#i am way too excited about this.

[bixels]

Just gonna have to wait and see, right? Just wait and see! Just gotta wait and see! Who knows, we'll just have to wait and see! It's anybody's guess, we'll just have to wait and see! The future is exciting, we just gotta wait and see!

[kelin-is-writing]

Sorry guys, can’t hear anyone over the huge heart-eyes I have for this man right here 😍🤍

[lilybug-02]

Wow. That could not have turned out worse.

Part 23 || First || Previous || Next

--Full Series--

This comic will be on Holiday Hiatus this December and January! While on a cliffhanger? What a scam! >:/

[prismsoup]

Do people also have that horrible random moment when your brain bullies you for not knowing enough about a topic you consider yourself passionate about ?

[in-a-continuous-daydream]

Details from Richie’s death that break my heart

(Really specific because NPMD has been in my head since September the 15th and I think that scene is HEARTBREAKING)

Also MAJOR THANKS to @jensen-frackles for the gifs 🫶

-this

-how he sort of colapses in the stairs while trying to run away from Max + his reaction when Max “closes” the doors

-the fact that he was on the floor when he begged Max not to kill him + through the whole “who will pray for me” part

-the way Jon closes his eyes when he sings “when my body’s gone” for the second time

-he was forced to ask himself WHO WOULD PRAY FOR HIM WHEN HIS BODY IS GONE?!?!

-The fact that Max tells him “this is the consequence for what you’ve done” when “what they did” was try to stop him from bullying them non stop which led to a tragic accident

-“I’M NOT A LOSER!” (+ again the fact that Jon sings this through closed eyes)

-the way everyone is sort of like a witness to his death in the back idk the real symbolism but it gives me chills

-that he begs Max by his name in the end (“no, please, Max”) @jensen-frackles

-the fact that NOBODY notices he isn’t around after he dies (when they go to school the next day)

-very specific but, the first lines Richie sings are: “I’m dead, the blood is all but draining from my head, (…), my pulse is certainly dropping, and my life is hanging on by a thread.” And that breaks me because the thought of Richie, alone, scared and in pain, bleeding out on the floor, while a football match is going on outside is too much

-Finally, the way he shrinks himself down 😭

[trashpandacraft]

I found fibrecraft tumblr after searching drop spindles because my dad *didn’t even know what that was.* And despite having been firmly of the opinion that I didn’t intend to learn it, y’all have me getting ever closer to giving in. However, I’m also growing ever more enamored with the idea of weaving - and despite recently deciding to give knitting and crochet another go - I think it looks the most fun of the fiber crafts. My issue is that I have absolutely no space.

But I’m beginning to realize there’s a lot of different looms and types of weaving. So I was wondering if you have any resources or tips for small space methods and storage?

welcome to fibrecraft tumblr! it's fun here, we have enablers.

i will admit that while i love knitting, weaving is amazing, and is much better with regards to instant gratification—weaving for an hour gets you a lot more fabric than knitting for an hour.

so let's talk about weaving, because i have great news for you: you can 100% totally weave in a small space if you want to, and you even have options for how you do it. i'm going to go through basically all the small space weaving options that i'm aware of in roughly size order, and if you make it to the bottom of this you'll have a pretty good overview of space-saving weaving methods.

the first question to ask yourself is what you want to weave. maybe you're not sure yet, which is totally fine. if you don't immediately have strong feelings about it, though, maybe consider if band weaving strikes your fancy. this is pretty limited in size, but lets you weave belts, straps (like camera or bag straps), lanyards, etc.

if you think that sounds neat, it's worth looking into tablet weaving, an inkle loom, or a band/tape loom. tablet weaving takes up no space at all—if you can fit a stack of index cards into your life, you can fit tablet weaving. the tablets are small square cards, often made out of heavy cardstock, and even with a project on them, you can probably fit them into an index card holder.

inkle looms are larger, and to be honest i've never used one and don't know a ton about them, but they're also used for making woven bands. the looms can also be very aesthetically pleasing, if that's something you're into. they can be very big, but the ashford inklette, for example, is only 36 cm long and maybe 12 cm wide.

tape looms are—in my experience, anyhow—larger than tablet weaving but smaller than inkle looms, and even the larger ones are only about shoebox size. they vary widely, from gorgeous, complicated little looms to a handheld paddle that you use to create a shed, which is what you put your yarn through when you're weaving.

