#how can one person have this many tears

[twilight-deviant]

Telling content creators it's wrong to explore artistic freedom and be independently funded by fans, and they should instead continue taking advertisement revenue from google* is

NOT

the anti-capitalism stance actually.

*(Yes, google owns youtube.)

[carrotsnake]

the wildly different reactions you get from the yiga outfit show how likely you're familiar with them depending on where you live in hyrule. from merchants who say 'oh, a yiga are you? well i don't discrimate, anyone is welcome to buy from me :)' to the sheikah's 'link! for a second I thought my time was up...that outfit reflects a truly dark period of sheikah history. many of us have lost our lives to them. now change before i skewer you' and then gerudo travellers are like 'we don't talk to STINKY yiga boys. go eat a banana ugly!!'

[thedrotter]

I have a gift for y'all today !!! 😊 Ever wanted to find a line in Re:Kinder in a single place for the sake of reference?? How about multiple chunks of lines. how about all the little variations that arise in the text with it's many endings, item descriptions, text that comes from interacting with the enviroment, and character info from the menu without having to boot up the game and go through it at long minutes!!???

well i sure did😊 Since I do a lot of fanart and think up my own silly theories and thoughts that need me to reference the game lines a lot, i have made a transcript for it for convenience's sake. A weirdly thorough transcript handwritten and proofread by me including all character lines available in-game. And I'm sharing it with you all today for anyone that wants it !!! :3 To use as a reference for creative fanworks or a quick search for a line in-game, whatever you wish to use it for!!

It uses the english translation of the game by vgperson. So naturally all credit for the game lines available in here is to her and Parun who made the game.

I did my best to organize it in a way easy to digest. Do note that I'm still human, and there's still the chance for mistake in it no matter how much I've proofread it, since I'm not even an english native speaker ^^. But I hope it serves you well nonetheless if you wish to use it.

That's my gift for today!!! Not the usual art, but still a project I'm proud of. Enjoy!!! 😊

[longagoitwastuesday]

So so indebted to u for posting those lovely illustrations from Cyrano <333 & even more so for yr tags!! I'm completely in love w yr analysis, please feel free to ramble as long as u wish! Browsing through yr Cyrano de Bergerac tag has given me glimpses of so many adaptations & translations I'd never heard of before! I'll be watching the Solès version next, which I have only discovered today through u ^_^ As for translations, have u read many/all of them? I've only encountered the Renauld & Burgess translations in the wild, & I was curious to hear yr translation thoughts that they might guide my decision on which one I buy first (not necessarily Renauld or Burgess ofc). Have a splendid day & sorry for the likespam! 💙

Sorry for the delay. Don't mind the likespam, I'm glad you enjoyed my tags about Cyrano, and that they could contribute a bit to a further appreciation of the play. I loved it a lot, I got obsessed with it for months. It's always nice to know other people deeply love too that which is loved haha I hope you enjoy the Solès version, it may well be my favourite one!

About translations, I'm touched you're asking me, but I don't really know whether mine is the best opinion to ask. I have read... four or five English translations iirc, the ones I could find online, and I do (and especially did, back when I was reading them) have a lot of opinions about them. However, nor English nor French are my first languages (they are third and fourth respectively, so not even close). I just read and compare translations because that's one of my favourite things to do.

The fact is that no translation is perfect, of course. I barely remember Renauld's, but I think it was quite literal; that's good for understanding the basics of the text, concepts and characters, but form is subject, and there's always something that escapes too literal translations. Thomas and Guillemard's if I recall correctly is similar to Hooker's in cadence. It had some beautiful fragments, some I preferred over Hooker's, but overall I think to recall I liked Hooker's more. If memory serves, Hooker's was the most traditionally poetic and beautiful in my opinion. Burgess' is a whole different thing, with its perks and drawbacks.

Something noticeable in the other translations is that they are too... "epic". They do well the poetic, sorrowful, grief stricken, crushed by regrets aspects of Cyrano and the play in general, but they fall quite short in the funny and even pathetic aspects, and that too is key in Cyrano, both character and play. Given the characteristics of both languages, following the cadence of the French too literally, with those long verses, makes an English version sound far too solemn at times when the French text isn't. Thus Burgess changes the very cadence of the text, adapting it more to the English language. This translation is the one that best sets the different moods in the play, and as I said before form is subject, and that too is key: after all, the poetic aspect of Cyrano is as much true as his angry facet and his goofy one. If Cyrano isn't funny he isn't Cyrano, just as he wouldn't be Cyrano without his devotion to Roxane or his insecurities; Cyrano is who he is precisely because he has all these facets, because one side covers the other, because one trait is born from another, because one facet is used as weapon to protect the others, like a game of mirrors and smoke. We see them at different points through the play, often converging. Burgess' enhances that. He plays with the language itself in form and musicality, with words and absences, with truths masking other truths, with things stated but untold, much like Cyrano does. And the stage directions, poetic and with literary value in their own right in a way that reminded me of Valle Inclán and Oscar Wilde, interact with the text at times in an almost metatextual dimension that enhances that bond Cyrano has with words, giving them a sort of liminal air and strengthening that constant in the play: that words both conceal and unveil Cyrano, that in words he hides and words give him away.

But not all is good, at all. Unlike Hooker, Burgess reads to me as not entirely understanding every facet of the characters, and as if he didn't even like the play all that much, as if he had a bit of a disdainful attitude towards it, and found it too mushy. Which I can understand, but then why do you translate it? In my opinion the Burgess' translation does well bending English to transmit the different moods the French text does, and does pretty well understanding the more solemn, cool, funny, angry, poetic aspects of Cyrano, but less so his devotion, vulnerability, insecurities and his pathetism. It doesn't seem to get Roxane at all, how similar she is to Cyrano, nor why she has so many admirers. It does a very poor job at understanding Christian and his value, and writes him off as stupid imo. While I enjoyed the language aspect of the Burgess translation, I remember being quite angry at certain points reading it because of what it did to the characters and some changes he introduces. I think he did something very questionable with Le Bret and Castel-Jaloux, and I remember being incensed because of Roxane at times (for instance, she doesn't go to Arras in his version, which is a key scene to show just how much fire Roxane has, and that establishes several parallels with Cyrano, in attitude and words, but even in act since she does a bit what Cyrano later does with the nuns in the last act), and being very angry at several choices about Christian too. While not explicitly stated, I think the McAvoy production and the musical both follow this translation, because they too introduce these changes, and they make Christian as a character, and to an extent the entire play, not make sense.

For instance, once such change is that Christian is afraid that Roxane will be cultured (McAvoy's version has that infamous "shit"/"fuck" that I detest), when in the original French it's literally the opposite. He is not afraid she will be cultured, he is afraid she won't, because he does love and appreciate and admires those aspects of her, as he appreciates and admires them in Cyrano. That's key! Just as Cyrano longs to have what Christian has, Christian wants the same! That words escape him doesn't mean he doesn't understand or appreciate them. The dynamics make no sense without this aspect, and Burgess (and the productions that directly or indirectly follow him) constantly erases this core trait of Christian.

