#i am a 2004 child

[sangoqueenkoko]

it is my 20th year of birth day

oh no

[zer0point5ive]

saw 2004 dvd in the charity shop today i feel just like truman from the show. i got it of course how could i not

[ayyponine]

not to be a milennial but harry potter and the prisoner of azkaban really is that bitch....

[meerlichtz]

Oh rarepair hell, we’re really in it now

[maaniart]

"Flattering child You shall know me See why in shadow I hide Look at your face In the mirror I am there inside"

I've been obsessed with the Phantom of the Opera since I first saw the 2004 film last month. And I consider Operetta to be one of my favorite characters from Monster High, and I felt that I needed to draw her in the context of the musical (the song The Mirror).

And I'm also taking a different artstyle from usually - which involved a lot of work and weren't satisfying to produce - something more sketchy and without outlines other than the sketch itself.

And i'm studying dynamic light and shadow paintings, which I found very interesting and fun to do.

See you soon☝️🕊

ps: I still don't have access to the glaze, I'm too shy to get that 😭)

[graysoncritic]

A (Negative) Analysis of Tom Taylor's Nightwing Run - Who is Dick Grayson?

Introduction Who is Dick Grayson? What Went Wrong? Dick's Characterization What Went Wrong? Barbara Gordon What Went Wrong? Bludhaven (Part 1, Part 2) What Went Wrong? Melinda Lin Grayson What Went Wrong? Bea Bennett What Went Wrong? Villains Conclusion Bibliography

When asked to describe Dick Grayson’s character, many will say he is good. He is Bruce Wayne’s light, the person he could have been had someone offered Bruce understanding and guidance after his trauma. Dick is a leader. A big brother. A mentor. He is someone people can look up to, someone others can trust. He is “The Heart of the DCU.”

(Williamson, Joshua, writer. Sampere, Daniel; Herbert, Jack; Camuncoli, Giuseppe; Sandoval, Rafa, illustrators. Dawn of the DCU. Dark Crisis on Infinite Earth no. 7, e-book ed. DC Comics, 2022. pp. 28)

Characters, much like real people, are more than just a trait. Jason Todd is more than “angry.” Bruce Wayne is more than just “brooding.” Tim Drake is more than just “smart.” Characters are multidimensional. They have multiple facets, some of which may contradict one another because characters, just like people, are not created out of mathematical equations where two plus two always equals four. Humans are emotional. Their being is informed by past experiences, biology, culture. The intricate combination of these vastly different factors leads to inconsistency in rationality that may not always be logical. Dick being “good” does not mean that Dick can’t be angry, that he can’t make mistakes, or that he can’t lash out or be unreasonable, especially when stressed. Dick being “good” does not mean he can’t brood, does not mean he can’t be suspicious, nor does it mean he will always like everyone. Dick being “good” does not mean he can’t be his own worst enemy, that he can’t be calculative and strategic, that he always needs to be upbeat, or that he can’t be the most intelligent person in the room.

(Grayson, Devin, writer. Zircher, Patch, illustrator. Slow Burn. Nightwing no 93, e-book ed. DC Comics, 2004. pp. 10-11)

Sam Humphries also demonstrated this during his brilliant story, The Untouchable. There, Dick’s relentless determination to save people from the Judge’s machinations grows so intense that it becomes self-destructive. The story demonstrates how Dick’s “goodness” comes from a form of toxic perfectionism that has been with him since he was a child — a perfectionism born of a low self-worth that eats at him from the inside out

(Humphries, Sam, writer. Janson, Klaus; Campbell, Jamal, illustrators. Ruthless. Nightwing: Rebirth no. 37, e-book ed. DC Comics, 2018. pp. 08)

Even the 2003 animated series Teen Titans understood that in trying to catch the bad guy — almost always Slade Wilson in the case of that show — Dick could sometimes go too far.

Dick’s goodness causes him to see himself as a danger to not just his loved ones, but everyone who stands near him. He carries the world on his shoulders, taking the blame for every tragedy and seeing every death as a personal failure. When pushed to its worst, Dick’s goodness becomes an obsession which pushes others away, leading to isolation as Dick’s entire existence narrows down to accomplishing one specific goal. 

It is this reductive characterization of Dick – the idea that his one defining trait is that he is “good” – that leads many to misunderstand the appeal of his character. As I mentioned above, characters are multi-facet, and Dick is no exception. However, the ways in which Dick is multi-facet are very different from the ways in which most characters are multi-facet.

Please do not mistake what I am about to say by claiming these other characters are not complex. Or even that some of them might not subvert popular tropes. What I mean saying is that Dick’s complexity is demonstrated differently than what I believe most people are accustomed to.

For example, everyone knows Bruce Wayne keeps his feelings locked up inside. He compartmentalizes his emotions and his trauma in order to solve the puzzle put ahead of him. But everyone – characters and readers alike – understands Bruce is doing this. Everyone can tell that he is hiding something from others and keeping them at a distance. The reader is always aware of how Bruce’s trauma informs his actions, his interactions, and his thought process. 

(Grayson, Devin; Barr, Mike W., writers. Davis, Alan; Robinson, Roger, illustrator. Procedure. Batman: Gotham Knights  no. 25, e-book ed. DC Comics, 2002. pp. 20)

Take, for instance, Part One of Murderer/Fugitive. Although a major source of tension from the story surrounds the question of Bruce’s innocence, there’s never any question in the minds of the reader and the character that Bruce is hiding something. Tim Drake questions whether Bruce truly did kill Vesper Child and is hiding his motive, while Dick is certain of Bruce’s innocence and instead believes Bruce is hiding his alibi or the clues that would help them find the real murderer. Barbara Gordon, for her part, wavers between the two, but like Tim, Dick, and the reader, she is certain of one thing: Bruce Wayne is hiding something from her, from them… From us.

Similarly, Jason Todd’s anger comes from a place of hurt and a place of love, from insecurities and a need to prove himself. But like Bruce, all of that is clear to see. His anger and his hurt are simple to understand. Please, do not mistake this for me claiming that Jason is not a complex character — instead, I’m stating that his temperament, his trauma, and his actions are so interlinked that they are clear for the reader to see. His character, while rich, is more accessible. It does not take a lot of effort to know that Jason is angry because of what was done to him. It is easy to see that he is hurt because he equates Bruce’s love to the Joker’s death, and therefore sees Bruce’s failure to avenge him “proof” that Bruce does not love him as a son. 

(Winick, Judd, writer. Battle, Eric, illustrator. All They Do is Watch Us Kill: Part 3: It Only Hurts When I Laugh. Batman no. 650, e-book ed. DC Comics, 2006. pp. 13) Dick, on the other hand, does not wear his emotions, his motivations, or his goals on his sleeve. Dick keeps his secrets not by constructing an impenetrable wall like Bruce, but through misdirection. This is why those who are unfamiliar with Dick misinterpret him so much. They take what is on the surface at face value because they do not have the character history to serve as context to understand what lies beneath As a Dick Grayson fan (From this moment forward will be referred to as Dick Grayson Fan A) said “good Dick writers teach readers how to read him and bad Dick writers just have that surface level interpretation.” (I was actually talking to her about this idea and how I’m presenting it in this essay. The example I gave was one she suggested after I asked if she could think of good moments that exemplified this idea.)

As an example, we can look at this moment from Grayson, in which Dick sucks a lollipop while receiving a mission assignment. Someone who is not familiar with Dick and is looking at Dick and Helena’s interaction might be easily fooled into thinking that Dick is the pretty, strong, but annoyingly childish and slightly dumb male character who contrasts the serious, intelligent, and highly competent woman. The characters’ expressions, actions, and the onomatopoeias are certainly leaning into that familiar trope.

(King, Tom; Seeley, Tim, writers. Janin, Mikel, illustrator. The Raid. Grayson no. 04, e-book ed. DC Comics, 2014. pp. 02) However, Dick Grayson fans know that when it comes to the mission, Dick is as serious as Batman himself. Highly intelligent, Dick is considered to by many the world’s second greatest detective (there are many instances in canon when he is referred to as such), making him more than just a pretty face who knows how to fight (It should be noted that in this tweet, writer Tom King also ranks Dick as the second best fighter in the Bat Family). Furthermore, context matters. Dick is deep undercover throughout the duration of Grayson, and this scene is set shortly after the death of one of the agents of the organization Dick has infiltrated. In other words, Dick is in a highly stressful situation without allies to provide him with back-up or emotional support. 

His posturing in this scene, then, can be seen as an attempt to misguide and misdirect. He does not wish to let those around him – people he is not sure yet if he can trust – know the full extent of his capabilities or perceive any potential weaknesses in his value of human life. Positioning himself as the annoying and childish pretty boy who does not pay much attention to serious matters is a strategic choice that his fans readily pick up on.  

That is not to say that Dick’s smiles are all lies. Rather, Dick’s upbeat nature is a natural aspect of his personality that he will exaggerate depending on the setting in order to keep his privacy. He is a natural performer, a showman, and so he utilizes misdirection to his advantage. 

