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#i can see the appeal (even if its not really something i would do regularly for fun. probably in social situations though)
toyherb · 1 year
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hm. maybe it's my meds but being high doesn't really hold up to the hype
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bisexualbard-writes · 10 months
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I’ll send you one of my fave tropes and one of my least fave tropes for variety 😂. You can pick which one you wanna talk about
Fave trope: childhood friends-to-lovers
Least fave trope: whatever you call the flower shop owner X tattoo shop owner thing (i don’t like this trope because it usually very boring. Like there’s usually little to no plot besides the flower shop owner character going “oooo the neighbor has tattoos 😳” and a cringey overuse of flower language and I just don’t understand the appeal)
OKAY, so I already have an outline for childhood friends-to-lovers kimchay which I'll dig up later, so lets talk about flower shop x tattoo shop owner aus. My original thought was: Chay is the sunshine that runs the flowershop, Kim is the moody one who runs the tattoo parlor, Chay is all ohh ahh the neighbor has tattoos 😳, Kim is like ooh ahh the neighbor is very cute let me find an excuse to keep going over there and buy flowers. This would be a cute fic! But WHAT IF we flip the script and INSTEAD: Kim runs the flower shop. It's a front for money laundering because people are often paying in cash and flowers wilt unpredictably, so it's easy to mismanage the books. It's also a front for Kim, family assassin, to import and process poisonous flowers for the family. Chay runs the tattoo parlor next door - he specializes in whimsical tattoos. Most of his designs are puns: bees on your knees, cartoons of potted plants saying "leaf me alone". The kinds of things your parents would miserably ask you why you would get it if it doesn't even have meaning. Kim has a tattoo of a vine he's been adding to since he was a teenager. It started at his ankle, and has been working its way up his leg, thigh, and back. Each time he kills someone he adds a flower onto the vine, either representing the poison he used to kill them or something in flower language about why they deserved to die. His normal artist moved, died or otherwise became unavailable, so he goes to Chay's place. At first he decides it's not the right place for him to get this super meaningful tattoo, but Chay's art is beautiful and he proves he can do serious material as well.
So he goes in regularly to get murder tattoo added to, and slowly over the course of their sessions Kim begins to relax and fall in love with the way Chay laughs. Kim opens up about how he wanted to do something other than his current career. He once wanted to spend his life adding beauty to the world. He stops making poisons, he stops working assassination jobs. He starts singing again as he makes the bouquets in his shop. He still goes to see Chay, but he doesn't add any flowers to his tattoo. Instead he lets Chay doodle whatever comes to mind. Kim gets a cat on his ankle and stars on his neck, and lots of other things that are meaningless and silly and dumb, but really they're beautiful and they make him smile, so they're the most meaningful.
(send me a trope, maybe one you hate, and I'll tell you how I'll kimchay it)
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rancidslime · 5 months
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reading frieren for a bit and it's fucking insane how allergic this author is to drawing anyone emoting 99% of the time. I don't know if they think it looks ugly or if they find flat affects hot or what, but it's deranged how little any of these characters emote. it makes it extremely hard to feel invested in anything that's going on, because none of them look like they're at all emotionally invested in the outcome
frieren herself is one thing - part of the whole point of the story is the emotional distance between her and the world, but Fern, a teenager, doesn't even emote when she's been pinned to the wall by a spear through her fucking shoulder
i genuinely do not understand the appeal of this manga. like, i tried, i really did, but i'm just struck every time by the fact that like, the central draw, exploring lifespan differences in fantasy races for drama, was literally done better as an afterthought by dungeon meshi. much is made of the wonder of magic and its capacity to make peoples' lives better but the average person just lives in a generic european fantasy town with magic largely inaccessible to them, apparently because thinking more about what kinds of magic a farmer might do would make the world deviate too much from the dragon quest generic baseline that the story wants to have something to say about. None of the loving attention to a world of magic you see in Witch Hat, another vastly more competent piece of fantasy. I mean, if we're just talking about playing with the Dragon Quest framework, Yuusha Goikkou no Kaerimichi did a better job at providing a fresh take on the aftermath of this kind of story in a literal oneshot.
Look I know it's unfair to compare a piece to other pieces like this, but Frieren itself just seems totally fucking unwilling to form an identity for itself. I mean, it keeps insisting on just gesturing loosely toward these broad Japanese "European Fantasy" tropes and going "you know, like that" whenever it thinks it can get away with it. It makes the entire world feel incredibly small, empty, and uninteresting. I guess its take on demons is... something? Except that this idea that demons are superpredators evolved to prey on humans is completely undone by the fact that humans rock their shit regularly and certain events in the manga imply that demons don't need to eat, and certainly don't seem to need human flesh. I don't think I've ever seen a series capture Tumblr's imagination like this while also being just... such a featureless blancmange. Usually the stuff that catches on here... well, it's certainly not always good, but it's usually memorable. Frieren isn't even that. I struggle to have an emotional response to any of these characters.
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asknarashikari · 1 year
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Opinions on each of the starter Pokemon, Kari.
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I'll preface this post by saying that 1) I'm kinda biased towards water types and 2) I haven't actually played a Pokemon game since HG/SS, so my opinions have more to do with how I like them just from a design/lore perspective and their appearances in other media (like the anime) than their competitive viability
With that out of the way... let's go~
Bulbasaur - Still one of the most underrated starters I think. I loved Ash's Bulbasaur in the anime, he was one sassy bitch lol
Charmander - A touch overexposed, but for good reason. Who doesn't love a fire breathing dragon buddy
Squirtle - I love the concept, but honestly most of my fondness for it comes from Ash's Squirtle. The one with the glasses
Pikachu - I mean, it's the mascot of the series. I don't think I can hate it even if I tried. It's cute and we all know it
Eevee - I'm kinda meh on the whole line tbh... and the Eevee you get as a starter can't evolve anyways...
Chikorita - Honestly probably the most forgettable of the starters. I don't really think much of it
Cyndaquil - It's a cute little shrew thing that evolves into a honey badger. Okay I guess? Hisuian Typholosion was needed badly
Totodile - Look, Ash's Totodile being a happy dancy lil guy was all they needed to make me love it
Treecko - A bunch of Poketubers I watch regularly are fond of it, and although I see the appeal, I'm just okay on it
Torchic - I love the whole line tbh, but I still haven't gotten over my cousin's kid saying Combusken looks like a dick.
Mudkip - My answer to the "Do you like Mudkips?" meme is "No, I absolutely adore Mudkips and will die for them"
Turtwig - Probably the most underrated of the Sinnoh starters and I kinda see why people struggle to use it
Chimchar - I see the appeal, even if I never used it as a starter myself. I also got attached to it because of Ash's Chimchar
Piplup - Piplup was my first starter so I adore it a lot... It's just so full of personality whenever I see it. Project Pochama was lit
Snivy - All I know about it is the infamous episode where Ash's Pikachu lost to one at the start of B/W
Pignite - Kinda went overboard with the Fire/Fighting combi at this point... also it's not really appealing in anyway lol
Oshawott - I think it has the most likeable personality of the starters? The scalchop thing is really cute
Chespin - Chespin's evolutions are... something. Poor guy got the short end of the design stick
Fennekin - I think it has the best concept of the three Kalos starters. Yes, even more than ninja frogman
Froakie - I think they were trying to turn it into Charizard 2.0 and... I guess it worked for a while? I like it well enough I guess
Rowlet - The cutest borb (birb+orb) turning into a badass ghost archer? Yes please! Also, Ash's Rowlet was hilarious in S&M
Litten - I guess I was just thankful they didn't make it Fighting type again lol
Popplio - It's a cute little thing, I don't understand why people didn't like it when it was first revealed
Grookey - I may have compared it to one Banjou Ryuuga when it was revealed lol. Ryuuga's my fave 2nd Rider though...
Scorbunny - It's a cute lil bunny, how could I hate it? It also seemed to have the most personality out of the Galar starters
Sobble - *gathers him into my arms* I will protect this one with my life even if it evolves into lizard James Bond
Sprigatito - Do I want a cat that can knead me and make me kinda high? ...Maybe
Fuecoco - It's a happy lil fire croc! It looks so wholesome! Its head is empty but I don't care!
Quaxly - I would like to shake the hand of the god who thought gaylord samba peacock-duck thing would make for a great starter
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A Bit of an Update
[ Hi everyone! It’s been a while, hasn’t it?
Since I haven’t posted anything new in the past... four months? Ish? I thought I’d take a moment to let you all know where things currently stand with regard to my life, this blog and its future.
Fair warning, though: I’ve got a lot to say. ]
[ Let’s start with the obvious: I haven’t posted anything new since December, and even then, I wasn’t posting very regularly.
There are reasons for that. Four big ones, to be precise.
The first (and biggest) of those is my job. I might have mentioned it before, but I started my first full time job last summer. It’s not a fun or fulfilling position and I plan on leaving it as soon as I possibly can, but right now, it’s the only source of income I’ve got. 
It also takes up most of my free time. Back when I was in university, I was able to answer multiple asks each day. Now, I’m lucky if I draft a new post once a week. 
Secondly, this blog has gotten a lot more attention than I ever expected it would.
As I’ve said many times before, I started faceless-conspiracy-buff as a passion project. I just wanted to try my hand at writing Q and maybe respond to a few questions from my friends. I had no idea that I’d end up with nearly three hundred followers. 
And I’m grateful for the attention! It’s really, really flattering to know that so many people are interested in my art and writing. 
But it’s also a little intimidating, which brings me to my third point: I’m trying to prioritize my mental health. 
I’m an anxious person by nature and the past year has been quite rough on me. Maintaining a healthy work-life balance is challenging under the best of circumstances and since my circumstances aren’t the best... I’m sure you can see where this is going.
Things have been slowly improving. I’ve been practicing self-care, spending more time with friends and family, and generally trying to deal with my issues in a healthy way. 
I’ve also been trying to cut out sources of unnecessary stress and, unfortunately, writing for this blog can be quite stressful. 
I want to learn to manage that stress before I dive back into my inbox, y’know?
Finally, I’m working on a couple other projects right now. My dad’s a writer, and his number one piece of advice has always been “make your own stuff”. He understands the appeal of fan fiction, but he has always stressed the importance of having full creative control of your work. 
And while I’d like to think that this version of Vic is uniquely mine, in the same way that Gail Simone’s Barbara Gordon is uniquely hers, I don’t own him. I can’t put any of my asks in my portfolio, or submit my flash fiction for publication. 
I like writing Q, but I think it’s important for me to create original stuff too.
All of this is a long way of saying that there were legitimate reasons for my absence this time around.
I don’t want to abandon this blog. I don’t intend to abandon this blog.
I may eventually decide to throw in the towel, but I don’t plan on leaving without giving my boy a proper send off. 
Q is still a major source of inspiration for me and a huge comfort character to boot. He is, for lack of a better term, blorbo from my shows. I love him.
And I love you. All of you. The mutuals, the strangers. The long-time followers, the newbies. The AIs, and the Riddlers, and the Dannyzens, and the vampire hunters, and all the people who send me in-character messages and delightful fan art.
I love you all.
Working on this blog has been hard, but you guys make it worthwhile.
Expect some kind of... something, in the near future. The issues I mentioned will probably keep me from settling into a schedule, but I’m going to try to put something together for all you kind, patient people. It’s the least I can do. ]
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purplesurveys · 3 months
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1888
A Question of Threes.
Three things you loved as a child but hate as an adult: 1. Shopping. Haaated it when my mom would enter a store and spend a good 20-30 minutes in each looking at the options. I always asked for a chair because I couldn't be bothered. Now I'm pretty much like her, if not worse haha. 2. Champorado. I had it regularly for breakfast, but after trying it again not too long ago I realized my tastebuds for it have changed. 3. Swimming. I used to find it a really fun activity (in fact in preschool we had a Swimming Day toward the end of the school year haha where we just swam and watched a movie after) that I looked forward to, but the older I've gotten the more I realized that the hassle before and after it is just not worth it haha. I don't want to think about more things to pack, to deal with the stress if I forget something like slippers or sunblock, to face the freezing air when getting out of the water, or to deal with removing sand or chlorine.
Three things you love as an adult but hated as a child: 1. Chicken curry. Dreaded it whenever that was the lunch or dinner my grandma prepared. Now it's all I ask for, apart from her kare-kare. 2. Plane rides. During my first few I was terrified of them, always thinking I had an unlucky bug and that my flight would crash. I get very excited about riding in planes now, especially when they take off. 3. K-pop. I mean tbf I still find a lot of the 2nd gen stuff to be a bit cringe, especially the hair and outfits. It's a generation thing. When the 3rd and 4th gens pivoted their styles and approaches, that's where I started to see the appeal.
Three things you would do if you won the lottery: 1. Give back to my parents. That's a given. 2. Donate to animal shelters. I donate as much as I can, but it's always nice to be able to give more. 3. Savings. Because I want to be able to get back to the remaining monies once I'm older, and I want to avoid the trap of becoming reckless ever again with my money.
Three pets you would own given the chance: 1. Aspin. I'd love to be able to take care of a rescued aspin and let it feel the comfort of a loving and warm home. 2. Aspin #2 3. Aspin #3, hahaha
Three non-essential things you do every day: 1. Play Rhythm Hive. It's a K-pop rhythm game I've been playing since 2021 and have consistently remained hooked on, save for taking a break from it the first half of 2023. What I like most about it is how its gameplay has an always-on quest to it, so you're always playing for something and you're never on just studio mode. 2. Check IG reels. It's how I know I'm getting older because I hate TikTok, but ugh Reels are the best to bingewatch lmao. They're bite-sized, they're funny, and IG is great at detecting your interests and adjusting their recommended videos accordingly. 3. Make a cup of coffee. I need it to start every day; it helps me focus. My performance at work visibly differs if I've had coffee or not.
Three non-essential things you wish you could afford to do everyday: 1. Have meal subscriptions. I can't cook and even if I learn how to I feel like I'll still be lazy...? lol so a subscription would definitely help. 2. Travel. Maybe not everyday, but it'd be nice if I can be like one of my co-workers who goes to another country every month lmao. 3. Shop. I'd love it if I can get to update my closet more frequently.