Another key moment of Christian Burgess butchers is the scene in Arras in which Christian discovers the truth. Burgess writes their discussion masterfully in form, it's both funny and poignant, but it falls short in concept: when Cyrano tells him the whole discussion about who does Roxane love and what will happen, what they'll do, is academic because they're both going to die, Christian states that dying is his role now. This destroys entirely the thing with Christian wanting Roxane to have the right to know, and the freedom to choose, or to refuse them both. As much as Cyrano proclaims his love for truth and not mincing words even in the face of authority, Cyrano is constantly drunk on lies and mirages, masks and metaphors. It's Christian who wants it all to end, the one who wants real things, the one who wants to risk his own happiness for the chance of his friend's, as well as for the woman he loves to stop living in a lie. That is a very interesting aspect of Christian, and another aspect in which he is written as both paralleling and contrasting Cyrano. It's interesting from a moral perspective and how that works with the characters, but it's also interesting from a conceptual point of view, both in text and metatextually: what they hold most dear, what they most want, what most fulfills them, what they most fear, their different approaches to life, but also metatextually another instance of that tears/blood motif and its ramifications constant through the whole text. Erasing that climatic decision and making him just simply suicidal erases those aspects of Christian and his place in the Christian/Cyrano/Roxane dynamic, all for plain superficial angst, that perhaps hits more in the moment, but holds less meaning.

Being more literal, and more solemn, Hooker's translation (or any of the others, but Hooker's seems to love the characters and understand them) doesn't make these conceptual mistakes. Now, would I not recommend reading Burgess' translation? I can't also say that. I had a lot of fun reading it, despite the occasional anger and indignation haha Would I recommend buying it? I recommend you give an eye to it first, if you're tempted and can initially only buy one.

You can read Burgess' translation entirely in archive.com. You can also find online the complete translations of Renauld, Hooker and Thomas and Guillemard. I also found a fifth one, iirc, but I can't recall it right now (I could give a look). You could read them before choosing, or read your favourite scenes and fragments in the different translations, and choose the one in which you like them better. That's often what I do.

Edit: I've checked to make sure and Roxane does appear in Arras in the translation. It's in the introduction in which it is stated that she doesn't appear in the production for which the translation was made. The conceptualisation of Roxane I criticise and that in my opinion is constant through the text does stay, though.

[fushigurro]

i don't even eat taco bell anymore but oh my god. nothing. NOTHING is more jarring and downright disgusting than enjoying my nice little soft taco and then being hit with that crunch and taste of a random piece of lettuce that straggled in..... gagging fr. i have almost thrown up in the car over it.

[bbreaddog]

.

[bl00dw1tch]

the way i have absolutely no business being the way i am

[nerdnag]

I hope everyone who reads this is having a better day than I am 🙏

[mxgyver]

.

[ryeonah]

tag dump

[toastsnaffler]

once again saved by elden ring 🙏

[gyudons]

despicable

updates as of 22 oct

Travis Dermott knew that he would draw attention with his actions in the Coyotes’ home opener against the Anaheim Ducks at Mullett Arena on Saturday. The Arizona defenseman just hoped that the spotlight might shine on the issue that he was addressing, not on him.

“You don’t really want to go against rules that are put in place by your employer, but there’s some people who took some positive things from it,” Dermott said. “That’s kind of what I’m looking to impact.

“You want to have everyone feel included and that’s something that I have felt passionate about for a long time in my career. It’s not like I just just jumped on this train. It’s something that I’ve felt has been lacking in the hockey community for a while. I feel like we need supporters of a movement like this; to have everyone feel included and really to beat home the idea that hockey is for everyone.”

“I won’t lie,” said Dermott, who is playing on a one-year, two-way contract. “From the outside, it’s easy to see that I’m putting my career on the line for something. I definitely went through some emotional ups and downs that night, not regretting anything by any means, but I’d love to have maybe done a couple of steps a little different by making sure that everyone was aware of what was going on before I did it.

“I don’t want to put my teammates or my coaches or my GMs or the equipment managers in any kind of bad light when it’s their job to kind of look out for something like this happening. It was definitely something that I did just by myself and was prepared to kind of deal with whatever repercussions the league decides to push towards that. I’m not going to back off and say that this battle is won, but we’re going to find better ways to do it.”

As Dermott noted, LGBTQ+ inclusion is an issue that he has supported for a long time. Without getting into specifics, Dermott said the issue is personal for him because it impacts people close to him.

“I’d be lying if I said I haven’t shed tears about this on multiple occasions,” he said. “So yeah, it’s something I’m definitely very passionate about.

“I’ve met a lot of people that from the outside, it looks like they have everything going right in their life and they have a smile on their face every time they talk to you. But sometimes when we get closer to people and get comfortable enough for them to open up to you, you can see that there’s some pretty dark stuff happening to some good people. It doesn’t take too many times encountering something like that for it to really change someone.

“I’ve been blessed to have some of those opportunities put in front of me to really change my view of what being a good person means; what being a good father and a good example and role model means going forward. You really see how people are hurting and it’s because of a system that maybe no one’s intentionally trying to be malicious about, but until you’ve really had that first-person experience seeing people hurting from it right in front of you, it’s tough to kind of take steps.”

It would be a surprise if the league handed down any sort of punishment. The optics alone would add to the public relations damage that the original ban created. Even so, Dermott reiterated his desire to bring the entire franchise into the fold before he takes similar actions in the future, but he also made it clear that he will not be silenced on the topic.

“It’s not like I’m shutting up and going away,” he said. “I know more questions are going to be coming. We’re just going to be as prepared as we can be to just spread love. That’s the thing. It’s gay pride that we’re talking about, but it could be men’s health. It could be any war. It’s just wanting world peace. Everyone’s got to love each other a little bit more.

“Like my parents said growing up, ‘How awesome would it be to be the guy that people look up to?’ That’s what really hit home when I was a kid, especially from my mom. You want to grow up and be that guy. You want to be the guy that’s having the impact on kids like NHL players had on you. If they had been racist or bigoted, that’s going to have an effect on you.

“With how many eyes are on us, especially with the young kids coming up in the new generation, you want to put as much positive love into their brain as you can. You want them to see that it’s not just being taught or coming from maybe their parents at home. They need to see it in the public eye for it to really make an effect.”

[bbqhooligan]

feel free to call me arrogant anytime but also any other arrogant bitches finding the logical conclusions and reasonable rules youve reached for yourself are sometimes hard to follow due to. emotions and discontent or is it just me

[hoshigray]

Heyyy. Can I request a college au. Reader is an average, socially awkward person but somehow managed to pulled the campus heartthrob, Geto (or gojo). And he's lowkey obsessed with her and try to be fucking her every chance he gets.

