#home and tools

[mochasucculent]

Was looking at refs and since Viktor has two different leg braces I was wondering, do we think he wears them simultaneously?? The refs don't perfectly line up perspective-wise so it's hard to tell but parts of the one he wears during the Hexcore scenes look like they could maybe line up with the brace that he wears over his clothes, but also some parts really don't and look like they'd be super uncomfy. Also HOW does he take these on and off. Experts weigh in

[vintagehomecollection]

The kitchen is decorated with nineteenth-century blue and white Dutch tiles and a set of copper pans. The ceramic cheese-making jug in the foreground was made by Stephen Pearce, a potter from County Cork.

In an Irish House, 1988

[bunnyspine]

this took ages to finish but here we go :3

[poorly-drawn-mdzs]

Happy Birthday to Fallen London; My favourite British people beefing it with bats simulator.

[bixels]

As cameras becomes more normalized (Sarah Bernhardt encouraging it, grifters on the rise, young artists using it), I wanna express how I will never turn to it because it fundamentally bores me to my core. There is no reason for me to want to use cameras because I will never want to give up my autonomy in creating art. I never want to become reliant on an inhuman object for expression, least of all if that object is created and controlled by manufacturing companies. I paint not because I want a painting but because I love the process of painting. So even in a future where everyone’s accepted it, I’m never gonna sway on this.

if i have to explain to you that using a camera to take a picture is not the same as using generative ai to generate an image then you are a fucking moron.

[hoovesandfloorpaws]

"That said, both Styles and his therapist have questioned why he cares quite so much about being likeable. This is one of the things he thought about a lot in his big pandemic reflection. In part, it's a choice, he explained. He recalled moving to London after The X Factor and hearing tales of petulant celebrities screaming because someone got their coffee order wrong and deciding to never be that guy, to never give someone a petty reason to bad-mouth him. But more recently he's come to worry that the drive for approval came from a more complex place, a place of caution, fear, control." "Styles said he often spent interviews terrified about saying the wrong thing until he stopped to question what abhorrent belief or bizarre opinion he was scared he'd accidentally reveal and realized he couldn't think of anything."

"And he thought about the cleanliness clauses in the contracts he used to sign, which would dictate that they would be null and void if he did anything supposedly unsavoury, and about how terrified that used to make him. And about when he signed his solo contract and learned that the ability to make music would not be affected by personal transgressions, he burst into tears, a reaction he still seemed shocked by, retelling it to me now, years later. "I felt free," he explained."

"When Styles began therapy about five years ago [so in 2017], he was reluctant initially, feeling it was a music industry cliché. "I thought it meant that you were broken," he said. "I wanted to be the one who could say I didn't need it." He returned to the home theme that has underpinned our conversation, explaining that therapy has allowed him to "open up rooms in himself" that he didn't know existed, allowed him to feel things more honestly, where before he had tended to"emotionally coast.""

"Recently Styles began to work through issues related to intimacy, dating, love. "For a long time, it felt like the only thing that was mine was my sex life. I felt so ashamed about it, ashamed at the idea of people even knowing that I was having sex, let alone who with," he said."

"You look back, especially now there's all the documentaries, like the Britney documentary, and you watch how people were abused in that way, by that system, especially women. You recall articles from not even five years ago, and you're like, I can't even believe that was written."

He has been thinking a lot recently about autonomy, ownership, privacy. About what he should be able to keep to himself, what he should be able to simply communicate through his music without follow-up questions or prying. Around the time of Fine Line, he faced scrutiny around his sexuality. People became incredulous that he wore dresses, waved Pride flags, and yet hadn't clarified with precision, publicly to a journalist or on social media, the specifics of who he'd slept with, how he defined. This expectation is, to him, bizarre, "outdated." "I've been really open with it with my friends, but that's my personal experience; it's mine," he said.

Despite the acceptance that some things could, should, have been different, he still feels lucky every day, he said, lucky to make music, lucky to do what he loves.

"You can't win music. It's not like Formula One," he said. "I was like, in my lifetime, there will be 10 more people who burst onto the scene in that way, and I'm only going to get further away from being the young thing. So, get comfortable with finding something else that makes you happy. I just found that so liberating."

"I just want to make stuff that is right, that is fun, in terms of the process, that I can be proud of for a long time, that my friends can be proud of, that my family can be proud of, that my kids will be proud of one day," he said.

-- original interview link, Better Homes And Gardens Magazine 26 April 2022 (remake of this post)

[poorlydrawntorbek]

DRAW HIM WITH HIS PAPER TOWEL!!! PLEASE!!! :)

Day 5 (bonus) - it was the ":)" after the "PLEASE!!!" that really convinced me

[ew-selfish-art]

Dp x Dc AU: Jazz Fenton, after years of fixing her brother’s injuries, becomes a Doctor with an inclination towards behavioral health and psychology- In order to make the difference she wants to see in the world she joins Dr. Leslie Thompkin’s practice. 

Jazz Fenton, M.D. has spent years of her life doing research, doing the hard work and the emotional labor, and finally, finally, she’s joining a practice she can feel 100% confident in. She’s goddamn good doctor and she wants to make the biggest impact that she can. 