Three favourite scents: 1. Vanilla. Basic, but a no-fail. I love the sweet, subtle scent of it. 2. Seafood. It's the Asian in me and definitely the archipelago-an in me, but I love the smell of fish. The fishier and more wet market-y, the better. 3. Anything being baked! The smell just evokes super homey and comforting vibes for me.
Three books on your “to-read” list: 1. Bret Hart's memoir. To be fair I started on it already, but the copy I found was missing pages so I just stopped reading because I want to read through his stories in full. He's had such an accomplished life and career – very colorful too, at that – and he is for sure one of the very few wrestlers who'd have the most interesting tales to tell. 2. Kafka on the Shore. It's been a book recommended by Namjoon, who is generally also a fan of Murakami. I can't think of anything else; I'm not into reading much.
Three authors you’ve read all the works of: None. See last point.
Three TV shows you wish had never been discontinued: Can I name my top shows instead? In theory I don't wish for any one show to go on forever, because as we've seen time and time again shows either continue until they turn to shit (see: Friends, TBBT); or end early while still critically-acclaimed (see: Breaking Bad), ha. 1. Friends. This is my favorite sitcom ever and I still find it endearing how fast I grew in love with the show. Normally it's hard to catch my interest when it comes to series, but with Friends I quickly found myself flying from one episode and one season onto the next. 2. Descendants of the Sun. This is still my favorite K-drama I've ever seen; my only gripe with it was the superhero comeback of the male lead. It's your typical unrealistic, unpredictable K-drama plot twist (the guy was presumed dead!! and should have stayed dead!!) but naturally he had to come back so that we could get a happy ending. 3. Breaking Bad. Cliche, but it's my favorite show ever. Across all genres, across countries, across storylines. This is a show you could tell was someone's fucking baby, one that was given the utmost attention and priority from start to finish.
Three vegetables you love: 1. Broccoli. It just tastes so so good and I love its crunchiness. 2. Spinach. It's soooooo versatile and tastes great too. I love it best as a dip. 3. Green beans. Another one with a good crunch. It's perfect in kare-kare.
Three vegetables you hate: 1. Lettuce. It tastes like nothing and feels like eating wet paper or hair, lol. I always feel like I'm not getting my money's worth when I eat something that comes with so much of it. 2. Kangkong (I think y'all call it water spinach)? Too earthy for my taste. 3. Beets. The purple is very off-putting, haha.
Three snacks you’d pick for a road-trip: 1. Fries. Easy to eat, and won't make me too full so as to skip my actual meals when I get to the destination. Best if it's from Potato Corner, McDonald's, or Jollibee haha. 2. Burgers. It's great to eat-on-the go and is filling enough. 3. Siomai. Ugh, just an all-around go-to comfort food. I can have 20 of these in one sitting haha, possibly even more if I'm hungry enough.
Three favourite brands of soda: I don't drink soda. Can I list my favorite drinks instead? Haha 1. Water. Basic, but I do like water more than the average person if you can even measure that?? Haha I'll look for iced water everywhere. 2. Coffee. I used to like hot coffee, then I discovered iced coffee and there was no turning back. I can have it for literally any situation. 3. Milkshakes. Now I have these a lot less frequently than the other two since they are very sweet + usually expensive, but I can enjoy a good milkshake from time to time.
Three things that absolutely terrify you: 1. Insects. For a country that has a lot of them, they still freak me out. Especially if they either fly or have lots of legs. 2. Death. Not my own, but of loved ones. I've never seen or touched a newly-dead person (my experience has been limited to funerals) and I don't know how long I can keep avoiding it. I'm absolutely terrified for the first time I'll ever have to deal with such a situation. 3. Catastrophic situations, like if an elevator shoots all the way down to the very bottom, drowning, getting stuck in a cave, being swallowed by a sinkhole...situations where there's basically low to zero chance of survival and no allowance time to react either.
Three typically “scary” things that you love/like: 1. Heights. One of the things on my bucket list is to go to one of those skyscrapers that have glass flooring on the top floor. 2. Snakes. As long as they're not venomous, of course. I've been to one or two spots where they let guests hold snakes, and I definitely didn't let the opportunity pass. 3. Seafood. Okay this is not fit the "scary" category per se lol, but it is a polarizing choice. A lot of people hate it or are grossed out by it.
Three places you’d love to visit: 1. Seoul. It's definitely a goal but considering they're racist toward Filipinos I'm really hoping my future trip/s there go/es well. 2. Da Nang. I've been there, and I love my stay so much and want so badly to return. I was there for only 3 days there, and if I had the money I'd try staying there much longer. I know there's so much I have yet to see and visit there, and I just really really loved the slow pace they have over there. 3. India, although I'm not sure about which city yet. I'd love to try out their street food. I know I need to go with a guy though, as sad as it sounds.
Three places you’ve visited but wouldn’t visit again: 1. Shanghai. Don't get me wrong, my trip was great – the whole cruise ship itinerary was an 18th birthday gift from my dad. I just do not have plans to go back to China for as long as I live. 2. Manila. I know "wouldn't visit again" is virtually impossible because it's literally the capital and we have events there from time to time. I just don't and won't go there willingly. Super polluted, dangerous, and end-to-end it just reeks of sketchiness lol. I dunno honestly, all the places I've been to have been great! All in all Shanghai was still a lot of fun and thankfully no one was all up in my business; and Manila does have our country's best museums, so even these two are a stretch.
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finitevoid · 11 months
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the whole point of stefan is that the branded didnt have a country prior to him. And therefore theyre kind of cultureless as a group of people that live all across tellius but are rejected by all and play this weird game of isolation assimilation. in addition to each one of them just being really different. micaiah soren and stefan are wildly different people with different ancestries and abilities (since laguz blood apparently gives you superpowers: micaiah is a mary sue, stefan is very strong, soren has bpd). they can relate to each others marginalization and eternal sense of not belonging but there doesnt seem to have been a group of branded even on the smaller scale thats formed their own customs beyond that. So. its kind of as ethnocentric you can get. Purely together off of marginalization and heritage as a group of people that have been rejected from partaking in culture and community. but taking too much of an ethnocentric approach to a uniform branded identity is also tricky because they are all different animals! the laguz are as well but theyre an ancient race that has their nation specific and general laguz customs down already. The key would be embracing that diversity within their race (branded as the third race of tellius), pushing some narrative about them being particularly competent (essentially beorc with buffs) which is something i wouldnt trust stefan to do with tact, and appealing to branded peoples shared pain. That is the key to forming an identity and making it appealing to people
so: what does stefan see that soren does not
soren will outlive ike yeah lifespan differences apply in the au
soren obviously cant be in community with laguz so his only ish option is being closeted branded around beorc. i feel like this hasnt been an option for him as a child staying in the same school system and hopping between households in the same area for his entire life. But what he faces in adulthood is exactly what stefan lays out, be around beorc but never get close to any and leave before they notice you arent aging or really question your birthmark. maybe soren needs to walk around in naruto cosplay
soren needs to be around people that understand him. cue whatever fleshed out branded identity stefans trying to cook up
maybe the plot of this should be pittsburghs branded revolution. they succeed in shooting up the school?
almedha should remain like. royal family in her country of origin. in the united states of crimea though they just see her as another laguz its a little racist. anyways she got that revoked when she decided to escape goldoa and marry jeff bezos shes kind of dead to her dad now
Ummmmm ashnard owns amazon. thats the closest this country has to a royal family. The cast is going to take down amazon and win human rights.
soren will regularly go tankie while looming behind ike and hopping into ikes conversations with other people. ike knows hes getting riled up on the internet when soren actually starts ranting about politics to HIM
how does shooting up the school aid them in forming a community of solidarity together
Theyre so real . mixed bag of life experiences and backgrounds and thoughts and feelings on their own identity. "closeted" is a good word for the position soren is in because he cant exist around laguz so his only option is to stealth it with beorc. but stefan wants them to form their own community and identity because they dont fall into either racial category. im glad soren and stefan are chill This is emblematic of the beginnings of community .ITs really deep when you think about it
does soren know his mom is a queen and his dad owns amazon
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bao3bei4 · 3 years
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fan language: the victorian imaginary and cnovel fandom
there’s this pinterest image i’ve seen circulating a lot in the past year i’ve been on fandom social media. it’s a drawn infographic of a, i guess, asian-looking woman holding a fan in different places relative to her face to show what the graphic helpfully calls “the language of the fan.”
people like sharing it. they like thinking about what nefarious ancient chinese hanky code shenanigans their favorite fan-toting character might get up to⁠—accidentally or on purpose. and what’s the problem with that?
the problem is that fan language isn’t chinese. it’s victorian. and even then, it’s not really quite victorian at all. 
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fans served a primarily utilitarian purpose throughout chinese history. of course, most of the surviving fans we see⁠—and the types of fans we tend to care about⁠—are closer to art pieces. but realistically speaking, the majority of fans were made of cheaper material for more mundane purposes. in china, just like all around the world, people fanned themselves. it got hot!
so here’s a big tipoff. it would be very difficult to use a fan if you had an elaborate language centered around fanning yourself.
you might argue that fine, everyday working people didn’t have a fan language. but wealthy people might have had one. the problem we encounter here is that fans weren’t really gendered. (caveat here that certain types of fans were more popular with women. however, those tended to be the round silk fans, ones that bear no resemblance to the folding fans in the graphic). no disrespect to the gnc old man fuckers in the crowd, but this language isn’t quite masc enough for a tool that someone’s dad might regularly use.
folding fans, we know, reached europe in the 17th century and gained immense popularity in the 18th. it was there that fans began to take on a gendered quality. ariel beaujot describes in their 2012 victorian fashion accessories how middle class women, in the midst of a top shortage, found themselves clutching fans in hopes of securing a husband.
she quotes an article from the illustrated london news, suggesting “women ‘not only’ used fans to ‘move the air and cool themselves but also to express their sentiments.’” general wisdom was that the movement of the fan was sufficiently expressive that it augmented a woman’s displays of emotion. and of course, the more english audiences became aware that it might do so, the more they might use their fans purposefully in that way.
notice, however, that this is no more codified than body language in general is. it turns out that “the language of the fan” was actually created by fan manufacturers at the turn of the 20th century⁠—hundreds of years after their arrival⁠ in europe—to sell more fans. i’m not even kidding right now. the story goes that it was louis duvelleroy of the maison duvelleroy who decided to include pamphlets on the language with each fan sold.
interestingly enough, beaujot suggests that it didn’t really matter what each particular fan sign meant. gentlemen could tell when they were being flirted with. as it happens, meaningful eye contact and a light flutter near the face may be a lingua franca.
so it seems then, the language of the fan is merely part of this victorian imaginary we collectively have today, which in turn itself was itself captivated by china.
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victorian references come up perhaps unexpectedly often in cnovel fandom, most often with regards to modesty.
it’s a bit of an awkward reference considering that chinese traditional fashion⁠—and the ambiguous time periods in which these novels are set⁠—far predate victorian england. it is even more awkward considering that victoria and her covered ankles did um. imperialize china.
but nonetheless, it is common. and to make a point about how ubiquitous it is, here is a link to the twitter search for “sqq victorian.” sqq is the fandom abbreviation for shen qingqiu, the main character of the scum villain’s self-saving system, by the way.
this is an awful lot of results for a search involving a chinese man who spends the entire novel in either real modern-day china or fantasy ancient china. that’s all i’m going to say on the matter, without referencing any specific tweet.
i think people are aware of the anachronism. and i think they don’t mind. even the most cursory research reveals that fan language is european and a revisionist fantasy. wikipedia can tell us this⁠—i checked!
but it doesn’t matter to me whether people are trying to make an internally consistent canon compliant claim, or whether they’re just free associating between fan facts they know. it is, instead, more interesting to me that people consistently refer to this particular bit of history. and that’s what i want to talk about today⁠—the relationship of fandom today to this two hundred odd year span of time in england (roughly stuart to victorian times) and england in that time period to its contemporaneous china.
things will slip a little here. victorian has expanded in timeframe, if only because random guys posting online do not care overly much for respect for the intricacies of british history. china has expanded in geographic location, if only because the english of the time themselves conflated china with all of asia.
in addition, note that i am critiquing a certain perspective on the topic. this is why i write about fan as white here⁠—not because all fans are white⁠—but because the tendencies i’m examining have a clear historical antecedent in whiteness that shapes how white fans encounter these novels.
i’m sure some fans of color participate in these practices. however i don’t really care about that. they are not its main perpetrators nor its main beneficiaries. so personally i am minding my own business on that front.
it’s instead important to me to illuminate the linkage between white as subject and chinese as object in history and in the present that i do argue that fannish products today are built upon.
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it’s not radical, or even new at all, for white audiences to consume⁠—or create their own versions of⁠—chinese art en masse. in many ways the white creators who appear to owe their whole style and aesthetic to their asian peers in turn are just the new chinoiserie.
this is not to say that white people can’t create asian-inspired art. but rather, i am asking you to sit with the discomfort that you may not like the artistic company you keep in the broader view of history, and to consider together what is to be done about that.
now, when i say the new chinoiserie, i first want to establish what the original one is. chinoiserie was a european artistic movement that appeared coincident with the rise in popularity of folding fans that i described above. this is not by coincidence; the european demand for asian imports and the eventual production of lookalikes is the movement itself. so: when we talk about fans, when we talk about china (porcelain), when we talk about tea in england⁠—we are talking about the legacy of chinoiserie.
there are a couple things i want to note here. while english people as a whole had a very tenuous knowledge of what china might be, their appetites for chinoiserie were roughly coincident with national relations with china. as the relationship between england and china moved from trade to out-and-out wars, chinoiserie declined in popularity until china had been safely subjugated once more by the end of the 19th century.
the second thing i want to note on the subject that contrary to what one might think at first, the appeal of chinoiserie was not that it was foreign. eugenia zuroski’s 2013 taste for china examines 18th century english literature and its descriptions of the according material culture with the lens that chinese imports might be formative to english identity, rather than antithetical to it.
beyond that bare thesis, i think it’s also worthwhile to extend her insight that material objects become animated by the literary viewpoints on them. this is true, both in a limited general sense as well as in the sense that english thinkers of the time self-consciously articulated this viewpoint. consider the quote from the illustrated london news above⁠—your fan, that object, says something about you. and not only that, but the objects you surround yourself with ought to.
it’s a bit circular, the idea that written material says that you should allow written material to shape your understanding of physical objects. but it’s both 1) what happened, and 2) integral, i think, to integrating a fannish perspective into the topic.