𝐚. 𝐧𝐨𝐭𝐞: why not both? ¯\_(ツ)_/¯ idk, felt like doing a threesome for some reason lmao

⊹ 𝐜𝐨𝐧𝐭𝐞𝐧𝐭𝐬: Geto + Gojo x fem! reader - explicit content; minors DNI - modern au! college setting - sex in public places; gymnasium locker room + dining hall + college dorms - oral (m! + f! receiving) - face + throat-fucking - fingering (f! receiving) - clitoral play (swiping, grinding and licking/sucking) - face-sitting - threesome - double penetration; anal and vaginal - cowgirl dp position - anal fingering (f! receiving) - kissing/making out - protected sex (psa: warp it up or get tf up) - overstimulation - pet names (angel, baby, cutie, my love, pretty girl, princess, sweetie, sweetheart) - sato + sugu being whipped over you, hehe~ - slight humor - mention of tears and drool.

⊹ 𝐰𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭: 5.1k (pretty long for a req, lol)

“Oh, Y/n, it’s good to see you. Did you have a good weekend? Let’s walk each other to class; I was waiting for you.”

“Y/nnnn! This cold day is so much warmer now that you’re here. Let’s grab something to eat at the dining hall, okay?”

You thought college life couldn’t get any more difficult than it already is. Oh, how you were so wrong… 

Being on your own on campus was hard enough; states away from your family and having to rely on and take care of yourself while also striving for a better education. On top of this, making friends (outside of your roommates Shoko and Utahime) is such a social and excruciating chore as it’s challenging to put yourself out for people to notice you. Making small talk with your peers or talking/discussing group material in classes has your heart racing enough – not to mention trying to commit to clubs – making you feel a bit of a failure as a human being.

With that, you almost dwell on not trying at all. You’re utterly content with your inner circle with your roommates, waking up and heading to classes and back, eating college food, and sleeping after reading for a lecture. This routine of sticking to yourself was a notion you’ve grown to accept and find comfort in — no need to change it if it’s been doing you well this far.

That is until you meet them — Gojo Satoru and Geto Suguru, the best friends of your roommate Shoko. 

Gojo is the star player of the school’s basketball team, a famous face among the class years, and the “disgustingly tactless, cutesy prince” of your year, as described by Utahime. By morning, he’s a dedicated student in his business administration major and history minor classes; by afternoon, he is his playful, social, and charismatic snow-haired soul, grabbing the attention of others and bringing life to those around him with his bright cadence. In addition, he’s a talented figure, capturing the hearts of many with his model work in fashion shows and playing fan-favorite roles in plays.

In contrast, Geto was a much more mellow star that pulled the hearts of students and professors alike. The raven-haired bioengineering major was a boy whose presence was easy not to notice yet quick to pull you in when making himself known. His tall, docile figure emitted an aura that accompanied the soothing tune of his voice, the perfect combination that made him trustworthy and obliging to the students around him and his lacrosse teammates. With the charming features of a heartthrob and the alluring speech of a leader, he’s someone many would turn to in search of a person to follow and praise.

Satoru and Suguru, two complete opposites – two best friends – who are, without a doubt, the twin stars of this school. However, there was one thing the two shared in common, something that made your heart skip and your mind race every time knowing this fact: the two were unmistakably and sickeningly in love with you!

How? You do not know. It all started when Shoko brought them over one night for dinner, and you saw them for a quick moment in the kitchen, quickly greeting them before rushing back into your room. Next thing you knew, you had begun to see and run into them every so often, which soon turned to at least once per day. And now, like a white bubbly puppy and a black, quietly affectionate cat, you could not shake them off you when and wherever you went.

Oh, it was something you were not used to, being sneaked up from behind by Gojo, who’d pull you in for a hug or lift you with every greeting in public (as if you weighed like nothing)! Especially in classes where Geto would surprise you with his calm voice and a warm hand on your shoulder to check if you were okay before claiming the chair next to you. And you couldn’t push them away — how could you when two of the most renowned faces on school grounds want to be around your presence!? Good Lord, it was all overwhelming, Shoko and Utahime having to step in to beat the boys into shape for making you uncomfortable.

And then there are those times when the two would butt heads with each other because of you! There have been a handful of times where if one had you to themselves, the other would bore glares to the former’s skull. Gojo would suck his teeth with his arm wrapped around your shoulder, white brows furrowed and ticked off blue eyes concealed by his dark circle shades. “Yo, Buddha with bangs, can you let go? Y/n promised to hang with me after their classes ended, and I’d be damned if you’d be third-wheeling.”

“That’s not happening, Satoru,” Geto’s hand grasps yours with more grip, royal purple eyes narrowed at his white-haired friend. “Y/n and I have a presentation to work on for tomorrow. Go lollygag somewhere else.”

Two positive bundles of life will immediately turn hostile when it comes to you, suffocating your very being as you’re stuck in the middle of them. It’s bad enough being with either of them has people notice and talk about you; it’s another thing when you’re being fought over like some small bunny between two snarling wolves. Oh God, why me!!??

But it wasn’t all bad. If anything, being fawned over by the two was a strange thing that has happened to you thus far, and not in a terrible way. Gojo has made you a lot more open and social than before, dragging you to parties he’s been invited to and to his crowded games (where he’s always sure to find you and blow a kiss). And spending time with Geto has sparked instances where you’re courageous enough to speak for yourself with a bit of a push from him, throwing in your inputs for class discussions or having him aid you in knowing your material when you two study together.

The two most popular guys in school who flatter and are obsequious over you. That in itself is enough to make your cheeks and ears dial in warmth, shielding your face in your pillows just thinking about them. You like them both, bound to be drawn in by the handsome boys and their pursuit of you.

However, their infatuation was something you’d find out goes beyond words and handholds. An obsession for you embroidered in their very minds…and bodies.

“…Mhahhh, Go—Mmmph! Gojooo…we shouldn’t be doing this…”

“Aww, c’mon, Y/n, you know I don’t like it when you call me by last name. It’s just the two of us here…Fuck, keep licking it like that…”

Sneaking into the basketball team’s locker room is one thing; sneaking in with the star player in the team with you between his legs on the bench and sucking his dick? Oh, that’s a can of worms you never thought you’d open in your entire life. 

Gojo brings his head back, banging on the locker behind him as the contact of your tongue on his pink tip sends shivers up to his shoulders. “Fuuuck, you feel so good, baby. Gonna make me cum again…” You peer up with lidded eyes as you suck his tip into your mouth, him humming at the warm sensation of your mouth swallowing his length whole. Your face is hot of embarrassment, being looked down on by him as you do such an indecent thing on him in a place of changing for men. 

This was his idea – bringing you to the gymnasium to watch him practice with his teammates for an upcoming game. Then, he pulls you aside once the guys want another fifteen-minute water break, bargaining into the men’s locker room and pulling you in for a hot kiss. Sucking on and nibbling on your lips and tongue has you mewl sweetly for him, distracted as he pulls his shorts and briefs down to expose the erection growing inside him. “Sorry, you just looked too cute watching me from the side,” he’d say with a hazy glint in his eyes shielded by his shades.

