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fr0stf4ll · 1 month

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Forge of Stralight - Part 2

here is the link for part 1 or part 3

paring; Azriel x reader

summary; In the heart of Velaris, a skilled blacksmith's quiet life is turned upside down when unexpected bonds begin to form with the enigmatic Spymaster of the Night Court. As she navigates the challenges of her craft and the complexities of newfound relationships, she discovers that love and loyalty may be the strongest forces of all in a world where darkness often lingers just beyond the light.

Word Count; 4k

notes; Hey everyone! This chapter is more centered around the IC. New clues and questions will arise while following Y/N from a different perspective. Also I already wrote a good part of the story, I will try to publish a new chapter every day/two day. I hope that you will like the part 2. Do not hesitate to comment. Bisous <3

---

Two weeks had flown by, and the long-awaited night of the Winter Solstice had enveloped Velaris in a festive blanket of snow and twinkling stars. Inside the stately townhouse of the High Lord, the inner circle—Mor, Armen, Cassian, Azriel, and Rhys—gathered around a roaring fire, the room aglow with the warmth of friendship and laughter.

Mor, ever the heart of any gathering, clapped her hands with a bright, infectious enthusiasm. "Alright, everyone, it's the moment we've all been waiting for—gifts time!" she announced, her eyes sparkling with excitement.

Laughter and cheerful banter filled the room as small, beautifully wrapped packages began to change hands. Azriel joked about how he hoped his gift was better than last year's infamous "invisible cloak"—which turned out to be just an empty box. Cassian roared with laughter, slapping him on the back, while Rhys watched on, a sly grin playing on his lips.

As the gifts made their rounds, the moment came for Cassian and Azriel to receive their gifts from Rhys. With a dramatic flourish that matched the occasion, Rhys presented them each with an elegantly wrapped, long, slender box. "For my brothers, who deserve nothing but the best," he said with a warm tone of brotherly affection.

Cassian and Azriel exchanged a look of curiosity and anticipation before tearing into the wrapping. As they lifted the lids, the room fell into an appreciative silence. Inside each box lay a masterfully crafted sword and dagger set, the metal gleaming even in the soft light of the fire.

Azriel’s set was sleek and shadowy, with subtle, intricate engravings along the blade that seemed to shift and move in the light. The hilt was expertly crafted to fit perfectly in his hand, and the syphon stone nestled at the base pulsed with a faint, mysterious glow.

Cassian's sword and dagger were robust and commanding, with bold designs etched along the blades and a heavier, more aggressive build. The handles were wrapped in dark leather that contrasted starkly with the bright gleam of the steel, and his syphon stone throbbed with a powerful, steady light.

"Rhys, these are... incredible," Cassian finally broke the silence, his voice thick with emotion. "Seriously, brother, they're more than I could have hoped for."

Azriel, ever the more reserved of the two, was quietly inspecting his blade, but his impressed expression spoke volumes. He looked up at Rhys, a question in his eyes. "Was this why you sent me to the new blacksmith’s shop? To deliver our old syphons?"

Rhys nodded, a satisfied smile lighting up his face. "Yes, I wanted Y/N to incorporate them into your new weapons. I knew she could breathe new life into those old stones."

Mor leaned forward, her interest piqued. "That was a brilliant touch, Rhys. Y/N’s craftsmanship is truly remarkable. Did you see how Az’s blade almost seems alive with shadows?"

"And Cass’s looks like it could lead an army on its own," Armen added, smirking as she felt back in her comfy sofa.

The conversation spiraled into a lively discussion about the craftsmanship, the battle stories that the old syphons had seen, and how these new weapons would soon make their own marks in history. Laughter and heartfelt thanks filled the room, creating memories that would warm their hearts for many solstices to come.

As the night wore on, filled with more stories and laughter, Cassian and Azriel handled their new gifts with something akin to reverence. It was clear these were more than just weapons; they were symbols of their brotherhood, their strength, and the silent, unbreakable bonds that held them all together.

As the Winter Solstice celebration unfolded in the warm glow of the townhouse, Rhysand and Azriel found a brief moment of quiet near the crackling fire. The High Lord, nursing a glass of wine, caught the spymaster's thoughtful gaze and smiled knowingly.

"Y/N, hmm?" Rhysand began, his tone light with a hint of intrigue. "I heard about her long before she set up shop in Velaris. It was during a meeting with Helion at his court. He couldn't stop boasting about the spear she crafted for him—it was truly magnificent."

Azriel, leaning casually against the wall, raised an eyebrow in curiosity. "Helion? That's high praise coming from the Day Court. She must be something special."

Rhysand nodded, a gleam of pride in his eyes. "Indeed she is. From what I gather, she keeps to herself, lets her work speak for her. Mysterious, but fiercely talented."

Azriel’s interest was clearly piqued. "She seems to have a knack for keeping a low profile. What do you know about her background?"

Rhysand’s gaze shifted to the fire, a thoughtful expression crossing his features. "She’s originally from the Night Court, Velaris to be exact. But beyond that, she’s a bit of an enigma. Not one to share her story readily."

Azriel nodded slowly, absorbing the information. "Her work speaks volumes, though. Each piece feels imbued with a story, a history."

Rhysand chuckled softly. "Sounds like someone else I know," he teased, nudging Azriel playfully. "But she’s different. There’s a depth to her craftsmanship that’s rare."

Meanwhile, across the room, Mor and Cassian were engrossed in their own revelry, their laughter filling the air as they enjoyed the solstice festivities with abandon, seemingly oblivious to the more serious conversation unfolding between Rhysand and Azriel.

Azriel’s gaze lingered thoughtfully on the flickering flames before returning to Rhysand. "Do you think she’d be willing to collaborate with us more closely? Her talent could be a valuable asset to our efforts."

Rhysand nodded in agreement. "I was thinking the same thing. Let’s give her time to settle in, though. If she’s as exceptional as we believe, she’ll find her place in our plans soon enough."

Their conversation shifted to lighter topics as the night wore on, but Azriel couldn't shake the intrigue Y/N had stirred in him. Her presence in Velaris promised more than just exceptional craftsmanship—it hinted at alliances, mysteries, and a potential for change that resonated deeply within the heart of the Night Court.

----

A few days after the festive celebrations of the Winter Solstice, Rhysand was deep in discussion with Madja, the esteemed healer of the Night Court. They were seated in a quiet, sunlit room in the House of Wind, poring over scrolls and plans aimed at enhancing the health infrastructure of their court. They debated new strategies and shared insights on how best to equip their healers with advanced resources.

As their meeting drew to a close, Madja, ever observant, shifted the topic with a hint of intrigue in her tone. "Rhysand, have you heard of the blacksmith Y/N?" she asked, her eyes sharp and probing.

Rhysand nodded, a hint of pride in his response. "Yes, I'm quite familiar with her work. She crafted the weapons I gifted to Cassian and Azriel for the solstice. They were exceptional."

Madja leaned in slightly, her voice lowering to a confidential whisper. "Keep her close, Rhysand. She bears a power that could save many lives, far beyond what her craftsmanship alone might suggest."

Rhysand's interest was immediately piqued, his strategic mind already turning over the implications. "What do you mean, Madja? What kind of power are we talking about?"

Madja sighed, and her gaze became distant as she recalled the day she visited Y/N's smithy, prompting a flashback:

The day had been unusually brisk for Velaris, the winter chill seeping through even the warmest of cloaks. Madja pushed open the door to Y/N's smithy, greeted by the familiar clang of metal on metal and the comforting heat that rolled out from the forge. The shop was lively, with customers admiring the array of weapons and tools displayed with meticulous care. The air smelled of iron and burning coals, a scent that Madja had always associated with strength and resilience.

Y/N emerged from the back, wiping her hands on a leather apron, her sharp eyes taking in the scene before settling on Madja. "Healer Madja," Y/N greeted with a nod, a small smile on her lips. "What can I do for you today?"

Madja reached into the folds of her cloak and pulled out an old, well-worn sickle. The blade, while still sharp, had seen many years of use. "I need a new sickle," she explained, holding the tool out for Y/N to examine. "Something similar to this, but I’d like it embedded with healing gems—something that can amplify my abilities when I work."

Y/N took the sickle, turning it over in her hands, studying the craftsmanship with a discerning eye. "I can do that," she said after a moment. "I’ll need a few days to gather the right materials, but I’ll make sure it’s exactly what you need."

As they spoke, the shop was bustling around them. Alexander, ever energetic and eager to help, was darting about, juggling several tasks at once. At one point, he was carrying an armful of swords, trying to show a client the finer details of a blade while managing the chaos around him. Madja watched with a smile, amused by the boy’s enthusiasm.

But then, in his haste, Alex’s foot caught on the edge of a carpet that had bunched up beneath the weight of all the activity. He stumbled forward, the swords in his arms clattering to the ground with a sharp, metallic crash. His wide eyes filled with panic as he lost his balance, teetering dangerously.

Y/N reacted instantly, her hand shooting out to catch Alex before he could fall, her grip steady and sure. But in the chaos, Madja’s old sickle, which had been resting precariously on the edge of the counter, was knocked off, plummeting toward the floor—and directly toward Alex.

Madja’s heart leaped into her throat, but before she could move, Y/N’s other hand lashed out, snatching the sickle by the blade just inches from Alex’s head. The sharp edge sliced through Y/N’s palm, blood welling up immediately. But the sickle never reached the boy. Instead, Y/N held it firmly, her expression more concerned with Alex than her own injury.

"Alex, are you okay?" Y/N asked, her voice calm despite the cut on her hand.

Alex, wide-eyed and shaken, nodded slowly. "Y-Yeah, I’m fine. I’m so sorry, Nana, I didn’t mean to—"

"It’s alright," Y/N assured him, her voice gentle. She set the sickle down carefully, then knelt to help Alex gather the fallen swords. "Just be more careful next time, okay?"

Madja stepped forward, her healer’s instincts kicking in as she moved to examine Y/N’s hand. "Let me see that," she insisted, reaching out.

But Y/N pulled her hand back slightly, shaking her head. "It’s just a scratch. I’ll be fine."

Madja was about to protest when something caught her eye—small, flickering blue flames that danced across Y/N’s wound, sealing it shut with a soft, almost musical hum. The flames vanished as quickly as they had appeared, leaving behind smooth, unbroken skin where the cut had been just moments before.

Madja stared, her mind racing. "What... was that?" she murmured, more to herself than to anyone else.

Y/N seemed unfazed, her focus still on Alex, making sure he was steady on his feet. "Nothing to worry about," she said, her tone casual. But there was a tension in her voice that didn’t escape Madja’s notice.

The healer hesitated, unsure of what she had just witnessed, but knowing better than to press the issue in front of others. "If you’re sure," she finally said, though the uncertainty lingered in her eyes.

Y/N nodded, giving her a reassuring smile. "I am. Thank you, Madja."

Madja left the shop soon after, but the image of those blue flames stayed with her. She couldn’t shake the feeling that what she had seen was more than just a simple healing ability—there was something deeper, something powerful about Y/N that she couldn’t yet understand.

Back in the present, Rhysand’s expression was contemplative, his mind turning over the possibilities. "Blue flames that heal… That’s not something you see every day. You’re sure it was real, Madja?"

Madja nodded, her expression serious. "I’ve never seen anything like it before, Rhysand. There’s a power in her that could be incredibly valuable. Her abilities could redefine healing, or perhaps... something more."

Rhysand leaned back, his thoughts racing. "This is something I need to look into further. If Y/N possesses such power, she could play a crucial role in the future of the Night Court."

"Be careful, Rhysand," Madja warned gently. "Power like that isn’t always easy to control. But if anyone can guide her, it’s you."

Rhysand nodded, the weight of this new revelation settling on his shoulders. He knew he needed to approach this carefully, to understand the full extent of Y/N’s abilities—and to ensure that whatever power she held, it would be used to protect and strengthen the Night Court.

----

The day had been kind to you, the steady hum of work filling your hours, and now, as night fell over Velaris, you decided to treat Alex to a well-deserved meal. The two of you strolled along the Sidra, the river reflecting the twinkling lights of the city, casting everything in a magical glow. The restaurant you chose was a cozy, yet elegant establishment with an outdoor terrace that overlooked the water. The warm, inviting lights and the soft murmur of other diners created a serene atmosphere that was perfect for unwinding after a long day.

You had dressed nicely for the occasion, opting for well-fitted pants and a tailored shirt that allowed you to feel both comfortable and presentable. Alex, too, had cleaned up well, his usual enthusiasm shining brightly in his eyes as you both took your seats at a small table by the river.

"This place is amazing, Nana," Alex said, his voice filled with excitement as he scanned the menu. "We should come here more often!"

You smiled, taking in the joy on his face. "We’ve had a good run lately, haven’t we? I figured we deserved a little treat."

The waiter arrived, and you both placed your orders— your young apprentice going for sugary drink and you for a glass of white wine. As you sipped your drink, Alex leaned in with a mischievous grin.

