#honestly most relatable disney character

[mbat]

i literally read the book of bill days ago but its only now kinda hitting me how fucked ford and bills whole thing was though cause ford literally talks about being so unable to sleep (to try to keep bill away), and when sleep inevitably caught up to him, he would wake up to his body abused and things messed with and he just couldnt seem to find an escape (and he literally didnt get to truly escape until 30 years later)

(also keeping people awake for unhealthily long periods of time is another tactic used to mess with and control people because of how it impairs brain function)

listing off the things we see in those few pages in the book of bill:

i mean, punching and scratching at a steel door for hours would be so damaging to your hands and probably hurt like hell for at least 2 days after. then bill says he was hitting fords head against a wall, though its said in a post-it as if its a joke, but he also isnt exactly above doing that, and honestly he says most things like its a joke.

i also dont need to say 'bill really doesnt know how to take no for an answer' because he makes that very clear in literally any interaction we see with him.

bill literally puts a venomous snake near ford while fords asleep, which could have killed him if he wasnt lucky+skilled enough to deal with it.

he nearly gives ford hypothermia, and in the same action actively threatens ford with the idea of making him jump off of a high spot, and like ford says, doesnt do it just so he can send a message to ford about how hes the one in control.

he gets ford in trouble with not only the law, but also with other people that are probably not very happy with him after. he mutilates fords body in several ways, and i dont think i need to go into detail on them because theyre... so ew. and he even exposes part of fords body to the world. like, its just taking his shirt off, but thats still showing off his body in a way that he didnt agree to or want

and then he attempts to (or purposefully fails to) call stan, using fords voice to threaten suicide and tell stan that ford never loved him.

and he punctuates it with a final power move, in a hallucination that he creates, hes messing with stans memories and making him feel like his body was basically about to implode

and like. okay, we all joke about toxic old man yaoi, and its a good joke and toxic old man yaoi is great and its an interesting ship, but holy fuck.

like. to say the absolute least, that had to be so, so deeply violating. its no wonder that when we see ford in the past, when he finally contacts stan, he looks like hes on the verge of shattering into a million pieces. he just went through, and still wasnt yet out of, some deeply abusive shit.

like... everything coming out lately both in this book and what ive heard is on the website, mixed with what we already knew from the show itself... the stans are both so, so fucking tragic dude. their whole lives were thrown away over things that really didnt even need to be the way they were, and then they both get into situations that are pretty damn screwed, and those situations follow them for the rest of their lives. its basically a miracle that things worked out in the end for them.

i dont really have a point, i just had to talk about all that. i read almost all of the book of bill in one sitting, and while i was really enjoying it, i was also getting kind of tired of sitting in one spot only doing this one thing for several hours straight. i still felt a lot of the emotional bits of it of course, but man this part specifically just really didnt hit me until now.

i mean, to say the absolute least, i know what its like to feel violated in a similar way, though not anywhere near to the extent of what he went through at all. someone get that man some therapy got damn

[monsterkin-culture-is]

10 Monster & Mythological Kintypes You Might Not Have Kinsidered!

Quick intro! I want to do some more monsterkin related original blog posts & content to make this blog more of a community hub for the monsterkins of tumblr. I'll be using #thebitingblogger for these posts! TW for some very mild mentions of gore in the context of mythology.

10. Haunted Dolls: There is definitely a large dollkin community on Tumblr but I haven't seen many haunted dolls/plushies. They're such a staple of horror media & spiritual subcultures - I'm so surprised by their absence!

9. Werecats & Other Werebeasts: The werewolfkin community on here is already limited but the werecat tag is tiny (and I don't think there even are tags for any other werekintypes)! Maybe the concept just hasn't been explored enough yet but given the popularity of other feline kintypes I wouldn't be surprised if there were some undiscovered werecats. I'd also like to add on about hellhounds & hellcats! Plenty of mythology there but a rather empty part of the kin community.

8. Revenants: Revenants are reanimated corpses revived to haunt the living. They're most prominent in Western European & Norse folklore. I can see some similarities to ghost & zombie kins but given we already have other subtypes & related kins (phantomkin etc) there is definitely a place for them in the kin community. Honestly as I'm writing this I'm starting to kinsider whether my skeletonkin might be a revenant...

7. Headless Horsemen: I suppose this is technically a human but I'd consider them a potential type of undead or spirit! The headless horseman is a recurring myth in a lot of Western Europe & America. My favourite version is the Dullahan from Irish folklore. The Dullahan is a mysterious omen, causing death whenever he stops riding. He carries his head in his arms and wields a whip made of human spine. The most famous media depiction is probably Disney's "The Adventures of Ichabod and Mr Toad." I think you can tell I'm a little bit in love with the horseman mythos...

6. Minotaurs, Centaurs & Fauns: I'm not sure I'd consider these monsters but they fit with the themes of the rest of the list! A minotaur is a man with the upper half/head of a bull, a centaur is a man with the body of a horse and a faun is a man with the legs of a goat or deer, often accompanied by horns or antlers. Man is being used without gender here. I originally was only going to write about Minotaurs as I've seen plenty of centaur & faun kins but there's no harm in including everyone! I'm not going to type out the entire mythology of these creatures but a fun fact for you is that the Minotaur of Crete's real name was Asterion!

5. Selkies: Again, not sure if these would be monsters but they fit the list & some retellings portray them as such! Selkies are humans (by appearance, not species) that can take the form of seals using their fur coats. If their coat is stolen, they can be forced to marry the person who has it.

4. Gorgons: Just talking about these as a species rather than their specific Greek mythos. Gorgons are humans with hair made of snakes. Often different interpretations give them patches/designs of scales, snakelike markings and/or fangs. My favourite modern depiction of a gorgon is Viperine from Monster High!

3. The Grim Reaper: I'd be lying if I said I hadn't been kinsidering this for a while! There are hundreds of personifications of Death throughout the history of humanity but the Reaper is probably one of the most recognisable in modern times. The Grim Reaper is most frequently depicted as a skeleton in a cloak, suit of armour or robes, bearing a farmer's scythe (it harvests souls like crops). I've been talking about media interpretations of these throughout so shoutout to Discworld Death, one of my favourite comfort characters! I love the animated version of Soul Music.

2. Shade: Finding information on this one was a little challenging! Shades are the spirits, ghosts or apparitions of someone currently residing in the underworld.

