finally got some time to finish these guys up! which is sort of ironic considering I started these because I wanted to draw Malleus with a Dragapult, and then I just didn't for a million years!
Malleus has the aforementioned Dragapult, except it's a super special non-canon color Dragapult (like an anime-only form that you could get in-game exclusively through some limited-time event where you have to show up in-person at a specific location in Japan) (it has some wacky overpowered exclusive move/form and the OT is listed as Malleus) (so like that kind of ridiculous specialness) (Leona is extremely salty about this). also hoards and hoards of Dreepy. Dreepy LOVE Malleus. they take naps on his horns inbetween begging him to throw them across the island at mach speeds.
Lilia has a Drampa and a bunch of Woobat that he hasn't actually caught, they just follow him around in swarms because they sense a kinship with him. (also breaking my own rule again to say that he had a Mawile in the past, because...I just really wanted to give him a Mawile...)
Sebek has Sandile for obvious reasons, and also a Pikachu that bullies him relentlessly. :(
Silver has a shiny Corvisquire; I really went back-and-forth on also giving him an Aegislash, but...hm. those pokedex entries though. he can stick with just one for now.
(I hadn't planned on the shiny for him, but after I'd decided on the Corvisquire line and was looking it up for reference, I realized that shiny Rookidee is gold and then turns silver when it evolves and I lost my entire goddamn mind)
4K notes
·
View notes
Snape haters: How do people even like Snape?
Also Snape:
“Yes, it is easy to see that nearly six years of magical education have not been wasted on you, Potter. Ghosts are transparent.”
*****
“Would you like me to do it now?” asked Snape, his voice heavy with irony. “Or would you like a few moments to compose an epitaph?”
*****
“I was just showing Harry my grindylow,” said Lupin pleasantly, pointing at the tank.
“Fascinating,” said Snape, without looking at it.
*****
As Harry raised himself into a sitting position, his head still swimming from its last contact with the ground, he saw Snape running as hard as he could, the enormous beast [Buckbeak] flapping behind him and screeching as Harry had never heard him screech —
. . . Snape had managed to Disapparate just beyond the school’s boundaries.
*****
Snape gave her [Umbridge] an ironic bow and turned to leave.
*****
“The mind is a complex and many-layered thing, Potter — or at least, most minds are.” He smirked.
*****
“Potter, when I want nonsense shouted at me I shall give you a Babbling Beverage. And Crabbe, loosen your hold a little, if Longbottom suffocates it will mean a lot of tedious paperwork, and I am afraid I shall have to mention it on your reference if ever you apply for a job.”
2K notes
·
View notes
just kinda a thing i wanted to say since ik i have younger artists following me (its applicable to everyone really, but very important to form care habits as early as possible)
i read about others artists experiencing pain from overworking and i always thought to myself, i wouldnt let that happen to me, im real young, i still have time before i have to worry about really damaging my body
but your body really doesnt care, if you push yourself, if you ignore the pain, its going to fuck you up. maybe for the rest of your life
please god take care of yourself when you draw, write, game, literally anything. stretch your wrists, fingers, dont keep your elbow in a locked a position for too long, especially dont lean on your elbows. get up around every 45 minutes, drink water, eat food, use the bathroom, stretch your whole body and your hands again. walk outside and let your eyes readjust
your body is trying to communicate with you for a reason when you start hurting, please listen to it, be kind to yourself, you deserve it
386 notes
·
View notes
"A van Dyck," Dream drawled, dragging a light finger along the gilt frame of the painting propped on the top of one of Hob's shelves. Hob really should do something more formal with that. "Interesting thing to have in your living room, Hob."
"I tell people it's a print," Hob said, coming to stand beside him and handing him his tea.
"Oh, but it is not." There was a smirk dancing on Dream's lips, Hob knew without even looking at him directly.
"Makes sense that you'd be able to tell," he sighed.
"Of course. Just how did you come across such a thing?"