A classic example of Dick’s misdirection and how he is misinterpreted by others is how some would characterize him as an “attention seeker.” However, the term “attention seeker” has negative connotations as it implies someone who seeks the spotlight at the expense of others. 

That is the opposite of who Dick is. But that’s not Dick is. As a mentor, a leader, and an older brother, Dick will often invite others to join the conversation. He pays attention to what they say, he strategizes based on their needs. 

(Johns, Geoff; Wolfman, Marv, writers. Nauck, Todd, illustrator.  The Brave and the Bold. Teen Titans no. 33, e-book ed. DC Comics, 2006. pp. 15)

Simply put, Dick is incredibly empathetic and always in tune with those around him. This is why he works so well as both a Bat and a Titan, and why his personality in each team is so distinct. As a Bat, Dick is often portrayed as cheerful, his bad puns are meant to cut the tension, the is the shoulder for his family to cry one; as a Titan, Dick is a leader, he is a strategist, he demands others take things seriously and will not tolerate slacking off, he is trying to instill good work ethics and ensure that the team dynamic stays in top shape. 

As JL Bell writes in their essay Success in Stasis: Dick Grayson’s Thirty Years as a Boy Wonder for the book Dick Grayson, Boy Wonder: Scholars and Creators on 75 years of Robin, Nightwing, and Batman explains, “in contrast to how Robin behaved with Batman. [Dick] is usually [the Titans’] serious leader.” (Bells, JL “Success in Stasis: Dick Grayson’s Thirty Years as a Boy Wonder.”Dick Grayson, Boy Wonder: Scholars and Creators on 75 years of Robin, Nightwing, and Batman edited by Kristen L. Geaman, McFarland & Company, Inc., Publishers, 2015, pp. 22)

That is because Dick knows that when he is with his family, he needs to play one role, and when he is with his friends, he needs to play another. The Bats have their strengths, so Dick adjusts himself to play up on those strengths while also making up for its weakness. Same thing with the Titans. 

Mark Waid perfectly exemplifies Dick’s adaptability when portraying him in his World’s Finest (2022) and World’s Finest: Teen Titans (2023). There, Dick brings levity to his work with Batman and Superman, keeping an upbeat attitude while still taking the job seriously.

(Waid, Mark, writer. Mora, Dan, illustrator. Manhunt. Batman/Superman: World’s Finest no. 14, e-book ed. DC Comics, 2023. pp. 07)

Yet, when he is with the Titans and feels the weight of leadership on his shoulders, he is more serious, being the one to get the Titans to focus on their objective, getting them to look at the big picture, while also making the most of their abilities as individuals and as a team.

(Waid, Mark, writer. Mora, Dan, illustrator. Team Spirit. Batman/Superman: World’s Finest no. 08, e-book ed. DC Comics, 2022. pp. 05)

So yes, Dick is a performer, a showman, but he is not “attention seeking.” In fact, his use of misdirection illustrates that Dick is a very private person. And how could he not be? While it is true that Dick grew up in the circus, after his parents’ death, he went to live with Bruce, and in doing so, was put into an intense amount of public scrutiny. The murders of John and Mary Grayson happened on a literal stage with dozens of people watching. As a result, Dick’s very private tragedy became a spectacle.

After the death of Dick’s parents, Dick isn’t allowed to disappear into anonymity. He is not afforded privacy to grieve. He is taken in by Bruce Wayne, Gotham’s most famous playboy, billionaire, philanthropic who is also a bit of a selfish airhead (at least, that is how the public perceives him), and as a result, Dick is subjected to an immense amount of public scrutiny, not just from the media, but also from Gotham’s elites, and even his peers at school. Not only that, as Robin, the Boy Wonder and the first ever sidekick, Dick also is put on the spotlight while also being aware of the necessity of keeping secrets. 

As a result of having his tragedy broadcasted and having a new mission that requires secrecy, Dick becomes a very private person. He is not an open book; instead, he is meticulous about what he shares and he prevents people from looking at what is not of their business by using his showmanship.

Furthermore, Dick’s role as a performer who, as Joshua R Pangborn describes in his essay about the Robin costume, “experiences […] the full spectrum of emotions, each and every night, for the catharsis of others,” transforms him into a literal vehicle for emotional catharsis and empathy. (Pangborn, Joshua R “Fashioning Himself a Hero: Robin’s Costume and its Role in Shaping His Identity”Dick Grayson, Boy Wonder: Scholars and Creators on 75 years of Robin, Nightwing, and Batman edited by Kristen L. Geaman, McFarland & Company, Inc., Publishers, 2015, pp. 42) In their essay, Bell argues that while Bruce Wayne embodied “the mid-century ideal of the American male,” who is always “in control of his feelings, not letting them overcome his judgment nor displaying them broadly,” Dick Grayson “can express deep emotions, not only his own but Bruce’s.” As such, Dick often acts as a sounding board for his family, friends, team, and romantic partners. As a performer, Dick embodies whatever persona is necessary to create a safe environment where others can process their emotions and achieve catharsis. (Bells, JL “Success in Stasis: Dick Grayson’s Thirty Years as a Boy Wonder.”Dick Grayson, Boy Wonder: Scholars and Creators on 75 years of Robin, Nightwing, and Batman edited by Kristen L. Geaman, McFarland & Company, Inc., Publishers, 2015, pp. 12)

Dick's performance, then, comes not just from a desire for privacy but also from a deep place of empathy. It comes from a desire to help others work through their own stories. This is why he can step into other's narratives without overshadowing them. In fact, he’ll often elevate those characters by complimenting them and creating the circumstances needed for them to shine. As a performer, Dick is naturally adaptable and always willing to fill the role necessary to create the space required for others to work through their emotional needs.

But, as with everything, Dick’s performance is also a result of his destructive perfectionism. Dick equates “good” to “perfect.” He believes that he can only be wanted by Bruce if he is the perfect Robin, he can only be wanted by his friends if he is the perfect leader, he can only be wanted by his siblings if he is the perfect older brother, he can only be wanted by his partners if he is the perfect boyfriend. As Humphries’s The Untouchable demonstrates, because Dick was raised in an environment where failure could be fatal, he internalized these stakes to every aspect of his life. 

(Humphries, Sam, writer. Janson, Klaus; Campbell, Jamal, illustrators. Ruthless. Nightwing: Rebirth no. 37, e-book ed. DC Comics, 2018.pp 20

And it doesn’t help that all of the people in Dick’s life do prove that assertion right. Everyone holds “the Heart of the DCU” to an impossible standard that, when Dick fails to live up to it, he is crucified and punished for it. If he tries to be perfect, he's told off for being the Golden Boy, but if he fails to be the Golden Boy, then he is told off because he let people down when they were relying on him. Ironically, this is done by characters in-universe real-world fans. As Dick Grayson Fan A pointed out in a discussion about depiction of Batman Family members killing their antagonists, “there's always this pressure to have Dick ~fall from grace~ and I do lowkey resent that. Dick should be allowed to be good, not punished for it.”  

This creates an environment where Dick constantly needs to maintain perfection in order to be in everyone’s good graces. Failure is not met with understanding and comfort, but with punishment. No one expects him to fail, no one likes when he fails, no one forgives him when he fails. That also means that Dick doesn’t feel safe opening up about his insecurities because to do so would mean “proving” he cannot stay on the pedestal he’s been put on. And so, he is forced to perform the role of a “perfect good guy” by using misdirection so people won’t abandon him for being human (this was said during a very interesting discussion and addressed both canon and fanfic writers. There’s a lot that can be said about Dick’s parentification and how that is viewed in the context of fandom. This is not the essay for it, and, to be perfectly honest, I’m not entirely sure I’m the best person to open said discussion).

Taylor does not portray Dick as someone with this many layers. Taylor’s Dick is perfect simply because he is good. He is the perfect friend, who is always happy to support others. He is Barbara Gordon’s perfect boyfriend. Dick is the perfect older brother, the perfect son, perfect model citizen. 

But by equating being “good” with being “perfect” without exploring the negative consequences that come from such pressures, Taylor robs Dick of the emotions that humanize him. In Taylor’s run, a good person will not be angry at their friends, will not be frustrated with their siblings, will never disagree with their romantic partner. This strips Dick of all of his nuances, and instead reduces him to a non-descriptive “everyman hero” with a limited emotional range whose only narrative purpose is to serve as a blank canvas for readers to project themselves into. 

Simply put, Taylor is uninterested in writing Dick as a character because he does not see value in Dick for who he is. Nightwing #105, which removes Dick from its story in order to allow its readers to “be Nightwing” illustrates how Taylor and DC at large only value Dick his connections, not for who he is.   

(Chen, Jess [jesswchen]. “Tweet Message.” 18 March 2023, https://twitter.com/jesswchen/status/1636971185782259716?s=20.)

Be Dick, and you can be good friends with Superman! You can be Batman’s son! You can be Batgirl’s boyfriend! Robin’s big brother! Flash’s best friend! 