if that doesn't sound like good times, consider a frame loom. these are pretty simple—if you ever wove potholders out of stretchy cloth strips as a kid, you probably used a frame loom to do it on. frame looms are generally inexpensive and readily available, and can be used for small woven objects like potholders, coasters, placemats, etc. they can also be used to make some truly stunning tapestries. while you can buy a huge frame loom, you're still only talking about huge in two directions—it might be as wide as your armspan, but it's still only a couple inches thick.

another option is a pin loom. these don't get mentioned a lot, and i'm not totally sure why. pin looms are shapes with a bunch of pins (metal points, usually) coming out of them. on one hand, you're limited to making things that are the shape of the loom, but on the other hand, if you've been hanging around fibrecraft tumblr, you've seen all the things crocheters get up to with granny squares, right? there's no reason in the world that you can't do all those things with the squares made on a pin loom. or the hexagons! or the triangles! i've been kinda thinking about getting a little hexagon or triangle pin loom and using it to sample my handspun, then turning the shapes into a blanket.

if you hate all of that, that's ok! we have more options.

you could consider a backstrap loom, which is an ancient way of weaving that's still practiced today in many places. backstrap looms are cool because you can weave probably 24 inches wide on them, but even with a project on it, they take almost no room at all. backstrap looms are fairly easy to diy, because they're basically a bunch of dowels, so they can be a good low-cost way to try out weaving. backstrap looms will let you make longer, wider fabric than anything else we've mentioned so far!

another option—stay with me—is a toy loom. there are a number of cheap looms for sale on amazon/ali express/some local places that are actually fully functional looms. recently i've seen a number of people (like sally pointer, though i'm sure i've seen someone using one of the brightly coloured harness looms, as well) who've used them and report that they're functional, if basic, looms. you're fairly constrained in terms of project size, since there's not a lot of space for the finished fabric to wind on, and there's a very limited width, but the looms are quite small and tuck away easily.

ok, but so what if you hate all of those options? don't worry—there are more options! this is the part where things get expensive, though.

as looms go, rigid heddle looms are actually quite reasonably sized. i think the smallest one i've seen is a 40cm (~16") weaving width, which is about 50x60 (20x24") in length/width, and 13cm (5") high. so that's more space than anything else we've talked about, but it's still not a ton of space, you know? a 40cm rigid heddle will let you weave lovely scarves and things of that nature—table runners, placemats, strips of woven fabric to whipstitch together into a blanket, etc.

but maybe that's enough. so let's talk about table looms. some of them are quite large—mine, for example, is about a metre square and sits on a frame that it came with. it is not what you would call space efficient. but many of them, especially modern ones, are very compact, and can even be folded up into something more or less briefcase sized. (weird way to consider it, since the last time i saw a briefcase was probably the 80s, but you know what i mean, i bet.) the cool part here is that you can weave damn near anything you want on a table loom. the less cool part is that for the compact ones that fold up, you're looking at hundreds if not thousands of dollars. the smallest one i'm aware of is the louët erica, which folds down to 42x62x42cm (16.5x24.5x16.5") and gives you 40cm (16") of weaving width. i feel like that's impressively small. you'd have to decide for yourself if that's enough to justify the $500 usd/$800 aud price tag, though.

finally, we've come to folding floor looms. i don't think someone who's never woven before should run out and buy one of these unless money is just literally not at all a concern for you, but they are basically the dream for those of us trapped in crappy rentals, and it seemed weird to leave them out when i'd come this far.

some floor looms are various levels of collapsible. to be clear, this does you absolutely no good at all when you're actively weaving, because you have to unfold them to weave, but it does you a lot of good if you'd like to have a floor loom and still have the ability to, say, walk through the living room when you're not actively using the loom.

most relevant to our discussion about small weaving footprints, some looms fold up entirely. they are incredibly fucking expensive and incredibly fucking cool. the two that i'm most aware of are the leclerc compact and the schacht wolf line, both of which fold up to about half of their unfolded depth. they're still not small—i think that they're both the better part of 75cm (30") wide and tall, so even if they fold down to 40cm (16") deep, they're still 75cm wide and tall. which is Fairly Large, though much better than having something 80cm deep sitting in the middle of the floor.

this was a very, very long post, but hopefully makes it clear that there's a surprisingly wide range of options, and they all have advantages and trade offs. if you're asking my opinion, my suggestion would be to try something—anything—with a backstrap setup and see how you feel about it. maybe you love it and keep at it forever, in which case you're in good company: there are entire cultures that weave exclusively on backstrap looms.

if you like producing cloth but don't love the backstrap setup, or don't like using your body to tension the warp, you have a lot of other options, and you're out maybe ten dollars of dowels.

personally, my next loom is probably going to be a pin loom. unless i win lotto, in which case it's going to be a house that has a weaving studio and like four floor looms in it. but probably a pin loom.