"You remember that client who came in last week?" Alex began, his tone full of amusement. "The one who insisted he needed a sword for 'taming wild beasts'? Turns out he thought the sword would actually talk to the animals and convince them to behave."

You nearly choked on your wine, giggling at the absurdity of it. "No! Did he really? I thought he just wanted a strong blade for hunting or something."

Alex nodded, laughing. "Yeah! I had to explain to him that swords don’t exactly come with instructions for bear negotiations."

Your laughter was soft and genuine, the joy of the moment spreading warmth through your chest. It was in that moment of shared humor that the door to the restaurant opened, and you caught sight of Rhysand, Azriel, and Cassian entering. They were dressed as impeccably as ever, their presence immediately commanding attention in the room.

The three of them were clearly expected, as a table near the river, a bit more private, was promptly made available for them. However, before they were seated, Rhysand’s gaze fell upon you and Alex. His eyes lit up with recognition, and a charming smile spread across his face as he made his way over to your table, the others following behind.

"Y/N," Rhysand greeted warmly, his voice smooth as ever. "What a pleasant surprise to see you here." He turned to Alex with a grin. "And this must be the famous Alexander I’ve heard so much about."

Alex, never one to shy away from attention, beamed up at the High Lord. "That’s me! Nice to see you again, my lord!"

Rhysand chuckled, then glanced back at his brothers. "Y/N, allow me to introduce Cassian, our esteemed General of the Illyrian legions. I believe you’ve already met Azriel, our spymaster."

Cassian extended a hand with a friendly grin. "I’ve heard nothing but good things about your work, Y/N. It’s a pleasure to finally meet the master behind the blade."

You shook his hand, feeling a bit shy under the attention but managing a smile. "The pleasure’s mine. I’ve heard a lot about you as well."

Azriel, standing slightly behind Rhysand, gave you a nod of acknowledgment. "Good to see you again, Y/N."

Rhysand then motioned toward their table, his eyes twinkling with a hint of mischief. "Why don’t you both join us for dinner? We’d love the company."

Caught off guard, you hesitated, glancing at Alex before responding. "Oh, I wouldn’t want to intrude. This is your night out, after all."

Cassian waved away your concern with a laugh. "Nonsense! The more, the merrier."

You were still about to politely decline when Alex piped up, his eyes wide with excitement. "Please, Nana! I’ve always wanted to have dinner with them. Plus, I think they’ve got some cool stories to tell!"

You bit your lip, trying to hide your smile. Alex’s enthusiasm was hard to resist, and the idea of joining them, despite your initial reluctance, was becoming more appealing. Finally, you sighed playfully and nodded. "Alright, alright. You win, Alex."

Rhysand’s smile broadened as he gestured toward their table. "Perfect. Let’s make this an evening to remember."

The evening by the Sidra continued to unfold beautifully as you and Alex joined Rhysand, Cassian, and Azriel at their table. The atmosphere was warm and inviting, the city lights reflecting off the river, casting a soft glow over the terrace. The five of you settled in comfortably, and soon, food and drinks were ordered—a mix of hearty dishes and lighter fare, with wine flowing freely.

As the meal progressed, the conversation naturally turned to more personal topics. Rhysand, ever the curious and perceptive High Lord, leaned in slightly, his eyes twinkling with genuine interest. "Y/N, you’re a bit of a mystery. I’d love to know more about your story—where you’re from, your family, how you came to be the talented blacksmith you are today."

You hesitated for a moment, swirling the wine in your glass as you considered where to begin. The table fell into a quiet, expectant silence, all eyes on you.

"Well," you started, "I’m originally from Velaris. My father was a guard here, dedicated to protecting the city, and my mother came from a family of old politicians who eventually left Hewn City to make a life here."

Cassian nodded thoughtfully, sipping his drink. "Sounds like they were strong people. What happened to them?"

You sighed softly, the memories bittersweet. "My mother died giving birth to me. It was... hard on my father. They were mates, and the pain of losing her was too much for him. He passed away a few hours after she did."

Cassian’s brow furrowed, his voice laced with concern and curiosity. "He just... passed away? How?"

You took a deep breath, meeting his gaze steadily. "He killed himself. The bond they shared was so strong that living without her wasn’t an option for him."

The table grew solemn, the weight of your words settling over everyone. Rhysand reached out, "I’m sorry, Y/N. That’s a lot for anyone to bear."

You nodded, appreciating the gesture. “I never actually knew them so I’m fine with it I guess. After they died, I was raised by my father’s best friend—my master. He taught me everything I know about blacksmithing. We traveled to most of the courts and across the continent, honing my skills. Alex," you added with a fond glance at the boy beside you, "is my master’s son. After my master passed away, I took Alex under my wing."

Alex, who had been quietly listening, smiled up at you, his admiration evident. “Y/N's the best teacher. She’s taught me everything."

Azriel, who had been quietly observing, spoke up, his tone thoughtful. "You’ve had quite the journey, Y/N. It takes strength to turn pain into something as beautiful and powerful as your work."

You smiled softly, nodding in agreement. "It wasn’t easy, but it’s the only way I know how to honor them."

As the evening wore on, the conversation flowed freely, accompanied by the delicious food and the soothing ambiance of the Sidra beside you. After sharing your story, a question that had been lingering at the back of your mind finally surfaced.

“You three,” you began, glancing between Rhysand, Cassian, and Azriel, “are you truly brothers? I’ve heard stories, but I’ve always wondered how much truth there is to them.”

Cassian chuckled, exchanging a glance with Rhysand and Azriel. “Well, not by blood,” he admitted, “but in every way that matters, we’re brothers.”

Rhysand nodded, his expression softening as he looked at his two closest friends. “We grew up together in the Illyrian war camps. It wasn’t an easy upbringing, but we forged bonds that can’t be broken. Cassian and Azriel have been at my side through everything—through battles, victories, losses… they’re my family.”

Azriel, who was usually reserved, added quietly, “We’ve faced more together than most blood-related brothers ever would. That kind of connection goes beyond anything as simple as blood.”

Cassian leaned in, a grin spreading across his face. “And if you need proof, just look at how often we bicker like brothers.”

You laughed softly, understanding now the depth of their bond. “It’s clear there’s a lot of history between you. It’s… comforting to see that even in a place as powerful as the Night Court, family—however it’s made—still matters most.”

Rhysand smiled at you, his eyes reflecting the sentiment. “Family is everything to us, Y/N. And it’s something that grows—not just with blood, but with loyalty and trust.”

At this, Cassian turned his attention to Alex, who was listening intently. “Speaking of family, Alex, how about joining ours in a different way? Ever thought about training to be a warrior? You’ve got the makings of a good one.”

Alex looked up at Cassian, curiosity flickering in his eyes. “What time would the training start?”

Cassian grinned, leaning back in his chair. “Around dawn. What do you think?”

Alex wrinkled his nose playfully, causing everyone to chuckle. “Dawn? That’s way too late! By then, Nana and I have already finished our training.”

The table fell into a momentary silence, the surprise evident on the faces of the Night Court’s inner circle. Azriel raised an eyebrow, clearly impressed. “You train before dawn?”

You couldn’t help but smile at their reactions. “What did you expect? We don’t just create weapons; we know how to wield them, too. Alex is becoming quite skilled, actually.”

Cassian let out a low whistle, visibly impressed. “Well, consider me impressed. Maybe I’ll join you two sometime—if you’ll have me.”

Alex beamed with pride. “You’re welcome anytime, but don’t expect to keep up!”

Laughter erupted around the table, the earlier heaviness of your shared stories giving way to a light-hearted camaraderie that wrapped around you like a warm embrace. The night continued with more stories, jokes, and the easy flow of conversation that only comes when people truly connect.

As the evening drew to a close, and the stars twinkled brightly above Velaris, you felt a deep sense of belonging. This dinner by the Sidra had revealed not just the pasts of the people around you, but had begun weaving your own story into the fabric of their lives. It was the start of something new, something meaningful—both for you and for Alex—and you couldn’t wait to see where it would lead.

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williamsracinggf · 8 months

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✧.* just like dad / ls2 *.✧

little luna sargeant's got her mind set on one thing: she wants to be just like dad when she grows up.

notes: HURRRR THEY WONT TAKE ME OFF SHADOWBAN SO I'M POSTING HERE UNTIL THEY TAKE ME OFF and yes i'm still tagging it under dpm LMFAOOO

“i’m nervous.” logan glances at the sleeping 5-year-old sprawled across the backseat with her koala stuffie covering her face. he sits back again and glances at you, eyes stuck on the road ahead.

you hum and glance over at him, shaking his leg as he twists his body and takes another look at your daughter. “it’s not even your race, babe.”

you hear logan sigh exasperatedly, staring longingly at the snoring kid. “i know it’s her race. but you know,” he trails off, tilting his head slightly.

he doesn’t get nervous about his races anymore. so when the then 4-year-old daughter came up to him after his race in miami talking about how she wanted to register for a karting race this year, he was more than flabbergasted. he remembers looking over at you in shock while you just shrugged and told him, “you heard the lady.”

while you’re not entirely pleased by your daughter’s decision to start karting, you wouldn’t ever dare to be the parent who told her what she can and cannot do. it’s a value that you and logan had discussed earlier in your relationship and something you’ve tried to stick to heavily.

if you have the means to ensure that your daughter can do what her heart desires, then why would you ever deny her?

logan would have preferred for his carbon copy to not subject herself to the brutality of the sport he’s gotten himself into, but he also cannot help the feeling of pride growing in his chest at the thought of his daughter taking after him. there is something so endearing about the way she wants to be just like him — in her words, not his.

“you can always tell her not to race,” you shrug. “no harm in saying no.”

he throws his head back as he gets comfortable in his seat again. “i can’t do that,” he shakes his head, “you saw how excited she was when we signed her up for her classes.”

you laugh. “besides, you’ve got the perfect gift for luna.” you reach over for his leg in the passenger seat, squeezing him as you smile at him. “she’ll love it.”

that’s another thing: the custom helmet that logan had gotten made for luna’s first race ever. your daughter initially only insisted on her own race suit, which you went and got customised together without logan on a weekend he was away for a race.

it wasn’t until little luna had seen one of logan’s helmets on one of your bedroom shelves that she decided she wanted one for herself. but by that point, it never would have made it in time for her first race.

though, logan being the proud dad that he is (and luna being daddy’s little girl), he already had a custom helmet in the works with a much cuter motif. it’s pink and grey with koalas plastered all over it, thanks to oscar’s influence on the little girl during their trip to australia early last year.

“that design was sent in months ago. what if she doesn’t even like pink anymore?”

logan’s concern is valid. the little girl had taken after your indecisiveness, often changing her claims for things that are her favourite every other day. one time she had sobbed for a solid half hour after logan came home with blue raspberry flavoured candy, suddenly claiming that strawberries are actually her favourite flavour of candy.

logan looked at you hopelessly for help, but neither of you had gotten the memo that her blue raspberry obsession was short-lived. he wound up walking out the front door and coming back with a bag full of strawberry-flavoured candies, feeling like the worst dad that he had somehow let it slip his mind what her favourite candy was.

both of you struggled to finish the blue raspberry candy for weeks, having to start giving it away in the paddocks during his next race.

“i’m sure she still likes pink as much as she did yesterday,” you explain, glancing at your daughter through your rearview mirror. “look at her — it looks like the pink panther threw up all over her.”

he looks back at her, almost bursting out in laughter at how right you are. she’s taken the liberty to dress herself in a pink tutu with a random grey shirt, topped off with a bow that held her hair in a ponytail. “are you sure? what if she wakes up and changes her mind?”

your car comes to a slow stop, surrounded by several other cars in the parking lot of the karting track. you turn to logan and sigh as you shake your head. “you’re overthinking this, babe. she’ll love it,” you reach over for his hand, “because it’s from you.”

he raises an eyebrow, staring at you with clear scepticism. being away for weeks at a time didn’t make him feel like a great dad, despite the young girl always clinging to him whenever he was back in town for breaks, always rambling on about how much she missed her dad while he was gone and that she watched his race.

it’s managed to make him feel so disconnected in her life, sometimes even jealous of how much time you’ve gotten to spend with luna as she grew up. he just doesn’t feel like he knows a lot about her, despite him passing the random quizzes from his giggly daughter right before bed.

“are we here?”

logan flinches at the tiny face that’s slotted herself between their seats, clutching his chest while the 2 girls burst into laughter. “you’re sneaky! i didn’t even notice you were awake!”

“the car stopped moving!” luna shrieks, climbing between the two seats to throw herself onto logan. “and i’m excited!”

“of course, you are!” you cheer, reaching over to pat her head. “it’s your first race, isn’t it?”

she turns her head to look at you with a wide smile, her familiar green eyes shining in the sun that hits your car. your genetics hadn’t had a chance against logan’s — the small girl sported identical green eyes and dirty blonde hair, with dimples to complete the mission of being his clone.

