#high school as grief etc etc

[morepeachyogurt]

what is adolescence if not leaving and being left?

1. iain s. thomas | 2. alison zai @alisonzai | 3. @chloeinletters | 4. mikko harvey | 5. fleetwood mac | 6. the breakfast club (1985), john hughes | 7. lorde | 8. miranda july | 9. richard siken | 10. @mavra-matia | 11. homer | 12. amy hempel | 13. mitski | 14. katrin koenning | 15. freya ridings |

[guruguruguruguru]

the longer i sit with it the more it really gets me how nobody ever really mentions obito and rin before obito's reveal in shippuden. kakashi vaguely mentions his old friends and i think other characters allude to the tragedy of kakashi's past but rin and obito themselves are lost to time. something about that is so fucking haunting and so gutting. you would think it would be a pretty big deal that two kids from the same class died within a year of each other, but the nine tails attack probably wiped so much clean that nobody could really carry the grief... still, when we see their class in flashbacks, we recognise almost everyone else, so... there's something really sad and hopeless about their absence...

there's a lot a LOT to say about it from a lot of different angles and i don't really feel like going into meta posting territory i just have big feelings about it you know? and to me i guess obito encapsulates a lot of the anger. for the people who get left behind and forgotten. and that can mean a lot of things

[callie-the-creator]

sfw. warnings: obsessive behavior, slight stalking, jealousy, saiki uses his powers for selfish reasons, etc.

author’s note: oh, don’t mind me, just writing some headcanons if saiki was ever a yandere.

• you and saiki first met in chūgakkō, junior high, but he didn’t fall in love with you until a few years later when you two were already in pk academy. maybe it’s all the accidentally bumping into him, dropping your papers and saiki being the one to help you pick them up, making awkward eye contact in class, hanging out with one another outside of school, or touching on the same snack you both are aiming for at either the vending machine or at the store... all the things somehow have you involved these recent days and saiki is less than impressed at first

• saiki has always stated time and time again that he personally does not think he will not fall in love, so he always watches others who are in love and help them if he can, but here he is…completely captivated by you of all people. he didn’t know why though, was the author just really that bored?

• good grief

⨯ . ⁺ ✦ ⊹ ꙳ ⁺ ‧ ⨯. ⁺ ✦ ⊹ . * ꙳ ✦ ⊹ ⨯ . ⁺ ✦ ⊹ ꙳ ⁺ ‧ ⨯. ⁺ ✦

• let it be known that he does possess the power to alter your perception of him. saiki could always just make you fall in love with him just like that…but…what’s the fun in that? no, no, he wouldn’t dream of doing that to you

— however, since saiki was born with the uncontrollable ability to read the minds of all living creatures in a multiple-mile radius…he can read your mind, he knows all of your favorite things, what you dislike, your hobbies, and your address. he didn’t mean to at first, but he did find your thoughts and imagination fascinating. he even finds himself listening to you during class like you’re his favorite podcast

• saiki is crazily protective over you.

— there was a time where you nearly got mugged! and when i say ‘nearly’, well, let’s just say you should be grateful saiki was there to protect you. can’t you see that he’ll always be here for you in a time of need? he’ll keep you safe, but only if you see that for yourself…

• saiki doesn’t think he’s the jealous type, but he will stop any other man who has a crush on you by any means necessary by either relentlessly embarrassing them for the rest of the day or wiping you from their memory because only saiki can have you. no one else. he doesn’t care how many people he has to make forget you to become your boyfriend

• what’s that? you wish it was a sunny day in japan instead of a rainy one? don’t you worry about a thing! saiki will handle that for you!

• stalking you is almost child’s play to saiki since he has so many powers to ensure you don’t spot him — shapeshifting, teleportation, you name it! but this is a good thing because you don’t have to worry about him being an aggressive type of yandere

— if he is following behind you when you’re walking home, i do think saiki would change to his female self, so you would be less scared

• once the author made you bring coffee jelly to school and willingly give it up to saiki after seeing him light up at the sight of it, saiki knew that he just had to marry you

• he could, quite literally, turn the world upside down for you if it meant that you’ll be with him.

[bakugoushotwife]

no, please don’t kill me mr. ghostface, i wanna be in the sequel!

>>> you didn’t think you were making it out of kinktober without a visit from ghostface, did you? all cute and sweet pieces, blegh. it's time to play...happy halloween—don’t hang up on me you bitch!

>>> cw: PLEASE READ WITH CAUTION. NO MINORS. dark content ahead. inspired by scream 1996. murder, blood, gore, stalking, yandere!characters, ghostface!characters, manipulation, major character death, alternate no curses!reality, physical harm to reader, manhandling, knifeplay, costumed sex, prone bone, dub con, non con just in case tbh, biting, choking spanking, face-slap, degradation (whore, slut, bitch, etc), praise, breeding, doggy, blood consumption, mating press, throat fucking, edging, double penetration, fingering/knife-fucking (?) (f!receiving) anal. threesome mfm/mmf, breeding. let me know if i missed anything. >>> wc: 15.8k >>> event masterlist: >>> playlist

you were starting to get majorly freaked out. the past year or so had been the worst of your life. your college professor was murdered last fall—sending the small town into a frenzy. some people were mortified. how could someone so brutal be lurking in the shadows of this cheery town? they stopped walking to school and carpooled instead, kids no longer played in the yards, and women rarely went out unaccompanied. some people thought it was funny—something interesting to talk about after years of mundane crimes barely making the news.

you were feeling something much more complex than just fear or interest; you were battling grief. grief that no one else even knew about, adding to the complexity of your feelings. toji was just your business professor—one that you paid frequent visits to on and off campus. you did a good job of covering your tracks, coming up with lie after lie to keep your friends well distracted from your taboo hook-ups with the community’s favorite teacher. they would bully you to tears if they knew you gave your virginity to dr. fushiguro—and between satoru and suguru’s relentless teasing, you would never know peace again. 

plus, it’s nearly been a year, and you were nothing more than the other woman, a young girl that caught his attention over the monotony of marriage. it wasn’t going anywhere, and you knew that. in a way, the emotions you grappled with weren’t grief at all—but guilt. toji had young children—what you did was wrong. you felt that way when he was alive and you were actively doing it—but something about him pulled you in. maybe it was your own naivety that was to blame for believing him when he promised you he would leave his wife for you–all just to get you to put out again and put off your friends. maybe it was the subconscious belief that he was the best you would get, the best you deserved. your parents were hardly winning any awards for their methods, and the only other men in your life have been around you since high school, the aforementioned relentless teasers: satoru gojo and suguru geto. 

you like to think that you put it all behind you, but you can’t stop this creeping feeling that toji fushiguro was murdered because of you. 

and that wasn’t the end of the weird happenings. your lab partner—kento nanami unceremoniously dropped out this month, so the rumors around campus say, but you have a bad feeling about it. you’ve been calling him for days with no response, he has no after school work presence, and his best friend looks like he’s seen a ghost anytime you’re around. it was all the school was talking about, especially approaching the anniversary of dr. fushiguro’s death. 

“i say he was murdered, just like the professor. we have a real serial killer on our hands, ladies and gents!” ieiri shoko—a haphazard extension of your friend group—wiggles her brows, reclined back on her hands to survey the rest of you as she puffs her cigarette. 

gojo rolls his eyes, giving the speaker an unimpressed look. “i think they gotta tick a few more boxes before it’s a serial killer, no? only two murders, and so far apart?” he shakes his head to discount the theory. he makes a good point, perhaps it was just a creepy coincidence after all. there’s no reason to freak yourself out over nothing.  

“yeah? well i think it’s connected too.” iori says from her spot on the ground, her head laying in your lap as you braid and unbraid her hair, just keeping your brain occupied on something other than the death that seems to follow you. 

“yeah? and that’s why you don’t get paid for thinkin’.” gojo snickers, utahime’s annoyed attempt to swat at him blocked by suguru’s body, the two of them sitting behind you at the picnic tables out in the open sun. it made you feel a little safer, surrounded by friends and in a place where you could keep an eye out. you trust gojo and geto to watch your back.

satoru continues to giggle on about it until shoko interrupts, taking her cigarette out of her mouth and pointing gojo down with it. “what if they just pick one of us every year–some kind of halloween sacrifice?” she posits, and your eyes widen. the boys exchange a look, and suguru’s voice of reason cuts in. 

“let’s leave the detective work to the police, yeah? i’m sure sheriff zen’in wants to solve his nephews murder.” he leans back against the table while gojo balances his weight with his elbows on his knees. 

“yeah right. the sheriff couldn’t give a damn. ” you scoff, biting your tongue at the fact you spoke on the subject at all, but especially something so vague—implying you know more about toji than the normal student, and your cautious friends are also perceptive, you fear. 

“what’s that s’pposed to mean? our loyal piggy doesn’t wanna protect the community?” gojo leans forward on his knees, bringing his face closer to yours. he’s studying you—every nervous shift of your eyes, the seconds you let pass before you answer, everything, and you know it. 

“of…course he does. i only meant—” 

“pshhh, everyone knows those zen’in families are weird.” utahime swings in to save you—feeling the way your body tenses under your best friends interrogating stare “why d’you think his last name is fushiguro instead, hm? probably left the family to be a better person—how dreamy of him.” she sighs wistfully, having been another one of the many girls that would have killed to be in your place. “and that old bastard probably doesn’t care. he probably did it himself, knowing how corrupt–”

“smoking on campus, are we, students?” headmaster yaga walks up to send the conversation to a screeching halt. shoko quickly snuffs out her butt on her boot, crumpling the evidence in her hand as the man comes closer. suguru’s never quite cared about the opinions of his elders, and he won’t start now. he keeps slowly dragging his—making eye contact with the headmaster as he comes to a stop before your group in the grass. “geto. you mind?”

he arches his brow in annoyance, sticking out his tongue to burn the ash on. gojo giggles. “what an anarchist!” he cheers jovially, nudging his friend with his elbow. “we didn’t see any no smoking signs sir, swear.” 

suguru cracks a lazy grin at the defense, looking at yaga patiently. “i’m sure you’ve heard the news about your fellow classmate.” he starts, and utahime sits up properly to question him more specifically. 

“that he dropped out? yeah–we heard that days ago.” she confronts with furrowed brows. you can tell by the clench of yaga’s jaw that there’s more news. your heart sinks to your stomach, that bad feeling you had making an ugly return with the shifting of yaga’s stance. 

“what–did they find him?!” you push yourself up to stand, heart pounding in your ears. if kento was dead, was it your fault too somehow? 

yaga turns to you with a sad and curt nod. “they did. he was…strung up outside of his house–brutally murdered. his parents found him. all we know so far is that he was on the phone when he died. his mother heard him.”

you cover your mouth with shaky hands. how awful, to hear your own son gargle his last breaths? what a horrible way to go, you can’t believe your stoic and stern lab partner was no more, meeting a fate so horrible you wouldn’t wish it on your worst enemies. 

“how awful…his poor family.” iori shakes her head, too stunned to speak further. shoko replaces her cigarette with a fresh lollipop, lost in her own head; no doubt contemplating the morbid horror film most closely resembling the current situation—she has a fixation with death.

“there will be a memorial fundraiser to help his family with the funeral costs.” yaga nods, arms folded over his chest. he was clearly at a loss for words, though what could one even really say? he settled for, “be wary, kids. the sheriff’s department will be issuing a curfew. please be safe.” 

iori nods as the headmaster walks away—turning back to look at everyone. you hug yourself, feeling a chill in the air that only reminds you of what time of year it is—halloween. you’re still lost in thought, wondering what toji and nanami could have possibly had in common outside of knowing you and being at this school. what motive could be, who was next. 

satoru and suguru exchange a look. they can see how wound up you are, noting that you seemed to know that something had happened to nanami before you were told. shoko breaks the silence first.

“this is just like scream, you know? spooky phone calls and brutal killings—says here that he was gutted and suspended from a tree.”  she shakes her head, reading the pixelated news article from her nokia screen—grossed out and intrigued at the same time. 

iori gasps, “that’s awful—don’t compare his death to a movie, ieiri!” she scolds, noticing you off in la la land. “earth to y/n…hellooooo? i hope this isn’t a scary movie because you are so dying first.” she snarks, and gojo arches his brows and grins mischievously at the sentiment. he gets to his feet, creeping up behind you–jerking you by the shoulders and gasping just to scare you. 

you scream and jump back—punching him in the chest. “you jerk!’ you huff as he covers his stomach with laughter, stumbling back into his bench seat. suguru gives you an apologetic smile, standing and offering you his hand. 

“c’mon, let me walk you home.” he tilts his head towards the path you take. gojo jumps up too. 

“i’ll come with! make up for my prank?” he pouts, resting his chin on your shoulder. his icy blue gaze stays trained on you until you finally give in and look at him, making a bright grin spread across his face. 

shoko huffs, “you’re an insensitive asshat—i’m sure you’re not taking this seriously because you always picked on kento. i wonder if the piggies know that!” 

“he was a nerd—that’s all!” he scoffs with an eye roll, “oh yeah, so now i killed the guy, huh?” he furrows his brows, insulted by shoko’s insinuation that he could stoop so low. 

“no one said that, satoru.” suguru claps his free hand down on the other’s shoulder, giving it a reassuring squeeze. “let’s all relax. i know this is scary, so make sure we walk in partners, at least.” 

utahime gags and rolls her eyes at the dramatics, stretching out before getting to her feet. you look to her, thinking you should make sure your fellow woman makes it to her dorm, but suguru’s voice cuts through your thoughts again.

“we just want to make sure you get home safely with all of this going on, you look…worried.” suguru comments, stretching his palm out to remind you that his hand was extended for you. your heart warms at his kindness. he’s always been a gentle giant–especially compared to satoru; who has his own charms to him like his sense of humor and his striking good looks. he takes care of you in his own ways—but suguru’s always been more traditional. you place your hand in his, smiling thankfully. he turns to the other girls, but yu haibara is already escorting them the other way, careful to avoid you entirely. your shoulders slump at the idea that he blames you for nanami’s death. 

gojo slings an arm around your shoulders and they steer you towards your off campus rental. it’s a little two bedroom one bath—no satoru mansion, but it does the trick. you’re rarely there anyways, bouncing between your friends’ residences for the “dates” you all go on—though ieiri and iori aren’t typically included. 

“so this stuff’s really got you messed up in the noodle, huh?” satoru asks, exchanging careful glances with his opposite. you hum so he knows you heard him, settling into the rhythm they were walking for you. you don’t know if it’s the question or the crisp autumn air that makes you shiver—maybe it’s the way they both watch you so intensely, though the longer you think about it the more you realize they’ve kinda always been like that, letting their eyes stay on you too long, analyzing your features to decipher how you really feel. you can’t hide a thing from them. you can only buy yourself time. 

“yeah. i guess so.” you settle on, tucking your cheek into your shoulder. you knew they would ask for more specifics, all in the due process of taking care of you. 

“were you even close to that nanami guy?” suguru follows up, brows raised in curiosity. you know this trap. it was a miracle you’ve ever been able to keep toji a secret. they’ve always taken a special interest in your love life—they’re protective over you, and wanted to vet any potential match for you. but the boys you met in high school were easily scared off by the strong and intimidating friends of yours, so you figured college wouldn’t be much different. hence why you didn’t try—taking toji’s affection like a gift that fell into your lap. 

“he was my lab partner, so we’ve done a few projects together. he seemed like a nice guy, never crossed any lines. responsible. the sort.” you shrug again, not wanting to seem too invested. “i guess it’s just…weird. he was here one day and now he’s not, and killed so brutally…it doesn’t feel real.” you explain, and suguru seems to reflect on the words. 

“people die all the time, sugar. maybe he got caught up in something he shouldn’t’ve, maybe wrong place wrong time, or maybe he was eyeing something that didn’t belong to him. who knows. no use troubling yourself over it.” gojo shrugs, sliding his hand up to pat the back of your head. 

“that’s easy for you men to say! if some serial killer came after you, you could fight ‘em off. i have no chance if he was…to pick me next.” you retort, trying to make them see why you were so amped up about it. 

“what makes you think that he would pick you next?” suguru furrows his brows, but gojo just tilts his head side to side to mull it over. 

“nanami was a man, right? i wonder why he died.” he thinks aloud, shrugging. you snap your head towards him to chastise him for such a statement, but suguru clears his throat. 

“you have nothing to worry about, right? like satoru said earlier. these are isolated incidents, and they’ve only gone after men so far. chin up, angel.” he insists as you three walk up the steps to your house. 

you take a deep but shaky breath, nodding. suguru was right. the only victims have been men. toji’s death and subsequently nanami’s had nothing to do with each other. it was just your guilt gnawing at you. if you didn’t get yourself together, your perceptive bodyguards would pick up on the fact that you were hiding something from them. “thank you. i…needed to hear that.” you nod in satisfaction. 

“i’ll call you later, just to make sure you’re still..doing alright.” he assures, patting your hand before he drops it. gojo squeezes you into him, ruffling your hair. 