So here you are, sucking him off to the hilt, where your lips meet strands of his white pubes, making your boyfriend cum for the second time. Gojo brings a hand to your head for purchase, moaning as your hand massages his balls. “—Ahh, fuck…God, you’ve gotten so good at that, cutie. Can’t get enough of you...”

His words burn your ears, his aroused tone making your face even more hot to bear. Gosh, this was such a dangerous game; your nerves constantly on edge in hopes nobody would walk in.

However, your worries might have been what jinxed your fate because you two heard the door to the locker room open. You instantly move your mouth away from Gojo’s cock and stand to panic. But before you could, Gojo quickly grabbed you by the wrist and took you to one of the bathroom stalls. You sat on the toilet, bewildered at being dragged all over this fitness center. Then, Gojo brings his dick to your face again, and you give him the most shockingly confused expression as if he can’t hear the commotion of two people speaking where they used to be.

“Relax, no one’s coming here,” Liar, we almost got caught! He pushes the tip to your mouth, and you murmur on his length, filling your mouth and throat. “Let’s make this one quick, okay?”

You were too busy registering him place his hands on your head before he could slam himself to your mouth; the sudden thrust of his hips propelling his cock deep into the tight crevices of your throat makes you grip onto his shorts for dear life. The slap of his ruts fills your eardrums; you can’t tell how far or close the two guys who entered the locker room are. He’s making you focus on nothing but him — a selfish objection from a selfish man as he’s using you to relieve himself in the men’s locker room. God, this was such a bad situation, and yet your lower half couldn’t stop the throbs that have you shifting your thighs together. How embarrassing! 

“Hhnnn, fucking shit, your throat feels so good,”  he praises, his slender fingers massaging your scalp. Your tongue brushes the underside of his length in a way that has his pace go faster, and he has to keep his moans to a lower volume. “Shiiit, baby, I’m gonna cum…Take it all in…!”

You have no choice but to, forced to gulp down all of his load that he spills into your tight, warm throat. He still rocks his pelvis into you until every pump of his jizz is inside you. When your ears pick up the sound of the locker room door opening and closing with the dismissal of the two strangers, that’s when Gojo takes his long shaft out of your mouth, spit connecting from your tongue to his cockhead is wiped with haste. 

But then, Gojo pokes your cheek with his tip, a sign that he wants to go again. You throw quiet pleas, “N–No, Gojo! You have to get back to practice—“

“Shhh, those guys can survive a few games without me. And besides,” he gently slaps your cheek with his cock. How vulgar! “I’ll fuck your mouth til the end of the day if you don’t stop using my last name when it’s just the two of us here.” The playful grin on his lips doesn’t make that threat any better. “One more time, please?”

With hesitant eyes, you place kisses on his shaft while stroking him. “Only one more…okay, Satoru?”

He beams with the dimples of his cheeks. “Yes, pretty girl~.”

And it doesn’t stop there — because Geto is no better. 

“Aww, you two are so cute together~”

You squirm on the booth seat you’re sharing with your other boyfriend, you two sitting across from his friends — a senior couple he shares a lab with that invited him for dinner. Unsurprisingly, you were his plus one, knowing you’re not one for being around people you’re not familiar with. And yet here you are, caged by the wall and Geto’s frame to keep you in this conversation on the side of the busy dining hall.

Geto chuckles before brushing your cheek, "Aren’t we? But they’re the cutest thing to me.” He says as he places a swift kiss on your cheek; it’s an action that has your face grow in warmth — and the couple “awwing” at his affection.

The guy of the couple speaks to the dark, long-haired other. “I never knew you were one for relationships, Geto; you seem so busy with Bio and your clubs that you don’t seem to have time to lay low and be with someone.”

“Mmm, I thought so, too. That is until I met Y/n through a friend of mine,” you jerk at the silent touch of his pinkie grazing your thigh, noting it had sneaked under your skirt to graze its skin. Your eyes peek in his direction, finding that he remains eye contact with the guy he’s talking with. “And, you know, I got to know them here and there, shared some classes with them on the side. Now, I just can’t imagine them being out of my line of sight.”

The guy across laughs. “Sounds kinda obsessive!”

Geto shrugs with a chortle. “I guess it’s like that, I don’t know. I’m just really crazy about them; they’re my sweetheart after all.”

“That’s so sweet!” The girl senior across exclaims, turning to you to ask, “So, how long have you and Geto been a thing, Y/n?”

The question has you stumped for a bit as you weren’t ready to be thrown inquiries. And before you answer, you feel Geto’s hand rub on your thigh. “U-Umm, me—ahem—Geto and I have been a couple for quite a while now? My roommate was the one who introduced me to him—Mmmm!” You briskly flatten your lips at your squeak because the fingers inside your skirt pinch your skin. On command, you spread your legs for Geto to insert his hand inside your panties.

The girl asks more questions. “Oh? So, your roommate brought you two together. Did you know of them before?” 

“Well, not really…She and Geto—Ohh!” You bring your hand to your lips at the graze of Geto’s forefinger on your clit. You turn to him and are immediately locked into his violet gaze. He lifts a brow with an undisturbed smile, and you gulp. “I–I mean, Suguru and my roommate have been best friends since high school, so I kinda got…Nnmm,” you chew your lips when he bullies a digit between your folds to play and tease. “She was the one who introduced me to him…”

“Is that so? Hehe, it’s amazing how the world works, huh?” You listen, but your mind is too focused on Geto’s digits swiping and nestling across your wetness to have your body more excited about his touch. And it gets worse as he inserts his forefinger inside your vagina, causing you to jolt and suppress your mewl by leaning into his shoulder, gripping onto the sleeve of his turtleneck. “Here are two lovebirds all lovey-dovey with each other thanks to one friend bringing them together. It’s crazy imagining you two would’ve never met hadn’t that happened.”

Geto hums at that comment, “I agree; I have to thank Shoko for bringing this little angel to my arms.” He places a soft kiss on your forehead, completely nonchalant compared to the quickened pace of the digit scraping your insides. “Isn’t that right, my love?”

With trenched brows and a shaky breath, you try to reply to the awaiting couple. “Mhmm, yes, I’m so grateful that Suguru is in my life…He’s been such a help to me,” his forefinger goes slow, having you feel every dent and knuckle. “Hahhh, he’s so good to me, and I love him just as mu—Mmmph!!”

“Hmm? Are you okay, Y/n?” How can you tell the guy across from you that your boyfriend’s thumb just surprised your clit with a swipe?  You’d rather melt on this floor had you not buried your face into Geto’s shoulder. 

Speaking of who, he takes the initiative to answer for you. “I think they’re a little parched, must’ve been this lemonade I got for them. I’ll go get them some water—“

“Oh, no, no! I’ll go get the water; I was gonna get more of those garlic knots anyways.” The girl stops Geto from moving, sliding from the booth seat with her boyfriend’s hand to follow suit. “C’mon, let’s leave these lovebirds for a bit. We’ll be right back!”

