asked, watching its tail.

"You said mate can be found anytime..." he said more quietly, and held his tail in his hand as he still couldn't stop waving it.

The black haired man froze for a moment.

"Wait... Did you just...?!" he took a step back.

Gojo turned his head to the side, a tiny blush on his cheek.

"Did you just see your mate in (y/n)?!"

The white haired man crossed his arms over his chest.

"Shoko will kill you!"

"I was at her birthday, I already met her... So maybe..."

"But-" he muttered, not knowing what to say.

"You also met your mate suddenly." He groaned, and suddenly came out from behind the tree. Going your way.

"Satoru." he called.

He turned around for a moment.

"You can't just walk up to her and say she's your mate!"

"Why not?"

"Because she's not a werewolf, she's a human."

"You also have a human mate."

"It's the same as with a normal relationship. You have to get to know her and make her feel something for you. You can't just walk up and do what you want!"

"Tch... Fine..." he groaned, looking offended and sad.

"Do not be sad. I know she'll like you. As long as you're nice to her. And you won't be talking about mate and puppies right away."

"Do you really think so?!" He said suddenly pleased.

"Invite her on a date, meet her. But don't you dare earn her anything. Shoko will kill you and me for this."

"If Suguru found out... Ah... He'd kill me..." He moaned before connecting your lips with his.

As he pushed his hips into yours. Feeling you tremble under him.

Surely you were with him faster than mate Suguru with him.

This was what he could be proud of.

Because after only five dates alone, and about three times together, you became a couple.

Until finally he told you that you are his mate. Because he sensed it from the very first meeting.

He kept putting his face against your neck as you cuddled, and when he finally explained to you why he was doing it, you made a difficult decision.

He loved you sincerely.

You fell in love with him too.

The fact that he's a werewolf made him fall in love with you. You were attracting him as his destined mate.

That's why you were in a difficult position.

Once you agree to be his mate and not just his girlfriend, you'll be with him for the rest of your life.

He was already jealous and acted like a brat most of the time, not letting you go where he couldn't and knew there might be another guy.

You don't mind him and you love him.

But being his mate will mean he won't see the world outside of you. That he will only care about you. He will look after you.

Especially when you heard from Suguru that you have to be careful because Satoru is neither an omega nor a beta werewolf. Satoru, like Suguru, is an alpha.

And alphas are always on guard and sometimes overprotective of their omega partner.

In your case, it was you.

Suguru told you to think about it. Because if you do, you will be "bound to Satoru for the rest of your life and nothing will ever separate you."

You had a difficult choice.

To listen to your friend who wanted to take care of you, or to listen to your heart telling you that you love Satoru and are able to live with him for the rest of your life as his mate.

You chose what you wanted.

That's why you were lying under a tall, handsome, white-haired werewolf who spread your legs possessively to show the dominance of the alpha male over the omega.

You won't be able to fully understand this Alpha-Omega just yet. But when you spend the rest of your life with him, you'll learn even more.

You moaned loudly as he drove his hips into yours, holding your bodies in that position.

"He told you to make a choice... Huh..." he laughed, licking your neck before his sharp teeth came out and grated against your skin. "And you chose what you wanted, didn't you?"

You shivered as he pressed harder into you.

"I could have chosen... Between keeping you at a distance so I had time to think... Ngh... Or going to you right away..."

"And a good girl chose to be my mate~." He smiled at you with a toothy grin. "Little omega mate for big, strong alpha..."

All you heard was his chuckle in your ears and your heart beating.

"You chose very well." He laughed in a low voice, and looked at your neck, licking his lips. "I wanted my mate. And now I have. And I will have forever."

And suddenly he dived in to grab your skin on the side of your neck in his teeth to bite and leave marks.

[lafaiette]

I've seen some people ask for comparisons between Pen's Chinese and English lines, so I made a small compilation to show the biggest changes that most baffled me.

There is a kind Chinese player, Yu, who offered the fandom much of the info and insight contained in this post, and she was the first to shed light on these differences! Without her enthusiasm, I doubt people would have started investigating Pen's original lines ;_;

Under the read more because this is long!

Brief premise: the Chinese dialogues in the game are often less "harsh" than the English ones. For example, Qi can sound rude and condescending in English, while he's pretty polite, if not a bit aloof, in Chinese. Justice's lines in English rely on the typical "hey pardner" cowboy accent, while in Chinese he's very professional, almost overly so.

That said, the English writer who worked on Pen made it no mystery that he based his characterization of Pen on Gaston from Beauty and the Beast. There is even a line directly referencing the movie: "[...] when I was a boy I ate four dozen eggs every morning to help me get large. Now that I'm grown I have five dozen eggs [...]"

As such, English Pen sounds much different from Chinese Pen. He's more patronizing and rude, and the writer added stuff that it's simply not present in the Chinese text. So while in English Pen can sound like a knucklehead obsessed only with muscles and training, surrounded by adoring women and fans when in Duvos, in Chinese he shows a different, almost more innocent side, as if he were a very tall and big child who has never had a day of legitimate and healthy fun in his life (and that's carried across in some of the English lines - that's why his English version is a bit contradicting sometimes).

Here are some examples:

One of his lines as a Good Friend is:

Here it's implied that Pen gives the Builder a hard time not only to push them to improve themselves... but also because he likes doing it, referencing his friendship mission where he admits he doesn't like teaching people anything, he just wants to fight them.

Meanwhile, the Chinese version says:

I keep calling you a weakling just to urge you and encourage you to exercise hard and break through your limits. If you won't have me to protect you in the future, you will have to become an eagle for me!

Here "eagle" is a reference to the way Pen calls the Builder in Chinese: 小弱鸡 "little weakling/little chicken" - and the latter is a rude way to call someone in Chinese, especially if they are a man and the "chicken" character (鸡) is repeated twice (but 鸡 by itself is also slang for "female prostitute"... so if you want to read it that way, Pen can call the Builder "my little slut" when in a relationship. HEH.)

In any case the tone in this line of dialogue is much different from the one in English, and Pen sounds genuinely enthusiastic.

Another example:

At the start of the game, Pen asks the Builder to craft a Sword and Shield for Burgess, who apparently misplaced his own. It turns out Burgess hid them under his bed, so when the Builder tries to give the weapons they crafted to Pen, he will tell them to keep them.

As usual, the English version is mocking and patronizing ("Hah! That'd be rich!"). In the Chinese version, Pen first compliments the desert:

In this case, take it back and use it for yourself! Use it to explore the desert and fight those monsters - what a thrill! The desert is very dangerous, but it is also full of charm.

Then there is the line about Logan and his band:

Hey! Maybe you can still find traces of Logan's gang! If you subdue them, you will gain both fame and fortune! [Okay, see you next time] [not shown here]

Now, some romance stuff : >

This is the description for the Robo-Love Couch. In English it says:

Meanwhile the Chinese description:

Referred to as the "Love Sand Machine", Peng Hu specially built a loving sofa for you, pieced together from the remains of robot monsters in the ruins.

He specially built a loving sofa for the Builder. It seems like a silly detail, but wording is important!

And yes, Pen's full name is Peng Hu, 彭虎. Peng is his family name, Hu his birth name. Hu 虎 means "tiger", and now you can understand why Grace suspected him to be Tiger the spy. But that would have been too easy!

Peng 彭 is a common Chinese surname. Its original meaning is believed to be "sound of war drums" (sad implication), but it's also used as an adjective to mean "big". So Pen's full name can mean "big tiger" :D

Back to the couch! Lines are different during the date in Paradise Lost, too.

Come on, little weakling, come and sit next to me. Let's give this trophy a "kiss of victory"! Do you do this with everyone you date? Wait, it seems I'm regretting it a bit... Happiness comes too suddenly...... (Kiss Peng Hu)

In the English version, the Builder can ask "How many of these thrones have you built...?", implying that Pen has had so many lovers he can craft this couch in a matter of few seconds. But in Chinese, the Builder's question is much different, it's more like: "Damn, are you always so over the top when dating someone??"

One of the biggest differences is in this set of lines:

Okay.

Meanwhile, in Chinese:

Today's experience made me realize that love has used a deadly locking technique on both of our hearts. Let me no longer doubt the feelings between us. This love is true love! Now, I am even more unwilling to take my eyes away from you! Haha!

I MEAN.

Also, in Chinese Pen never mentions the infamous 12 girlfriends when the Builder and Grace question him in jail. Yu confirmed that throughout the game Pen doesn't brag about his love life or his popularity with women, probably also due to the negative way Chinese culture sees this kind of "bragging".

Not only Pen and many other characters are younger in Chinese Sandrock (Pen's age ranges from 25 to 27, while he's confirmed to be 31 in the English localization), but he's depicted as being not very experienced in relationships in general. He basically only knows how to fight, punch people, and destroy stuff. Anything else - having friends, being with someone who truly loves him and whom he truly loves, having a normal life - are something he never experienced before. He did date (see his final letter later), but he's not described being the Casanova of Duvos like he is in the English version. In fact, it seems people only liked him due to his body and status, and a remnant of this piece of characterization is left in the English text when he says:

Surely, you understand… I am quite the prize. I can’t take myself off the market just to become arm candy for you to show off at your little buildy guild awards or whatever it is! No, what I desire… is true love…

Furthermore,

In Chinese, he says during the Masterclass friendship mission: "To be honest, I never thought I'd be able to make friends, let alone with someone of your stature/body size! But here we are, with a sick relationship!"

In English: "You know, Skinny, I’ve never had someone I really considered a friend before. Furthermore, I always promised myself I’d never be friends with anyone who didn’t have an awesome cape, but… you made me break that promise."

"I never thought I'd be able to make friends" is different from "I’ve never had someone I really considered a friend before." In the first line, the focus is on Pen ("I don't know how to make friends; I'm not good at it; it's not for me; how do you do it?"), in the second it's on other people ("I've been surrounded by people all my life, but I don't consider any of them to be a friend of mine; yeah, I call this one 'friend', but... they are not really really a friend")

The Chinese line is much sadder, and it shows how lonely Pen's life has been. One of his main characteristics, after all, is being "special", "the strongest", "different from everyone else"; but more often than not, being special and different also mean being "lonely". ("I must say it gets lonely at the top… What I wouldn't give for a truly talented opponent who could really keep me on my toes! Alas...")

And now, the grand finale :'>

A screenshot from Yu's playthrough, Pen's final line:

Farewell, Yu. This time it's for real. You're free.

The Protector, the bracelet Pen will leave for the Builder in the cave, is called "Guardian of Love" (爱的守卫者) in Chinese. Its description says:

A very delicate bracelet that protects the wearer's wrist. Wearing it gives the wearer a feeling of being emotionally confined. Perhaps this feeling is similar to what Peng Hu often said, "Marriage is a boring bondage".

