#how has no one else talked about this???

[dollypopup]

FINE, if no one else is gonna say it. . .

it is WEIRD that we as a fandom are so okay with Debling being a 'serious' option for Penelope. She is a 19 year old woman. She is a third daughter from an unpopular family who has no father. This is a 30 year old man, 40, even, who is pursuing a teenager. All the 'oh, he notices her as a woman!'

and none of us are asking why it is that a seemingly 'perfect' guy is out here going for a woman on the outskirts of her society, who most people do not pay attention to? a powerful man with a lot of money and a title pursuing a woman who is largely unnoticed in her world, in a family without a father, who doesn't have, on the surface, any other options? our fandom doesn't talk about how big of a power imbalance they have between them, or even how Penelope is being styled to look extra young in contrast to him?

she looks like his DAUGHTER. He's even styled to be a more mature man in their society. Compare him to the fashions of younger men. Clean shaven, sleeker lines in their fashion,

He is, in fact, most comparable to Will, who is a married man with three children.

Debling legit looks like he could be her father. That is NOT a 20 year old man. That man is in his 30s at best, and in his 40s at worst. Which gives him and Pen a decade or two of age difference. Add on the fact that he's titled and she's a literal teenager, and it just gives me the MAJOR ick.

People are praising the idea that Debling makes Penelope feel like a 'woman' but as someone who has been a 19 year old woman with much older men interested in me (especially a PLUS SIZE 19 year old woman with older men interested in me) claiming I am oh so mature, it's. . .uh, not usually a GOOD thing?

We'll demonize Colin for being a 22 year old man who doesn't see Penelope as a romantic option because for the grand majority of the time he's known her, she's been a minor, but see absolutely nothing wrong with the idea that the production has given her a suitor who is an outsider of their society, who could take her away wherever if she actually agrees to marry him, and now have this 19 year old woman no one is going to really check on to do with as he so pleases? And we're wanting him to. . .what? Make out with her? Take her virginity? Just the thought of that makes me deeply uncomfortable.

We'll talk about the power imbalance between Colin and Penelope, about how he has experience that she doesn't and how that can cause concern, but absolutely NOTHING about the ACTUALLY CONCERNING power imbalance between her and Debling? Colin is 22 and a third son, he and Penelope have known each other for years, he is safe. He would never take advantage of her or lead her astray, he cares about her as a person and then comes to love her and desire her in ways outside of friendship. Debling has known her for less than a month, is likely in his mid thirties, has a title and money and power, and felt okay with feeling up on her in public in an era when holding HANDS was considered scandalous.

Imma need us to give Monopoly Man more smoke because I am confused as to how he's oh so perfect and yet the option he chose for a wife is an unpopular and financially unstable 19 year old woman who is largely ignored in society. None of us find that weird?

Meanwhile, we have Colin who has, yes, held Penelope's hand and called her by her Christian name, but has also complimented her on things that aren't just her appearance, and who has asked how she's been, and tried to help her, and called her his friend, and wrote her letters, and cared about her, and I reiterate, is much much closer to her in age and can relate to her considerably more.

The whole 'oh, well Penelope should sleep with Debling to give her and Colin more even ground' is CREEPY. Colin slept around with sex workers on his travels because that's the regency appropriate safe and responsible way to explore such things for men of his age and status. He is following examples his brothers, whom he trusts and loves deeply, have set for him. He is not exploiting anyone. He is paying for a service and that service is being provided. And he's an attractive man who is young and respectful, these women are FINE, so don't go pearl clutching over how he's being oh so fetishistic just because he's exploring kink. Penelope doing these things with Debling would be HIM taking advantage of HER, and putting her in a very vulnerable and scary position. If that actually happens, what options does she have? He could say he ruined her and that would be game over for her, she has no other choices or options outside of that. And if it's actually true, she is TRAPPED.

I need this fandom to be so serious here right now. You don't ship Pebling. You ship Penelope being seen as desirable, and COLIN finds Penelope desirable. He will make that very VERY evident. We don't need an almost 40 year old man to pursue her and do nothing but compliment how hot she is and feel up on her in public to do that. He doesn't see her as a person, but Colin does. We should be rooting for one of these men, and it's not the one a lot of us are.

[noelledeltarune]

EVERY SINGLE DAY there are MILLIONS of characters in their late 20s who get falsely accused of being father figures to teenagers when in reality the description of "weird older cousin" or "step-sibling that moved out before you were born" is 1000000x more apt

[egophiliac]

this is basically what happened, right?

(these guys are very lucky that everyone at NRC 1) has the combined intelligence of a sack of bricks, and 2) is easily distracted by shiny things.)

[spinaart]

hey leader!!!