And so they leave, thanking your lucky stars. Once their figures are nowhere to be seen within the sea of students, you probe the man with a trembling whimper. “Mmmph, Suguru, please, take it out before—Ahhh…! They come back…”

Luckily, he listens to your request with no argument, withdrawing his digit from your wet slick and underwear. And to your horror, he brings the finger to lick and suck and says with a dark look, “Just checking to see what I’ll be having later.”

It doesn’t matter wherever or whenever; Gojo and Geto will be sure that their love for you is expressed to you every chance they get. 

It doesn’t matter the day or hour, whether you are free from assignments, spending time with your roommates, or on your way out to study; those two will find a way to get to be with you. And, to be honest, it can be a bit overstimulating! 

When there are dates to the movies with Gojo, there’s private alone time with Geto on his bed as he eats you out. And when there are days when Geto holds hands with you and walks you to your classes, there are nights when Gojo will fuck you til his cock is warmed inside you in his slumber. It can go either way, the two competing for your affection and time when the other is out of sight. 

Again, sometimes it’s overwhelming for you, never knowing which of the two will have you all to themselves, nor knowing when you can have time to yourself! And it’s not like you haven’t tried putting your foot down to express your wish to be alone. But, albeit it can be utterly exhausting, you know those two love and cherish you so much that it drives them crazy. Hell, it’s driving you crazy just how much they can’t keep their hands off you! 

Especially now when they drag you to their shared dorm room, experiencing one of those days when the two wish to have you in the same presence. 

“Hahhh, damn, Y/n…you’re sucking me off so good,” Geto purrs with a whistle while lovingly patting your head. “So good for me, huh, sweetie?” 

The two stripped you off your clothes to be nude with them on the bed. Your naked frame straddles above Gojo, lying on his back with his face buried into your bare cunt for his mouth and tongue to please you orally. Meanwhile, you suck on Geto’s girth as he leans on the pillows and headboard. It’s his turn after sucking off Gojo (they settled this over rock-paper-scissors) and fingering you to warm you up first.

You whine of his member, Gojo’s tongue doing wonders on your delicate body. He licks on your clit just as you lap yours around Geto’s glans, and then he’ll suck your pearl right as you take in the tip with pursed cheeks. It’s such a mutual shared experience, with how Gojo’s hands wrap to your thighs to keep your chasm on his lips while you have Geto keen to your mouth and hands stroking him. 

“—Khhhh, Jesus Christ…Hohhh, right there, sweetie…” The raven-haired one coos as you kiss your way down to his balls to suck one as you continue to jerk him. “Heh, you doing good down there, Satoru?”

The snow-haired other removes his mouth from your folds, licking your essence that sticks to his lips like honey mixed with his saliva. “Hahaa, you have no idea. I could stay like this for hours,” his tongue licks your come to your clit tantalizingly slow, evoking you to almost choke on Geto’s girth. “Aww, look at you trying to move from me,” Gojo brings your hips back down to him for him to swirl around your labia, his grip on your thighs refusing to submit. “Don’t go anywhere, princess; I’m not finished until you cum on my face again.”

“Ohhh, shit, keep doing what you’re doing, Satoru,” Geto subtly bucks his hips, “I love the way they’re whining on my dick…”

With your puffy lips being busy in the front and your cunt being lapped and nibbled on from below, your senses are clouded by the two boys who seek nothing but your participation in experiencing pleasure. Your head gradually turns into mush with every rut to your throat and every lap around your clitoris. It’s to no surprise that your release seeps out of your body without preparation, crying on Geto’s length as your frame quivers in euphoric bliss. 

And if you think you couldn’t get swamped enough, think again. 

“—Nnngh, fuck, Y/n, you’re gripping on my dick like crazy…Hehe, is it because you can’t look me in the face? Damn, you’re such a cutie…”

Your face is nuzzled in the crook of Gojo’s neck as you’re straddling on top of him, your nude, sweaty bodies melted together to share heat. Your hips bounce up and down on his pelvis, where his rubber-covered length is scraping the walls of your vagina. His left curve grazes and jabs your sweet spots, and your body lies on top of Gojo, which brings more friction to your clitoris. 

“Hahhh, ahhnn—Ohhhh!” Your phrases have doubled down to that of whimpers of pleasure, thinking straight is impossible, and your mind is too deep in a haze to focus on anything outside of what’s happening. And it’s not like you can’t stop your hips from bouncing on his shaft — you’ve tried! But the moment your legs express so much as reluctance or fatigue, Gojo’s hands are right there on your ass to guide you back into the rhythm. So it’s expected when you climax on him once more, clamping onto him as you ride out another orgasmic wave. “Ahhaaa! Sa’toruuu, stooohhp—hic…! I’m ‘oo sens' tiveee!!” 

“You say that, but—hnnn! You’re rocking those hips of yours on your own, baby.” He chuckles at your slurred speech, placing kisses on your cheek as his hands massage your asscheeks. “Holy shit, you feel so unreal; wanna fuck you raw so bad with how tight you are.” 

“Don’t even think about it, Satoru,” you hear Geto’s voice from behind, the dent of the twin-size bed shifting with his added weight. “If I can’t go condom-less, you’re not getting any special treatment out of it either.”

“Psssh, yeah, yeah,” Gojo says with rolled azure eyes before he whispers to your ear. “Come on, angel, let’s get you prepped up.” The white-haired boy’s hands spread your butt, exposing his dick buried deep into your tight slit and your taint.  

Geto grins salaciously. “My, what a dirty sight for me, my love.” You chew your lips to his words, the heat in your ears causing them to ring. You then feel his fingers smothered in lube to meet your asshole, spiraling around it before inserting them one by one. Your holes instinctively contract, making Gojo hiss. “Relax, pretty girl,” he kisses your temple. “We’re gonna make you feel so good.”

You remind your figure to calm down, allowing Geto to play with your anus for it to accommodate the next foreign limb he’ll put inside. Gojo keeps kneading your butt, but he throws furtive thrusts up to your chasm to keep you on your toes. You gasp when Geto removes his digits suddenly, and now you bite your bottom lip at the contact of his cockhead touching your puckered entrance. “Stay calm for me, princess. Gonna go slow just for you…”

Breathing with your mouth is the only way you can function through his insertion; even after he properly lubed himself and the rubber, it never fails to amaze you how you’ve been able to take in his girthy dick times before. Every inch pushed inside you feels as if your breath is pulled away, feeling both your holes become occupied. And your head goes up at the snap of Geto’s pelvis smacking on your ass, mouth agape for drool to sneak down puffy lips. 

“Heh, there you are,” Gojo licks your spit before placing a kiss on your lips. “What a pretty face when you’re going dumb on our dicks, Y/n.”

You couldn’t even reply in modesty because Geto immediately goes pounding your ass with hunger. Your wails come out freely at the pacing of both boys propelling themselves into you. And it doesn’t help that your holes don’t stop contracting on their dicks as they push, the motion making you move your clit against Gojo and having your sore nerves active again. 