“don’t worry, cutie. we’ll see you tomorrow!! dream of me!” he calls out as their figures retreat.

once the door shuts behind you, you sigh out a breath of relief. 

you get some homework and laundry done in the few hours you have before bed. it’s a regular routine, but that’s why you found peace in it. you make yourself some dinner and cozy up on the couch, flipping through the channels to find something to make some noise outside of your loud brain. nanami’s picture makes you pause on the news, the reporter droning on about the case. according to phone records from that night, someone called his house six times, calls various in length from where kento was allegedly hanging up and trying to ignore the killer. 

“it seems the young man was stalked from outside his home for the entire night—making a valiant effort to run according to forensics before he eventually succumbed to his injuries. the case is ongoing, and due to the nature of the crime, sheriff zen’in has ordered a curfew of 8pm, beginning friday.” 

you’re reeling at the report, stunned beyond belief. it’s hard for you to even envision something so horrible. he must have been so scared. when your home phone rings—you’re jumping out of your skin–scambling up the couch with a scream. you stare at the receiver on the little side table next to you, fear nipping up your spine. that reporter said that nanami had been called repeatedly the night of his death—but suguru also promised to call. you decide to take the chance, satoru lives close enough that you could call him for help if it was this mysterious serial killer instead of one of your best friends on the other line—plus, nanami’s slaughter showed that ignoring the call wouldn’t help a thing. 

you reach out a shaky hand, feeling your throat go dry and tight as your sweaty palm grabs the receiver. like it makes a difference, you quickly put it up to your ear, looking around frantically. you never realized how many windows your house has, and now it feels like you’re naked for the world to see. “hello?”

“hey, angel.” suguru’s luxurious voice calms your nerves instantly, like throwing water on a fire. you relax back into the cushions, sighing audibly. 

“h-hey.” you card your fingers through your hair in attempt to rid yourself of any lingering anxiety. 

“i take it you aren’t feeling better about the whole ordeal then?” he sighs with you, gnawing on his bottom lip a little. you were troublesome for his own nerves. 

you play with the spiral cord connecting the receiver to the landline. “i was, i swear! then i saw the news and they were warning about phones like yaga did earlier and then–”

“your phone rang. sorry about my timing then, sweetheart. did you eat?” he interrupts, but his concern makes you tingle with warmth. they may be overbearing at times, but it’s so clear how much they care about you. 

“mhm. i have some leftovers though, if you’re still hungry. i could…use some company?” you weakly excuse, slightly embarrassed to basically beg for his protection; but the truth was that you knew you wouldn’t be able to sleep tonight unless you had some comfort. 

he chuckles softly and smiles into the phone when he agrees. “of course. i’ll be right over. give me ten minutes—i’ll bring slushies.” he hums enticingly, and you give him a choked up chuckle of relief. he would protect you through the night–and make sure that you had a good time, too.

“kk, sounds good. i want the cherry one!” you tell him like he doesn’t already know everything about your preferences. 

“i know you want the cherry—i’m not a psychopath.” he chuckles with you, his car’s engine humming to life in the background. “i’ll see you soon angel. hang tight.” the line goes dead, but you’re no longer filled with a sense of dread, even if you were still nervous about the murderer on the loose. 

while you wait on suguru, you do some more channel surfing. you wonder what satoru’s up to tonight and if he’ll be peeved that he wasn’t invited to hang out. who are you kidding, of course he’ll be jealous. you reach over for the phone to call him—even with suguru’s headstart he would probably still beat him here if you got to him now. the high pitched ringing of the phone sounds off again just as your hand wraps around it, making you jump just slightly—it caught you off guard, is all. it’s probably suguru calling to tell you that 7/11 is out of cherry—they’re always out of cherry. annoyed, you put the receiver to your ear. 

“ugh, don’t tell me—”

“hello y/n.” the slightly garbled deep voice says. you don’t recognize it–and your heart drops to your stomach. this, this is who’s been murdering people, this is him. this is who they warned you about—why suguru is sneaking out to come see you through the night–suguru. you have to buy enough time for him to get here, if nothing else. 

“who are you?” you ask, trying to give your voice some bravado. you start searching the windows again, the eerie sensation that you aren’t alone was making the hairs on the back of your neck stand up. goddamn you need to invest in a dog. 

“blegh–boring question. i want to know who you are, precious y/n.” the voice states, male in nature, but you can’t distinguish anything past that. your heart races at the avoidance. 

“you know my name, and my phone number. seems to me you know who i am.” you clench your jaw together to keep your teeth from chattering, willing yourself to be intimidating. the voice on the other end cackles in amusement. 

“you’re funny y/n. i mean the real you, silly girl! let’s play a game. for every question you get right, the longer i’ll let you live. every question you get wrong…one of your friends… dies!” he seems very entertained with himself over the threats, making the fear bubble up over your heart. 

“m-my boyfriend is on the way! he’s really big and he’ll beat your ass–” 

“and he’ll be the first one dead! question numero uno, and we’re starting easy!! oh, don’t cry now! you can do it, c’mon, iori and ieiri need you right? those are your girlfriends–and that’s not the first question!” he titters again, but his name drops make your rapidly beating heart still in your chest. “how far away is your little boyfriend?”

your chest heaves, the stranger’s wish for you not to cry was wasted. he knows everything–all your friends names—maybe the fact you hadn’t called satoru tonight was the only thing keeping him safe. you wonder how long this stalker must have been following you, listening to you. you wonder if he killed toji too—and why. 

“l-like…six minutes, or so. I-i don’t know!” you cry out, clutching the receiver. you think about the consequences of hanging up—maybe that is what angered him into killing nanami. you better stay on the line. 

“good girl. see? not that hard! just keep using that noggin’ of yours!” he encourages, breathing heavily into his side of the phone. 

you nod, sure he can see you anyway. you shrink into the couch as if it will swallow you whole and keep you safe, but the feeling of comfort is short-lived. 

“why was toji fushiguro murdered??” 

you blanche. he is responsible. this is…all your fault after all. your worst fears are coming true right in front of you, and suguru cannot get here fast enough to stop it. 

“i…i don’t know! i didn’t do it!” you put your hand over your other ear, trying to ball up and make this all go away. 

“wrong answerrrr. you’ll find out soon that i’m not bluffing, sugar. let’s try again. why was toji fushiguro butchered?”

how does he know? toji must have told people. that’s the only logical explanation—you know that you haven’t spoken of it to a soul. this man knew, and killed him for it? was he related to toji’s wife, here for revenge? where did kento fit into this—is it really all about you?

you can hardly hear yourself respond over your heartbeat echoing in your ears, pumping your blood in a rush. “i..i dunno!! because i slept with him!?” 

“ding ding ding! i knew you were a smart girl. but you do know that makes you a little slut, right? do you know that means you killed him, sugar!” he hisses the last part, as if personally hurt by the notion. 

“i..it was wrong–yes–but i..i–” you try to explain, but realize the stranger has no reason to allow it. he’s here to punish you, and you have to either accept this lying down, or try to put up some kind of fight. 

“is that two wrong answers? you’ll sentence your best friends to death over your pride, slut? how disappointing.” 

“no, no–i am!” you clench your eyes shut, finding it easy to beg for their lives. if this caller was to be believed, then you already knew he wasn’t bluffing. 

“you’re what? hmmm y/n?” his voice gets louder, like he’s closer to the device. 

“i’m a…slut!” your cheeks burn, you shift uncomfortably on the couch as you wait for the stranger to reply. “please sir.” 

“last question–speed round. what door am i at? your front door…or your porch?” 

thoughts stop and instinct takes over, causing you to drop the phone and run to your porch–a sliding glass door with flimsy locks. you turn on all the lights, hoping to ward off whatever evil lurked in the night hunting you. you click all the locks in place, sprinting now towards your front door, which stood open already. 

“no..” you say aloud, voice a broken whisper of realization. he was already in your house. maybe he had been the whole time, you don’t know anything anymore. all you can think about was suguru’s arrival—hoping you could last for a few minutes longer. you spin around, deciding to venture back the way you came. it was already cleared, he couldn’t have slipped behind—a gloved hand covers your mouth—leather thick enough to smother, and you throw your elbow back as hard as you can, stunning the captor into letting your face go. with a hurried gasp, you’re sprinting for your life. you run to your porch door, grappling with the lock that you just secured. you keep looking over your shoulder, waiting for the figure to reemerge, shaking the lock with all your might. you hear the footsteps, looking over your shoulder to see a tall monstrosity—cloaked in ghostface’s attire. you scream out and throw the door open. shutting it on him before he had the chance to grab you again. 

your heart is racing and you aren’t sure where to go next, attempting to clear your fence to get to the main yard of your house, maybe you could get to suguru first. the killer is faster though, both in mind and in body. he grabs your ankle before you can get all the way over, yanking you back to his domain. you scream for help, but there’s no one around to hear you. 

“my boyfriend—he’s scary, please mister!” you fight, kicking and thrashing to get all the openings to escape that you could. “let me go!” you throw your legs, connecting with his stomach. he reflexively clutched it in pain, giving you a window to scramble back to your feet and back into your house through the porch door you escaped from. locking it would be a waste, you just start throwing down whatever you could get your hands on to make an obstacle course for the masked man. you assume the cheap costume doesn’t have the best visibility, and you hope to use that to your advantage. 

you sprint for the front door, hearing the grunting and frustrated groans of the man chasing you. you blink through your panicked tears, grasping at straws for what to do next. it’s then that you hear the gravel of your driveway crunch under what could only be tires—and who could only be suguru. you shove your couch in between you and the killer, flailing yourself down your front steps and into the yard, sobbing and out of breath, scrapes and scratches showing the evidence of the chase. 

suguru is out of his car in an instant, by your side even quicker. he seems to put two and two together at the sight of you, running into the house just in time to see the ghostface impersonator sneak out of your living room window, fading into the distance. you can’t let suguru go very far, terrified beyond measure as you glue to his side and cry into his shirt once he assures you the scary man is gone. 

he holds your face, trying to soothe you the best way he knows how. “shh, shh, let’s call the sheriff, alright? this has to be reported.” he insists, holding you to his chest as he picks up your phone to call the police to your home, your kitchen and living room a mess of the night that would undoubtedly scar you for life. you nod, burying your face in his comforting scent. “just tell them what happened, and make sure you tell them everything.” he encourages, petting your hair as you wait for them to arrive.

your heart sinks at the prospect of revealing your secrets to the police. surely they don’t need to know every word exchanged on the phone. you can communicate the gist. you rehearse in your head what to say—but nothing prepared you for sheriff zen’in putting suguru in cuffs and shoving him in the back of a squad car. 

you protest, proclaiming his innocence–but the sheriff says if he’s truly done nothing wrong, then he can answer a few of their questions down at the station. you ride in a car too, like a passenger instead of a prisoner, to report what happened in detail that night. you can hardly get through an account of it—too nervous about suguru’s interview. he didn’t even wait for a lawyer, and had already used his phone call. deputy choso finally lets you go once it’s apparent you’re too shaken up to give them anymore than your scrambled memory, about being home and talking to suguru and then a very…summarized version of your call with the killer—and of course your run from him. 

you’re relieved when a just-rolled-out-of-bed satoru throws the station doors open, face stern as he scans for you. his features soften when they land on yours, and he’s pulling you into his arms before you’ve even really processed that he’s here. suguru must have used his call on him, to make sure you were taken care of in the event they want to hold him overnight—you’re touched. 

“y/n, what happened?! suguru said—a ghostface broke into your house?? are you alright, are you hurt—what are they talking to him for?” he asks, cradling your head on his chest after gawking at your bandaged ankle. you shake your head on him, just wrapping your arms around his waist. 

“i dunno, the guy chased me, satoru—i thought i was going to die!! suguru got there just in time, he saved me, and they’re treating him like he’s a criminal! get him out of there—call your dad or something this is bullshit!” you heave, panicky breaths shaking out over his shirt. 

he rubs your back, finding suguru’s eyes through the blinds over sheriff zen’in’s window. he takes a steadying breath, clearly trying to set an example for you to follow. “it’s gonna be okay, c’mon, you believe in your ole pal satoru, right?” he leans back, hands on your shoulders to give you a reassuring look. his nod gives you the faith to do the same, leaning back into his chest for that feeling of safety that seems so fleeting these days. 

satoru goes back and forth with the deputy about holding suguru overnight, threatening the mayor’s intervention. but deputy choso calls his bluff, rolling his eyes in clear aggravation. 

“even the mayor’s asleep right now, kid. unless daddy’ll come running at three a.m, geto’s spending the night.” 

“we have classes tomorrow you dipshit. y/n was literally expecting him—what can you even be holding him on?” satoru bucks, arching his brow. it’s rare that he gets serious, but when he does he comes correctly. 

“reasonable suspicion.” choso shrugs, leaning back in his desk chair. “doesn’t suguru know how to clone phone numbers? i seem to remember some trouble the two of you got in for prank calling.” 

“in eighth grade?” gojo scoffs, grabbing your hand roughly. you know it’s just because he’s wound up about the situation at hand. first your attack, then they cage suguru up like an animal, and now he’s dealing with dumbass deputy dewey. “prank calling to psycho murderer, huh? i suppose that is the only logical fuckin step!” he shakes his head in disbelief, dragging you from the station. “let’s go, sugar. time to get you back to bed—”

ice floods your veins. “what did you just call me?” you pull back out of his grip, looking at him with wide eyes. satoru’s face falters as he searches over yours, paused mid-speech. 

“what, sugar? i’ve called you that for years, y/n!” he rolls his eyes, sighing. “so paranoid, goodness. c’mon.” he pats your lower back, urging you into a steady stride alongside him. “let’s go to my place. wouldn’t want there to be a second strike or anything.” 

you still stare at him with that quiet unease, brain racing through your conversation with ghostface. “h-he called me that, too.” you mutter, stumbling over your own feet every few steps. satoru slips his arm around your waist to keep you close and to keep you from falling. 

“well, i didn’t exactly coin the nickname, i must admit.” he forcibly chuckled. “babe, please.” he rolls his eyes at your steady disbelief. “if i wanted to kill ya, do you not think i could pretty easily? i mean, my dad’s the mayor and you have no family. clearly, i only have your best interest at heart, y/n.” he raises his brow, and as blunt as his statement may be, it is effective. satoru’s strong enough to crush you in one hand, if he wanted to. plus they’d be the only ones that missed you if you were gone.  “i’ll…try not to call you that anymore.” he adds on the end, squeezing your hip in an effort to give you some peace of mind. 

you nod softly, processing. he’s always been sort of crude and a little brutal in his manner of speaking, always followed up by triumphant giggles at his own jokes. it’s his way of protecting you, of playing good cop and bad cop all at once, and over time you’ve gotten used to his bluntness. he was right anyhow, you shouldn’t doubt the only protection you have in times like these. plus, his offer of safety was too good to pass up. 

so you let gojo bring you to his huge estate, not affiliated with the mayor’s property downtown, no, this was just for satoru alone. it was expansive but still held onto that homestyle feeling. his bedroom was cozy, warm and safe like his arms around you, protecting you through the last few hours of the night.

news of your attack had spread like a forest fire around campus by the following morning. of course everyone’s in your face, all swarming around you in hopes they could get any bits of information—did the ghostface mention nanami? how did you escape? why was suguru still at the station if he rescued you? 

luckily satoru is there to serve as the buffer between you and the crowd, your other friends close in quickly as well, shoving and cussing until the path cleared and the rules to leave you be were instilled. you weren’t even sure how you were up and walking right now. you were exhausted between the chase and your collective two hours of sleep. your worry was weighing you down, the haunting anxiety of being attacked again, of causing more of your friends to be killed due to your wrong answers, of getting suguru into serious trouble just because this town wanted someone to blame for this. you felt like you’ve had too many iced coffees, body wired and fidgeting as you try to avoid all the lingering stares by making your way to the bathroom to hide for a bit—just long enough to let everyone settle into classes, so you can peacefully get to yours. 

you hear a couple of girls chit-chatting between the stalls, a voice you recognize saying your name followed by a near audible eye-roll. you quickly tuck yourself into a stall so they don’t see you when they come out, heart racing now that you seem to be the topic of conversation. 

“i bet she’s making it all up. i mean—a ghostface costume? really? that movie came out thirteen years ago! i mean if we’re getting in the halloween spirit, why not jigsaw?” she snickers, the metal door to the stall clanging open to signify that they’ve left—the water running at the sinks. 

“mei mei! that’s awful, why do you hate her so much?” the other girl teases, grabbing some paper towels. you bite your lip in wait, insulted beyond belief that she could think you were that big of an attention whore. 

“because gojo and geto follow that girl around like she has some kind of…spell on them! i wouldn’t be surprised if she killed dr. fushiguro. she was in his class last year—and he seemed to pick on her a lot. maybe he was some…witchy sacrifice to make the two hottest guys at this school fall in love with her! nanami was this years!” she reveals as if she’s solved the crimes herself, simply from being so self-aware. 