“uncle ozzy will be here too, right? with aunty lily?” she scrambles to press her face against the window, hands cupped over her eyes as she scopes out for her parents’ best friends in the crowd outside the car. “what about uncle alex?”

“they promised to be here to watch your race, lu,” logan laughs, peeling her away from the window. he sits his daughter on his lap, leaning back as he enjoys their time in the cold of the car. “i actually got you a present for the race today.”

“a present! where?”

“it’s in the back, but-”

“then let’s go!” luna squirms in her father’s grip, reaching forward to unlock his door. she almost falls out when she opens it, giggling when logan’s grip on her arm refrains her from hitting the ground face first.

she wiggles out of his grasp, logan tiredly looking over his shoulder at you, still sitting peacefully in the driver’s seat. you shrug as you pull down the visor and grab your makeup bag. “you told her about your present. you know how she feels about presents.”

he opens his mouth to shoot back an explanation, but is cut short by his daughter screeching and running back up to his side of the car. “daddy, my present!”

she reaches up for logan’s hand, forcefully pulling him out of the car. he nods, stumbling over himself as he hurriedly reaches back to release his seatbelt and lets her drag him to the trunk of your family car.

“what is it? is it a toy?” she beams, hopping next to logan as he scavages the several bags in the back for the black dustbag that contains her new helmet. “did you get it while you were away?”

“it’s no longer a surprise if i tell you,” logan laughs.

“is it a toy?”

logan shrugs, reappearing with a bag in his hand. luna’s eyes widened at the far larger gift than she had expected. she reaches up for the bag, whining when logan doesn’t immediately give it to her.

“do you want to guess what it is?” he teases, lifting it further out of her grasp.

“no!” she shrieks, now wrapping her arms and legs around her father’s body at an attempt to climb him to get to her promised present. “please, daddy! my present! i wanna see it!”

“how can daddy give you the present when you’re climbing him like a little monkey, my love?” you laugh, coming around the corner to tear her off logan’s body. “are you our little monkey baby?”

you burst into laughter watching the tiny girl screech in response, shaking her head aggressively as she tries to rebuke your accusations.

alas, logan finally gets on his knees to match her height. he holds out the bag to her, grinning when her green eyes stare into his, her body shaking in excitement. “present time?”

she nods, biting down on her lip. “present time.”

she drops to the ground when logan hands it over. she immediately grabs at the bag, tugging it off the helmet and grunts when there’s another layer of paper packaging that shies it away from her prying hands and curious eyes.

when she does get around to it, though, it’s like time stops when she lays eyes on the large drawing of the koala on the top of the helmet. just 3 weeks ago, she had finally come to terms that she wouldn’t have her own custom helmet for her first ever race ( against her best wishes). now here’s a helmet with her name in black at the corner.

she breaks into a mind-curling scream as she jumps to her feet excitedly. she certainly doesn’t notice the eyes heavily staring at your family, but you do, simply shrugging before returning your attention to luna.

“daddy!” she screams, throwing her arms around logan’s neck, knocking him back into the ground. she doesn’t even notice the soft thud when the back of his head hits the car. “it’s pink and there’s a koala! oh, my days!”

you snort at her vocabulary, suddenly wishing that you hadn’t taken george up on the free babysitting in the paddocks whenever you’re there. her vocabulary never fails to shock you, seemingly being the perfect mix of a kid growing up in the uk with a dash of american from her dad’s side of the family.

she pulls away from him, picking the helmet up from the ground and hops on over to you. “look at it, mummy! it’s got a koala on it!”

you feign excitement and shock. logan had consulted you with the design about a month or two ago, asking you for opinions and any additional designs to satisfy his little girl. you’d even seen the helmet just this morning before getting out of bed to make breakfast for the family.

she turns back to logan, who simply grins. “you like it?”

“i love it!” she screeches. she places the helmet over the dustbag on the ground, whirling around to throw her arms over logan again. “it’s the best present ever! i really really love it!” she throws her head back. “you’re the best dad in the world! i love you!”

she grabs logan’s face, mushing his cheeks as she presses a sloppy kiss on his cheeks. “thank you, thank you!”

“little luna!” oscar’s voice makes the young girl perk up, turning around at the call of her favourite uncle.

she picks up the helmet and sprints over to the couple not too far away, stopping in their tracks when she practically throws herself into oscar’s arms with the helmet in her hands. “look what daddy got me!”

oscar and lily immediately gawk at the girl’s amazement of her dad’s present, showing them all of the things she’s noticed since she laid eyes on it about 5 minutes ago.

logan finally turns to you, sighing in relief. he rests his head on your shoulder and you chuckle as you wrap your arms around him and pat his back. “you’re too hard on yourself, love,” you hum, swaying slightly as you take a quick glance at luna, now surrounded by alex and george who are also congratulating her on her first helmet. “she sees you, you know.”

he pulls away and leans into your touch when you cup his cheek. perhaps he’s too hard on himself. but when you’re away from your daughter most of the year, you’re bound to start thinking that you’re no better than an absent parent.

“i just always feel so disconnected from you guys.” he clenches his jaw, throwing himself over your smaller frame again to hide his face in your hair. “i wish i was around more. it feels like i’m losing her with each day i’m not around.”

“she talks about you all the time and how cool you are.” you pull away and grin slightly, caressing his cheek with your thumbs. “look at her — entering her first karting race. she goes on and on about being just like daddy. you’re her hero.”

logan raises his eyebrow and clenches his jaw. “again — i wouldn’t say i should be her role model when it comes to racing.”

“you can’t change her mind,” you shrug, forcefully turning logan around to look at luna, now in fits of giggles as oscar helps her to try on the helmet. “you’re always with her even when you’re not.” you rest your cheek on his arm, wrapping an arm around his and intertwining your fingers together.

“i just miss you guys so much all the time.” he throws his head back with a groan, turning back to you. “i miss you all the fucking time.”

“don’t be like that.” you tiptoe and pucker your lips, giggling sheepishly when he bends down to press his lips on yours. “luna loves watching the races and she looks forward to you coming home with trinkets and candy. she never forgets you.”

before he can answer, a hand is hitting his thigh, forcing him to pull away to look down at what’s cut your intimate time short.

the girl looks up with her helmet on, her small hands struggling to pull up the visor. “daddy, mummy, look.”

“oh, luna, you look so cool!” logan gushes, helping the girl lift the visor.

her cheeks are mushed in the helmet, green eyes shining through as she throws her head back with a loud giggle. “as cool as you, daddy?”

“even cooler!” logan bends down, taking the young girl into his arms. he hoists her into the air, and then sits her on his hip before reaching for your hand. “come on, let’s get ready for your first race, lulu.”

@cashtons-wife @nikfigueiredo @darleneslane @happy-nico @namgification

#logan sargeant x reader #logan sargeant x you #f1 x reader #f1 x you #f1 fanfic #f1 fanfiction #ls2 #disneyprincemuke f1 #disneyprincemuke mab

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stagefoureddiediaz · 8 days

Text

We’ve been looking at this all wrong the entire time...

So my brain is a weird place that I don’t fully understand, but sometimes it connects dots and I figure something out that has been staring us in the face the entire time! Lets just say it explains so many things - right down to the very pointed use of tommy calling Buck Evan!

This all stemmed from me looking at colour theory and costuming for Buck and Eddie (and by extension Tommy) season 7 again, because I was going to try write the buddie costume metas for episodes 9 and 10 that I never managed to get done before we started season 8 I will hopefully get to those posts, but this post - while technically about Tommy and his costumes (yes me ant Tommy person writing a post on him I know!) it does also look at the costuming for Buck and to a lesser extent Eddie more widely across the season and what the colours used actually mean - getting some distance and some time on the season has been a blessing!

Im not going to go into it in detail, but, broadly speaking the show has given each character a signature colour - this doesn’t mean they wear it all of the time - but they do wear it a lot of the time and especially in key scenes - characters can have more than one key/ signature colour, and it can change and develop over time. We can ignore season 1 because it was a pilot season and very often shows won’t choose to establish a signature colour for a character (911 s1 is all over the place from a costuming perspective - because they had several designers working across the 10 episodes but since s2 we’ve had much more continuity with Alayna Bell-Price at the helm for most of it). So for example Athena’s signature colour is mostly black with white and khaki green also in the mix. She’s moved away from that subsequently - wearing less black and more white/creams but both colours are still staples of her wardrobe.

Eddie we all know mirrors Athena from a costuming perspective - his signature colours are also black and khaki green with some white/cream as well. The khaki green was much more dominant than the black to begin with - which played into his military past - that had evened out on the black and khaki front whilst the cream had stayed fairly steady, but now we’re also starting to see a little bit more of it as well as some darker blues. this mirrors Athenas own journey t healing - the more she heals the less Khaki we see and the more white/cream - Eddie is starting to follow the same path from a costume perspective.

Bucks signature colour has always been blue, but he also wears a fair amount of yellow and grey, so those are his three colours. He obviously wears a lot of other colours, especially white, but white has its own specific use in Bucks costumes that sits separately from his signature colours.

We all know about yellow/ blue and green blue colour theory - I’ve gone on about it enough (especially yellow blue colour theory and its queer coding) and others such as @lover-of-mine have as well. Well both yellow/blue and green/blue continued to play out in season 7, I’m not going to go into them in too much detail - there are posts on my pinned post that cover that much better and I want to get to the good stuff (and I know you all do too!)

We do need to remember that Buck and Eddie very very rarely wear blue and green in scenes together - if Eddie is in green Buck won’t be in blue, and vice versa - this is because of the ties to blue/green being Buck and Eddies break up colours - the colours they wear opposite their respective girlfriends when the relationships are ending. This is a little less set for Eddie - who actually wears white/cream much more when he’s ending relationships than blue or green - but the one time he has actively done the breaking up he was in green.

As I was starting to do a bit of work on the 7x9 and 7x10 metas, I ended up going back and looking over the Buck and Eddie costumes for the season as a whole, and how Tommy fit into all of that as well - as we’ve all been billing him as Eddie lite.

While I do still think there is an element of Tommy being Eddie lite, I don’t actually think that is what the show has been doing -that concept is a bit of a red herring. I’m sorry that this is likely to get a bit convoluted and wordy - but my brain is still reeling and incoherent so bear with me - I hope it all makes sense.

Right this post is super long so the rest is going below the cut! I hope you enjoy!

Because I was looking for Eddie and Tommy parallels in the costuming for the season, I had been looking at the choice to put Eddie in red/black for his dinner date with Kim and Buck being in green for the scene at Bucks loft, and the fact that back in 7x04 Tommy had been dressed in the same colours - a red henley which was shot with black giving it a red/black colour way. I naturally started looking at the other Eddie - Tommy costume parallels - and there are plenty - lots of the khaki green we see Eddie in - playing into Tommys own military background.

These are Tommy’s scenes - where he wasn’t in uniform of some description (which is a good chunk of his scenes to be fair)

7x04

at the hangar - white tee, greenish stone coloured shirt and a tan jacket with stonewash jeans

at the court - light grey marl cut off hoodie and bright blue shorts

at Bucks loft - red/black short sleeve henley and stone wash jeans

7x05

at the restaurant -dark khaki green shirt (I would also like to point out the blue green colour theory here with the addition of tommy having a blue phone case - which is relevant later I promise!)

coffee meet up - light grey henley and navy blue hoodie with mid wash jeans

7x06

karaoke club - navy blue short sleeved henley

7x10

light grey marl tee and greenish denim shirt

So what you can see from this is that besides the use of henley’s, the only time we get actually get direct reference to Eddies costuming is through the use of khaki green and his first outfit at the hangar. There is of course the direct parallel of the red/black colour way I spoke of before, but, beyond that if you look you’ll see that Tommys outfits actually parallel Bucks far far more. I would even argue the Henley’s are more similar to Buck than Eddie - because they are short sleeved and Eddies are invariably long sleeved.

Bucks colours are blue and grey - and so are Tommy’s - particularly in scenes that are 1-1 with Buck. What I’m trying to get at and will explain is that this has never ever been about Tommy being Eddie lite - this is all about Tommy being Buck - Buck’s subconscious if you will. (I know you all this I’m completely mad at this point - but stick with me!) I have a lot to say about all of this which will explain the why of it all and how we ended up here so we’re going to go through it Tommy costume by Tommy costume!

Lets start with the hangar scene - the most Eddie like Tommy looks throughout the entire season. this is very much intentional - this is about the red herring of it all, but it is also about Eddie (I’m not discrediting anything we’ve talked about regarding Tommy being Eddie lite etc - it is all relevant - but that’s what makes it such a good red herring!) and about Buck being an unreliable narrator. This is in part why we also still see Buck in his too short trousers and his white sneakers. This is his journey (the sneakers), but he’s still trapped in his old self at this moment in time - but aware that he doesn’t fit his skin anymore (as an aside I will be writing a post about Bucks trousers and their changing fit throughout the seasons at some point soon!)