[saltyyetbland]

ngl im fucking terrified of how the fandom will act when the asian ccs get added and they are confronted with asian customs such as honorifics, asian cultural norms, and the language itself (ie words that are common in one language that sounds like a slur in another) and i know most of the fandom will be open and welcoming but idk im probably being way too pessimistic as someone who is asian and has seen the bs that people can spew esp regarding things like stereotypes

[torontoicehounds]

Sasha Barkov | Panthers@Leafs 04.01.24

[jojo-schmo]

How did you come up with roleswap Elfilis' design? It's really cool!

Hi! Thank you so much! :D I'd love to share my thought process! Gather round the armchair by the fireplace, friends! It's story time!

I've said before that the Forgotten Land Roleswap started off as a doodle that swapped Dedede and Bandana Dee's roles as Player 2 and the Brainwashed Beast. But when I realized how fun that one little change was, how about EVEN MORE changes? That's how my one-time doodle turned into the full AU story. I swapped Meta Knight and Kirby, Clawroline and Leongar, and Sillydillo and Gorimondo- and because the story is so Waddle-Dee centric, I promoted Dedede to "Player 1" since the stakes would be higher for him as their King.

So now I had a story that had a lot of opposite traits to canon and I wanted to explore that further! When it came to the matter of Elfilin, I thought he would probably behave too similarly towards Dedede and Meta as he did to Kirby and Bandee. He'd be friendly and trusting, communicative, optimistic, knowledgeable, and cooperative. So how about providing them a travel companion who is defensive, has trouble communicating, a little wild, uninformed about themselves and the world around them, and has a bit of a temper?

But working with all these opposite traits didn't feel in-character for Elfilin anymore. So my natural next step was to swap Elfilin with Elfilis and make a new version of the Forgotten Land's lost little pup!

Enough yapping about the context behind my decisions, tho. How'd I come up with Roleswap Elfilis' design?

I see you out there, Fecto Forgo fans. Maybe somebody out there's thought, "Roleswap Elfilis does not look like them! Why not? That's what the other 50% of the Ultimate Life Form looks like! I demand justice for the angry glowing rat fetus!"

Maybe nobody has ever thought this. But I wonder sometimes lol

Your feelings are valid, friends. Please lemme explain my reasonings.

This fella, to me, is the abandoned wet specimen left to float in a jar for who-knows-how-long after a forcible physical and mental separation via spatial teleportation shenanigans. And I think part of their appearance is due to their role as the trapped and forgotten half.

The role of the half that got away fully formed his own body and inherited some traits from the complete being-

For Elfilin in canon, he got ears that are proportionally huge compared to the rest of his body, blue eyes that sparkle with the light of a thousand destroyed planets, a tiny bit of pink fur for his adorable blushies, and a really long fluffy tail. Maybe becoming a being free of chaos gave him those sweet eyes like Kirby and the Waddle Dees have.

My reasoning is that whichever half ends up escaping the Lab and fully forming their own body, they would carry the major physical traits the other wouldn't inherit.

Anyway, that left Elfilis with the horns, colorful and expressive eyes, whiskers, beige chest fluff, opposable thumbs, and pink tummy fur.

Elfilin gets the long tail in the bodily divorce so Elfilis has a short stubby little cotton tail like a bunny. Like if he ended up with just the very tip of the Ultimate Life Form's tail.

Behold this diagram above I came up with two years ago! Disclaimer: the canon Elfilin is the one in the chart. And I draw him a little differently these days lol. I ain't showing anyone how he ended up in the Roleswap yet tho!!!! >:0

But Roleswap Elfilis is more than just "baby version of the Ultimate Life Form..."

All the differences in the Forgotten Land Roleswap from canon stem from one event in the timeline. One change that I added to the events that were already supposed to take place. It's why the Ultimate Life Form split differently. Why the Beasts have different roles and aesthetics. Even why the portal took Bandana Dee and Kirby before Meta Knight and King Dedede.

How did that saying go again? The flap of wings somewhere can influence a bunch of huge changes somewhere else down the line...? What was the name of that theory again....? Hmm. Not important, I guess.

