#how did this rant even start

[cowgurrrl]

I hope you know how unbelievably talented you are. You churn out chapter after chapter like it’s nothing, and they only get even better each time, none of them are ever subpar, and they don’t feel rushed. You’ve got me reading this before bed to try and dream about being rockstar!Joel’s girl. You’re work is amazing and meaningful. Thank you for writing. (And thank you for feeding my delusions about being Joel’s actor girlfriend and having two little stepdaughters) 💌

LEJFKSJDJS THANK YOUUU

I really appreciate your kind words. It made me feel so special and loved 🥹🥹 I’m definitely just going through a little bit of slump which tends to happen after almost fifteen years of writing, working out original plots, being creative, and then trying not to feel like it all sucks lol but it’ll be great!! It’ll work itself out and I’ll (hopefully) stop over analyzing my silly little words on my silly little doc in my silly little room

Thank you so much for being so kind and making my day 🫶🫶

[sluttylittlewaste]

It's wild how many people took Kristen's line of questioning as her saying Tracker isn't taking her religion seriously instead of what I heard her asking which was:

How many of these people would be here if it wasn't religious Coachella?

[dragonbee259]

Piping Hot Take For The Newest Episode:

[bixels]

OUGGHHHH UR RARIJACK IS SO (explodes intio confetti with joy )

have uou considered: them trying on outfits they picked for each other?

or or or

Rarity washing and braiding AJs hair

or

Them celebrating the others birthday, trying to figure out what to get them and surprising them n all that

or them baking together and wgatever Ensues out of that

ANYWAYS KEEP DOIN YO THANG THEY R SO CUTE ❤️❤️❤️

Oh, I have lots of ideas for them.

Because I'm drawing them pre/early-relationship, I have a lot of stuff I haven't gotten to yet. I think, despite Rarity falling in love first, AJ is the most outwardly and obviously in love. Like, girl is in LOVE with her wife. The type to take off her jacket and put it over a puddle so her wife can cross. The type to walk around with hearts popping over her head.

Something I definitely wanna get around to drawing is how they were when Rarity first moved to Ponyville, because they would've hated each other, lol. AJ going from, "I can't stand her fake ass. 😒" to, "Yes Miss Rarity. Anything you want, Miss Rarity. 🥴" Or Rarity going from, "What a big, dirty brute. 😡" to "What a big, dirty brute. 🥵"

Anyways, later one comic idea I had for when they eventually get married is Rarity comes home to catch AJ trying to surprise her with a dinner. But things are going awry because AJ is so stressed and nervous about making everything perfect, and she even burns her apple pie. She has a bit of a breakdown because she feels she can't do anything right like she's supposed to anymore, and Rarity comforts her and tells her, why don't they bake the pie together? The comic ends with the two kneading dough together.

[wycross]

i cant stop thinking about yuuta now. like sure i liked him well enough but after this chapter he has my entire heart. and he is so so so tragic. (of course he is everyone here is)

its this that i keep going back to in my head. it encapsulates what i think is yuuta's grief.

right before this, of course, we've seen him screaming about how nobody ever cared about demanding gojo to be a monster. he cares for gojo so deeply, of course, because gojo saved him, gojo is practically his dad, and he actually sees gojo.

hes a special grade, one of few, and out of the special grades, i think hes the only one with realistic potential to surpass gojo. he has the potential to be gojos peer, so gojo doesnt have to be alone. hes the only one strong enough to save gojo, in a way, to actually take up his burden and allow gojo to be human in a way he hasnt been since geto.

but yuuta is simply too late. hes too young, too unpolished, too late. gojo's already been a monster for a decade, with no other choice and with nobody to stand by his side. yuuta cant save him now.

thats what i think really crystallized for me in this panel. yuuta is telling gojo about his plan, the plan that was so controversial with everyone else because of yuuta's humanity being on the line, the plan that only he could ever pull off. and gojo shrugs it off, not shocked in the least, and just tells yuuta that he's got to keep working because he's not good enough yet.

the talk about yuuta's heritage is so important to this too. "you might've been born even more blessed than me". does that ring any bells, maybe? "i alone am the honored one?"

gojo is acknowledging that yuuta could've been at his side, could've been strong enough to save satoru, for him to not be alone in this curse of a blessing of strength anymore. but hes just. too. late.