Script wise the key lines are plentiful - the entire scene is full of double meaning. We get Buck stating that he is ‘happy where he’s at’ and Tommy’s response of ‘you’re thinking of changing things up’. viewed through the idea that Tommy is a version of Buck, this then plays out as an internal conflict - a battle about wanting what you already have - being happy with what you have, but also wanting to change things.

Eddie saying ‘you aren’t thinking of leaving us are you’ and Bucks response ‘I’m keeping my options fluid.’ Eddie needing reassurance that what they have isn’t going to change, while Bucks reply is about him not really being sure of himself - of who he is - keeping his options open because he’s figuring out if he wants to change - the line is said to and directed at Eddie so its about Buck keeping his options open about possibly changing their dynamic - becoming something more, even in the face of Eddie not wanting things to be different. Tommy stating in this scene that Buck doesn’t need to leave the 118 to get certified to fly - that its something he could do for fun on his days off - becomes even more loaded through the internal monologue lens - Buck considering how he can stay at the 118 and have the joy, fun and benefits of ‘flying’ when he isn’t at work - that he could fly with Eddie (Eddie going flying with Tommy to do something fun and date like is a very literal visual metaphor for Bucks internal monologue - showing him what it could be like if he changed things up). There not being three tickets - only two is also important - its again a metaphor this time about how if Buck and Eddies relationship changes - it would only change for the two of them - it would become a relationship that doesn’t have room for another in it. When I say that’s about Chris not being involved it sounds really harsh, but the reality is Chris cannot be a a part of Buddie - he cannot be a part of something romantic. it isn’t saying Chris isn’t important or central to Buck and Eddie - simply that he cannot be a factor in a romantic relationship - that has to be just between Buck and Eddie alone - its kind of about Eddie (and also to a certain extent the same is true for Buck) not being able to hide behind Chris anymore when it comes to Buck.

Fundamentally its all tied back to his death in season 6 (we even get the being struck by lightening reference from Buck just to bring that aspect home) and subsequent resurrection and rebirth (post linked on my pinned post if anyone wants to read it!). we have to keep at the front of our minds that Buck has died and that is still playing on his mind - its still influencing who he is and who he is becoming and it was all throughout season 7 - even if it wasn’t obvious or stated.

The basketball costume is actually the one that has always stood out for me - Its the most Buck outfit of all Tommys outfits. The bright blue shorts especially.

So in that scene, which we know is supposed to read as being from Bucks view point, not only are we getting golden haloed super happy bouncy Eddie - Eddie the way Buck sees him - but Buck is also projecting and seeing Tommy in the place he (Buck) has always existed in. It’s a visual representation of what Buck talked about with Maddie and Tommy replacing him in Eddies life. Its unreliable narrator buck in visuals he’s seeing Eddie replacing him with Tommy - occupying the same places Buck has and more - from the calendar to the basketball court.

But that’s actually wonderful, because not only does it give us information on how Buck views himself (as expendable/replaceable) and how he thinks others view him - because if he thinks he’s similar to Tommy (which for a purely visual stand point he is - Lou looks more like Oliver than Ryan) but it also gives us information about the reality of how much Buck is actually intwined in Eddies (and Christophers) life - its telling us that Buck is in fact on Eddies calendar (and therefore fridge - fridge magnet theory for the win!) and how much space and conversation he occupies in the Diaz’s everyday life.

So he isn’t actually seeing Eddie in Tommy at all - he’s actually seeing the version of himself he doesn’t think he is but wants to be in Tommy. The version of himself that takes Eddie to vegas etc - that’s the Buck that Buck wants to be - the one openly flirting with Eddie and taking him on dates etc. That’s why the vegas fight is so seemingly ott (especially when you think about the fact Tommy and Eddie have known each other a week or so at most by this point) its the grand gesture Buck wishes he could be making.

All of this also makes Bucks ‘attack on Eddie’ more telling (it’s still the boy pulling the girl he likes pig tails in the playground concept) because Eddie is being receptive to all of these advances by Tommy - adding further weight to the Buck being jealous of and threatened by Tommy.

Tommy is this version of Buck swooping in and doing all this stuff that Buck wants to be doing (subconsciously still at this point - willful ignorance be winning) but either didn’t know how to or didn’t know Eddie if would be receptive to. Remembering that this is all Bucks viewpoint of things its essentially Bucks brain showing him what dating Eddie would be like and Buck being Buck misunderstands what his brain is telling him (forever misunderstanding the assignment).

There is a second aspect to this and it ties into Tim’s comments about the hamster wheel Buck has a been stuck on and it being time he got off it - the hamster wheel is actually multifaceted and has more than one meaning. The most important is that the hamster wheel hasn’t ever been about his relationships or about the women he’s dating (or men now). The hamster wheel he’s stuck on is actually the fact that he’s built this strong relationship and family with Eddie and Chris - (you don’t find it son you make it) and its something safe and stable and predictable in his life. Getting off that hamster wheel is about being brave and moving that relationship - that family dynamic onto the next level - removing the platonic aspect of their family and making it a fully formed family for real - romantic love and all - so the ‘platonic’ family is the hamster wheel he actually needs to get off of.

The other aspect of Tommy actually being Buck and the hamster wheel of it all is that hamster wheels are solitary pursuits - the implication is that Buck is the one standing in his own way - and coming back to the basketball game we see that played out in the moment where Buck tries to literally run through Tommy - only you can’t act out at yourself, and Tommy is a literal solid unmoving barrier and Buck won’t get past himself by just trying to bulldoze his way through.

This all then plays into the final Buck and Tommy scene of the episode - in bucks loft. I already spoke above about the red/black of it all, but now with the added concept of Tommy being A version of Buck things start to become more interesting. The red/black of it all is a warning (and the poker date red/black velvet suit and eddies red and black suit from s6 actually play into this as well!) - its dark romance - ‘forbidden’ dangerous romance or love. So for Eddie and his date with Kim that meaning is very self explanatory. The two season 6 suits are also fairly self explanatory - for Eddie again its the dangers of looking for romance that isn’t on your own terms and for Buck at the poker game its about the danger of falling in love with the person you are when you aren’t being truly yourself. Tommy being a version of Buck and this concept is a little more murky - essentially is about a similar thing to his poker suit - with a twist - its about the danger of seeing more value and loving a version of yourself that ‘used to exist’ as well as a version of yourself that you think will make you more attractive to others.

We do also need to Talk about Bucks costume here as well - the fact that it fits him almost perfectly - he’s in well fitted if slightly loose jeans and a navy shirt that isn’t tight with buttons not clinging on for dear life (to the same extent). The colouring is still on the dark side - so its not entirely positive - much in the same way that other scenes with buck in a dark navy shirt are moments where things go a bit askew for Buck (think the taylor ‘I kinda love you for it’ scene from s5 as an example). The implication is that - before Tommy comes along Buck is at his most content with who he is - he’s fitting into his skin better than he has in a long while but it’s not perfect. This is key, firstly because of how the scene unfolds and secondly, because of how he is then costumed from here on out for the rest of the season.

I do also want to mention the yellow blue colour coding in this scene and that is mostly done through the lighting - Buck is in blue and the light behind him is always yellow - he is surrounded by yellow light. In contrast - Tommy is barely touched by the yellow light - not until Buck starts to figure things out - then we get him briefly touched by the yellow light - the rest of the time he is lit very cooly - which is in contrast to the warmth of the loft - and further plays into the idea of Tommy being a stand in for Evan - Evan who isn't loved and accepted in the same way Buck is - Evan who Buck needs to learn to love.

If we look at the script for this scene, it also fits in perfectly with the idea of Bucks internal monologue. Tommy and Eddie being ‘buddie’s’ making perfect sense is a literal aside to the audience telling them that Buddie makes perfect sense - but it is more than that. This is where I have to bring up the ‘Evan’ of it all. I know a lot of us shudder with horror because of the fact Tommy only ever calls Buck ‘Evan’ and how both jarring and rude it is. How it shows how little Tommy knows Buck. We’ve always known it was being done intentionally. Well, if we view the use of Evan through the lens of Tommy being a version of Buck and things become clearer. Because Tommy is basically the old version of Buck - the Buck who existed before he knew Eddie - before he joined the 118. And this is where the choice to bring back Tommy specifically for this role becomes a really smart one - because ‘Evan call me Buck Buckley’ was Tommys replacement at the 118. Tommy who has a problematic past that has never been dealt with on screen. This isn’t about the nature of the problematic past. This is the show playing on the idea of Buck’s software upgrades - before Buck 1.0 there was Evan, and using who Buck replaced at the 118 as a plot device to actually dig into Evan more so that Buck can deal with, accept and move on from Evan and become who Buck is meant to be.

Tommy saying he couldn’t replace Buck furthers this - because Buck cannot go back to being Evan - Evan can never replace Buck. invoking Christopher adds weight to this - because Chris never knew Evan - he’s only ever known Buck and Buck is ‘his Buck’ and irreplaceable. Tommy then stating his jealousy is about Evan feeling the lack of family that he grew up with - the recognition that as Buck he has made a family for himself - Bucks assertion that Tommy (Evan) was a part of it is valid - because without Evan Buck couldn’t build the family he has. The entirety of this conversation is about Buck choosing to ‘get to know’ his past (remember this is coming of the back of Buck crossing out the ‘LEY’ on his nameplate in s6 and his struggles with his parents acceptance in that season before the lightening strike), choosing to learn about Evan and embrace him as a part of Buck.

Bucks assertion that he was ‘trying to get [Tommys] attention and it being exhausting’ is part of that as is the confusion Tommy expresses. The choice for Buck to use the word ‘exhausting’ - it’s Bucks subconscious trying to get his own attention - its his subconscious telling Buck that he’s exhausting himself by not listening to what his inner voice is saying. It’s of course a play on Buck being called exhausting by other people (and is perhaps why he doesn’t have the confidence to listen to that inner voice) and that also plays into the Evan of it all and how Buck views himself. Tommys confusion also plays into that - bucks own mind is confused - it was getting ready to ‘pursue’ Eddie but now we’re pivoting into what is essentially self love.

The continued bringing up of Eddie also makes sense with the contact of Tommy being alt Buck - because Eddie Eddie Eddie fills Bucks heart and mind - Both Evan and Buck recognise Eddies importance if not his full relevance in this moment. The resulting kiss then becomes less about Bucks bi awakening (I am not diminishing the importance of that in any way shape or form - its a vital aspect of Bucks journey) and more about Bucks decision to pursue loving himself - this ties into his statement ‘it wasn’t about me wanting to leave the 118 - it was about wanting to get to know you’ - its about Buck wanting to get to know himself - on the other side of his death and resurrection. It’s a continuation of his comments about Natalia ‘seeing him perhaps better than he sees himself’ - it’s about Buck starting to see himself better now he’s died and essentially been reborn and bout Buck now being in a place where he feels ready to confront that idea of being reborn and becoming someone new.

At the restaurant in 7x05 we have Tommy in an Eddie colour, but in a shirt that is much more Bucks style. There is also the green/blue colour play with Tommy stating Buck isn’t ready and Tommys ‘mismatched’ clothing bears that up - the play is on Bucks lingering confusion and uncertainty about what he wants - is it the Eddie side of things we’re pursuing the self love of Evan aspect we’re looking to explore? The entire scene is not just about Bucks first ‘date with a dude’ its also about Bucks fumbled attempts at self love - at not getting it right - its why Bucks outfit doesn’t fit him- why they’re now too big and baggy (I wrote about this in my costume meta for that episode - which like all the other costume posts can be found linked on my pinned post). The innuendo about closets and Buck going into masculine bro mode is as much about his nervousness about being on a date with Tommy and being seen as it is about the fact that a man practicing self love is still taboo and so often met with derision - hiding that you are pursuing that is a kin to hiding queerness - at the start - until you get to a good place with it.

We side step into the Buck and Eddie loft scene briefly to look at Bucks confession to Eddie - I could write a whole thing on Eddies acceptance of Buck and its importance - but that is for a different post that isn’t already a million words long! what I want to mention in this scene is the why Buck can’t stop thinking about Tommy of it all - how it is essentially establishing the idea that Buck is starting to listen to himself. He can’t stop thinking about Tommy because it isn’t Tommy he can’t stop thinking about it’s actually himself - Evan - in a learning to love himself and embrace who he is and was kind of way - all being done through a bi lens. it is essentially about Buck doing the thing he needs to do to be ready for a forever relationship with Eddie - which is love and accept himself - all of himself and acknowledging that to Eddie.