1. Custom Monsters: Got a bunch of phantom limbs that don't match a different kin? Have memories of being/feel like a cryptid that doesn't currently exist as a legend? Be your own monsterkin. Be a kin of your own species. I have one! I just need to actually draw them...

That's all folks! 10 more niche monster & mythological kintypes for you to kinsider! Please send me an ask (anon is enabled) or reblog or whatever if you're any of those kintypes, I'd love to hear from you! As always, please do your own research on these species & their folklore, I've only done some brief googling to add some more context to this list. This blog is for entertainment purposes, not educational! Let me know if you guys like seeing this sort of content though, I've really enjoyed researching this so I might start doing some more in-depth and well-researched posts on some of these.

[raven-at-the-writing-desk]

hello!

I’ve been thinking about this prompt for awhile now, but I’d like to hear your takes on it! if say another event like lost in the book happened but instead of stitch, they meet Winnie the Pooh and his friends— which of the cast do you think would relate most to the characters?

I uh 😅 don’t know a lot about Winnie the Pooh or its characters, so my thoughts here are based on very, veeery basic understandings of them.

Pooh — His defining trait is his loyalty and willingness to help others, so I automatically don’t see many of the NRC boys relating to Pooh’s softness. He might be a better fit with one of the light cosmic element boys (Kalim, Silver, even Rook) or Yuu.

Piglet — He’s soft spoken and always nervous or worrying about something. I think of Epel and Idia as the "soft spoken" ones of the group, but Idia is the more generally anxious one. Epel's only really "shy and meek" when he's forced to act more polite; his true personality is much rowdier and more stubborn.

Tigger — Tigger is bright and enthusiastic. Any number of the cheerier members of the main cast could fit here with him: Cater, Kalim, etc. I would say Sebek (at least when it's a Malleus-related task or sentiment) works.

Eeyore — The most “different” of the Pooh cast; Eeyore tends to be down in the dumps and/or unenthusiastic. I see Idia and Leona best relating to Eeyore, since the former is usually pessimistic about everything while the latter has depressive symptoms that he usually masks with arrogant confidence.

Rabbit — Prideful and stubborn self-appointed leader, but ready to hop into action when he is called upon. Most of the dorm leaders could honestly slot in nicely here, particularly Riddle (whom we see in book 6 trying to be the "leader" of his group with Azul and has a generally very rigid way of thinking).

Kanga and Roo — Loving mother and curious, adventurous son duo. Various combinations can work here, although each pairing kind of represents a different kind of parent-child or general familial relationship. (Vil and Epel, Trey and Riddle, Idia and Ortho, Leona and Cheka, Jamil and Kalim, etc.) It really depends on how you want to look at it.

Owl — A know-it-all who actually dispenses the wrong information more often than not. I'd say Lilia or Jade is most Owl-like. They're the most likely to share false knowledge, but unlike Owl, it doesn't come from a place of genuinely not knowing but rather purposefully fucking up the information to mess with people.

Christopher Robin — A kind and helpful boy who shares his stories with the animals of the 100 Acre Woods. I wasn’t sure if I should include him here, but the Disney website lists him as a core member of the cast so I thought, “might as well!” Since Christopher Robin is the "odd one out" who shares stories with everyone, which i think it suits Yuu (the photographer/one who records memories) quite well.

[ponett]

with the fallout of bandai namco's idiotic "it's up to interpretation" bs, do you think that it's possible to enjoy queer media made in a corporate environment in addition to independent works? is it even worthwhile to attempt making queer media in a corporate environment? i find it special how well the g-witch production team managed to tell the story they wanted even with the challenges and pressures they faced, but i have to admit that independent works like slarpg are always going to more completely tell queer stories. as someone who has resonated with both slarpg and g-witch, i was curious to know your perspective.

i'm probably less cynical about this than a lot of my peers are - not that i can blame anyone for feeling cynical about queer rep from corporate-owned media. (we've been through so many First Ever Gay Disney Characters at this point, and lord knows blizzard loves to tease that another overwatch character might be gay every year or so as a PR move.) unfortunately it's just extremely hard to get something like a full season of an animated series funded and produced independently, so the artists looking to enter these fields and pour their hearts and souls into meaningful queer stories as a full-time job don't have many options

going indie gives you theoretically endless creative freedom to tell your stories without corporate censorship, but it's also a massive gamble. only an extreme minority of indie creatives in any medium are actually able to make a living. the fact that i came out the other side of slarpg's development with enough money that i can keep being a full-time indie instead of being in massive debt makes me one of the lucky ones. and even with my modest success, i sure as hell don't have the money to hire a whole team, which limits the scope of what i can make. so i can't turn my nose up at the queer people writing disney channel cartoons where they can't say the word "gay" out loud. they have health insurance, i don't. for most people, what i do is simply not an option

with the corporate-produced Queer Stories i enjoy, i'm often able to squint and see what the creatives were trying to do, wishing that they could have done more while understanding that they probably had to fight tooth and nail for what's there

in the realm of children's animation in particular, i'm thankful that the people working at these studios ARE fighting for more, because it means that kids today have so many more positive queer stories to relate with. i didn't have a single gay character i felt i could relate to until i read scott pilgrim at age 16 and saw wallace wells. before that, i felt so alone in the world. i denied who i was for years because it felt like there would be no place for me. i didn't know anyone openly gay in real life, growing up in the south, and in fiction gay people either existed as the butt of a joke or not at all. the fact that queer kids are now able to see people like themselves in so many shows means something, even if we still have a long way to go and the big studios continue to be a major obstacle

on the subject of g-witch, i'm honestly unfazed by the statement from bandai-namco. i guess i wish they could've let suletta and miorine kiss, but like... the text of the show is extremely blunt about them being a couple by the end. it's not up for debate. and it's not like a gundam series having a meaningful story in spite of the wishes of the toy-producing overlords is anything new, this is just our latest example

all that being said, i do think people should branch out more and explore more weird indie shit if they want more wholeheartedly, openly queer stories. people gotta suck it up and embrace more outsider art instead of only valuing things with studio-level production values. start looking at ren'py visual novels, rpg maker games, obscure webcomics, zines drawn in sharpie, artists on bandcamp who aren't signed to a label, all that jazz. maybe part of the reason why i'm not more fazed by the state of affairs with corporate-funded fiction is that i'm constantly surrounded by furry artists who are telling their own little gay stories

[juicezone]

Hi! I'm TL, and I do agere/petre art requests! You can find my queue and open status on my header! Please read the rules below, thank you! It helps to reblog this to spread it around :D

you must obey the dni of this account. especially please do not request or reblog if you are k!nk, nsfw, generally not safe for kids. you will be blocked.