As a Dick Grayson fan, this feels insulting. I’m not saying Dick needs to be anyone’s favorite character, or that anyone even needs to like him. I’m not interested in dictating anyone’s taste. But to someone who loves Dick Grayson, it is insulting to think that those responsible for his stories fail to see his value. To Taylor, the person who, as the writer for both Nightwing and Titans, has the most control over Dick’s portrayal, Dick is nothing but a tool that will soon wear off its use. 

In treating Dick as such, Taylor and DC send a clear message to those of who love Dick, and that message is that the things that make Dick special, the things that made us love him, do not matter. 

For his near century long existence, Dick served as a stand in for those who feel othered in society. While I do not have the time to go into a gender studies and queer reading of Dick, it is notable that his character often spoke to many people who felt different. As Mary Borsellino’s 2006 essay “A lot like Robin if you close your eyes” Displacement of meaning in the Post-Modern Age explains:

The things which a Robin-like figure can contain, but which are cut off from being embodied by Robin himself, lose none of their importance simply because they are rejected by a restrictive, corporate-controlled status quo […] It's worth inspecting what was excised from Robin, and charting where these elements instead found articulation: in those from lower socioeconomic backgrounds; non-White people; young single parents; and HIV positive people. And, especially, girls and women (Borsellino, Mary “‘A lot like Robin if you close your eyes.’ Displacement of meaning in the Post-Modern Age,  2006)

While Borsellio’s essay focuses on the Robin mantle, as the creator of said mantle, such assertions can also be applied to Dick. In fact, Bell concurs with the idea that those who were othered have always took a preference to Dick when stating that “Robin’s status as the littlest guy in the fight increases the character’s appeal for some children, especially the ‘youngest and weakest.’” In other words, it is crucial to Dick’s character that he is not an “everyman hero.” He is not the hero of or beloved by the average individual, but rather by those who were ostracized by society.

Taylor’s writing exemplifies the “restrictive, corporate-controlled status quo” imposed by DC that Borsellino speaks of. His characterization is the manufactured image that removes Dick’s “socially deviant/rejected” qualities his fans loved about him so that he can be palatable to a more mainstream audience.  (Bells, JL “Success in Stasis: Dick Grayson’s Thirty Years as a Boy Wonder.”Dick Grayson, Boy Wonder: Scholars and Creators on 75 years of Robin, Nightwing, and Batman edited by Kristen L. Geaman, McFarland & Company, Inc., Publishers, 2015, pp. 11)

This, of course, is not necessarily new. As Mason Downey argues in their 2015 essay In Defense of Dick Grayson: Objectification, Sexuality, and Subtext, DC has often struggled between leaning into the audience Dick has and wanting to erase any “othering” elements from his character. As they point out:

The more sexual and idealized Dick was allowed to become, the more attention he got from female and queer fans, the more the industry had to work to combat the past anxieties revolving around the character. This resulted in more and more heteronormative romances for Dick on the page. We can’t grant Wertham’s fears any legitimacy, we can’t make these stories “for girls.” Writers did so in a few ways, some obvious, some less so. On the page, we had Dick’s deflection of female sexuality that he was not in control of, and we had a level of emotional posturing with relationships he was in control of. We had moments where we saw him manipulating with or being manipulated by sex. There were editorial pushes to lean into Dick’s popularity with women and queer men coupled with the simultaneous desire to not acknowledge or grant legitimacy to the fanbase he found in those demographics. This translated to more sexualized poses. More pin-up style spreads. Multiple bait-and-switch wedding, marriage, and relationship teases which turned out to be fakeouts or got written out. Long strings of female side characters were introduced exclusively to be love interests. Off the page, we had more concrete examples. We saw a lack of merchandise and lack of representation of him in other forms of media. There was a pervasive hesitancy in broaching his existence outside of the spheres of already established fans. For example, Nolan’s The Dark Knight Rises featured Joseph Gordon-Levitt playing a character literally named Robin, who was invented for the film franchise rather than allowing Dick himself to exist in that cinematic universe. Dick Grayson is a character built upon one repeated mantra aimed at what eventually become two of his largest demographics, “Remember, this is not for you.”

(Downey, Mason “In Defense of Dick Grayson: Objectification, Sexuality, and Subtext” Women Write About Comics. December 2015)

What makes Taylor’s run unique is that in trying to have Dick tackle social issues such as homelessness and in trying to create a class commentary, Taylor attempts to create a progressive, albeit simplistic, veneer while erasing the important and “other-ing” aspects of Dick’s character that was so beloved by his fans. 

This, I believe, is one of the many explanations why many of those who praise Taylor run claim that this is the first Nightwing run they ever enjoyed, while many (though admittedly, not all) those who have been longtime Dick Grayson fans feel betrayed and frustrated by the way their beloved character is being handled. Dick is currently being appropriated into a more mainstream, palatable hero. He is being taken from those who loved him and being scrubbed clean to be suitable for an audience who could not appreciate him for what he was, only for how his connections could give them a wish fulfillment fantasy. As another Dick Grayson fan expressed:

I see no heart in [Taylor’s] work, only soulless marketing. He sells himself as something good and work on his perfect public image and everyone who disagrees is wrong and it gets on my nerves like nothing else. […] I wouldn't be as salt[y] if Taylor was genuinely trying to writing something good. I don't have the heart to [be salty] at someone working with passion, even if I don't like it.

(Henceforth referred to as Dick Grayson Fan B... This was actually said during a discussion in which we expressed how we wish we could be as excited about Taylor’s run as many others are.)

[mins-fins]

ANGEL EYES. — [L.MH] [PREVIEW]

❝ sometimes, it feels as if mark lee is your guardian angel ❞

SYNOPSIS: innocent cherub eyes, gently soft hands, a heart of gold, mark lee is the golden boy whose experienced as much love as he gives back. his grades are high, his smile is wide, and his laughter is sweet. the only reason mark lee gets embroiled in a world of trouble is because of his pairing with the 'messed up foster kid' in a school project. it would be stupid to ever let himself get involved, but mark does anyway.

PAIRING: mark lee x male!reader

GENRE: mid–2000s au, high school au, strangers to lovers, fluff, angst, hurt/comfort, humor(?), slow burn, one sided pining to mutual pining, sadness as a romantic segway, relationship study, reader is a foster kid, mark pov, happy ending.. (i suppose)

WARNINGS: swearing, explicit language, violence, drug abuse, child abuse & neglect, family issues, mentions of death, smoking, homophobia, reader simply has the worst time and mark sobs about his circumstances, an awful amount of love that isn't realized to be love

WORD COUNT: 2.7k (preview) | ..pending (full fic)

NOTES: hello everyone, this is my baby, the birth was very special, i love my baby so much 💗 listen! i started this in early august and i am STILL going, this going to be LONG.. longest mins-fins work ever long 😞 im estimating 30–40k, the power of mark lee yall 😇 it's going to go on forever, and it's definitely going to be sad in some ways, i am currently about to hit 20k words.. sooooiooooo 😊😊 i hope you like this preview bc i really dk when the real thing is coming out 😭😭 im in so much pain rn, let me nap now 😴

BEFORE IT WAS IN THE CRISP AUTUMN ATMOSPHERE, mark lee had met you at the local police station. it was only a few months prior, august of 2004 brought the prospect of donghyuck doing everything to try and get arrested, prospects that mark could only respond with under the breath swears. he loves donghyuck, he really does, but driving shouldn't have been his first choice. in all of the friendships mark has had with other people in his life, donghyuck has always brought a wave of chaos along with him, the exact opposite of who mark's mom would advise him to stay away from, but she'd always had a soft spot for him, mark can't exactly blame her.

fresh off turning seventeen and utterly clueless as to what the future would bring, mark only found himself at the police station for one reason. donghyuck had driven without a license. yep, sixteen years old and he assumed doing an illegal u-turn was the way to end his summer.

mark has always been a stand up kid. the kind who handed out his mom's cookies to the neighbors. the kind who called for stray cats in alleyways. the kind who was simply an innocent bystander to all the bullshit his friends would pull.

so when donghyuck called him from a jail phone, voice heightened in indignation as he begged for mark to come make a case for him, the older really had no choice but to do so. mark had never been to a police station before, afraid of catching sight of real criminals in the flesh by just walking past the building. he had heard too many scary stories, had terrible ideas of human beings planted in his head.

and even as a seventeen year old who had experienced life enough that such things shouldn't have terrified him anymore, there was still a small pit in his stomach as he rounded the corner in direction of the building.

"and how exactly am i supposed to bail you out?" an eyebrow raise accompanied mark's inquiry, and donghyuck scoffed as he shook his cuffed hands.

"you don't have to bail me out, my dad knows the sheriff, i'm just getting off with a warning" he whispered, sweat on his brow as he shared that familiar 'no shit' look with mark (an ironic expression really, he's the only one between the two of them that's been in cuffs).

mark snickered. "you talk so much when you're the one handcuffed".

"watch your mouth, you need me".

just as donghyuck was about to let out a swear in addition to his snappy response, said sheriff walked into the room, tight lipped smile painting his face. "don't try that again donghyuck, or next time you'll end up in a cell".

in a instant, donghyuck's blood ran cold, mark almost laughed at the sight, but he remained still, watching. the older man glanced up, catching mark's anxiety ridden eyes. "and you are?"