“Holy fuck,”Geto drills his cock into your taint, grinding his hips into you to make you whine aloud. He then bends to kiss your sweaty shoulder down to your spine. “You’re so tight, Y/n…like you’re gonna milk me dry.”

Words are exhilarated squeaks and shrills, your arms coming around Gojo’s neck and pressing your hot cheek on his. He snickers at how touchy you are, “Hey, baby,” he coaxes you through the onslaught of ruts that quicken in tempo. “God, you sound so fucking cute, angel…” 

“—Ahhahh…! Ohhh, guysss, pleaseee, slow d—Owwhhnn!!” You cry, eyes watering with the pokes and jabs on your velvety insides, the curve of Gojo scraping you in places you can’t reach, and Geto’s girth having your backside completely stretched for him. It’s all too much to focus on as your delicate bud is pressed on by your weight. “…Nhooo, God, I’m gonna—“

“Gonna cum, cutie?” You nod hurriedly, amusing Gojo for more chuckles. “Let’s cum together, yeah? Such a pretty girl…” And then, Gojo claims your lips for a steamy, passionate kiss, bringing a hand from your bottom to place behind your head to keep you on him. 

“—Hnngh!! Wait, sweetheart, don’t clamp onto me so sudden—Ohh, shit, shit, shiiit,” Black hair strands fall from Geto’s shoulders as he falters at your grip. “Gonna cum, too….Gahhh—“

Your crescendo is the first to appear, howling and mewling into Gojo’s lips while your trembling figure undergoes the shocks of the deep penetration on both ends. The fluttering sensations of your cunt and anus are what prompt the two men to spill their load into you simultaneously, groaning with pleasure from your body. Your head is undoubtedly dizzy, your brain spiraling with impulses as your frame jerks with every wave of your orgasm. 

After his climax is done, Geto slowly withdraws his cock from you. The condom filled with his essence. “Phew, that felt way too good.”

“For real, can’t get enough of this.” Gojo sighs while groping your asscheeks and kissing your forehead. “Ready for another round, baby? C’mon, let’s switch before Suguru gets all crybaby on us.” His sweet tone immediately flips to narrow his eyes at Geto for throwing his used, tied condom at Gojo's face for that comment. “Oh, you disgusting son of a bitch…”

“Shut up and switch, or else I’ll have you watch me pound Y/n for fifteen minutes.”

Being loved and obsessed by the two heartthrobs of the school is no easy work, which is evident when you can’t even get to nap by yourself after the sexual activities. With Gojo spooning Geto while he spoons you, there is no rest with these two; they might as well put collars around their necks and give you their leashes with how smitten they are to be around you.

Yet, at the same time, you don’t hate it — far from that. Because you know their feelings for you are genuine, you can see it in their sleeping faces as they’re probably thinking about you in your dreams as you observe. With a smile, you place kisses on their cheeks and silently leave the bed to use their shower. 

The warm water is just as welcoming and temperate as their love, keeping you safe and washing your anxiousness away. In your thoughts, you reflect on all the times you’ve grown because of them, and it goes to show that their involvement has done substantial help for you. And for that, you are forever grateful for them and will always reciprocate their feelings as you feel the same. 

“Hey, Y/n.”

Well, minus the immediate sense of apprehension that skyrockets once you hear Geto’s voice come behind you. You turn to see his naked self coming towards you to wrap his arms around your waist. “Suguru!? I–I thought you were sleep—“

“I was until you left my arms,” he says to your ear with his dulcet voice, his hands kneading the flesh of your wet hips. “Besides, saves us a lot of time if we share the shower, right?”

“Oh, Y/n~,” another voice enters the bathroom, and your dread plummets even further when Gojo opens the curtains with glee. “Don’t tell me you decided to shower without m—…Oh, you’re here, too.”

“Obviously,” Geto sucks his teeth at his roommate. “I live in this apartment and use this same shower, dumbass.”

Snowy eyebrows crease with irritation as Gojo enters the walk-in shower, sandwiching you between the two. “Well, don’t you think it’s rude for you to use the shower when our guest is using it first?”

“I could be asking you the same thing because who told you to come here?”

“Duh! I’m here to shower with my lover; are you stupid?”

“Are you? Don’t you see a boyfriend is trying to have some alone time with their partner?”

“Oh, eat horse shit.”

“Croak and die.”

You can only stand there and be mushed by the two tall boys arguing over you, unable to flee the scene as they both have their hands on you. Again, you don’t hate it at all. You love them just as much as they love and adore you. They may be the school favorites; however, you are the most precious thing they wish to engage with and want to keep to themselves.

…But would it kill them to give you some room once in a while!?

Jesus, how am I gonna survive with these two…

requests/thirsts are open hehe~ 🧸

© 𝐇𝐨𝐬𝐡𝐢𝐠𝐫𝐚𝐲2024 – reblogs and comments are appreciated wholeheartedly ☆ header edit done by me + dividers by @/benkeibear.

[rowanhoney]

.

[drchucktingle]

THE TEXAS LIBRARY ASSOCIATION TELLS CHUCK TINGLE TO STAY HOME BUT WE PROVE LOVE ANYWAY

just when you buckaroos thought 2024 would be a break from book drama, here comes chuck tingle in the mix. recently i was asked to be a featured speaker at the TEXAS LIBRARY ASSOCIATION annual conference. a few days ago they rescinded my invitation. here is what happened.

(EDITED TO ADD THIS LINK. if you have a hard time reading this on way of tumblr you can also read for free on chucks patreon)

i would like to start off by saying it is not my intent to start a fight, and all those reading this should know that the actions of a few misguided folks do not speak for the whole TEXAS LIBRARY ASSOCIATION. i am sure there are many involved who will be very upset to learn what others at TLA have done in their name. there are many individuals here, so please do not paint them all as villains in your mind. besides, chuck loves the dang library everyone knows that.

the point of writing this is not to vilify. i am writing this is because MOMENTS OF DARKNESS are the best places to SHINE A LIGHT AND PROVE LOVE IS REAL. this is a perfect time for learning and growing and for us talk on some very important things that queer buckaroos and neurodivergent buckaroos face every day. this is an unfortunate moment that WE can turn around and use to prove love is real.

i am also writing this to understand some of my own personal feelings on the matter. for something that seems very simple on the surface, the trot is complex, and i am still working out my emotions on the whole dang thing. i am learning in this way.