If reqs are closed, you may DM me and ask me to send you a message/heads up when I re-open then!

please be kind when asking :) these are not commissions, i am not required to do them!

if your request is something i’m not comfortable with doing, i’ll priv answer so you have the option of sending another if you’d like! (this is easiest to do if you're not on anon/you leave an @ of your sideblog! If it's a nameless anon, it's likely to just be deleted, sorry ^^'

please put separate requests in separate asks! IE: if you ask for Character from Fandom A and character from Fandon B, please send two asks! (Unless you want them together which is fine :P)

not a rule but feel free to give suggestions! IE: “Can you draw character with a green paci” or “can you draw character as a fox pet-regressor?” or “can you draw character and character as cg + regressor?” "character in a dip" (just make sure to specify who is who!) Honestly, detail helps a lot with being able to draw and do the req!! (NEW 4/28) I will draw stuff like characters being upset, crying, ect. I'll draw characters in dips but atm i'm not necessarily comfortable drawing accidents themselves (unfortunately, i had a problem with one post i made + deleted being basically immediately snapped up by unsavory blogs ): so)

I’d prefer to not draw your persona/sona/ect! I don’t mind drawing in a “blank/YN” type character, but I no longer would like to draw personas/sonas/ect. Sorry! (NOTE: THIS IS EXEMPT FOR FRIENDS LET ME DRAW YOUR AGERE OCS/INSERT SO BAD)

Requests may take a while! I work 30-40 hrs a week on top of being a full time student. I might get it done immediately, it might get done in three months or longer. Usually I do them in order, but not always! If you come into my inbox and repeatedly ask abt it (esp if ur rude) i will delete it. and i will block you.

FANDOMS I'LL DO

I'll do most any media! It's REALLY best to just ask me!! Bluey, MCYT (characters ONLY. *), Star Trek, Pokemon, FNAF, Warrior Cats, Nintendo, Disney - Honestly, it's best to just ask! As long as the media isn't primarily NSFW in the 18+ way, I probably don't mind! Complex chars like in Genshin Impact are fine as long as you're okay with me simplifying/putting them in different clothes (free free to request them in diff clothes even!!)

*Will not do dsmp at this time. May do people related to DSMP (ie philza for ex [i think? i dont know the people of that group]) but i will not do: Wilbur/soot or d/ream.

FANDOMS I WON'T DO

Harry Potter, Hetalia, IRL People (as in the Content Creator - see below for more detail), Attack on Titan, Hazbin Hotel/Helluva Boss, Country humans/Country balls/Anything based off the countries, Rick and Morty TBA

ABOUT IRL PEOPLE

Will do: MCYT for example! Because my design is based off their MC skin. It's like actors v their characters if that makes sense Won't do: Things like Sanders Side or Marki/plier ego stuff, because it's like. there's nothing there for referencing other than the literal person. idk its hard to explain TLDR: thats just my comfort level sorry ^^''

[kaythefloppa]

Wild Kratts - Our Blue and Green World: Part 1: Review [Spoilers]

Welp, here it is, the Wild Kratts TV movie (not to be confused with the feature film they've been teasing us with since 2021). There's been a lot of hype around this special and season, especially with how much the latter was being hyped up during the hiatus. Let's see if the blue and green bros were able to deliver: Spoilers under the cut

Well, this is certainly an attention grabber!

This entire live action intro is shot and edited like an animated Wild Kratts episode, it's glorious.

Woah, intro change!

They said the thing! They said the thing!

HELP THIS IS SO RELATABLE. Also, THE BOYS ARE FIGHTING

Lmao I don't think they do it very often, but using animals/nature in their insults is very creative.

Also, whooping crane episode when?

This entire song is mercifully short. Like most character sung songs in Wild Kratts, it's not good, but this at least is clever in its lyrics and its visuals. It feels like a Disney reference at best and I am content with that. I also ADORED seeing the Draco and Walrus Suit return again. It's arguably the best musical number in the series. No, that is not saying a lot.

MARTIN WHY ARE YOU THE ONE WHO'S MIFFED YOU NEARLY MUFASA'D YOUR LITTLE BROTHER

CHRIS WHY ARE YOU MILDLY INCONVENIENCED YOU GOT ACRAPHOBIA FALLING FROM THAT HEIGHT

When I first saw the clip, I thought that they were going somewhere with this, like they'd activate Peacock Powers at the end when they recognized the compatibility and blue and green. But nope. Wasted potential is an understatement.

Also, where the fuck are they right now? In a previous shot there was Target the Chameleon, implying that they've been to Madagascar, but that is an Indian peafowl, and as far as I'm concerned, they don't live in Madagascar. Were they just having an off-day? These animals have little to nothing to do with the plot when they really shouldn't have, so I don't see why they couldn't have just shown a projector image or something.

Remember when I joked about the Wild Pony Power Suit returning in S7.... fuck you Apollo.

Man, they are eating it up with the animation here. It's hard to tell with screengrabs but man, is it fluid.

The first half of this episode is mixed. While it feels like the brothers are incredibly stubborn, it also does make sense for them to be this fixated on their favorites. So I can totally buy this. It could've been insufferable to watch, but it wasn't.

As if YOU haven't spied on them since the first time your dorito-headed ass showed up on screen

Did you find that funny? Because not only do they do a similar joke like that later on, but they follow through on that joke in the most unexpected way you will shit your pants when you first ingest it.

Oh my god if they make a Creature Power Suit off of that bird, I will take back any diss I've made, that is so beautiful.

Good to know that Aviva put the button near the chest and not near the back.

Maybe it's just me but this is kinda pushing it. Chris is literally getting his organs crushed, I think that should matter more than A) being right or B) trying to get 2 people to stop fighting.

I'm loving the callback and what this leads up to but ew, all this does is remind me about how ugly bright the color pallatte in S6. Really glad they fixed it in S7.

HELL FUCKING YES

This episode finds really unique ways of showing how the two different biomes are interconnected. It's like Rainforest Stew's (very brilliantly handled) message only to a larger degree. Kids can learn a lot from this.