"this is mark, my best friend" donghyuck was quick to quip, a hand placed onto his shoulder.

mark's stomach dropped to his feet, it isn't as if he did anything wrong, it was simply on par for him to be severely anxious around law enforcement in general, he was just afraid he'd somehow get arrested for nothing at all.

"ohhh i remember you, i used to assume you two were brothers".

mark let out a breathy (and clearly faked) chuckle, trying to bury his anxiety. he could never explain it, even if you gave him all the words to, it's not like he's a bad kid, he just finds himself tensing often. "no, just friends.."

"it's good to have someone so close as support" he narrowed his eyes at donghyuck, who stifled his scoff at the clear sarcasm lacing his tone. he then scrunched his nose, watching as donghyuck placed a performative smile on his lips. "now you, sir, we need to have a talk".

donghyuck frowned, whining out complaints as he's dragged away by the sheriff. "can you wait, mark?"

mark blinked, shoving his hands into his pant pockets. he nodded, out of words. the two bantered back and forth like friends, something mark could only stare idly at. he made his way over to the seats beside the door, where, nestled in the corner of one of them, was you.

you were scribbling something into your notebook, unaware of the eyes on you. mark sat two chairs away from you, tapping his feet onto the floor as he heard the faint sounds of scoldings. safe driving, don't get into a car without a license, your future won't be any better if you continue this shit.

swearing at a child, mark found that rich. he glances beside him again, now watching you intently. you were engrossed in the manner your pen scratched against your paper, mark had figured out through endless staring that you hadn't been writing, but drawing.

you avoided his eyes for a while, ignorant to the eyes gazing you up and down. you then glanced in mark's direction, almost startling him out of his seat with the sudden stare. you blinked, puzzled out of your mind. "is there something on my face?"

mark tensed in his seat, feeling his stomach swirl, was he staring so much that you felt offended? he felt guilty immediately, his lips parting immediately and releasing a silent breath. "no.. no i'm sorry, i didn't mean to".

you shrugged your shoulders, one click to your pen. mark recognized you, but he simply couldn't conjure up an explanation as to why you were sitting in a police station at this time, drawing whatever into your notebook. "so why are you staring then?"

"i'm trying to figure out why you're here" mark muttered, fingers fiddling with his necklace as he tried to get his tone straight in fear of again offending you. "i'm sure you aren't committing crimes".

"i can say the same for you, mr golden boy".

mark's lips turned up slightly, his hands twitching from where they rested on his lips. "i got kicked out.. always come here to let dad and mom cool off for a few hours".

the words earned an eyebrow raise from mark, that was strange to hear, especially from another person in regards to their own parents. mark had never really experienced such a thing, the way you described it made his nose scrunch. "what?"

before you could respond to that one, a police officer entered the room, one you seemed to recognize by the way your eyes lit up. "come on l/n, time to go".

a frown settled onto your lips. "do i really have to go now? you know how my parents are.."

"i can't keep you here, it would technically be illegal".

"it's not like they'll care anyway.." you mumbled, slamming your notebook shut with yet another click to your pen. "just an hour longer, please?"

there was a sense of hope in your eyes, maybe he would actually take your words into account. mark simply stared, staggered by what he was witnessing. the officer watched the change of your expressions, your thumb playing at the button on your pen, continuously clicking over and over. as the clicks amplified, so did the sound of your labored breathing.

"you know i can't do that kid".

your frown deepened, teeth sinking into your bottom lip. worry, that's what mark remembered. your eyes widened, but not in the usual shock, simply in disappointment. you cursed under your breath, muttering something about your parents getting pissed at your reappearance. you stopped clicking your pen, letting the chagrin settle onto you. "yeah.."

you sucked your teeth, imitating the look of a sulky child. mark was consumed by his silence, completely confused by the situation. he didn't give a comment, simply watched the whole entire thing happen. "i'll give you a few minutes, don't worry".

you didn't respond to that one, your eyes following the police officer who strolled out the door towards his car. you bit into your lip again, hands grasping onto your notebook and thumb still pressing onto your pen. "what bullshit".

mark continued staring, his hands clutching at his thighs. you then glanced at him once more, causing for him to flinch back. you stayed silent, watching him as much as he did you a few minutes prior.

"are you alright?" he muttered, leaving his voice at a low volume. he didn't want to raise it, he wanted to keep it at a volume that kept you comfortable.

you snickered, clicking your tongue against the roof of your mouth. "fine, going home is just my worst nightmare".

mark's fingers found themselves sliding across his legs, teeth sliding against each other in back and forth motions. he blinked his big brown eyes, staring with an assured gaze he hoped would somehow make it's way to you. "i'm sorry".

he whispered those two words as if he was in physical pain, eyes watering for an inexplainable moment. he couldn't help it, and he had no idea why he couldn't help it. it was embarrassing how much he felt at the moment.

you stared back, lips pursuing. your expressions did at least seventy transformations, as if you were in disbelief at someone having empathy for you. you seemed distraught, why is he tearing up? that's so strange.

you chuckled, hoping it would quell his worries. "it's okay, not like it's your fault".

"still, you shouldn't have to feel that way about going home.. your parents shouldn't be kicking you out".

you grimaced, put off by the words. it isn't as if they were terrible, you just seemed.. astonished. why did he care? it was simply weird to you.

"well thank you for your concern but i'll be fine".

mark blinked away the tears threatening to escape his eyes, god what was wrong with him? why did he even tear up at that? he totally weirded you out.

"yeah um.. i'm sorry" mark bit into his inner cheek, letting out a heavy sigh. "just have a good day" a theatric smile placed itself on his lips, he was definitely trying to convince himself that it wasn't that bad of a situation.

you stared longer, seemingly itching to say something. there were words resting on the tip of your tongue, mark could practically sense it. "yeah, you too".

and when you stood up to walk out of the door, donghyuck coincidentally escaped the clutches of the sheriff, stumbling out of his office with his arms crossed over his chest. the door closed behind you, and mark watched the entire time.

"what took you so long?" mark uttered, eyes casting donghyuck's way.

the younger huffed in his usual donghyuck manner, hands on his hips. "he was giving me a big talk about safe driving" he placed heavy air quotes around the last two words, lips curled into a frown.

mark licked his teeth, his thoughts retracing back to you. "do you know him..?"

donghyuck blinked, his mouth opening to ask about who until he saw the way mark motioned his head. "y/n? oh yeah, he's around here all the time, the officers basically take him in whenever.."

"why?"

his voice scratched like sandpaper, donghyuck wincing at the tone. he then shrugged his shoulders, his attitude puzzled. "something about his parents not really caring, it's pretty shitty".

mark's lips parted in a freezing motion, his stomach pain only worsening. "that's scary.. feeling safer at the police station than your own home".

"i don't know much about his situation, just know his parents have a terrible temper".

mark swallowed the lump in his throat, his head beginning to pound at the information given. he tried to distract himself by thinking about school coming up soon, but he was snapped back into reality by donghyuck.

"why are you even asking me about y/n?"

mark glanced up at his childhood friend, a small whisper in his mind telling him to lie. "just curious that's all".

the lie laid bitter on his tongue, but he didn't allow for donghyuck to dwell on it, rising from the chair he's practically glued himself to. "promise me you'll never illegally drive again, the officers here look like they wanna kill me".

donghyuck rolled his eyes, tease evident in his attitude. "okay markie, promise".

mark pushed his shoulder in retaliation.

that? that was two months ago.

before the crisp autumn weather drifted through the atmosphere, before the leaves began falling to decorate the ground in orange and brown hues, mark lee had met you at the local police station. your legs crossed, pen clicking, and nose buried into your notebook.

september came and went rather quickly, the scorching heat of the summer air transforming into the russet autumn scenery which drifts into october. the temperature steadily dropping, sweaters becoming more and more common in his closet, mark can't exactly focus in class during the first few months of school.

when mark hears his name fall from his teacher's lips in pair with yours, he snaps out of an episode of disassociation, blinking up. "what?"

his teacher deadpanned, readjusting her glasses. she doesn't even seem surprised by his lack of focus anymore, his exhaustion is constantly evident. "project partners mark, you'll be paired with y/n".

mark only parts his lips in response, the words rendering him speechless. he glances around the classroom as he listens to the older woman's voice blurs into the background, catching sight of you in the far back, again scribbling into your notebook, your manner reminiscent of how you acted the first time you two met.

he stares for a while before again looking forward, his mouth going dry as he tries again to focus, but of course, he can't. his mind stays focused on you throughout the whole class, even after the endless words he lets blur away.

you spin your pen between your fingers, it's the same pen you had that day, maybe you have some sort of attachment to it or something, maybe it's your favorite pen, maybe someone special gifted that pen to you.

maybe mark's letting it all get to his head, why is he even making assumptions when he hasn't walked up to you yet?

while everyone else rushes to leave the class, mark rises from his seat and again glances over at you, slinging his back over his shoulder.

you're riveted by what you're doing in your notebook, so absorbed that you barely hear the shuffling footsteps making their way around the many desks towards yours. your lips turn down as you smudge the ink on the page, a small suck of the teeth adding to your frustration.