“that’s the most ridiculous thing you’ve ever said, skank!” her friend dismisses with laughter, their voices fading as the bathroom door squeals shut, telling you they’ve left for good. you lean against the door of your stall for a moment, raking your hands over your face to cope with the cold sweat coating your skin and the disbelief gripping your heart. you fidget with the lock, stumbling out to the sinks for something to bring you back to life. you turn the faucet on, thinking some cold water would do the trick. it helps you perk up a bit even when it just hits your hands. before you can cup any and splash your face, a chill creeps up your spine—you’re being watched. 

you bend over, looking under the doors of each stall to make sure there weren’t any feet lurking behind the doors waiting to attack you. you don’t see anything, puffing out your cheeks as you exhale and right your posture. you make eye contact with yourself in the mirror. you have to snap out of this, you tell yourself, raking your hands over your face, tugging at your eyes and rubbing your cheeks in an effort to remind yourself of reality. 

“y/nnnn.” the distorted voice echoes in your mind, making you gasp and spin around to look at the stalls, look all over the bathroom, nearly flattening your chest to the floor to look under the stalls again. again, nothing. your brain is playing tricks on you. you’ve officially lost it. what was the likelihood of being attacked in your campus bathroom anyway—especially since he started at your house? you take a deep breath and gather your backpack up, hearing the clanking metal sound of one of the stall locks. “don’t ignore me, y/n.” 

you squat down, there had to be someone there this time. you knew paranoia could only go so far, that voice sending your heart into a fearful spiral. 

boots descend from the toilet, planting firmly on the ground. you start to breathe heavily, a jagged black cloak lowered to tell you that you were indeed being targeted by a ghostface impersonator, and you scream. he lunges out of the stall—a huge hunting knife clasped in both hands over his head as you duck, limboing under his attack and making for the door. 

“help me!!” you scream frantically, voice so shrill it hurts your throat. you feel the heat of his body against your back, so you fling your head backwards into his chest—surprising him enough to falter. you fling the door open, making that connect too, scrambling for any extra time and space you could get. your vision is blurred by the nervous tears that spring automatically, searching for an exit or someone to help. you see a few guys standing together at the end of the hall—one of which has stark white hair that you could recognize from worlds away. “satoru!! he’s here, help!!” 

the frantic desperation in your voice grabs all of their attention, satoru and naoya zen’in—grandson of the sheriff–sprint closer to figure out what’s going on. they see the masked man stalking after you, but you can only keep running for your life. your legs nearly give out as you make it to satoru, collapsing in his arms. his eyes are wide as he pushes you back behind him, turning to deal with the intruder—but the zen’in beats him to it. he tackles the figure, managing to wrestle the knife away even before the ghostface rolled them to win the struggle, punching naoya hard enough that his head bounced off the floor. you gasp–shoving satoru forward. 

“help him!!” you panic, not able to stomach the thought of someone else dying over you. satoru barrels forward and roughly pulls the ghostface off, turning to naoya to ensure he was still alive while the masked figure tumbles to the ground with a grunt. you’re paralyzed with terror as one of the other boys, a freshman named ijichi, checks on you, grabbing your attention with his shaky voice.

“y/n, are you alright? goodness.” he pats your shoulder, and you nod–turning back to the commotion. you catch the sight of the cloak slipping down the stairs, screaming out for gojo to warn him. he quickly moves to follow—but finds no trace of the man. he turns back to you with a shake of his head. he was gone. 

satoru moves to pull you to your feet, holding you securely to his chest as yaga and a host of other teachers bustle through the hallways looking frantic. 

“he came to this school. that is it!” yaga shakes his head, surveying your crying and terrified form. “classes are canceled until further notice!” he declares, instructing for the cops to be called immediately–and to bring a paramedic for the student injured in your defense. you feel so guilty when you look over at the zen’in boy holding his eye, wincing. he had no business with you and didn’t have to get involved at all, but he likely saved your life!

you sniffle, gently pushing yourself off of gojo with a weak smile. you give him a grateful look, nodding to him in a way that communicated your need to accomplish something. “i’m okay.” 

he nods a little, letting his hand fall off of your elbow. he watches you slouch over to naoya as he shoves himself into a seated position. you crouch to his level, giving him a gentle but still anxious smile. 

“hey..does it hurt pretty bad?” you ask, sympathetically frowning at the shiner. he scoffs a little at your question. you sure are lucky you’re stunning–and that he has a reputation to uphold. 

“yeah? it’s a massive bruise. i’ll live though.” he shrugs, brushing his hair out of the way. 

“well…thank you. for doing that, you could have been hurt worse.” you nod, standing. you reach your hand out to help him to his feet. he smiles, and takes your hold despite his usual pride, he’s able to capitalize on some arrogance. 

“i had it under control, don’t worry about it. what kind of man would i be if i didn’t step in?” he smirks, and the little look makes you blush. maybe you had a soft spot for the zen’in families good looks. 

“i see, well. thank you anyway.” you hum, turning back to satoru. “i guess we’re free to go home, huh? classes are canceled…” you scratch at the back of your neck anxiously, hoping satoru would let you attach like a little lost puppy in order to stay within the realms of safety. 

he rubs at your shoulders, wiggling his brows a little. “mhm, way to go, princess. you got us outta school!” he cheers, throwing his arm around your shoulders. “i say, party at my house!! everyone’s invited!” he yells out into the emptying hallway, the announcement of canceled classes causing the majority of your peers to spill into the schoolyard, escaping before the headmaster changes his mind. 

the idea of a party right now made you nauseous. anyone of these people could be the ghostface poser or his next victim. you wish you could just hole up in your house,  but being alone was hardly an option for you right now. satoru keeps a hand on your back to guide you out of the civics hall, assuring you that a party is exactly what you need to get your mind off of things. 

“there’s no way i’d leave your side anyway! plus the girls are gonna be there, and—look who the cat dragged in!” his long finger turns your head in the direction he was looking, and your eyes widen at the sight of suguru waiting against the group’s usual tree. relief floods your system. at least suguru was free, clearly they couldn’t pin this on him like they wanted. 

he strolls over to fall in line on your other side, giving you a sly smile. “hey angel. shoko told me what went down, and i am now on your side. that sheriff doesn’t have a clue what he’s doing.” he sighs out as he loops his arm around your shoulders. you give him a proper hug, letting him pick you up slightly to keep walking to satrou’s place. it was a normal happenstance, the two of them loved passing you between them like a toy football they tossed back and forth, this time it was suguru who lifts you from the ground. you wrap your legs around his thighs with a giggle—feeling a bit of lighthearted fun spring to your heart. 

“oh don’t tell me you didn’t get the honeymoon suite.” satoru mocks, reaching for your upper half to pull you into his hold, to which you and suguru insist in passing you over. it’s all part of the games they like to play with you. 

you roll your eyes. “we tried to get you out, well—sato did. that deputy was a big ole meanie about it.” you huff, being carried like a baby in gojo’s arms. he nods, pouting down at you. 

“totally. was gonna get dad on it and everything! but hey—this party will be epic, the girls are getting some snacks, we’re on beer duty!” he cheers happily, gently tossing you up into the air. you freely giggle, falling back into his protective hold. he passes you to suguru, who slings you over his shoulder in a fireman’s carry. you playfully kick and giggle and that sweet sound prompts satoru into comment. “she’s always so happy with us, huh sugu?” 

he pats above your back, nodding. “of course. you’re our girl, right?” he hums, giving satoru a knowing smirk. you squeal a little and nod. 

“mhm, i just feel so…safe with you two!” you sigh, relaxing across his shoulder. he finally lowers you to your own two feet once it’s time to walk into the general store with that one boozy cashier that would let geto have whatever he wanted from that store—including his weight in beer probably two times the legal purchase amount. you stroll around the aisles with them, satoru urging you to pick your own snacks over whatever gross shit iori and ieiri brought over. 

for once, all seems to be well. you settle into a couch at satoru’s place, letting the boys fight over where they sat, deciding they’d just let you lay across them both. so your new couch becomes satoru and suguru, but they’re just as comfortable. shoko and utahime laugh at the sight when they come in, a few more stragglers that heard satoru’s invite making their way in for the free booze. 

shoko of course came with her bag stuffed with horror classic dvds, starting with the obvious scream given her recent comments, and you roll your eyes and groan at the selection. suguru pets your hair back at your reaction, chuckling down at you. 

“what, not a horror fan?” he raises a brow, the idea making gojo titter. 

“probably not enough lady killers for our princess’ liking.” he elbows geto playfully, squeezing your thigh with his other hand. “or too many bimbos. which is it?” he asks expectantly, blowing some hair out his eyes. 

you shrug. “what does sidney say, something about how insulting it is that all the girls are so dumb? always running upstairs when they should be going out a door on ground level. it’s annoying. and yeah—more girl killers!” you giggle back, finally settling into a decent spirit now that you knew you were safe with your friends. 

“totally!! carrie’s like all we have!” utahime complains from the floor. 

“well—all the victims have been dudes so far. maybe we have a lady ghostface out there.” satoru raises his beer to clink it with utahime’s. she’s already tipsy enough to toast gojo, so you know this night will be eventful, though you can’t help your unease at his statement. you felt like it was important to only pass around the proper information in regards to something like this, even though satoru’s only joking innocently. 

“it’s not a woman. he’s too tall.” you mumble, reminding your friends in the room that you’ve suffered at the hands of this killer not once, but twice. your friends shift around awkwardly at the realization that they’ve gone a little too far. 

satoru pats your thigh. “hey, y/n—” you assume he was going to apologize, but he’s cut off by the phone. your heart plunges. no, this can’t be happening. not here, not in the safety of satoru’s home–with all of your friends gathered around. your gasp makes a few heads turn to you, and satoru’s face falls at your jumpiness. “hey, it’s alright. probably just my folks. don’t worry. shoko—answer it?” 

she nods, though you can tell she’s a little nervous too. she puts the phone to her ear and hums–seemingly recognizing the voice on the other end. the room all takes a collective breath of relief, but that doesn’t last very long. shoko clamps her hand over her mouth as she gasps, turning to you all to repeat what she was just told. 

“it’s the sheriff’s grandson—naoya. they found him strung up the flagpole—gutted like nanami!” she whisper yells, sparking the intrigue of most of the mildly intoxicated young adults in the room. she nods a few more times with whoever’s on the other line, shaking her head at the grotesque crime until they hang up. 

“well—what are we waiting for, let’s go check it out before they pull him down!” some freshman suggests, getting whoops and hollers from the other nameless faces as the pile out of the room, shoko leading the charge. you’re gripped with fear. this is the last straw. there’s no room to deny it anymore. the only common thread is you. when would this man get gojo? get geto? get ieiri and iori—you? would you have to watch all your friends die in front of you before he finally got you? naoya was not a nice guy, he had wronged plenty of people and was toji’s cousin—but he had saved you that day. and been punished for it.

“i need to go lie down.” you declare, sitting up on the only two men you could trust these days—which only made you fear for their safety that much more. suguru looks up at you wistfully, seeming to understand. gojo pouts, but nods his head towards his room. 

“we’ll know where to find ya, sweet cheeks.” he assured, helping you slide off of their laps. you smile and nod at him gratefully, breaking out in that nervous cold sweat you were prone to as you creep up the steps towards satoru’s room. your heart thunders in your chest, so loud in your own ears you think it may be audible to everyone else. suguru ‘awwws’ as you walk off and utahime blows you a kiss, stretched out in the recliner. she’s invested in the movie—totally into billy loomis, naturally. 

you wish you could be so naive to spend your night crushing on the killer in an old horror film, but your mind is too preoccupied with the one you’re living. some comfort soothes at your heart as you enter satoru’s large personal space. it smells of his soothing sweet scent, and you melt right into his bed, looking up at the rotations of the ceiling fan. you aren’t sure how long you stare up at it, wondering what entertainment your classmates were getting out of seeing naoya’s dead body. it makes you shudder to think about it, you wish that this was some sort of nightmare. at least those weren’t real. but that can’t be, because you feel yourself fall into some kind of satoru’s scent-induced slumber. 

“you know, it is pretty spooky how similar these past few deaths have been to the movie.” utahime scrunches her nose as she looks around the remaining friends. gojo nods, lips turned down in a pondering frown. 

“yeah–like the disembowelment? totally creepy. awww i’m all out of beer. utahimeeeee?” he coos, shaking his bottle at her. she jiggles hers and rolls her eyes at the emptiness. she shoves out of her comfy spot on the recliner. 

“you’re lucky mine’s empty, you bastard.” she chuckles, shaking her head and making her way out to the garage. 

“let suguru beer-sit for me when you get back, i’m gonna go check on the princess!” he yells after her, using his own thighs to propel himself into a stand. he turns to suguru, brows raised. “she’s been so skittish lately. i’ll be right back.” 

suguru takes a swallow of his room-temp beer, making a face at the taste. he finds himself alone with the movie, no choice but to watch the corny film that the current killings seem styled after—at least in costuming. he sighs. 

some time must have passed by the time you blink awake. you think it’s the trees rustling in the october wind that rips you out of your brief reprieve, or maybe it’s the uncomfortable silence and stillness to gojo’s house. either way, you’re yawning—stretching out on your stomach as you remember what caused you to isolate yourself from the rest of the party in the first place. you close your eyes as if that will stop the thoughts in their tracks, but it’s no use. 

the scraping up the trellis outside of satoru’s room does plenty to wipe your mind, followed by what could only be the sound of the window being opened from the outside. you push yourself up, ready to flee the bed, but his voice stops you as if he had puppeteer strings controlling your limbs. the distortion is familiar, just like it was on the phone that day. 

“don’t move you little bitch, i’ll slice you to ribbons!” he cheers, boots scuffing against the floor. you’re holding your breath, still laying on your stomach, head faced away from the killer. 

“wh–what do you want from me?” you gulp, clenching your jaw as his weight sinks into the bed. your hands grip satoru’s pillow as the ghostface touches your back, hand resting in between your shoulder blades. he trails one finger along your spine, stopping at the curve of your ass. 

“ya mean you haven’t figured it out?” he slides his hand under your skirt, curling his finger in the waistline of your panties, pulling them out and letting them snap back against your skin. “i want that pretty pussy in exchange for another day on this spinning rock!” 

you shiver, fear creeping up your veins. you feel something sharper than a finger against your back—unmistakably the point of his hunting knife. your body straightens and you gasp, his gloved hand palming at your ass. while the blade keeps you in place. 

“p-please, mr. ghostface, i–i dunno what this is all about!” you breathe heavily, feeling a tingling warmth bubble in your abdomen at his touch—fear had to be crossing the wires in your brain. he uses one hand to shove up your skirt, slapping the skin, the leather covering his hand only intensifying the feeling. you squeeze your eyes shut at the pleasurable sensation–shaking your head in surprise with yourself. 

“i just told ya, sugar. open up those ears and those legs. you’re gonna let me fuck you dumb if you ever wanna see outside this room again, be the good little slut i know you can be.” he pops your ass again, causing you to make a strangled sound of enjoyment. your cheeks burn, you can’t be enjoying this, the stranger that’s been terrorizing your life for the past few months—even possibly the man that killed your lover a year ago—should be the last person on the planet that causes your pussy to clamp around nothing. 

you obey, spreading your legs wide enough for him to shift between. he repositions himself there on his knees, hooking his arm around to press the long blade across your delicate neck as he pulls your hips up slightly. you gasp at the sharp weapon pressed to your jugular, careful not to move or you’d slit your own throat. he giggles, using his free hand to leave the outline of his hand on your ass. your heart thrashes, blood pumping in your ears as a disgusting need burns viciously in your gut. 

“that’s a good start, see. you can do it.” he kneads your ass approvingly, big hands gripping the skin so tenderly you whine out, biting your lip immediately after. his laugh is taunting, and makes the anticipation shoot up like sparklers. you’re ashamed. this is a dangerous and scary murderer, and he’s in here fucking you, you can’t deny that it makes you feel a little special—as he’s only targeting males. “ohhh you’re an even bigger skank than i thought, wow. you like it!” he licks his teeth audibly, hooking a finger around the crotch of your panties, yanking off the soiled fabric. he delights in damp juices covering his fingers as he tucks the soiled undies in the back pocket of his jeans beneath the robe. “you’ll fuck anyone won’t ya?” 

you move to shake your head, feeling blade bite into the flesh beneath. you open your mouth in your defense, silenced by the feeling of his bare fingers playing around in the mess holding you at knifepoint has created. “no! that’s not true!” 

he slaps your ass, sighing. “yeah? why’d you give this pretty little cunt to your married professor then? eager? desperate? did he make ya feel special?” he inquires, making your pussy grip again. the possessive lengths this murderer went through clearly spoke to your pussy if not your heart or your brain. you feel the man move around, freeing his cock if you had to guess. you ask yourself why you did fuck toji, and you decide to tell the truth. with the way things were going, he’d know if you were lying anyway. 