His letter in Chinese is also sweeter and sadder:

最近在这所谓的阿塔拉最高监狱，我也多了点时间思考，没法带你一起来陪我，多少有些遗憾。罢了，这事也怪我。不管怎么说，你也算是我交往过的恋人里最让我上心的，也是为数不多分手之后我还继续挂念的。所以，我打算原谅你了。对——我原谅你了。我想我们也没有机会再在一起了，你也不过是做了你那个位置该做的事，没什么值得抱怨的。我应该一开始就努力把你“招安”了，让你跟我一起，才是最妥当的做法。当然我也没怨你，你确实很优秀。我还留了个最后的挑战给你。在某个遗迹里，有我最宝贵的几样东西，如果你能拿到，就归你了。运用我教给过你的一招半式，要去到那里应该很容易。我亲爱的小弱鸡，这是我最后一次这样叫你了，我相信你的能力。记住，不要怠慢了训练。我们，后会无期。

Dear [name], I've had a little more time to think lately in this so-called Atara Maximum Prison, and I'm more than a little sorry that I couldn't bring you along to accompany me. Well, it's my fault. Anyway, you are still the most beloved lover I have ever been with, and one of the few that I continue to miss even after a breakup. So, I'm going to forgive you. Yeah - I forgive you.I don't think there's a chance we'll ever be together again. You're just doing what you're supposed to do in your position, so there's nothing to complain about. I should have tried my best to recruit you from the beginning, and it would have been the best way to keep you with me. Of course I don't blame you, you're indeed excellent. I also left you a final challenge. In some ruins, there are a few of my most valuable things, and if you can get them, they're yours. It should be easy to get there, using the tricks I've taught you. My dear little weakling, this is the last time I'll call you that, I believe in your abilities. Remember, don't slack off on your training. We won't meet again. (but 后会无期 can also mean "meeting at an unspecified/unclear date")

And finally, if romanced, Pen will leave for the Builder 5 pieces of gold, 2 diamonds, and 1 Protector. 521 (and 520) are a cute way to say "I love you" in Chinese, because when read aloud they sound like "我爱你, Wo ai ni, "I love you". But in some cases, 521 also means "Yes, I will [marry you]" - and Pen does drop a diamond ring after his final battle (apparently he drops it only if you romanced him, but it's unclear yet. I'm pretty sure he didn't drop it during my Fang playthrough, while he did drop it when I romanced him, but I'll need to check that).

WELP, this is pretty much everything I got on this! If the kind Yu will tell us more or I find anything else, I'll update this post!

[petermorwood]

Mr. Morwood, I have enjoyed your blog for quite a while and I have a question.

I have been writing since I was a kid and it's always been the only part of my life that I never stress over. Maybe the story is good; maybe it's not-- the important thing is that I had fun writing it. Even writer's block was rarely a problem. I could either take a break and wait it out or just Write Something Anything, and the words would start to flow like always.

For almost the past year, the words won't come. I can come up with ideas, sure, but when I sit down at the keyboard the sentences are clunky and my brain feels like a cat being given a pill. That's the worst part-- I'm fine with writing badly but this just isn't fun like it used to be. I've tried all the classic tricks, tried giving it time, tried finishing old projects, starting new ones, different font. Same result.

Since you're an experienced writer I hope I'm not out of line in asking, what do you do to break writer's block? How do you call the words back?

I wish I knew, but the state of my own WIP folder is an indication that I don't, and your comment (bolded) is one I can appreciate.

That's the worst part-- I'm fine with writing badly but this just isn't fun like it used to be. I've tried all the classic tricks, tried giving it time, tried finishing old projects, starting new ones, different font. Same result.

Confronted with all The Usual Suggestions, I can add the one which isn't there: have you tried reverting to pen / pencil / notebook and writing in longhand "for spontaneity"?

I'm somewhat acquainted (heh!) with a much better, more experienced writer than me, so I'm going to tag @dduane in on this.

[lewis-winters]

I was just curious but do you have any recs for period dramas about the philippines? I want to expand my period drama watching and im not quite sure where to start

Oh, the monster you've unleashed. YES I do have so many period dramas from and about the Philippines. Unfortunately, not all of them might be accessible to you if you're outside of the Philippines. Some of them are found on Amazon Prime, Netflix, and MUBI though. I'll make sure to put a lil note next to each film if they are. Also! these vary in genre (meaning: not all of them are war films, and some of these are horror films-- because this is me we're talking to, heh). I also have copies of some of these and will make a lil note next to each film if it's available for sharing, though I'll only give the link via DM. Please note, however, that they are all either in Tagalog, Bisaya, and/or other local Philippine Languages and not all of them have subtitles!

I also have very nuanced relationships with all these films, since Philippine History was my undergrad of choice. But to keep this post as brief as possible, I'm not going to talk about them at length. Though I will be including trigger warnings. Also note... some of these movies kinda suck HAAHAHAHA but I had way too much fun watching them so like. Please don't tell me they suck, please. I love them too much.

Also tagging @emmylynnaa because I promised her a similar list.

This is sorted by eras in Philippine History. Enjoy! (under the cut because it got long):

Spanish Occupation Era (1565 to 1898)

GomBurZa (2023) – A film following the GomBurZa, the three native Filipino Roman Catholic priests Gomez, Burgos, and Zamora executed during the latter years of the Spanish colonial era. TW: period typical violence. Furthermore, this is a Jesuit produced film so like. Once again. Take it with a grain of salt.

Jose Rizal (1998) - Jose Rizal's life and works are recounted through a series of non-linear flashbacks which reflect on various aspects of his life - as writer, propagandist, lover, friend, brother, doctor, and the man that inspired a revolution. Available on MUBI. TW: depiction of sexual assault by a priest. I also have a love-hate relationship with this film because on one hand, literally shaped my love of history. On the other hand, it is the MOST idealistic depiction of Jose Rizal ever + very historically inaccurate in many places, please watch this with a grain of salt.

Maria Clara at Ibarra (2022 – 2023) – A series about a girl from the 21st century who is magically transported into Jose Rizal’s famous novels Noli me Tangere and El Filibusterismo (you know, the novels that helped spark the Filipino Revolution against the Spanish). The synopsis sounds cheesy but trust me, it’s very good. Available to watch on the GMA official webpage. I just don’t know if you can access it outside of the country. TW: rape, abuses of the Catholic church, period typical violence, abuses of Spanish colonialists. A personal favorite—the costumes? Divine. And the character arcs are also really lovely. Helps you understand Philippine contemporary culture, too.

Katipunan: TV Mini Series (2013) – A mini-series depicting the creation of the Kataastaasan Kagalang-galang na Katipunan ng mga Anak ng Bayan (or the KKK—no, not the white supremacist group; that’s unfair, by the way, we did it first), the revolutionary organization founded in 1892 by Filipino Nationalists against Spanish Colonialization. Available to watch on the GMA official webpage. I just don’t know if you can access it outside of the country. TW: depictions of rape aftermath by Spanish soldiers, period typical violence, torture, graphic depictions of a corpse. This is a personal favorite of mine.

Hele sa Hiwagang Hapis/A Lullaby to the Sorrowful Mystery (2016) - Andrés Bonifacio is celebrated as the father of the Philippines Revolution against Spanish colonial rule. This eight-hour epic examines this myth, undertaking an expedition into history through various interwoven narrative threads, held together by an exploration of the individual’s role in history. Available on Mubi. TW: it is literally eight hours long. But that’s Lav Diaz for you. I love him, but oh my god is he an acquired taste.

Ang Kababaihan ng Malolos (2014) - The saga of the 20 Filipino women who petitioned for the opening of a school in a time when women weren’t given the chance to do so.

Ganito Kami Noon... Paano Kayo Ngayon? (1976) – Set during the end of Spanish colonization and the start of American colonization. After his mother's death, the simple-minded and naïve Kulas (Christopher De Leon) begins his much-awaited trip to Manila. On his way to Manila, he mindlessly takes on the mission of retrieving a friar's son and bringing him to the friar's residence.

Mallari (2023) - A horror film chronicling the deeds of the first recorded serial killer in the Philippines. This film spans decades, all the way up to present day. It's kinda stupid. Like. Really stupid. That's ok. We watch it because we want to see Piolo Pascual and JC Santos covered in blood. TW: oh my god so many bodies and so much gore.

Filipino-American War and America Occupation (1899 – 1940s) (this era has the best films, actually, if you want a place to start and start strong? start here)

Amigo (2010) - A local leader of a small Filipino barangay must decide whether to keep the peace with the American troops occupying his village or join the insurgency with his brother and son. TW: racism, sexual harassment, graphic depictions of corpses, gore, period typical violence.

Heneral Luna (2015) - Set during the Philippine-American war, Heneral Luna follows the life of one of Philippine History's most brilliant soldier, General Antonio Luna, as he tries to lead his countrymen against colonial masters new and old, and to rise above their own raging disputes to fulfill the promise of the Philippine Revolution. Available on Netflix. TW: short scene depicting the aftermath of sexual assault, period typical violence, and graphic depictions of a corpse. Again, one of my favorites. I have so many happy memories of this film + the fandom it birthed! I miss it sometimes.

Angelito (2018) – The short film that bridges both Heneral Luna and Goyo: Ang Batang Heneral, depicting the brothers Manuel and Jose Bernal – Antonio Luna’s aides-de-camp – and their youngest brother Angel, two days before the General’s assassination. This film you can find on Youtube!

Goyo: Ang Batang Heneral (2019) – The sequel of Heneral Luna, this film follows the story of Gregorio 'Goyo' del Pilar, one of the youngest Generals during the Philippine-American War who fought in the historic Battle of Tirad Pass. Available on Netflix. TW: short scenes of torture, period typical violence, and graphic depictions of a corpse. Again, a personal favorite for the same reasons stated above. Though it’s not as strong as Heneral Luna, I gotta say.

Ang Larawan (2017) - In a musical tale about standing together against materialism, two impoverished sisters anguish over whether or not to sell a painting, the final masterpiece by their recluse father. A bitter struggle for survival against betrayal set in pre-World War II Manila. A personal favorite, oh my god. This film. Oh my god, this film.

World War 2 and its aftermath (1940 – 1950)

Quezon’s Game (2018) - In 1938, Philippine President Manuel L. Quezon, military adviser Dwight D. Eisenhower, along with other notable figures, set out to rescue Jewish refugees fleeing Nazi Germany. Quezon simultaneously deals with a relapse of tuberculosis. Available on Amazon Prime. TW: talk of genocide and short scenes depicting the murder of Jewish people by the Nazis.

Tatlong Taong Walang Dios (1976) - A woman falls in love with a Japanese soldier during the Japanese Occupation in the Philippines; the whole town turns against her. TW: rape. Think Malena.

Oro, Plata, Mata (1982) - Set in the Philippine island of Negros during World War II, it tells the story of how two hacendero families cope with the changes brought about by the war. TW: rape

Kusina (2016) – Her kitchen. The silent witness to the life and love of Juanita. It is her sanctuary, the place where she creates dishes for her family, friends, even enemies and strangers. Through cooking, she gets to know the people around her. TW: violent child birth, death of mother in child birth, sexual harassment by Japanese soldiers. This spans multiple decades, all the way up to Martial Law.

In My Mother’s Skin (2023) - Stranded in the Philippines during World War II, a young girl finds that her duty to protect her dying mother is complicated by her misplaced trust in a beguiling, flesh-eating fairy. Available on Amazon Prime. TW: body horror, gore, explicit depictions of a corpse, period typical violence.

Markova: Comfort Gay (2000) – A coming of age drama film loosely based on the life of Walter Dempster Jr., the last surviving Filipino “comfort gay” (male sex slaves for the Imperial Japanese Army) from World War II. TW: CSA, wartime systemic rape, rape.

Comfort Women: A Cry for Justice (1994) – The story of how two sisters and the rest of the women of Sta. Monica are forced into sex slavery by Japanese soldiers during World War 2. TW: wartime systemic rape, rape, and period typical violence.

Seklusyon (2016) - In 1947, a group of deacons (aspiring priests) on their last week of training are sent to a remote monastery to live in seclusion for seven days to protect them from the devil, who on the last few days of training attempts to break the will of deacons to make them reconsider their choice of becoming priests. During their seclusion, a little girl named Anghela, believed by locals to be a living saint because of her healing abilities, appears at the monastery seeking refuge. Available on Amazon. TW: pedophilia, gore, body horror, Catholicism, religious horror.