"um.. hi" mark whispers, watching as you glance up and pause, one click to your pen. you don't respond immediately, studying mark for a while, and mark tenses up under your gaze, sucking a breath between his teeth.

"hi".

"we uh— were partners for the project".

your smile is neutral. "i know".

mark began biting the skin off his lips, hands gripping at his backpack. "i don't know where you want to start, uh.. maybe we could go to the library?"

he's just saying what he's hoping will work. he doesn't exactly know you yet, he assumes your one off interaction at the police station left a sour taste in your mouth.

but unbeknownst to mark's anxious inner voice, you smile, not exactly a neutral one this time, a much better smile ('better' in terms of expression, your lips stretch into an aspect of satisfaction).

"that'd be nice".

mark nods, almost too enthusiastically he thinks. how embarrassing. you let out a silent yawn, oblivious to the battle mark is having in his head. "tomorrow maybe we can start?"

your smile again becomes neutral, but at least mark doesn't think you want to kill him. "yeah, tomorrow is fine".

tomorrow. tomorrow is fine.

"okay, have a good day y/n".

mark rushes out of the classroom much too fast, he feels a little terrified of you. maybe you don't exactly want to kill him, maybe you just look at everyone else in that way, maybe it won't be that bad to be paired with you.

still, mark isn't sure why his mind tells him he should stay away from you.

[freakartack]

Any warioware hot takes?

So so many. How hot are we talking here? Like room temp or witness protection?

I figure you guys have heard enough of my bitching and moaning about the same tired old hot takes so I will take this post in a different direction: sharing my thoughts on the most divisive character in Wariohead history

In Defense of Ashley

(ignore the fact that she's dressed up as wednesday addams i'm reusing this pic from october)

Is ashley truly the Lucario of Warioware? Yes. Would i rather have had a kooky old witch instead of her? Also yes. But now that she is here (i say, as if i am in 2004 addressing a board of disgruntled middle schoolers), I feel I must take it upon myself to plead her case.

Ashley is a character that is wildly incongruous with the world she lives in. At first glance she looks like the mary sue of a child who played warioware once and wanted to be a little "My Immortal" about it. However, not only is this 60% true, but it's also funny as hell. "But she's a massive asshole," you say, and to that I say you're right. But she's also 13. And you're not. So that's kind of unfair.

Despite all this, she does kind of fit the mold of your typical warioware character. "Looks cool as hell, actually quite lame" is basically a prerequisite for being friends with wario. And ashley passes this test with flying colors! She's lame as fuck!

If you know me, you would think i should hate a character who was introduced as trying to boil Orbulon, but if you REALLY know me, you know that this is actually my favorite part in the game. (I like orbulon because things are always happening to him.) But beyond that, also, since I have to fucking bring Orbulon into everything, there is a kind of foilage going on over here. Orbulon is a freaky weirdo who's been pretty much alone for one thousand years and is now desperately trying to learn how to socialize with humans, to mixed results. Ashley is a freaky weirdo who just got here and is instantly assimilated into a friend group that she has no idea what to do with.

And so she like, makes death threats at them. This would suck for any other character but because she is so young it instead feels like everyone is trying to rehabilitate a wildly poorly-socialized lapdog. Normally you hand this to the professionals, but instead we have Wario, so it is what it is. Plus also, it is really funny that the writers' insistence that you should actually think she's cute and nice manifests in her own personal hype man. Red, you deserve better, but keep doing you.

IN CONCLUSION:

[zahri-melitor]

I am trying to fit this time line of self destruction on Dick's part together and seriously events seem to go like this:-

Nightwing #80-82 (June-Aug 2003): Slade turns up to harass Dick in Bludhaven, Dick is fired from the BPD.

Outsiders #1 (Aug 2003): Roy asks Dick to join Outsiders and promises that he doesn't need to be friends/family with the team. (Roy is unknowingly being fed targets by Slade)

Outsiders #5 (Dec 2003): Roy gets shot 5 times in the chest, Dick feels guilt over it and has to take full charge of the team.

Outsiders #6 (Jan 2004): The Outsiders have to allow the entire inhabitants of the Slab to break out and escape as the Slab is destroyed. The team are blamed in the media for this.

Nightwing #87 (Jan 2004): Babs tells Dick they need to take a break.

Nightwing #88 (Feb 2004): Haly's Circus burns down.

Nightwing #89 (March 2004): Dick's apartment building blows up killing all residents apart from Dick and Amygdala.

Nightwing #93 (July 2004): Dick turns away as Catalina shoots Blockbuster, Dick has a panic attack, Catalina comes to find Dick on the rooftop as he despairs and she sexually assaults Dick.

Nightwing #95 (Sep 2004): Catalina tries to pressure Dick into marrying her, is blocked by Bruce calling Dick to come back to Gotham due to War Games.

War Games (Oct-Dec 2004): Dick has to fight a gang war and is assigned by Bruce to work with Catalina through it as Dick hasn't spoken to Bruce about what happened. Dick ends up with a serious leg injury.

Outsiders #19-20 (Feb-Mar 2005): Lian is kidnapped by child slavers and rescued. (Arguably could take place prior to War Games)

Outsiders #20-22 (Mar-May 2005): Bruce revealed to be funding the Outsiders, Dick goes and yells at Bruce about this, Slade revealed to have been funneling information to Roy and pretending to be Batman. (Again cannot be long after War Games, probably before)

Nightwing #100 (Feb 2005): Dick and Babs officially break up, Dick walks away from being a superhero, Dick has not spoken to Bruce.

Teen Titans & Outsiders #24-25 (July-Aug 2005): Both teams have characters get controlled - Kon by Lex and Indigo by Brainiac 8, at the end of the storyline Dick quits. This has to be after Identity Crisis but must be not long after Nightwing #100 given Dick has not yet gone undercover. Also Dick has theoretically been hiding a leg injury and brace for a period here.

Outsiders #26 (Sep 2005): Dick has sex with Kory.

Nightwing #107 (June 2005): Dick is now undercover with the mob and has been for some time. MUST come after the events above.

Nightwing #112 (Nov 2005): Slade talks Dick into training Rose.

Nightwing #114 (Jan 2006): Roy turns up, mad, and argues with Dick to come back.

Nightwing #116: (March 2006): Bludhaven has gone boom. Thanks so much, Slade.

TL:DR; there's a whole chunk of Outsiders in 2005 that has to have happened approximately around War Games due to Dick's knee injury, and since Teen Titans spent six months of title hopping through time immediately prior, you can shift both titles for their crossover right up to very shortly after War Games/Identity Crisis in terms of 'Jack is dead but Dick's not yet undercover'.

Actually thinking about it more, it's even more complicated than that, because Teen Titans #20 suggests Outsiders #16 occurred after it, unless Kory's been simultaneously on both teams. I think I have to read this as Kory has been on both teams at the same time to make any of this make sense.

This results in Dick having broke up officially with Babs and then almost immediately had Bad Idea Sex with Kory (after also having been assaulted by Catalina at least once and potentially multiple times while he's in the daze where Catalina tries to convince him that they should get married).

(Seriously why is everyone in Outsiders having random sex with people who are a Very Bad Idea)

[cutencaffeinated-blog]

I may be too old to be part of the campus protests going on now, but I have the utmost respect for these students and supporters.

The kids in their first years of college? They were born in 2004-6. They were kindergarten age when Sandy Hook happened. They were in junior high when covid hit. They are struggling to choose a path to education that doesn't put their own lives or entire vulnerable populations at risk.

I was born in 1990. The first instance of school violence I knew of was Columbine, and I was 9. The first instance of terrorism or threat to my "normal" was 9/11, and I was 11. My first indication that the US might not be the altruistic big brother of the world was the invasion of Iraq in 2003, I was 13. The first time I realized that family financial situations can change unpredictably, was 2005 (parental medical issues, followed by 08 crash), and I was 15. My first experience being the victim of police brutality was in 2007, I was 17. The first currently-happening protests I knew of were Occupy Wall Street in 2011, I was 21. The first ongoing attempts at revolution I was aware of were Arab Spring in 2012, I was 22. I was in my 30s when I learned colleges support genocide and the military industrial complex. For the first three decades of my life, I was able to convince myself the system was working and progress was happening, at a snail's pace, but nonetheless.

These kids have NEVER existed in a world that felt safe, have never had a future that seemed secure, have never even lived the illusion of the American Dream. The kids who are trying to choose a college that doesn't support genocide were the first kindergartners to do active shooter drills, how do they choose which university to allow to point guns at them? These were the first kids to have to live through, and study the historical impact of Covid, and they saw that the economy is valued above all else. These kids lost their virginity or came out of the closet in a world that was getting safer only to have healthcare taken from them. The world has failed this generation so intensely, and I can only hope y'all hold society accountable.