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japanning is the name for the popular imitative lacquering that english craftspeople developed in domestic response to the demand for lacquerware imports. in the eighteenth century, japanning became an artform especially suited for young women. manuals were published on the subject, urging young women to learn how to paint furniture and other surfaces, encouraging them to rework the designs provided in the text.
it was considered a beneficial activity for them; zuroski describes how it was “associated with commerce and connoisseurship, practical skill and aesthetic judgment.” a skillful japanner, rather than simply obscuring what lay underneath the lacquer, displayed their superior judgment in how they chose to arrange these new canonical figures and effects in a tasteful way to bring out the best qualities of them.
zuroski quotes the first english-language manual on the subject, written in 1688, which explains how japanning allows one to:
alter and correct, take out a piece from one, add a fragment to the next, and make an entire garment compleat in all its parts, though tis wrought out of never so many disagreeing patterns.
this language evokes a very different, very modern practice. it is this english reworking of an asian artform that i think the parallels are most obvious.
white people, through their artistic investment in chinese material objects and aesthetics, integrated them into their own subjectivity. these practices came to say something about the people who participated in them, in a way that had little to do with the country itself. their relationship changed from being a “consumer” of chinese objects to becoming the proprietor of these new aesthetic signifiers.
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i want to talk about this through a few pairs of tensions on the subject that i think characterize common attitudes then and now.
first, consider the relationship between the self and the other: the chinese object as something that is very familiar to you, speaking to something about your own self vs. the chinese object as something that is fundamentally different from you and unknowable to you. 
consider: [insert character name] is just like me. he would no doubt like the same things i like, consume the same cultural products. we are the same in some meaningful way vs. the fast standard fic disclaimer that “i tried my best when writing this fic, but i’m a english-speaking westerner, and i’m just writing this for fun so...... [excuses and alterations the person has chosen to make in this light],” going hand-in-hand with a preoccupation with authenticity or even overreliance on the unpaid labor of chinese friends and acquaintances. 
consider: hugh honour when he quotes a man from the 1640s claiming “chinoiserie of this even more hybrid kind had become so far removed from genuine Chinese tradition that it was exported from India to China as a novelty to the Chinese themselves” 
these tensions coexist, and look how they have been resolved.
second, consider what we vest in objects themselves: beaujot explains how the fan became a sexualized, coquettish object in the hands of a british woman, but was used to great effect in gilbert and sullivan’s 1885 mikado to demonstrate the docility of asian women. 
consider: these characters became expressions of your sexual desires and fetishes, even as their 5’10 actors themselves are emasculated.
what is liberating for one necessitates the subjugation and fetishization of the other. 
third, consider reactions to the practice: enjoyment of chinese objects as a sign of your cosmopolitan palate vs “so what’s the hype about those ancient chinese gays” pop culture explainers that addressed the unconvinced mainstream.
consider: zuroski describes how both english consumers purchased china in droves, and contemporary publications reported on them. how: 
It was in the pages of these papers that the growing popularity of Chinese things in the early eighteenth century acquired the reputation of a “craze”; they portrayed china fanatics as flawed, fragile, and unreliable characters, and frequently cast chinoiserie itself in the same light.
referenda on fannish behavior serve as referenda on the objects of their devotion, and vice versa. as the difference between identity and fetish collapses, they come to be treated as one and the same by not just participants but their observers. 
at what point does mxtx fic cease to be chinese? 
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finally, it seems readily apparent that attitudes towards chinese objects may in fact have something to do with attitudes about china as a country. i do not want to suggest that these literary concerns are primarily motivated and begot by forces entirely divorced from the real mechanics of power. 
here, i want to bring in edward said, and his 1993 culture and imperialism. there, he explains how power and legitimacy go hand in hand. one is direct, and one is purely cultural. he originally wrote this in response to the outsize impact that british novelists have had in the maintenance of empire and throughout decolonization. literature, he argues, gives rise to powerful narratives that constrain our ability to think outside of them.
there’s a little bit of an inversion at play here. these are chinese novels, actually. but they’re being transformed by white narratives and artists. and just as i think the form of the novel is important to said’s critique, i think there’s something to be said about the form that fic takes and how it legitimates itself.
bound up in fandom is the idea that you have a right to create and transform as you please. it is a nice idea, but it is one that is directed towards a certain kind of asymmetry. that is, one where the author has all the power. this is the narrative we hear a lot in the history of fandom⁠—litigious authors and plucky fans, fanspaces always under attack from corporate sanitization.
meanwhile, said builds upon raymond schwab’s narrative of cultural exchange between european writers and cultural products outside the imperial core. said explains that fundamental to these two great borrowings (from greek classics and, in the so-called “oriental renaissance” of the late 18th, early 19th centuries from “india, china, japan, persia, and islam”) is asymmetry. 
he had argued prior, in orientalism, that any “cultural exchange” between “partners conscious of inequality” always results in the suffering of the people. and here, he describes how “texts by dead people were read, appreciated, and appropriated” without the presence of any actual living people in that tradition. 
i will not understate that there is a certain economic dynamic complicating this particular fannish asymmetry. mxtx has profited materially from the success of her works, most fans will not. also secondly, mxtx is um. not dead. LMAO.
but first, the international dynamic of extraction that said described is still present. i do not want to get overly into white attitudes towards china in this post, because i am already thoroughly derailed, but i do believe that they structure how white cnovel fandom encounters this texts.
at any rate, any profit she receives is overwhelmingly due to her domestic popularity, not her international popularity. (i say this because many of her international fans have never given her a cent. in fact, most of them have no real way to.) and moreover, as we talk about the structure of english-language fandom, what does it mean to create chinese cultural products without chinese people? 
as white people take ownership over their versions of stories, do we lose something? what narratives about engagement with cnovels might exist outside of the form of classic fandom?
i think a lot of people get the relationship between ideas (the superstructure) and production (the base) confused. oftentimes they will lob in response to criticism, that look! this fic, this fandom, these people are so niche, and so underrepresented in mainstream culture, that their effects are marginal. i am not arguing that anyone’s cql fic causes imperialism. (unless you’re really annoying. then it’s anyone’s game) 
i’m instead arguing something a little bit different. i think, given similar inputs, you tend to get similar outputs. i think we live in the world that imperialism built, and we have clear historical predecessors in terms of white appetites for creating, consuming, and transforming chinese objects. 
we have already seen, in the case of the fan language meme that began this post, that sometimes we even prefer this white chinoiserie. after all, isn’t it beautiful, too? 
i want to bring discomfort to this topic. i want to reject the paradigm of white subject and chinese object; in fact, here in this essay, i have tried to reverse it.
if you are taken aback by the comparisons i make here, how can you make meaningful changes to your fannish practice to address it? 
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some concluding thoughts on the matter, because i don’t like being misunderstood! 
i am not claiming white fans cannot create fanworks of cnovels or be inspired by asian art or artists. this essay is meant to elaborate on the historical connection between victorian england and cnovel characters and fandom that others have already popularized.
i don’t think people who make victorian jokes are inherently bad or racist. i am encouraging people to think about why we might make them and/or share them
the connections here are meant to be more provocative than strictly literal. (e.g. i don’t literally think writing fanfic is a 1-1 descendant of japanning). these connections are instead meant to 1) make visible the baggage that fans of color often approach fandom with and 2) recontextualize and defamiliarize fannish practice for the purposes of honest critique
please don’t turn this post into being about other different kinds of discourse, or into something that only one “kind” of fan does. please take my words at face value and consider them in good faith. i would really appreciate that.
please feel free to ask me to clarify any statements or supply more in-depth sources :) 
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thefanficmonster · 3 years
Text
Casual
Ranboo x Reader (Female)
Warnings: None, unless talking about the future counts
Genre: FLUFF, Humor, RPF (Real Person Fic)
Summary: Following the arrival of the dreadful invitation to his cousin’s wedding Ranboo turns to the only cover-up he can think of to keep his still-single status hidden from his family.
Requested by Anon. Hi darling! Thank you so much for your wonderful request! I’m so glad you sent your idea to me and I’m so glad you were my first official Ranboo request. I’m really sorry it’s taken me so long to write it but I still hope you’ll come across it and read it! Love, Vy ❤
“Heyyy, so Y/N, I have a favor to ask you...um yeah, call me back, it’s awkward sending it via voicemail. Bye“
Huh - that’s the first thought that goes through my head when I listen to the voicemail left after a missed call from my best friend Ranboo. The favors he usually asks for consist of requesting assistance for his videos in which I also appear with a mask and sunglasses to keep the brand running. I genuinely have nothing against my face being shown but when I think about it, I’m honestly a bit glad people can’t identify me.
Anyways, back to the favors, Ranboo is no stranger to asking me for them but they’ve never been considered too awkward for a voicemail which is why I’m no slightly concerned. I’ve been swamped with work for school and studies for the graduation finals for the past two weeks and it seems like I’ll never get on top of it and I know Ranboo’s been in a similar situation too, so maybe he needs help with that? He’s not used to asking help for school stuff, he sometimes even has a hard time accepting it when I openly offer it to him.
I eventually sigh, decide that playing this guessing game will not get me anywhere and settle on giving him a call as I make my way home from the gym with my legs barely putting up with the task of carrying me around.
He picks up on the second ring.
“Hey! Wh-...“
“Would you pretend to be my girlfriend for my cousin’s wedding next weekend?!“
My legs take that opportunity to stop moving in the middle of the sidewalk which is luckily void of any people at the moment. It’s not my fault my body’s first reaction was to freeze up at the question that came flying at me like an out-of-control jet, almost as though he’s been dying to say it and get it over with.
“Um...run that by me again please, I think I misunderstood.“ I say, blinking blankly as though awoken from a fever dream. No, actually as though I’m IN a fever dream right now.
“Ok, now that the cat’s out of the bag, wanna grab some coffee and talk about it face-to-face. I need to see your facial expressions to gauge what response to expect.“ He says, the previous nervousness gone and his voice calm as regularly once again.
I’m this close to face-palming but I squeeze my eyes tightly shut and bring myself to utter a reply, “Our usual spot. Be there in ten minutes.”
                                                             *  *  *
“No freaking way.“ I shake my head, folding my arms over my chest as I lean back in my seat in the booth we picked when we arrived. Good thing I got an iced coffee cause even a hot one would’ve gone cold by now considering I haven’t yet taken the time to have even a sip of it. I’ve been too busy listening to the long and short of the explanation and begging speech Ranboo probably made last night to try and convince me to agree to this nonsense. “Dude, we’ve been friends since middle school-...“
“Exactly! Who else was I gonna ask?“ He cuts me off, pleading gaze meeting my unimpressed one.
I huff before continuing my previous statement, “We’ve been friends since middle school so you know my opinion on weddings.” I put extra emphasis on the word ‘opinion’, giving him the clear hint at the distaste I’ve expressed on the topic multiple times before.
“And you know we’re on the same page there but there’s no way I can avoid going unless someone kidnaps me.“ He too now gets in the same stance as me, his coffee forgotten too.
I can’t help but snort out a little laugh, “I’d be more than happy to kidnap you considering the other option is far less appealing to me.“
He, of course, rolls his eyes at me as though he didn’t offer to do the same thing so I could avoid an exam but anyways. “So you’re gonna choose to fake a kidnapping that has the potential of landing you in jail over coming to eat some great food and maybe even have some fun at a wedding with your best friend? I’m hurt.“ He says, frowning to cover up the smile that’s fighting its way onto his face.
Now it’s my turn to roll my eyes, “I’d be kidnapping you, dummy...” I cut myself off to let out a long sigh and calm down before I go off at him. His smirk isn’t helping me much with the task either. I’ve known Ranboo long enough to know he’ll eventually convince me and he’s known me long enough to know how to do that exactly. With that in mind, there’s really no point in getting so worked up and wasting my energy. And so, despite my own rationality, I cave. “Fine, but I’m not staying the whole wedding.“
His eyes immediately light up and almost makes me feel the compromise was worth it. Almost. I mean, when you’ve been best friends with someone for so long, seeing them happy is worth more to you than your own comfort sometimes.
And he knows it too. Which is exactly why he outstretches his hand for me to shake and says: “Just one dance and you’re free to go. Deal?”
I take his hand without hesitations. That’s a better offer than I could’ve ever imagined. “Damn straight it’s a deal.“
                                                            *  *  *
“How long until you kick the heels off?“ Ranboo asks, bringing me a non-alcoholic cocktail and sitting down next to me.
I take a sip and giggle, “You kidding? I already kicked them off and replaced them with flats. I need mobility if we dance. They also lower the risk of me severing off a toe of yours if I step on you on accident.”
He laughs, clinking his glass against mine before he gets a bit more serious, “By the way, thanks for handling my family’s attack so well. I know it might’ve been a bit much but you handled it like a pro. Still, I’m sorry on their behalf.”
I shake my head and wave my hand dismissively, “Don’t mention it. I’d probably react the same way if my brother or cousin brought a date to an important family event like this.” I instinctively turn to look in the direction of where the majority of his family has gathered around, chatting with guests, smiling brightly. It’s hard not to immediately take a liking towards these people. They’ve been a second family to me ever since Ranboo and I started hanging out so I completely understand why they were so shocked to see me in the role of his ‘girlfriend’.
“I’ll tell my parents the truth later, our extended family is the ones I wanted to fool to be perfectly honest.“ He looks around as do I and we catch more than a few pairs of eyes fixated on us that turn away when they realize they’ve been spotted, “Mission accomplished by the looks of it.“
I chuckle. I’ve never felt so comfortable at a wedding before. I don’t feel stressed nor anxious despite knowing that there’s quite the number of eyes on me and there are whispers going around about my ‘relationship’ with Ranboo. It’s oddly calming and relaxing to be surrounded by some familiar and some unfamiliar faces. This cocktail is pretty great too.
Speaking of which, if it had any alcohol in it I’d blame it for the decision I’m about to make but this one’s entirely on me: I tap Ranboo with one hand while taking out my phone with the other. “If we’re already the talk of the wedding, let’s give them something to talk about.“ I say as I put up my phone, pretending to be taking a selfie leaning in to give him a kiss on the cheek.