Buck switches back to better fitting clothes for the coffee date - and tommy is now dressed back in Buck colours and no trace of anything resembling Eddie in sight - making it clear that Buck has chosen to pursue himself. To get himself to the place he needs and wants to be first - the line about not knowing what it is he’s ready for but being ready for something is key - its a very self love line, but it also puts a very clear time frame on things - it makes it clear that Tommy is not endgame - because Bucks choosing self love and embracing and understanding ‘Evan’ isn’t his end game but a part of his bigger journey - a part of becoming who he needs to be to achieve what he actually wants - to get him to his endgame.

Then we have the Karaoke - brief scene(s). There isn’t really a huge amount in these scenes. But I do want to point out two things - the awkwardness of Buck and Tommys hug - and how that plays into the tentative nature of Bucks self love journey - and also Eddies behaviour towards Tommy - and the way it was very very clearly a lot cooler than we saw in 7x04.

We all jumped on the Petty Eddie train - and I agree there is an element of that. But - there is also the fact we are not seeing that scene through Bucks eyes - its through external eyes and we are therefore seeing the actual reality of Eddie and Tommys friendship - in that it isn’t this heightened date like - flirty new love type relationship - its simply two people who are loosely friends. Its remarkably normal and no threatening - only furthering the entire purpose of 7x04 being from Bucks viewpoint and Tommy being an alt Buck rather than an alt Eddie. It also therefore serves to further establish the Buddie of it all (but we all already knew that!). Tommy is still in Buck colours and the short sleeved henley is still something I would put more into the Buck costume camp than the Eddie one - especially in this season!

The final Tommy scene and costume is the date at Bucks loft and the conversation about daddy kink. I still don’t like this scene (which has a lot more to do with execution and the script than the actual daddy kink of it all) but I am much more sanguine about it now that I understand what it is setting up.

Bear with me here I probably won’t make sense, but with the knowledge that Tommy is actually buck lite - a less good and developed version buck (Evan and in part the version of Buck that Buck himself thinks he is) the daddy kink scene actually becomes about setting up Buck addressing his past and his actual real daddy issues - because bucks past self sees his worth in those issues and without them it means both Evan and Buck have no worth. Buck confronting and dealing with them and choosing to forgive and move on means the end of Buck and Tommy because Tommy is no longer needed - he has served his purpose and Buck would be ready to start his future - Evan stays in the past and Buck completes his rebirth and closes his lightening strike arc.

Onto Bucks season 8 journey - Bringing Gerrard in to Bucks arc rather than the others who have far more connection to Gerrard now begins to make much more sense. Tommys past under Gerrard actually echoes Bucks past - in different ways and to vastly different degrees, but the parallel is there. S1 Buck being a play boy and sleeping around and not treating women especially well (objectifying them etc) because of his own hang ups - is a pale echo of Tommy being closeted and racist sexist and homophobic under Gerrard. Like I said before - Buck is a pale imitation to Tommy here and that’s intentional (more in a sec) because once Tommy is under the wing of Bobby when he takes over the 118 we see him begin to grow and change. Buck follows the same pattern - Bobbys guidance pulls him away from his destructive behaviours and sets him onto the right path (Bobby is arguably the birther of Buck - Look I could write a whole thing off the back of my death and resurrection of Buck post about Bobbys role as God - the heavenly father - in Bucks life and how that is the overarching theme of Bobby and the show but I don’t have the time tbh!) to ‘redemption’.

Bucks behaviour is very intentionally not as bad as Tommys behaviour, because if Tommy is the plot device meant to essentially represent Bucks subconscious and how he views himself, then the reason we haven’t been shown Tommy atoning for any of his past sins and behaviours is because Buck hasn’t forgiven himself for his own. Buck is his own worst critic and will self flagellate to a ridiculous degree - and again with him being an unreliable narrator - he views his past indiscretions as being the equivalent of Tommys - therefore in his mind he hasn’t yet done enough to deserve absolution (Buck and Bobby being father and son in this as well!).

Which brings me to s8 and the return of Gerrard and what Bucks arc is going to be (this is slightly incoherent and not fully formed - I’m still percolating!). Gerrard being central to Bucks arc - and Bucks push back is imo going to be about Buck taking a good look at himself and recognising/ facing up to and accepting his past. And that actually does come down to the daddy issues of it all. Because if Bobby is as good as Bucks dad - and allowed him (and his subconscious in the form of Tommy) to develop and grow - then Gerrard is Phillip Buckley (obviously a heightened more terrible version of reality in the same way Tommy is a much worse version of Buck) who parented Evan through apathy and taking the easy route - we saw Evan pushing back against Phillip in Buck Begins and being rewarded for it and thus establishing Bucks self destructive and self sacrificing pattern of behaviour. Acting out and getting hurt got him attention - so Buck acting out against Gerrard is this reduced and will ultimately have the same results just in an essentially more destructive way. This is is a good thing - because this is about Buck recognising that he is worth and acting out etc is detrimental to him progressing as a person - its going to actively prevent his self love journey to flourish (and this is why in part I maintain my belief that Tommy is going to, if not encourage Bucks behaviour, then at least tell him to go along with Gerrard demands - for an easy life and also part of why I don’t think we’ll see a huge amount of Tommy - at least to begin with - until we get to a point where Buck is really motoring on the self love journey and getting to the point where he needs to do some pre break up face to face conversations that move him forward!). It’s about forgiving and accepting his father for how Evan was raised - Bucks arc is going to be about forgiving himself and allowing himself to be happy, and he cannot do that if he doesn’t go through the Gerrard stuff - which is essentially a type of therapy. That’s also where I think the golf comes into it - it’s a metaphor for Buck building bridges, gaining understanding and accepting his past with his father - the metaphor of the driving range being the idea of standing side by side and performing the same thing, but landing in different places. There is also the concept of improving ones self and choosing to not repeat the mistakes of the past.

It also means the thing Tim said about Buck and Tommy becoming more comfortable with one another makes much more sense, and why he’d flip the question to talk about Eddie and about Eddie feeling a bit left out in the cold but not out in the cold! Buck is becoming more comfortable with himself and while he’s doing that and learning to be happy etc as I described above. Eddie is going to feel left out - because this is about Buck not Eddie - because it’s about Buck being ready for forever with Eddie - and Eddie ultimately cannot be a part of that journey - Buck has to do it for himself in the same way that Buck cannot help or be there while Eddie goes through his reckoning with the Catholic Church, and faiths place in his life and also dealing with the ghost of Shannon and his mother issues(because he has those and they are all set up to go in s8 - Chris being in Texas really sets that up nicely!

Bahaha Tim I’ve finally figured out your question answering methods and how they tell us all we need to know!!

All this to say - Tommy is actually alt Buck - not Eddie lite (I mean he is still also that but it’s a bit of a red herring) he is a plot device for the biggest thing about Buck as a character and it all means Buddie here we come!

Thank you so so much if you have read this epic piece of waffle - I hope you enjoyed and I truly look forward to hearing all your thoughts on this and to you being as insane about it as I am!

Tagging some people who asked (and some who didn’t but might be interested anyway!)

@spotsandsocks @exhuastedpigeon @lover-of-mine @fruityfirehose @leothil

@bewitchedbewilderedbisexual @theladyyavilee @livingwherethesidewalkends @craigyxo

@izzysbeans @buddiediaz118 @inell @hotshotsxyz @winterskydragonx

#Man I hope this makes sense!#kym writes meta #kym costume meta #sort of #911 meta #gonna make a mini post about this to as I don't know how many people will actually read all 1 million words that I'e written!!!#Tommy isn't actually Eddie lite - He's actually alt Buck!#imo it all fits better than the Tommy is Eddie lite theory #which still works and is part of it - but I think the Buck angle is the more compelling one and makes more sense in the wider show!#If I am remotely right about this I will be flinging myself into the su n and never returning to earth!#anti bucktommy #anti tommy kinard #just to be safe as I know I'll likely get hate for this post from them!#911 spoilers #evan buckley #eddie diaz #911 abc #buddie #my iinsane theories

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leclsrc · 1 year

Text

more than anyone ✴︎ cl16

genre: childhood friends to enemies to lovers (a mouthful), smut, humor, Fluffff!!!!, angst

word count: 13.7k

You moved out of Monaco at fourteen with an unrepaired friendship hanging by a thread. Ten years and a whole lifetime later, you’re forced to work with him confront it all over again.

auds here… hi hi hi!!!! HAPPY 4k to us guys!!!!! i am so insanely thankful for all of u and i will make this a longer note when i wake up tomorrow because i have so much to say but have this for now. i hope u like it,i love love love u guys forever also i changed the banner because i wanted to

nsfw warnings under the cut!

18+ because... penetrative sex, semi public sex, praise central, size kink (pretty tame smut in auds world)

You know it’s bad when your assistant-and-friend-aka-friendsistant (her vernacular) Rachel walks in with a free coffee without a quip about how dependent you are on this exact order of coffee (she’s a millennial, so caffeine and lack thereof are in her arsenal of Funny Jokes). You fear you didn’t correctly anticipate just how bad it was going to be when she stays instead of leaving to work on your schedule, combing a few fingers through her fringe and sitting herself on your couch stiffly. Maybe you’re intuitive, maybe you spend too much time with Rachel and you can spot the way she scratches at her eye, maybe both—but it’s bad.

You don’t take a sip from the Starbucks that sits idly on the coaster, opting to watch the latte sweat instead. You do stare, though, at Rachel’s stagnant posture, scrutinizing her every movement. She takes a few deep breaths and drops the bomb.

“David sent me to tell you he has good news. But there is, um. Bad news.” Dread writhes through you at the mention of your manager with bad news, and you clear your throat to compose yourself.

“What’s going on?”

She purses her lips. “He’s on his way over here. Just…” She cocks her head sharply to the glass door of your home office, expression antsy. “Sorry. Wait for him. I can’t tell you anything yet.”

You take a swig from the pity coffee. “Am I getting blacklisted?”

“God, you dumbass, no—” She makes an incredulous noise, but before she can open her mouth to elaborate, your manager walks in with an excited expression on his face, pocketing his Juul to take a seat by your table. His smile is the radiant one of a man over forty with a comical amount of Botox.

“Rachel told me you had”—you stifle the adjective—“news.”

“That I do, yes.” He hums, tracing the edge of your table. “Did you enjoy Paris Fashion Week?”

Beside the brash Frenchmen, God-awful timezone differences and consequent calls at half past three, hungover show attendances, posing for pictures until your ankles blistered, and a temporary diet of black coffee, cigarettes, and stale croissants—sure, it was fun. It was your job to attend anyway, your obligation to shake hands with important people and be photographed in designer clothing and benefit from the PR, but how often could people call work fun?

“Sure.” You take another gulp off your coffee. “It was… fun.”

“Well, since your movie’s doing well,” David pauses and hums, “how do you feel about another few weeks of fun?”

“Like Paris Fashion Week—weeks… this month?” You frown, eyebrows knitting together. Is this a new Vogue thing? You’re not sure how many updates they give the schedule, but you wouldn’t mind too much if you could travel again for a little bit. “So soon after spring? Did Anna want this?”

“Iiiit’s, er, Vogue’s new project. Capsule shows in Europe, coastal and summery. She wanted an exclusive guest list. She asked for you by name,” David says smugly. “Well, she called my office, granted. But to ask for you—”

“Are you fucking serious?” You stand up, and if you hadn’t had some fix of coffee you would’ve gotten dizzy. “David, tell me you’re serious.” Time seems to have suspended itself as you await his answer—which, if affirmative, would be a pretty big deal to you.

“Yeah, I am.” He plays off a grin. “She loved your movie with Greta, and would love to send you to Europe to do PR on a few shows and pair up with some guests on a couple features. Exclusive stuff.”

You sit back down, mouth slack. “Oh, my God. I can’t believe it.” Your eyes dart to Rachel, who’s caught between a smile and an awkward purse of her lips. “Fuck! This is huge, David.”

“Yeah—okay, yeah, it is.” David shifts in his seat and crosses, then uncrosses, his legs, then his arms. He stutters for a second. “Good and bad news, remember?”

You blink a few times. You’d nearly totally forgotten the fact that this good news—and it is overwhelmingly good—comes with a bout of bad news, so bad apparently that it’s noteworthy enough to state alongside this massive deal. But it’s. Fine. It’s whatever. Worst case scenario, you’re going to need to fucking swim to Europe sans oxygen canister.

“So… the shows? Events, and shit?” He watches, waiting for you to signal that you follow. When you nod, he continues, averting his gaze to the face of his Patek. “They’re all in Monaco.”

Wrong.

“Monaco.” You repeat, deadpanning your delivery. It’s not out of the ordinary, the glitz and coast of the city being a perfect venue for high fashion. But Monaco is different for you, vastly different, and you tend to avoid the place to the best of your abilities. “Monaco. Are—you’re sure?”

“Mmm,” he hums in affirmation. “I know, I know you’re not exactly privy to Monaco because, bleh, childhood shit, whatever. But this—like you said, this is huge! And I don’t think we should jeopardize that.” He pulls a piece of paper from the folders tucked in his arm and waves it around.