Dr. Thompkins (who insists that she call her Leslie as they’re colleagues now), is a kind woman, sharp as a tack and keeps her practice open at odd hours to help the most unfortunate. It took some time for them to bond and trust to be built, but now Jazz is being allotted a few night shifts here and there. 

It’s incredible. Jazz gets to spend time with the kids who come in and really talk to them (in addition to getting them antibiotics, heating pads and pokemon themed bandaids) to help equip them with a few coping skills. Her passion for psychology never disappeared after all, but the expansive knowledge of how to heal the human body has made her find a sense of fulfillment like no other.

Having proven herself and worn Leslie down, Jazz now takes up about 1/3 of all the night shifts in the month. She’s hoping to get to 50/50 by the end of the year but she’s content with what she has. Danny keeps odd hours anyway so calling him after work on her walk home can happen any time of day and he will always answer enthusiastically. 

It’s a particularly busy night before he comes in. The Red Hood. 

He was known for being an ally to Leslie, despite being on contentious terms with the Bats, but Jazz had never asked directly. Never one to turn away a patient with bullet hole wounds, she hops into action to get his wounds cleaned, sewed up and gauze wrapped. She’s handing him a sheet (an Infographic! Dani made it with her! Graphic design is her passion!) on how to care for his wounds when he first seems to recognize that she’s not Leslie. 

“No, Of course not. I’m Dr. Fenton. I can’t blame you for not remembering but I did introduce myself as you bled in the entry way. You’re Red Hood, right?” 

“Hm. Didn’t realize the practice was expanding. Where can I find-” He grumbles before pushing her hand aside from where she had still been supporting his shoulder.

“Hold on there, mister. You’re going home, you’re following this infographic and you’re going to get some sleep.” 

“Lady you don’t know-” His voice modulated ton came across antagonistically. As if he was trying to intimidate her. Ha, Jazz rolls her eyes at the inclination.

“Who I’m talking to? Who I’m dealing with? You’re hilarious. I can eat you vigilante’s hero complexes for breakfast. Tell me who I’m calling to pick you up and then you can say thank you.” Jazz snaps at him. It really had been a long night but his whole dialogue thus far is making her a bit batty. 

“Oh really Doc? You know Leslie’s tough shit, and from what I can tell you’ve got nothing on her-” 

“Trying to make me feel insufficient when I just saved your life? That’s cute. I’m sure a lifetime of abandonment by both of your parental figures gave you that. I’m also sure that you inherited this desire to prove you’re not going to be dependent on anyone who wants to help from whoever got you dressing up in tights to fight crime in the first place. Again, I’d love to talk at length about how predictable you-” 

“Bwah- wait- I’m Predictable? You’re probably some nepobaby who had parents who told her she could have the world-” But Jazz cuts him off with hysterical laughter- he couldn’t be further from the truth. Her parents loved her, but nepotism? With what, the ghosts? If anything she got that from Danny, but he doesn’t need to know about her ghostly titles. 

“You’re just some guy who came back from the dead and made his trauma everyone else’s issue. So shut it. And tell me how I’m getting you home from this clinic.” She seethes though her voice stays devastatingly level with each word. 

Speechless for a moment, he eventually relents to Jazz that he’s already called for help on the comms but it will be hours before they can come for a pick up. The sun had already come up and the night had been over for most of them before Hood had walked into trouble. She groans and the realizes the time for herself and the empty clinic around them.

“Fine. My shift just ended anyway. I’ll get you home in one piece and I swear to all the ancients that you’d better follow the directions on the infographic.” 

And that’s how Jazz ended up calling her brother while supporting the weight of a grown ass man (who no longer wanted to talk to her) on her walk home. 

The next time Red Hood appears in her clinic, he’s brought a dozen roses in addition to the cut on his neck that definitely needs to be pressurized like ASAP. Did he stop for the flowers on his way to the clinic? He’s going to pass out from blood loss! She doesn’t even like roses!

[yousavorthis]

weekends at bobby's

[shelly-vision]

Welcome Home Cow Tools Theory: the weirdest Welcome Home theory you’ll ever see.

Hi. Welcome to my dumbass theory. Please hear me out on this.

So, in case you’re somehow unaware, Clown and Huck just held a Q&A about Welcome Home. Among the many silly questions and sillier answers, user can of maple beans asked the following question.

And attached to the answer was this image.

Now, the common response to this would naturally be “wut?” But unfortunately I spend too much time online and as such, it didn’t take me long to remember what the reference was.

Now, this probably makes things more confusing to some people. Luckily I’m here to explain it.

BUT

Before I do, I need to post the other Q&A prompt that will be relevant to this discussion.

Please put a pin in this for later. Now, I will explain Cow Tools.