[rosefires20]

My brainrot today is thinking about just how incredible for a character Eowyn is.

Genuinely. The series might not have many female characters but the ones we do get go so fucking hard.

To me, Eowyn is literally the definition of defining being a woman for oneself. She rejects the roles she is given despite acknlowdging the importance and its mostly because she knows part of the reason is that she is a woman.

The reason why she is obsessed with Aragorn isn't because she loves him but because she wants what he has. She wants the freedom and courage and bravery that Aragorn has at every turn. She literally has multiple conversations during the Two Towers about how what she fears most is a cage. All this girl wants is the freedom to be and not be forced into a role. The best thing is that she literally gets that.

The segment of Return of the King about Eowyn and Faramir is literally about her piecing together what she truly wants. She doesn't want Aragorn. She wants freedom and the ability to choose. Faramir does nothing but encourage that in her. Their love story is literally one of the healthiest love stories I've seen in a long time because at the heart of it, their love is a place to return home to for both parties. Both go off to lead and help their people for a considerable amount of time before returning to each other but that does not diminish their bond. Even Faramir, I believe, falls in love with her bravery and dedication to her loved ones. The reason she went to Pelenor Fields and Gondor with the troops of Rohan was because she had things she wanted to fight for. She wanted to fight for herself, her people, and her loved ones. She is the one who protects Theoden after he is killed so that his body gets the treatment it deserves. She encourages Merry and helps him go to the battle because she sees her struggle in Merry. They feel helpless standing around when there are things to be doing.

Let's also not forget the fact that she was around Grima Wormtounge just as much as the King was. She was exposed to the same poison and awful words that eroded the king. It's even implied that her care for him is part of the reason why Theoden was savable when Gandalf showed up. She had the same power and bravery as everyone else even if she didn't see it in herself.

Then at the end of the day, SHE decides where she wants to go and what path she wants to walk. She walked the path of a warrior. The path of a princess/ruler. The path of a caretaker. But in the end she decides which elements truly mean something to her outside of gender definitions. That is what makes her character so incredible to me. In this she literally kills one of the biggest enemies in that battle with such a badass line.

[ruporas]

can’t talk about it

[ID: Black and white comic of Vash and Wolfwood from Trigun Maximum. The comic starts with the sounds "thud, thud, click". Vash, mid-action of peeling an apple, turns to the sound, noticing who it was that entered, and says, "Oh, Wolfwood, you're back." He resumes back to his apple in the next panel as he speaks, "Where'd you go? You snuck out of bed quickly this morning..." Wolfwood's hand then enters the panel, hovering over Vash's cheek and Vash looks up as Wolfwood asks, "Can I?" Vash responds, "Not going to talk about it?" while using a hand to gently hold Wolfwood's hovering hand and presses a kiss to his inner palm.

Vash then gets up fully, setting down the knife down on the table and the apple onto a plate, He leans into Wolfwood as Wolfwood explains, "Had to meet someone. Nothing interesting to talk about." Vash kisses Wolfwood's left cheek and a hand moves to cup his other cheek while muttering, "You're being vague." Wolfwood says neutrally, "If yer really that curious, keep askin'. We  can talk about that instead of doing this." Vash leans back and responds, "Let's talk after, since... You look so tired."

The panel pans to a close up of Wolfwood's downcast eyes, bags heavy underneath his eyes. He doesn't allow Vash to sit in that moment for long though, then saying, "Yer not helping, Spikey. Being all slow with it... I could fall asleep right now." He moves his hand to start unclasping Vash's coat, starting from his collar. Vash with red cheeks, responds briskly, "Oh, shut up. I'm worried about you. I can't be worried?"

The final shot shows Wolfwood's back to the viewer while Vash's softened expression can be seen as he holds gently onto the side of Wolfwood's face and a hand firm on his waist. Wolfwood responds, "I'm fine, seriously," pausing for a moment before continuing, "Is it okay to still..?" Vash responds, "Yeah, it's okay."

The next image is a shot from later that night after the previous comic. Vash and Wolfwood are now in bed, half naked. Wolfwood's buries his face into Vash's chest, his arms wrapped around him, while Vash is petting at his hair. Vash reminds him, "Hey. You said we'd talk about it." Wolfwood pauses for a moment before piping up, "In the morning? I'm sleepy." Vash says, "Okay..."