“Well—yeah, I suppose. I’ll deal with it.”

“Yeah.” He sucks his teeth, eyes gliding over the scenery of L.A. that your window offers. “Okay, that’s it, so. Byeandhaveagoodlunch.” He slams the paper onto your desk, jostling you a little, but as he makes his exeunt, Rachel raises her arm to stop him.

“Is that it, David?” She asks, an edge to her voice.

You pick up the paper as they make hushed, stifled conversation, and find that it’s a call sheet of sorts, listing all the collaborators traveling to Monaco and what or who they’re in charge of, or paired up with, there. Models, athletes, celebrities, influencers—all making TikToks, or appearances, or brand deals, or interviews, or YouTube videos, the whole shebang.

“Yeah,” says David dismissively—nervously? “That’s it.”

You search for your name. “Okay. Um, hey.” Rachel turns to you, trying to catch your eye, which is busy scanning the sheet. “Did, um—did David mention you’re paired up with Charles Leclerc for a feature? Because you are. Paired up with Charles Leclerc for a feature, I mean.”

David sucks his teeth. “Thank you very much for graciously reminding me of that, Rachel.”

Still half-distracted and growing increasingly worried with the exchange happening in front of you, you make haste in your search—eventually, you find your name, printed in plain letters beside one you’ve wished to never read over ever again.

“Wait, my Charles?” You pause and look up, suppressing a yell as your eyes widen, and you blunder over a pathetic self-correction. “I mean—no, sorry—Charles, as in Charles Leclerc? I can’t work with him, you know this!”

“Wh—well, Vogue apparently wanted a really good Monaco-born pair and they seriously lucked out on you two. Also,” Rachel says, adamantly defending herself, “you’re always saying you can work ‘with anyone’!” She raises two comically vigorous air quotes to further her (moot) point.

“I didn’t ev—I never say that,” you lie straight through your teeth, mouth dry. You definitely do. You can place all the exact moments. “I would’ve known if I did. Rach—David—I cannot, absolutely cannot work with Leclerc. He’s my… we…” You shut your eyes and sneak two fingers upward to massage your temple, slowly caving into defeat.

David makes an oh well face and shrugs passively. “Fine. Then it’s either Anna Wintour’s special job that will help the Academy campaign or not meeting the ex-bo—”

“—friend.” You look up to cut him off, eyes narrowed. “Ex-friend.”

“Alright, kid. Suuuure.” David leans against the back wall of your office as Rachel comes to comfort you, her eyes already sympathetic and droopy. It shouldn’t be so bad, right? She asks sweetly, nudging the latte closer to your catatonic figure. You have seen him since, anyway.

With a despondent gaze, you just remain silent, refusing to state the negative aloud, opting to stare at the latte. At your disagreeable silence, Rachel continues, tone anxious: You have seen him since. Right?

You moved out of Monaco at fourteen, right after the school year finished and your father had gotten the opportunity to transfer out. The whole thing would’ve—should’ve, even—been a sentimental affair, full of tears and dramatic caresses of your bedroom wall, whispering thank yous to the city air in French and Italian, but it wasn’t. Months prior, you’d been preparing yourself for this kind of goodbye; but when it came to it, you merely kissed your extended family goodbye and slept en route to the airport, silk sleeping mask pulled taut over your shut eyelids. The only thing you left in the city was a letter written only to Gi and Cha about how much you’d miss them, with your email address scribbled at the bottom for an added touch, in case they felt like sending you longer messages.

“Do you two at least get along?” David asks, noting how genuinely aghast you appear.

“It’s not that simple.” You tap a nail against your desk a few times. “But I think it’ll be fine. I hope, at least. We used to be… good friends? As teenagers.”

You feel like an alien hearing yourself talk about it, talk about him and the whole circumstance a decade later. Your friendship with Charles was the only thing that mattered to your adolescent self, all lemonade stands and long car rides and stealthy conversations about your futures (racing and acting, respectively). It was happiness, in what you consider to be its truest form, it was lovely and real. And it ended abruptly, no goodbyes, no nothing.

“So it’s a no.”

“I’m just saying it’s impossible for me to work with him, and in Monaco no less?!” Your eyes are wild with frustration and anxiety at the prospect of your past whipping you in the face, full-fledged. “I don’t even talk about the guy or the city, how can I spend time with him there?”

“Are you seriously going to junk this amazing fucking opportunity just because of some petty childhood fight?” David’s tone is comparable to that of a dad’s, scolding and horrified, almost. “Look. If you don’t take this, career-wise, it doesn’t mean much. You get paid a shit ton, you’ll survive—you’ll do well. But emotions-wise? Maturity-wise? Be the bigger person and do it—I mean it.”

You stare back at him because you know he’s right. “Maybe it won’t be a big, long feature?” Rachel offers as some advice, some comfort. “If you reject it, his team will know, and so will he.”

And yes, you were fourteen, and yes it was petty and unexplainable even for fourteen—but there was a catalyst to all of this, a reason why the move became easy and forgetting childhood memories became second nature. A reason why you’re selective with who you make contact with from home. A reason why Giada and Charlotte are selective with topics they choose to bring up with you.

So, fuck it, really. That’s how you end up in Monaco, booked for the next three weeks, sharing a studio and public appearances and a 24-hour shoot with the last person you’d ever want to be in a room with. Ten years later—the person still is, and no doubt will always be, Charles Leclerc.

—

“MAMAN!” Charles’ voice was loud, loud, and so incredibly loud. You followed not far behind, legs running at full speed to try and leap onto his lanky figure and wrap an arm around his head to quiet him. It’d been futile: he ended up at the dining table facing his family with a victorious smile on his pink face. He breathed heavy, waiting for everyone to turn their attention to him.

“Charles,” you chimed in warningly, breathing even harder with the effort you had exerted to chase him from the sidewalk to here. “Don’t.”

“Guess who got the lead spot in the recital.” He slowly turned to point at to your angry face, and then bent, rifling through his already messy, grubby knapsack for something that he raised with glee: a headress that read…

“But-ter-cup.” Hervé sounded amused when he looked at your fuming expression. “You?”

“Yes, Papa! Maybe, just maybe,” he sing-songed, using the term wrong yet again, “she got the titular role!” He walked over to you and placed the headress square on your head, beaming.

“There is no titular role in a school recital,” you seethed, burning with embarrassment. Your stellar academic record had apparently granted you incentive to be centre stage during the routine year-end recital, where years were lumped into twos or threes (in your and Charles’ cases, Years 8 and 9) and the student body would dance or sing a variety of teacher-selected music.

In your case, it was Build Me Up, Buttercup, complete with choreography you’d be practicing over the next month and a half. Charles laughed at your pouting expression, didn’t stop laughing even when you’d both sat down and twirled through forkfuls of spaghetti, didn’t stop chuckling even when Lorenzo got the turn to speak and he started talking about how Bringing Up Baby was his movie of the month.

You allowed him to laugh—even laughed yourself at some point—because all day, you’d been absently wondering how you’d break the news about your moving away to him.

—

Charles is not okay. He’d gotten off a red-eye from a short vacation stint, and now he’s back in Monaco, sleepy and a bit jetlagged, being briefed on brand deals and press junkets he has to accomplish by three p.m. today. “On the dot, sharp,” said his assistant, like the two didn’t just mean the same fucking thing. He’s patient, though, smiling through the exhaustion, through the dressing room, the tape around his waist and legs to measure clothes for this fashion… thing.

“A meeting for Ferrari, two TikToks, a vlog for your personal YouTube channel, three stories by noon… oh, and in the next few weeks, you’re going to film a Vogue-sponsored 24 Hours With… with—”

“D’accord, thank you,” he cuts in, already exhausted from the spiel alone. He’s a professional; no matter what people believed or what gossip rags liked to say about him, he maintains a well-kept reputation of being polite and kind to people he works with. Maybe it’s the jetlag, maybe it’s the lack of sleep, maybe it’s the heat outside, but today he just wants to close his eyes and sleep for days.

But the assistant follows, clipboard and Excel sheet and all, still spouting all his media obligations lest he forget (and mark his words, he definitely will). “Sorry,” he says. He’s new, probably assigned as a part of the Vogue team, lanky and tall and nervous looking. “I’m new. I’m Greg.”

Briefly, Charles is left alone to stare at his tired reflection while the assistants reconvene and connect. There’s several of them, each assigned or already committed to a different celebrity. Charles should know more details, but there’s only so much reading of a call sheet he can do before he’s conked out on Ambien; he trusts he’ll be around people much more famous than he is, probably American or English, actors and athletes alike. He’ll figure it out.

Yeah, she’s almost ready. Is Charles here? One of the assistants says, a bright-eyed American. They need to be introduced before 11. Her voice is quiet, quick and hushed, and Charles has to focus to hear what she’s saying. Greg chips in with something he can’t decipher; in response, the American whispers, Yeah, I’ll get her to sign it for you. Bring Charles out in five.

In five, he is indeed being brought out to the lobby of this hotel; the outdoor area is decked out with models, cocktail tables, Vogue signage and a carpet for pictures. It’s even busier inside, wait staff and event coordinators conversing in angry, aggressive French—table settings, mineral water, extra forks are needed. Greg keeps a steady pace transporting Charles through the indoor throng, and at 10:59, Charles is outside, by the pool.

“Um, right, yeah. Okay, uh—wait here. Your partner—not really partner, but like, mate? Fuck, definitely not. Um, partner. She’s on her way heeere…” He checks his phone. “Okay. You caught her name, right?” Charles nods to fend him off. “Okay. So, wait here.”

There are cameras taking pictures of him when Greg departs, some microphones waved his way; in the distance he spots fans waving crazily, sporting Ferrari merch. Charles is doing what he’s told (waiting, maybe posing a bit) when an even bigger crowd appears, surrounding one person; with their arrival, ameras click even faster, and an uproar follows. Greg waves him over, pointing at the person frantically, so Charles smiles, extends a hand, and when the crowd parts—

There you are, in all your glory. Pink dress, hair clipped into a bun, a tanline on your exposed skin, lithe hand coming up to shake his. Your eyes are flat but the lack of expression doesn’t inoculate them from beauty; they remain sparkling and pretty all the same. Cameras snap the interaction, seemingly innocent, seemingly the first.

He fights, he really does, to keep his hands shaking yours. He forces himself not to hug you, press a kiss to your cheek even if that might look friendly, caress a hand across your cheekbone, brush the tendrils of hair out of your eyes. It’s a valiant effort.

A valiant effort that pays off because, as soon as you’re ushered into a room by yourselves, your smile turns into a scoff; your hands are kept to yourself, slipping a pair of sunglasses on, and; underneath them, your eyes begin to roll. “I need a drink,” you huff, not even looking at him.

You’re on two couches opposite each other, in what he assumes to be a foyer to a hotel room that’s much bigger than the one he was in earlier. A-list fame and that. The girl he’d seen earlier scurries off, mumbling something about a martini. Greg, beside him, goes: “Do you need a drink, too?” But he shakes his head.

“Are you voluntarily working for this guy, Greg?” You refer to his assistant by name, offering a sarastic, honeyed smile. You adjust the strap of your dress and he blinks his gaze away.

“Oh, no. I mean—yeah. Kind of. I was assigned to him.”

“It’s okay, I don’t expect you to do it of your own will,” you joke, crossing your legs.

Charles laughs dryly. “Who asked?”

“So he speaks…” You ping off his retort without missing a beat, a sardonic smile playing at your lips.

“In the two minutes we’ve been around each other, you’ve insulted me and my assistant. I’d prefer silence, your highness.”

“Aww, did my joke and asking Greg a question piss you off?” You suck your teeth. “You must be fun at parties.”

“Do you two, um. I don’t want to, like, overstep, but do you know each other?” Charles notices that Greg’s forearm is signed by you and realizes he has no allies here, with an inward grimace. “Or if you don’t, like, are you two just… not in good moods or something?”

The girl comes in then, saying here’s the martini and catering you a sweaty glass with a smile. You offer up the empty space beside you, patting the white leather for her to sit down on. Your eyes meet his again briefly, catty and a bit challenging, before you turn back to the girl. “Sit.”

Maybe Charles spends too much time with Max, because he’s starting to become more and more inclined to getting the last word in lately. “Bossing people around, eh? Fame really does change you.” He offers a smile of his own.

“She’s my assistant, Rachel,” you say sweetly, but your smile is gritty. “We need to check my schedule.”

He wants to slap himself. “Too busy to open your calendar?” Nevermind, he’s a god.

Your sarcastic smile drops. “And what’s on yours? P6 this week, P7 next, DNF after?”

Fuck. The tension is so thick at this point, it’s almost steaming hot. Both the assistants stare at you, waiting for Charles to wedge something in, but he bites himself back. Thankfully, right as the silence just begins to settle like oil on water, the door swings open and one of the coordinators steps in, noisily rattling off the week’s plans and proclaiming you’re both free for the remainder of the day before things pick back up—Schiaparelli show at noon, both of you, front row—tomorrow.