Corazon: Ang Unang Aswang (2012) - A psychological thriller film detailing the psychological breakdown of a woman struggling with infertility in post-war Philippines. If you want to see women go feral, this is fun.

Martial Law (1970 – 1980) (actually, you know what? I lied. This era is the era with the best films. God, these are CLASSICS and are the ones that’ll help you understand contemporary Philippine culture the most; definitely start here)

Manila, sa mga Kuko ng Liwanag (1975) - Júlio Madiaga, a 'provinciano', arrives in Manila to search for his beloved, Ligaya. TW: coerced sex work, sexual abuse. Once again, a Filipino cinema classic.

Insiang (1976) - After a teenager is raped by her mother's boyfriend, she sets out to exact revenge on anyone who has hurt her. TW: I mean. It says it right there. Though it’s not actually shown on screen, it is very heavily implied. She doesn’t die in the end, if you’re wondering.

Dekada ’70 (2002) - A middle-class Filipino family struggles to survive in the era of dictatorship. This is a fucking classic in Filipino cinema. Available on MUBI. TW: sexual harrassment, discussion of torture, depictions of wounds and beatings, period typical violence. Martial Law was rough.

Aparisyon (2012) – A psychological drama film set in early 1970s, where the story about the nuns in the period immediately preceding the declaration of martial law by Ferdinand Marcos. The film’s director, Isabel Sandoval, is a transgender woman and an absolute visionary. Her other films Senorita (2011) and Lingua Franca (2019) are also very good, please check it out. All films are available for streaming through the Criterion Channel. TW: rape, religious trauma, period typical violence, Catholicism.

Lihis (2013) - Set in the 70’s during the darkest hours of Philippine History, we follow the story of two young NPA warriors who find themselves entangled in a web of frustration, despair and victory as they fight not only for democracy but also their love for each other. Available on MUBI. TW: Infidelity.

Barber’s Tales (2014) - In a rural town in the Philippines during the Marcos dictatorship, the newly widowed Marilou inherits the town's only barbershop from her husband- a business that has been passed down by generations of men in her husband's family. With no other means of support, she musters the courage to run the barbershop.

Dahling Nick (2015) - Dahling Nick is a docu-drama exploring the life and works of National Artist for Literature Nick Joaquin, who only accepted the National Artist Award on the condition that the Marcos administration release a well-known writer who was being unjustly detained during Martial Law. I love Nick Joaquin. He’s shaped my understanding of the Magical Realist genre far more than any of his contemporaries have. This film is notoriously difficult to get your hands on, so I suggest going to read his anthology by Penguin Classics called the Tropical Gothic instead!

Respeto (2017) - Hendrix is a poor aspiring rapper who wants to make a name for himself in the underground rap battle scene and gain respect in the community. After attempting to rob a second-hand bookstore in the neighborhood, he is discovered by the owner, Doc, an old poet with a haunted past as a dissident. Not necessarily period, but definitely has its roots in Martial Law.

Liway (2018) – A film about the kip, a young boy growing up in a prison as the son of anti-Marcos dissident Cecilia Flores-Oebanda, better known as Commander Liway, during the waning days of the Marcos dictatorship. It is currently streaming on Youtube!

The Kingmaker (2019) - is a 2019 documentary film written and directed by Lauren Greenfield, featuring the political career of Imelda Marcos with a focus on the Marcos family's efforts to rehabilitate the family's image and to return to political power, including her plans to see her son, Bongbong, become President of the Philippines, and the alliance that Bongbong and Imee Marcos established with Rodrigo Duterte in his bid to win the 2016 Philippine presidential election. Available on Youtube! if outside of the Philippines, use VPN.

1980s – 2000s Philippines

Misteryo sa Tuwa (1984) - The fortunes of three impoverished friends and their families abruptly change after an airplane crashes in a nearby mountain.

Alpha Kappa Omega Batch ’81 (1982) – A psychological drama film depicting the titular fraternity's harsh initiation of new batch members as seen through the eyes of pre-med student Sid Lucero. TW: hazing, torture, psychological torture. It’s fucked up, actually.

Himala (1982) – During a total eclipse Elsa, a young girl from rural Philippines, allegedly witnesses an apparition of the Virgin Mary on top of the hill where, as an infant, she was found and adopted by Saling. Said visions change her life and cause a sensation hysteria in a poor, isolated northern village in the midst of drought. TW: rape, religious fanaticism, religious trauma.

Adela (2008) - The story of Adela, which takes place in the span of one day, is a heartbreaking story of a woman who longs for the company of her loved ones. This isn’t actually period. This film just breaks my heart. And of course, it has acting legend Anita Linda in it. How could I not recommend it?

Now Showing (2008) - Rita is named after a famous American movie star whom her late, former actress grandmother once adored. She lives in one of Manila’s oldest districts with her mother and aunt. Years later, she is still the same girl enamoured with television, now tending to her aunt’s stall selling pirated DVDs.

Elegy to the Visitor from the Revolution (2011) - A woman from the end of the 19th century visits modern day Philippines and observes three interwoven stories: that of a prostitute, a group of criminals and a musician. This is another Lav Diaz one. It’s long.

K’na The Dreamweaver (2014) - K’na is a young woman coming into her own in the mountains of South Cotabato, where the T’boli live, overlooking the majestic and mystical Lake Sebu. She is part of the royal family of the South bank of the lake, part of the clan that was banished from the North Bank centuries ago after what the elders call The Great Betrayal. At a young age, K’na, is trained in the art of weaving the T’bolit’nalak. The design of the t’nalak fabric comes from the visions granted by Fu Dalu, the goddess of abaca, only to deserving women who become dreamweavers. K’na’s grandmother, Be Lamfey, is the village’s last master dreamweaver. When Be Lamfey dies, the gift of dreamweaving is passed to K’na and her father, LobongDitan, decides to put an end to the warring clans of Lake Sebu once and for all by arranging a marriage between K’na and Kagis, the heir to the throne of North bank. Meanwhile, K’na has fallen in love with Silaw, a childhood friend whose family supplies the finest abaca fibers to the dreamweavers. Silaw leaves love messages for her by tying bits of abaca thread to a tree outside K’na’s window. As the marriage grows near, a revolution brews among those who do not believe in the union of the two royal clans.

Smaller and Smaller Circles (2017) - Two Jesuit priests, Gus Saenz and Jerome Lucero perform forensic work to solve the mystery revolving around the murders of young boys in Payatas, one of Metro Manila's biggest slum areas. While dealing with the systematic corruption of the government, church, and the elite, the two priests delve into criminal profiling, crime scene investigation, and forensic analysis to solve the killings, and eventually, find the murderer. Available on Netflix. TW: child death, talk of child sexual abuse at the hands of the Catholic Church and at the hands of teachers, graphic depictions of a corpse, film also triggering to folks who suffer from claustrophobia.

Billie and Emma (2018) – An LGBT coming of age story set in the mid-1990s featuring two teenaged girls Billie and Emma as they grapple with topics such as sexuality, family, religion, unplanned pregnancy, and the uncertainty of the future.

[boytoyhalo]

Your Selkie au is super compelling! Plus you are a very good writer. A question, will you ever go into more detail about Pac's previous captive situation? I'm very interested in how you will adapt Fuga's lore into your au. ( Specially bc of Cell and Cellbit stuff)

I'M SO SO SO LATE BUT IM USING FITPAC WEEK DAY 3 (WHICH IM ALSO LATE FOR) AS AN EXCUSE TO FINALLY, FINALLYYYYY GET THIS POSTED THANK YOU FOR BEING PATIENT ANON AND EVERYONE ELSE WHO'S AN ENJOYER OF THIS AU I PROMISE IT ISN'T ABANDONED IVE JUST BEEN IN AN END OF YEAR SLUMP

selkie au snippet #4 (i think) || T || slash (ambiguous) || @fitpacweek day 3 (belated its actually day 4) AU day!!!

read the rest of my posts about this au here

"Can I ask you somethin' personal?"

Pac paused, hand suspended halfway towards the checkerboard that was currently serving as him and Fit's way of passing the long hours up in the lamp room of the lighthouse. He kept his eyes on the round piece he was holding as he deliberated on how to answer, sure that if he met Fit's gaze his face would give away his nervousness; "personal" could mean a wide range of topics, most of which would spell disaster for Pac and his poorly constructed web of secrets. He slowly placed the piece in it's spot on the board, fighting to keep his voice even as he responded.

"Mmm, you can ask, yeah. I might not answer, but you can ask." Fit hummed bemusedly, absently flipping his own game piece between his fingers and he contemplated his next move.

"What happened to your leg?" Pac's breath caught in his throat, and Fit rushed to continue, "It's ok if you don't wanna talk about it, I get it. I just- I mean, you've probably figured out how I lost my arm, right?" Pac looked up at the familiar, mechanical clacking of the veteran's stiff wooden fingers flexing in and out of their open position, eyes involuntarily darting to the gnarled pink scarring that crawled from under his collar and up to the side of his head. He quickly returned his gaze to the board, face reddening a little in shame. Thankfully though, Fit seemed far from offended. "Heh, it's okay, I know. It's pretty obvious. And besides, you're a smart man. I'd be surprised if you hadn't assumed correctly. Me though - I'm just brawn, I don't have a whole lotta brainpower up in this thing." He knocked his fake knuckles lightly against his temple, a light smile on his face. "So if you are okay with me knowing, you're gonna need to tell me."

A small, nervous laugh bubbled it's way out of Pac's chest, his face properly flushed now in a mix of embarassment and flattery. "Don't - don't say that about yourself Fit, you're smart! Smarter than me, probably-" He cleared his throat, redirecting his focus to the topic at hand (ha.) "I can tell you, I don't mind. It's just a, it's a tough topic, you know? I need to get my head in the right place." Fit nodded easily like he understood, which Pac supposed he did at least somewhat.

"Take your time, I'm not going anywhere." The selkie chuckled a bit, tracing the edges of the paneled glass walls that surrounded them as he considered the best way to talk around the subject; he knew, or at least had decided, that he owed it to Fit to give him some semblance of the truth. After all, they had been growing steadily closed for months now and yet Fit knew so little about his life. Which was out of necessity, or course, but his friend had been so kind and so patient with him, never demanding more information than he was given. Pac needed - no, he WANTED to let him in as much as he reasonably could. He deserved it.

"I..." He closes his eyes and takes a deep breath, steeling himself to sort through the painful, tangled memories and hoping he would be able to hold himself together. He starts at the beginning, where he won't have to omit too much of the truth, though if anything that makes it harder to talk about. "Mike and I were on a merchant ship off the coast of São Paulo that was attacked by axis submarines a few years back." Fit winced sympathetically, patiently waiting for him to continue as he picked his next words. "We avoided the worst of the blast, but... Mike was in really bad condition, and I had to hang onto him with one arm and a piece of the wreck with the other while I waited for help to come. By the time someone found us, I was too tired and too um- too relieved to realize that we were being taken as prisoners and not as refugees."

It was all technically true so far, just with some important details omitted: like how they were only on the ship in the first place because their pelts were being imported as merchandise by a fisherman who believed himself to be incredibly lucky, and how they weren't taken as prisoners of war as Fit was no doubt assuming. Pac fails to suppress a shudder as he remembers the smug, taunting grin of the man that stood above him on the deck of his supposed refuge, two familiar seal pelts clutched in his meaty fists.

"I'm so sorry you went through that, Pac. You don't have to keep-" Pac cuts him off, already committed to opening up.