“because i was horny and he was hot and there—and i…i guess i did feel special, he picked me.” you reply, earning a growl in return. the smack on your ass has you screaming this time, the force of it causing you to brush up against the knife a little, feeling the first layer of skin give way. 

“wrong answer.” he gruffs, not as jovial sounding as before. you know what comes next. you briefly wonder what he’ll feel like, how curved or thick he’d be, and if he’d actually let you live after he’s done. he answers most of your questions rather quickly, feeling like lightning had struck you and split you open—you realize he’s shoved himself all the way in while you’re still laying on your stomach. you sputter out gargled sounds from suddenly being so full, balling up your fists in satoru’s pillow. maybe it was his scent wafting in your nose that made you horny instead of the masked man plowing your insides, holding your ass cheek apart with one hand in order to reach top speed. “little slut likes getting ruined by a psycho, huh? maybe i will keep you around after all, gripping my cock like you love it.” he giggles, laying all his body weight into the thrusts. 

you’re mewling, gripping satoru’s pillow like it was the only thing tethering you to this earth. the ghostface was hitting every spot so rapidly and with so much force that you’re seeing stars. it takes everything in you not to slump forward—only the threat of imminent death keeping you awake enough. 

“you keep grippin it, lil slut. dont wanna let me go?” he chuckles at the way you keep lifting up to escape the blade. “cute slut though!! and a good one. gonna give you my load for being so obedient—i guess you didn’t have much choice though!” he laughs and pulls the knife from your neck, sickening slaps of his hips into your ass sound out across the room, growing slower in pace until he stills altogether, seed flooding your insides–his tip pressing it directly to your womb. his breaths are slightly ragged as he presses your ass back together, trapping his cum tight as he pulls out of you, humming at the sight of his slimy seed sliding out of your hole and pearling up on your pretty thighs. you heard his zipper at the same time you heard a knock at the door, a voice you recognize all too well kicking the panic up again. 

“y/n? i heard screaming, are you okay?” suguru asks, jiggling the handle. “everyone’s gone and i just want to make sure you’re alright. i’m coming in.” 

you shake your head, turning to scream out a warning, but the ghostface clamps a hand over your mouth. suguru pushes the door open— furrowing his brows at the sight, immediately rushing forward to intervene. he grunts his displeasure, snatching your hand to yank you away from the figure. 

“run y/n!” he commands, trying to shove the man away from you. you slide off the bed frantically, trying to get geto to run away with you as he and the ghostface struggle for dominance over the knife. he turns his head to look at you still standing in the room. “go, now!” he calls out, the sound of the blade making contact with his skin making the color drain from your face. his eyes widen as he looks down at the knife in his chest—while the masked murderer cackles wildly before he grabs the wooden handle. geto looks back up at you, eyes growing more and more lidded.

“yet another friend you’ve killed, little skank!” he cheers, yanking the knife out with a harrowing schlick before embedding it in him again for good measure—his form falling to the ground. the sound of geto’s body collapsing was enough to send you scrambling down the stairs in search of the only other person who could help you get away. your legs move faster than you’ve ever seen them go before, taking two steps at a time as you bound for the door. 

you hear the stomps of ghostface’s boots coming after you. you shudder out your cries of anguish, trying to figure out a way to put some space between you and him—not wanting to put any merit in his promise to keep you alive. you jump over the couch, slinging the tv down and once again throwing any and all obstacles in your path. it seemed to work well enough the first time you tried it, and based off of his hiss and a subsequent thump, you know you tripped him up a little bit. you sprint towards the garage, flipping on the light and pressing the switch to raise the door—screaming in horror at what the lights reveal. 

iori utahime was nearly unrecognizable, her head smashed in the refrigerator with a broken beer bottle sticking out of her chest. hot tears spring out of your eyes instantly—muttering your apologies as you dip under the opening the garage door gives you, full sprinting like your life depends on it. you’ve made it to an open field—somewhere you once felt safe now making you feel like a deer waiting to be pounced on. you keep your head on a swivel, trying to locate the black mass in the night—but it was virtually impossible. 

when he comes out of your peripheral—running at you from your right side, you see him in enough time to slide under his attempt to bear hug you, turning an about face towards the house. maybe you could make it back there, make it back to geto’s body—if you could just lock the doors and windows, you should be home free. satoru was still around–luckily you didn’t find his body. you struggle to get oxygen into your system through the chilly night air—feeling it squeeze at your lungs as you desperately fight to get back to some idea of safety, running in bursts and patterns to keep the masked man guessing and confused through the tiny holes in the mask. tears still sting at your eyes as you throw yourself up the steps, making it to the door which you deadbolt instantly. you sweep the house, making sure the other doors were locked before coming back to the front—hearing the beating of the ghostface rap against the door. 

“don’t lock me out sugar! we had such a good time!” he appeals, using the weighty knife handle to beat on the door some more. you grip the sides of your hair, out of breath and full blown panicking. if satoru wasn’t in the house, then you’ve locked him out, and who knows if suguru was clinging to life upstairs. noise behind you makes you wheel around to confront it—terrified that the ghostface snuck in through a window like he had earlier. 

instead, a heavily injured and bloody suguru limps out of gojo’s room, gasping out your name as he tumbles down the stairs, falling all the way to your feet. you cry out and crouch to him, face contorted up with concern and horror. he motions to stand, asking you to help him do so. 

“suguru! he’s outside–oh my god, are we going to die? where’s satoru? i need him to be safe too! we have to call the police—” you prattle on, doing your best to help lift his weight. he groans in pain, helping you to the best of his ability as you get him propped up against the wall. he keeps you from pulling away, holding your hand in both of his. 

“we’re going to be alright, angel. i’ll call the cops.” he assured, stumbling forward—toward the door. he nods to help you calm down, a bloody hand cupping your face to have you look him in his gentle eyes. “i’m going to get us out of here.” 

“don’t!! he’s gonna break it down or something—stand back, suguru! i’m scared!” you warn him as he looks out the peephole, shaking your head frantically. 

“you should be.” he says, leaning against the front door, giving you a cunning smile. gentle brown eyes shift into something much more sinister—though the lust that always swims in them remains. his words rock you off kilter—you’re sure you must be so paranoid that you’re making things up now. 

“wh-what?” you shake your head, furrowing your brows a bit as he lifts a bloody finger to his mouth, sucking the red digit clean with repeated swirls of his thick tongue—and making you step backward as the shock wears off. he was involved. you don’t understand how or why—but your best friend suguru geto was involved. 

“shame you don’t like horror movies, y/n. maybe if you had seen scream, you’d have known what to expect. high fructose corn syrup—just like in carrie.” he hums, trailing his tongue along his hand. you shake your head, steadily backing away from him. he wasn’t hurt at all—just theatrics to get you right where he wanted you. which means satoru—

“n-no…this is impossible. you…you came to my house!” you argue, trying to find a way for it to not be true. you back straight into another hard chest—and the figure dangles your panties over your face. your veins are frozen as you turn slowly—faced with the missing satoru. he’s beaming, wiggling the fabric in his hands. 

“surprise! look what we did for you, princess!” he cheers, stepping forward to make you back up—pushing you back into suguru with every calculated step. you blink rapidly, processing all that’s before your eyes. satoru and suguru? they were working as a team this whole time? a murderous, manipulative team?

“for me? what on earth are you talking about??” you shake your head incredulously, wondering how they’ve cloaked their insanity this whole time. “i–i never wanted this!” you begin to sniffle, the tears of realization starting the burn your eyes. 

“no? you know how we feel about boys around our princess.” satoru hummed, shaking his head. 

“after all of our years of devotion to you,” suguru shakes his head, stepping in front of you as well, leaning down to capture your vision. you avoid his eyes, too busy dealing with your racing thoughts. “you reward us by giving your virginity to a married man. what were we supposed to do about that angel?” 

“how–how did you find out–”

“you’re so loud in his office, pretty girl. we know what you sound like all too well—and you had been missing a lot that semester…we put two and two and two together!” he says shrilly, devoid of the costume though the large hunting knife was still in hand. 

“i…i didn’t ever get any attention from boys!!” you start to cry, the full weight of their words taking hold on you. everything was your fault after all, those haunting feelings were all true—and your best friends were the ones behind the whole scheme. 

“why would you need any other attention?? are we not more than enough?” he snarls, deeply wounded that you gave your body away after he’s spent so much of his time catering to it. 

you sniffle, recoiling away at his tone. geto was always so gentle and calm, but it seems like he’s finally snapped. you never thought they had any romantic intent with all their safe-guards, assuming they viewed you more like a tiny kitten that needed their protection. but it all makes sense now, their abnormal need to spend their time with you, the cuddling, the touching, even the carrying game—you were sure now that it was all about their feelings for you. geto grabs your face in one broad hand, jerking your chin up to look at him. 

“you’ll look at me when i’m speaking to you. answer. are we not enough?” he demands, clenching his jaw so tight that you can see the muscles twitch. 

“yes! you’re enough—i just didn’t think it was like that, boys–i didn’t think you both liked me, i–i just thought you were being nice–” 

“well. there’s no more of that, slut. if we didn’t kill the other two, who knows what you would have let them do.” he snarls, squeezing your cheeks together to keep you from speaking further. satoru claps his hands, tugging you to the couch. 

“it’s time we make you our final girl, sugar. aren’t you so lucky? who else would love you like us?!” he asks you, pushing you into the cushions. he holds the knife to your shoulder, pouting. “don’t make me use this on you, pretty girl. just listen to us and we’ll go from a scary movie to a happily ever after.” he hums, sitting at your side so he could keep the blade steady. 

you’re reeling, brain light and heavy all at once. they did this…for you? all to show you their love and devotion? it’s too much. his words are sweet but his actions have been anything but. you shake your head. “utahime…what did she do to deserve that?” you snap, tears slipping down your cheeks, you feel bolstered with the confidence that they won’t hurt you. this elaborate scheme has all been to make you theirs, after all. 

geto laughs, shaking his head as he comes over to the couch, the boner in his pants so obvious your pussy clenches involuntarily. you’re lucky your skirt has you covered enough that neither of them saw it, for you’d never hear the end of it. geto strokes himself over his pants, giving satoru some kind of direction with the nod of his head. gojo shifts you to your knees, forcing your head forward to stare at suguru as he unbuttons his pants. 

“utahime was in the way.” suguru shrugs, letting his endowment slap up against his red corn syrup stained shirt. he peels that off next. 

gojo scoffs. “you don’t need friends anyway, you got us!” he cheered, repositioning his digits on the back of your neck. suguru pushes some hair over his shoulder, gesturing to his cock with a simple look down. 

you shake your head no, trying to fight against satoru’s hold, but he points the knife under your jaw, following the line of the bone. suguru chuckles darkly. 

“this whore will fuck anything on two legs, but when it comes time to fuck the men that earned it, you wanna be shy?” he shakes his head with disappointment, “you even slutted yourself out for someone you didn’t know. what’s the problem? if he holds the knife against your neck will it make you drip again?” 

the statement makes you gasp softly, the pang in your core causing you to whine in disbelief. why was this turning you on? there’s no way you should be giving in to such a crazy stunt. they’ve ruined your life, killed anyone close to or interested in you—and now they’re here to claim their due reward. and your pussy is absolutely leaking over it despite the alarms ringing in your head. the way that geto grabs a fistful of your hair to guide your face to his drooling slit has you opening your mouth to welcome him inside without any more protests, causing gojo to giggle at the sight.

“told ya she’d give in. we know her better than anyone, yeah?” he dances the knife along the side of your neck as your throat bulges with suguru’s thickness. your eyes roll back at the feeling of his fat tip hitting your uvula, keeping you from speaking anyway. 

“there we go. you’re pretty when you listen, y/n.” he hums, cock jumping in your mouth. you felt better than he could’ve  imagined—and nothing could recreate the mix of fear and taboo lust that you look at him with, tears dotting the corner of your vision as he guides your head in bobbing along his thick shaft. gojo just keeps your hair from falling in your face–eager to see all of you as you arch up on your knees, wiggling your pretty ass in the air. “nasty little thing. you’re just as bad as us, you know. you made us kill all these poor people—if only you listened to us and left boys alone.” suguru grunts, watching as satoru pushes your skirt up, trailing the tip of the knife over your ass cheek, careful not to slice as he peppers slaps to your other side. you whine at the feeling, pussy tightening at his teasing even though suguru filled your mouth to the brim. suguru slaps you—medium intensity, but coupled with satoru’s spanks and his dick forcing your throat apart—it had your vision darkening. you never stop sucking his cock though, and that’s what he was testing for. 

“let her ride it.” he rewards you with his approval, and satoru snickers happily. suguru’s hand falls to grip your neck, loving the sounds you make when struggling to breathe. the pain is so delicious, you can feel the morale in you dying the longer they toy with you—your need to be touched outweighing your fear–transcending it into trust. you know that they love you, in their own fucked up way, so they won’t kill you. your drowsy eyes shoot open when you feel the cool wooden handle of the hunting knife nudge against your clit. gojo holds it carefully by the blade—too skilled to let it cut him even with your uncalculated movements. suguru chuckles at your reactions, letting your hair go to see how you swallow him up on your own accord. you don’t falter, not even when the handle slides around your hole, teasing you into steady rolls of your hips to find it. gojo loved this—watching you grow so needy you’d settle for fucking yourself on the weapon that slayed your professor, your lab partner, your white knight, and your best friend. 

“look who’s a needy whore now. you wouldn’t ever be satisfied without us, angel.” suguru insists, watching the pleasure on your face as satoru finally lets you sink down on the handle. it’s wide, stretching you open with a slight burn—but it’s delicious friction strokes against your insides, and you were eager for anything to relieve the ache in your stomach, the way they used you but loved you mercilessly has you clamping, wetness sliding down the weapon. the guilt pushing back against the pleasure was slowly fading—losing. “oh, no, no. don’t let her cum.” suguru tsks, sliding his cock free of your mouth. you whine at the loss, rubbing at your sore jaw, feeling gojo’s hands find your waist again. he pulls you to lay in his lap, his own excitement pressing against the tight seam of his zipper. you’re careful to lay your head on his thigh, looking up at him and feeling a sense of relief—even as he pressed the blade to your neck. 

“you liked this earlier, right? that’s because you’re just as fucking nasty as we are, cutie.” he snickered a little, cupping your clothed tit. suguru saddles between your legs this time, pushing your knees to your chest without pause, absolutely nothing but a feral need to claim you flashing in his eyes. he pushes your shirt up just to see all of you, “i’ve waited far too long to see these tits, angel.” he grumbles, palming at them in between squeezes from satoru’s large hands. you moan at their touches—so intense yet different and identifiable. satoru hums at the little noise, tweaking your nipple as geto parts your pussy lips. he doesn’t warn you before he sheaths himself, making you take his length all at once. your eyes widen at the feeling—so wide you don’t understand how your throat accommodated him. your back arches off the couch at the sensation, you think you can feel every vein and ridge along his length as he lets you get used to it. gojo’s enamored by the face you make, brows pinched and mouth dropped open—wide eyes flickering between them. he’s dreamed of this for so long—they would do all of this as many times as it took to have you like this now, but luckily you’re obedient. satoru cups your face with his free hand, trailing his fingers along your cheekbone in a touch reminiscent of his ghostface earlier. he’s gentler than suguru despite the blade he wields. suguru’s grip on the back of your thighs will bruise, it hurts even now—but in the type of way you want to feel forever. he’s not gentle with your pussy either, pulling his full length out, tapping your clit with his head to make you mewl. the force he uses to plow back in causes satoru to move the knife from your neck, drawing circles over your bouncing fat tits instead. 

“she’s so tight, huh? think she’ll stay like that between the two of us?” gojo giggles, looking up at the pretty faces suguru himself was making. his eyes are lazily lidded, but still serpentine and focused on the sight before him. you squeeze down on his cock, and he loves that he can’t tell if it’s from fear or your returned affection. 

“so tight, despite giving it up so freely. isn’t that right–our little slut?.” suguru mutters, watching the glint of the blade as satoru swirls it around your delicate skin. your eyes widen at his question, face burning at the fact that they knew. blaming them wouldn’t get you anywhere—it seems you had to own your mistake and hope that groveling can return you to your former glory, despite how you clench around him calling you a slut. 

you nod, “i’m sorry! i didn’t know that you two love me, i’m sorry, suguru!” you lean up a bit to appeal to him, causing satoru to knick your skin with the blade. you moan at the slight burn, beads of blood bubbling to the small cut. satoru curses at himself, though the noise you make has his eyes narrowing at yours in intrigue. you liked it, just like you liked fucking at knifepoint earlier

“you’re a dirty little bitch.” satoru chuckles, looking up at an intoxicated suguru. his eyes were nearly blacked, pupils fully dilated. he leans over, running his fat tongue along the shallow wound, humming at the few drops of your blood that he got to taste. satoru arches a brow, fascinated by the reaction. it makes him want a taste for himself—but suguru’s still hungry for more. his thick hand steadies your jaw, his tongue licking a thick stripe up the side of your neck. you shiver at the feeling—all the feelings. the warmth threatening to spill over at the cock splitting you in half, the slight dizziness that came from the cut—how lewd and chill-inducing suguru’s tongue felt, the intense desire behind satoru’s groping. it was all consuming, and you were losing sight of yourself relatively easily—after all, you felt your safest with them. they’d never hurt their final girl. 