I fucking love this episode, man.

Honestly, the way they write Paisley in the first half of the episode is very in-line with her character. Most shows that do what this episode does has them be out-of-character as a set-up, but here, she's just roasting the fuck out of Zach. Once again, recontextualized entirely in the climax.

HOW THE FUCK DID HE GET TO MADAGASCAR FROM THE GODDAMN AMAZON IN ONE AFTERNOON THAT IS LIKE MORE THAN 1,000 MILES AWAY?? ARE ANACONDAS THAT FAST?????

Also, INDRIS!!!!! :D

I was frankly expecting this to horribly backfire but spoilers, it doesn't. This actually winds up working. Common Aviva W.

To be continued.... will the blue and green rivalry end? Will one prove superior over another? And will they be able to stop Zach and Paisley and save the planet earth? And will this change the adventures of the Wild Kratts team forever? Stay tuned for part 2!

Pros:

The live action segments.

The animation of the earth's model.

The musical number not being ass.

Paisely's catty behavior.

The Anaconda Suit.

The inventive ways they show how the stability of the Earth is complex. There are a lot of ways it functions and thus a lot of ways it needs to survive

The comedy.

Cons:

The villains do not do anything until the second half of this episode. In fact, they're left completely in the backdrop. I expected them to make their prescence known and for Aviva to invent the discs to get them together for the SAKE of fighting the villains. But no. It makes the stakes feel hollow, which is the opposite of what they should be gunning for in an hour long special that they hype the shit out of.

CONCLUSION:

It was an "okay" set-up. It did live up to some of the hype it had, but not all of it. Honestly if it wasn't for the second half of this episode, this movie would be mediocre or slightly above average, but no. They do pick themselves off the ground and... they do jump the shark. But we'll get to that next time

[alanshee-keeper-of-realms]

wow you really love disney metafiction

Well yes Who Framed Roger Rabbit always fascinated me as a kid, what adaptions would our world have what would change if our characters really existed and lived beside us would Disney be as greedy as it is if Mickey Mouse was actually owner over it it instead of Bob Iger being CEO nd Investors having their claws in it? Would Bugs be the owner of Warner or would he be chilling as an A-list celebrity who is a known as a beloved LGBTQA Drag Queen and Genderfluid Veteran?

Mickey and Minnie married off screen and dating on screen?

Looney Tunes known as chaos incarnate but they're a giant family

Bugs and Daffy adopted the Animaniacs because they had no home

Are Bugs and Daffy together off screen?

What would shape each toon into their On Screen and off-screen selves creating that divide?

What would the huge differences be? Maybe some have kids others are married and some have entire seperate family?

How would humans react to these guys as a species that has a bad record of looking down upon people?

Mickey and Bob Iger having a I absolutely despise you but I have to tolerate you relationship

Off screen the Warner siblings are actually related to Oswald and Ortensia explaining the Animaniacs' strange unidentifiable appearances,

Like the possibilities are endless and vast, there's just so much unexplored due to the fact companies can't share at all anymore and they don't think live action hybrids are useful

Chip and Dale 2022 resparked it for me, a lot of ideas going a million miles, like if I had finances I'd be getting reference shots to use for test fan animation just for the fun of it, cause it fascinates me that much,

And while you call it metafiction it's actually just cartoons meeting our reality seriously go check out the movie Who Framed Roger Rabbit that movie right there shows what exactly I'm talking about and here I'll even include some screenshots of a couple films that do this

Bugs Bunny Focus for Back in Action cuz honestly I think this is his most iconic look besides the Viking look when it comes to his drag and honestly the line normally I play the love interest is just amazing

Roger and Eddie(played by Bob Hoskins) in Who Framed Roger Rabbit

Chip and Dale Rescue Rangers 2022

This is the adaption I was talking about earlier look at Ellie next to the apartment building for small toons. She's as tall as it, while Chip and Dale are the perfect size for it, unlike Who Framed Roger rabbit Chip and Dale takes place in the modern day that's what hooked me to create a modern AU it's all so fascinating,

You can't see it in that shot but Dale is driving a full-blown human sized car that has been adapted for Chipmunks I'm not joking, however their movie shows how wildly different everybody can look from each other especially in the modern day when CG is a thing. Chip is still clearly 1990s 2D animated while Dale decided to get a CGI redesign

Like if Mickey and Minnie are only two feet tall and if he's the big boss on set yeah it's really funny to me to imagine him running around Disney and trying to picture every single Studio adapting to these Toons and their various size differences

Again there is just so so much that has been untapped with this genre, because Studios cannot get along long enough to tap into it

[beebfreeb]

seeing your wir posts is really fun!! it's one of my favorite movies, and the additions you've made to it are really well thought out. there's no pressure to answer this since it's kind of a loaded question, but what would you have preferred the second movie be about? even just like a character you would've liked seeing more of, or a different environment than the internet setting most of the second movie took place in

I don't really know! If a sequel didn't exist already... I wouldn't really want one. I think it's perfectly fine as a standalone movie and I'm kind of just using it as a base to build off of. The kinds of things I want to explore in a setting like that are just... not Disney movie material, I guess?

Honestly, I don't even know if I watched the sequel or not... I feel like I must have, but it is entirely a blank spot in my memory. So, I'm not even sure what I'd try to "fix" about it, LOL.

My answer is competitive speedrunning and glitch-hunting communities. AND a comparison of the lives of characters from arcade games and more story based console/computer games that can be saved and reloaded at any time and the implications that has.

Anyway this is why I should draw my not at all WIR related but video game inspired setting OCs with WIR characters at some point. I think Bartholomew as an edgy JRPG-type villain would be really funny to contrast with the sort of narratively simple bad guys that appear in the movie. Also my speedrunner SRM/ACE wizards.

Do you think Pacman likes the kill screen at level 256 or does it hurt him? Much to consider.

[kanzakurawrites]

Random Thoughts I Had While Rewatching Descendants 1

So I'm guessing Auradon is the size of Eurasia? Cause Europe seems too small, and most of the stories take place in Europe.

Are there Isle guards? I'm guessing because how else do the posters of Beast get put on the Isle?

Beast's crown looks so fake

So is that Ben's dorm room? Or is that his castle room? Is he a day student? (Which, considering he's becoming High King would be smart) I'm curious now

How many outdoor string lights do people in Auradon throw out?

