Wait, the tsun event has a whole bit dedicated to Malleus bragging about what kitchen appliances he knows how to use? Twst EN just got the milk culinary crucible, which means at the same time Malleus is showing off, the entirety of the EN players are learning Leona doesn't know how to use a microwave. The timing really just makes it feel like Malleus is flexing on Leona XD
it's in Mal's card story rather than in the event proper, but yep! after teaching his tsum proper microwave usage, he takes it on a tour and very proudly shows off his extensive knowledge of household appliances. (except when he thinks his tsum fell into the washing machine and doesn't know how to unlock the lid, so he just. explodes it instead. hashtag just diasomnia things. 🤷)
I do think he and Leona should get into a fight about who has done a better job of learning how to use kitchen tools! Leona has the advantage of having grown up in the modern world, but Malleus has the motivation to actually do literally anything. who will win
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it is not that deep, but sometimes i find the discourse about forgiveness surrounding bakugo interesting because there's a lot of (younger) fans who have zero empathy for bakugo and think deku should beat his ass or that bakugo should face harsher consequences etc., and i'm just thinking that such a radical stance on forgiveness and resentment in general (outside of bnha) is a bit naive. and i'm not surprised that it's a lot of younger fans who hold this sentiment (i say this with no judgement, i think we've all been there as teenagers, you rlly think you're above all of that lol). and this isn't about what deku is "supposed" to do either (plenty of possibilities here), but i personally don't see any merit in bakugo "punishing" himself for his past actions, it's so damaging and unproductive and i feel like that's sth you have to realize as a young adult. so much about this discourse is surrounded around deku's reaction (and male fans expecting an aggressive rejection or whatever) and i can def see less convenient reactions from deku'sside work, but what makes bnha as a whole but bakugo in particular so compelling (imo!!!) is that there's so much kindness poured into the whole situation, i think the epilogue made is pretty clear that bakugo feels ashamed and angry about his negative influence on deku's self-worth and that will forever be his cross to bear, but he also isn't one to wallow in self-pity or self-hatred and that is a good thing. this started with bakugo but i guess my point is that i think his whole arc is a nice outlook on young adulthood, you will make big mistakes that will negatively affect either you or someone else and you rlly won't survive your 20s if you don't learn to find a balance between accountability and forgiveness.
idk i personally love that bakugo becomes a better person out of love for deku and himself and everyone else, that's how you /should/ guide kids like bakugo and that's how you should be led into your 20s when you will make mistakes that might have even graver consequences lol
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Also, curiosity, what’s your take on Amelie’s personality for Scarlet Lady? Just curiosity. Cause siblings in canon are usually opposites. So, this mean SL!Amelie, instead of main character syndrome, has background character syndrome? Or low self-Steem?
I'd put SL Amelie as So Normal. Like she's born into this bizarre English family that still does arranged marriages in this day and age (not totally knocking the practice, but it's definitely implied it's being done against Emilie's and Amelie's wishes), has a super dramatic sister who runs off with her equally dramatic husband (who Amelie barely likes) to become a fashion mogul's actress wife, rubbing elbows with the Mayor of Paris and a bunch of weird rich people who throw bizarre Diamond Dances to show off their kids as if they're a spectacle and holding Eyes Wide Shut parties in their house.
And Amelie's just like "anyway" on the sideline.
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Danny is stuck in the DC Universe against his will. He is trying to build a Ghost Portal to try and get back home, but he needs to steal a bunch from the different High-Tech Companies in the DC Universe
So now Wayne-Tech, Lex-Corp, Palmer Industries, Star Labs, and everything else you can think of has been robbed by a Meta-Human Theif who can walk through walls, disappear, and fly
Eventually, Danny gets all the parts he needs for the Portal and starts to build it in some forest outside of Gotham.
At the same time, Constantine reports to the League that the small traces of magical green goo they found at each crime scene was Ectoplasm. Basically Death Energy in Liquid Form from a Dimension called the Infinite Realms. They figure out that all the parts put together could be used to build a Portal, and the Ectoplasm makes them suspect that he is trying to open a Portal the the Infinite Realms
Constantine says that the Ectoplasm has energy readings that suggest it is from the High King, but it is mixed in with a bunch of Human DNA. He suspects that Danny is a Thrall of Pariah Dark, created so he could open a Portal the the Infinite Realms and pave the way for his Invasion of their Dimension.
They find a way to track down the Portal, right when Danny is about to open it.
A final battle ensues as Danny desperately tries to defend his Portal, while the computer reads out the Countdown to the Portal Opening. When the timer reaches 1, Batman finds a Bomb near the Portal Opening and throws it into the tunnel, destroying the entire Portal in one go.