“let’s see just how dirty, satoru…” he hums, never faltering with his hips as he moves his lips to your neck, licking and sucking spots into your skin almost romantically. you’re so undone that you even move your hips, circling to try to get closer to suguru, teetering on the line. 

“oh–it feels so good, suguru..” you mumble, and satoru giggles at your blissed out face, dick throbbing in his jeans. 

“i’m sure it does, pretty slut.” satoru sings to you, his normal taunting voice was layered with the sick affection he holds you in. he watches your cut pearl up with blood again, the sight so pretty to him. he’s seen plenty of blood eradicating all the threats to your happiness, but yours seemed so much better. like you were more pure than those that he’d eliminated on your behalf. he wanted to see some more—and suguru does too. satoru makes a matching cut below the accidental one, swiping his thumb over it to collect the hot crimson. you watch him, lengthening your neck to tilt your head back—eagerly following how his tongue wrapped around the slender digit to suck the tangy taste off. 

the opening you give suguru is so delicious he can’t repress his chuckle as he picks the perfect spot between your neck and shoulder. he bites down and you can feel his canines pierce the skin deep, screaming out at the painful bliss. your red blood covers their white teeth, leaking out of their pink lips. suguru looks like a vampire instead of a masked murderer with his chin dyed burgundy, satoru’s tongue darting out to collect the remnants on his own mouth before he leaned up–grabbing suguru’s jaw so he could lap up the stain, letting your blood mingle together on each other’s tongues as they wrestle together. gojo holds the knife carefully away from suguru’s head as he puts his other hand on his face, the two clearly just as into each other as they were you—a fact that was terrifying and insanely hot at the same time. you shudder—feeling your heartbeat echo through the cuts and your bite, pussy throbbing around suguru. he breaks away from satoru—yanking him back by a fistful of his white hair. 

“our little bitch thinks it’s time for her to cum.” suguru sighs, and satoru grins down at you with a mix of blood and saliva dribbling from the corner of his mouth. satoru shakes his head. 

“but i haven’t even touched her!” he protests, pouting down at you. it makes you feel a pang of guilt in your stomach—but not because you were fucking two serial killers, no–because you hadn’t given one of them enough attention. 

“you did take her earlier—without permission.” suguru growled a bit and looks over your slightly bloodied chest and fucked out face. he knows exactly what will perk you back up and get satoru back in line. he releases his hold on his hair and slips out of your sopping folds, moving to slip the knife from satoru’s grasp while taking your chin in his other hand. he nods satoru to you. “prep her ass—i wonder if she ever let the professor in there. wait no…i’m sure he only fucked your ass.” he gently pulls on you, prompting you to get back to your hands and knees, facing him. he strokes your cheek with the back of his hand, tilting your chin up with the blade to look at him. 

the intense knowing in his eyes makes a shudder trill down your spine—and your pussy clench. how did he know that? knowing about the affair—hearing it—was one thing. but how did they know the intimate details outside of…being there. the puzzle pieces click into place and suguru can see it in the way your eyes widen. he chuckles, nodding to confirm your fears while satoru jiggles your fat ass cheeks in his hands. he’s admiring the recoil, the leaking pussy he had to spread your ass to see—it was all such a wonderful and worthy reward for him. 

“you think we’d miss a show like that? tsk tsk.” he pouts, keeping you engaged so satoru could warm you up on the other end. “professor fushiguro didn’t want any more children? how sad.” he teases slightly, running the knife over your plush lips, watching the way your skin gives in to the metal, bouncing back up as he moves it to a new spot. satoru gathers the arousal pooling down your thighs, adding his spit to the nasty mix on his fingers. you gasp softly, feeling his digits prod around your puckered entrance. “could have made a pretty little thing like you his baby mama? hm. maybe if he’d been smarter about it, his existing son wouldn’t be fatherless. though that’s on you too—”

you whimper, shaking your head. “n–no, don’t say that!” you protest, feeling the humanity in you lash out at the statement. 

“why? hard truth? don’t worry princess—we’ll give you plenty of kids. you won’t be left wanting, poor thing.” satoru pouts with you, giving you the first finger down to the knuckle. you squeeze around it, any combativeness dying right back down as the brain fog returns. he’s slowly thrusting it, letting you rock your hips back for more, the unrelenting need in your gut yet to be satisfied under geto’s punishments. 

“and your kids will have two fathers just to keep you extra safe. can’t you see? we’re the only ones who can protect you and make you happy.” geto implores, stroking your cheeks and watching your reaction to satoru’s second finger, tucking his lip between his teeth. 

“oh she already knows that, sugu. c’mon sugar. tell him.” he encourages, defending you in his own way. he scissors his fingers in your ass, giggling at the wet squelch that accompanies his movements. “you’ll be so happy–just tell him, princess.” he appeals, your brain mushy with the feeling of their hands on you and their promises swimming around your brain. they have protected you from so much over the years, between your average bullies and boys that truly crossed the line back in high school—you know that in their own deluded way, they’re right. 

“you guys are the only ones that make me happy!! i feel so safe here–i know you won’t hurt me.” you whine, nodding. it appeals to both of their hearts–the sultry call of your voice had them eager to fill all your holes. 

“oh we’ll hurt you, slutty princess.” satoru hums, sliding his fingers out of your choking ass. he repositions you, hands fitting into the handles of your waist to right you in his lap, angling his proud length at your hole. “see, this will hurt a bunch! but you’ll love it.” he assures, pulling you down on him a few inches at a time. you scream out, looking up at geto for rescue. he only steps in front of you–fisting his own cock in the angle he needs it. your eyes widen when you realize that they plan to fuck you at the same time—and they don’t have the decency to let you get accustomed to one before giving you the other. 

gojo hisses, your ass was still so tight despite all his hard work, though the amounts of spit and your own slick he slathered around were making it easy to sink into you. as soon as you hit the hilt of his dick—absolutely shaking from the pressure in your ass, suguru’s nudging your pussy lips apart to bully you some more. 

“you can take us both—you’re a slut, remember? you can do it for us.” suguru reminds you tenderly, holding your face as they get used to the feeling of you and each other through the thin wall of tissue that keeps them apart. you sputter, grabbing onto suguru’s shoulders in an effort to not fall over. satoru uses his hold on your waist to propel you to move, making geto’s work minimal. the pace he sets is brutal, picking you up and slamming you back down while suguru just rocks his hips to add to the sensation of two cocks fucking you open. 

if you thought either of them were big and splitting earlier, then this was what you got in return. white hot pain and pleasure courses through your veins, replacing the fear and unease that has been haunting you for days. they were taking care of you, and if you didn’t have to fear their wrath—why wouldn’t you squeeze their cocks, scream for them, and make them feel just as loved?

this is what they deserve, what their hard work has earned them: your silken walls being beaten into the shapes of their dicks and nothing else—your tits and ass bouncing with the impact of their brutal thrusts sending you back and forth like a tug of war. 

“it’s too much!” you cry out, feeling the heat in your stomach burn as bright as a star–you felt like you were on fire. pleasure tingled up your veins, the gummy spots of your cunt being abused perfectly by suguru’s thick cock—your insides being rearranged by gojo’s unrelenting brutality, despite his sweeter speech. 

“d’awh, no it’s not. look at you—you’re doing it.” he encourages, putting his lips to your neck. “you’re takin’ it so good.” 

“squeezing us even. stop lying–you want even more.” suguru huffs, grabbing your throat. you sputter a little, erotic moans turning higher in pitch. he chuckles at his prediction—cock twitching in your walls. 

“toomuchtoomuch—need to cum, please, please boys—wanna cum all over you!” you plead for yourself, though it’s not exactly a performance. they were fucking you mindless, and at this point you would do whatever it took to have them—even lying to the police about what happened here tonight. 

“aw sugu, listen to her. i wanna see it, let her cum.” satoru adds on your behalf, balancing his chin on your shoulder. he bats those crystal blues at suguru, knowing he surely can’t deny you both—and he won’t. 

“tell us you love us, angel. tell us who fucks you so good, then you can cum.” he grunts, laying his hands over satoru’s to feel you move your hips on them both, fucking into geto just to throw your ass back on satoru—it’s so fucking good. 

his demand isn’t even a challenge—you’ve succumbed to their desires for you some time ago, accepting their brutal form of love as the one that you’re deserving of—men who would kill for you. what more could you ever want? 

“i love you, fuck—i love you both so much! i always have–i always have, you’re my boys!” you pant, your voice begging plead. “you fuck me so good–let me cum to show you, please–suguru!! satoru!!” you cry their names so sweetly that satoru can’t hold himself back anymore—hot cum fills your ass before you even finish saying it. he’s shuddering, nodding to give you his permission, though you wait for suguru too. 

he leans forward—jerking your chin up into a proper kiss with him, gnashing on your lips and giving you a taste of his tongue. he holds your face still as he pulls away, nodding. “cum, angel. you’ve been so fucking good.” he drawls in your ear, giving satoru a rewarding kiss too as your hips spasm under his command. it strokes his ego, the way you scream and jerk as your orgasm overtakes you—the ones he’s denied you factoring into the toe-curling sensation of this one. he follows after you—his hot seed spurting out in bursts, so so much cum. it’s clear suguru and satoru have planned this for some time—and now that delights you instead of invoking the fear it should, if you were normal. 

satoru rubs at your shoulders, pulling away from suguru’s lips with a loud smack. you can feel your heart pounding—hearing it in your ears as they turn to you—cocks still plugging you full. “now princess…” he hums as suguru picks you up off of him. he looks so pretty, you think, his skin slightly red from excitement—blue eyes wild with adrenaline. “we’re gonna get you cleaned up—and then it’s your turn to attack.” he giggles, making you snap your tired head up to suguru who holds you like a baby. 

“the police. we have to be believable survivors after all. didn’t you watch any horror movie, y/n?” he shakes his head, a fond grin on his face as he takes you to the kitchen, sitting you on the counter for satoru to wipe down. gojo kneels between your legs to clean you carefully as suguru tucks the knife into your hands. 

“aim for the stomach. you’ve got our hearts already.” suguru smirks, dialing 911. 

[physalian]

Pacing your Story (Or, How to Avoid the "Suddenly...!")

Arguably *the* most important lesson all writers need to learn, even for those who don’t give a damn about themes and motifs and a moral soap box: How your story is paced, whether it’s a comic book, a children’s chapter book, a doorstopper, a mini series, a movie, or a full-length season of TV (old school style), pacing is everything.

Pacing determines how long the story *feels* regardless of how long it actually is. It can make a 2 hour movie feel like 90 mins or double the time you’re trapped in your seat.

There’s very little I can say about pacing that hasn’t been said before, but I’m here to condense all that’s out there into a less intimidating mouthful to chew.

So: What is pacing?

Pacing is how a story flows, how quickly or slowly the creator moves through and between scenes, how long they spend on setting, narration, conversation, arguments, internal monologues, fight scenes, journey scenes. It’s also how smoothly tone transitions throughout the story. A fantasy adventure jumping around sporadically between meandering boredom, high-octane combat, humor, grief, and romance is exhausting to read, no matter how much effort you put into your characters.

Anyone who says the following is wrong:

Good pacing is always fast/bad pacing is always slow

Pacing means you are 100% consistent throughout the entire story

It doesn’t matter as much so long as you have a compelling story/characters/lore/etc

Now let me explain why in conveniently numbered points:

1. Pacing is not about consistency, it’s about giving the right amount of time to the right pieces of your story

This is not intuitive and it takes a long time to learn. So let’s look at some examples:

Lord of the Rings: The movies trimmed a *lot* from the books that just weren’t adaptable to screen, namely all the tedious details and quite a bit of the worldbuilding that wasn’t critical to the journey of the Fellowship. That said, with some exceptions, the battles are as long as they need to be, along with every monologue, every battle speech. When Helm’s Deep is raging on, we cut away to Merry and Pippin with the Ents to let ourselves breathe, then dive right back in just before it gets boring.

The Hobbit Trilogy: The exact opposite from LotR, stretching one kids book into 3 massive films, stuffing it full of filler, meandering side quests, pointless exposition, drawing out battles and conflicts to silly extremes, then rushing through the actual desolation of Smaug for… some reason.

Die Hard (cause it’s the Holidays y’all!): The actiony-est of action movies with lots of fisticuffs and guns and explosions still leaves time for our hero to breathe, lick his wounds, and build a relationship with the cop on the ground. We constantly cut between the hero and the villains, all sharing the same radio frequency, constantly antsy about what they know and when they’ll find out the rest, and when they’ll discover the hero’s kryptonite.

2. Make every scene you write do at least two things at once

This is also tricky. Making every scene pull double duty should be left to after you’ve written the first draft, otherwise you’ll never write that first draft. Pulling double duty means that if you’re giving exposition, the scene should also reveal something about the character saying it. If you absolutely must write the boring trip from A to B, give some foreshadowing, some thoughtful insight from one of your characters, a little anecdote along the way.

Develop at least two of the following:

The plot

The backstory

The romance/friendships

The lore

The exposition

The setting

The goals of the cast

Doing this extremely well means your readers won’t have any idea you’re doing it until they go back and read it again. If you have two characters sitting and talking exposition at a table, and then those same two characters doing some important task with filler dialogue to break up the narrative… try combining those two scenes and see what happens.

**This is going to be incredibly difficult if you struggle with making your stories longer. I do not. I constantly need to compress my stories. **

3. Not every scene needs to be crucial to the plot, but every scene must say something

I distinguish plot from story like a square vs a rectangle. Plot is just a piece of the tale you want to tell, and some scenes exist just to be funny, or romantic, or mysterious, plot be damned.

What if you’re writing a character study with very little plot? How do you make sure your story isn’t too slow if 60% of the narrative is introspection?

Avoid repeating information the audience already has, unless a reminder is crucial to understanding the scene

This isn’t 1860 anymore. Every detail must serve a purpose. Keep character and setting descriptions down to absolute need-to-know and spread it out like icing on a cake – enough to coat, but not give you a mouthful of whipped sugar and zero cake.

Avoid describing generic daily routines, unless the existence of said routine is out of ordinary for the character, or will be rudely interrupted by chaos. No one cares about them brushing their teeth and doing their hair.

Make sure your characters move, but not too much. E.g. two characters sitting and talking – do humans just stare at each other with their arms lifeless and bodies utterly motionless during conversation? No? Then neither should your characters. Make them gesture, wave, frown, laugh, cross their legs, their arms, shift around to get comfortable, pound the table, roll their eyes, point, shrug, touch their face, their hair, wring their hands, pick at their nails, yawn, stretch, pout, sneer, smirk, click their tongue, clear their throat, sniff/sniffle, tap their fingers/drum, bounce their feet, doodle, fiddle with buttons or jewelry, scratch an itch, touch their weapons/gadgets/phones, check the time, get up and sit back down, move from chair to table top – the list goes on. Bonus points if these are tics that serve to develop your character, like a nervous fiddler, or if one moves a lot and the other doesn’t – what does that say about the both of them? This is where “show don’t tell” really comes into play.

4. Your entire work should not be paced exactly the same

Just like a paragraph should not be filled with sentences of all the same length and syntax. Some beats deserve more or less time than others. Unfortunately, this is unique to every single story and there is no one size fits all.

General guidelines are as follows:

Action scenes should have short paragraphs and lots of movement. Cut all setting details and descriptors, internal monologues, and the like, unless they service the scene.

Journey/travel scenes must pull double or even triple duty. There’s a reason very few movies are marketed as “single take” and those that are don’t waste time on stuff that doesn’t matter. See 1917.

Romantic scenes are entirely up to you. Make it a thousand words, make it ten thousand, but you must advance either the romantic tension, actual movement of the characters, conversation, or intimacy of the relationship.

Don’t let your conversations run wild. If they start to veer off course, stop, boil it down to its essentials, and cut the rest.

When transitioning between slow to faster pacing and back again, it’s also not one size fits all. Maybe it being jarring is the point – it’s as sudden for the characters as it is for the reader. With that said, try to keep the “suddenly”s to a minimum.

5. Pacing and tone go hand in hand

This means that, generally speaking, the tone of your scene changes with the speed of the narrative. As stated above, a jarring tonal shift usually brings with it a jarring pacing shift.

A character might get in a car crash while speeding away from an abusive relationship. A character who thinks they’re safe from a pursuer might be rudely and terrifyingly proven wrong. An exhausting chase might finally relent when sanctuary is found. A quiet dinner might quickly turn romantic with a look, or confession. Someone casually cleaning up might discover evidence of a lie, a theft, an intruder and begin to panic.