HOW DOES THE ISLE HAVE ELECTRICITY? Are there villains dedicated to keeping it running? Actually, that would be hilarious, especially if that means people don't mess with them. OR they do mess with them and there are just frequent power outages. More likely, now that I think about it.

CAN WE PLEASE TALK ABOUT MALEFICENT'S LETTER MAGNETS! Ha, what if Hades left them there and she just never threw them out? He seems more like the one to have letter magnets.

I don't care about the book timeline, the villains and core four all seem a lot more familiar with each other than just a few weeks or days or whatever. I'm saying its been months at least since the core four became a gang. If not a year.

I know its a Dcom, but I kinda wish that the villains weren't treated as comedy relief. Like, its implied that the kids aren't loved, that they are scared of their parents, but the way the parents are written... excluding the end with Maleficent, they don't seem that scary and all.

Seriously, there must be royal guards, right?

Really wish we had gotten to see the limo driver again.

Have to admit, I really like Ben's darker suit jacket. But why, why the yellow pants.

Ugh, I love Mal's D1 hair.

So... where are the magical people. "Most of us are ordinary royals." Yes, but, but, there is a lot of magic is Disney movies. Where have the magical people GONE. This is concerning.

Auradon Prep is FILLED with royal children, including the soon-to-be High King. The museum is filled with priceless magical artifacts. WHERE IS THE SECURITY. WHERE ARE THE GUARDS.

The beginning of Evil Like Me makes me want to hug Mal.

Are there NO SECURITY CAMERAS?? No other alarms??

WHY ARE THEY HAVING REMEDIAL GOODNESS OUT IN THE OPEN. That should be a PRIVATE class.

Ben, how did you not notice Carlos screaming?

How I wish they would have kept Evie's wavy/curly hair

I really wish there had been more Mal-Jay moments

They were in a public area. How did no one notice what was going on with Ben? DOUG WAS RIGHT BEHIND THEM

You know, none of Ben's classmates seem surprised by his love declaration. Or surprised by the "break up" with Audrey. Hmmm.

You cannot convince me that Ben didn't purposefully tell his parents about Mal right then JUST so he could have a picture of their reaction.

Baby Bal is so cute DX

Honestly, the Family Day fiasco was Audrey and Chad's fault KING BEAST

"No son, its yours." EXCUSE ME SIR

I wonder how much magical strength one must have in order to wield Fairy Godmother's wand. And I feel bad that Jane couldn't.

"I want to go to school. And be with Ben. Because Ben makes me really happy." Don't mind me just crying.

This whole scene makes me cry DX

"Gaston should be jealous." Ew. No. Stop. Creepy.

So whatever happened with the Jay/Audrey thing? I CANNOT be the only one who remembers the shipping days for them.

Other thoughts:

Nostalgia hits hard every time

I miss the D1 clothes! D2 and D3 felt more "costumey" if that makes sense. D1 feels more like... teenagers. And, at least for the Isle outfits, more thrown together. Not as polished, in a way.

I have to admit, kinda wish there was more Aladdin related stuff in the movie. You have Audrey and Mal, Evie and Doug, and Carlos and Dude, but no Aladdin-related characters for Jay? Sure, Aziz is mentioned in the books, and Jordan is in Wicked World, but still. Oh well.

[hanafubukki]

Controversial ask! I saw lots of people praying for what they wish for the new B-Day series to be (I haven't seen yours so this is my way of asking yours 👀👀)

Anyway here is mine!

1) A card where the baby versions and their current versions are together! I wanna see them baby and of course their feelings towards their baby versions!! It works really well as a growth card and sorry to say the best lore wise and visually B-Day series we got was Bloomquet!!

I added a card like how it should be!

(Momoi Airi from Project Sekai)

2) most controversial and I know this will never happen but as a long time bacha player I have to say! Selfcest!!!! (I think I only saw one Selfcest Yaoi and I need more) like make it platonic but I want it!!

Something about these cards is visually so good! Even if they don't make them B-day I have they can be theme of overblot cards!! [Yup this is my controversial take]

(Saori Hidaka from D4DJ)

(Aya Maruyama From BanG Dream!!)

So lemme know your thoughts before the series gets released!!! 💜✨ [feel free to delete the ask cause I know not everyone might enjoy the second one]

Hello Sayo 🫂💚💞

I agree with you! The Bloomquet is one of the best in the bday series to me. It’s honestly tied with the first bday series. I feel both gave so much to us lore wise and was visually appealing. First Bday I love because we the player were involved you know? And the groovies were beautiful. But the bloomquet!! The groovies were amazing! And the flower language!! Love love love, so many meanings!! I adore it 💞💞

Like you I would love love love to see baby bday cards. See how they view their younger selves and hear stories about what happened when they were younger 🥹💞 see how they changed.

I would also love to see casual wear bday cards. I want to see them in every day outfits! And see what they wear when they are not students but just themselves.

I want to see more colors (especially in mal) and hair styles. 🙏💞

I think another great idea would be them dressing up as the Disney characters? Maybe from their dorms or outside their dorms? It’s would be so cool.

Malleus dresses up as Maleficent or maybe one of the princes? It would be funny to see Sebek dressed up as the croc from Peter Pan. 🤔 maybe Ace in zootopia as the fox?

As for selfcest?? 🤔 I don’t think they would do that theme for Disney straight out? But maybe like a reflection 🤔 with the OB boys? One side OB and the other their normal selves? mirror halves. I can see that happening.

I know I’ve seen a lot of it for Lilia and gen Lilia when I go digging on twitter. So it’s not a new topic to me and 👀👀 wow some of those arts were bangers.

And funny, I saw some where our Lilia defeated gen Lilia 💞💞

I would love for the future or past selves to meet their current selves one day. I think that would be awesome and make great art 🥳💞

I think I also saw something related to that in the tags for malleus 🤔 have you seen it?

[ericmicael]

My fear that "Frozen 3" will end up confirming one of the worst theories about the Northuldra Tribe and which was intensified with the release of "All is Found: A Frozen Anthology" for me has never been so real.

The theory is a response to the theory that Disney would always need to ask for permission from the Sami Tribe to do something relevant with Honeymaren, Ryder and Yelana, which is why these three, who are the only named characters from the tribe, have disappeared from the extra materials and are so little present in the marketing, with the Enchanted Forest itself having its name changed to Arendelle Forest for Disney to use it in its parks.