"No, I want to tell you. We," He clears his throat again, pushing down the memories of too-small tanks full of too-salty water, of needles and IV drips and white lab coats and pencils scratching on clipboards as he writhed in pain. "We woke up in some sort of facility, I'm not sure where exactly? I think the men who had us were European but that's all I remember, it's all blurry you know? And that's where we met Cellbit and Felps actually-" The image of frenzied black eyes claws its way to the front of his mind against his will, but he can't help a small smile at Fit's attentiveness as his eyebrows raise in intrigue, the checkerboard between them completely forgotten.

"Anyway, we were there for- months, I think. And long story short Cellbit ended up, um. He tried to- to eat my leg off?" It comes out sounding uncertain, Pac having realized there was no way to say it that wouldn't raise more questions. Sure enough, Fit's mouth drops open.

"Wait he- He tried to eat you?"

"Not- it wasn't- aaaaugh, he wasn't himself ok? They were- they were cruel to us, and they injected him with these drugs that made him all crazy and violent and they kinda just. Let him do it? It wasn't his fault, is what I'm saying." Fit looks disturbed, although significantly less so than Pac would expect from most people. He supposes bearing witness to the horrors of war would give you a higher tolerance to this sort of thing.

The thing is, it really wasn't Cellbit's fault. He had been there the longest of any of them, starved and beaten and forced through their cruel experiments since he had been a teenager. He was angry and desperate and hungry, and it was pure bad luck that Pac had happened to be the closest to him when the "researchers" had decided to test the effects of whatever combination of steroids they had injected him with. The ghost of his leg twinges in pain as it remembers the feeling of sharp teeth tearing through it's flesh.

"Wait so did Cellbit..." Fit hesitates, like he can't quite put together what he means to ask. "So he, bit your leg off? but how does that even-" He's interrupted by Pac giggling, and after a moment he joins in quietly with a confused laugh of his own.

"No, no he- he just did enough damage that the sci- that the jailers had to amputate it. And it wasn't that bad honestly, I mean, they weren't kind enough to knock me out before they started sawing but at least I didn't die!" His amusement at Fit's horrified reaction to his nonchalance almost drowns out the echoes of grief that his heart sounds for one of his fellow prisoners who hadn't been so lucky. Pac puts on a wide grin, forcing himself to perk up from his slumped posture. "So anyway, that's the story! Pretty cool don't you think?" Fit sputters a shocked laugh.

"Pretty- Yeah, sure, Pac. That's- *cough*- that's cool, yeah." It's a joke, obviously, but warmth washes over him anyway at the way that Fit lets him control the weight of the conversation like always. He wouldn't be able to handle trying to talk about his past seriously, and he's grateful to whatever higher power may or may not exist for bringing him Fit, who not only cares but understands despite being a human, and who always without fail meets him wherever he needs to be at. Pac doesn't know what he did to deserve a friend like him. "So, okay," Fit's voice snaps him out of the appreciative haze he had fallen into. "How did you guys get out? Were you released, or rescued, or..." He trails off, eyes imploring him to go on. Pac feels his face light up at the opportunity to discuss his favorite part of the tale - the only part, he likes, really.

"Oh, you're not gonna believe it. It was Richas! He actually saved us!"

"What?" Fit exclaims in elated disbelief.

"Yeah! So ok - they were keeping him prisoner too, but he was just a baby, like a, a toddler right? And the guards that were assigned to him treated him like their own kid-" Minus the horrible inhumane experimentation, of course. "- and he somehow, he figured out how to use their sympathy to get them to tell him where they kept all their keys," - and all the pelts - "and then managed to convince them to let him play with us alone. So he came to me and Mike and told us, so we told him to steal us some guard uniforms and figure out where the breaker box was, and after some planning and waiting for the right time we were able to escape by having him shut off the power and filing out with the rest of the guards! Mike wanted it to just be the three of us but I told him we weren't leaving the others behind." For all the suffering they had been put through it had honestly been comically easy - the facility they were at was small and not well guarded, probably funded independently considering that if any powerful government had proof of the selkies' existence everyone including the scientists would have been in a much bigger mess - the world was already at war, Pac doubted anyone was eager to add another variable to the conflict.

Fit crosses his arms and sits back, nodding in amazement. "Huh, so little Richarlyson is a hero! That's crazy"

"What, you don't believe me?" Pac shouts in mock offense.

"No no no I believe you! That kid is a fighter, I know it. So you guys all just stuck together after that? What about Bagi and Forever?"

"Ah, so- Bagi and Cellbit, they're brothers, or uhm- they're brother and sister, yes? And Bagi had been searching for Cellbit since he was taken, and somehow she ended up at the place we were being kept just a few days after we escaped, and she was able to track us from there. She's crazy smart, Cellbit and her both are. And Forever," Well, truthfully, Forever had just swam up to their pod and started playing with Richas one day while they were searching for a new home, and then the two had become inseparable so he just... stuck around. But Pac wasn't sure how to spin that into something that sounded reasonable for a human family, so he just went with "Forever just showed up one day and wouldn't leave." Fit laughed again at that, and this time Pac laughed with him.

It felt unbelievably good to tell Fit about his story like this, even with parts of it changed. Still, he wanted nothing more than to tell him the truth of what he was - he almost did, right then and there, swayed by the sound if his laughter and the mirth in his eyes. But, he reminded himself, that had to be a family decision; it wasn't just his secrets at stake. It was all of them, and as much as he loved trusted Fit and would be happy to gamble his own safety on that trust, he wasn't willing to risk his whole family.

...But, it would be so much easier if he could just say the whole truth. He wonders if Fit would react with the same attentiveness and amazement he gave to Pac's storytelling.

The rest of the day passed with little more of note, mostly filled with idle chit chat and card games. As Fit tries to teach him how to play Kings on the Corners for the third time, Pac finds himself thinking about how much Fit was changing his life without even realizing. A few months ago, Pac had never wanted or even tolerated human company that wasn't absolutely necessary. But now, he couldn't imagine not having the veteran around to occupy his time. In fact, when Fit had taken his first two-week relief back on shore after two months of service, Pac had felt inescapably lonely even when surrounded by his pod. Not even Richas, who had also been upset over the Ramon's absence, had been able to completely cheer him up. And while Pac's always been somewhat fascinated by humans, and had enjoyed watching the previous lighthouse keepers as they went about their work, he had never found himself as interested by any of it as he does when it comes to Fit.

"What is it?" Fit's voice snaps him out of it yet again, cards abandoned as he looks at him curiously. "You're staring."

"Huh? Oh, nothing, nothing! Just thinking about Richas and Ramon - what do you think they're up to?"

"They should still be hanging out with Cellbit, right? They're probably doing puzzles or something." Fit looks at the clock over on the left side off the room. "It's almost six, Bad should be here soon to take over for the night. Do you want to go join them and I can catch up?"

"Um-" Pac flusters, face heating up slightly. He's not sure why the emotional exhaustion of talking about losing his leg is what's bringing all these revelations to his mind, but he can't seem to pull his thoughts away from how much he appreciates the man in front of him. Which.... "Yeah, I think I'll go find them now! I'll see you soon?" Fit nods.

"Sounds good, Pac. I'll see you in a little bit." With a nod back at him, Pac shuffles out the door and makes his way down the tower. Instead of going to find Cellbit and the children, however, he beelines straight to the rocks where his pelt is stashed and hastily wraps himself in it's familiar comfort, sliding into the water before his limbs have even finished morphing into flippers. Surely a nice, solo swim is what he needs to clear his head.

...If only he could take Fit with him.

[sirfrogsworth]

The Babylon Bee School of Comedy

Have you ever wanted to make Elon Musk reply to you with a double cry laughing emoji?

If you crave that sweet billionaire validation you need only follow this carefully crafted conservative comedy content creation course for that powerhouse of online satire... The Babylon Bee.

Soon you too could be bootlicking billionaire balls with the rest of The BBee writers.

Are you ready to get your learn on?

Let us Bee-gin.

The number one most important rule that all The BBee writers must internalize to their core...

Conservative comedy abhors effort.

Brainstorming for hours on end to craft the perfect premise and punchline... is for the Libs. Check out this Facebook meme that got 10,000 likes.

Can you order Starbucks from a bar? Doesn't matter, it's a snowflake drink for a snowflake Lib.

Does this joke not have an actual punchline? Doesn't matter, get lost you stupid Lib!

Is this technically a joke by definition? Doesn't matter, if you believe it is a joke, then it's a joke! Just like modern currency.

If you put too much thought into a joke, it might grow in complexity. That could be confusing! The death knell of any conservative joke are the words, "Hmm, that's a thinker."

This brings us to rule number two...

NO THINKERS!

Let's take this Ben Garrison comic as an example.

Spell everything out! Label everything! Don't leave anything to the imagination! If your audience has to figure something out or draw their own conclusions, what fun is that?

Conservatives want to hear things that are familiar. They want their beliefs parroted back at them. You must regurgitate those beliefs and then just make it *sound* like a joke. Don't break new ground or introduce new ideas. Don't get all caught up in interesting wordplay or clever puns or subverting expectations.

All expectations should be fully verted.

That is definitely a word because I saw someone use it on Facebook. End of research.

Here is a helpful tip. If you can't imagine the joke coming out of the mouth of late night comedy genius GUTFELD!, then you need to dial it back a bit. Do not surpass GUTFELD! levels of humor. GUTFELD! is your touchstone.

Oh, GUTFELD! I laughed so hard I FELD it in my GUT.

See, I went too far with my fancy pun. That is not the GUTFELD! way.

But what happens if inspiration is fleeting and you can't pay attention to your comedy writing task because you don't believe ADHD is real and thus you are unmedicated?

Don't you worry. If you do happen to get writer's block or are distracted by a funny Pepe meme or a shiny object, just call your racist uncle and say the magic word... "Bidenflation."

As the ensuing unhinged rant darts from subject to subject without any kind of connecting theme, just start writing down every right wing buzzword you hear. Then just insert those buzzwords Mad Libs-style into a derivative joke format.

Let's practice!

Ex. 1: Why did the PRONOUNS cross the BORDER? To get to the DRAG QUEEN STORY HOUR!

Ex. 2: How many GENDERS does it take to GROOM a lightbulb? Two! One to hold the BUTT PLUG and one to GO WOKE, GO BROKE.

Great start! I'm sure with a polishing pass those will make more sense. Or not. The bar is pretty much "will it get clicks?" so we're not too worried about coherence.

Heh... Mad Libs.

U MAD, LIBS?

Get it? Cuz Libs are always mad? About the normalized bigotry and whatnot.

Jokes are always better when you need to explain them.

Oh! That's another rule. Write that down. Wisdom like this is why I am teaching this course, of course. Hah, that's like that horse show song. I got jokes coming out the wazoo. Wazoo is my butt, right? Siri, is wazoo a butt? Oof, I'm kinda spacing on what the next lesson is.

I really wish Matt Walsh hadn't flushed my Adderall down the crapper.

Can I get a second opinion? Top Gun was so good. What does Tom Cruise think about ADHD? He always has good takes on stuff like this. Did I leave my oven on? Shazam, what song goes doodoo doo doo doooooo? Can you vacuum a yard? Has anyone tried that? That sounds more like a marijuana thought than an ADHD tangent. I should double check the THC content of that cotton candy vape juice.

I'm flyin' off the rails over here.

Matt, are you super duper sure it's not real?

Okay, fine. I'm an "energetic boy."

I hope whichever fish absorbs my meds is extra focused on whatever fish shit he needs to get done.

COMEDY WRITING!

Sometimes it is best to learn through observation. Let's eavesdrop on an actual The BBee writer's room to see how the sausage is made...

"So what did your racist uncle have to say?"