I have a child now, a true Gen Alpha Honey badger, and I am so hopeful that gen z can lead the charge to making sure my child doesn't have to face these same choices. Go forth, we got your backs, I'm too old and disabled to be front lines anymore, but I'll show up with snacks and do the jail release runs. I'll babysit and cook for when y'all get back from your actions.

[farshootergotme]

Can I just say thank you thank you. 👏👏👏

I grew up with the 2004 Batman cartoon and I have thought Dick and Bruce had a parental relationship whether it be father/son or Big brother/little brother it depends on the adaption.

I have just recently got back into Batman and into comics in general and I was honestly a bit shell shocked to see so much well adopted family incest which is just wow but I’m just numb to the internet at this point so nothing surprises me anymore.

What I can’t stand is liars, I swear these people who ship dick and Bruce together are just straight up in denial in some places just accept you’re shipping something taboo. Don’t lie to me about how much they hold a place in queer history which is greatly exaggerated given how it happen based on a lie by a quack and his horrible book note the beds were separate I checked the infamous comic panel it’s just draw really badly but given how tight the deadlines for comic back in the day were I will forgive that poor artist. Also another book they source from the 2000s book written about the queer coding of Batman and Robin seems to really like to leave out the fact that Dick is a child and is written as one. No matter what gen he was written as young lad with hobbies similar to that generation and time period mostly.

Like yes at the time it was done because homophobia but don’t pretend there wasn’t another issue aka it would be the grooming of a minor like for context homosexuality was see as connected to pedophilia. Like seriously when I was looking into this topic, it honestly felt like telephone because how much the original context of the panel was lost like seriously does no one check sources anymore.

Another thing they don’t bring up is how in the 1940s adopting was very uncommon and seen as weird to many it wasn’t as accepted back then which is why ward was used because that was more acceptable back then. It’s also the reason why Jason was adopted by Bruce because it was more acceptable when he was created. Also it was such a non issue to the writers at the time that even though technically Dick wasn’t adopted by Bruce on panel he still treated as one by the writers mostly before Marv Wolfman decided it make for interesting story to have Bruce not adopted Dick and have Dick have a whole hang up on it and is confused by why Bruce didn’t at that time.

Like literally I am tired of people claiming Dick doesn’t want to be adopted by Bruce or that he never wanted him to his father to him it’s simply just not true although it is complicated. Like Dick won’t call Bruce dad but in his eyes as he got older he saw Bruce as a father figure as well as his second dad and Bruce has always seen Dick as like a son and to his actual son blood or no blood for crying out loud he bloody raised him along with Alfred for over ten years like how could Dick not develop a parental bond with him and Alfred ahh. He may not be father of the year but he still cared and look after him all those years like no wonder Dick felt hurt in the original Marv wolfmen story when he wasn’t adopted.

Now, I will say in the early adaption of Batman and Robin and even the silver age to an extent. Did betray them as brothers because well the age gap was closer in 1966 version and late 70s cartoons of them so I can see why older fans can see it that way and the silver age mostly do a big brother little brother dynamic with them. While golden age seems to flip flop and if they were father/son or Big brother/little brother and the Bronze Age they went to father/son by the end because that was probably more interesting to write. Like a son repelling against his overly critical and overprotective father figure was probably relatable to lot of teens and young adults reading Dick stories at that time. Then the rest of eras after that just settled with them being Father/son duo mostly. We don’t talk about Devin weird ass takes in their relationship I swear she is just inserting herself in some characters just to be creepy towards Richard and well she nearly destroyed Oliver character by writing him being weird about Richard when he was Robin which was just yikes.

I also just find it so gross how she took a very reserved and very ace coded character like Dick Grayson and sexualised him, like making his exotic and making him overly sexual is just huge yikes to me and making him Romani because circus is such a huge stereotype and quite harmful. I have such mix feelings about Richard being romani because of how it was done and Tom Tyler has done a poor job in my opinion as well. Like originally Dick was just pure American then his mother became european notable french in one of them which makes more sense to me. I don’t know, I will eat my socks when it’s done well which would be wonderful but right now it’s just no to me. Also, why Richard like what just because he’s sexy Devin and he is romani because circus. Like my ass is as white as snow but even I know that is a weird ass take and honestly fetishy in nature I feel.

Which leads to me being so weary of people who do use it because like yes some people do it so well take notes writers at DC. But others well… I feel just sexualise him for the sake of it and I get very suspicious of people who make draw Dick overly feminine or straight up make him the wife in the relationship. It just makes my trans man heart nervous because usually they also ship Richard with older man (Bruce with him as well probably…) which in Canon he has called creeps and acts super uncomfortable around them. Like whatever ship your taboo ships just keep a safe distance from me okay. It just sadden how Richard is written as overly sexual and slutty like that is not my boy. 😭

I think the reason it also upset me so much is Bruce in a lot of ways is like my dad when he is written as a well meaning father figure. I relate to Dick being the eldest of many siblings and also my Dad is my stepdad but he has raised since I was nearly one. I know it’s not the same but to me he is my father and nothing will change that. It’s why I can’t stop people who act like Bruce and Dick aren’t father/son because well he’s not adopted by law so it’s doesn’t count but to Bruce already is and honestly I just wish in modern adaption just get adopted as a early teen at this point. Like even modern DC doesn’t hide or exclude Dick Grayson is Bruce Wayne eldest son and I’m so happy for that. (Even though he has been adopted by law but as an adult but I digress.)

I will shot myself mentally if I see another person claim it is DC heteronormative doing their relationship like shut up. You who says this bs you clearly don’t care about queer history or adoption history in general and it’s so harmful how people try to undermine adopted families like that. Like seriously ship what you like just don’t pretend it isn’t taboo as all hell. 😤 Also, anyone who claims this don’t you dare call young queers homophobia because they’re saying how it is. You don’t see people defending pedophilia and incest in Greek mythology do ya.

(Then I think in my head how strange it always the ace coded characters that get sexualised or made the secretly horny seductress/playboy type food for thought.) 🤔

Oh apologies for the kinda rant there but this honestly this has been bothering me about the bat fandom. I will say I’m still a noob when it comes to comic book history and I haven’t read most of Dick and Bruce books but I have done my best to do my homework on them and the rest of Batman history and it members. I have honestly only read modern books like world finest and short teen titans spin off book. I’m currently pre order Mark Waid latest book Batman and Robin year one which I am so excited for truly he is saving me given me some good Father/son moments with Dick and Bruce. Also maybe the new Nightwing which I hope will be good, I read TT run online free because I’m poor :p and it was so boring, Richard just feels so bland in that book. Like I will give TT credit their some good panels and moments but that’s just it. My inner Dick Grayson fanboy is showing ha ha. 😅

Anyway, sorry my rambling but honestly this fandom baffles me sometimes.

I have nothing to add—you said it all. Loved the rant and I agree with all of it! Thanks anon!

[cherrysmokesaconha]

EDDSWORLD 2004 HEADCANONS!!! LOL!!!!

I am NOT the type of person to make them close to the real ppl, so I made my HCS more unique, hope u guys don't mind (I'm sorry, I am NOT going to call Tom "ThOmAs RiDgEwOoD" or Edd "EdWaRd GoLdStOnE" LOL)

And also here's some HCS for them!

MATT - He doesn't like seeing Tord smoke, and he's also affectionate, despite not seeming so. Matt also does lots of jokes to Tord to make him blush, since he blushes easily (NOT SHIP!!!!), and Matt is also a person who "looks like a cinnamon roll, but could actually kill you".

TOM - He's almost always drunk. He hates Tord but would comfort him if needed (Tord would also do that back), and him and Tord are drinking buddies! Tord and Tom interact just a little bit despite hating each other. And also, Tom doesn't have a normal mouth, his mouth is like, a melting thing, and only appears in very specific moments (rage moments are an example).

EDD - He's AroAce, sex repulsed AND love repulsed (and probably hates people who ships him with Tom or his frie). Edd also loves drawing his friends! Edd is like, the chief of the Eddsworld HQ + the person who commands the studio. Edd is the person Tord trusts most.

TORD - He blushes easily. Tord also drinks, but unlike Tom who is always drunk, Tord chooses a specific day of the month to get drunk. When he was a child, Tord was taller than Tom, but Tom grew taller than him over time. Tord likes wearing dresses sometimes (And he makes fun of Tom for wearing skirts, since Tom never admitted he does).

Yeah that's all.

[pappydaddy]

when i'm eighty (j.m.)

tv show/movie: outer banks | pairing: jj maybank x fem!pogue!reader

requested by a lovely anon as part of my 800 follower celebration

synopsis: y/n is exhausted and jj neglected the bike's gas tank. who knew it would lead to such a proclamation.

taglist: @luvhann | @thelakespoets  | @lonely-simp | @smarie7543 | @tenaciousperfectionunknown | @k-k0129 | @maybankslover | @taurusvic | @moralina | @verystarfishflower | @4dr1ana | @adr1an4 | @instabull | @poppet05 | @rottenstyx | @boxofsilentwords | @popeheywardssecretgf | @lexi-2004 | @i-always-come-back-xoxo | @rootbeerfaygo | @444lyra *line through your user means i could not tag you lovelies!

warnings: tears (exhausted) | karen situation mentioned | the lovely realities of a retail job

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- not my gif -

Sure, Pogue life was fun and relatively carefree, and Y/N wouldn’t trade her life for anything, but it did have its downfalls. Like when you see something you really like and you pick up extra shifts and work your ass off for it, but a Kook just has to ask their parents for it and boom - they have one they barely use or care for. Or when you accidentally spend too much money grocery shopping so now you have to pinch your pennies until next pay in two weeks. Or, like for Y/N right now, you have to work all day, every day because your crappy minimum wage job is severely understaffed and, even though they treat you horribly, you offer to pick up more shifts. 