PART ONE: BAG OF LOVE

a few months ago chuck was asked to be a featured speaker at the 2024 TEXAS LIBRARY ASSOCIATION ANNUAL CONFERENCE. i have been asked to do things like the before and it is ALWAYS a fun time to meet bookseller and librarian buds. trotting around face to face and talking about my story of conquering chronic pain and overcoming my mental hurdles is VERY IMPORTANT to me. i say YES to these things whenever i can. (here i am with authors at CALIFORNIA INDEPENDENT BOOKSELLERS ALLIANCE conference. they are a WONDERFUL group and they proved love with their OWN invitation to chuck. this was such a moving event with so many amazing authors and stories. got very teared up during this photo)

ANYWAY BUCKAROOS i get the TEXAS LIBRARY ASSOCIATION invite and say 'YES BUD LETS TROT'. we are then confirmed.

months pass. a few weeks ago i get a call from my manager and agent and publisher saying ‘the TLA have rescinded their invitation.’

turns out some things had been going on behind the scenes

at some point the TLA asked chucks INCREDIBLE HEROIC BAD ASS PUBLISHER if chuck would be okay with not wearing the mask, to which tor/nightfire/macmillan said ‘what the heck are you talking about of course chuck is going to wear his mask. this is how chuck presents himself’ (NOT EXACT QUOTE)

as you all know, my pink bag way is a VERY IMPORTANT SPACE. as an autistic buckaroo it is a boundary that allows me to express myself freely and relieve my chronic pain from neurotypically masking all day. i have talked about this for years, and it is why i consider my private identity a SACRED THING. it is literally a health issue.

fortunately THE PINK BAG is never really a problem when making appearances. i have spent years going on television shows, doing interviews, speaking at other conferences and conventions, hosting book events on tour, and even MEETING WITH LAWYERS in my pink face covering. it is always respected and that is very validating to my way.

when arriving anywhere i always take precautions. i always warn buckaroos ahead of time that there is a masked man coming. i always have someone go in ahead of me JUST IN CASE. again, there has never been an issue. at a big conference where i am a special guest there is ESPECIALLY not an issue because my face and bio are printed IN THE DANG PROGRAM

SOME FUN TIMES AT BIG EVENTS BELOW:

CHUCK ON TV SHOW NAME OF 'AT MIDNIGHT' BACK BEFORE I WROTE LOVE IS REAL ON MY HEAD:

well, there has never been an issue.... UNTIL NOW.

PART TWO: RESCINDED

a few days ago TEXAS LIBRARY ASSOCIATION suddenly messaged my publishers and said that chuck tingle is no longer invited. my invitation was rescinded. the reason given was that people could possibly be uncomfortable with my mask

right out of the gate i would like to say this: it is absolutely the right of the texas library association to disinvite someone from their conference. it is their event, after all, and they can ban anyone they would like, for any reason.

of course, that doesnt mean other folks HEARING THIS NEWS wont have their own opinions the TLA choices. if the TLA disinvites someone, their reasoning for doing this can be discussed and analyzed. whether or not they follow their own guidelines can be questioned, and certainly their kindness and tact can be considered

there are a few BIG POINTS to make regarding this choice from the TLA

first and foremost, i just gotta say buckaroos, it is incredibly rude to invite someone to be a guest speaker at your event, have them confirm and mark off their calendar and turn down other offers, then rescind their invitation. this is maybe the simplest of the points, but it is an important one.

second, (DEEP BREATH HERE WE GO BUCKAROOS) i personally do not think of my autism as a disability very often, but i also KNOW that despite these feelings it ABSOLUTELY IS. autism is important to be listed as a recognized disability because of the help some autistic buckaroos need regarding government programs and things like that. ALSO just because my neurodivergence has helped me in some ways (hyperfocus and a unique artistic sensibility for example). i personally need to step back and remember my battle with stress and chronic pain from having to neurotypically mask all the time. for as much as i love being autistic it has made some things very difficult.

in other words, i am perfectly capable of speaking and interacting with folks without this pink bag on my head BUT WHEN I AM IN THE CHUCK TINGLE SPACE I REQUIRE IT. i can ONLY use this space while covering my face. is not a want. it is a need. holding this boundary is more important than i can ever say. i will not, and can not, let these spaces cross.

TLA not letting an autistic author wear the face cover theyve set up to express their neurodivergence in a safe, healthy way is--for lack of a better term--NOT A GOOD LOOK.

i cannot fathom them disinviting another author for using a disability aid. i cannot fathom them saying that a buckaroo who hears better with a hearing device cannot use it during their panel because it would make others 'uncomfortable'.

but here we are.

PART THREE: WHAT DOES A BUCKAROO GOTTA DO TO GET BANNED AROUND HERE?

this is the TLAs official stance on disability issues according to their website:

when poking around on the TLA website i noticed a few other things. i noticed a previous guest speaker wearing a niqab, and i was left wondering if the religious significance is what make that okay but chuck tingle banned. that made sense until i looked deeper and saw mascot buckaroos dressed up on the exhibition floor, and saw some kind of spiderbud in a costume contest. nobody around them seemed to be all that scared. their invitations REMAINED INTACT.

it should be mentioned here that AT ONE POINT during the discussions an email was sent from TLA saying chuck is allowed to come and wear his mask in the exhibition halls and smaller panels, just not at any of the big PAID PANELS i was once supposed to participate on. this was a confusing offer, but their explanation was that people who paid for something should have the option to not see chucks 'scary neurodivergence aid'. i tried to wrap my head around WHY they would make a distinction. maybe the exchange of money (rather than time) causes some kind of philosophical adjustment that i just cant grasp?

i wonder, would the author who wears a niqab ALSO be banned from the paid panels? i hope not

my answers trotted up short until i investigated deeper and found this quick moment from one of the TLA help videos. while some events DO require additional buckaroo cash, it actually appears that THE ENTIRE CONFERENCE IS TICKETED AND COSTS MONEY.

at this point i realized there is clearly no actual official policy about not covering your face (other than one from a few years ago saying that you HAVE to cover your face), and the addition of 'money' is a red herring. these excuses make no sense

PART FOUR: CLOSE THOSE GATES

it appears that my neurodivergence is 'scary' enough to get me uninvited, REGARDLESS what their disability and mask policies may say

BUT WHY? why is chucks preferred physical presentation valued SO little by the TLA that a THEORETICAL complaint is worth more? is my neurodivergent expression so awful? is my own safety as a queer activist such an afterthought?

is a pink bag with the words 'love is real' scrawled across the front REALLY going to frighten someone when the posters and pamphlets on the way into in panel would have a photo of my masked face saying THIS IS LITERALLY WHO IS ABOUT TO APPEAR BEFORE YOU.

if THAT accommodation is too much, would it really be so difficult to have someone trot out beforehand and make an announcement? to say 'there is someone on this upcoming panel who needs a mask to express this part of himself, if this makes you uncomfortable then this panel might not be for you'.

and really, i have to heckin ask, is this physical expression of my raw inner truth really so hideous and frightening that fear of making someone uncomfortable is a REAL problem?

(a terrifying display of autism. apparently)

i cannot imagine what kind of precautions they need to take before a stage play featuring costumes and masks.

you MIGHT think chucks queerness and left leaning politics could be the issue with this organization, but they have had drag queens as past speakers (also featuring some GLORIOUS makeup and hair that covers almost all of their faces. VERY CURIOUS). regardless, the TLA do not seem like a conservative bunch.

if you are bisexual or an autistic person who is good at 'passing' you probably already know where this is headed, your dang spiderbuckaroo senses are tingling at FULL ALERT. i will say i do not KNOW the real reason why i was uninvited, and i do not have enough information to make any concrete statement of the real answer. there is only evidence that masks have been fine at TEXAS LIBRARY ASSOCIATION events in the past, but not much else to go on.

so the FACTS part of our discussion ends there, but i think it opens us up to talk about some very important feelings that bisexual and autistic buckaroos know well.