Anyway, the end!! You sly dog, you got me monologuing!!1! /lighthearted

[chayannesegg]

might be worth noting that tubbo got lore today because he made it canon he warped back from the boat.

i think this was confusing bc he wasn't sure initially how to play it (he is not a lore guy by trade we all know this), and waffled back and forth with it (with fun bits like "it's tuesday" or "it's a time rift"), but he definitely did make it canon.

he has the story: the boat didn't leave, he had his warpstone. he knew they would just steal him back, like they did the first time.

he has the reason: he desperately needed to see sunny before he left; couldn't sit idly by

and he made it clear that's what he wants to have happened. he told his chat to stop "-rp point"-ing him about it multiple times bc he's trying to make it canon (and told fit the same when he came back post-ghost bit).

he also asked sunny's admin whether she wanted their interactions to be filler or canon and she chose canon

plus he had a canon interaction with forever explaining it and asking him to watch over his daughter

and he and sunny built things and interacted with each other based specifically off the info he was kidnapped, that he will have to go, and that they both knew it was coming

so while you may have to ignore or recontextualize some of the goofier interactions when he initially came back (phil/etoiles/fit stuff esp), tubbo did come back, the code attack did happen, it's already been fit into the lore, and i don't doubt sunny is going to tell fit about it this week!!

[beneathsilverstars]

hello for the ask game 9: any theories on stuff unexplained by the game?

I always love theories and thoughts and worldbuilding hcs etc so anything in that vein works :3

I think my favorite little worldbuilding headcanon is that Ka Bue is super chill about aromanticism and asexuality! Not in the same way as irl activism, but it's something that is understood and respected in their ideology, like transgenderism in Vaugarde. So if we combine the powers of everyone in the crew we'll get an entire queer-friendly worldview going lmao!

Maybe... Something about an overarching philosophy of understanding the self? In Vaugard they see the self as something you refine through making, creating and destroying and rebuilding, but in Ka Bue you're supposed to be uncovering and polishing what's already there. And part of that is understanding your position in relation to others, so they have a lot of little descriptive words for flavors of relationships and dynamics, and being the sort of person who seeks those dynamics. Like "oh i'm usually the comedic straight man of the friend group and i seek out jokesters who play well off of that". And that means that nonsexual romance, nonromantic sex partners, QPRs, etc, are all understood dynamics, and various kinds of friend and family and colleague relationships are seen as distinctly important, and being alone is seen as a valid dynamic!

Now that I've typed this out I love it more and more... I was originally just thinking about the metaphor of cutting and polishing a gemstone, but having a lot of little Dynamics that various people may find more or less relevant to themselves is a similar approach to having thousands of Expressions! And it meshes with the transphobia as well - you can describe yourself as having dysphoria but you're not supposed to go and try to change that.

And there's that Odile + Isabeau conversation where she gets really specific about their relationship: "We're not friends, we're associates. Colleagues. Allies at best." And she's obviously joking, but this hc puts some extra weight behind her making that particular sort of joke! Plus she's the one who's like, "I wouldn't call you all friends, that would be weird, we're more like family," and she gets mad about being called the mom. I love the idea that she has Very specific dynamic classifications in mind for her relationship with each member of the crew, and gets pissy that Vaugardian doesn't have the same nuance/connotations!

And this philosophy being the total opposite of the Change belief is so interesting for Odile in particular! It would definitely flavor people's perception of her in Ka Bue - oh, she's one of those fickle Vaugardians who change masks every day and will never truly understand themselves. No wonder she wanted to get actual Vaugardian perspective on their belief. Oh, how lovely it will be for her to synthesize the two extremes, and both discover and create who she is!!

[skunkes]

(trying to be) happy to be here

[kiiingsnake]

may I ask about your thinking process when drawing mecha?? you're amazing at it and that's fascinating

oh yes you absolutely may ask I would love to talk about it

the main thing I consider is detail. it's all detail, really. how and where to put it, and how to not drive myself crazy drawing it, because i like my machines detailed as fuck sometimes.

I first decide on how complex i want my robot to be. the term i'd use for it is greebling- it doesn't have to make too much sense, but it needs to look visually interesting, and its easier to do if I know what I'm aiming for. I find that the key to mechas and robots is a good balance of very detailed, unified, cluttered components and bigger, less intricate plating. take the beetle mecha, for example.