The four of you filter out of the room, and you make a quip about your autograph on Greg’s arm, which grants your assistant some face time with Charles. She turns to him, combing a hand through her hair and furrowing her thick eyebrows. “Hey, I’m Rachel, by the way.”

“Charles.”

“I know,” she says sheepishly. “Listen. I know you two have history, she—we—she’s, um, told me about it before. I don’t know the whole story, and I’m not… like, I’m not saying I do, so I respect it, whatever it is. But I hope you can find it in you to work with her properly. It’s a huge gig for you both. So—yeah, uh. Great job, and good luck.”

She smiles with a nod before exiting the room, leaving Charles alone and stirring with thoughts and memories woken from wild unrest.

—

“Alors,” Charles had said, not turning from his position in front of your vanity mirror. He’d been picking at his face, stopping only when you tsked at him not to. “What is the problem?” His eyes flicked over to you, your lying figure on the bed exhaling little puffs of frustrated air to the ceiling. “Are you missing the recital?”

“Quoi? Non.” You gnawed at your lip, accepting your defeat. You couldn’t lie for much longer, not when you’d been keeping this under wraps for two months. “Listen. Charles.” He nodded, clearly preoccupied with something. “Charles.”

“Hmm?”

“Can you ple—look at me.” Your voice hardened.

He’d noticed it then, the curt cutoff of your voice, the absent look in your eyes. He knows you even through a mirror, even in the low light of your room. “Desolé. This pimple won’t go away.”

“Charles,” you said, groaning but allowing yourself to laugh. “Listen.”

“Okay.” He turned to face you, a spot on his chin red from how long he’d been scratching at it.

You shrugged then, suddenly scared to deal with the realness of it all. You didn’t understand why you felt so torn. “It’s something to do with me,” you said.

“Yeah.”

“I’m moving.” You rubbed at your nose, the cold draft coming in through the window causing you to sniffle. “Out of Monaco.”

A beat. “What?”

You closed your fingers around your necklace, scratching absently at the divots of the pendant. One, two, three little dips in the gold locket, tiny but comforting. “Yeah. In a few months, like, after school. It’s Papa—his job. It’s a whole thing.”

“Europe?” You shook your head. America.

“What… well, what does that mean, then?” His expression didn’t waver but if anything did, it was his eyes—desperate, seeking more answers, wanting them with a guttural, belly-deep desire. You’re his best friend, so if he has to let you go in this life, he at least needs to know everything about the move.

“We’ll keep in touch,” you reassured, kicking your leg to further your point. “You were bound to get busy with karting anyway, so it’s like. Ça revient au même.”

“It isn’t the same,” he said, his voice thin and cracking.

“You’ll be fine.”

“You have a very misguided idea of who I am.”

“Shut up. Come off it,” you laughed, sitting up straighter. “We’ll call everyday, and I’ll meet all the famous people who’ll get me a real acting job, and I’ll come for the holidays or summer or something. Things won’t change. Not that much, at least.”

“Maybe, just maybe.” He pauses. “Will you be here for my birthday, at least?” He’d made a big deal all year of his turning sixteen on the sixteenth.

“Charles,” you sighed.

“No, yeah. I get it.” He looked down, rubbing his thumbs together, like he’s just been hit across the face. He will tell you one day it felt infinitely more painful than that. But at the time he shook his head and looked up at you, reached his pinky to yours, a thin slip of paper around the finger that matched your interlocked one, and didn’t say anything else.

Just: “We’ll be okay.”

—

You could pin a lot of adjectives on Monaco: picturesque, without a doubt; warm, glamorous, but you’d sooner die than pin the word home over it. The city is sprawling even with the little surface area it possesses, and only few things seem familiar. Your lodging is a hotel in Monte-Carlo, a penthouse suite that requires you to travel very little. It feels like a vacation.

And you embody the role of a vacationer very well—the first five, six days of your stay in Monaco went great, mainly appearances that lasted a few hours at most and several junkets to promote Vogue and your latest film, before you were free to do whatever you wished. You’d gone the touristy route already: shopping more times than you could count, trying your immense luck at the casinos, and eating at Michelin-starred restaurants; eventually all the fun blurred into each other and you found solace in naps instead.

Your troubles are not far behind, however, and they finally come after you on Day 7. The event coordinators had informed Rachel, who in turn informed you, that the first of next week’s agenda would be a photographed tour of the Musée Océanographique de Monaco, a grand seaside building right at the edge of the water. Today is, apparently, a day for you to “fraternize with” Charles, which meant you would once again need to put a façade over your less-than-kind appearance toward him.

Those are the concluding words of David’s very firm text, encouraging (read: coercing) you to settle things with Charles into some approximation of civility. You resolve things by calling him to skip over the awkwardness that comes with texting. It takes you all of twenty minutes and twice your body weight in courage to press the green telephone button.

“B’jour,” he goes, his voice quick. French people (he will hate that you called him French, even if it was just in your head; you relish in this) always talk rapidly. After some silence, he clears his throat: “Hello?”

Butterflies—some form of them, whatever—flutter in your stomach. “It’s me.”

He drops formalities and adopts a disinterested voice. “Huh. What do you want?” The butterflies have rotted to death.

“I need to talk to you.”

“To insult me again?” He sounds a little amused even over the phone, a breath of laughter landing in your ear. “Bah, I get it. We are enemies. You have no interest in reconnecting, et cetera. C’est tout ce que tu as à dire? I gotta go.”

Your face warms at his accusatory tone. “Wow, leave it to a guy to be charming, huh?”

“Why should I be charming with you?”

“At least be polite,” you taunt, but your voice lacks its usual edge. On the other line, Charles lets his own defiant tone ebb downward.

At least be polite. It’s the least he can owe you after ten years of forgetting. It wasn’t as if you two had a mutual agreement then, in 2013 when you moved away, to stop becoming friends. For months before you moved out, he completely stopped talking to you, like he’d forgotten you two were even connected, were even friends. What little words you two shared became petty and abrasive, and suddenly Monaco lost its color. The closeness you had with him, which for so long you’d convinced yourself was once-in-a-lifetime, was ripped from you, robbed from you—by him, no less, which hurt all the more. You’d given up on finding out why at some point. You waited for him to reach out. Maybe, you told yourself, just maybe, it would take a few months, a year.

Ten years of radio silence. He owes you that: politeness.

“It doesn’t matter,” you say to nobody in particular, in an effort to segue into the topic of your choosing. “Look, we’re supposed to be friends. In… on camera, at least. It’s disastrous if we look like we, you know, hate each other. We need to be professional.”

“For the cameras,” he says back, solemn.

“Yeah.” You wind a finger through your hair. “Just… for the sake of civility.”

You hear his little hums of consideration. “D’accord,” he says after a few minutes. “Truce, then.”

“Sure.” You smile a little. “I have to go.”

—

You were halfway through your mess of clothes when your mum peeked through your door, her hair held back by a headband. “Call you yet, poppet?”

“Non,” you said, decimating your voice to a monotonous murmur. You looked up from the dress you’d been folding and offer a half-hearted, sardonic smile. “Je t’ai dit qu’il ne le ferait pas.” You were right: he wouldn’t call. What difference did a month make, anyway? This time, though, the usual victory of being right settled into an ugly disappointment in the pit of your stomach.

You wanted so badly to be wrong. To clamber to the telephone, to your Skype, to your cellphone, any of the three, and see his name flashed across the helm or his voice in your ear. Maybe he was dialing your number now, to ask if you wanted to grab dinner after the year-end recital, or to update you on karting, or to tell you Pascale wanted lunch.

She could tell, as all mothers can, that you’d been upset. The knit in your brows that didn’t go away, the bottom lip being chewed, the tight clutch of your fingers over the already-folded dress. She sighed. “I’m sorry, baby.”

“It’s fine.” Your voice came out sharper than you intended and you have to roll it back, recede it, to sound more relaxed, more at ease. “It’s… fine. I’m fine.” She knew better than to pry, closing the door softly to continue packing up the living room.

You heaved a dry sigh to express the nausea that came with his absence. It began a month ago, two days after you first told him about it and poked at the zit on his chin. He’d buried his head in your shoulder until tears seeped into the cotton sleeve of your shirt, and you let him. You felt guilty, after all, for keeping it a secret for so long. You would leave in September, you told him. We have time.

Two days later he walked you home as always, on the “dangerous” side of the street, lanky legs skipping to the tree in front of your house. You pointed at the beginnings of clementines on its dewy branches, smiling, inviting him in, but he remained leaning against the trunk, playing with his mop of hair that covered his forehead.

“Bah, trop dramatique,” you said, poking fun. Lorenzo had showed you both some art house films he studied in class, and with the bout of French cinema, you and Charles had grown obsessed with making fun of overdramatic stills that often included the classic leaning-against-a-surface. “Come on, Mum made bouillabasse, I smell it.”

“We need to talk,” he eked out awkwardly. “I have something important to tell you.”

You dropped your knapsack, leather scratching against the concrete of the steps to the front door as you walked over to him. “Ouais?”

“I…” His lips moved, wobbled, but nothing left, so he shut them and his eyes, like he was considering something. His breathing slowed into one rhythm you find yourself unconsciously matching, just two kids looking at each other in the dusky breeze of Monaco, the orange sun casting shadows over the clementine tree. You closed your hand over his, a tight clamp over his knobby wrist with certainty. “I…”

“Say it.”

“I want to.” His eyes were shut. Exhale. Inhale, open. “I… I’m going… going home.”

You breathed out apprehensively and relaxed. “Oh.” You blinked. “That’s it?”

“Ye—ouais. Yeah. I gotta.” Already he was climbing to the gate, waving a half-hearted goodbye. “Save some for me, oui? Bye.”

“Charles,” you warned after him, voice tinged with concern. “That’s it, promise?” Your hand flexed around air.

“Cross my heart!” The last thing he ever said with any bit of something genuine.

—

You reunite with Charles at a meeting; under the guise of your truce, he makes the barely-necessary small talk. The rest of the staff file out of the restaurant in due time, but you both stay. You ask about Lorenzo and Arthur, leaving out questions you’d rather not listen to him answer, and he tells you they’re both alright. That his mum asks about you sometimes. That makes you smile. He asks if you’re still dating the guy you’d most recently been partnered with in Us Weekly.

“God, no. We never even dated, the… um, tabloids always make shit up.” You purse your lips. “Anyway. Is Lorenzo still in film?” You ask, turning your head a little. You don’t think you’ll ever forget his affinity for cinema.

“Not professionally, but I still sit through hours-long… you know, reviews, and stuff.” He laughs when he sees you laugh, eyes half-closed and meeting the ceiling.

“He introduced me to some of my favorite movies, especially when I got into acting and I was kind of… like, I wanted some inspiration, acting-wise. But not my actual favorite movie.”

“Which is?” He segues into a more personal topic. “Is it still Bambi?”

“Oh, it was, for the longest time!” You almost squeal with excitement. “Not anymore, though. It’s been dethroned, ha ha. I think it’s… I’d say it’s maybe Casablanca now.”

“How American.”

“Shut up.” Your face warms. “It’s so romantic. When he says—when he goes, um. We’ll always have Paris. And then, God—when Ilsa goes, I said I would never leave you—and Rick goes, And you never will… isn’t it so classic? Romance movies nowadays are—I, I, I… I get scripts sent to me that are just so bad, and they’re either too idealistic or too pessimistic, or too indie or too commercial, and.” You sigh. “It’s like nobody gets love right anymore.”

“Us Weekly disagrees,” he says weakly, after a period of silence.

“Stop,” you laugh warningly. “And don’t act like you’re not being paired up with different girls, too.”

For a minute you sit with the realization that you’ve both been keeping tabs on each other all these years, even just a little bit. It’s a bit jarring, it’s a bit warm, it’s a lot confusing. You make a move to ask for the bill but Charles is quicker, opens his mouth to implore your presence.

“Come see me tonight.” He says it like he didn’t mean to, like it escaped him on a whim, a blurted out confession born out of your memories and conversation. His voice is dreamy, faraway. “Earth to…?”

“Wh—sorry. Fuck.” You clear your throat and deduce your next words. “Where?”

“I’ll text you. A club, near your hotel.”

“Yeah… yeah, sure.” You hum an affirming noise.

—

Your name is on the list, though you’re sure it doesn’t matter whether or not it was. No ID is needed, and paps catch a bouncer being dispatched to guide you through the nightclub toward the elevated area with significantly less people. It’s low-lit, smoky, vaguely blue and purple, smelling of flows of alcohol and fresh ice. An Azealia Banks song is playing, pounding through your head.

Tabloids don’t care about nightclubs. They care if you come out drunk or with a smidge of snow under your nose, neither of which have happened to you; entering is fair game, a fun affair, especially in a district like Monte-Carlo. You don’t have any explaining to do, not even to questions like are you clubbing with your professional Vogue collaborator, Charles Leclerc?