The theory behind the answer is that Disney would replace them with a new group of characters who would be the focus of the new film and would only use the Northuldras as background characters. And honestly, this concept art has revived that fear of mine.

A place that seems to have little to do with the Enchanted Forest and figures that seem to indicate a new inhabited magical kingdom, which made some people create a new theory that also worries me: Elsa changing home again, but this time she would change from a place that brings her a great sense of freedom and connection with her mother to a kingdom with magical people like her, which would make the change more acceptable to the general public.

And let's remember that among the 18 questions that came up in the F3 presentation, there were none related to Northuldra or Elsa's presence in the Enchanted Forest, but rather: "who gave Elsa her powers?", "why there castles ruins throughout Ahtohhalan?", "where did the nature spirits come from?" which smells to me like what we know about Ahtohallan will suffer a retcon. Why was anyone really still in doubt about who gave Elsa magic after the movie? I feel like a new addition will come to Ahtohallan that will end all the importance of the tribe in this even less important story.

I'm actually afraid that there will be a complete replacement of the entire role of the Northuldra Tribe by something now officially magical and completely owned by Disney that would prevent new dramas if they want to make material about it. And the Northuldra themselves? Relegated to the role they have in the Anthology, being just a reminder that the film has indigenous representation and that Iduna's blood heritage has not been forgotten. And so a mobile game would continue to be the only place that delves deeper into Honeymaren and Ryder, and that its main highlight is confirming that the siblings have already competed for Elsa's attention with a romantic air (Honeymaren won the dispute by a long shot), and that Ryder, after seeing his sister's feelings for the Snow Queen, decides to help please the woman in a task that the female warrior could not perform because of her difficulty in talking to strangers.

I hope I'm wrong, but the way Disney has treated the tribe since the release of "Frozen 2" is yet another indication to me that I'm unfortunately more right than wrong. So many excuses not to approach a member of the tribe and so many excuses not to approach Elsa in the Enchanted Forest doing something other than playing with animals, spirits or putting out a fire being her most relevant feat there in the podcast "Disney Frozen: Forces of Nature", to this day we don't even know where she lives. It seems that Disney never cared about making us attached to Elsa's ending in "Frozen 2" like they made us attached to Anna's ending in the same film, so making a new change in the life of the Snow Queen who we officially can't say much about and the people she theoretically lives close to, but seem to barely interact with, wouldn't be that hard.

[spotlightlowlife]

Helluva boss hates parents - no exceptions

Mothers in particular

We had the powerful, business minded and exploitative Paimon, Crimson and self proclaimed parent/stepparent/grandparent Mammon who see their 'children' as assets. We have Cash Buckzo who is no different to any mention only minus the power.

Where are the mothers?

What in the Disney is this?

Out of this screwed over bunch we get some parents. Blitzø adopts Loona one week before her 18th birthday part of of pity, where he's maybe just 30 years old, becoming the cool dad who spoils her rotten and is in no real place to correct her.

Stolas and Stella actually become teenage parents and their daughter a child of divorce who doesn't feel seen, but Stella is to blame for this, dispite the same sob story as Stolas and being the wrong party.

Who knows who Fizz and Loona's real parents are? Clearly nobody of importance since their kind are at the bottom of society. The only example we have of someone lifting themselves upwards in the world is Moxxie's mafia dad who probably killed his mother.

Though the main characters range from mid 20s to mid 30s and all characters are for the most part out on their own, all their trauma comes from childhood and horrible or lack of parents and yes, I know this as a basis accounts for a lot of people but still, we have parents as the fall guys to explain away any dirt bag behaviour from someone we are supposed to like.

Now on to a character who the creator seems to believe has it easy and isn't relatable as a result. Millie.

Her parents suck too!

It's more discreet and I don't understand how the creator could be blind to it?

They come across bigoted and the clues are there. First being Millie introducing Loona as Blitzø hellhound.

Millie has parents who look forward to seeing her and welcome her with open arms, they live a humble life and have a trans daughter so how bad could they be?

The country life is a subliminal message in itself of people stereotyped to be hostile to outsiders, stubborn, uncultured and uneducated.

What we get in Millie's parents are people who don't respect their daughters choice to move away, don't see her job as a real job and arguably worse of all, don't respect her choice of partner and will show this in passive aggression, making things awkward for this young happy couple as Moxxie tries to win them over and Millie tries to discourage him from so much as making small talk.

Though they don't respect Millie's job they warm to Blitzø who unlike nervous thespian Moxxie, has the brash and animated ways of a commoner of stereotype.

Millie's accomplishments and lack of are bought to our attention and though many criticise this episode for being a Millie episode turned Moxxie episode, I honestly think there was no other direction to go with her when her own parents lack any interest in her, they're stereotypes and we learn nothing new at her home.

The last thing may be a big of a stretch but here it is. In the episode where Striker abducted both Blitzø and Fizz, Blitzø (who kills for a living and criticised those at the top this episode) would refer to Striker as a 'supremacist', yet what episode do we first meet Stiker?

Again we get too many things to be a coincidence.

Parents suck, and if they don't appear to, they do so.

[princessbrunette]

im not a big john b girlie but you write him so well! your most recent one w toxicex!reader n all was so well written!

you seriously nail dialogue so well, they feel so human and their dialogue conveys such nuance and glimpses into their personality and motivations. i'm genuinely such an impressed by writing and incredible skill, you have such a seamless way with words, painting a really charged, and clear image of these characters and scenarios.

p.s some questions if youre willing to answer !

what got you into writing fan fiction?

do you write your own original stories, or are you more happy and comfortable exploring these fictional worlds as is?

would you say writing is an outlet for you, from life, or drama, or work?

when it comes to dialogue, what do you think is more important - what is said or what isn't and

do you have any particular literary inspirations for dialogue (i.e a film with good dialogue like 'before sunrise' or a novel like 'normal people' or something) or are you more thinking of just real, conversations or straight from shows (like outerbanks, and etc) and watching how they talk rather than trying to emulate any other style?

sorry if this sounds like an interview or if this is a bit much or overwhelming. i've been reading your stuff for like a good year now, and i'm just curious!