Cow Tools is a one-panel comic from the series “the Far Side” by Gary Larson released in October of 1982. The Far Side consists of similar one-panel comics all telling some silly punchline. However, Cow Tools goes beyond that. The joke of the panel is very simple. The idea is that if cows made tools, they’d probably be weird and unsophisticated. However, a lot of people didn’t understand it. Upon the debut of Cow Tools, the phones of the newspaper company that published it didn’t stop ringing for nearly two days straight as people were continuously calling to ask what the joke was. This lack of understanding caused severe backlash and hate to form for Cow Tools. To put it in simpler terms, this simple thing was over complicated by people, causing them to not understand it, and in response, they turned their lack of understanding into hate. However, decades later, Cow Tools found its audience among the internet, as the sheer absurdity of the comic makes it a somewhat popular anti-joke.

Now, I bet you’re wondering, “Overwhelmingly niche tumblr user and Total Drama fanfiction writer Shelly_Vision, what does anything about Cow Tools have to do with Welcome Home, let alone the homophobia discussion you told us to put a pin in? Surely the joke Clown and Huck were making with Julie Tools is just that it’s meaningless and meant to be a non-answer, right?” And that is probably true. I probably am overanalyzing and all of this could be meaningless. However I hyperfixate way too much and said hyperfixatuon leads me to come up with theories that might mean utter nonsense. But the small chance remains that I’m onto something. So because of that, I will now present what this theory is truly about with my full chest.

Julie Tools tells us the exact reason why the show Welcome Home was cancelled. Yes I am completely serious and allow me to explain.

Let’s ask ourselves this: why was Julie Tools posted in response to asking if romance would be a part of Welcome Home’s story? What does Cow Tools have to do with romance?

Nothing. Absolutely nothing. Cow Tools, as a comic, has nothing to do with romance. The content of the comic itself is meaningless. What we need to do here is not apply the comic to romance, but to apply the comic’s *reception* to romance.

Now is when we need to return to the homophobia discussion. Welcome Home as a show released in the 70s. Back then, the general audience didn’t understand queer people and turned the lack of understanding into hate. What romance would result in this puppet show getting immense backlash?

A queer romance.

Yes I am fully serious in saying that this random reference to Cow Tools is meant to tell us that Welcome Home was cancelled and all mention of it was scrubbed away due to backlash from its inclusion of queer characters. Backlash and hatred of something simple that the public didn’t understand and decided to hate it because of that.

Dear reader, why would all of this stuff about Welcome Home resurface in the 2020s? Because just like how Cow Tools didn’t find its audience until decades after it was published, Welcome Home didn’t find its audience until now. In a day and age where queer people are accepted. And it seems a lot of queer people are drawn to this project.

Welcome Home is (at least partially) about queer erasure. I’ve had a feeling this would be the case for years now but this just strengthens by certainty in it.

Alright now for the more speculative parts of the theory. My main point was the general queer erasure stuff, now I want to get a little more into character stuff.

So first off, why is it Julie Tools? It feels like Frank and Eddie are more overtly queer characters, and while Julie still is very queer coded, it’s not as overt as characters like Frank, Eddie, Sally, or Poppy. Julie’s queer coding is mostly limited to her interactions with Sally. (See my Julie character analysis for more elaboration.) Well, here’s something purely speculative. As shown in the most recent update, Julie is someone who often feels like her only value is in what she can do for others. So, what if, on the cusp of the general public discovering Frank and/or Eddie and/or Poppy and/or Sally is queer, Julie outs herself as a form of self-sacrifice. That way the general public forgets its speculations about the others and all the backlash ends up being directed to Julie’s character instead? This feels kind of reachy but hey maybe I’m onto something. Uh the mentions of nonstop phone ringing reminded me of Wally’s connection to phones, tho that one’s definitely unrelated. Also seeing the Q&A show Julie in Y2K fashion and Sally in Y3K fashion felt extremely yuri to me and I’m adding that to the pile of sapphic hints. Maybe the always and clumsy nature of the tools represents awkward and clumsy romantic feelings? Yeah at this point I’m reaching.

TLDR: the in-universe show of Welcome Home was cancelled and all mention of it was scrubbed from the world because of its queer characters. I may be drowning in my autism and hyperfixation.

[dreamyblanket]

Sorry guys, wafer on the brain, it's terminal u.u

Anyway, I'll elaborate on this in the tags bc omg I'm going to yap your metaphorical ear off.

[vintagehomecollection]

... a Japanese clothes wringer, two kimono irons, and a "shoulder hitter" or stress reliever with the onomatopoetic name of kata-tataki. The open-ended basket is a winnower, a common Japanese design used to separate the chaff from rice or buckwheat.

At Home With Japanese Design: Accents, Structure and Spirit, 1990

[bunnyspine]

(nightstuck au)

If you can't be with your friends, just become them!

Choose the og designs for the others because I thought it would fit better-

▪︎☆▪︎▪︎☆▪︎▪︎☆▪︎▪︎☆▪︎▪︎☆▪︎▪︎☆▪︎▪︎☆▪︎

[poorly-drawn-mdzs]

Good Morning, World.

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[johnnyshrine]

★ 112 // “'Kandi Bracelets”

// These bracelets will be available for sale during THE JOHNNYDROP™, my fundraiser sale to help me move! Drops 05.01.25 on my store.