THIS is where we take a unfortunate, hurtful moment and turn it into a discussion. this is where we prove love is real.

as someone who is constantly doubted and put through purity tests because of my unique way, we are pushing up against a subject i know well. thats right buckaroos: we are talking GATEKEEPING

AGAIN, i do not know if this is the answer, but someone in my position might be VERY STRONGLY INCLINED TO THINK that a few well-meaning left leaning buckaroos think i am a joke and that this is a character, and that there is something problematic about my work because i am not really a real person.

any upstanding left leaning organization would OF COURSE allow a mask for a neurodivergent buckaroo with an unusual visual presentation, an autistic buckaroo who conquered his chronic pain ONLY by creating this important space... but what about a FAKE autistic buckaroo?

any upstanding left leaning organization would OF COURSE allow a mask for a queer LGBTQ activist standing up for gay and trans rights against a torrent of scoundrels hunting for his legal identity. its a matter of safety... but what about a FAKE queer activist?

let me be very clear for the 100th time: i am a real person. this is not a joke. i am not playing a character. i am really autistic and bisexual. tinglers are sincere and they are not ‘so bad theyre good’. they are just good. camp damascus is not ‘my first serious book’ because my queer erotica is serious. my art is important and real.

when people tell me to unmask they often do not know WHY they want it, and of course one very good reason is innocent curiosity. but there are SOME cases where i start to get THAT feeling--that tingle all of us ‘passing’ buckaroos get when we can sense the real intent behind the poking and prodding. that is the feeling of stumbling into a gatekeepers crosshairs.

if i was to take off my pink bag, what about my face would you analyze to tell if i was REALLY queer. my eye color? my ear shape? if you learned my legal name, would you see if it sounded autistic? is my voice neurodivergent enough?

or is all of that utterly absurd? i am curious what the TEXAS LIBRARY ASSOCIATION thinks.

PART FIVE: GENDERED

this will be the shortest of parts, but it has to be said. i have a very complex relationship with gender, as written about at length here and here. i understand these things can be difficult to parse for some, but i ask that you trust me when i say that the ONLY reason i have been able to talk about my gender and sexuality and learn these things about myself is because of this pink bag. this outward appearance is a direct expression and reflection of my gender journey.

if the texas library association does not care about my appearance as an expression of my autism, then i cant imagine them giving a dang about it as an expression of my gender and queerness. that being said, it is personally very important to me and i think it should be mentioned

PART SIX: SO YOU WANT TO REMOVE AN AUTISTIC QUEER AUTHOR FROM YOUR EVENT BECAUSE PEOPLE MIGHT FIND THEIR DIFFERENCES SCARY

there is a question to be asked here: how could the TLA have done this correctly?

i have one very big piece of advice i would like to shout from the rooftops. please, for the love of sweet barbara, DO ENOUGH RESEARCH to know if this appearance will be a problem and, IF SO, dont extend an invitation in the first place. unique buckaroos with different presentations are constantly left in this place of limbo because we are bombarded with careless actions like those of the TLA. before you consider extending a branch to an artist who might need more accommodations than usual, think to yourself 'CAN WE MAKE THESE ACCOMMODATIONS?'

putting all of this on the shoulders of a single 'buckaroo with a difference' is exhausting. as the TLA has shown, we currently live on a timeline where a buckaroo like myself never really knows if an invite is SOLID without doing a deep dive history lesson on how often a group discriminates and against who.

i did not want to spend my whole family holiday worrying whether or not i should say something publicly or just lie down and shut my dang mouth. i had to consider HOW i should say it. i had to worry whether or not its worth standing up for myself in the face of the largest state library association in the country. i think buckaroos with differences are with me when i say: WE ARE SICK OF HAVING TO DO THIS WORK TO COVER FOR THE POOR BEHAVIOR OF LARGE ORGANIZATIONS WHO TREAT US BADLY

another option would just be to use kindness and common sense and happily accommodate artists with unique presentations to your conventions

PART SEVEN: LOVE IS STILL REAL

i would like to close by saying THANK YOU to my publisher nightfire and editor kelly for standing up for me. they immediately stood firm and had my back. they are the real dang deal. THANK YOU to my management and agent buds dongwon and gino for trotting along beside me. THANK YOU to the folks at the texas library association who initially invited chuck with goodness in their heart and then likely got bowled over by someone else, and maybe even got knocked to the side by a big closing gate.

i hope there are librarians in texas who are still interested in carrying BURY YOUR GAYS when it comes out (which is ironically about someone who creates a space through art to express their queerness where they cant otherwise). libraries prove love is real and what they do IS SO IMPORTANT. it was SO IMPORTANT TO ME as a young buckaroo and i cannot thank you enough. i am not sure if me writing all of this will hurt my sales in some way, but this opportunity to speak about the reality of disability awareness and queer gatekeeping is too important to stay silent. (if you have not already preordered BURY YOUR GAYS then give it a preorder to make up for some texas library losses i guess.)

which leads me to my final thank you. THANK YOU to the buckaroos reading this. yes YOU. i am in the position to stand up and speak my mind against scoundrel forces ONLY because i have the might of you buckaroos by my side. the buckaroo trot is ALL OF OUR TROT and we are ALL HERE TO PROVE LOVE. i cannot tell you how much i appreciate the way you have created a space for me to express these important parts of myself. you have seen this pink mask over my face and saying YES, I ACCEPT YOU, you have literally saved my life. for that i am so thankful.

if you are UPSET by what youve read here, then turn it into something positive. you can support autistic creators, or make a donation to the AUTISTIC SELF ADVOCACY NETWORK

and besides WHO IS REALLY MISSING OUT? this is what it looks like when you invite the worlds greatest author chuck tingle to your event and treat their identity as valid. WE HAVE A DANG GOOD TIME

KEEP TROTTING INTO THE FUTURE. KEEP KICKING DOWN GATES WHEREVER THEY MAY BE. KEEP PROVING LOVE IS REAL AND PROVING IT TOGETHER. lets go buckaroos - chuck

UPDATE AN HOUR AFTER POSTING:

true buckaroo TJ KLUNE was set to be another author on panel chuck was removed from and has informed me he has now chosen to decline his invitation in support and solidarity with chuck. i am so deeply moved by this. thank you from bottom of heart buckaroo

to be very clear TJ has a huge platform and DOES NOT NEED TO DO THIS. these conferences are great for book sales and he is taking a hit out of pure solidarity. this is queer buckaroos standing up for eachother. i am floored by this kindness and love

please consider checking out his books if they are not already covering your dang bookshelf. chuck blurbed IN THE LIVES OF PUPPETS and i was blown away i heckin loved it

MOST RECENT UPDATE:

here is more