When I pull away I can clearly see that he’s still processing what just happened. I can’t help but burst out in a fit of laughter as I reach out to wipe the lipstick stain I left on his cheek. He looks like a lost, clueless puppy with the question: ‘what on Earth just happened???’ replaying in his head and it’s so freaking cute!
Wait....what was that? Since when do I use the adjective cute to describe Ranboo? Didn’t I think he looks handsome in a suit earlier too? The hell is with me today?
Then it hits me - the feeling isn’t foreign. Like, I know I’ve felt it before but I never analyzed it or even bothered to acknowledge it. But now that I do, I’m afraid of what it might be.
“There!“ I say, desperately trying to push the thoughts away along with this little firework show in my stomach, “Now you have pinker cheeks. Well, cheek, singular.“
As if snapping out of his state of confusion, he returns to Earth with a smirk, “Kiss the other to even it?”
Alright, his blush might not be even but mine now is and it’s ten times as intense and very much apparent but I don’t let the feeling shine through anything else as I proceed to actually kiss his other cheek too, wiping the lipstick stain.
“Thanks. You’re the best.” And just like that, as though it’s no big deal, he kisses my forehead.
See, that’s the thing, it shouldn’t be a big deal! It’s never been! This is far from the first time I’ve kissed him on the cheek or the first time he’s given me a forehead kiss. These are regular occurrences after years of this lovely friendship we have. Why do they feel so different now?
Then, much to my relief, the music starts and the lights turn off leaving only one spotlight for the groom and bride to have their first dance. They look absolutely astonishing and I can certainly say I’ve never before stopped to think that about any newly weds of the weddings I’ve preciously been to. I don’t know if it has something to do with the company I have for this particular wedding or it’s maybe the fact that my mindset’s changed over the years without me realizing.
Then I automatically look at Ranboo who just so happens to be looking at me too and all I can say is: my mindset hasn’t changed.
A loud applause takes over when the couple finish their dance, officially opening the dancefloor for any other pairs who’d like to occupy it and I’m happy to see how many people are eager to rush up with their partner.
 Ranboo gets up, putting the glass down and offers me his hand, “So, wanna dance? Don’t take this as a sign to leave though, we said one dance and you CAN leave, not SHOULD.” He says, giving me a warning look.
I roll my eyes and am about to give him some sass right back but he takes my hand and picks me up from my seat, leading me to the dancefloor.  And I gotta admit maybe it’s a good thing he did. If he left it to me I would’ve probably said no to the dance and ran the hell away. Why? - Cause I’m freaking terrified of this new mindset and point of view and these intense emotions I never used to pay any mind to before in regards to my best friend.
Friends don’t feel that way about friends. Friends don’t look at friends that way. What’s happening to me?
When I gotta look him in the eyes like this, not for the first time might I add, I can finally understand how the friends-to-lovers trope works: it’s all meaningless until it starts to mean so much to you. It’s all platonic until it reminds you of a romantic movie moment. It ‘best friends’ until it’s ‘I wish we were more than that’. It’s all casual, until it’s not.
And, unfortunately, it’s irreversible.
Damn do I wish I ran away now...
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Text
my ultimate guide to thiam fic !!
( as a new teen wolf stan )
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the classic post war, long ass (multi chapter) fic !!with great development that genuinely made me laugh out loud, they have the best friendship in this & i love it very much. ( like theo teaches liam to drive and i just *happy sobs* ) a fundamental in thiam fanfiction !! all stans have probably already read it but if you haven’t this is in fact a threat ,, go show this vv iconic story some love !!
Airplanes - Captainmintyfresh
Summary: After the Anuk-ite and the hunters are dealt with Liam needs a break. Cue Theo and a road trip that Liam should know better than to think will be peaceful.
Not Rated, No Archive Warnings Apply, Completed, 43/43 Chapters, Words: 236,875 (236k)
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okay okay so this one is also post 6B !! but ,, now we introduce fighting monroe & the hunters again ,, so we get the boys & a new mission !! so if you like an intresting plot 11/10 would recommend !! just to be clear this ISN’T complete ,, if that turns you off i understand but definitely give this one a read !! it litterally have theo doing crossword puzzles & fighting zombies
Vacancy Signs - LovelyLittleGrim
Summary: Theo and Liam are in Manhattan negotiating a pack allyship when the zombie apocalypse breaks out. Now, the two of them have to find their way back to Beacon Hills without getting eaten by zombies or killing one another.
Rated: Explicit, Graphic Description of Violence, Not Completed, 15/17 Chapters, Words: 89,605 (89k)
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Royalty AU !! I REPEAT ROYALTY AU !! a fantastic au where i stan their moms more than i stan them !! genuinely so good at the childhood rivals to lovers trope !! i’m genuinely obsessed with this one. has made me cry more than once ,, hurts in a good way <3 the ending is just *chefs kiss* also one of the tags is genuinely: # theo and liam make bad choices for over 130k straight !! if that doesn’t sound appealing i don’t know what does !!
Artificial Love - songbvrd
Summary: Prince Theo and Prince Liam are forced to spend every Summer together from age five onwards. They hate each other, and usually find ways to make each other miserable as much as possible in their six weeks together. But when they're reunited because of intended unions as adults, things change. They're both supposed to be married to noble women, but neither of them is as interested in anyone else as they are with their childhood rival.
Rated: Mature, No Archive Warnings Apply, Completed, Chapters: 32/32, Words: 172,935 (172k)
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so if you are in the mood for a crack fic that’s not explicitally a crack fic this is for you !! okay so i’m really hit or miss with AU’s ,, sometimes i feel like they don’t quite capture the characters right but this story have the BEST dramatic liam i have ever seen in my life !! basically they all live in the same apartment building & it’s fantastic !! i saw this one floating around a lot but the summary didn’t really unrest me until i have it a shot !! so go read it rn !! also nolan & brett are genuinely fantastic and make me wheeze ,, LIKE ACTUALLY VERBALLY LAUGHING !! all i’m gonna say is that my fav characters are scott & the beetles but that won’t make actual sense until you read it !!
The Neighbors Song - TheodoreR
Summary: “I always hear you singing on your balcony every morning, but suddenly you’ve stopped?”
Or the one where Theo annoys Liam every morning with his awful singing until he doesn’t anymore and Liam is even more annoyed. Liam hates every single thing about his mornings -the fact that they happen in the morning alone is enough. The thing Liam hates the most about his mornings though is the terrible voice of the guy who lives below him. He can’t sing for shit and Liam tried to politely let him understand that by throwing flour and water on his balcony, and also by shouting it to him, you can’t sing for shit!, and then by writing it into a note he proceeded to attach to his door, but this Raeken guy just keeps doing it, every single morning, like a fucking rooster. Liam did nothing to deserve this. He probably didn’t do anything to deserve better either to be fair, he doesn’t expect to open his window and be welcomed by some angelic voice singing him good morning, he’d just be happy with nothing. Silence. That’s something Liam can appreciate in mornings. Just some bark from his dog and the sound of his misery and that’s it. But no, god forbid the new guy lets him have that.
Rated: Explicit, Creator Chose Not to Use Archive Wanrings, Completed, 8/8 Chapters, Words: 42,814 (42k)
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me: i’m not a big fan of AU’s ,, proceeds to talk about ANOTHER au… OKAY BUT THIS ONE !! it’s not complete but the author has been updating regularly ,, vv slow burn !! but in a REALLY intresting way !! i lOVE LIAM IN THIS SO MUCH ,, he is such a diaster of a person and it’s wonderful !! they have a great dynamic & i’m sucker for general puppy pack content ( and erica reyes being a badass ) !! also theo plays lacrosse in this & i really like it ahhhhh ,, also liam is just being an artic monkeys stan the whole time & theo is like *que confused repressed gay noises*
Inglorious Roommates - honeyscape
Summary: A roommate is defined as “a person with whom one shares a room.”
Theo would say a roommate was more along the lines of, “The person who's the bane of his existence. The weirdo that sleeps for days. The spaz that exercises at 3am. The guy with a revolving door of annoying friends. An insufferable human being that Theo has no control over living in his room.”
Example: Theo hates his roommate Liam.
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okay okay i hate myself but i have another WIP for y’all !! this one is jUST FANTASTIC. i’m genuinely so upset it’s most likely not going to updated again *incoherent screaming ensues*. for this story ,, it’s very theo-centric bUT thats bc it ends right before liam becomes a concrete member of the story !! ANYWAY: basic plot = theo & acquiring not one but two children ,, so #dad theo but he is still crusty & homeless and i love him very much. it’s just so GOOD !! just read if you want to experience my fav theo coming out story & him etching high school musical
Look who's talking - Captainmintyfresh
Summary: Theo had been labeled many things in his life. Evil, failure, monster. He'd never thought Father would be one of those things but as he looked across the table to a six year old with blue smears of bubble gum icecream across her face trying to coax the first words out of her sister. Finger jabbing towards Theo's face as she repeated 'Daddy' again and again he couldn't bring himself to dispute the label.
(Theo accidentally adopts two young werewolves)
Not Rated, Creator Chose Not to Use Archive Warnings, Not Completed, Chapters: 16/?, Words: 48740 ( 48k )
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so here me out: post-canon ( poetry like angst ) summer get away !! just the boys doing cute little domestic things together whilst pining !! theo’s guilt in this is just so powerful & aGjffkgkkfkvkdlv !! i think it’s so interesting to see how they interact in this one, it’s just very heart warming !! and it features one of my favorite niche teen wolf tropes of theo being great with like seven year old girls- it’s just so good ,, very much a wonderful little one shot that just makes your heart happy.
(next time i see you you'll show me) a hundred different ways to say the same things - cherrysprite
Summary: “...You deserve good things,” Liam says eventually. He makes sure not to look at Theo even though he can feel his eyes turn on him. Somehow he can already tell that Theo doesn’t believe him.
Liam instantly makes that the goal of this summer - making Theo believe him.
Rating: Teen and Up, No Archive Warnings Apply, Chapters: 1/1, Words: 28875 ( 28k )
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okay so this next section of fic recs is a bit different !!
two of my favorite authors !! and a compilation of fics i’ve read by them both !!
for context: these two have written some genuinely gorgeous fics, like pure poetry, they explore the real gritty & scary side of our boys relationship in such a wonderful way. they’ve both used some of my favorite tropes & i love them very much !!
whenever i need something soothing but so genuinely intresting & enticing these are my go to !! ( also they both write a lot of good nolan angst & some vv good fics with hayden )
go check out:
eneiryu
as well as fallingforboys
here are some of my favorite fics by them ~
darling i want you here in my arms (kiss the pain away, i know you can) - fallingforboys
even before you touched me, i belonged to you (all you had to do was look at me) - fallingforboys
memories linger like tattoo scars (but your touch on my skin is just as permanent) - fallingforboys
skin, bones, a stolen heart, and an ugly creature lurking underneath -fallingforboys
i don't know how to breathe in the place i called home - fallingforboys
whisper your gossamer truths into the shadow, maybe you'll find the answers you're searching for - fallingforboys
between the mountains and the valley we built a monument to our regret - eneiryu
cracked the hinges of the cage and waited for you - eneiryu
-
okay and finally: since i am a self centered whore
my own fic: an rendition of the # elevator scene
it’s basically my version of post canon if we did get the kiss in the elevator. we got a classic liam pov in which he is has 12/10 for extreme bi diaster energy even whilst being shot at !! so go him ig…
Fuck Off, Fuck This & Fuck It! - nefelibata_peach
Summary: Liam thought to himself heart rate climbing, they were bound to be dead by morning. So he thought with everything but his brain and he kissed him.
Where Liam Dunbar is very confused, slightly traumatized, and just a bit scared but hey, aren't they all! Bad decisions ensue as two boys fight in a war they never did sign up for.
Rating: Teen and Up, Creator Chose Not To Use Archive Warnings, Chapters: 1/1, Words: 3558 ( 3k )
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chipper-asks · 3 years
Note
Any tips on how to grow your own blog by chance?
Aah man I've written a response to this kind of question many times but I always delete it because I'm afraid of coming off as self centered or arrogant, but I definitely have some tips on what works and doesn't work (on tumblr.)
I will say that I never believed I would get to the "Big Fandom Artist" stage. I've seen people drop my name in conversations or descriptions and just assume other people know who I am and that's still incredibly wild to me. I never really pushed to get a big blog it really just happened.
But! I do have rules and personal guidelines that might help if you are thinking of actively building your blog!
1: Keep personal information and vent posts to a minimum
It should go without saying that its not a good thing for your personal information to be on the internet. Once its out there its near impossible to erase. This is for your own safety.
Vent posts give out more information than you might think, but also some people who are following you may be going through difficult times themselves. I go on the internet to get away from my stressors and problems and i've specifically catered my dashboard to reflect my desires. I have no doubt others are the same.
I've unfollowed mutuals because they vented too frequently. I enjoyed what they made! But it stressed me out to read their vent posts because I couldn't help. I realized it was taking a toll on my mental health and I made the tough decision to unfollow.
It is very tempting to vagueblog because its nice getting out all the angry feelings, but a blog with thousands of people following it is not the place to do it.
2: Shitpost vs Quality Foley
I could go into a massive essay on this alone (ive even written out an outline already) but i'll keep it as brief as I can.
Throughout my time on Tumblr I’ve seen a number of posts of artists complaining about the lack of notes on their serious work compared to the abundance of notes on their shitposts.
This is because Tumblr IS a place of shitposts. It's like squeezing a clown nose and expecting it not to honk.
However! It's more complicated than that and i've broken it up into four parts organized by importance.
A. Relevance/Meta: Is it something that people are already familiar with? Is it something that's currently going on?
People want to enjoy things they're already familiar with. For example, people getting into Hollow Knight are more likely to follow a blog that posts HK content regularly over a HK blog that posted a picture of Grimm once and then is full of original content. It's not that people don't like your original stuff, its just not what they're looking for.
If you like striking while the iron is hot, meta jokes are the way to go. Making references to games like Among Us during the height of its popularity for example would get you lots of notes.
B. Hilarity
Is it funny? Does it subvert expectations?