I wanted this one to be pretty damn complex. very greebled. the areas of black wiring provide dense patches of unified detail, while its carapace is less intricate but utilizes sparse details, layering, and differences in color to keep up the visual interest. its got dimension. its got things to focus on. its got shit going on all over the place but in different ways so that some things stand out more than others. there's also enough variation in these sorts of designs to keep me interested in the drawing process for a long while instead of getting bored or exhausted, which is why I love drawing mechs so much.

There are also these two iterators i drew a while back, which are less complex, but are good examples of how i like to detail plating/shells.

I really, really enjoy considering how the different pieces will fit together, and how to make sure one singular component doesn't look too flat or too greebled for what I'm going for. my favorite techniques for this are Give That Fucker Some Tubes and Add Some Geometric Lines To That Bad Boy.

(my warhammer characters are pretty good examples of variations in my greebling techniques.)

in conclusion: oogh.

[monodramatic-cannibal]

I LOVE DOG CODED CROSS TOO! I always see him as that dog that survived so much and now that he can rest and receive affection, he doesn't know how to let his guard down, how to know which hand will be gentle and which will be aggressive. I like his silly side too, but THIS side, he's just very special to me.

PLEASE TALK MORE ABOU HIM

Losing my mind rn. Cross to me has neglected shelter dog rizz, he just wants to sit on the couch and watch tv with someone. Is that too much for him to ask. (Also this is going to be all over the place, me just throwing thoughts out there to see what sticks. Also me talking about this can be taken romantic or platonic routes, I don't mind how anyone sees it. Also throwing in a bit of weapon coded Cross in there as a treat.)

I love the concept of feral dog coded turning into guard dog coded. Like Cross has been through so much, I think he deserves to bite people. As a treat.

I know Cross has canon fangs, but I also like to imagine he has claws too. Just I want him to be sharp. Also this is OOC, but I don't care I'm having fun.

____

I imagine Cross has a very specific type of fear he shows, it's the equivalent of a cornered pray animal that has nowhere to go and nothing to do but fight for his life.

Given all that has happened to him, especially later on into his life, him becoming like a fighting dog to protect himself. Being alert and lashing, snarling, clawing at anything that moves too quickly or is too loud. Not even trusting those who approach slowly and quietly, seeing them as people who want something from him or assuming they only want to get close to him to hurt him. Which leads him to especially snap at those people, wanting to hurt those that get too close.

He's basically become a walking weapon, something sharp that stabs and slashes, tears and scratches. Now wondering around without anyone to wield him as a weapon. Now having no use, no purpose.

____

(me talking about a build up of someone trying to get to know Cross)

Him not knowing why someone would approach him, being so confused when they don't make an effort to come too close, the other quietly sitting down a bit away from him trying to show they're not a threat, while also giving Cross his space. Cross not liking this and walking away every time, but this other person is persistent.

The other slowly starting to talk after the first few times in a soft tone, telling Cross about themselves, not worrying if Cross is even listening. Just wanting him to get used to their voice and company.

After a while the other starts to give Cross little offerings, such as food or ways to entertain him, trying to inch Cross closer with each coming day. Cross would lash out at these gifts at first, thinking they'd expect something in return, or seeing these gifts as a threat, like what happens if the food is poisoned, he wasn't about to take that chance. Him lashing out throwing things back, snarling and hissing. Him even daring to get close enough to try to take a swipe at the other. But after the other offers him chocolate he just can't resist but have it. Slowly opening up to the idea of their gifts.

Asking the other what the point of all this is. And the other just smiling at him. Looking at him like he means something to the world again. And he wants to cry, he wants to scream and lash out. But all he can do is stare back for a few seconds before fleeing away. The look scaring him half to death. How can someone look at him like that. With so much kindness, no malice, don't they know the things he's done, he's tried to hurt them. And yet they still looked at him like that.

After a while of this back and forth of spending time with Cross and giving him things now and then Cross will start to sit closer, just over an arm's length away, shooting the other unsure glances always having his body angled in such a way he can defend himself if needed.

The other person one day lifting and offering their hand to Cross. Doing a little bit too quickly for Cross's taste leading to him lashing out at the hand, digging his claws into their wrist and latching his teeth onto the hand.

Which 100% would lead into the story you wrote of Cross biting. (I love that short story sm, once I found it I couldn't stop going back and reading it over and over again).