adore your work, hope all is well sending hugs n love :)) x

this is literally so sweet <3 made me so happy tysm!! of course i’ll answer ur questions ♡

what got you into writing fan fiction?

well tbh i’ve been writing ‘fanfiction’ since before i knew what it was. i’ve mentioned a few times on this blog but i had this little notebook (that i still have!) where i’d write loads of self insert stories when i was roughly 9-10 years old. i would insert myself into my favourite disney shows with the characters i had a crush on etc. it was my favourite thing to do, id bring my notebook with my everywhere and it could keep me entertained for hours! that’s probably where i got my start.

do you write your own original stories, or are you more happy and comfortable exploring these fictional worlds as is?

on tumblr particularly i’m more comfortable adapting universes that already exist because i enjoy the community i can / have built off relating characterisations with other people on the internet. i can have some sort of semblance of whether or not im doing an okay job based on the feedback. however, i grew up writing for a stage / screen too, which i’ve recently gotten back into and i do deeply enjoy creating a universe from scratch.

would you say writing is an outlet for you? from life, drama or work?

not particularly! moments in my real life have absolutely inspired by writing but i’m not sure i use it as an escape. as someone with autism, routine is really important to me. i write as part of my routine mostly every single day whether i post something or not — and if i don’t write i actually feel pretty thrown off. i also write in other forms, for example i love journalling. i think if anything were to be an outlet it would be that.

when it comes to dialogue, what do you think is more important? what is said or what isn’t?

that’s a really interesting question and honestly i’m not sure! i think it varies from fic to fic. i do think what isn’t said can be very powerful, however i believe in order to grasp what is being conveyed without words the reader would really need to understand the character — and to my understanding not every reader does. not only do i know that based off requests i receive occasionally trying to force characters into boxes i personally think they do not belong — but not everyone is here to understand, period. some readers are casual readers, just here to thirst because they saw a couple of edits they liked (which is great, no problem with that!) in which case i like to make my writing accessible to everyone and i try to make their intention as verbatim as possible.

do you have any particular literary inspirations for dialogue (i.e a film with good dialogue like 'before sunrise' or a novel like 'normal people' or something) or are you more thinking of just real, conversations or straight from shows (like outerbanks, and etc) and watching how they talk rather than trying to emulate any other style?

not any that i can remember! i focus more on trying to make my characters seem like they stepped directly off the show even if it’s based in an au. i want readers to be able to hear the intonation in their voice, understand why they’d stutter when they did, see their facial expression as they say it in their head the same way they would if they were watching outerbanks. however, when i read over my drabbles — i often reimagine them as if they were adapted to a film instead. i would give anything to watch all of my drabbles on a private screen, each of them produced in a sofia coppola style of cinema. that would be really fun and girly and aesthetically pleasing i think.

i hope that answered your questions adequately !! 🩷

[tumblydovereviews]

Primos Was Okay (And That's Okay!)

On Thursday, after over a year of controversy, delays, and pushback from the general public, Primos finally premiered on Disney Channel, to a surprisingly stable reception.

First of all, congratulations to the cast and crew for the premiere! For a show that was on such unstable waters just a year back, it's great to see that Primos has seen the light of day and not simply became a tax write-off.

As anyone involved in the animation community in June 2023 may recall, Primos' initial response was not great in the slightest, and for good reason. Based on solely the theme song alone, the show featured grammatical errors, unintentionally insensitive names, and was dismissed by others as Disney's cheap copy of The Casagrandes. Comments from cast members such as Tater's voice actor herself only added fuel to the fire. The show, initially set to drop in the fall of that same year, was delayed to January, then June as a precursor to the Big City Greens movie, and finally, July of 2024.

I personally didn't care for the Primos drama too much. Sure, I liked the theme song's beat and for a while it became an earworm, but I wasn't looking too closely at being a consistent viewer on the show. I was mixed on the artstyle, the characters, and the plot, which, while not awful by any means, weren't anything amazing as well.

But, with nothing else to do, I ultimately decided to view the first episode of Primos on YouTube the day after the big debut.

And, the show was serviceable.

The characters weren't annoying, and there were some moments that made me chuckle a bit. The songs were serviceable, and the themes on self-discovery are unique. But, ultimately, I don't see myself with any reason to really engage with this show outside of just watching a few episodes. The story of Primos is all there, but on its own, it's just there.

If there's any character I truly hated, it was Tater and Nellie's mother, Bibi. Knowing fully well she didn't have the time or effort to efficiently take care of twelve kids on top of her two daughters and baby son, yet inviting then over anyways for the sake of 'memories' instead of listening to her kids. No wonder they address her by her first name.

As for characters I liked, I honestly enjoyed the three most 'normal' Primos in my opinion: Lita, Scooter, and Lucita. They get along well and have acceptable personalities. I can especially relate to Scooter and his anxiety, as a person who gets quite nervous themselves sometimes. Also, shout-out to Lucita, who's deaf and actually communicates through ASL on the occasion. Deaf representation is lacking in media, and I love how this show is helping us move one step further in that regard.

I also enjoyed Nellie as a character as well; it is admittedly a but weird how she's an eight-year-old with a Luisa-deep voice but her chemistry with Tater is great.

As for Tater herself, she's okay. She server her purpose as the disgruntled almost ten-year-old trying to find herself. Nothing too much or too little. I can relate to her in the sense of needing peace and quiet away from cousins; my cousins actually moved into my own house temporarily last year for a few months,

i talk about characters a lot in this show, because I believe that it's Primos' best achievement. In a way, each of the characters work off of Tater in their own way, keeping the show fresh and upbeat, but not being afraid to scale things back when needed. I thought that the Primos would act as nothing but plot devices whose only merit is to ruin Tater's life, but, thankfully, that's not the case.

Now, what about this show being mediocre? It can't be all that good, right?

Well, like I said before, the animation and art designs are not my favorites. I can't push back too much since the rough, earthy tone translate into the series as a whole, but personal preference is also a factor. The music and songs, while good for what they are, don't add anything too much to the series and I personally would have preferred if this show wasn't a musical al all; Disney Channel admittedly has plenty of those nowadays.

And, that essentially encapsulates my feelings on Primos as a while. On its own, it works for what it has, but compared to shows with similar plots such as The Loud House, it only holds a candle compared to the latter's sun.

And, you know what? That's okay. If anything, it's a miracle that a show detested so much by the general public during its initial preview became nothing but a mediocre addon at worst.