--

Whatever the case may be, a narrative that is all action all the time suffers from lack of meaningful character moments. A narrative that meanders through the character drama often forgets there is a plot they’re supposed to be following.

[trans-axolotl]

content note: discussion of suicide.

this next monday will be the six year anniversary of losing one of my friends to suicide.

when he died, my high school barely mentioned his death, even though for other students who died by things like car crashes or illness, there were so many public expressions of grief. they believed that having any memorials for a student who died by suicide would encourage other people to die the same way. in their rush to erase the circumstances of his death, they erased the memory of his life.

there are so many things i am angry at that high school about in terms of how they treated mental health (mandatory reporting and collaborating with cops, their refusal to recognize the ways in which that system led to peer-to-peer crisis support, their refusal to recognize the ways that trying to keep each other alive through trial and error was scary and exhausting, carceral disciplinary policies, etc etc etc). but i think one of the things i am still angriest about is the way they enforced shame around his death. it felt like they were retroactively blaming him for the constellation of circumstances that made suicide an option in his life. it felt like they were blaming those of us who missed him and cared about him and wanted to grieve him. it made those of us still there who were actively suicidal feel even more scared about the reaction if we did reach out for help from one of those mythical safe adults.

as an adult now involved in psych abolition/mad liberation work, it makes me so fucking mad to see the ways in which he was discarded by people in authority positions. and the older i get, the more options i have found in my life for making sense of the world and finding healing and community and support which were never available to him because he died when he was 16 and the only things offered to him were a carceral psychiatric system that blamed him for his own fucking death. it feels so incredibly unfair.

i miss him and i think i always will; i can't remember his laugh or the sound of his voice or his favorite color any more and that aches. this grief is so heavy and it feels harder in a new way each year, when i become older than he will ever be. sometimes meeting new comrades or seeing new anticarceral suicide support models hurts because i wish so fucking bad that we had that back then. i remember how close we came to losing even more people that year and i know it is simple fucking luck that i'm still here when he's not.

i remember another letter (never sent) that i wrote to a friend while they were in an ICU bed after a suicide attempt when i didn't know if they would live or not. i have spent so much time in the past 10 years begging for anything to keep me and my friends alive, but even in that letter i knew that there is so much fucking violence that is hidden beneath psychiatric logics of cure and safety that promise a "solution" to suicide. I knew that institutionalization, coercion, and shame would not have helped build a life more liveable for him or **** or any of the people i've loved and lost since.

there needs to be more fucking options for care and support that aren't so incredibly cruel to suicidal people. i know so many people doing incredible work in alternatives, peer respite, a million different frameworks for healing and liberation. but it makes me so mad every day i have to live in a world where there are still people restrained, locked up in psych wards, having all autonomy and personhood taken away from them. knowing there are dozens of people every day getting blamed for their deaths the same way he was blamed for his.

i miss him. i cared so fucking much for him. and he died by suicide, and all of those things are true. he has been dead for 6 years and he lived before that and the people who loved him want to remember all of him; our celebrations of his life should not require hiding the way that he died.

Image description: [1000 origami cranes in all different colors and patterns that are tied together in strings of 25]

(these were the 1000 cranes we made to give to his parents, in memorial and recognition of how much he meant to us.)

[dev-solovey]

Reading up on the history of American Idiot (album) and realizing exactly how revolutionary it was and I just have to yell about it for a hot second

So, before they started working on American Idiot, the band was having problems and they were thinking they were going to break up. But for a couple of reasons, they switched directions, most notably because they all felt strongly about the Iraq War and how it was manufactured by greed and warmongering from the Bush administration, which was amplified by the news media. I read a quote from Billie Joe Armstrong where he talked about how the news media was becoming "more of a reality show" than it was news, and he couldn't have been more right. In fact, that problem got worse, and now we're living in an era of rampant misinformation where everything is politicized to a point where just supporting human rights for marginalized people is considered controversial. The song American Idiot came out in 2004, and when Donald Trump first visited the UK at the beginning of his presidency, it was the top played song on every UK radio station, 12 years after it was released. Most things would be culturally irrelevant at that point.

When creating the album American Idiot, a lot of thought went into it - they had a very specific message in mind, and their goal was to send that message to youth. This is because they realized at some point that their fanbase was a bunch of teenagers, and even though they hadn't necessarily intended it that way, they suddenly had a platform with the youth of America and they decided they ought to do something good with it. The drummer, Tré Cool, said something along the lines of "I've never really liked the idea of preaching to kids, but I realized we don't really have a choice at this point." And I love that so much because like, so many people who get rich and famous just become completely out of touch, and when they get a platform, it's very easy to exploit that platform, influence them with terrible ideas, or encourage them to act in terrible ways for self-serving reasons (ex: JK Rowling, Andrew Tate, Dream, Logan Paul, Onision, etc etc). Green Day refused to allow themselves to get to that point. They know the platform they had gave them power and they made an active choice early on to be responsible with it. And a lot of that moral code comes from the fact that they came up in the DIY punk scene in Oakland, which held its members to a very high standard of ethics, a code that they still follow even after they were disowned by that scene when they signed on with a major record label in 1994.

The song American Idiot has a message of "this mass media hysteria is manufactured bullshit, don't fall for it," and it is not subtle about that message. It punches you right in the face. I remember being 12 years old and listening to it and thinking, "yeah, I don't want to be an American idiot." And now, at the age of 28, I am a staunch leftist who is firmly against the atrocities the US government commits, and I feel strongly about stopping misinformation. So I can say with absolute certainty that they succeeded.

I also get like, really upset when people say that American Idiot is the album where they sold out, because that's objectively not true, both for the reasons I've provided above, and also because of the song Wake Me Up When September Ends. Not a lot of people know the story behind this song, but it's actually a song that Billie Joe wrote about the experience of his dad dying of cancer when he was 10 years old. The story, as he tells it, is that when he came home from school, his mom gave him the news, and being (understandably!) upset, started crying, ran to his room and slammed the door. When she knocked on the door to try and talk to him, he shouted "wake me up when September ends!!" in response. It took him decades to be able to write this song, and it shows because it's the perfect grief song, having been played at benefits for 9/11, hurricane Katrina, and so on. The first time I heard that song it reduced me to tears, because you can hear the intense sadness in it. A "sellout" would never write a song like that!! (Side note: maybe stop tweeting at Green Day to wake up every October 1st, it's super tone deaf given the subject matter,,,)

Anyway, I think I'm done being autistic about Green Day (that's a lie, they'll forever be my special interest), so TL;DR:

Thank you, Green Day, for creating a generation of leftists who aren't about the bullshit

[mysterycitrus]

i think every superhero / antihero is by definition attempting (whether it succeeds or not) to do good. societal change is broad asf but i think jason especially does want that…. he’s also extremely fucked up. when ppl say he is a complex character… its not just words. lol. he is complex. he wants the joker to be dead so gotham isn’t a helpless war ground and also he blew up a (empty) high school. he’s not mentally sound. lmfao

that’s a very fair point! because the idea of superheroes originated from an optimistic ideal in a profoundly cynical world (jewish artists during world war 2) the entire concept is inextricably tied to societal change — because there has to be! u have to believe the world can be changed for the better!

what makes jason interesting is that he wants to improve gotham, but has no interest in doing so externally to the idea of proving bruce wrong. why is this not positive societal change? because bruce wayne is crucial to the infrastructure of gotham. forgetting that batman exists — bruce wayne is gotham’s social services, its healthcare system, its support for unemployment and disability, its rehabilitation system, its only means of providing to its citizens. we can sit here and argue the legality of bruce beating people up but the core to bruce’s character is that he wants the world to change for the better, so no one else experiences the grief he has.

jason believes in the death penalty, no ifs when’s or buts. his core ideology is — the system is flawed, but if im in charge i can make it better. jason replacing black mask and preventing dealers from selling to kids won’t stop people from self medicating to deal with an unfair world in which they were born into. it won’t stop crime, because crime is the result of stagnant social reform and income inequality. there is no way for jason’s approach to crime — killing people expeditiously — to result in a fair system that can sustain itself and prioritise the safety of its citizens. that’s not something from rhato no. #69, that’s clear in the text in utrh.

when people compare him to a cop it’s because he is killing without oversight or fear of legal repercussions. many, many countries that have technically outlawed the death penalty (australia, canada, some states in the us etc) still have a death penalty because police can kill indiscriminately on both the streets and in custody. jason has been shown to act with care for others (in the lost days he systematically kills his tutors to prevent further harm) but that’s not what he’s doing in gotham. for every captain nazi there’s a dozen kids left orphaned cause he’s murdered their parents. id describe him as severely traumatised, and deeply in denial about how well he’s handling it. the entire gd point is that it’s him reacting to his death! he has been radicalised! he is advocating for regressive change!!!!! why are people so afraid of his complexity!!!!!!!!

[midnightexpressproductions]

Demo (TBA)

Content warnings (This IF has situations and themes that might be distressing to others): mentions of death, depictions of bodily harm, body horror, gore, anxiety/panic attacks, stressful scenes, claustrophobia, violence, car crashes, amaxophobia, astraphobia, use of weapons (guns, knives, etc.), explicit language, and sexual content though this is optional.

Dark smoke curls all around you, the black ash clogging up your nose and choking your throat. The sound of sirens is muffled in your ears. The base of your skull feels like it's split in two, a sharp pain blooming on the back of your head. Your eyesight is blurry but you can just make out the body writhing around on the ground.

You're hurt and blood seeps out of your wounds. You should be dead. You shouldn't be able to move, but here you are struggling to breathe. The acrid air in your lungs burns. Your vision tinges red. You can't help but watch as the body across the street from you sits up, rotten eyes fixed on your own.

It's jaw unhinges as it lets out an unearthly scream. It's hungry– no not hungry, ravenous– filthy drool dripping down it's chin. In a flash it descends upon you.

Starving.

Yearning for something to eat.

Desperate.

Yearning for food.

Famished.

Yearning to tear your flesh apart.

------------------------------------------------------------------

In your senior year of high school, you remain the sole survivor of a brutal car crash that kills your father. Grief stricken, your mother decides that it's time for a fresh start. You soon find yourself shipped away to the other side of the country in bustling New York City; a completely different world from your previous rural Louisiana town.

A fish out of water, you're content with staying in the comfort of your own bedroom, living out your life in complete solitude. However, fate has other plans and after four years of isolation, you are forced to leave your room and venture into the outside world.

You just had to pick the day when everything goes to shit, didn't you?

The dead have begun to rise, violent and angry and desperately ravenous for human flesh. Finding yourself separated from your mom, you team up with an unlikely group of survivors as you begin your journey across a ruined New York in hopes of safe haven.

Who knows what might happen when the dead wake?

Play as male, female or non binary; you have the chance to set your own pronouns.

Play as straight, gay, lesbian, bi/pansexual, demi/asexual or aromantic.

Customize your MC's personality and appearance.

Choose from five RO's (plus a sixth RO who you'll meet at the end of the game) to romance or befriend. Or betray.

Build up your stats.

Make alliances or enemies with rival gangs.

Steal a cop car.

Adopt some dogs.

Your choices matter. You and other characters from the main cast can die.

Javier Delgado | he/him | 23 | ISTJ-T | Puerto Rican American

Javier has short, dark brown hair that curls just slightly around the edges. His down turned eyes are light brown and speckled with green. His golden tawny skin is lightly smattered with freckles across his cheeks. Javier is 5'10" and he has a thin, lanky build which makes him seem much taller than he really is. A pair of plastic-rimmed, light green glasses sit on his hooked nose. He says that they're just for reading but in truth, his eyesight just really sucks. His thick eyebrows are almost constantly furrowed, causing people to think that he’s always upset. Javier favors more muted, earthy toned colors in what he wears. He's not particularly fashionable however, wearing whatever is clean and comfortable.

Carmen Bautista | she/her | 23 | ESFJ-A | Filipina/Brazilian American

Carmen has long, wavy hair that stops just below her shoulder blades. Her hair is dark brown turning into a blonde ombre the further down it goes. She normally keeps it pulled back into a low bun or a French braid. Her wide eyes are almond shaped and dark brown. Carmen’s olive skin is completely flawless. Her full lips seem to be set in a perpetual smile, showing off the deep set dimples on her cheeks. She is 5'9" and has a plump, hourglass figure. She can normally be found wearing jewelry. However, Carmen doesn't wear rings, saying that she prefers to keep her hands free of any obstructions. She does have her nails painted a bubblegum pink though. Carmen favors pastel colors and soft clothing that she can easily move around in.

Max Friedman | she/they | 22 | ISTP-A | Jewish American

Max has wildly curly, dark copper hair that reaches just below their ears which is choppy since they cut it themself. Their eyes are a pale stormy gray and droopy, giving them a sleepy appearance. However, paired with her thin lips that seem to be constantly set into a scowl, it only highlights Max's less than friendly demeanor. Max has pale skin with warm undertones. She's covered from head to toe in freckles. They have a small cut on the right side of their upper lip. Their nose is slightly crooked, having broken it from a skateboarding accident. She's the shortest out of the group (not including Gwen), standing at 5'2" and she has a lithe build though the baggy clothes she wears make it seem that Max is skinnier than she really is. They carry around a skateboard wherever they go. 

Eun-Woo Park | he/him | 20 | ESTP-T | South Korean

Eun-Woo has short, pencil-straight black hair that's been styled into an undercut, his bangs left longer than the rest. Thick eyelashes rim his monolid eyes. The irises are a brown so dark that they're almost black. Eun-Woo's milk white skin is spotted with moles, the most notable being the two that sit underneath his left eye. His hands are covered with old calluses and jagged scars mar his knuckles. Eun-Woo stands at 5'7" and has a sinewy, toned build. His ears are double pierced and he has a helix piercing on his right ear. Eun-Woo's nails are painted black. He likes wearing black clothing however, he always wears a red SSG Landers cap along with a NY Yankees letterman jacket.

Derek Campbell | he/they | 24 | ISFP-A | African American/Caucasian

Derek has dark brown, shoulder length dreads. The ends are dyed a light honey brown though he's constantly changing the color. He normally keeps his dreads tied back in a loose ponytail or bun. Their full lips seem to always be set in a sweet smile. Their dark brown eyes are round and wide set, emphasizing their friendly demeanor. Light stubble softens their sharp jaw. Derek has light brown skin, having two scars on his face: one that runs down the corner of his left eyebrow and the other running across the bridge of his nose. He's the tallest of the whole group, standing at 6'5" and his chubby, thick-set build seems imposing at first. They're really just a big marshmallow though. Derek seems to favor more athletic wear, though they'll wear whatever feels comfortable to them. They like bright colors, especially pink and yellow.

Elijah/Elizabeth Watts | he/him or she/her | 26 | ENTJ-A | African American

Eli has dark umber skin with cool undertones. Jagged, old scars crisscross all over their body. They have a full sleeve tattoo of a snake surrounded by lotus flowers on their left arm. F!Eli has long, tightly coiled black hair which she normally keeps tied back into a low ponytail or a braided bun. M!Eli has short, tightly coiled black hair that's cut into a fade, his coils either left free or tied back into cornrows. Even if they're not upset, Eli's eyes seem to be constantly narrowed, the warm honey brown irises standing out against their dark skin. Their full lips hide a gap-toothed smile. Both M!Eli and F!Eli stand at 6'0". They have a toned, muscular build. They wear no makeup or jewelry, other than the dog tags that they keep hidden underneath their clothes.

Gwen Nguyen | she/her | 10 | Vietnamese American

Gwen has warm toned, honey skin and wide, black eyes. Her chubby cheeks are dusted red, only further highlighting her innocent appearance. However, the sneaky rude gestures and hidden eye rolls show that she's much more cheeky than she looks. Gwen likes to wear anything soft and pastel colored. She always has her favorite pink bear plushie with her. Gwen is also deaf, so she wears a pair of sparkly hearing aids. Other than using sign language, she also communicates with a small whiteboard that she keeps tucked away in a pastel yellow backpack.

Pa and Ma Hazel:

Pa is a 10 year old German shepherd and Ma Hazel is an 11 year old cocker spaniel. Pa is short coated and his fur is a dark sable color with his underside being a honey brown. His muzzle is also lightly streaked through with gray. Ma Hazel is medium coated and her fur is a brown roan. Her muzzle is also slightly graying and her nose is spotted. In lieu of collars, Pa wears a forest green bandana around his neck. Ma Hazel doesn't wear a collar at all.