"Well, first he texted me a cameraphone picture of Trump as an astronaut that he wants me to print out cuz he doesn't know what a crypto wallet is... but then he said all the woke schools are turning kids into a bunch of gay commies."

"EUREKA!"

Classic! The BBee writers strike again. I mean, they aren't striking. There is no commie clamoring for a union at The Babylon Bee. That's for damn sure. FOCUS!

Do you get the joke though? With the kids and the gay and the communism?

Because all of those woke schools totally cover complex economic theories in 4th grade and all it takes to turn gay is a little persuasion from a teacher with green hair. Libs of TikTok wouldn't lie about that. End of research.

Look at this public school teacher!

I mean, you knooow she has a litter box in her classroom. I can just sense it. End of research.

Sure... it is just a context-free picture of a person with green hair in front of a flag and you cannot actually judge the quality of their teaching ability from this. But yoouuu knoooooow she is skipping right over grammar lessons and giving detailed instructions on how to turn gay.

Step 1: Look at a bunch of butts. Step 2: Touch a bunch of butts. Step 3: Gay sex a bunch of butts.

(Replace butts with cooches for lesbians.)

Grooming accomplished.

And you definitely shouldn't look up that green-hair'd, nose ring'd educator and research her any further. Extensive research is for the Libs, bro. Because you definitely don't want to discover she is a passionate high school English teacher who makes fun content on TikTok in the hopes that people will buy things off her wishlist so her students will have a better learning experience. I mean, caring about her students? That's so gay.

YoooOOOuuuUUU knnnooooooOOOw she is a bad teacher because she has green hair and a flag. End. Of. Research.

So... you have your gay communist headline that is perfect to get all of those sweet conservative clicks. But you still have a full webpage to fill out with more words and stuff.

Now I want to see if you learned anything from my perfectly focused and informative teachings. I want you to write some jokes about kids becoming gay communists.

Ready? GO!

Joke #1 Little Billy has wealthy parents so all the students will share his cookie at snack time.

Joke #2 At the beginning of the day, students pick a new gender out of a hat but all the kids fight over Attack Helicopter.

Joke #3 At lunch, the students have to stand in a peanut butter and jelly bread line.

Joke #4 The teacher makes the kids take turns combing each others' hair for a grooming session.

Wait a sec... are those... THINKERS?

No no no no no! You made my brain all confused and thinky!

You need to calm down, you overachieving silly billy. You forgot the first rule... NO EFFORT.

Just make the same joke over and over again with slightly different wording. EASY!

Remember the classic final rule of comedy...

Jokes always get funnier the more you repeat them.

Anyway, that's probably enough... joke.

Now let's close this article out!

Maybe we can drop the pretense this is comedic satire and just do some hardcore pandering. Gotta own the Libs, amirite?

Gender theory and drag queens and guns, oh my! That is pure pander-monium.

Just shove those factless tactless Tucker talking points straight down their gullet. They'll forget this was supposed to be funny and shake their fist in the air with exaltation. And it's definitely a great idea to put the thought of gunning down drag queens in their heads. That won't backfire in any way!

Congratulations! You are now ready to "write" for The Babylon Bee.

Please purchase this official Trump NFT certificate for $99 that acknowledges that you have completed this course and have a very poor understanding of what satire actually is.

End of research.

[z3rinn]

# #. STRAWBERRY SHORTCAKE !!

featuring : aduece ( separate ) ! As a little treat for surving seven overblots you decide to make some strawberry shortcake !! but it seems as if your favorite first years want to help out ( or maybe they just want to eat it ... who knows at this point ? )

A mini scenario to get the writers block outta me ://

It wasn't often that you got to bake. Being busy with the overblots, school work, and Grim usually took most of your time. That left you only with the nights. The deep darkness that relaxed your spirit and feelings. It was the only time you could truly let go and be yourself.

You wiped some frosting off your face, taking in the sight of the beautiful chocolate cake you had just created with a smile.

What you didn't expect however, in the middle of your peaceful night, was for a certain first year to walk into Ramshackle...

# #. ACE TRAPPOLA

“Mmm! That looks good!” A cheerful voice suddenly spoke from behind, snatching away the fork from your hand. A sigh left your lips, You didn’t even need to turn to know who was behind you. It hadn’t been the first time he’d interrupted you, and you’d doubted it’d be the last. “Ace. give me back my cake."

The heartslaybul boy just laughed, bringing the slice of chocolate to his stupidly smirking lips. “But I'm so hungry after basketball. Plus, we won! Don’t you think I deserve a treat for my hard work?” He teased, batting his eyelashes.

You sighed, nudging him away from your perfectly good cake, “Not really. If you're that hungry go eat Grim.” Ace stumbled back, pouting, yet a smile soon slithered on to his face.

“Ew no. He probably tastes like salted burnt rocks.”

You snorted at that. An ugly one.

It was quiet after that, silence soon enveloping the kitchen as you went back to your work. Too silent. You looked back at the boy, a smile forming on your lips as you watched him. He looked pretty resting on the kitchen counter. The moon casted a blue glow down his pretty face, making the heart around his eye appear to be a black color. His eyelashes seemed longer than usual, dusting over his cheeks all pretty like.

God it was so unfair how pretty this man was.

You sighed to yourself, Maybe you could spare a piece of cake for your pretty boy.

“Hey Ace, come eat this.”

His eyes fluttered open as you walked toward him, holding a small white plate in your hands. “Hm, what’s that?”

“Strawberry shortcake.” He stood up eyeing the piece of white and pink cake. You grabbed the fork, bringing it to his lips. “Say ahh.”

He laughed, opening his mouth in anticipation as you smiled. He chewed the spongy cake, eyes opening in surprise as he licked some of the cream off his lips. “Mmh, This is really good!”

“Heh, thank you. Like it?” The smile on your face grew as he nodded his head, a grin on his lips as his mouth opened once more for another bite.

You pushed the plate into him playfully, "Feed yourself!”

He grabbed your hand, whining with a pout on his face. “Awh, common prefect, my hands are too tired to work.” You just sighed, rolling your eyes at him. He responded with puppy eyes too much for you to handle. “Ugh fine… only a few bites though.”

# #. DEUCE SPADE

"Ah! Sorry, am I interrupting you?" A nervous voice spoke. You chuckled softly to yourself, already knowing who was there. Turning around, you were greeted by the face of Deuce Spade, a small, yet nervous smile on his face. "Sorry prefect, I didn't mean to barge in here haha.."

He held up a few bags in his hand, holding some baking supplies that Trey gave, along with some eggs from Sam's shop. He placed them on a clean side of the counter, slowly and discreetly (trying) to shuffle out of the kitchen. However, you could see how he was eyeing the chocolate cake you just made.

You laughed, taking his hands in yours as you dragged him back inside the room. "Don't worry, you can stay, want some cake?"

He flushed, embarrassed to be caught staring at the sweet treat. "No, I’m alright, thanks tho.” Another giggle escaped your lips, it was obvious he was feeling bad for even wanting some, knowing that you made them just for you to enjoy. You didn’t mind sharing with him, but you doubt he would listen.

“If you’d like, we could make another one together, it’d be fun!" You pulled him further into the kitchen, "besides, I have the perfect recipe."

You watched as Deuce flushed red, yet he made no move to get away. You gave him a sheet of paper, a recipe to your favorite strawberry shortcake. "Here, I'll show you how to make the batter, and you can mix it for me." He seemed oddly enthusiastic about that.

He followed your instructions perfectly, cracking the eggs a certain way, adding just the right amount of flour and vanilla extract. It was kind of funny seeing him so worked up over beating some eggs, he was mixing the batter like nobody's business! It caused you to laugh, until the batter started fling all over Ramshackles kitchen.

The two of you finally finished the mini cake, decorating it with little strawberries and fancy frosting. "Wow, this looks amazing!" He spoke breathlessly, stars in his eyes as he admired your work.

You took a fork full of the sweet treat, placing it in front of Deuce's mouth. It took a second for him to register it, but once he did, his face bloomed red. A giggle left your lips as you waved it around his face, "Come on, say ahh."

He took your hand in his, placing the cake in his mouth. His eyes sparkled in delight, and soon you were giving him another slice.

"Heh, I'm glad you both liked it."

[studentinpursuitofclouds]

hi mousey!! been a while since I sent you an ask

I was putting on my make up earlier today and an idea came to mind, I need to know your opinion on this

how do you think the sdv + sve bachelors would react to a farmer who asks to do their make up? which ones do you think refuse? which ones ask before the farmer does, "can you do it?"? and which ones just accept?

hope you have a great day <3

Hope you have a good day too, dear anon, and thanks for the ask! ☺️❤️

SDV and SVE bachelors react to the Farmer who asks to do their makeup:

Shane:

"Babe, I don't know anything about this."

Still, Shane tries to try to give them a makeup so they don't get upset.

Unfortunately, it didn't work very well.

But he does get a funny little face made of mascara on Farmer's cheek, heh.

Next time, however, he'll refuse, as he'll only make it worse.

Well, at least Shane and Farmer got a funny little memory.

Elliott:

Surprisingly, Elliott agrees right away.

And what's more surprising is that he manages to help Farmer with the make-up very well.

Everything is precise, neat and harmonious, like wow!

Surely our long-haired writer hasn't been a stylist before?

Elliott is happy to do Farmer's make up and tells them not to hesitate to ask him for help in the future.

Harvey:

"Oh, make-up? I'm sorry, my dear, but I don't think I can..."

Harvey does agree to help, though he doesn't count on success.

Totally calm when applying mascara to Farmer, but accidentally paints their cheek with mascara anyway.

On the third or fourth attempt, the doctor manages to give Farmer a simple and quite passable make-up.

Hey, a reason to be proud, he helped his loved one!

Sam:

Hell yeah, Sammy can do quite good make-up! A little different, though.

The young musician has been thinking about make-up for his music band for a long time, so he's had time to practice.

Even though Farmer needs a light, simple ("and boring" as Sam described it) make-up, he can still help them.

And will do very well with mascara and foundation.

"You sure you don't want cool make-up like metal bands? Eh, okay..."

Sebastian:

Sebastian definitely uses black eyeliner (my headcanon, you can't change my mind).

At times our dear emo was too lazy to do his own eyeliner, so will ask Farmer for help first. "Hon, can you help with the eyes please?"

Doesn't know much about the rest of make-up products, but if you need to emphasise your eyes, Sebby will never refuse a request.

And he'll ask for it himself if Farmer's okay with it as well.

Alex:

What make-up? He's not a girl!

To be honest, Alex has only had a couple of make-ups, which are usually done by gridball fans, and, well, that's basically it.

So if Farmer's going to the stadium, then Alex can help with cool sport fan make-up.

If it's just some regular make-up, then no, sorry. He can't do it.

He could try, but he'd end up with paint all over their face. Oh well, at least he tried.

Victor:

"Makeup? Oh, I've never done it, but my mom does her own makeup every day. Maybe she could help you?"

If Farmer insists on getting help from Victor specifically, he will politely decline.

He'd be interested in the idea, though, and a little later he'd watch tutorials on his laptop or ask Olivia.

The next time Victor offered to help Farmer with their makeup, wanting to practice.

"I thought it sounded interesting. Besides, we'll have one more common interest."

Magnus Rasmodius:

"Only with magic can I fulfil your request."

For Magnus, magic is almost the solution to all problems. He thinks magic will help here, too....

With his hands? Sorry, Farmer. A wizard certainly can't do your make up by hands. Only with a spell.

Well, he still has to remember the spell.....

Hold on, he should ask Camilla, she's definitely using that kind of spell.

Lance:

Another clever mage from the magical society where agree to help Farmer with the help of his magic.