The next two pages start from the morning after. Wolfwood is already fully awake, pulling on his outer jacket as he says to Vash, whos' still bundled in his blankets, "Breakfast is on the table. Make sure to eat it. I'm going to grab some things in town and then we're leavin'. Got it?" Vash says, "Mh." Wolfwood responds, "Good. See ya in a bit." The dialogue starts to shift into Vash's inner thoughts now, as he gets up and eats toast, thinking, "Wait. Weren't we supposed to... talk about it?" The next shot then shows him fully up, meeting Wolfwood in town. He carries a half worried expression with him while Wolfwood slides on his glasses for him. A quick panel shows Wolfwood's tired expression from the night before and quickly juxtaposes with Wolfwood in front of him who's smiling gently, the shades covering his eye bags. Wolfwood asks him, "Still not awake yet?" Vash pauses, his thoughts stirring, thinking, "Oh. I guess I was getting ahead of myself... thinking you owe me that kind of honesty." He smiles at Wolfwood and responds, "I'm awake!" His thoughts continue, "Maybe one day, you'd trust me enough to share your burdens."

The final image shows Wolfwood pulling at Vash's cheek and Vash complains, "Owwwww why..." Wolfwood quickly says, "You were thinking something stupid, right? It's all over yer face." Vash mutters, "Nooo, I wasn't..." END ID]

[inquisitor-apologist]

Thinking about how, at the end of the day, at the fatal moment, the sunset of the Republic, it wasn’t Yoda, or Obi-Wan, or even the Chosen One himself standing in the way of Palpatine. It was Mace Windu.

Mace Windu, the inventor of Vaapad and Master of Form VII, the Jedi's strongest duelist, the only person to ever defeat Palpatine in combat. Mace Windu, Master of the Jedi Council and the youngest Master ever appointed to it, the revered leader of the Order. Mace Windu, who forgave even those who tried to kill him, who risked his life over and over again for his troops, who, after 3 years of desperate war, tried to negotiate with battle droids. Mace Windu, who knew the clones were created by the Sith and chose to trust them, who saw every Shatterpoint in the Republic, and loved it still, and fought for it until his last breath, until he was betrayed by Anakin, who he believed in and trusted despite everything.

Mace Windu, High General and hero of the Republic, the embodiment of the Light, the last and greatest champion of the Order, the best Jedi to ever live.

[skeletoninthemelonland]

a glimpse of what their early dynamic looks like

[izzystizzys]

it’s canon to me that anakin skywalker and marshall commander fox are archnemeses of a shakespearean nature to eachother

why? well, fox’ life is a tragedy of galactic proportions. he’s a slave at best and straight up non-sentient property at worst, caught at the crossroads of being the face of the republic’s most corrupt establishment to his brothers who resent him for being forced to bear an authority he has no actual control over, and being the closest and easiest target for that very authority’s ire. made to enforce the rigged and deeply unjust laws against his own oppressed peoples, and no one understands better than fox how much coruscant truly despises them. the chancellor at the heart of it all, and anakin, the favored pupil - taken in by the flattery and empty promises like all the rest of them, the jedi most intimately connected to the senate who yet cares so little to know the clones who shed their blood in it every day that he never sees beyond his own very nose. no one asks the guard what they think, and fox despises them all for it, but the jedi who play at caring more than anything. it’s an impersonal, distanced dislike for the most part, but with skywalker it burns all the brighter for how often fox sees him walk the halls of the senate and never think to ask.

also fox cut anakin off in traffic once and he never forgave him for it

[autisticandroids]

FAMINE: That's one deep, dark nothing you've got there, Dean.

[youtube with closed captions]

dean and his father. dean and his family. dean and how bad it is.

(via @closetoyou1970)

[worstloki]

AU where Loki doesn’t interfere with Thor’s banishment at all and it takes Thor years to prove himself worthy and when he returns to Asgard everything is just. The same. Nothing seems to have changed at all and everyone greets him like his absence was a minor obstacle that didn’t fundamentally change Thor and the worst part is Loki stepped down from the place as regent without any delay and Thor can’t help but feel there’s something underlaying the way his brother looks at him now and won’t let him touch him and Thor doesn’t know what he could have missed because he doesn’t think he would have found anything wrong with the things around him and how everyone behaves if he hadn’t spent time on Earth reflecting.

[ghastlyaffairs]

for something as trivial and simple those feelings sure are hard to get rid of

also made a gif a version for fun + alt version with no tears under the cut

the gif is in very low resolution...this is a feature (i could make it bigger but that would require saving each frame individually and than glueing it all together. also i feel like low resolution suits it better. aesthetically and fits the mood)

[red-moon-at-night]

I find it so SO interesting that as soon as Kazui's breaking their marriage vows and revealing his true feelings (literally tearing apart the dove), the wife is already falling off the balcony

Her hair is fluttering in the wind. The apple fucking splatters on the ground this whole sequence is so visceral I'm spinning it around in my mind. Kazui views his truth telling as a violent act, the killing blow.