Shitposts will always be more popular than a well drawn post. People like to laugh and share things that laugh. A cool, well drawn post is more often than not met with a "hm, cool. scrolls down."
This is a polished comic I made 10 months ago. I'm very proud of it and i'm pleased with the amount of attention it got. It took me 2 days to finish.
This is a shitpost I made 3 years ago that I still haven't been able to top. It took me 30 minutes to make.
That's not to say a well drawn post can get popular! It's just that people enjoy a good laugh over something shiny. This is a factor of knowing your audience. Some things land better than others and you'll be better off if you just roll with what you get.
I will say tho I appreciate the people who reblog my oc posts 200x more than people who reblog my shitposts and fanart. Those are quality followers and you must cherish them.
C. Appeal
Is it cute? Is it fluffy? Is the design easy to understand? Does it make people emotional? Is it angsty? Is it relatable?
People like cute shit. People like things that make them hurt (albeit not too much). People like things that they can see themselves in.
D. Skill
There is some merit in being good at what you do. People do like funny things more than shiny things, but shiny things are cool too.
If you post things that are funny? You're normal horoscopes.
If you post things that are well drawn? (its really telling that I can't think of someone right off the top of my head)
If you post things that are funny AND well drawn? Well then you're iguanamouth
3: Know your boundaries.
There's a difference between being understanding/tagging things correctly and catering to people who want you to be someone else.
I know that many people get upset with others who gender the vessels in Hollow Knight. While it doesn't bother me, I can recognize the misgendering of vessels as a source of dysphoria and I tag accordingly.
If someone comes into my inbox and tells me to stop drawing a character because they're "problematic," I'm just going to block them and go about my day.
4: This is your blog, its your rules.
I'm apologetically myself on my blog. I post what I want and what inspires me. The reason why I have so many AUs is because its my blog and I like AUs. If a large portion of the fandom doesn't like my AUs, its their loss, I make great AUs.
In fact, its just a good mindset in general to have. If some people don't like what you make, its not your problem. It makes you happy and it makes hundreds of others happy then continue to do what you do. It's impossible to have a large following and not have someone who dislikes you purely out of spite.
Make stuff for yourself, not because you want numbers.
5: Don't feed the trolls.
If someone sends you hate, take a picture of it, share it with your friends, laugh, block the person, delete message, move on with your life.
It's really fun to feed the trolls, but feeding trolls attracts more trolls and soon its not fun anymore. Just laugh when you get your first anon hate, maybe frame it in your room, and don't even acknowledge them with a "fuck you."
6: Recognize your position.
This is more advice for when you do get a big blog. You get to a point when you realize you have a portion of your audience who value much more than a regular human being and are willing to take up arms for you.
Do. Not. Weaponize. Your audience.
It's incredibly shitty and can ruin peoples lives.
7: Post Frequency/Schedule
Now this is one I can't do. It's normal for me to become incredibly active for 2 weeks and then end up posting nothing for a month. I don't have the patience to build up a queue of new things.
However! If you have more discipline than me, posting daily or twice a week builds up anticipation for your next post. You're dependable and people have the chance to look forward to seeing something from you on their dash on Friday.
Thats all I can think of so far.
There's no TL;DR you'll miss my important advice within these tips.
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xhisokas-harleyx · 3 years
Note
Your Hisoka headcanons were so good😭 and i completely agree with all of them- I wanted request something, u can ignore if u want. 🏃
I am just thinking of a scenario where Hisoka got hurt, by someone who 'cheated' in the fight maybe, and his first instinct was to go to his 'friend's place. And Reader helps him without hesitation, they're even worried and stuff. And he is just like "are they just so naive or dumb? Kind? What do they get from this? And tf is this feeling in my chest? A poison maybe-" Maybe hcs? Or an oneshot? Whatever you like to do. Have a good day or night!:)💛 damn i wrote too much lol sorry
This warms my heart. Thank you SO MUCH for your support!!! And no, you did not write too much! I love having my ego stroked ;) 😂 seriously tho I love hearing from you guys!
I love this prompt. I hope that I was able to bring this to life for you, please feel free to request more!
To be honest, I’m not really happy with how this turned out, but I haven’t written in a long time and feel really rusty. I may rewrite it at some point, because I thought of a different way this could also go! At any rate, I hope you enjoy it.
Word Count: 2880 (yeh, it’s a long one :o)
A little song inspiration I had:
As The World Caves In: Matt Maltese
Hisoka x Reader One-Shot: The Man Beneath the Monster
...
Well... this wasn't supposed to happen.
Currently, the jester of everyone's nightmares lay on the ground, golden eyes staring up at the dull night sky while shrapnel and debris etched patterns into his back, remnants of the attack he'd just barely survived. Hisoka didn't normally have much of a problem mowing through his opponents- but then again, they usually didn't possess the ability to play with their enemy's mind. It was insanely unfair, the way he'd been attacked, and while it had been an interesting battle to say the least, Hisoka had barely pulled through.
Admittedly, he was invigorated by the feeling of almost being beaten- save for the searing pain that inched its way through every nerve in his body. Hisoka wasn't usually so affected by pain in general- in fact, more often than not, it gave him a certain indescribable gratification. He tended to brush off the feeling of most wounds he obtained during battle, distracting himself with shuffling his cards or fantasizing about the next battle he'd be facing. Only this time, if he didn't get help, he wasn’t sure there would BE another battle.
Hisoka strained himself to sit up, and looked down at his body, analyzing just how much damage he'd sustained. A deep gash opened up his chest, revealing glimpses of the muscular content underneath, and it was oozing a lot of blood. His arms and legs were burned, and some of the skin was a little charred, which smelled just lovely against the night breeze.
This is going to be difficult to cover with Texture Surprise... he thought, forcing himself a bit angrily to his feet, when he heard the cracking of the joints in his left ankle, indications of a break. He needed medical attention, badly. His gash wasn't going to heal itself, and he would bleed to death within hours if it didn’t get bandaged.
But where could he go? Hospitals wouldn't dare take him- even though he was a hunter, most people wouldn't be caught within miles of him, let alone would provide him any remedy. In fact, most people thought the world would be better off if he were dead anyway.
Maybe they were right.
He chuckled a little at the thought, but as he tried to brush those creeping inner fears off, he soon realized that his normal detached approach wasn't going to work this time. Already, his legs were getting weaker, and his vision was getting a little darker by the second. In that moment of weakness, when he felt the most vulnerable, the magician was puzzled by the singular thought that came to his mind.
Y/N.
She was a girl he’d encountered more than a few times in his travels; not by accident, but through carefully orchestrated meetings he initiated himself. She was strong in his eyes, which was not a compliment that he offered freely, especially to someone who didn’t regularly seek out altercations to smash their enemies. She was strong in a different way- not because of her nen or battle tactics- but because of her resolve. He found it intriguing that she didn’t run at the sight of him (even when he popped up behind her in the park), and he liked that she wasn't afraid to tell him exactly where he could shove his cards, if warranted. Y/N was appealing to him in an indescribable way that made him continue to think up excuses to meet her ‘randomly’- but he could never put his finger on what it was that made her unique. However, through brief conversations and what he considered to be highlights of his travels, he’d gotten to know her only a little, but he hardly had enough contact with her to call her a ‘friend’.
It wasn't like she had any special sort of healing nen. She probably couldn't help him anyway. But if he did bleed out, and his last thought had to be of something...l it might as well be of her.
The pink-haired clown looked to the city up ahead in the distance- he was close to her house already. It didn't take him long to get there; Y/N lived on the outskirts of town in a small place away from most other homes.
It was a place he knew well, although he'd never been inside. He'd spent more than a few long nights watching the residence from the rooftop of a distant neighboring home as he denied his human emotions. He often watched her pack groceries, or try to figure out why her porch light wasn't working (which he certainly had nothing to do with), or watch TV on the couch all alone.
Hisoka quite liked those stupid romantic comedies that played late at night on the local channel. His only opportunity to watch them was through her window- and in his mind, he was sure that she left the subtitles on because she can somehow sense his presence. She usually fell asleep watching those, and missed the part where the hero gets the girl. He always watched that part with particular interest, but he can't figure out what makes the protagonists so special to each other. If there was a feeling that caused them to sacrifice so much for one another… he sure didn’t know what it could be.
But he's not a hero, so why would he know what that feels like?
As Hisoka reached her door and lifted his hand to the doorknob, not bothering to knock, a pang of what could only be anxiety ripped through him. It was well past 2 AM, and he knew she had things to do early in the morning. Their previous encounters had been abnormal, to say the least, complete with him teasing her and being a douchebag. He's been nothing but an annoyance to Y/N, so why would she help him?
As soon as he was about to pull his hand away, the door swung open, revealing a disheveled looking y/n in its place. Hisoka was bent over in pain, holding his chest, but as she startled him a little, he straightened up and put on his mask, acting complacent and confident. He wanted to say something smart and witty like he always does- that always helped to bat the pain away. But his lips wouldn't move- his tongue wouldn't function as he stared at her, unable to reach out in a way that normal humans seem to find so easy.
He felt frozen in that moment. He was normally so deliberately irreverent, but seeing the look on her face made his blood run cold.
Don’t let her see this weakness. It was a plea to himself.
But Hisoka had no choice. He was broken, and he needed her to fix him. He wasn’t used to depending on someone else to save his life, but now his life rested in the hands of someone who most likely despised him.
"...Hisoka." Y/N breathed, her eyes widening as she placed a hand over her open mouth. Only seconds passed before her delicate hands were pulling him inside the door without hesitation. She didn't bother to ask what happened, what kind of trouble he'd gotten into, or whether she would also be in danger. Instead, she sat him down on the couch, laying a pillow under his head for comfort, which he annoyingly refused to use until he absolutely couldn’t hold his head up any longer.
Hisoka was a bit dazed from the loss of blood, and the crimson river was flowing all over y/n's lightly colored couch. He was puzzled by the swiftness of her reaction, and he watched tepidly as she shuffled frantically through the drawers in the bathroom for something to heal him. Though he was on the brink of death, his default deflection of emotions still shone through, a reflex that he didn’t even mean to activate.
“I don’t need your help, you know.” He said with an impudent grin, watching as she began to work on his wounds. “It’s just a scratch. But I can see how badly you want to touch me…” Why was he like this? Here she was, giving up everything to help him (a criminal and the scum of the Earth),yet he can’t so much as even show her an iota of gratitude. He knows, but will never admit that it comes from his inner vulnerability; that fear of getting hurt by these things called emotions. She could just as easily let him bleed to death in front of her; he knows she has the capability to be stone cold. But she won’t… why?
Why?
Y/N could have easily let Hisoka’s false complacency hurt her. But she knows that what he cannot express in his words, his heart cannot truly hide. It was the way he was built, she told herself, and she pushed on through his antics because she wanted to see him safe again. Through the laceration in his tough exterior, she could not only see the flesh beneath, but a glimpse of the man he tried to hide using the monster that he assumed everyone saw.
But she was different.
The jester was confused by her silence. Normally, she would have retorted at his smugness, but right now, she didn’t even seem concerned with it as she began to fumble with cleaning his wounds. The alcohol seared his flesh just as the emotions boiling within him burned his heart. Why would she ever care to help him when he’s been nothing but rude and degrading to her? Could it be that she really can see through the detached front and overbearing persona? Impossible, he’s spent years building that reputation!
Suddenly, he became enthralled with the way Y/N’s eyes focused on threading the needle to sew up his gash. The way that those fingertips danced over his pale skin made him jolt unexpectedly at her touch, exhibiting a softness that Hisoka has never known before. In fact, he can’t even fathom someone wanting to touch him without the intention to hurt him in some way.
The details slowly became a blur in his depressed mental state- but he still analyzed every motion Y/N made.
Oddly, the promised sting of death had never scared Hisoka before; he did as he pleased, without care for his own life nor anyone else’s. But as his vision faded, and he watched her through the gaze of someone nearing death, he realized that he did not want to leave this world yet. He wanted to live- and maybe he wanted to discover and experience what he’d been missing in those movies he’d watched through her window.
With that, Hisoka’s heart began to beat faster.
Blood loss. That’s what it is… Hisoka thought; but he wasn’t stupid; only unwilling to admit that he was beginning to exhibit the same qualities he saw in the protagonists of those hopeless romantic flicks. He was unable to accept that the tightening in his chest was not just because of her stitches pulling his lacerated skin together.
“Are they dead? Did you kill them?” Her voice brought him out of the trance-like state he was in, and his golden eyes focused on her face. Her hands were covered in his blood (which in itself made him feel delightfully feverish), but his gash had been mended, the bleeding stopped for now. Once again, he didn’t say anything. It was unusual for the smug magician to keep his mouth shut.
“Because if you didn’t kill them, I’m going to.” A protective tone dripped into her voice, bewildering Hisoka again. That quality in her voice was both threatening and comforting, and the duality sent a chill up his spine. It inspired him to use his voice, though it had lost some of its signature modulation.
“You have that little faith in me…” A cough escaped his lips before he could smile as if nothing was bothering him at all. “Of course I killed them, my dear.” Somehow, calling her ‘dear’ no longer felt right; that was typically a placeholder, a default name to use for someone he had no connection with, and she seemed to be worthy of more than that now.
As Y/N suddenly dipped to her knees, Hisoka refrained from any lewd thoughts that he normally might have had in such a situation. That sensation in his chest was too distracting to allow this memory to be defiled with something he often indulged in fantasies of. She began to slide the high-heeled shoe off of his swollen foot to wrap it. She began to struggle with ripping the fabric she’d gathered to act as a cast for the bone.
Surely, she knows who I am. Why would she bother to help someone like me? What is she gaining? She knows that with the flip of a card, I could end her life. She’s not even protecting herself in any way. She’s leaving her guard down right in front of me.
Perhaps it was his dark desire to set fear into everyone he came across, or his distorted need to drive away anyone who might care for him, but his body suddenly acted on its own. By instinct, almost as if it were a test of her intention, a card spawned between his middle and index finger, which was right against her neck. With just a slight movement of his knuckles, he could spill her blood. His golden eyes analyzed the way she froze for a moment, and he believed that to be the end of this fragile trust between them. That was until she lifted the fabric she was holding, sliding it along the edge of the card, and cutting it to the perfect length.