"Well, I was still mingling with the aristocracy in the early 17th century. Met some interesting people." He shrugged. "Really should have sold it when I was, well, destitute, but couldn't bear to. Managed to stash it away. One of the few things I have of that time, actually."
"I can only imagine you had more than one valuable thing in your possession over the centuries," Dream mused, sipping his tea. "Why this one?"
Oh, God. He knew, didn't he?
Hob rubbed at the back of his neck. "Reminded me of you."
Hob had never known much about art, particularly back then. He hardly would consider himself a collector and certainly not a connoisseur. But that particular portrait had caught his attention immediately for its similarity to Dream.
The likeness was, indeed, striking. His hair was longer than it had been when they'd met in 1589, sweeping over his shoulders, and his features were half-draped in shadow, but his eyes. Hob would know that haughty, intense gaze anywhere.
He'd never quite discounted the idea that it was a portrait of his stranger, except that he couldn't imagine him having the patience or cause to sit for it, or the desire to be immortalized in that way.
"It is me," said Dream.
"What? Seriously?" Hob turned to stare at him and found Dream already looking back, ethereal and lovely. There was only one lamp on in the living room, night falling around them, and it cast his face in a similar light to the portrait, soft gleaming skin and plunging darkness as backdrop, limitless shadow in his eyes. "You, allowing a portrait? You're not having me on?"
"I do not joke." Dream took a step closer to him, setting his tea aside on a table. "I suppose I must have been in good humor that day."
Hob raised both eyebrows. "Oh, uh-huh, you in good humor?"
Dream's lips ticked up in a half-smile. "It happens occasionally."
Hob leaned against the shelf, careful not to jostle the painting. "For someone who so disdains the waking world, you sure are very aware of the art scene."
Dream leaned beside him, tilting his head. "You might consider me a patron of the arts."
Hob chuckled. "A patron? Or an inspiration?" He reached out and dragged his thumb along Dream's lower lip. "Dream?"
"A lover of artists, perhaps."
"I'm sure." Hob swept a hand along his cheek, breaking up the light like he was dragging a wet brush through paint. "You look like you could have stepped right out of that painting right now. You could have stepped out of any painting."
Dream looked at him from under his lashes. "Are you calling me a work of art, Hob Gadling?"
"Always."
Then Hob kissed him, hands framing his beautiful face. Dream was like an artwork, constant in essence but changing interpretation in every new light. Hob could imagine how many people over the centuries had had a fleeting encounter with him and come away changed, just as he had.
Dream hovered near him when they parted. Hob looked over to the painting again. No mere depiction could capture Dream in all of his colors, but it really was a rather good try. Van Dyck had gotten the depth of his eyes just right.
"The Baroque period suits you," Hob told him.
"Now who knows something about art?"
"I've picked up a few things over the years. I'm in love with the world's greatest artist, after all."
Dream moved in as if to kiss him, but paused to speak against Hob's mouth. "There are other works of me out in the world, if you care to seek them out."
"Don't open that challenge because I will do it," Hob informed him, quite seriously.
"I hope so." There was a sharp gleam in Dream's eyes. Hob could only imagine what kinds of paintings might inspire that look. "I look forward to seeing what you find."
2K notes
·
View notes
jealousy really is the driving force of DamiTim as a ship. love that for them. love how Tim has the Robin mantle ripped away from him and he has to suffer the jealousy of watching Dick and Damian bond. how possessive over Dick Tim can be, to have him stolen by Dick.
even more so though, is the jealousy from Damian. how on earth do you cope when you finally get to be Robin, a role you've convinced is your birthright, and no one really likes you? every prefers the Robin who came before you? Dick regularly reminds you that he can always go and call Tim back when you act out? like the complex Damian has over Tim is unreal. Tim, who was born with a silver spoon in his mouth and had everything handed to him his whole life. he never had to struggle or fight for his place like Damian did. Damian has spent his whole life fighting and proving himself, and yet he can't ever seem to truly claw the mantle of Robin away from Tim. even when Tim lets it go, becomes Red Robin, they seem to share it. Tim can slip back into the role of Robin whenever someone like Dick or Bruce need him to, because *he's* the Robin who they need. he's the Robin who was able to find Bruce. he's the Robin that Ra's wants an heir out of. he's the Robin who even Jason respects. in Damian's eyes, everything Damian has fought tooth and nail for, was handed to Tim.