He also watches his appearance and sometimes uses spells, but he doesn't do his own makeup and tries to take care of himself without cosmetics.

How then he knows the spells of instant perfect makeup is a mystery.

A snap of his fingers and in a second, he has perfect makeup on Farmer's face.

Though in the future he may learn a couple of basics on how to do Farmer's makeup without magic. Just because the process itself is kinda interesting.

[sapphire-weapon]

Alright. It's time. It's time we talk about the dining hall dialogue.

But before we do that, we first need to talk about the "running from creeps" dialogue, because they're connected.

Leon: You did well back there. (coyly) Seems this isn't your first time running from creeps. Ashley: (genuinely confused and hesitant) ... I can't tell if that's meant to be a compliment. Leon: ...

I've seen a lot of people utterly baffled by Leon's line of dialogue here -- even moreso than Ashley herself is. If you're one of those people who was stumped by this and you don't know what it was supposed to mean, let me explain:

Leon's line of dialogue here is a joke told by the developers/writers to the audience. The punchline is: "Leon is really bad at talking to women."

It was meant to be a compliment, but it didn't come out that way. He was trying to hit on her; you can tell from the deep-voiced, coy tone that Nick used to deliver the line. But it failed spectacularly -- so much so that, when Ashley tells him that she has no idea what he's trying to say, he just shuts up and doesn't bother to explain himself.

But if you tease it out a little bit more, you'll be able to see it more clearly.

"Seems this isn't your first time running from creeps" -- the implication there is that Ashley has caught the eye of creeps before -- particularly creepy men. The implication from that is that she's had a lot of creepy men hitting on her. The implication from that is that there's something about her that would attract that kind of attention in the first place.

What Leon was going for was: "I was impressed by how well you were able to avoid being seen by the enemy. But I guess it makes sense, since you've probably had to sneak away from creeps hitting on you a lot, considering how fucking hot you are."

But that's not what came out of his mouth. He tried to go for a more subtle approach, and he botched it completely -- and there was no way for him to explain himself when Ashley failed to catch his meaning, because any explanation he could possibly give would come off as vulgar and... well. Creepy. So he just shut his mouth and said nothing more.

The intention from the writers was for us to feel either a sense of second-hand embarrassment or of schadenfreude towards Leon in this moment, depending on what kind of personality you are, because wow. Wow. That was a terrible attempt at being charming, and now he looks like a total chud.

So now, let's come back to the dining hall dialogue.

Ashley: So, uh, you do a lot of missions like this? Leon: Well, yeah. But I'm not used to having such good company. Ashley: (breathless with excitement) ... Is that a... compliment? Leon: (lets out a self-satisfied "heh") Take it however you want.

Taken on its own and in a vacuum, you might be able to make the argument that he's just being nice -- that he enjoys her company because she's pleasant to be around, and it goes no further.

Even then, I'd probably say that that's ridiculous, because for him to just come out of nowhere with a line like that is not consistent with any version of Leon to have ever existed in any title -- excepting, of course, in instances where he's trying to get laid. (Chris is the only blockhead in the RE universe to hand out compliments like this and genuinely mean nothing by it and then not get it when people think he's hitting on them, but that's an entirely different point to be made.)

But for the sake of argument, let's just say that this is a normal thing for him to have said.

The thing is, this dialogue does not exist in a vacuum. It is a direct callback to the "running from creeps" exchange -- and we know that it's an intentional and direct callback due to Ashley's reaction and the re-use of the word "compliment" asked as a question.

This is Leon's moment of redemption.

This time, it's not that Ashley genuinely can't tell whether it's a compliment or not. Of course she can tell it's a compliment. Leon just told her explicitly that he enjoys having her around more than he enjoys most other people. She's not stupid.

What she's questioning this time is whether it's a compliment or if it's a... compliment.

She's asking the same question in her head that's being debated in fandom: Is he hitting on her, or is he just being nice? And the very thought that he could be hitting on her makes her breathless with excitement.

And Leon is also not stupid. (OG RE4 Leon's dialogue aside, I mean. THIS IS NO RITUAL IT'S TERRORISM) And he also knows that Ashley's not stupid. He knows exactly what she's asking him.

And instead of shutting it down or making sure she doesn't get the "wrong idea," he lets out a self-satisfied little "heh" (just so that the writers can convey to the audience that he's feeling smug, because it's in-game dialogue and they can't show Leon smirking outwardly) and responds with the sexually-charged tease of "Take it however you want." (Ashley should've responded back to him with "Give it to me, then." That's how pornos start.)

Because she doesn't have the wrong idea. She's not jumping to conclusions. She took it exactly how he meant it -- but he can't say that openly due to their current circumstances. So he leaves it as more of a "Well, I'm not not saying that."

And in order to reinforce the romantic/sexual nature of this exchange, the writers put in a lot of meta symbolism and imagery surrounding it, as well.

This happens specifically and only in the dining hall. Well, what's special about the dining hall?

I mean, I shouldn't have to explain that the scenery of a candlelit dinner is romantic -- but that's not all there is.

It's a completely red room, with red walls and red rugs over red carpeting. It is the only room not just in the castle -- but the entire game -- that looks like that. Red, of course, is the color of romance and passion. In some cases, psychologists have actually found it to cause people's heart rates to rise as an unconscious response.

It's also the room where you get the snake part of the chimera.

Going all the way back to biblical times, snakes have been a symbol of temptation and lust. In some cultures, they were even associated with fertility.

But wait -- there's more.

The puzzle that leads you to getting the snake involves literally filling the seats of and taking the roles of a king and queen.

Ashley has already been referred to as a "princess" and Leon as her "gallant knight" -- and yet, in the armor room (where you get the lion), Leon rejects the offer of filling the role of the knight when Ashley suggests he puts the armor on. But here? In the dining hall? He is the king to her queen. They're bonded together as equally important parts of the same puzzle via a fantasy marriage.

But we're not done yet.

What should I find waiting in this room just beside the entrance? Why, it's our old friend the bridal bouquet.

We've seen this before, haven't we? It was prominently featured in another scene that was very heavily romance-coded with its lighting, cinematography, imagery, and symbolism.

And one more thing. This one I found really interesting.

When Leon is on his "throne" what's sitting in his direct line of sight is a taxidermy eagle (and, of course, Ashley is "baby eagle"). And not only that, but there's also a bust of what appears to be William Shakespeare on display.

When Ashley is seated on her "throne" she also has a bust of Shakespeare across from her.

And what's significant about Shakespeare isn't just that, well. He's Shakespeare.

It's the fact that this puzzle leads directly into a scene that was shot deliberately to mimic/mirror the balcony scene in Romeo & Juliet. (standard, Romantic, fairy tale)

This exchange isn't the only time Leon hits on/flirts with Ashley in RE4make -- but it is the boldest he ever gets about it, and the developers seemed to really, really want to make it as crystal clear as possible that that's what he's doing.

Consider this: This entire sequence was completely different in OG. The puzzle was different. The context of the puzzle was about the journey through life and the inevitability of our own mortality. Ashley wasn't even present for it. The cage that Leon gets caught in has absolutely no deeper symbolic meaning... and then a garrador pops out.

This was completely restructured from the ground up, for a very deliberate purpose.

I've said it before, and I'll say it again: If Ashley had handed Leon a condom and given him the green light to use it, he would've fucked her right there on the dining room table.

Because, in the context of RE4make, eagleone is canon.

[orionsangel86]

You know, I thought we were done with the ageism in fandom thinking that its purely for teenagers? Because it doesn't help anyone to have the attitude of this (now blocked) anon. People don't stop having passions and being fans of things just because they get older. Fandoms thrive BECAUSE older people put in the effort to MAKE them thrive. Do you really think that 100k word perfectly written epic fanfic that you adore so much was written by a 16 year old? Because I guarantee it was more likely to be written by a 35 year old mother of 2.

That amazing cosplay of your fave character you saw at a recent comic con that took phenomenal skill and probably a good deal of expense to look perfect wasn't put together by a 17 year old high schooler, it was perfected through years of passion into a hobby that more than likely required a full time job and a savings account to afford.

That amazing fanartist who has the BEST art of your OTP that captures their likeness in a really gorgeous style? They weren't born with that talent. It takes years to develop a personal art style, and capturing a persons likeness in art is a skill that has to be nurtured. The best artists are the ones who've had years to develop their skills. They aren't school kids. I have had mutuals on this site for a decade now and I have seen how much their art has improved and become absolutely beloved. These are people who at their youngest are in their late 20s now. Most of my mutuals are in their 30s, some of the best fanfiction writers I know are in their 40s and 50s. The meta writers I know are also in my age group. Hell, do you think teenagers run AO3? You'll be surprised just how many "old people" make the best fanworks. If you removed them from fandom spaces, I guarantee you would remove most of the talent, because no offence to you kids, but that talent is something that is nurtured over time, and time and aging go hand in hand i'm afraid.

The people who make fandoms what it is, the ones running events, pouring themselves into analytical posts, providing the best fanart, coming up with the amusing memes and textposts that go viral? Do you REALLY think they are all school kids? Fandoms are made up of PEOPLE, and newsflash assholes, people AGE.

This attitude always amazes me. There isn't an age limit in fandom. This isn't fucking Logan's Run (bet you the kids won't understand that reference) and honestly if these kids genuinely think they need to give it up and quit at a certain point in their future I just pity them.

Fandom thrives because of the older people that have nurtured it for years and carved out a space where younger people can enter in comfort and safety. Which are only possible BECAUSE older people built online fandoms and continued to put in the work to keep them going. If we all had to stop caring and leave fandom at some specific cut off date, the fandom landscape would be a vastly different space - and probably a lot worse for being predominantly run by hormonal teenagers - heh, I guess it would be a lot more like TikTok and we all know how dreadful TikTok has been for fandom so far. If nothing else that alone proves my point.

At the end of the day, no one can stop the passing of time. Even the horrible children who send adults nasty anons. Eventually, they will be the "fandom elders" and receiving their own anon hate from a future generation of brats, I personally can't wait to be the very old lady laughing at them when that day inevitably comes.

[hamliet]

Beauty and the Beast, But Make It BL

Or, about a year after the hype Hamliet finally watches KinnPorsche properly instead of just clips.

My overall thoughts are that I really, really enjoyed it. The characters were likable and interesting, and plenty flawed. The story also had some really fascinating ideas and nice fire, water, and air symbolism, as well as a really beautiful retelling of Beauty & the Beast. The main couples all foiled one another in interesting, thought-provoking ways. VegasPete? Is one of my favorite love stories in any media ever.

The side characters were also really well done, for the most part. I loved Kinn's friends, and Yok was a standout in terms of her mentorly role. And, the other bodyguards each got their own personality. Arm and Big were particular standouts to me, and I appreciated how Big's story arc (his unrequited love for Kinn) was handled: with subtlety, but thematic impact. His sacrifice showed Porsche that love sometimes involves sacrificing for the person you love.

The series also used symbolism fairly well. The lighting always changed to colored/rainbow lighting when it was a romantic scene, and stayed natural when it was not. The use of mirrors and windows, and phoenix/fire with Kinnporsche and water with Vegaspete, was intelligently woven into the story. I do think some of the symbolism was too heavy-handed at points, though.

Of course, because I'm me, I do have quite a few critiques as well, which mostly has to do with what I saw as potential that went untapped. The story never did anything "wrong" exactly, but it just never dug into how much potential it had. The foiling was strongly set up, but it could have been far more powerful than it was.

The plot was basically *vibes* which I'm okay with because I'm not super into plot in general, but unfortunately, as can happen when plot is weak, the themes suffered for it. If plot is a tour guide through a story's themes and characters, this was somewhat of a bumbling one... with an occasional stroke of brilliance that reinforced how satisfying the potential was.