“Thanks.” She spoke, beginning to wrap and set the ankle in place.
At that small motion, Hisoka’s discretionary eyes widened, and his lips fell open in surprise. Rather than interpreting his advance as an attack, she’d innocently taken it as an offer of his help. Was this a joke? Was she stupid enough to trust him, or was she bold enough to outsmart his games? Was Y/N this confident that he wouldn’t just kill her? This naive girl at his feet seemed to be the only person in this convoluted world who didn’t see him as a disgusting, heartless monster… and that warmed his icy heart.
“I’m surprised this hasn’t happened before. I know you’re graceful, but high heels are always a recipe for a broken ankle.” She offset the pain of wrapping those bones by talking to him all through the procedure, and it worked wonders. He scoffed, but by that time, Hisoka’s snide comments and emotion-killing thoughts had been expended. Somehow, she’d broken through the barrier that he’d spent so long building around himself.
Unable to ignore his whims anymore, Hisoka reached out to touch Y/N’s hair, the soft delicate strands pleasing his senses. It’s the only movement he can make now, his body weakened from the loss of blood. His gilded eyes were barely open, but they looked directly into hers with an unfamiliar realization. His hand travelled weakly down her face, caressing her cheek with the most delicate touch he could muster, and held her head in his large hand as she froze there. He wondered for a moment if she was afraid, or if something deeper that he cannot see calms her.
A small, genuine smile is all he could muster for her before his hand dropped to the side of the couch, the same couch he watched her curl up on most nights. For once, it’s not a smirk, and it’s not a smug smile- but something she has never seen before- a true smile with good intention behind it. His eyes closed, with uncertainty that they would open in the morning.
After she’d finished her work, she stood up, and looked down at him. The only remaining light in the room was the silent flicker of the television set in the background, which illuminated both of their faces.
“I need you to be alright, Hisoka,” She cooed, unable to know if he could still hear her. He didn’t know if she even realized how much he wanted to kill her right now, because the way her kindness was attacking his heart while his chest was already sliced open was something he should not excuse.
As Y/N’s final healing gesture, she bent over his body gracefully. He was taken off guard when he felt the feathery soft sensation of her lips on his forehead, the kiss of an angel on his clammy skin. As she went to pull away, however, she was startled by the lunge of Hisoka’s hand initiating a death grip on her wrist. He used the last bit of his strength to pull her lips into his, causing her to lose balance and be forced to brace on either side of the couch cushion below him. His lips were cold, but Y/N graciously returned the sensation, and boldly moved to embrace both sides of his face with her mending hands. Before she pulled away, and he passed out, she felt that same smile against her lips.
And in that moment, before he fades away, Hisoka realizes what he’s been missing.
Y/N.
-----------------
Hmm... part two? I KNOW, it’s super freakin’ sappy. I could have taken a lighthearted approach to this (and maybe I will later), but I wanted to kind of challenge myself to write a more depth-driven version of Hisoka. Maybe I bit off a little more than I can chew :0.
Anyway, let me know what you think, and once again thanks to anon for the request! Hope you all enjoyed!
Mac
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sineala · 4 years
Note
Is 616 Tony a Democrat or Republican or neither? I’ve seen posts comparing him to Trump (barf!)
Wow. Geez. You don't ask easy questions, do you, anon?
First off, I am going to assume that whoever was comparing 616 Tony to Trump was trying to slander Tony. And I will tell you that we do in fact have 616 Tony's canonical opinion of Trump -- yes, Donald Trump exists on Earth-616 and has been referenced in several comics -- and he doesn't seem to like him much. I mean, this is back when Trump was primarily being known for being a New York businessman. They canonically ran in the same circles and Tony canonically knows him. He doesn't like him.
Here's Tony in Iron Man v1 #227 complaining that Trump bought him out of a building:
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And here's Tony again in Iron Man v3 #37 being not especially thrilled when he thinks that the person he is about to meet is Trump:
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(The person he is actually meeting is Tiberius Stone, which is also a very bad idea.)
I am also going to point out that due to the way Marvel likes to handle politics in its comics, I don't think we can say anything about the canonical political affiliation of most characters, because Marvel deliberately leaves that undefined. So to the best of my knowledge, we don't have a canonical statement about Tony's political affiliation and we probably won't ever get one.
But we can speculate based on canonical evidence, can't we?
My very long answer is under the Read More.
Your question is sort of framed as "tell me if Tony is a good or a bad person," and I would like to suggest that this is not really a useful framing for several reasons: (1) what the political parties currently stand for is pretty recent, actually, and Tony as a character predates a lot of the modern conceptions of the two parties; (2) the history of the Democratic Party specifically in New York, where Tony is from, is, let's just say, not 100% pure and unproblematic; and (3), when we're talking about someone with the amount of money, connections, and influence that Tony has, party affiliation generally doesn't mean the same thing it would mean for us ordinary mortals. What I mean by that last point is that there is a big, big difference between every one of the following list of statements: "I would vote for Republicans," "I am a registered Republican," "I would give very large amounts of money to Republicans," and "I would accept a political appointment in a Republican administration." For most of us, the last two of those points aren't ever going to be something that comes up in our lives, but they are going to be things that matter very much for someone like Tony Stark. And we have a canonical answer for at least one of those things. We can theorize about at least some of the rest of them.
I'm saying all that because I suspect you're really not going to like my answer.
I think that there is a very, very high chance that 616 Tony is a Republican.
I mean, I don't think he'd be a Republican right now at this exact moment in time, are you kidding me, but I feel like he has definitely been a Republican at some point in the past. Say, before Trump. One of those socially-liberal fiscally-conservative types. With a conscience. Sort of like Mitt Romney. Picture the kind of Republican Massachusetts likes to keep electing as their governor.
Yes, is possible that, since Tony is from New York, he's a lifelong Democrat. It is definitely possible. New York is heavily Democratic in our world, and barring contradictory evidence, that is probably also the case on Earth-616. But I think that, specifically because of the rest of Tony's background and the ways that Tony has interacted with the world of politics in 616, he is most likely to be a Republican. It doesn't mean he couldn't be a Democrat! I have no proof either way! In terms of several elements of his characterization -- say, his commitment to social justice and fighting inequity -- I would say he definitely leans Democrat, because these days that sort of thing is mostly the province of the Democrats, although I suspect that back when Tony was created it wouldn't have been out of character for a lot of Republicans. I'm just saying that Republican seems more likely. If you gotta pick one. I think you could definitely argue for either. He doesn't fit completely into either but his canon interactions with politics push me toward thinking he's a Republican, because he does several specific things that I think it would be unlikely that anyone other than a Republican would be given the opportunity to do at the specific time that he does them.
Yeah. I know.
Right. Okay. Tony is extremely, extremely rich, and even though I know that he is basically the fantasy of The One Good Ethical Billionaire (more on this in a sec), it's probably worth thinking about what actual real-life rich people do with their money in ways that intersect with politics. And the answer to that is, well, generally they give money to politicians who are favorable to, say, helping them continue to have money. Now, yes, as far as I know there is no evidence of Tony doing this in canon -- this is where all the conjecture comes in. So we ask ourselves, okay, if Tony were to endorse particular politicians because of this, what party would he give money to? Who would he want to get in good with? In most parts of the country, that would probably be the Republican party. But, specifically in New York, it's the Democrats.
So, yeah, one of the big points in favor of him being a Democrat is that, well, Democrats traditionally run New York. The class of old-money New York elites are pretty stereotypically Democrats. And that would include Tony. Which is not to say that he couldn't be a Republican, but if he wants to get anywhere with New York politicians, and I suspect he probably does because he is trying to run a series of very large businesses and he owns a fair amount of real estate including several buildings whose permitting processes I can only imagine fall into the category of “probably highly irregular" -- I mean, he has multiple jets that he regularly lands on his house and secret underwater tunnels for a submarine -- he has to cozy up to Democrats. If he gives money to anyone involved in politics, that's who he gives money to. Making superhero bases probably took a lot of money. A massive amount of money. The city planners probably cry when they see him coming.
(At one point I believe they did ban him from keeping the Quinjets in his house. That was when the Avengers had the Hydrobase.)
I tend to assume most people know something about the history of the Democrats in New York, or at least the history of US political parties in general, but the tl;dr version is that the parties haven't always stood for the same things that they do now. They also weren't always the same parties. And historically, in New York, the political machine gives you Democrats. That's just the way it is. The Democratic Party of the past was not really, um, devoted to all the same causes as the current Democratic Party. And it was very hard to get anywhere in New York and not be a Democrat. It still is. If you haven't read up on Tammany Hall, maybe you should. There was a lot of corruption. I mean, yeah, it's not currently a thing, but the Democrats remained in power in New York; it dissolved probably around about the time the Republican Party explicitly decided that the way to win the South was to appeal to the racism of white voters ("the Southern strategy"). Because, yes, before that a lot of white, conservative Southerners were traditionally Democrats. And then the Democrats split about civil rights, and, uh, the Republicans took in the racists.
Anyway! US political history is sure a land of contrasts! Rich New Yorkers are traditionally Democrats! That is a point for Tony possibly being a Democrat, yes. Moving on!
But Tony is not just a random old-money New Yorker. He inherited Howard Stark's money and Howard Stark's company. And Howard was, well, a defense contractor. And so was Tony, until he stopped making weapons. And, uh, being a defense contractor is, um, one of those things that is extremely, extremely Republican. No, I don't have stats to back this up. Just trust me. So, yeah, he's a rich New Yorker -- but he's also a defense contractor from a family of defense contractors. I would be amazed if Howard Stark were anything other than a Republican. Which is not to say that Tony could not be a Democrat anyway, but the job does come with a certain predisposition.
(Incidentally, one of the other things Tony inherited from Howard was his membership in the Hellfire Club, which is one of those things I keep forgetting about until canon smacks me in the face with it every few years.)
We all know that the conception of Tony, as a character, is basically the fantasy of the Ethical Billionaire. He is The Best At Capitalism. He has money and he is not corrupted by it. He has money and he uses it to do the maximum amount of good in the world because that is what he really, deeply wants to do. He supports a large number of philanthropic causes! He has a foundation named after his mother! He funds programs for low-income youth! He runs a homeless shelter for women! Throughout his history, he has been consistently portrayed as a deeply, deeply kind human being, who wants to help people. A lot of people! People who aren't like him! People who might not even like him! That is just... who he is, as a person.
And these days we tend to associate that kind of push for systemic change and caring about social issues and remedying inequity with Democrats, but that wasn't always the case. I think it still would have been believable coming from a Republican, oh, around about the time Tony came into existence. He was created back when you could be an elected Republican and, uh, push social policies that I think these days we would consider progressive. I mean, Eisenhower was the one who started integrating schools, right? The Republicans are the party of Lincoln! It's not like Republicans are prevented from doing good things. And I think we need to keep in mind that Tony dates from the early 60s when socially-progressive was still a thing Republicans could conceivably be.
So, yes, Tony is very kind. It's nice. We all like that about him. But also many of the ways in which he is kind to people are very much Republican fantasies. Like, yes, he's a great boss. He's close to his employees. They're like family. If any of his employees have problems, he helps them out on a personal, individual level -- and that, as an ideal, seems very Republican to me. I mean, he's a CEO, right? He's owned a lot of companies. Are any of them unionized? Combing through Wiki, I find one reference to a union in ToS 63, which is really, really early -- you know, back when unions were more popular. I can't find anything after that. And nothing is coming to mind. So, I mean, yes, we have now established his employees were at one point unionized, but he's certainly not known for, say, running a union shop. Part of the fantasy of the Ethical Billionaire is the idea that Tony's employees don't need unions because Tony is so kind and so generous and so personally selflessly good that he takes care of everyone who works for him. And the thing is, Tony actually does do this. He is fictional and therefore capable of achieving perfection.
Okay. He's a fictional character. Let's step back a little and think about fictional characters, and specifically the way Marvel Comics depicts fictional characters interacting with well-known real people. Many real people from our Earth do seem to exist in 616. Earth-616 is not our Earth in a vast number of ways, but one thing it shares with our Earth is presidents. Whoever is the real-life president when a comic comes out is pretty much generally president on Earth-616 at the time. Yes, I'm going somewhere with this.
Now, for whatever reason, Marvel often does not canonically refer to presidents by their names in dialogue, but the artists pretty much draw whoever is president at the time when someone in canon needs to meet the president. (Captain America seems to get to meet the president a lot. I'm sure you're shocked.)
There are a couple exceptions to "everyone who looks like the president is the president,” namely that Marvel says that the villain who was Number One of the Secret Empire in Captain America v1 #175, who attempted to conspire with aliens to take over the Earth, whom Steve watched commit suicide -- anyway, the official Marvel word is, I believe, that this guy is not Richard Nixon, but Steve Englehart, who wrote the comic, says it absolutely was:
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And, yes, this is the incident that causes Steve to lose faith in America and become Nomad. You can kind of see why that would be traumatic. Marvel clearly had some feelings about Watergate they needed to process.
Anyway, I just wanted to put in a picture of that time Ronald Reagan was turned into a snake person. It's Captain America v1 #344:
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I love comics.
More recent presidents still make appearances in the comics, and they are the president who was the real-life president at the time. For example, the president who pardons Steve for all his SHRA-related crimes in Who Will Wield The Shield is definitely Obama:
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And that means that I must also unfortunately inform you that Hydra Steve also received a presidential pardon:
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Though the issue in question (Captain America v9 #8) does not specifically name the president, following the "whoever is the actual president is the 616 president" rule, the president who canonically pardoned Hydra Steve is... Donald Trump.
Let's just pause here to contemplate this. Take as long as you need.
(I was today years old when I learned that Hydra Steve has been dead in comics for over a year. Since the issue in which he was pardoned, actually. Which is an issue I am sure I read the day it came out, but somehow I missed the four entire pages where Hydra Steve is set on fire and burns to death while hailing Hydra with his last breath. I guess it wasn't memorable! I mention because I am pretty sure I am not the only one who missed this.)