so of course he's going to react to Tim with violence and aggression, especially after finding out Tim has contingency plans for him. no matter how much Damian proves himself, he's never going to be enough, especially not to Tim. and so his deep refusal to see Tim as family, to acknowledge Tim's legacy is all driven by such an angry jealousy. Tim understands aspects of Bruce's legacy that Damian doesn't, like the need to sweet talk and play nice with the elites of Gotham, even if they're corrupt. they exemplify different aspects of Robin, and the aspects that Tim exemplifies are the aspects that Damian knows he'll never fully understand and therefore holds such a deep contempt for. he wants to fight criminals, not play nice with politicians. Tim understands the side of Gotham that's utterly foreign to Damian. if anything, he represents that side of Gotham, to Damian. a pretty little rich boy who's nothing but a know-it-all and not a real son of Bruce. he can't be a Wayne. he can't be Damian's family.
and all of that angry jealousy leading to unhealthy obsession turned a weird, angry crush from Damian is just my bread and butter. that is how DamiTim should be. to me. Damian obsessed over hating Tim Drake so much he accidentally ends up sort of in love with him and that only makes Damian angrier. because he can't prove everyone right by *also* liking Tim. he can't let Ra's win like that, because frankly why wouldn't Ra's be delighted by Damian and Tim getting together. and it builds and builds with angry passive aggression towards Tim that culminates in angry hate-fucking-that's-not-just-driven-by-hate. love and hate are always viewed as opposites in shipping and i think they're the same intense passion just in different directions. and for the best ships, they're very intertwined. what is DamiTim is not the peak of that. "i put so much of myself into hating you i had no choice but to fall in love with you somewhere along the way" core. love that bleeds into hate and hate that bleeds into love. "you make me so angry i regularly passively try to kill you but not with any real effort because who would i obsess over if you were actually gone" core. murder attempts as a form of courting. contingency plans to take each other out as a love language. they're unwell.
74 notes
·
View notes
@orangerosebush's post here, with my comment and @fowlblue's tags today got me thinking.
Artemis Senior has been teaching his son matters of business from a young age. Not only was Artemis, at 11 years old, discussing stocks with his father, but Fowl Senior had been imparting his wisdom onto his son for years by that point, discussing the ever-increasing value of gold with him before tucking him into bed. Even outside of pure monetary value, Sr. had tried to go legitimate with his business dealings, leading Artemis to have a few legal ventures of his own.
We also see very early on in the books that Artemis has been regularly using Butler as a resource for his plots: bouncing ideas off him was apparently a fairly common tactic when he was scheming.
Both Artemis Senior and Butler are interested in (or at least, not opposed to) educating Artemis on the ways of their lifestyle(s). It would be Artemis Senior who would have taught his son the value of banks and safety deposit boxes and hidden safes but it was Butler who was actively working with Artemis to rob those safety deposit boxes.
In the same vein of breaking-and-entering, TLC also gives us the fun little moment where Butler hands Artemis his own lockpicks, to get into the workings of the bomb.
With one line we learn that Artemis knows how to pick locks, but does not have his own set of lockpicks. Butler, on the other hand, has both the tools and knowledge how to use them. Partnered with a brief mention in TTP of some the specific trades of those previously employed by Artemis Senior (including such things as crime lords, insider traders, and cat burglars), we can extrapolate that Artemis Senior would generally hire someone to pick a lock for him, rather than do so himself.
It's pretty logical to conclude then that Artemis learned big-picture management from his father, and day-to-day skillsets from his bodyguard.
Essentially, Artemis Senior taught Artemis how to run a criminal empire. Butler taught Artemis how to be a criminal.
108 notes
·
View notes