Kinn + Porsche

Let's start with the main couple. I really enjoyed their characters, but I wasn't as invested in them as I was in the other characters I'll be covering. They seemed more like ideas rather than human beings, even though they had more complexity than some of the other, more human characters. While that might sound contradictory, what I mean by that is that the other characters always had drive and purpose for the narrative, while Kinn and Porsche sometimes felt more like vehicles (heh, get it, because--) to get to something that never quite arrived.

Kinn and Porsche also started off the series really strong, but weakened after they got together. After they were together, the writers kept bringing up the issue of "trust" between them, but I wasn't quite sure what they were trying to say about trust. And maybe they were just trying to explore the different sides of trust rather than give any particular message, but I thought it was a bit messily handled.

Still. Still. Porsche's line in the final episode, where he pointed out to Kinn that he was there not because he was on the minor family's side, nor because he was on the major family's side, but because he was on Kinn's side, was beautiful.

Kinn also starts off as a dark foil of Vegas... which is interesting because Vegas is so intensely jealous of Kinn and wants to be like him, and is set up as the antagonist. But we'll get there. Vegas kidnaps Porsche and attempts to make it look like he was assaulted, but Kinn saves him... only to assault Porsche himself. (I did appreciate the way the narrative did frame it well, which I wasn't expecting in a boy's love story.) Kinn then compounded it by punishing Porsche for his mistake--essentially, doing to Porsche what Vegas was doing to Kinn and would later do to Pete.

The irony, of course, is that the narrative still frames Kinn as a protagonist, but without giving him a halo. We're allowed to see that he is, intrinsically, no better of a human being than Vegas. Maybe even worse, depending on how you judge.

Porsche outright telling Kinn that he had hurt him, while Vegas hadn't (even if, kinda) and Kinn actually having to work to earn his forgiveness and trust--all of this was well handled.

Kinn's final realization in the wilderness that he could not keep Porsche and his act of selflessly setting him free , followed by a literal sacrifice, mimics what Vegas would have to do in later episodes with Pete, as well.

When they consensually have sex for the first time, it starts because Vegas again makes a move on Porsche... right in front of a mirror. Then, Kinn bursts in and Vegas leaves, and Kinn takes his place in the mirror with Porsche.

The symbolism is clever here and poignant: Kinn, you are Vegas. I just wish he had been asked to do more with that realization, particularly after the Tawan incident (later).

Again, my main issue is that I wish the show had more an idea of what it wanted to say concerning the theme of "trust" between these two. Especially after they got together, it all seemed a bit hazy.

The theme that was best explored with them was the idea of being a human being. Porsche continually insists that he's a person who decides his future for himself, while Kinn is like "I control your life; your life is mine, I can kill you at any time because you're just a bodyguard" early on. However, towards the end of the series, when they exchange quasi-wedding vows in one of the final scenes on a ship on the same river where Kinn first offered Porsche a job and Porsche told him he'd rather drown, there's a really beautiful moment where Kinn tells Porsche that they are making a new family together, and Porsche tells him again that he's not on any family's side--just Kinn's side. And then he tells him:

Porsche: All my life... is yours Kinn: I promise you, I'll treasure it.

It's almost fairy tale esque in this scene, showing how far they've come. It also emphasizes that the point is that Kinn recognizes Porsche's humanity, and Porsche still affirms his own. Humanity is not a drawback but a benefit, because Porsche chooses Kinn, and choice is the realm of human beings.

Vegas + Pete

*screams* VEGASPETE ARE EVERYTHING

But honestly. I've talked how Vegas (who is, undoubtedly, the best written character) foils Kinn and will talk about Tawan, Kim, and Tankhun later on. Firstly, though, we have Vegas and Pete, asking the main thematic question of this series:

(As a human, of course. Except that's not easy.)

Vegas was so clearly my favorite type of character (Lee Yut-Lung from Banana Fish, Akutagawa Ryunosuke from Bungo Stray Dogs, Illumi Zoldyck from Hunter x Hunter, etc.) Someone who just so, so desperately wants to be loved, especially by his father, and cannot fathom why he does not have it. So he lashes out at everyone around him, especially those he's jealous of. He might claim that he's jealous of Kinn's power, but he's really jealous that Kinn is loved not just by Porsche, but by his brothers, by his bodyguards, even by his father (for all Korn's faults--and we're gonna get there--I do think Korn loves his sons).

This is so profoundly seen when Vegas initially kidnaps Pete and forces him to call his Grandma. Vegas leans in, groping Pete to make him terrified, but as soon as Pete tells his grandma he loves her, Vegas jerks back and rips the phone out of his hand. It's another reminder to Vegas that love exists, but he can't have it.

The only thing that truly shows Vegas love is his hedgehog... which of course is a symbol for Vegas himself (here's where I think the symbolism was too heavy-handed--not that he had a hedgehog nor what happened with it, but in that Pete actually bluntly tells him that he is the hedgehog. Leave it to your viewers, we're smart enough to get that.) The hedgehog, of course, is prickly and spiky but soft inside, just like Vegas.

The hedgehog is also specifically Vegas's inner child, in Jungian terms. It's always sick and dying, and he's afraid of it dying, but also afraid to actually recognize it. He doesn't name the hedgehogs because they always die. This is symbolizing how Vegas never really had a childhood, or the chance to develop normally. His father always beat it out of him and let him think that it was his fault, just like Vegas blames himself for the hedgehogs' deaths.

Vegas's father is the biggest obstacle in his growth. He can't ever truly grow up and overcome the father figure until his father's gone. Again, the symbolism is pretty blatant (but well done): Vegas is literally reading the novel Childhood's End, but his father slaps it out of his hand.

The message is clear: Vegas can't ever grow up until he lets go of his father. Fittingly, he's then seen reading the book again after making a meal for Pete.

Vegas and Pete are actually quite similar, not just in their terrible dads, but in that both of them, at their core, truly don't believe they are human beings. They don't believe they deserve love, or life, or anything. They're animals. Hence, Pete actually being called a pet is actually also Vegas pointing out how he sees himself.

But what they really want is to be human, which means to be free and to live.

Consequently, both Vegas and Pete are suicidal. Vegas drops about a million hints that he wants to die before he actually attempts it, even telling Pete he's feeding him so "you'll have energy to kill me."

Vegas self-harms too, and Pete tells him not to. Yet, after they have sex, Pete hits himself when Vegas can't see, telling himself that he didn't like it, even though he initiated. The reason they are both lost after they have sex is that neither of them are free physically or emotionally.

We see Vegas trying to do the right thing and making a fancy meal for Pete, even standing up to his father for a moment, only to have his father tell him he wishes he wasn't his son. At that added cruelty, Vegas smashes the meal he made, proving that even though he thought he was free of his father because he was in love with Pete, he wasn't. Not yet.

And Pete thought he was going to be free because of sex with Vegas, but Vegas still left him chained. Hence, he attempts suicide in front of Vegas. He also then calls Vegas out on everything in a well-done way, pointing out that Vegas is projecting his feelings of inhumanity onto him:

Need me? Like a pet with no feelings for emotional projection? I'm a human, Vegas... I have nothing left, not even my humanity.

Pete is then pointing out to us that after Vegas's childhood is grieved (shown in how Pete helps Vegas bury and put flowers at the hedgehog's grave), Pete embodies Vegas's humanity. If the hedgehog and his childhood should be grieved, because he'll never get them back, he can still have a human future in Pete. But to do that he has to embrace his inner humanity, and he cannot chain it up and take it out when he wants it, because that's just not how human beings work.

Even through making Pete realize and admit just how miserable he was--that he has no use and should just die, thereby showing Vegas that Pete truly does understand how Vegas feels--Vegas doesn't find what he thought he'd find. It's not comforting to be empathized with when it means someone you love is suffering so.

Vegas's apology to Pete is genuine, like Kinn's earlier, and heartfelt. Once his dad is dead, you'd really think he'd be free, but he's very much not. All his self-loathing, all his worst fears, have finally come true. Freedom isn't really found through death, but through embracing life and love. The hedgehog didn't have to die for Vegas to live, because death isn't freeing really. But choosing to live, even when you're in pain, for someone you love--that can be freeing.

Pete's "there is no legacy so rich as honesty" tattoo is somewhat amusing to me, because the quote comes from Shakespeare's All's Well That Ends Well, a play that is considered a "problem play," in that no one can quite decide what genre it is. Also, "honesty" in the play's context is actually "virginity," which also seems to fit, but anyways. The genre/problem play thing is interesting because Kinnporsche itself, as a show, seems to zig-zag between whether it's a comedy, romance, or serious crime drama. I think the reference is somewhat meta, but should have been delved into more.

The play is also relevant in that All's Well That Ends Well is about families, too--particularly how sons struggle to define themselves when it comes to being compared to their fathers, and how they react when they feel like they have limited choices in life. Hrm, hrm, Vegas.

Anyways, Vegas and Pete totally deserved their beautiful ending. When Vegas wakes up post being shot and tells Pete:

You're not my pet. You're the most important person in my life.

It's a great way to tie the themes of their arcs together. Firstly, it is a fairy tale ending. Secondly, it's an affirmation of Pete's humanity, the thing they both doubted they had. Lastly, it's affirmation that Vegas chooses Pete, and in choosing, affirms his own humanity. That Macau then bursts in calling Pete his brother-in-law and welcoming him to the family is adorable and shows Vegas just how much he has.

Kim + Chay

So now that we've talked about two self-destructive emotionally constipated men, let's talk about the other one in the other major relationship: Kim.

Kim's actor does a great job of showing how Kim maintains a veneer of cool aloofness when Chay confronts him, but is internally panicking. Kim is reckless, running into battle to save Chay in literally nothing but a tank top. When Chay calls him on who he is, Kim doesn't even try to defend himself. When he saves Chay again at Yok's bar, he makes sure Chay doesn't even notice.

Unlike Kinn and Vegas, who are too active and possessive, Kim is too passive and cowardly. He cuts himself off from people not because he doesn't love them--he clearly does--but because he feels like he's bad luck. Essentially, the same issue Chay has--that he feels like he brings bad luck.

But, that's not how life works. Human beings don't bring good or bad luck. It depends on choices, another theme from Vegaspete and Kinnporsche that wasn't delved into as deeply as it should have been. Still, choice is an integral part of being human, and the show does depict this.

Still, it was a nice touch to literally have Kim wear a shirt with the word "human" on the front the same episode Pete insists "I'm a human, Vegas." Pete, of course, tells Vegas he has choices to make, and Vegas then tells Porsche that same thing in the final episode: that it's time to make a choice.

Anyways. The unfortunate thing is that the series didn't fully explore Kimchay in the same way they did Vegaspete. That's especially clear in the cliffhanger ending, though I think it was fairly clear that they were heading towards something positive. After all, Kim finally does something he needed to do: saying outright that he is singing for Porchay. Keep working, boy.

On a production level instead of narrative, I'm guessing the actor's ages may have played a role in them not fully exploring their story. Idk. I think the implications--the fade out with a way-too-dramatic kiss on the cheek that the fade obscured and them waking up together--were that they were sleeping together, but because of the actors' ages they clearly cannot and should not show that. But I wish the writers hadn't let that limit them--there are other ways to show growth and explore issues even if you can't directly use sex to do so. See, the sex scenes between Vegas and Pete and Kinn and Porsche were well done, and always had interesting meaning and commentary to them, which is great. I just wonder if they let the fact that they couldn't use this motif stifle their creativity when it came to exploring Kim and Chay's issues.