Maybe I'll tune into a few more episodes to fully solidify my thoughts on this show. But, for now, I'll only be an occasional onlooker exploring the world of Tater Ramirez Humphrey and company. I'm okay with that, and I'm sure you'll be okay too.

[miraculouslbcnreactions]

I wish if the ml writers really want the whole princess and knight thing they'd do it like Ariel from little mermaid especially since they both similar enough. 1) they're isolated 2) curious about the outside world 3) parents don't want them out. The whole meeting their love interest should just be a bonus, not become the whole personality like the writers did for Adrien in s4 and 5. :(

I have mixed feelings about the knight and princess thing. I'm big on messing with gender roles, so I like it in theory. I actually saw the art before I saw the episode that it's in and loved it because I thought that it was fan art. Then I realized that it was official art and I liked it a lot less because it didn't fit the story. Adrien wasn't a helpless princess. He was a knight, too.

Little did I know that the princess and knight art was apparently foreshadowing just how badly the writers were going to botch the ending.

Damsels in distress of any gender aren't a bad thing in and of themselves. It's perfectly normal to see a character get trapped and need outside help or to have a character start in a position where they have no power. The reason why Damsels in distress are so looked down on is a mix of the gender stereotyping involved and the way that they're traditionally written as having no agency. Adrien is, sadly, a perfect example of the second issue. He's the pretty arm candy who couldn't possibly help himself. He just needs to wait around and, one day, a big strong knight will save him!

This would make some sense if Adrien didn't have a miraculous, but he literally wields one of the two most powerful miraculous in existence. He has the ability to escape his prison when he's trapped in London. He just doesn't because he's a poor helpless maiden who needs someone else to save him, making us all wonder why the writers gave him a miraculous in the first place.

Let's compare Adrien to Disney's Cinderella (the 60's version, not the 2010's update which was somehow less progressive than the original). The original Cinderella does what she's told because she has no way out. She's a victim of prolonged child abuse with no wealth or personal belongings, very similar to Adrien at the start of Miraculous. But when Cinderella is given a way to magically get out? She immediately takes it, just like Adrien does. And when she's locked away with no way to escape? She still tries to get out! She bangs on the door! She calls for help! And when help comes? She grabs it, leading herself to freedom.

That's how you write a good Damsel in distress. You give them as little power as possible while also making them an active part of the story. They're someone who wants to change their reality, who might even try to change their reality, but who truly can't due to circumstances beyond their control. It's a very relatable situation for many people and why Cinderella is my favorite fairy tale.

For Adrien to fit this role, season five needed to take away his power and they honestly could have done that. When he learned that he was being shipped off to London, he could (and arguably should) have told Ladybug that he was being forced to leave Paris. This could have led to him giving up the ring for the safety of the city. A selfless, noble act that no one could fault him for. After all, it's not like Ladybug has other heroes that she could call on! If Chat Noir isn't around, then she could easily be screwed.

Then, when the final comes and Ladybug has to fight alone, it's not because Adrien is too weak and frail to fight off the nightmare dust that literally every other teenage character in the show manges to fight off. Instead, dust or no dust, he literally cannot escape his prison. He has to rely on Ladybug because he has no other choice. We could even see him trying to fight his way out, thinking of her all the while.

Instead, we get Adrien once again failing to use his love to win the day. Between Chat Blanc, Ephemeral, and this mess, I'm not sure what the show is trying to tell us, but it's nothing good. It amazes me that some people think things are going to get better for our poor kitty.

I mean, they might! This show has never been anything close to consistent about anything, so he could surprise us all next season. But it would still be a massive, unexpected shift and you're better off expecting more of the same.

[ellie-the-oracle]

The Bad Batch Season 3 - A New Theory and the future for Tech

Spoilers ahead!

Hey you guys! So I've previously discussed how I believe that the operative character could be Tech and how that affirms my winter soldier theory. However, I am here to retract that statement as I do not believe that it makes sense narratively, as it would either copy Crosshair's story or Echo's story. I propose a new theory: the operative is not Tech, but rather Cody. Let me explain why.

Firstly, we now know (via Crosshair's confirmation) that the program Hemlock is running does not work on defective clones, as they attempted and failed to integrate Cross into said program. This would rule out Tech as he was also a defective clone.

Secondly, and more prevalently, we know (from Rebels) that some event needs to push Rex over the edge and make him quit his efforts of saving other clones. I suspect that this event could be an encounter with a brainwashed Cody, and perhaps a botched operation to Tantiss resulting in a lot of casualties.

Thirdly, why do I think it's Cody? While it's true that we were told in season two how he went "awol" (albeit by an unreliable source), that doesn't necessarily mean he escaped, it just means that he defied the Empire. We also know that this operative program is designed to repurpose defiant clones. I also want to point out how the operatives voice, while warped through a modulator, sounded like a reg, instead of a higher pitched, vaguely English accent.

Lastly, Tech has been mentioned only once in this season, briefly in conversation. Yes, Cody isn't mentioned at all but I'll get to that. The end of season two, in my opinion, felt like a lazy write off of Tech's character (in an attempt to elicit reactions from fans), that essentially served as a "wrap up" of his story (more on this in a moment). Cody's story is still a loose end though. It's also important to mention that in the EU, Cody was used as the template for the dark troopers.

Now onto the discussion of where this leaves Tech. Well...I think he's dead for good. Trust me when I say that deeply hurts me beyond words. I have related to and deeply bonded with Tech's character, so to me, his death was very real and painful, and I'm honestly still having a hard time with it (I was literally sobbing about it the other day). Unfortunately, I just do not believe that the writers of this show are capable of what the writers of Lucasfilm era Clone Wars were capable of (please dkm, this is just my personal opinion). I'm sorry but I just don't have faith in Disney, not after the sequels and most (if not all) of the live action shows they've put out. Yes, Tech should, logically, 100% be alive...if they were good writers. He has a potential love interest, a family and a potential peaceful life to live on Pabuu to return to. There are so many plot holes that would remain unanswered, and would be extremely disappointing. Tech's story is largely unfinished. Should he be dead for good, it will show the utter lack of writing talent that Disney possesses and a lack of care or respect for fans.

Apologies for the spicy takes at the end. Again these are just my personal opinions and experiences. No hate to anyone who enjoys any of those shows/movies.