They all stand back, watching as Danny stops and collapses in front of the destroyed Portal. Constantine warns them to be careful, Pariah Dark is a being of pure hatred, and once they piss off his Thrall he will attack them with all his angered might. "This bloke is about to explode. Once he realizes what he's looking at, he's gonna-"
But he is cut off when they hear drops of water hiting the ground, coming from the direction of the Portal. Danny is silently crying, looking at all his hard work go to up in flames.
They are all stunned. Constantine warned them that the Thralls of Pariah Dark were incapable of any emotion other than Anger, that they were completely sadistic monsters who took pleasure in ripping Mortals apart piece by piece. But this wasn't anything like that.
This was a Child, crying on his knees while staring at his Portal he had worked so hard to build.
"Why?" He asks.
"You were going to open a Portal to the Infinite Realms. We know you are a Thrall of Pariah Dark, you would have let his army through to our dimension."
"But Pariah Dark is dead."
"If he was dead, then why did we find traces of the King's energy in your Ectoplasm?"
"I'm beat him a few months ago. I'm the new king."
"Wait, so why were you trying to open the Portal?"
"I just wanted to see my family again. It wasn't even going to be open for long, I had a bomb ready to destroy it behind me..."
The Justice League realizes they all fucked up.
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There’s a weird recurring take in D20 fan circles that Zac doesn’t play “complex” characters and that people are just waiting for the day when he “finally” plays an asshole, which kind of baffles me. Quite apart from the idea that only morally grey characters are complex or compelling, are you sure we’re watching the same show?
In Fantasy High, we have Gorgug, an adopted biracial teenager whose journey includes realizing his self-worth, coming to terms with his rage (literally), seeking out and navigating new relationships with others (his birth parents, the Bad Kids, Zelda), and discovering what he’s capable of.
From The Unsleeping City we have Ricky, a second-generation Japanese-American, who has a very personal struggle across two seasons between doing the dutiful/sacrificial thing for other people’s benefit and expressing his own needs, wants, thoughts, and feelings; it’s a very particular exploration of immigrant generations and the relationship between the sacrificial model of your ancestors and the culture you grew up surrounded by which emphasizes the self.
There’s A Crown of Candy and Lapin, whose snark and one-liners are honestly less interesting than the way he engaged with and sought to understand religion and faith; the different yet similar ways in which both the Sugar Plum Fairy and the Church exerted control over their followers, and the search for spiritual meaning beyond these figures/institutions.
Then there’s Cumulous, whose every character aspect navigates a space of tension - the ultimate war guy who made himself hardened (literally) and pragmatic to get the job done but who also remains soft and caring and empathetic at the same time; wielding the power of death without glorifying or giving into it; the cousin who both is a member of the family and yet who remains at somewhat of a distance from the centre; a literal warrior-philosopher who is single-minded in battle and quietly thoughtful about the mysteries of life and death outside of it.
As for actual assholes, we have Norman Takamori in A Starstruck Odyssey, a bitter man who is the living embodiment of both the Superior Orders excuse as well as scapegoating. On a side note, the amount of absolute vitriol and double standards which people threw at Norman during ASO for being an unapologetic asshole -and he had less than two full episodes of screen time- kind of underscores the calls for Zac to play a “real” asshole. Zac can and will play whatever type of character he wants, but is fandom really ready for him to play an asshole if that asshole doesn’t have a secret heart of gold?
From the same season, we have Valdrinor/Skip, who starts as the “prince running from his destiny” archetype with a dash of brain slug possession, has a humorous yet oddly profound exploration of what humanity is and what it means to be human, and springboards from there into “wait, who am I really and actually, why are we doing things (brain slug possession) this way when there are other ways to engage with the universe.”
Most recently in Neverafter, we have Pib, who apart from the fascinating meta element of being a literal character archetype, constantly straddles the line between self-absorbed self-interest and putting himself on the line to help others; his repeated demonstration of both at various points throughout the season is a subtle yet intriguing manifestation of free will and choice-making in a story all about lacking free will and agency.
So, I mean, lack of complexity where? Does a character need to be an asshole in order to be deep or compelling? And because I’ve heard this specific rebuttal quite a few times now, does a character need to vocalize their innermost thoughts loudly and frequently in order to prove their complexity? If a character is “less vocal” compared to other characters, does that mean they lack interiority?
Also, other people have brought this up before, but I am once again asking that people remember the difference between fictional characters and real life people. Zac playing one (1) himbo on the show does not make him a himbo in real life, nor does it make him incapable of creating or playing complex characters (especially as said himbo is himself an extremely complex character), nor does it make him a lesser player than other cast members. You don’t have to find all or any of his characters interesting or complex, but can we stop conflating character with player?
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