  Y/N, right now, wasn’t too pleased with her status as a Pogue. Not when she is standing here, bored out of her mind and swaying on her feet as the middle aged Kook rambled on and on about something. Y/N wasn’t too sure what she was complaining about, truthfully, she stopped listening after the woman called her an incompetent child - which was the very first thing that came out of her pink smeared lips. 

  All she could actually focus on was how heavy her eyelids were, or how much she wanted to cut her feet off or just rip them right from her body. Or the dull ache that nestled itself right in the dip of her spine. Or how much she wishes she could just smash her kneecaps because, at this point, they were so tired and sore they were basically numb. It had been five days straight of her leaving school the second it was over and having her boyfriend, JJ, drive her to her work (a small hardware store), and then working to close. 

  She was exhausted, but she was falling behind on her road to buying a reliable car. Not the heap of rusted metal that has been sitting in her driveway for the past few months - completely broken. Luckily, because the owners did not want the possibility of being sued, they refused to let her work this weekend. That meant, once this woman was done with her tantrum, Y/N could get out of there and sleep for the foreseeable future. Well, at least until JJ had to get up for his shift delivering groceries tomorrow afternoon. She just hoped today wasn’t the one day JJ was late to pick her up. 

  “Mark my words, because you all know nothing, I will never come back here,” The lady slammed her hand against the counter Y/N stood at, the newly hired cashier shaking slightly behind her. “And I will be in contact with your manager and owner for reimbursement for any bills that come from this.” She sneered, gesturing to the empty bottle of antifreeze that was specifically made for diesel engines. That she put in her Land Rover. 

  “You have a nice night, the owner and manager will both be in after nine tomorrow morning.” Y/N drawled like a robot, ignoring the huff and snarky comment the woman made towards her for her lack of respect. There was no way in hell Y/N was apologising to her when Y/N and the manager were the ones who told the woman and her husband not to get that antifreeze, but her husband just wouldn’t listen. 

  “And I am telling them about your horrible behaviour towards me-” 

  “Ma’am,” Their night manager appeared from one of the aisles, looking annoyed. The clock had ticked by to read five minutes after close, meaning this woman was standing there ranting for over ten minutes. “We closed five minutes ago, if you have an issue, you can call and discuss this with our head manager and the owner tomorrow, but now you need to leave unless you want to front the money to pay us the overtime you are causing us because we won’t get paid.” He told her, pointing her towards the exit.

  She scoffed. “Of course I won’t pay you people to be incompetent at your jobs. I mean, how hard is it to sell people items? If anything, I should be getting money for you people for the damages you caused to my expensive Land Rover-”

  “Again, ma’am, you will have to bring that up with the people with more power than me,” The manager looked completely exhausted and annoyed with this woman. He grabbed the empty bottle from where she left it. “Now, you can either leave on your own or I will be contacting the authorities and they will remove you from the premises and you will be banned.” 

  He held out the empty bottle just before she snatched it, her nose turned up as she scoffed, turning on her heel and leaving out the door. “Okay, you two go, I will lock everything up.” He waved them off. Smiling thankfully, Y/N grabbed her thin sweater (which was JJ’s) and her empty plastic bottle of water, tossing it in the recycling bin.

  “Thank you, Gerry. Have fun tomorrow.” She waved bye to him as the new cashier trailed quietly behind her. Pulling the hoodie over her head, she left through the same door the woman had, seeing her fancy silver audi sitting in the parking lot. From inside, she could see her phone pressed to her ear as she yelled. 

  “Hey, sweets,” JJ greeted her, pushing off from the wall he leaned on. Y/N smiled, saying a quick ‘see you’ to the quiet girl as she bounded over towards her mother’s car. Her feet not moving, she held her arms open for JJ, signalling she wanted a hug. JJ complied, striding the short distance to her and wrapping his arms around her waist. Naturally, her arms rested on his shoulders, enjoying the relief and comfort his hug brought her. It was like every ache in her body left and the weight that was crushing her lifted. “Long night?” He asked, pressing a kiss to the top of her head.

  She hummed. “Long week.” She corrected him, snuggling into his chest. He laughed lightly, not wanting to jostle her as she clung to him. 

  “As much as I would love to stay here hugging, we should really get you some food then to bed.” JJ started to pull away. Whining, she released him, the growling and uncomfortable feeling in her stomach too persistent to ignore, but her face remained planted into his chest. 

  “Carry me to the bike?” Her voice was muffled as she spoke. 

  “Sorry, sweets, the bike needs gas and I don’t get paid until next week.” He informed her, hands on her shoulders and pulling her face from his chest, just enough for him to see her face. Instantly, he was met by a pout and a whine from her. 

  She blinked at him, puppy dog eyes in full effect. “But I’m too tired to walk, JJ.” She told him. And looking at her, he could see she was. The eye Bags under her eyes were so deep that the concealer couldn’t even hide them. Her shoulder drooped so much it looked like she was lugging a bookbag that weighed fifty tons on them. And, not to mention, the way her eyes blinked lazily, looking a second away from closing in slumber. 

  Aside from her appearance, he could tell over the past few days she was completely exhausted. The way she kept falling asleep on his shoulder at lunch or as they skipped their respective classes in favour of cuddles. She only skipped classes when she wasn’t sleeping properly or she was bored. The way she was extra clingy (like right now). Or how she nearly face-planted into her breakfast this morning. “I know, Sweets. But the bike didn’t even have enough gas to drive here.” 

  Sighing, tears welled in her eyes. A mixture of exhaustion and stress filled her, creating tears. “I’m sorry, I shouldn’t have asked you to waste all that gas driving me here and back home.” She weeped, sniffling as she blinked frantically. 

  JJ, nearly shitting himself at the sight of tears, jumped out of his skin in fright. “No, no, Sweets. Don’t cry,” He shushed, wrapping her up in his arms so tight her eyes could pop out of their sockets (not really because he would never hurt her). She sniffled into his sweater, tears hitting his sweater. “I didn’t waste gas driving you. I can never waste anything when it comes to you. I let the tank get that low, it’s my fault. I thought I had enough but John B hit a pothole the other day and I needed to go help him change the tire, that’s where the gas went. It’s all John B's fault for being on the mainland and driving like an idiot.” He rocked them from side to side until the tears slowed and the sniffles seemed to quiet down.

  “John B made you drive all the way to the mainland to help him change the tire?” She asked, pulling her face from his chest, but his arms didn’t let go over her, keeping her pressed to him. Her eyes were watery and puffy, a red tinge to the whites of her eyes. Her face was puffy and blotchy, trails of dried tears running down her cheeks. 

  JJ nodded, moving his arms to grip her face, thumbs lightly rubbing the tear streaks. “Yeah. And the idiot also decided to take everything except the jack out of the van so we had to go get a lug nut wrench which ate up more gas.” 

  “He never learns his lesson, does he?” She laughed. It was wet, her mouth thick from the tears still. 

  “No, he doesn’t,” He whispered, his voice low as he stared at her. “Now, let’s get you home before you fall asleep standing here,” He stepped back, putting distance between them. She watched with furrowed brows as he turned his back to her, crouching down, practically kneeling on the sidewalk in front of the store. “Hop up.” He told her, arms to his side, stuck towards her slightly, waiting for her to climb onto his back. 

  “JJ,” She exclaimed. “You’re not going to be able to carry me all the way to John B’s!” 

  “Yeah I can. I’m eighteen, not eighty,” He told her, pointing to his back. Sighing, she knew he wasn’t going to take no for an answer. On top of that, he would find another way to carry her. Her hands gripped his shoulders as she hopped onto his back. His hands instantly gripped the bottom of her thighs, securing her there and he stood up to his full height. She let out a small squeal at the sudden change in height, kicking her feet slightly at the feeling of them not being on the ground. It always took her a second to get used to being held on his back. “And even when I’m eighty, I am sure as hell gonna still give you piggy back rides.” 

  “Sure, we’ll revisit that when you are hunched over because you gave me so many piggy back rides now.” She laughed, her arms lazily moving to rest closer to his neck, her chin resting on her bicep as he started to walk towards John B’s. 

  “Why do you think I am in such great shape? I am training to carry you around my whole life.” 

  “If that’s the case, might want to lay off the weed and the booze.” She poked him in the pectoral teasingly. He squeezed her thigh playfully back, laughing as she pressed a kiss to his cheek the best she could before resting her head back on her arm, letting the pattern of JJ’s gate relax her, her eyes growing heavier by the second. She really did hope that when they were eighty, they didn’t lose any of their playfulness - no matter if JJ could carry her or not.