Anyway. I do have a point to make here, and my point is this: Tony has received political appointments. Two of them, in fact. In the 2003-2004 Iron Man arc "The Best Defense," Tony becomes Secretary of Defense. He does get Senate confirmation; it's not a deputy appointment. He actually gets unanimous confirmation. And I know that Tony had this job is a fact that everyone knows about Tony, but I feel like a lot of people may not be totally conscious of the timeframe involved here, and by that I mean that he is absolutely, positively, the Secretary of Defense for Earth-616's George W. Bush. Yes, I am sure of this.
Here is Tony with the president in Iron Man v3 #78, being told he got the job:
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Yeah. That’s George W. Bush.
Can a Cabinet appointment cross party lines? I mean, sure, it's possible. I am not the kind of giant politics nerd who has this memorized, but there is in fact, a Wikipedia page for US political appointments across party lines. And it looks like there have been five cross-party Secretaries of Defense and five Secretaries of War. So, I mean, yes, it's happened, but it's fairly rare. None of the cross-party Secretaries of Defense (deputy secretaries excluded, since they weren't confirmed, obviously) were ever Democrats appointed by Republicans. And since we're looking at Dubya's administration specifically, it looks like only one of his Cabinet appointees (Transportation) was cross-party. So it looks like he in particular would not have been especially likely to appoint a Democrat to his Cabinet, since in real life he only had the one.
So to me it seems that the most likely party affiliation for Tony has to be Republican, because of this. Sure, the appointment could have crossed party lines. But I feel like it's just... not likely. Being a Republican Secretary of Defense in a Republican administration just seems way, way more possible.
(Also I'd like everyone to remember that Tony is replacing the previous Secretary of Defense because the previous Secretary of Defense was secretly the Red Skull and released an engineered flesh-eating virus at Mount Rushmore. Just, y'know, to set the mood.)
What's more, Tony gets a second political appointment from the Bush administration. It's not a Cabinet position, but he does become the Director of SHIELD in 2007. Here Tony is with the president, slightly earlier, in Civil War #1:
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This is not really as good a likeness of Bush as the previous and I guess you could argue that the artist was drawing A Generic Politician but I feel like, y'know, it's probably still meant to be Bush. And Tony may not have wanted this particular job -- we know he definitely didn't -- but he absolutely wanted to be Secretary of Defense. So we know that he is definitely fine with serving in a Republican administration.
So, yeah, that's my argument: odds are pretty good that Tony has, at some point in his life, been a Republican. Maybe not right now. But probably in the past.
Having said that, given the way Marvel handles politics, I don't think it's likely to ever be much of an issue in canon; the Avengers mostly just tend to get to get along with whoever the president is at the time and I can't recall really anything about partisan issues. However, you're never going to convince me 616 Steve was anything other than a New Deal Democrat -- even though I know that in Cap #250 he turns down both the Democrats and the Republicans when they ask him to run for president -- because, I mean, come on. I assume that he and Tony probably try not to discuss politics ever anymore, because we all know how the SHRA went. They probably mostly agree, but when they disagree, people have a tendency to end up dead.
That was probably more than you ever wanted to know about my thoughts on this topic.
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I have many thoughts on the weird phenomena in the DC fandom and the Batfam fandom specifically where probably the majority of people just straight up. haven’t interacted with the source material. and almost all of those thoughts can be summarized as ‘lmao that’s weird and mildly concerning’.
and because I’m annoying I will list them all here right now <3
1. To preface this post, I mean, obviously, comics are inaccessible as all hell, both in the disability kind of way and the ‘you need to understand the concept of hypertime to fully comprehend the DC timeline’ kind of way. Because of this, even if you don’t have a disability that prevents you from reading comics, I don’t think it’s unreasonable to look at the amount of comics you need to read to have even a base understanding of a character and go ‘no thanks <3′ and just enjoy fanart and fanfic in a vacuum. Ultimately, this is fandom, this is supposed to be fun, it doesn’t really matter.
2. That said, it’s VERY weird to me that the majority of this fandom just straight up hasn’t interacted with the source material, and moreover, that it’s considered rude to tell people that they should do so. It’s especially weird considering the amount of fanon-only fans I’ve seen who straight up have a superiority complex over canon. The idea that it’s gatekeeping to tell fans of something to actually interact with canon is just. so weird, and a fundamental misunderstanding of what ‘gatekeeping’ actually entails. 
3. But honestly I’m less interested in discussing the ways in which canon and fanon fans should interact with each other (personally, I think it would be helpful to create separate tags of some kind, but that’d require quite a big overhaul of the current fandom state) than in figuring out how this actually happened in the first place. On the one hand, it’s obvious; long-running superhero comics the way DC writes them have made themselves so thoroughly inaccessible that most people are simply too daunted to even try. Most media has a cohesive beginning and end (or at least, a planned end somewhere). Comics just... don’t.
But I do think it says something that, even among people who are clearly interested in the characters (since they have, you know, entire blogs about them), the effort to get into comics just seems to be too much to even bother. This really doesn’t bode well for the future of DC Comics. Obviously, I am no expert on anything at all ever, but I’d personally be surprised if DC survives beyond the few decades, at least in its current form/without a big overhaul.
4. But on the other hand, I don’t think the confusing state of DC Comics is the only thing to blame here. Fandom has a well-known problem with reducing any character down to archetypes to more easily ship and write fic/make content with. This problem is particularly prominent in fanfic, which, if you read enough of it, you’ll eventually start seeing not just the same tropes and trends, but essentially the same fics over and over again. And not just within the same fandom; everywhere, or every large fandom, at least. 
Fanon Batfam is entirely built on a bunch of those tropes; insecure/depressed sadboy Tim, team mom with optional hidden trauma/emotional problems Dick, bad boy with a heart of gold + sadboy combo Jason, abused sadboy Damian/angry easily-villified-for-fic-reasons monster Damian, good dad Bruce for found family fic and bad dad Bruce for angst fic, etc. This all culminates in a found family dynamic that’s generic and malleable to whatever fic the writer wants to write.
(This isn’t getting into the ship fic, which I avoid like the plague because the vast majority of it is incest, but I’d bet real actual money that the tropes in those fics fall under what is often preferred by the Migratory Slash Fandom.)
By having a decent excuse not to get into canon (the inaccessibility of comics) and a, by now, well-established fanon fandom, many fans feel free to use the batfam fandom as essentially an excuse to write whatever fic with reduced archetypes and tropes they personally feel the itch to write, without having to bother with even consuming a canon. This is compounded by the fact that canon itself is often contradictory and frankly bad, meaning that whatever interpretation of a character you want/need to go for your fic is at least theoretically backed up by canon (for example, you can just as easily cast Bruce as an abusive shithole dad who his kids need to get away from as a loving father figure who cares deeply for his children), which you can always use as a defense if people question your characterization.
5. This focus on fandom trends and tropes over actual creativity or care for the characters is also visible in the way bigotry manifests in this fandom; namely, in literally the exact way you’d expect. The female characters and characters of colour are shuffled to the side, non-existent, vilified, and/or reduced to harmful stereotypes. 
Barbara is probably the one I saw the most often in fanfic, but usually just as ‘Dick’s girlfriend’, and even then, she was often vilified for Dick angst (especially in fics about examining Dick’s trauma from his canon sexual assault; Kori also often gets the short end of the stick in those). After that, probably Stephanie, who fanon fans don’t really seem to know what to do with, so she’s basically just there as comic relief waffle girl, most of the time, though sometimes she can be used to either further Tim angst or further vilify Tim, whatever the fic calls for. Cass has gotten included more in batfam fics as of late, likely in response to critiques of fandom racism for leaving her out, but again, it’s clear people don’t actually know what to do with her. She’s often reduced to a racist stereotype of a quite, stoic therapist for whatever guy du jour needs it. That, or she’s in Hong Kong and just not there. Duke especially gets left in the dust in fandom, usually just being non-existent, but when he’s there, he’s almost always nothing more than the straight man for the actual fun characters to play off of. Talia probably has it the worst, though, and almost universally gets vilified by fanon stans in order to write sadboy Damian.
All of this is extremely predictable behaviour and falls entirely in line with general fandom misogyny and racism; ignoring or vilifying women and characters of colour, or using them as very minor characters at best. The only two characters of colour who aren’t regularly left out of fic are Dick and Damian, who are both also conveniently the two characters most often drawn and written in a whitewashed manner. In addition, there’s a real trend of demonizing Damian in fanon fics where he isn’t written as an abused sadboy, which I’d argue is in no small part due to fandom racism, considering Damian’s behaviour is in no way as bad as Jason’s, who doesn’t get anywhere close to the same demonization and gets woobiefied instead. I also find it convenient that Damian is probably the batboy who receives the most vilification in fic, when he’s the most obviously non-white of the batboys they’re willing to acknowledge.
Fandom often cries for more diversity in canon, only to ignore the diversity already there and focus on the same generic white guys. The batfam fandom is a brilliant example of this.
Which is not to say that fandom racism and misogyny isn’t present in the canon parts of the fandom (and canon itself); it absolutely 100% is. But I’ve found that canon fans are also more likely to like and care about at least one of the characters I’ve listed as ignored/vilified, and are willing to create and consume content for them, whereas fanon fans... aren’t, really. I’ve never seen a fan of fanon Cass the way I’ve seen fans of fanon Dick, for example. Obviously, this could just be by coincidence, or I’ve just surrounded myself with people like that, but it’s been a trend I noticed. Racism and misogyny is present in every part of this fandom and should be addressed as such, but I feel like it manifests the most blatantly in the fanon parts of this fandom. 
(I’d also recommend the articles Migratory Slash Fandom’s Focus and Beige Blank Slates, which expand more on the type of fandom racism I think is especially prominent in the batfam fandom, as well as literally every article in the What Fandom Racism Looks Like series.)
6. All this leads me to conclude that the majority of fanon fans don’t actually like the characters all that much; they’re convenient excuses for them to participate in fandom. Which I also think is, in no small part, a reason why so many of them react so negatively to being told to pick up a comic; they came to this fandom specifically to consume it as a fandom, because they wanted the fandom experience without having to consume a canon. 
This is not a phenomena unique to the batfam fandom (again, see the Migratory Slash Fandom), but it does fascinate me. While fandom is often said to be an experience focusing on transformative art, I think it’s also safe to say that, especially as fandom has become more mainstream, an increasing amount of people are looking to it less as a way to engage with their favourite pieces of media, and more as a type of media in and of itself. I think the reasons for this are similar to the reasons mass media entertainment like the MCU are so popular; you gain a lot of enjoyment out of it with very little risk involved. 
By consuming the same fics of the same characters (or the same archetypes) over and over again, you are rarely at risk of being challenged or even disappointed. It’s often very clear right from the start whether or not a fic will appeal to you, and if it isn’t, it’s easy to just look for another one. It requires less emotional investment than most other types of media, even ‘popcorn media’ like the MCU - or, yes, DC Comics. It’s safe, it’s enjoyable, it’s comforting, like McDonalds, but just like McDonalds, it’s ultimately bland and unsubstantial. 
7, TL;DR. Ultimately, I don’t think it’s like, wrong to enjoy the fanon version of the batfam without wanting to engage with canon, and I certainly don’t think it’s okay to harrass people over it. But I do think it’s in large part based on a desire to interact with fandom rather than other pieces of media because people are scared of being let down by those pieces of media (or worse, just uninterested in actually thinking), which is mildly concerning. 
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sk1fanfiction · 3 years
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the many faces of tom riddle, part 1
-no hate (this is merely my humble opinion) but i strongly dislike tom hughes as tom riddle, and here’s why-
FULL DISCLAIMER THAT THIS IS JUST MY OPINION OF A CHARACTER WHO DOESN’T HAVE THE STRONGEST CANON CHARACTERIZATION, AND THUS ALL THIS IS BASED ON MY CONCEPTUALIZATION.
Just personally, this fancast induces a lot of cognitive dissonance for me, but this is the first time I’ve been able to sit down and articulate properly why it always throws me for a loop.
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Now, does he fit the visual/aesthetic archetype?
Yes. I understand completely why people like this fancast. We know that he is studious, intellectual, and (at the time people generally fancast him for) involved in the criminal underground, and he more-or-less fits the physical description.
And, to be clear, it’s not that I don’t think Tom Hughes could play Tom Riddle, it’s that I don’t think the character he plays in the fancasts is a close enough approximation of Tom Riddle.
For me, herein lies the issue.
Tom Riddle’s character is all about the emotions bubbling under the surface. He’s a disaster waiting to happen -- he’s angry, he’s lonely, he wants revenge, he feels empty and hopeless and desperate, he’s irrational...
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Not sure what movie/show the Tom Hughes clips come from, but the character he plays isn’t that at all. the character he plays is very self-possessed, poised, self-aware. Reflective. Remorseful (there are clips of him crying when/after he shoots someone). Introspective. 
That, to me, is not Tom Riddle at all. 
Yes, he does deal with moral conflict, but it’s never at the forefront of his mind. It’s not something he’s constantly grappling with. He doesn’t really... brood in this Hamlet-esque way.
Tom doesn’t think. Sure, he plans, he ruminates, he rationalizes a posteriori. But he’s very unaware of himself (in fact, it’s one of his fatal flaws). It’s not that he doesn’t have emotions; just that his internal state is a mystery most of the time.
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He doesn’t connect with his own emotions; he is completely estranged from them. Tom cannot tell you whether he is happy or sad (not just because of his pride). He keeps his emotions and moral compass (which are highly uncomfortable things), in a locked little box, swallows the key, and disregards them. And yet, this character connects so deeply with his emotions that even the audience can see exactly what he’s going through. 
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(There’s an openness -- an ease of vulnerability -- that Tom Riddle doesn’t have)
The thing about Tom, is that he hates himself just as much as he hates everyone around him. Creating Horcruxes to save himself from death is not an act of self-love, or even narcissism to the extreme; instead, forcibly ripping your own soul seven times is the most literally and metaphorically self-destructive thing a person could possibly do.
"Of the Horcrux, wickedest of magical inventions, we shall not speak nor give direction —"
If we go all the way back to Book 1, Harry Potter and the Philosopher’s Stone, you’ll remember that the eponymous material (first described in the Epic of Gilgamesh) is capable of producing the Elixir of Life, a magical substance that makes its drinker immortal, as long as you have a steady supply. Not only that, but according to the beliefs of historical alchemists (such as Nicholas Flamel), it was capable of curing any disease. In the alchemical tradition, it symbolized perfection, enlightenment, and heavenly bliss.