[gobstoppr]

hey guys am i allowed to say on main that i dont like metadad . am i gonna get beaten up for saying this.

guys i think we all took the term found family too literally and now everythings flattened into a boring nuclear family. guys can we stop. hello . is anybody there

[ganondoodle]

ok so i saw a post (not mentioning it here directly bc no hate to the op of it, but im so annoyed by that plotpoint that i gotta rant) about the scene were they undragonfy zelda and it was all like

- no actually the people that are upset that both zelda and link returned fully perfectly intact dont get that it makes so much sense and is so cool actually bc its sonias time power amplified and reverseing both zelda and links arm so that she was never a dragon to begin with (thats why she doesnt retain any of its features) and link never lost his arm and its such a cool callback to when sonia amplified raurus light laser thing and the reason sonia didnt do it earlier is bc ghost cant be everywhere i guess :) -

i talked about this once before so i wont go super into detail but ... yeah that doesnt make that any less unsatisfying imo

aside from it just feeling like a thinly veiled excuse to return everyone to perfect and unblemished status quo more than a 'cool callback' it also annoys me on a game design level bc (as i mentioned in that older post too) why would you not include ANY of the signifiers of the time power when they do it? like the TÖK sound that goes off when you activate it, the world going black and white with that wave animation, and zelda actually transforming back like a reverse tp link wolf thing, ANYTHING? no its just sparkly light beam in ghost dimension town and sparkly poof everyones back :)))

also the implications of that even being possible is just .. making everything even more messy imo like if you can time reverse not just a persons body, or just PART of a body but also a SOUL being lost, over such a long time too.... that raises so many questions, if sonias able to do something like THAT how come she cant send someone back in time bc that tbh sounds way less complicated (on a sidenote is it jsut me or did anyone else feel like sonia talking to zelda -lol i cant help you control your powers you just gotta vibe with it and figure it out yourself bro- was a lead up to zelda .. actually getting control of her suddendly revealed time powers? or was that meant as in oh look she reversed a few weapons once :) bc it felt like it was meant to be she has to find out how to return to her own time USING HER POWERS .. and then its jsut kinda dropped, like so many more things and oh look a dragon :) )

but overall i just .... ok you can find a flimsy excuse for that scene but it still feels ... bad? like oh cool bad guys deaded once again for sure totally this time and everyones back to normal like nothing ever happened and also it even reversed even zeldas memory i guess so she literally cant remember anything and why anything like that was never done before that is bc of reasons(tm)

it just feels so meaningless, sure you can find some wobbly explanation for why something went like that instead of all the other possibilites but its just ... unsatisfying

am i meant to feel whole having returned everythign as if nothing ever happened? bc i just feel empty, especially on top of all the things that left me with such an empty feeling in the game it just puts the cardboard cherry on top of a cardboard cake, pretty to look at but shallow like cardboard and just as tasteless

[fala-alfredo-pasta]

Fun fact: Hajime’s height in Japanese is 179 cm and in feet, 5’10.

Meaning that not only Mikan and Hajime would be the same height, but Hajime’s the tallest of the DR protagonists! Makoto (160 cm, aka 5’2), Komaru (163 cm, 5’4), Kaede (167 cm, 5’5) and Shuichi (171 cm, 5’7). RIP Makoto.

ok hold on hold on imma use this as an excuse to rant about cm to feet because when I started simping for Nagi and found out he was 180cm and everyone kept saying he's 5'11'' but when I converted it it came out to 5'9" I went down a rabbit hole of trying to get to the truth and found that EVERYONE IS LYING IT'S ALL A FUCKING LIE

I've used so many different converters online and it seems the most consistent number for 179 to feet is 5.87 which would translate either to 5'8"or 5'9" if you're feeling generous. ok ok but THEN you get converters like THIS:

That says it somehow translates to 5'10"?? a whole ONE TO TWO INCHES MORE??? LIKE I GET ROUNDING IT TO 5'9" OK THAT MAKES SENSE BUT HOW THE FUCK DID YOU ADD AN ENTIRE INCH TO THAT?? BUT THEN IF YOU DIVIDE 70.4742 INCHES BY 12 INCHES IT'S STILL 5.87 FEET!

Oh oh but THEN if you apply this to Makoto's height of 160 you get THIS:

WHICH YEAH MAKES SENSE SURE. I mean at least I can see how people would round up to 5'3" even though he's technically more closer to 5'2" since it's 5.24 but whatever I guess I GUESS

So then WHY does shit get weird with height around Hajime's and Nagito's??Well. I noticed something while trying to figure out Mikan's height since originally I had wanted to put her in CM since that seemed simplier but I couldn't gauge how much two more inches would be in CM thus I went back to the converters to convert once again from cm to feet (mistake).