____

Him now realizing he may have someone he can trust, he's hurt them a lot and yet they've continued to work with him. Him now realizing he can at least trust their touch, even if its only for short periods of time. Them always offering up their hand and him always reluctantly shoving his head into their palm, closing his eyes tight and nuzzling, sometimes a light whine coming from him. Always nuzzling the hand, the hand that now has a permanent mark of his worry and anger. But the other always uses their thumb to softly rub his cheek to comfort him.

It would take him a while to get closer than the arm's length, only being able to do it minutes at a time any longer, and he'd start to panic, still being unsure on letting himself fully trust the other.

Just him not being able to process any of the kindness given to him. It's something now foreign to him, he still has his moments where he gets too anxiety ridden and lashes, but he's quick to back himself up to shoot the other sympathetic glances and whines.

Then one day it's like a switch got flipped in his head, he's quick to approach the other on their next visit to him, waiting for them to sit before he sits next to them then suddenly leans his head on them, shoving himself into them in an effort to get any sort of attention, either it be positive or negative, he didn't care at that moment in time.

He doesn't know what to think of this feeling, but also doesn't want it to go. Unsure if all of it will be taken away from him. But then quickly realizing he doesn't want this feeling to go, so clings and claws at the other in a desperate attempt to get them to stay.

A sort of 'bite the hand that feeds' sort of situation as he is still unsure on what any of it means so cannot process the kindness given to him as kindness. He's still partly stuck in the mindset that the other must want something. But all the other does is softly pet the back of his skull, quietly talking to him, trying to comfort him. Something in him breaks, and he becomes a sobbing mess. shuddering and whining. Being physically unable to control his emotions, now understanding the other is here for him not for anything else.

____

The other has dedicated so much time to befriending Cross that they now have a very loyal guard dog that wants to go everywhere with them, always at their side like a thorn in skin.

He's devoted to them, and craves any sort of praise or physical affection from them. Despite all the work put into him, there's still such a long way to go with him. He will still sometimes go on edge when the other moves too quickly. Or he's too nervous to get attention most of the time out of fear of upsetting them or coming across as too needy.

Seems like the type of guy to shake/shiver if the other was to touch him, either it be out of anticipation of waiting for the other to hurt him in some way, or finally getting the softness and validation he craves. Him quietly hanging out in the same room as the other person, giving them side glaces. Wanting to approach but being unsure, but deciding a possible reward outweighs the risk and just walking over looking like a kicked puppy. Settling himself down next to the other and resting his head on them eyes closes, praying that he will receive a soft touch rather than a hit.

I'd also like to think, despite all the trust and work, he will always still bite and scratch, but it won't nearly be as bad, more so a warning nip of his teeth, a light warning telling the other how fragile this trust is.

Cross now finding a purpose with this person, even if he sees his purpose in an unhealthy light, seeing himself as a weapon for this person to use as they please. He will always need work and praise, he will always need someone to tell him he isn't a weapon.

____

oh whoops wrote a bit there.

I don't know if any of this can be seen as dog coded, but I did attempt to write it as such. Also I'm not much of a writer so forgive my style of writing.

[moonchild-in-blue]

Australian Rituals / Teeth of God Tour Bingo

Alroighte gwois, let's hear your predictions for the upcoming rituals. I *might* make another bingo (like on Wembley) - even if I don't, let's get them all in one place cus I think it's funny.

If you have something specifically for the Teeth of God Tour (because they are headliners and can do Cooler™ Fancier™ stuff) do specify. Same for strictly Australian Rituals. Some stuff may happen earlier (like when they debuted TMBTE and the new Espera masks), others may only happen on the Tour, so let's just put them all here and see what happens 😗✌️

Please reblog/put on the replies your predictions!! Whether serious or silly, please share!

Mine are:

One of the Vessels (Vessel or ivy OR Espera!!!!) singing onstage with Oli

Kangaroo/koala headbands / Aussie Explorer hat

EUCLID (more for Teeth of God but wouldn't be surprised if earlier)

The Apparition (PLEASE)

The Summoning pushups will return

Older song throwback (please please Sugar or Jaws. TNDNBTG for ToG)

Outfit change for the Vessels (only cus i think Australia is quite hot now innit? poor iv will MELT in that jacket)

NEW VESSEL JEWELLERY

This one I'm not super confident/keen on BUT new Vessel mask with Antlers (more likely on ToG but who knows)

[ghostieboii]

Is there enough overlap in the talking heads and walten files fandoms for this. I don't care I'm autistic about both.