[queermania]

Wait wait wait. Jensen picked the writer who gave Dean a lesbian best friend and made him a nerd to be the show runner for his little fixit fic show? This is amazing!

when you look at robbie's run of episodes (that he wrote specifically, not produced or was the executive story editor on), a very specific version of supernatural and dean starts to emerge and it is insanity-inducing. here's a very brief rundown of the episodes robbie wrote:

slash fiction -swayze always gets a pass -dean singing air supply -"it's like eating self-righteousness' -the creation and introduction of frank devereaux -"applications for sainthood" -dean letting sam go

time after time -"what are you gonna look up more anime or are you strictly into dick now?" -dean being a nerdy little fanboy about eliott ness (and checking out a dude in a uniform but that was probably jacting joices) -dean getting excited about dressing up in period clothing!! -understanding that rufus matters and that family isn't just blood -original sam is milf!bait (and he's into it) truther -actually writing grief in nuanced ways -dean is smart and resourceful actually! -your future is "covered in thick black ooze" (which i know is just a very lucky coincidence but i don't care!)

the girl with the dungeons and dragons tattoo -CHARLIE!!! he gave us charlie. he said "actually what if hardcore fans were cool and fun and GAY and they were dean's new best friend" -charlie/dean/security guard flirting split screen -"she's kinda like the little sister I never wanted." "how does a high-school dropout become one of the brightest minds…" -basically this entire episode is just "be gay, do crime" and i love that for me specifically

bitten -not my favorite episode but as @ilarual says "it's very fun in how it illustrates Robbie's willingness to play with form, since it's all done as found footage" -and as @doctorprofessorsong says it "has the concept of monsters aren’t always bad guys" -and apparently it contains a brokeback reference? my memory of this episode is hovering at around 1% tbh but you get it

larp and the real girl -dressing dean up in little outfits AGAIN -and he likes it!!! -and he likes being a nerd! (dean is getting into it and sam is the one who is unamused mr serious guy!!!!) -and charlie is dean's new best friend! -"belladonna" "the pornstar?" -"did you break up with someone too?" -honestly you already know all of it. this is a fan favorite for a reason. what more can i say about this episode??

goodbye stranger -yes robbie was the first writer to try to give us a destiel love confession -cas practicing killing dean over and over and over and still not being able to do it when it comes down to it -"what broke the connection?" gee i wonder -first episode writing cas and he nailed the sort of unintentional deadpan humor that makes cas so lovable ("would it kill you to watch a movie? read a book?" "a movie, no, but with a book with the proper spells—yeah, it could theoretically kill me.") -"if he's so sketchy then why are you praying to him?" -pizza man reference -"do you really think we can trust megstiel?" (we get both megstiel and jealous!dean) -dean quoting lord of the rings (because he's a nerd! and he reads!) -meg roasting the shit out of sam for the amelia stuff -etc

pac-man fever -charlie reading the carver edlund books -charlie and dean being besties/getting a montage -dean telling charlie that what happened with her parents wasn't her fault/understanding the guilt she feels -"i love you" "i know" -"what about castiel? he seems helpful, and dreamy" -again, putting dean in little outfits -charlie knows how to shoot/aim a gun

slumber party -dorothy!! -oz!!! -look, is this episode cheesy? yes. but it's fun and it's so obviously a love letter to the oz source material and i love that about robbie. he does his research and he commits

first born -cain!!!! -drowley team up!!!!! ("friends. besties, actually." im sorry but drowley means so much to me personally and this is the start of their beautiful bromance) -"this is by far the dumbest idea you've ever had." "yeah, well, it's early" -cas liked pb&js!! jelly, not jam. he found jam unsettling!! -"you have a guinea pig? where?" -"you're a terrible liar?" "that is not true. i once deceived and betrayed both you and your brother." -just. sastiel shenanigans (and hugs!) -"she only asked for one thing." "to stop" -anyway. you get it.

meta fiction -dean and cas phone call smiles!! they LIKE each other -metatron media dump -"what makes a story work? is it the plot, the characters, the text? the subtext? and who gives a story meaning? is the writer? or you?" -i think it's important to note that robbie who wrote gabriel faking his own death -cas noticing something is wrong with dean pretty much instantly and then discovering the mark of cain

fan fiction -i mean. come on. -"although we do explore the nature of destiel in act two." -"you can't spell subtext without s-e-x" -sam being such a younger brother and trolling dean about "destiel" -"BM scene" -dean "you know they're brothers, right?"-ing the w*ncest stuff but just being flustered about the destiel stuff ayyyy -dean casually referencing andrew lloyd webber -"transformative fiction" -"i want you to put as much sub into that text as you possibly can" -dean quoting rent -the samulet is back! -"i have my version, and you have yours." -"he took away our own free will" <- about john!! -THE RETURN OF CHUCK!

there's no place like home -"i forgive you dean" "yeah well i don't" "i know, kinda your move" -"you hurt my friend" -"you lied to me" "you lied to yourself. that's kinda your move." -i mean. robbie just gets it, ya know?

book of the damned -cas being a huge bitch (love that) -sam being the excessively codependent one -cas and charlie get to meet! -found family goodness if only for a little bit!!

angel heart -ahhhhhhhhhhh!!!! -"i got it at the hot topical" (and claire keeping grumpy cat) -no seriously. dean and cas went birthday present shopping together for claire and they did it at a mall -castiel feeling guilt for what he did to the novak family (and amelia recognizing that cas has changed/grown) -"you were both troubled teens. you speak her language." -"bring your daughter to work day" -"i'm saying she might be stronger on her own." which is a controversial line but i think it says something really significant about how dean feels about his childhood "in fact you're not anything to her except a constant reminder of someone that's gone." -mini golf!!!!!! dean and claire bonding!!!! -the introduction of the grigori, a class of angels which may or may not be important at some point -claire roasting the shit out of dean with "you seem pretty old" <3 -"happy birthday. don't shoot me."

baby -do i really need to explain anything about this one? -"okay first of all, never use swayze's name in vain, okay? ever." -"mistakes were made" -dean having a dream about john teaching him to drive but under normal and appropriate circumstances -werepire…. ghoulpyre… -honestly just the whole episde. you know what i'm talking about. the unique perspective. the insight into their day-to-day lives. the moments that live in between.

into the mystic -eileen! my best friend eileen! -dean x mildred otp -remembering sam's lucifer/hell trauma -the whole "follow your heart" speech -"banshees go after the vulnerable, so why'd it go after you?" -dean recognizing there's something off with cas -but really the most important thing here is EILEEN

safe house -bobby and rufus!!!! -i repeat BOBBY AND RUFUS!!!! -"were you ever nice?" "1985. worst year of my life." -robbie just really GETS that this show is more fun when it's not centered entirely on the brothers. -bobby referring to sam and dean as his boys -timey wimey shenanigans -there were some interesting implications in this episode too but i'm losing steam here so i'm gonna let you rewatch and figure it out lol

don't call me shurley -the reveal of chuck as god!!!! -bisexual chuck -dean does sam's laundry (sometimes with beer) -chuck is a shitty egotistical writer -he also plays the guitar and: "i like front row seats. you know, i figured i'd hide out in plain sight." -"i thought if i could show my sister that there was something more than just us, something better than us, then maybe she'd change. maybe she'd stop being… her. but every time I'd build a new world, she'd destroy it." -"the world would still be spinning with demon dean in it but sam couldn't have that though could he?" -"you were gonna choose amara over me."

so. yeah. jensen chose THIS GUY to helm the winchesters. bold move, sir. full respect.

also, this tweet always makes me crack up

one of us! one of us! one of us!

[five-thousand-loaves-of-bread]

…something been in draft for while:

idk how say this exactly but often like. use what look like binary clear cut dichotomy that have set definition this is this that is that. because oftentimes call “cake” “cake” instead of “flour milk egg baking powder salt etc etc” that kind language faster simplier and nuance can easily put word count 10k+. and. with language communication disabilities not always able translate all nuance into tangible word on paper/screen/type sometimes have to call something with imperfect blanket word. and then you find out other people not really hold as much nuance as you & still simplify your nuance into something binary this this that that

but reality rarely that binary— say on here that nonverbal mean not mouth speak at all all time & semiverbal is struggle all time but can mouth speak some & verbal but actually more nuanced than that like some severely apraxic people who mouth do say thing but not in their control not what they want say & they still call self nonspeaking because it not intentional meaningful speech; or someone labeled nonverbal who actually do commmunicate with mouth words just not full sentence & not full clear pronounce but still labeled nonverbal anyway as almost like microaggression of not recognize their single or two word mouth word phrase as valid enough communication worth listen to; or someone with echolalia that not mean anything with it (vs someone with echolalia that is use echolalia as communication (think gestalts, etc)); or some research showing even able say 1-2 words more ability than those with 0 word; or research debate about where minimally verbal end is it 20 words 30 words 50 words

when combat “go nonverbal” crowd often say there is clear cut about what nonverbal and what isn’t and yeah there is clear cut but also is there

many not ready for this level muddiness & nuance because some take bring nuance as invite to say like “i nonverbal but can still (intentionally) mouth speak” or gateway to claim nonverbality as if fun new identity collect instead of some complicated complex experience with mixed emotion but often some level of grief at some point that get lot targeted awful ableism & discrimination like denied education refuse accommodation like IEP or put in segregated classroom without even consider accommodation in general ed to isolate away from peers n not actual to help nonverbal person where they best thrive, or secluded or restrained, or denied healthcare, denied communication, which all still happen now btw it still common now it not rare obsolete it majority still

which make me feel like this image

[id: meme. left side is philosophers (school of athens painting) with caption “talking about nonverbal nonspeaking with other nonverbal people”. middle say “vs”. right side image is parent guiding infant to look play at toy and captioned “talking about nonverbal nonspeaking with not nonverbal people. end id]

because sometimes really is that but also even this is binary. thinking about how some motor nonspeaking people without intellectual disability who language okay say their mind intact that they not stupid thus deserve education and not deserve abuse and throw people with ID & language impairment. or how nonverbal nonspeaking from autism so different from (but so similar to) from motor apraxia from cerebral palsy from intellectual disability from genetic or chromosomal disorders from stroke from TBI from aphasia from vocal cord dysfunction from dementia from from from… how talking to someone nonspeaking from primarily motor reasons without cognitive intellectual language disabilities as someone nonverbal because high level autism cognitive language disabilities, we not guarantee understand eachother experience, same with talk someone from acquired things vs mine neurodevelopmental, how what i say about nonverbal here may not apply to someone who not speak not because autism etc

but “if words so meaningless if experiences so boundless let abolish all” not helpful because for all kind way be nonverbal there experiences that 100% not nonverbal there experiences so different from nonverbal “not able meaningfully intentionally speak all the time” for every meaningless there meaningful reason nonverbal people use nonverbal and deserve word “nonverbal” for ourselves and how this difference in experience is intracommunity issue issue within nonverbal nonspeaking community something we have to grapple with and not invitation for people outside to talk about how “if nonverbal so wide, drawing line at going nonverbal & say that isn’t nonverbal is ridiculous and gatekeep” because as much vast different experience there is reason why there community why there this word we all call ourselves and. not one. of the reason is we can slide in and out of not speak and speak daily or weekly or monthly or regularly. there still common theme to what we call nonverbal despite different

wide word isn’t “functionally useless” it just you not know how n when use it

& this conversation not just apply to nonverbal but many other words n other things as well

[queenaryastark]

It's actually interesting examining Stansas and their absurdity.

A lot has already been said about the fact that Sansa was created specifically to bully Arya. That's already been proven and is a fact.

But what's interesting to think about here are the different ways Stansas will attempt to excuse what can't be excused. Here are the tactics I've noticed:

Stansas will lie that Arya is actually the one who bullied her foil. I'm actually surprised this person didn't go with that tactic since they have ST's mug as their icon, which suggests they rely on Benioff and Weiss' inaccurate adaptation where Arya was shown as the aggressor toward the character who was specifically created to bully her. Regardless, this excuse relies on ignoring the books in favor of published fanfic. The books show that Arya is bullied by her foil.

Stansas will lie that Arya "gave as good as she got". Now, this one requires a little bit of accepting that bullying occurred but tries to decrease the concession by putting blame on Arya as well. This is still factually untrue. All bullying in this dynamic is only coming from one direction: from Sansa to Arya. What Arya endures is name calling, being told she's unwanted, being told her life is worth less than an animal's, having her appearance likened to an animal's, being casually insulted just in the flow of conversation, having a murdered friend of hers victim blamed as a taunt, etc. There are exactly zero examples of Arya treating Sansa this way. The closest they try to come to providing an example is using Arya's grief over Mycah where Sansa was victim blaming him for his maiming and murder. But that's not evidence of anything other than Sansa's malicious nature.

Stansas might transfer blame exclusively onto Jeyne Poole. Again, this requires admitting that bullied occurred. Rather than blame Arya, Jeyne is presented as the only bully or as a bad influence on Sansa 🤣. Again, this is incorrect. Jeyne is a member of the lower nobility. In a world where Sansa didn't exist, there is a 0% chance Jeyne would ever dare to bully the daughter of a high lord. Even if she tried, that first attempt would be cut off at the knees due to the difference in rank between Arya and Jeyne. It's Sansa's bullying of Arya that gives Jeyne permission to join her, since she is also a high lord's daughter, and Jeyne is able to follow her lead. So Jeyne’s blame in the treatment of Arya is far less than Sansa’s. But isn't it funny how quick they are to throw Jeyne under the bus? I guess that's on brand for Stansas since Sansa was canonically relieved that Jeyne, her dearest friend, was given over to a pimp because it meant she could read without having to hear her crying.

In the case of the person I screencapped, they attempt to excuse bullying as normal in order to strip away Sansa's complexity and purpose. They even tried to project their fav's behavior onto real people instead of just Arya and Jeyne. It's been proven that bullying has a long-term negative impact on the person who endures the bully. GRRM seems to understand this as shown in how he depicts Arya and her bullies. We see how her schooling suffers and she has a negative self-image, which results in her tolerating additional bullying from others as if it was something required of her (she only speaks up with Hot Pie and Lommy when she thinks they're insulting Jon). Studies have shown that the impact of being bullied as a child can stay with a person well into adulthood. So by trying to normalize it, not only are Stansas proving what terrible people they are, they're showing that they aren't capable of accurately analyzing the text nor understanding basic character development. In short, they're wrong.

If Stansas actually enjoyed Sansa as a character, they would embrace her complexity rather than doing mental gymnastics to pretend she's one-dimensional. But then I'd lose out on seeing their ridiculous trends in bad takes.

[vegaseatsass]

DFF Ep11 Spoilers: New/Phee Braindump

@bellamygate asked me to turn the Phee/New discussion in the replies of this post into its own post and I DO keep thinking about them, so:

After Tee and New throw away their futures for Non, in a deranged and desperate kind of self-abasement, White descends from a different, happier genre to avert Tee's depression trajectory and get him back onto a path with some hope, but New has no one. New is completely alone, clinging to his ghosts of the past for warmth as he burns down his entire future. Then @turtlesocksv2 brought up Phee, and his role and potential role in New's life!

And it got me thinking about how alone together Phee and New are. How they start out theoretically aligned in their grief and thirst for answers and accountability, but Phee wanders off their shared path into the woods with Jin pretty fast, and New spends the next two years trying to yank him back next to him in their partnership with brute force.

New has no relationships and nobody to help him process his grief or his pain or his very existent mental illness; the only people he has in his life after losing his ENTIRE FUCKING FAMILY are the high school kids who tortured his brother to death, and Phee. So yeah, when he calls Phee a slut and accuses him of cheating on the brother I believe New believes in his heart is fully dead, what I really think he's accusing him of is cheating on New. They're in this like unhappy arranged vengeance marriage, which New originally told Phee he could leave at any time and finish high school, but even after the passion went out in the first few months New's been hanging onto their partnership for dear life because Phee is all he's got.

ALSO: The cinematic parallels between New accusing Phee of cheating on Non when what he's actually mad about is Phee "cheating" on their shared project, and Phee accusing Non of "cheating" on him with Keng, when the real betrayal (which I don't believe Phee has ever admitted to himself) is that Non went outside their little codependency cocoon for help, and didn't trust Phee to be a superboyfriend who could singlehandedly fix all his problems.

(@turtlesocksv2 pointed out New is right there begging Phee to be his murder superboyfriend! What's the issue even!!! Why can't Phee commit!!! Are New's tears not delicate enough?? Does he smell too strongly of weed and loathing? Is he too tall to cradle protectively in ur arms?? Too much older than you to bottom??? Stop buying into fandom discourse about assigned roles, Phee! >:()

I also just love the idea of slippage in New's mind, between where Non ends and New begins. Phee tries the "Is this what Non would have wanted?" shit and New nearly laughs in his face, because New wants retribution: it's personal for him. They took his entire family. What they did to Non, they did to Non and New's parents, they did to New. I want to know how much he identifies with Non, how much he's lost sight of what Non would or wouldn't want, how often he deliberately hallucinates Non to talk to him, to consult with him, etc. (New is so alone did I mention how alone he is), but it's fascinating to me that his response to Phee isn't "yes he would fucking want this, I know him best" but, very clearly: "do you think I care what he wants right now?"