Tawan

Tawan's story was heartbreaking. He was a fairly well done, pathetic antagonist. When Vegas proposed to him, knowing tha the didn't love Tawan... that broke my heart. He was suicidal and his death ultimately foreshadowed what Vegas would later attempt to do.

But Tawan was desperate for love--truly desperate. He would do anything to be loved by Kinn, by Vegas, by anyone. But it wasn't really love for a specific person (as shown in how he switches from Kinn to Vegas) so much as that he wanted to feel safe in that love. Because denying love means denying safety, which sets him up as a good foil for Kim (who clearly thinks it's safer for your loved ones not to act like you love them)... but it wasn't ever explored.

Tawan's desperate love also foiled Chay. Yet unlike Tawan, and unlike Kim, Chay is able to express what he wants... and to assert himself when he's been disrespected and not seen as a full human being (Kim seeing him as just Porsche's brother is what breaks him).

Tankhun

Tankhun was everything. I love him. I think they could have done more with him, especially around his relationships with his brothers. Like. We only see the three brothers--Kinn, Tankhun, and Kim--in the same room ONCE in the final episode. Once! A crime, a crime, I tell you! I know next to nothing about how all three of them feel about each other and interact with one another and I WANT IT!

Ahem.

Tankhun is still, in many ways, the beating heart of the series. He wears love and his feelings on his fabulous, colorful, patterned, and often feathered sleeves. He chooses to live how he wishes, but will do things for those he loves.

He's also always right, if you pay attention--he knows Gun is bad news, and he knows Pete is in danger while Kinn and Porsche are inexplicably dumb as hell for not suspecting Pete was in danger. When Pete reappears and Tankhun literally thinks he's a zombie, he still rushes to embrace him even so, just because he loves him.

Also, Tankhun is, much like Pete and Chay, fairly pure of heart. I don't mean that in a naive way, but it's clear Tankhun is somewhat childlike because of his trauma... yet, he's still the one who adopts fish and gives them names like Elizabeth and Sebastian and mourns them. He loves his siblings, and he welcomes Chay like a new brother.

The Little Mermaid reenactment with Porsche was A Lot, but also hilarious and fitting. See, he's childish, so of course he's going to like fairy tales. He knows the world isn't one, but he still enjoys ones and wants stories where the good ones don't die, and he does his best to live a fairy tale despite everything. I really think the series should have dug into this more, especially since Kinn and Porsche and especially Vegas and Pete are very clearly modeled after Beauty and the Beast. Sigh. The potential.

Not gonna lie, I think the brother relationships were somewhat failed all throughout. Macau and Vegas's bond wasn't fully explored either, and neither was Porsche and Chay's. Like, Porsche doesn't even know about Kim and Chay, and Chay had told him about being tutored by Wik, so... wouldn't he at least ask? Sigh.

Korn

So, ironically, the brotherly relationship best fleshed out is... Korn and Gun's.

Theirs is highly tragic, and the relationship they have with their foster sister is also clearly a warning to Kim, Kinn, and Tankhun about what they could become if they prioritize the power of the mafia family over each other and their own rights to make their choices and live and love. It seems like that won't happen, given Kim and Chay and Porsche as the minor family head and Kinn, fortunately, but again I think this could have been more clearly explored.

Like, if love, both romantic and platonic and familial, offers a way forward, a potential answer (though no guarantee, see Tawan), which I think the show suggested, it should have been more heavy-handed in showing us. This also actually ties into the fairy tale motif, and the human being theme, and choice, and it just could have been so much more neatly braided together than it was. And also it works with the trust motif, because you can't control someone you trust.

I do really appreciate the ambiguity about Korn, and the uneasy lack of answers about what really happened between Korn, Gun, and Namphueng. On the one hand, Gun's utter cruelty to Vegas and Macau makes it seem more than plausible that he's the worst and he did assault Namphueng and kill her husband. On the other hand, seeing Korn murder Namphueng's husband would surely explain the vitriol he has towards Korn that seems unusually intense even for someone consumed with envy and jealousy.

I think it's clever that the series doesn't answer it for us. Even when Korn kills Gun in the end but chooses to tell his guards not to harm Vegas, despite the fact that Vegas just killed a bunch of his most loyal men, and promises to protect Vegas and Macau, we're left wondering. Is this proof that Korn is indeed the merciful man who would never have harmed Namphueng and her husband? Or is it the actions of a cruel man who killed his own brother and then told his kids not to worry because he'd provide for them, just like he did with Posrche and Chay?

Alas, what would have made this even more powerful would be an emphasis on what trust is supposed to mean... sigh.

Final Thoughts

Overall, I really enjoyed the show. I loved the characters and the three main ships. It had great ideas that could have been better explored.

Also of note: from its lighting to staging of certain scenes, it also clearly took inspiration from Queer as Folk, which is one of my favorite stories ever, and there were some potential Crime and Punishment references in Pete talking to Vegas in a scene that mimicked Sonia and Raskolnikov.

Basically, it was designed for me to fall for it, and fall for it I did. I just wish it had been refined, because it could have also been a masterpiece in addition to being entertaining (yes, really), but alas, didn't quite get there. Still, I'd definitely recommend it.

[sokkastyles]

I'm already seeing people saying they are gonna "soften" zuko in the first season heh it made me think of your prediction

Listen, the marketing team of this show knows their audience. Zuko is already being marketed as one of the main protagonists. His character and his redemption arc is hugely popular and known as one of the main draws of the series. Does anyone honestly think that the writers of the show are gonna be like "now, listen, we can't make him too likeable." He's their cash cow, and they know it, and of course they're going to play that up.

That doesn't necessarily mean they're going to soften the character, but we'll probably get more of him being portrayed as a protagonist and not just a villain early on.

A lot of this is par for the course with an adaptation. You have to remember that when ATLA was airing, people didn't know how Zuko's arc was going to play out. Oh, there are lots of hints early on that the writers intended for him to be redeemed from the first episode, bit they themselves have said they didn't know how it would happen. That developed along the way.

Netflix has the advantage of knowing all the beats in advance, in an arc that in the original, was more ambitious than any of the other character arcs. But this poses a new problem, because an ambitious arc that we haven't seen before is less ambitious the second time around. So what to do? The obvious answer is to change things up a bit, to play up the things we know are going to happen later. So I suspect we will get some of that.

Am I worried that Dallas Liu won't be able to quite pull off what Zuko did in the original? Yeah, but that's a testament to how good OG Zuko was. It's challenging to pull off that kind of characterization. That and hindsight are both going to affect how people view Liu's performance.

Even so, there are already people who say that OG Zuko is too soft, or that fans soften him, or try to make him seem worse even after his redemption. That's a testament to how complex of a character Zuko is. I find myself analyzing the few seconds we've gotten of Liu's performance, looking for that complexity. That's a lot to put on the young actor's shoulders.

Especially since everything is going to be more subdued going from live action to cartoon. So my guess is that we'll get a less shouty Zuko. The other thing is that a lot of Zuko's early vulnerability is revealed to us by seeing him getting comedically smashed into a wall over and over again, so there will also be less of that. Which means the show will have to show Zuko's mix of simmering rage, petulance, vulnerability and insecurity in other ways. That plus hindsight plus the netflix episode format of less and longer episodes means we'll probably also get Zuko's backstory much more early on, or at least parts of it, probably as early as the first episode.

As for specifically the fear that Zhao being present on Kyoshi Island means Zuko will play less of a role there, I think it's more likely that the show is expanding Zhao's role both as an antagonist for Zuko and as an antagonist for the rest of the gaang, in anticipation of the season one finale. That also goes back to the fact that things will probably need to be toned down in the move to live action anyway. I've said before that it makes little sense to hold Zuko burning Kyoshi against him since it's the result of reckless cartoon bending and Aang puts the fire out very easily via Unagi in an equally cartoonish way. My guess is that in the adaptation Zhao will follow Zuko there and we'll get a three-way fight, and even if Zhao does most of the burning, Zuko will still be responsible for bringing Zhao there, so it's not like they're exonerating Zuko for something the original show didn't even treat seriously to begin with.

[ryuichirou]

Replies

As many as I can write in 30 minutes let’s go!

Starting with a couple of asks about our post from yesterday.

Anonymous asked:

I'm guessing the bunny is because of Deuce's hometown event and the fox is because of Ace dealing with Fellow.

Yes and no! It’s one of the reasons, but these two also have pretty strong vibes of these animals, especially Ace. He is such a sly little fox pup sometimes lol

Anonymous asked:

That recent Ace/Deuce post had my mind absolutely working overtime with ideas.

But they all just kept coming back to the White Rabbit Fest, even when it didn't really fit a fox Ace kinda thing.

Anyway, besides that, I really love Ace/Deuce ship stuff, so seeing you do art of them is an absolute treat!

Thank you so much, Anon! <3 I am very happy that you like it!

They couldn’t allow Ace-the-fox to enter the rabbit arena lol poor foxy.

I really like this theme for these two. Should draw it again at some point…

Anonymous asked:

Hi! Have any of you considered posting fanfics (novels)? 👀 Love your work as always btw, take care

Hi, Anon! Thank you for your kind words :)

I am not really a writer, so I haven’t considered it. I love coming up with headcanons and I think I am pretty good with dialogues for our comics, but writing a proper story (even a very short one) is just way too difficult for me. I can’t even write these replies fast enough… so I’ll stick to what I do best and keep drawing <3 Out of the two of us, Katsu is the writer, but Katsu’s main focus right now is Nebula. To be completely honest, fanfics in general aren’t our cup of tea… (That being said, Katsu did write a couple of fanfics before, albeit not twst-related)

eh-nonnie-mouse asked:

Do you have a Cara account or is it only bluesky?

Only bluesky for now :(

It seems like Cara is mainly a portfolio app, which is good (especially if it’s AI free), but right now we don’t really see the point in posting there – it’s not for art of yaoi boys kissing, which is the majority of things I draw. Things could change of course, but right now we’re sticking to bsky.

unofficialwheatdog asked:

The the way you draw Fellow Honest

My husband

it makes him so much more handsome like I have to kiss him the second he's on screen

How dare you worsen my obsession/j

(jkjk I love your art and if it's ok with you, I very much want to save the fellow honest image just so I can stare at it for five hours pls and thank you)

I am so happy you like how he looks in my style!! Especially if it worsens your obsession lol

Of course, feel free to save it and look at it; enjoy your fluffy husband lol

blackbutlerfandomnerddomain asked:

FELLOW AND GIDEL ARE HERE!!! They look so good in your style!!

Thank you so much!

Anonymous asked:

Just saw your recent replies and IT MAKES ME SOOO HAPPY!

Let's GOOOOO fellow (heh) Top!Gidel x Bottom!Fellow likers!!!

And reading your replies about their ship! UGH👌👌👌 Ryu such good taste you have! Oh dear.. I love it all!

I am honestly (..heh) looking forward if you have more art of them specially the shippy ones 👀 I'll be on the lookout. Also thank you for the food! 🙏

Hehe I am happy you’re happy Anon!!

Thank you so much for being so excited, I hope we’ll post a lot of stuff with these two in the nearest future…! <3

Anonymous asked:

OOOOH I SAW MOBS BOSSES X FELLOW ADDED TO THE LIST.... I do rly like the idea of fellow & gidel, but mob bosses x fellow is soooo juicy for art and hcs...... thoughts? plans?? plz plz plz this is living in my head RENT FREE... 😍

Thank you so much, Anon!! <3

Well we do have a lot of sketches with Fellow and his bosses (nsfw ones)… and we do have an ask with hcs about them, so if everything goes well, you’ll get more juicy stuff soon. Let’s hope! 💪