[ghnosis]

*rips bong* (this is my bong in case you're curious)

so some of you have asked me, over the course of the 80-someodd interviews I have so far conducted, why I am doing my PhD on Ghost.

tonight a participant asked me in a manner that sort of finally clicked for me - because I assume all of you live inside my head with me and know why I do everything.

Rose, why are you doing your PhD on Ghost fandom?

when I was 12, American Idiot by Green Day came out. I lost my mind immediately. Green Day were my first hyperfixation. I promise if you ask about "Green Day Girl" to people I went to high school with, they would remember me. not only did Green Day teach me about the Iraq War, and American progressive politics in general, they also taught me, a bullied and weird child, what it meant not to give a shit. someone thinks I'm wrong/bad/inferior? cool! I don't fucking care. "now everybody do the propaganda," etc.

if I kept talking about everything I learned from Green Day, we'd be here all night. but. Green Day *also* taught me that music didn't have to sound like pop, or like country. that music could be written because someone felt something. that music could be used to express rage, a thing I felt in spades.

so from Green Day, my door is blown wide the fuck open and I get to learn about Dead Kennedys, about David Bowie, about Nirvana.

the other thing I know I love, back then in 2004, is learning. and teaching.

fast forward 15ish years, give or take (or pack me a second bowl and I'll tell you the middle), and I'm looking, halfheartedly and in a bummed-out manner, for a PhD program. I have my master's, I didn't like the experience, but I want that Dr. I've been presenting at conferences and doing some piddly academic writing on video games and the use of games in education, and I'm on a listserv for other people writing about games. I get an email from someone at Falmouth University about a PhD program there in "Dark Economies." who's listed on the email? none other than Tanya Fucking Krzywinska, my number one academic girl crush (in my subject area. my actual number one is a historian)!!!!!!

so I read this email and it's talking about the intersection of the occult, video games, and heavy metal. as I said, I've been writing about video games. one of the things I'd been writing about was a certain thing that happened in that industry ooooh, 14 years ago now. something in my brain slots into place.

the occult: I know what that is. occult rock, certainly. I maybe could squeeze in some punk or pop punk. the goffik. we got some MCR.

heavy metal. well, I'm a punk girl through and through, but I used to date that guy in the metal band and have seen Slayer et al multiple times live. sure. I can occupy that world. wait a minute. Ghost.

video games. the thing I'd been writing about, specifically the mistreatment of anyone who wasn't a cis guy. you know what that sounds a lot like? sounds a lot like going to metal shows with my ex. WAIT A FUCKING MINUTE. GHOST??? on TUNGLE DOT HELL???

so I log my ass back on to this website and I look at you, at all of you beautiful people I'd been reblogging ass wobbling gifs with for years, and I said "oh my god. are they me? is whatever is going on in there just a bunch of me's, except it's Ghost not Green Day?

are all of you finding the most beautiful thing there is to find, namely, empowerment and freedom, in the goofy Satan band music band? was it the heaviest thing you had heretofore encountered? did it crack open a yawning chasm in your soul? were you hurting in ways you didn't know how to articulate? are you learning what it means to take up space, to demand rights for yourself and for others, to truly let your fucking freak flags fly? are you feeling the stirring in your heart that only comes from religion (read: witchcraft) or from seeing the most important band in the fucking world live, in the flesh, singing TO YOU, sweating FOR YOU? if you are, I think we are fucking important and vital. I think that we can tell our stories and make a bunch of other weird little girls realise that they, too, have rights - including to transition.

cos immediately in doing this research I found out - you're also NOT me, in some really important and specific ways. maybe being AFAB in the US isn't part of it. maybe it's bigger than that. and I feel so lucky, so truly fucking blessed and lucky, to have gotten to speak to over eighty of you beautiful people, to have been trusted with your stories. to learn what makes YOU ache in your soul and how it is different to but also the same as mine. I have to stop now I'm gonna cry!!!!

[kermit-coded]

Older Brother (Never Child)

marvel graphic novel #4 (1981) // a feast for crows by george r. r. martin // marvel graphic novel #4 (1981) // my father's house by bruce springsteen // happier than ever by billie eilish // new mutants (1983) // sacrificial lamb by the ophelias // right now by gracie abrams // new mutants (1983) // poplar street by chen chen // new mutants (1983) // canary in a coal mine by the crane wives // x-treme x-men (2001) // chuck palahniuck // would you rather by phoebe bridgers // x-men unlimited (2004) // elektra by sophocles // new x-men (2004) // i'll give you the sun by jandy nelson // american teenager by ethel cain // x-men divided we stand (2008) // older than i am by lennon stella // second coming prepare (2010) // growing sideways by noah kahan // hope in the dark by rebecca solnit // us avengers (2017) // driver's seat by madds buckley

[maybeimamuppet]

Do you believe Regina is redeemable?

ohhhhh buddy the whole can of worms this opened

to make a long story short: yes.

to make a long story longer with a tw for mentioned child abuse/neglect and suicidal ideation

i think every iteration of her deserves a shot at redemption.

canonically regina is at most seventeen years old. yes, she’s almost an adult. yes, she does and has done despicable things at this age and even younger. but she is still young. she is still a child. to completely, black and white say, that she is at her core an unredeemable monster who doesn’t even deserve to try does a complete and utter disservice both to her and the people she’s hurt in her past. to say she will be the way she is forever negates all the suffering she goes through and puts others through in canon, misguided though it is.

regina is also basically the textbook for a personality disorder and specifically bpd. borderline is (in a lot of cases i’ll say rightfully) very harshly judged. there’s a lot of stigma around it and cluster b disorders as a whole. but bpd is also caused for the most part by neglect and abuse in childhood. we only ever see regina’s dad in 2004 canon, for a single scene, crying over regina wearing the rabbit halloween costume. he’s completely absent in both the stage show and 2024. and looking at her mom, it is very obvious something has happened to the both of them and that this child (or neither of these children if you include kylie from 2004) is/are not getting the emotional guidance, support, and attention they need. who knows what happened before canon as well. who knows what her dad was like.

speaking as someone who also probably has bpd (which i discovered through doing research to write her better) i can say it is a terrifying experience. i’m lucky in that i’m able to resist my compulsions most of the time, but having them at all is beyond terrifying sometimes. i am filled with rage on a hair trigger these days. sometimes i’m able to process this anger in a healthy way. i can rationalize. i can think through it. i can calm myself down.

other times i can’t. i can only glance through the mean girls tag on ao3 now because if i look at numbers or think for too long about it, i compare the new fics that have come with the 2024 movie to things i’ve written. to see these fics that, while fantastic, are much shorter or don’t have as much effort put into them as what i do get literally ten times the love does hurt, as much as i adore and appreciate what i do get.

by nature with my other illnesses i have to pour my entire heart and soul, blood sweat and tears into every word i put on a page. every fic i’ve done is a piece of me that sometimes feels like i’ve torn it out of myself and given you to read. sometimes seeing that get 150 hits compared to a cadina fic that’s half as long (but again, still amazing! they all deserve every hit and kudos and comment and whatever) getting up to 1, 10, 50k hits just latches to a particularly sadistic part of my brain and it’s all i can think about for weeks. and it makes me want to quit. either writing or living.

and that sounds dramatic because IT IS. and i’m fully aware having those thoughts and urges is irrational. i don’t want them. i miss feeling like i have a community on ao3 (i absolutely have one here and i love all of you in my little circle with my entire being.) i hate having to avoid reading about my favorite characters because it does that much damage to my mental health. i am afraid that it takes something that small for me to have these massive thoughts.

all of that to say is that bpd makes switches easier to flip. it makes bad choices easier to make.

the reason i’m still here. the reason i still write and i haven’t deleted everything i’ve ever done. the reason i haven’t done a number of other things that i won’t say because they aren’t really relevant. is because i have chosen not to. it is incredibly hard sometimes. but it is still a choice you have to consciously make. you have to consciously decide to hurt someone. you have to consciously decide to say things. you have to consciously decide to humiliate your best friend in front of countless other people.

regina did make those choices.

and for that she does deserve consequences. she deserves repercussions and she deserves flack. she does not deserve to get hit by a bus (except for it being the catalyst to help her realize she needs to change) or being force fed to reach her biggest insecurity and fear without her knowledge.

she made the earliest choice when she was either eleven or twelve years old, that we know of.

that is a child.

regina is a child who is clearly suffering in some way we don’t see. she absolutely should be held accountable for what she does and what she has done. but she also deserves to be allowed to apologize and try to make amends. she deserves to be allowed the opportunity for growth and to heal and to become a functional adult who is capable of meaningful relationships and success. she deserves to be allowed to try.

does she deserve immediate or any forgiveness? no. the people around her also deserve the ability to make the choices with her that they will. she has caused harm, people are allowed to process the harm she has put upon them however they will.

but she deserves the opportunity to make it a choice for them.

she deserves a chance at redemption.