[codenamesazanka]

I need help writing the league of villains for a fan fiction. Like can you give me tips on to write their dialogue and stuff like that

Thanks for the ask! Here are some things that I think would be helpful, but please be aware that it's my approach to writing the League the way I interpret them. I'm sure there's people who finds my fic wildly inaccurate in terms of characterization. Sometimes I go back months later and disagree with my own stuff, given new information or outlook. You'll have different interpretations than me, and that's okay. And thus,

Tip #1: First of all, it’s fanfic, it’s fun, and it’s yours. You can do whatever the heck you want! It does not matter at all what you do with the characters, their dialogue, their personalities, their relationships, etc. I’ve read plenty of AU fanfics where I could not recognize Shigaraki Tomura/Shimura Tenko, despite the character having the name, but I still liked the story okay. Really, it’s all up to you and what you want. 

That said, to actually answer your question:

Tip #2: Re-read the manga. Read the scanlations - multiple versions from different scanlation groups. Read the official. No version will be perfect, some are better than others (Viz Official has its issues, but it is done by a professional translator and I tend towards it; Fallen Angels (Chapters 1-150s) was the first to scanlate and iirc they even included translation commentary at the end of their chapters; I found mangastream to be more accurate than Jaimini (Chapters 150-250s)), but having a variety of translations will give you insight into the intention of a dialogue, and different ways of achieving it. Read the original Japanese, if you can. 

Tip #2.5: Best way to figure a character, I find, is to describe the panels they’re in as if you’re writing a very plain, objective, impartial image description. Now you have an overview of their outward behavior, their actions, their dialogue. Using that, you have the basis for developing their motivations and personality. It’s the difference between ‘Shigaraki used gamer lingo a few times here, so he is a gamer... therefore he’s obsessed with games and that’s all he does’ and ‘In the first 100 chapters of the story, despite speaking sometimes like a gamer, Shigaraki is actually seen reading newspapers rather than holding a game console’.

Put another way, don’t assume generalized descriptions or traits for a character and write them based on that. You risk writing a trope or archetype or situation rather than the actual character. 

When a loved one dies suddenly, people will be in shock, before sobbing and weeping uncontrollably. That’s generally true, but the character may manifest grief in a different way. Someone close to Toga is killed - what does she do? You can write her breaking down crying, that’s perfectly reasonable. But if you look at the manga, when Twice is killed, she doesn’t cry right away. She gets angry; she lashes out. She’s deeply hurt by his murder, of course! But the tears she sheds for his passing are few in the immediate aftermath - her grief mostly takes the form of slicing Heroes’ throats.

Tip #3: Read everything else, for inspiration, for background knowledge, for tone, for your own gain outside of fandom.

Just the other day, I read Real, the wheelchair basketball manga by Inoue Takehiko. Its three main characters are marginalized by proper society - two because they’re disabled, one because he’s a high school dropout - and there were moments where I was reminded of the League’s situation. In the first chapter, the high school dropout makes a final visit to school where his teachers didn’t think much of him, and his classmates looked down on him. As he leaves, he thinks to himself that everything he does ends in failure and he’s an idiot, all the while he takes a dump at the school gates as a parting gift.

While I can’t see anyone from the League doing that exactly shot for shot, the spirit of it - being seen as a fuck up, being unwanted, being defiant in face of that, even in a inadvisable way - is similar.

Tip #3.5: Another book I’ve read years ago is Codes of the Underworld: How Criminal Communicate. It was very informative, and I think back to it sometimes when I write for the League. 

Criminals face severe constraints on communication imposed by the action of the law, and, unlike the rest of us, cannot easily develop institutions aimed at circumventing them. This central feature of criminal lives makes communication and above all reliable communication exceptionally hard to sustain. For instance, the same secrecy that protects criminals from the law hinders their opportunities to advertise their goods and qualities… In the underworld, moreover, punishments for mistakes and irrational behavior are harsher than they are elsewhere. In the world of regular business, failures of communication can lead to a loss of business, but in the underworld they can result in years behind bars, or worse.

I don’t follow it exactly, because the League is in a children’s fantasy story, and maybe this was obvious but now that it was written out to me, I know how to give the Villains an “edge” to them that a non-Villain might not have, because as Villains, they do often logically would to be secretive and brutal and cautious. Dabi walking around in broad daylight meant their hideout was discovered and All Might literally took down the wall to the bar; a breakdown in negotiations with Overhaul meant Magne dying and Compress getting his arm blown off. 

Tip #4: Related, let the League be assholes, because sometimes they are. Let them be mean and cruel and problematic. Sometimes they’ll be jerks to each other. Nearly all of them grew up in bad circumstances where they probably were not taught important lessons and details about respect and boundaries and being nice. They are definitely not going to be aware of the intricacies of fandom's (oft-American and oft-terminally-online) consensus about problematic behavior. And that’s fine. 

I remember once receiving an ask about why Shigaraki would pull Twice’s mask off in Chapter 224. Wasn’t that terrible of Shigaraki? Yeah, it was. It was also the quickest, most efficient way to get Twice to quit his arguing with the rest of the League, so Shigaraki can announce that they are going to rescue Giran (what Twice was arguing for). After that, he puts the mask back on for Twice. If you ask me, I’d say Shigaraki thinks this evens out - he does something mean that he knows will freak out Twice for a moment, but it’s because he’s arguing for Twice’s side, and he’s putting on the mask back at the end. 

You and I would likely never do something like that because we know taking away someone’s important assistive aid, even for a moment, hurts them and we don’t want to cause them pain for even a second if we could help it/there’s not ‘evening it out’/it demonstrates a power unbalance that perpetuates ableism/there are other ways to stop someone and grab attention/we know not to touch someone even the slightest without permission/etc. But does the character you’re writing know all this? Does he care? Does he think it’s worth following these rules? Does he have time for it, does he have incentives for it, does he have the lucidity, does he think he’s an exception because of this and that, etc, etc. 

A lot of things, most people often just don’t know until they’re taught to be specifically aware. As an example: When I was younger, I knew broadly that taking things without permission was bad; but what if I took these pair of scissors from my friend’s desk and used it and put it back before the owner knew? The owner is my friend. They once told me it was okay to take it, so it counts even today, right? It was just a pair of scissors, a common household item. My friend did not care; still does not care. But knowing what I do now about things like violations of boundaries, explicit consent, the continuation of these concepts for the most trivial and mundane things even in the deepest of friendship or familial ties - I feel the need to ask to use something. That’s me and what I’ve learned through the years, though. It’s probably not going to be [fictional character].

And sometimes the League are just bad people. Shigaraki tried to kill Toga and Dabi at their first meeting. Mr. Compress is seemingly a-okay with kidnapping and murder despite his ancestor being more of a Robin Hood type. Spinner likely knowingly doomed his family to even worse ostracism and harassment from his fantasy-racist hometown when he ran off to join a group of well-televised terrorists. 

That’s also fine. They’re not real. They’re fictional Villains, and you’re temporarily using them as hand-puppets to tell a story. 

Tip #5. For dialogue, it helps knowing what each character’s voice/speaking style sounds like. Some basics:

Shigaraki: 

“Shigaraki speaks with the normal masculine contracted speech, but with a sinister tone. Surprisingly not very cussy. He likes aggravating other people though.”

Caleb Cook notes that Shigaraki talks like an overgrown kid. (In comparison to ReDestro, who “uses more SAT words, since he’s had a formal education.”)

He can be a sarcastic smartass.

Kurogiri:

“Kurogiri is Extremely Polite”

He only refers to Shigaraki as ‘Shigaraki Tomura’. Always the full name, always just that.

He speaks very formally and respectfully; however, there is also a nastier side to him that comes out when he faces off Heroes: Saying to All Might, “I can't say I like the idea of having blood and guts inside my gate, but… if they're yours, I’ll happily oblige.” (Chapter 18); mocking Eraserhead and Mic when they're being sad over him, “Have you mistaken this place for a confessional of some kind?” (Chapter 254)

Dabi: 

“Dabi is like Shoto but ruder, though not to Bakugo’s extent”

He calls people names: Toga most often, as 'crazy'; he called Spinner 'lizard' once; when he first met Shigaraki, he said 'gross'.

Note that all the examples above are people younger than him; as far as I know, Dabi refrains from name-calling his allies who are older than him: Compress, Twice, Skeptic.

He inexplicably politely calls Ujiko ‘Ujiko-san’.

Compress:

“Compress is kind of like Sero. He’s got that trickster tone to him. Gets rougher when things don’t go his way.”

Likes to call himself an ‘old man’ at age 32; talks like an older gentleman as well. 

Twice: 

Twice contradicts himself a lot. Generally, he says one thing, his alter then says the opposite of that immediately afterwards. 

However, when things are urgent or serious, his alter’s speech fades. See Chapter 148, when he confronts Shigaraki about the Overhaul plan - he spills out his feelings with no contradiction. See Chapter 224, after they find out Giran’s been kidnapped - when arguing with the League about whether to say Giran, he’s completely coherent. 

Twice argues back with the alter sometimes, rather than the alter simply blurting out the opposite of what he says. 

After he gets over his clone trauma, the alter seemed to have…integrated into himself? He still speaks in contradictions, but less so, and it doesn’t seem to be a separate voice speaking out involuntarily

Spinner: 

“Spinner also speaks the normal masculine contracted speech like Kirishima and Kaminari, but he talks like Tokoyami during the Forest Lodge arc because he’s a Stain chuuni.”

An average, normal guy, compared to the rest of the League: not very polite, but not particularly rude; no great wit or affect (after he stops being a Stain fanboy), but not unintelligible; game references infrequently.

Giran: 

“Giran is also like speaks the normal masculine contracted speech similar to Shoto, but he’s a lot more mature.”

He calls Shigaraki “Shigaraki-san”, being polite towards him as a customer. 

He calls Twice by his last name, ‘Bubaigawara’, likely because they seem to be friends beyond just business. 

Toga: 

Toga is a generally polite girl, talks like a teenager. 

She can be bad at explaining herself! Seems to forget the people are lacking context for the things she says. “Hey, my best friend Jin just got killed by a Hero, which makes me sad, as well as worried that I'm going to be cut down like nothing as well, especially because I've been told how abnormal I am, even though I think I'm a normal person just like you, because I have emotions like love and fear, as any regular human does, and that lifetime of repression has hurt me.” -> Whatever she actually says to Uraraka in Chapter 289.

Only Toga uses first names with honorifics with the other League members. This is her being cute and desiring familiarity, but still polite. 

　◦ Twice is ‘Jin-kun’

　◦ Shigaraki is ‘Tomura-kun’

　◦ Dabi is, at first ‘Dabi-kun’; after she finds out he’s Touya, he’s ‘Touya-kun’ 

　◦ Spinner is ‘Spinner-kun’

　◦ However, Mr. Compress is simply ‘Mister’ 

Conversely, only Mr. Compress and Twice call her ‘Toga-chan’. All the 20-somethings dudes call her just ‘Toga’. 

*Note what the League calls each other. They all call each other using Villain names. If the male members of the League are using first names and honorifics for each other, they’ve either gotten extremely close and intimate and weirdly polite, or they’re being possessed by AFO. 

Tip #5.5. Instead of fretting over writing good dialogue right away, just write whatever you need to get a scene over with. You can go back later to change the tone and speaking style of the sentence.

Here’s a line I had for Dabi at first: 

“Whatever hospital he works at should be shut down for incompetency in background checks.”

Wayyy too formal. Here’s the line after I went back and fixed it:

“Whatever hospital he works at should be shut down for being shit at background checks.”

Still not my best shot, but better. Sometimes all you need is just to change a word. 

Tip #6. Humor. The League is ridiculous and hilarious. Always try to have fun with their interactions and antics.

[h4amarch]

Hi I’m on my OMORI (read: Kel) brainrot bullshit again so here we go.

Goes without saying, but SPOILERS FOR THE ENTIRETY OF OMORI.

Nothing in the game is directly about Kel. The main plot revolves around resolving the misunderstanding between Aubrey and Basil, and every heavy moment regarding the effects of Mari’s death we see revolves around Hero (the nighttime piano scene, bringing Hero to the graveyard for his first ever visit, etc).

You know that scene where Kel talks to Sunny at the graveyard when they’re by themselves? When he talks about that fight between Hero and him, that’s the only in-game, overtly-stated evidence we get regarding how Kel grappled with the loss. As a result, a lot of fan-created content that deals with Kel’s grief mainly focuses on that fight, because it’s the only thing we’re given without digging under the plainly stated or shown. And you know what?

It’s still not about Kel. That entire scene, Kel is talking about how Hero became despondent, and how Hero reacted, and how Hero lashed out, and how Hero cried afterwards and apologized. Kel’s mention of himself in the equation, the part about his parents ignoring him in favor of comforting his older brother... that’s added almost as an unintentional afterthought. Immediately after it, Kel re-directs the topic back to Hero by saying he hugged and apologized to him, and talking about how he got back to school.

So in light of that, here’s some other evidence that people might miss, because Kel doesn’t talk about it.

Kel’s birthday: A lot of people have caught onto this one; the recital (and therefore Mari’s death) was in October, and Kel’s birthday, not shown in-game, is November. OMOCAT’s official art showing present-day Kel forcing past-Kel into a smile, both wearing party hats in front of a birthday cake, is most likely a reference to this.

Kel’s new friends: This one is a bit subjective, but; when Kel introduces Sunny to a few of his friends from school that he knows (Jay and Cris; Jay being a fellow sports kid and Cris being a swimmer), there’s a visible disconnect between them. For instance, Cris has been away to a different school for a while... and one of Jay’s first words to Kel is that he didn’t know he lived around here. This doesn’t mean they aren’t friends, of course! But from my experience of high school, you may not know where all your friends live... but you usually know where your close friends live.

Kel’s visits to Mari: Kel visits Mari’s grave a few times, as stated while the group goes to see her. But every time we visit her, whether it’s with Sunny or with the group, he’s always visibly uncomfortable or upset. He’s still grieving, still disheartened by it, just like everyone else. He probably isn’t any happier in the times he visits alone.

“Mari wouldn’t want this” + variants: Here’s a big one.

Kel says this to Hero, and also to Aubrey when he sees her bullying Basil. But the thing is... what about him? Sure, if Mari were around, she would probably hate to see Hero trapped in his bed, or Aubrey hurting Basil... but in the end, it’s Kel who’s around to see these things happening, and it’s Kel who finds issue with them. Instead of saying that he doesn’t want Hero to rot away, or that it hurts him to see his friends fighting, he brings up Mari. Why not just say what he feels? Well... it’s probably because it’s never worked before.

Think about it; I’m sure Kel has talked about how much he wants Hero to get out of bed, and how much he doesn’t want Aubrey to go down her destructive path. But we see evidence of this not working, in the form of Hero staying in bed for almost a year anyway, and in the form of Aubrey brushing him off. Talking about Mari gets an emotional reaction out of them; talking about himself doesn’t. And I don’t know if he consciously knows this, but he’s definitely internalized it.

I just think that’s really depressing.

[voidartisan]

even MORE modern au

bc i was looking at someone else's doodles and got inspired.

Quinlan and Aayla have their own little soap opera going on next door involving Bly, Ventress, and Aayla's bio mom but you only get snippets bc Ahsoka isn't paying attention

Obi-Wan and Satine have a running joke that he married her because she beat him at chess and he couldn't figure out how else to react

Cody is a coach at a neighboring high school (not the high school that the kids in his neighborhood attend) and also teaches geography

If the au were in its Ideal Form (television sitcom) you wouldn't see Fox's face (wearing sunglasses, head out of frame, back to camera, etc.) until he meets Riyo for the first time, at which point he lowers his mirrored shades to look her in the eyes properly.

Tup draws. constantly. if you leave a piece of paper near him for longer than two minutes it will come away with a doodle

Everyone has basically forgotten that nuclear families are the "norm" bc this neighborhood is just so full of unusual family constructions. Couple raising nephew, younger brother, and adopted daughter? Sure! Single dad and daughter? Great! Aunt and niece? Welcome to the club! An unspecified but very large rotating group of "brothers" with no parents around? Why not!

Ahsoka Rex and Anakin have an eclectic tiktok account/yt channel that’s mostly just them doing a bunch of random stuff. Ahsoka’s skincare routine, Rex and Anakin teaching you how to properly throw a football, Anakin working on his car, comedy sketches, etc.

They have one video of them attempting to make a pineapple upside down cake that did go semi-viral bc there’s a shot where you can see Obi-Wan walking into the kitchen, seeing the mess, and going through all five stages of grief in the background

Baby Leia has Obi-Wan wrapped around her little finger for the first ten or so years of her life

Yoda gives out one (1) full size candy bar every Halloween to the most impressive costume, which creates an unofficial costume contest. he has super weird criteria for "impressive," though, and it seems to shift from year to year...

Mace LOVES scavenger hunts (a la Ron Swanson) and Depa sets up increasingly complicated ones for his birthday each year (tbh I might not limit this one to the modern au)