Well interesting enough, when I put Mikan to 182 cm google converts it to 5.97feet:

which should be about an inch more than Hajime who's at 5.87 yeah? Then it implies that every inch is roughly 3 cm which google confirms as well:

ok ok the logic then would be that if I want Mikan to be TWO inches taller than Hajime then she'd need to be at least 185cm as 179cm+6cm = 185cm which should translate to around 5.8 feet + 2 inches = 5.10 feet

BUT THEN!!!!

if you put 185cm into google you get:

SIX FUCKING WHOLE FEET!!!!!!!!!

SIX!!!!!

WE WENT FROM 5'9" TO 6' A WHOLE THREE INCHES

and btw 185?? That's Byakuya's height. AND SOME BITCHES EVEN HAVE THE AUDACITY TO SAY HE'S TALLER

Here's the deal alright. Because 3cm is actually a bit more than an inch (1.18 inches), those extra inches start adding up and can add ALMOST an inch which is why we can get those sudden jumps. I acknowledge this and accept this as fact.

But I will NOT accept Hajime nor Nagito being 5'10" or 5'11" because really they're approx 5.872feet and 5.905feet and even if we're being kind and rounding up then really they'd be 5'9" and 5'10" on a good day. Though really Nagito should still be 5'9" because im sorry honey you juuuust made it to 5.9 and you're only 1cm taller than Hajime not 3cm not even 2cm. Hajime and Nagito have little to no height difference.

So thus, 5'10" Mikan would still, in fact, be taller than Hajime AND Nagito. Now, all that being said, what would Mikan's height be in cm? Well, for simplicity's sake we'll say she's 182.

TLDR: Converting metric that is based on the powers of 10s with the Imperial system based on the division of 3s, 12s, and whatever the fuck you feel like that day messes everything up and gives you wildly different perceptions of height and everyone is simultaneously correct but also wrong and Byakuya is 6 foot tall fuck you he's doesn't get to round up he has enough height already he needs to learn to share and be humbled. Thank you.

[batfossil-fr]

I’ve been really thinking of reopening my art shop soon… I’ve been taking some practice doodles (hence all the posting lately) while I shake off my rust and I’m finding things I enjoy working on again. I miss trying my hand at more dragons/OCs and colors. my shop’s so broken rn lmao but that’s a problem for a later date it’s just nice getting back into art

[anotherpapercut]

the girlbossification of ruth bader ginsburg has to be one of the most just plain annoying aspects of white liberal feminism. like it's not as actively harmful as a lot of other shit obviously. but it is soooooo annoying. if I never see another notorious rbg tote bag as long as I live it will be too soon

[sproutzai]

the disorder faking in this generation is genuinely wild. like.

[lexyscross]

I think few fandoms I've been in suffer from "The fanon portrayal of this character or ship is so obnoxiously inaccurate from how that character or ship actually is or would be in canon" quite as badly as the Scream fandom does.

Not only does this fandom lack spice with ships and fanfics, but it also lacks comprehension skills.

[apotelesmaa]

> looking for a tenma siblings relationship study

> ask the op if the study is actually about the tenmas or just treating saki like an accessory to tsukasa

> they don’t understand

> pull out an illustrated diagram explaining the difference

> they laugh and say “it’s a good relationship study sir”

> click the post

> it’s treating saki like an accessory to tsukasa

[secondstar-acorn]

not to be angry on main but to the person who was very loudly complaining about "just for once" and started making fun of me for handing out bracelets in the queue for starkid. why the fuck were you there

[lecliss]

I'll never be able to take the theory that Vincent is Sephiroth's real father seriously cuz I cannot stress enough how important I think it is to the plot that Vincent wanted to fuck Lucrecia and did not get to.

[torgawl]

everytime i think about the new chapter the more and more i like it, it really consolidated yuuta and gojo's characters. the revelation of how the higher-ups were taken down and the set-up for the scene with gojo and yuuta's conversation about what their plan was for gojo's body, in case he lost, might just be the part i find most interesting. all in all, the chapter really highlights the underlying difference between the violence of oppression and the violence of resistence and revolution.