[mollysunder]

A while back I saw someone ask if Vander would have accepted Jayce's deal to give Jinx up for Zaun. The resounding response was "No", because Vander was already put in that position (sort of), and he chose to protect his children by giving himself up, and Vander would never be in that position to begin with. Those are correct statements, but they're not relevant to the question.

The question was, if Jinx decided to escalate tensions with acts of theft and violence that brought Piltover's attention, would Vander let Jinx be sent to Stillwater? I think the chance of him saying yes is at least more than 0.

We're not talking about all the kids getting caught up in a robbery gone wrong. We're talking about an older Jinx going solo into Piltover for targeted destruction havoc. In a universe where she everyone's still alive, Piltover still exists, and her hatred for that place would still burn and grow with time. The question really was, if Jinx put Vander in the same position Silco did in the past would he decide to give her up?

For Vander, what's on the line isn't Zaunite independence for Zaun, it's the safety of his family, his friends, and the population of the Undercity against Piltover's retaliation. He'd probably have even less moves to play than Silco did at the end. Vander can't give himself up, Jinx's name has already been leaked, and he is agonizingly aware of what Piltover's capable of.

Would he try to have her sent away? Vander wasn't willing to throw someone else under the bus for the kids in the past, so would he do it for a young adult Jinx who's more responsible for her actions? Would he think Stillwater is a better alternative for Jinx who may end up getting herself killed? Maybe he can try to plead for banishment (though that seems to be reserved for Piltovans)?

The question really stuck with me because Vander was willing to kill a man he considered his brother because he went too far, what does that mean for a daughter that won't back down from her own agenda?

[fatalism-and-villainy]

Rewatching season 2 had me really struck by the sheer amount of time Will spends performing for other people, and how few fully authentic interactions he has. In fact, I’d say one of the biggest through lines between the first and second halves of the season is Will learning how to wear masks, and then actively deploying that for the purpose of catching Hannibal.

(And how fitting is it that the promo for season 2 had Will wearing the iconic hockey mask? Not just a franchise in-joke, but a reflection of the fact that he “becomes” Hannibal in this season, begins to symbolically merge with him, to the point in which his own goals become clouded to him.)

It's a natural extension of season 1's establishment of his empathic abilities, where he begins to more actively use his ability to read other people and discern their motivations as a tool, or weapon. Simply telling the truth about his innocence doesn’t serve him - so he adapts a façade very quickly, in his faked tears for Hannibal and Alana. All of his interactions with others while in prison - Chilton, Lounds, Matthew Brown, etc. - are very deliberately engineered, and lean into what Will knows (or thinks) each person wants to hear - all setting the stage for him doing the same thing to Hannibal. Every word, everything about his intonation, is so precise - something that specifically struck me in this stretch of episodes was when he talks to Gideon and very carefully leans forward as he’s trying to drive his point home:

(And the body language, interestingly enough, is not just persuasive, but also mirrors the way Gideon sometimes leans/dangles his arms out of the cage when talking to others - and it reminds me of Will also mirroring Hannibal’s body language during the “not now that I finally find you interesting” scene, when he bites his lip in the way Hannibal so often does.)

It really highlights how so much of how he interacts with others during this entire stretch of the plot is a very carefully crafted performance, with so many of Will’s actual feelings and motivations subsumed into his manipulations. I remember watching the DVD commentary on Su-zakana, and they talk about how Will’s visible surliness with Hannibal was meant to stem from the fact that he didn’t want to be too friendly with Hannibal right away, because it would look suspicious. And I think that gets at something that’s present with how both Will and Hannibal manipulate others - they’re not necessarily lying about their feelings, just consciously using genuine feelings or motivations as a method of influencing others. With Hannibal, he frequently does feel genuine affection for others, and his care for them stems from that, but it’s also often used to put them at ease, serve his own ends. Will, for his part, is genuinely angry with Hannibal, but actively uses those feelings to fashion an aura of standoffishness. And of course, Hannibal has a genuine pull for him, and he deliberately leans into and cultivates that enjoyment for the sake of entrapping Hannibal. …Which of course leads to a situation where he has to put on a show for Jack as well, in which he downplays how deep into it he’s getting.

So it’s entirely fitting that the opening of Mizumono features the two halves of Will’s face - the front he’s presenting to Hannibal, and the front he’s presenting to Jack - merging, mask-like, in the middle of the screen.

They’re both the real him, and they’re both masks - and he gets so subsumed into his performances for others, the modulation and accentuation and sublimation of his feelings that they require, that he gets lost to himself (and is also terribly lonely and isolated). No wonder he’s confused and unmoored in early season 3.

[imerian]

My (very old) loscar brooch (?) that i just now made doodles for

More pictures under cut