If all Tom Riddle was concerned about was prolonging his life, this is the obvious (and better) option.
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Here’s the alchemical symbol of the Philosopher’s Stone. Looks kind of like the Deathly Hallows symbol, right? It represents the interplay of the (at the time, believed) four elements of matter -- a sort of periodic table, if you will.
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The mature Philosopher’s Stone was believed to be a red stone (for making gold), and the immature one a white stone (for making silver). Rubeus Hagrid and Albus Dumbledore, anyone??
"So he's made himself impossible to kill by murdering other people?" said Harry. "Why couldn't he make a Sorcerer's Stone, or steal one, if he was so interested in immortality?"
And Dumbledore responds:
"But there are several reasons why, I think, a Sorcerer's Stone would appeal less than Horcruxes to Lord Voldemort.”
"While the Elixir of Life does indeed extend life, it must be drunk regularly, for all eternity, if the drinker is to maintain the immortality. Therefore, Voldemort would be entirely dependent on the Elixir, and if it ran out, or was contaminated, or if the Stone was stolen, he would die just like any other man. Voldemort likes to operate alone, remember. I believe that he would have found the thought of being dependent, even on the Elixir, intolerable...”
And while, yes, he did try to steal it rather than make it, I am sure that in the time it took Tom to make all of his Horcruxes, he could have learned enough alchemy to produce it for himself (or wheedled the information out of Nicholas Flamel). While Dumbledore hypothesizes that it’s because Tom hates feeling dependent, this must be irony, because he spends the first book as a literal parasite, the next three as a virtually helpless creature, and the remainder still reliant on his Horcruxes.
"Well, you must understand that the soul is supposed to remain intact and whole. Splitting it is an act of violation, it is against nature."
But, like me, Dumbledore is making guesses at Tom Riddle’s internal state, and in this case, I think, he’s made an oversight. Horcruxes make him equally as dependent as the Philosopher’s Stone would have. It’s been established in canon that you cannot make yourself immortal without help; either you rely on the continued existence of your Horcruxes or your supply of the Elixir.
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And while the Elixir represents the positive aspects of eternal life, like renewal, rebirth, and the cyclical nature of the universe (see above the ouroboros of Cleopatra the Alchemist, one of the four women who knew how to make the philosopher's stone), a Horcrux is antithetical to life. It represents disorder, and once the creator of Horcruxes dies, they are unable to move on from Limbo -- shut out of the cycle. Harry describes Tom’s mangled soul as looking like a flayed and mutilated baby -- permanently immature and stagnant.
This theme of destruction is furthered by the Golden Trio’s discussion on how to reverse the process:
Ron: "Isn't there any way of putting yourself back together?"
Hermione: "Yes, but it would be excruciatingly painful."
Harry: "Why? How do you do it?"
Hermione: "Remorse. You've got to really feel what you've done. There’s a footnote. Apparently the pain of it can destroy you. I can’t see Voldemort attempting it somehow, can you?"
With this in mind, we can surmise that Tom is either (a) impatient, which we know he is not (b) there was some deeper reason for favouring Horcruxes -- so, yes, I believe that either metaphorically or literally, this was self-harming behaviour.
He takes on the name of Lord Voldemort because he hates himself, Tom Marvolo Riddle. He hates the Muggle part of himself so much that he’s willing to tear apart his entire being. 
"Voldemort, is my past, present, and future, Harry Potter..."
If that isn’t renouncement of himself, I don’t know what is. He was clearly not born Voldemort.
While of course, this does NOT excuse ANY of his actions, I find it vastly implausible that the likes of Malfoy, Mulciber, Carrow, etc... would have been welcoming in any way, shape or form to an assumed ‘Mudblood’ in scruffy secondhand robes from a London orphanage, and as such, indoctrinated him into his fanatic belief in blood-purity via antagonizing him. 
(Imagine Hermione, but poor and without parents, in the 1930s/40s. She would not have been treated well in Slytherin, either.)
Children are more vicious than you think. And while Tom probably gave as good as he got at Wool’s Orphanage (and was possibly an active aggressor himself), Hogwarts wouldn’t have been a level playing-field. (I’ll talk a bit about this and the significance of the Gaunt Ring in Part 2).
In other terms, I think Tom was bullied for having dubious origins. That’s often the swiftest way to radicalize someone, and would have left Tom with a crippling sense of self-hatred that I don’t think he would have even picked up from the orphanage.
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(And it’s possibly this early experience with relational aggression that results in his constant need to be on the offensive/defensive, distrust of others, and fear of vulnerability. To me, this is an archetypal response of someone who was a past victim of bullying.)
Why else would an extremely powerful half-blood subscribe so strongly to those beliefs? (Rather than discriminating via amount of raw power or something -- because what Tom is immensely proud of when Dumbledore meets him is his ability, not his parentage). But I digress.
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Now, Tom Riddle is never, ever quietly menacing like this. The mask is either completely on or completely off. We never see this character angry. Tom Riddle, when the mask slips off, is fury incarnate. Anger is the one emotion he doesn’t find weak; the one emotion he’s completely and utterly honest with.
Besides, that brings me to my next point. Tom’s not quite so austere. In fact, he’s quite witty, and often quite pleased with himself.
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Just look at the difference in their body language. Tom has much more fluidity (he’s circling Harry, the head-tilt, the eyebrows move and he smiles a bit) than the other character, who has so much tension. Yes, they’re both menacing, but in completely different ways. Tom is comfortable with his actions, no matter how shitty they are. This other guy doesn’t like doing what he’s doing, but he’s going to do it, anyway.
Contrasted with the above, Tom’s unawareness of himself is such that we end up with a character who has a bizarre mix of extreme self-hatred and high self-esteem -- he always believes he is in the right -- in this case, doing Salazar Slytherin’s noble work -- while going to extreme, self-destructive lengths, such as tearing himself in half at the mere age of sixteen.
So, sorry... I kind of get the appeal, but... I don’t like the fancast. 
(More unpopular opinions coming at 5:30 PM EDT tomorrow!)
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pub-lius · 3 years
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A Debunking and, in my Humble Opinion, Superior Version of Weird History’s “Hardcore Facts About Alexander Hamilton”
I haven’t updated my blog in quite some time, and that is due to my schedule being primarily dominated by school. So, I decided my first step into posting semi-regularly once more shall be a more casual, more fun endeavor. 
If you have not heard of the Weird History youtube channel, good for you. It is yet another social media platform that misconstrues history to appeal to the public’s enjoyment of extremes and strangeness. I saw The Historical Fashion Queens make a video responding to their highly misinformed documentary on corsetry on Miss Abby Cox’s youtube channel, which I highly recommend. This intrigued me, and I decided to find a video I could dissect off my expertise, at first only for fun in my own time. This resulted in the production in a very long bullet list in the notes app of my phone. So here is my informal destruction of this godforsaken video.
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Disclaimer: I am not at all excusing any of the awful things Alexander Hamilton did during his lifetime. I am absolutely the last person who would even come near to claiming that many of the things he did were justifiable in the slightest. Although, he might be the only historical figure which I have a very strong interest in the life of, as he was incredibly complex, and the part of me with a love of psychology finds him absolutely fascinating. There is also something to be said about the way we consider moral standards of historical figures. We are quite lucky to believe in the time that we do, and not all of our standards can apply to historical figures. This does not mean they should not be held accountable. I find that a way to criticize people while also praising them where it is due is by judging them based upon their intentions. In my opinion, Hamilton’s intentions were not to harm anyone in most situations, so I don’t think he was a terrible person, nor do I think he was a particularly good one. Then again, I don’t think either of those things about a mass majority of people, so let us proceed without further delay. (Note: I will also be referring to the collective Weird History channel as the Narrator to avoid any mental gymnastics, and all of my knowledge is coming from my memory of Hamilton’s writing and some biographies.)
Automatically, the video starts with mention of the musical, but that just reminds me that many use Ron Chernow’s biography of Hamilton as a basis of their statements about him without utilizing much critical thinking, so I am slightly nervous. 
The Narrator then refers to Hammy Ham man as “...one of America’s most undervalued founding fathers...” Now, it is debatable whether or not Mr. Hamilton is undervalued per se, but when it comes to the founding fathers, they are usually undervalued or overvalued. At this point, Hamilton is both.
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I shall not subscribe, thank you for the offer though, Mr. Narrator.
Now for the first fact: “Historians don’t know when Hamilton was born.” Yes, this is correct, but I don’t believe this should be labeled as “hardcore”, but perhaps that is just me. One early document indicates that Hamilton was born in 1755, while all later ones point to 1757 as his year of birth. We know Hamilton was not always a completely honest man, so it is possible that he lied.
Also, they show an image of a baby, and I do not know if this is actually Hamilton, but they use a lot of strange imagery, which I found humorous.
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“A self-made man born out of wedlock.” Now, this fact could indeed be “hardcore”, if this was not colonial America we are discussing. Hamilton actually wasn’t really special in this regard. Yes, his rise to fame was impressive considering his circumstances, but this wasn’t unheard of.
The Narrator then says that Hamilton’s mother, Rachel Faucette, was “estranged from her husband.” This caused me some confusion as it is a vast understatement. Her ex-husband was absolutely awful to her. 
Additionally, they claim that James Hamilton left his family behind for some reason that I did not write in my notes, but the most likely reason that he actually left was because of his awesome debt. James Hamilton also had a history of ambitious pursuits for money, so it would not be extreme to claim that he moved to another island to attempt to make a fortune in some trading endeavor.
They also cease to mention the Stevens family, who housed young Alexander while he was working for Beekman and Cruger, and had a great influence on him, but I digress.
“A college dropout who joined the Revolution.” Once again, this isn’t special. Many rowdy young Whigs left behind their careers and educations for pursuit of military fame in the Continental Army. They also do not mention anything of Hamilton’s expansive military career, which aside from being indicative of primitive research, but would produce more “hardcore facts.”
Although, they do discuss his application to Princeton college, which is interesting enough I suppose, although everyone who has heard the first two songs of the musical knows this story. His proposal for an “accelerated course of study” was likely inspired by Aaron Burr, as claimed by Chernow and Miranda, or James Madison, as supported by evidence provided by author Noah Feldman in his novel, The Three Lives of James Madison, which is an excellent read. Young Madison, having already completed a course, decided to do so again, but compacting a usually three year course into a shorter period of time. He hardly slept during this period, which was stressful upon his health, making Princeton more disinclined to allow a similar course to be taken.
The Narrator then claims that Hamilton “formed his own militia of 25 men.” Technically, yes? But not exactly. Hamilton joined a paramilitary group called the Hearts of Oak, and they drilled in Trinity Churchyard. This became ironic later. He then became a captain in the New York Artillery Company, and enlisted his own men, which was at one time around thirty or so, if my memory serves me correctly.
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“Founded a bank that existed for over two centuries.” Ah, yes, a very hardcore fact indeed. Yes, Hamilton did establish the Bank of America, but Robert Morris was the one who inspired him to do so. Though, I do think the financial plan is a product of his own genius, but I will get into that much later.
I got an ad. :(
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The Narrator also says that the misfortunes done to the New York shipping industry by the Articles of Confederation were the most prominent, if not sole, motivation for Hamilton to concoct his financial plan. He first recognized the need for a sound financial plan when he was in the army. You know, when he was watching men die of inadequate supplies because the government couldn’t tax the states.
This video, like Chernow’s biography and Miranda’s musical, claims that Alexander Hamilton and Aaron Burr were friends when, in actuality, they weren’t really. Yes, they knew each other, and they didn’t hate each other until the end of Hamilton’s life, but they really didn’t think about each other much before the Election of 1800.
“Hamilton authored over half of the Federalist Papers.” Indeed, he did! I enjoy this fact. It isn’t very “hardcore” but it is very impressive. The Federalist Papers were arguably Hamilton’s greatest accomplishment, as he organized the entire thing and, as previously stated, authored much of them. I very much enjoy the Federalist Papers, as they give some insight as to Hamilton’s political and philosophical theories, as well as how he thought of the world. It makes for an interesting read if you have something you’re looking for.
Now, this may be a hot take, but Madison’s essays are by far more effective, as they were better organized. Hamilton and I share a common flaw, and that is the lack of brevity. 
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“Involved in America’s first sex scandal.” Yes, we all know. I’ll get into the Reynold’s affair later because it’s its own beast to conquer. Basically what you need to understand information I shall provide later in this post is that James Reynolds extorted money from Hamilton, and if Hamilton failed to pay, Reynolds would expose the affair Hamilton was having with his wife, Maria. Hamilton paid, but when Reynolds was arrested for something else, he exposed Hamilton anyway.
“He worked with Aaron Burr to defend a man.” Once again, this isn’t very surprising. They were both capable lawyers in the same area, so it was basically inevitable. Though there was this one instance where Hamilton and Burr were working on a case together and Hamilton, being himself, insisted upon having the last word. Well, Burr was tired of him, and I can’t say I blame him, so he made every possible argument in his finishing speech, leaving Hamilton with virtually nothing. 
The Narrator also mentions Hamilton’s opposition to slavery, but he didn’t really outwardly oppose it as much as you would think listening to the musical or reading Chernow’s biography. Far from being the “fervent abolitionist” Chernow and Miranda glorify, Hamilton didn’t really do much for the enslaved. He helped John Laurens in his Black Plan and joined the Manumission Society, but other than that, he never made any attempt to progress the abolition of slavery. He also “purchased” slaves for his in-laws, and some argue that he “owned” some himself, but there is no contemporary evidence to support this that I have seen. The enslaved and servants that were in his household likely belonged to his wife.
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“Founded a newspaper that still exists.” Ok.
“Died by duel.” I swear, this fact is by far the most unnecessary. They mention the duel so many times that it is already redundant. I completely skipped over this part, and the video ended, so I was thoroughly underwhelmed.
Well, seeing as this post is already longer than my attention span, I shall save you the pains of having to read any more in just one post. I shall make a follow-up to this where I give my own facts, which I believe are far more hardcore than “he founded a newspaper.” I hope you have enjoyed and this isn’t too terribly boring. I hope to get back to posting soon.
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