when it comes to yuuta and the archetype of his character he is the pure embodiment of love in the series. if yuuji is able to reach sukuna because he was one with him (love as oneness), yuuta's entire exitence has sorrounded love and, specifically, love as a curse. sukuna's surprise at yuuta's antics come from a place of not understanding love and therefore being unable to conceptualise that yuuta would go so far as betray his own humanity for it. he can't conceive how love can drive a person like yuuta, who's sweet and kind-hearted, to a place as cursed as this - emphasised by the sheer horror and heinosity that is seeing the usage of gojo's dead body with yuuta's innocent expression. but we know that yuuta's journey has always been marked by this concept of love as a curse, starting all the way back in jjk 0 where yuuta's unwillingness to let go of a deceased rika caused her to linger in the world in the form of a cursed spirit. one that yuuta learns to let go of by the end of the story. a lot of what he learns in that moment is about consent and mutuality in love (hence his domain expansion name), and although rika's soul passes and gets freed she is able to manifest her will into her vessel that continues to protect yuuta until this day. yuuta asking gojo for consent to use his body not only consolidates this mutual exchange and respect that he has for those he cares for - which are his main driving force - but is also exactly what separates him from someone like kenjaku, who body hops with total disregard for who they were originally. so there's that layer of irony behind yuuta having rika consume kenjaku to copy his technique and make use of it in a equally disturbing but more compassionate way. which in itself can serve to both question if intent plays a role in absolution and introduce, once again, the idea that humans and curses are not so different, as explored between mahito and yuuji in shibuya with them mirroring each other.

in regards to gojo i think his aknowledgement of his own inertia when it came to the revolution that he was leading was the cherry on top to consolidate who gojo really was as a person. gojo's greatest character flaw was arguably that he simply wasn't radical enough, allowing his students to be targets under the influence of the higher-ups. he had reasons not to kill them, as he explained before in the series, but he still failed to weight the consequences of his own actions and how no one is rewarded by working under a broken system. and i feel like having the youth he guided watching as he killed them is also quite significant as they're followers of this new revolutionary ideology.

i think the shock or impact these violent or twisted acts by the hands of those forced to survive within the status quo (like maki slaughtering her clan, gojo killing the higher-ups, yuuta taking over gojo's body) as a reaction to the violence they're subjeted to by this same system serves some purpose. and i think this is the reason the higher-ups are these anonymous faceless figures, barely-there personalities who have such a big influence in the lives of so many people. even in the real world, and we can think of systems like capitalism and how it exploits people in such a casual way and it relies on that exploration to survive, we sort of take for granted that violence coming from those institutions, having our attention driven away from the minority that's upholding these systems to other things instead. that violence is more "acceptable" because we've been conditioned to it whereas the violence in response to those acts is always met with more scrutiny. and that kind of contextualises why shoko and nanami, for example, much like gojo, aren't really revolutionary with their ideals either - or rather, do not get that priviledge. the difference being gojo was someone these higher-ups were actively afraid of, because if he wanted to, he could have done more. and that's exactly why the instant he was sealed it was the perfect opportunity for them to do whatever they could to prevent him from coming back and place new-drawn targets on the backs of the people gojo was protecting. the gruesome nature of maki slaughtering her clan or the off-putting way people react to yuuta discarding his own humanity and going against what he believes is right to make sure gojo's legacy continues is almost forcing this question of what are people willing to stomach in the name of survival and change.

gojo remembering geto in that crucial moment ("i was falling behind" or "i have to catch up") and just having in mind how they were both so young and naive is so incredibly bittersweet. geto had radical ideals, no matter how misguided. he looked at the world and he had this unshakeable conviction that things couldn't continue to be the way they were. he reached incredibly misplaced conclusions, yes, which came from a place of great pain and alienation, but gojo finally stepping forward to follow that same path, to be more radical, also sort of confirms that things could have been so different if only gojo had the same level of consciousness back then; that they could have found a way better solution together instead of the tragedy that ensued. the parallels between them add an extra layer of wistfulness to their bond, too. their fates have and always will be so intertwined, in such a beautiful and tragic way. and i think geto's unwillingness to force gojo to take a certain path will always be one of the biggest proofs of his love towards him. at the end of the day, even knowing gojo was who he was, geto always seemed to want to protect gojo's path from being stained like his.

at the core, jjk really is a story about revolution and humanity; a story about love and curses and how love is the most twisted curse of all (which has been reinforced over and over again). the fact some are rewarded and some are punished for taking certain paths under the same system is there to convey a very specific message. i really love the incorporation of eastern philosophies within the story and the role horror plays, too. the usage of the genre to deepen the impact of these themes and the way things are introduced with the intention to provoke almost visceral reactions in the readers (much like yuuta's own reaction) also makes the message much more impactful. i think this chapter was great!!!