The collaborator in question is the first to greet you, getting up and approaching you with a smile so obviously tense. The picture in front of him is like if he’d conjured up a forlorn fantasy of his to life—your hair fell loosely over black lace, a hand pinched around the hem of your dress. “Hey.”

“Hi.”

“So.” He realizes he’s in charge of the socializing, and turns to properly introduce you. “Um, guys, this is my—friend—you already know”—he fusses over your name, which everyone in the world knows, anyway—“and these are my friends. Pierre, Alex, George, Lando, Daniel… you know Joris.” He points to each guy's face as he goes, eliciting a beam every time he gestures.

You wave with a polite smile before you station yourself beside the only one you know: Joris, with whom Charles shares a longtime friendship. He greets you first, with a side hug. “Long time.”

“Yeah, it’s been.” You watch him turn toward the low table, and back around with two shots, offering them to you with haste.

You thank the Lord that he makes quick, dextrous work of it, and before long you’ve downed a glass or three of some strawberry four seasons thing, socializing with the different people around the table. One of them, Lando, talks about your latest film for five whole minutes (“I rated it five stars on Letterboxd. I left a review, if you wanna see”) before he leans close and asks: “Are you his girlfriend?” His is obviously referencing Charles, and you pull back from the proximity to shake your head.

“No,” you holler to emphasize it. “We used to know each other. I grew up here.”

“Oh shit! Native!” He whoops, offering you another glass. This must be your fifth, maybe, fifth G&T or Cosmo or something or other of the night. You take it, drinking as you walk, planning to collect your bag to take with you to the bathroom—another hand takes yours, though, dragging you down the steps. Halfway through, you realize it’s Charles.

“How’s the drink?” He asks, brows straight.

“That’s all you wanted to ask?” You raise your voice above the bass. “Someone needs to teach you fucking… proper small talk.” A laugh involuntarily bubbles past your lips, eyes crinkling.

He laughs, too, despite himself. “Non, I was—I was just asking. We should—I brought you over here to—so we could…” He realizes he’s been talking too fast without getting to the point and pauses, resetting himself with a pinched sigh. “Dance.”

Your heart pulses. Dance? You hear yourself ask. For wh…Why?

“For the sake of the truce.” His voice is light. “We should try being closer.”

“We were close once,” you say, loose. “Did you forget?”

He’s looking right at you, and you’re warm all over. “How could I?”

It feels too real. Not the words—yes the words—but the alcohol, the alcohol is what you’re referring to, and all those shots and drinks suddenly seem not as harmless as they’d seemed earlier. You scan the periphery for the WC sign and try your best not to look deranged on your way there, offering the same pretty smile to recognizing passersby. Behind you, Charles calls out; but you wave him off, heaving dryly.

The restroom is clean because the nightclub is outrageously expensive; you push yourself into the available stall that’s in your direct path and crumple above it. You heave. Heave some more. Nothing comes. The nausea rises and recedes, so you decide to wait it out.

The bathroom door hauls open, bringing with it a few seconds of noise before it swings heavily onto the frame again, sealing the sterile silence. The momentary return of the bass from the dance floor sends your head spinning all over again and you freeze, willing yourself not to wind up hurling your guts into the toilet. It’s a futile effort, though, because you’re feeling nauseated beyond your limit again, and you need water and maybe a salve or something.

“This stall is open,” somebody says, a chipper American voice that grows in volume as it nears you. A gasp follows, and then: “Oh, my God. Are you okay?”

You turn, your face flushed and lips parted. “I’m so sorry. I just—I’ve been nauseous all night.”

“I have water,” she answers, reaching her arm outward, as if seeking it. “Carmen, the water!” A bottle of Evian is thrust into her hand by another girl (Carmen, you presume), and she doesn’t hesitate to bend next to you to feed it into your mouth. She stares for a second, then goes: “On the off chance I’m lucky, and you’re the famous actress, by the way, I just want to say I’m a huge fan of your work.”

Eyes wide, you lock eyes with her and pull away from the water. “Oh, God. Yeah, that’s me. I’m so sorry—this is so humiliating.”

“It’s not—it’s normal,” she assures, nodding. “We’ve all… y’know, puked into a club toilet before.” From the stall doorframe, Carmen nods. “What’d you drink?”

“Fruity stuff,” you recall, eyebrows knitting at the memory. “And shots.”

They both grimace at the same time, knowing the exact feeling, the exact taste, it seems. “Are you heartbroken or something?” Carmen asks; Lily shoots her a look that can only really mean don’t ask the world-famous actress if she’s heartbroken. But you laugh it off, shaking your head.

“No. There’s a guy, though, and he’s… we’re… it’s a lot. I think I thought alcohol would absorb all of it, but… clearly, it did not.” Your lips simmer into a straight line and you’re quiet for a few moments before remembering you’re on a dingy club floor being supported by two nice girls who are strangers. “Anyway! Sorry. I’m clearly, um, delirious.” You get up on semi-wobbly feet, swallowing the nausea as you go.

You walk to the sink, and behind your back, the girl and Carmen share a telepathic exchange (should we ask her to elaborate? Yes! Should we really? Fuck, no.) You rinse your mouth out, washing your hands and focusing on your reflection—your tired eyes, your smudged lip gloss, your fussed-up hair. You turn after rinsing, offering a small smile. “Thank you.”

“It’s nothing,” says the first girl, offering her hand and a tube of lip gloss. “I’m Lily, by the way. And just so you know—I’m so sure that guy has nothing on you.” Carmen, beside her, nods in solidarity, and your heart blooms.

Your smile grows as your hand shakes hers, accepting the lip gloss. “You’re too kind. Thank y—”

“Lil? Baby, are you puking?” Comes a disembodied male voice from the door, ajar ever so slightly. Lily visibly cringes and walks over to the door, pulling it open further. On the other side—the detective of sorts—happens to be Alex, who you’d been introduced to a few hours ago. At the sight of you, his eyes widen with recognition.

“We’re fine. Leave us alone,” replies Lily in a conspiratorial whisper. “Carmen and I have a new friend.” She doesn’t even need to drop your name; your face alone is enough to make people recognize who you are.

Alex, however, refuses to admit defeat. “Try harder next time.” He pumps his eyebrows. “We were introduced earlier.” He looks up and waves to demonstrate his truth; when you smile back, Lily’s jaw drops as she turns to her boyfriend again, aghast.

“What the hell? How?” A pause. “No offense. It’s like. Two levels of fame, right there.”

He makes a pinched face. “She’s Charles’… friend? I don’t—coworker? Something, something. They were both vague about it. Actually, George and I were talking about it, and we both think something is up. With them.”

“Wait—you might be right.” Her eyes are hyperfocused, and her voice drops to a whisper for a second. “Let’s talk about it at the hotel.”

You and Carmen watch their hushed exchange, and eventually Alex leaves you three alone again with a loud goodbye, which allows Lily to rejoin your conversation. “Sorry,” she says with a smile. “That was my boyfriend, Alex. I didn’t know you two were introduced! He told me you knew Charles?”

“Oh.” Your shoulders relax. “Yeah, um. We knew each other as kids, but I moved away and we kind of—we drifted apart, so. I’m here on a business trip, and he’s just welcoming me.” You try to reduce the decade-long mess into a sentence.

“So you’re friends?”

“Yeah.” You feel like vomiting all over again.

—

The sky’s a searing blue at noon, silver clouds lining the horizon. Charles has to press a finger to the high point of his cheek to test if he’s sunburned from the heat, and the cameras catch it; he doesn’t doubt the fans will spin that into something cute later. You’re somewhere else on the property, this big, massive thing of a museum that’s crashed into by the waves.

He remembers Andrea first telling him about this whole arrangement. He and the team had deliberately left out any mention of you, like they could predict the immediate veto. He wonders if you knew, or if you, too, had been surprised when seeing him, a ghost of your past looking into your eyes. He wonders if you, too, are now in this endless emotional turmoil. Inside there’s a photoshoot ongoing, with you but also with some models in varying aquatic-related poses to convey the intent of the building; he’s done his share of pictures already, just needs to sit down with you for an interview.

“And a B-roll of you guys, um, like, walking, like—around?” Greg’s voice invades his head again, the nervous man beside him running through a to-do list like this is boot camp.

You’d left him hanging at the club—he couldn’t blame you though. A truce hardly called for the bringing forth of memories you two are now supposed to have buried beneath you. Memories he buried first. But alcohol had loosened him, and maybe you had, too, your eyes in the vaguely bluish light and your smile.

He wishes to apologize. He makes up some excuse and finds you nursing an Evian by a faraway corner, against a screen of stingrays. Your eyes widen when you see him, in recognition. He waves and then, with a thumb, gestures to the catering outside.

You end up by the water eating one of the caterer’s churros, a recommendation he deems “very special.” (“Have you worked with these caterers before?” “No.”) It’s also his excuse to cheat on his diet and eat a churro or three—chocolate dip included, always. You rave over the taste, smile, enjoy the view. Charles realizes this looks deceivingly like a date, and at the same time realizes he would not stop to correct someone if they assumed so.

“Our truce seems to be working.” You say in-between chews, voice flat but eyes bright.

“It seems so. I owe that to my personality.”

You really laugh at that. “I didn’t know you had one. It’s very fit for someone as unapproachable as I am.”

“Who said that?”

“No, noth—nobody.” You comb a lock of hair behind your ear. “Aw, putain. I’m ruining my lipstick. Pat’s going to kill me. I look awful.” There are no reflective surfaces around you to affirm your statement, but you sound so sure of yourself.

He smiles. He enjoys the illusion, the mask that you two seem to wear, albeit involuntarily. The chocolate syrup he squeezes on your little paper box of churros. The muttered back merci when he’s finished. Your flushed face, eyes darting from the delicacy to the ocean, eyelashes fluttering, lips smiling, curving into a laugh at some random realization. Briefly he imagines what he might tell somebody if they stopped to ask if you were dating.

Some old woman, French accent and short in stature. You two are so cute. Si mignon! And she would ask how you two met. Charles would tell her the story. But that is imagination. He blinks out of it and focuses on the beauty in front of him, so very real.

“No. You are very pretty, you know.” He says then, and it’s taken him all his nerves and then some just to wrangle it out of his mouth and past his lips. Anticipatory, he watches you, waits for your response.

You comb the hair out of your face messily, licking over the cinnamon sugar on your lips; then you smile up at him, turning your head in question. “Sorry,” you laugh, and his heart’s frozen because it’s the prettiest sound he’s ever heard. “What did you say?”

The wind roars in his ears, so Charles barely hears himself when he says, stuttering, “What? Nothing, I said nothing.”

You make a face—confused, suspicious—but all your allegations quell once you bite into another churro, stepping yourself a path along the area. Having blocked off the building, production staff and models are all that populate your surroundings, big headphones and even bigger cameras, rolling around racks of monochrome and Hermés, Birkins to match Loro Pianas. It’s easy to get lost in a crowd—in a city—where everyone looks the same, and knows the other’s name. Perhaps that’s also why, even at fourteen, you were excited to leave, he thinks.

“The coast was always my favorite part about the city.”

He notices. The way your eyes have softened, become more fond than when you’re in the centre of it all, in the bustle. Here it’s busy, but less busy; the distinction, perhaps, matters. Your gaze is not one of distaste, of disdain. It’s nostalgic, homesick, yearning. He supposes he describes this gaze so well because it’s the way he catches himself looking at you over the week.

“I wanted to…” He trails off. “I wanted to talk to you because, ah. I’m sorry. It was foolish of me to put you on the spot last night. I should’ve been more… yeah. I’m sorry. I hope you’re okay.”

You stare at the sea and nod quietly. Instead of responding, you launch a story: “I always…” You’re clearly lost in a different sphere of thought, and you have to fall quiet while finding the right words to say. “I remember, um. In Year 3, we—I came here with my mum. And I was super mad, because I got, like, three mistakes on my Maths paper?” You laugh and he does, too, but more because your storytelling is so effortlessly enthralling and funny and he needs to shut himself up.

“Anyway.” You pace around again, and he follows. “So, I’m mad, and she’s trying to cheer me up, buys me glace and everything, but no. So I go sit myself on a random bench. It must’ve been around here, I think.” You look around and point at an empty area. “There. But it’s—they must’ve ripped it out. Whatever. So yeah, I’m sitting there, and moping, and all of a sudden All You Need is Love by The Beatles comes blaring into the entire area.”

Charles’ eyebrows knit confusedly. “What, the bench area?”

“No—the whole pier, I guess? Like, it was loud, I almost jumped. And then this guy comes in holding this huge—this, um, board? Sign? Poster? And he’s got half the pier in on his whole thing, and I’m totally… it was just… yeah.” You smile. It’s the biggest smile he’s seen on you since you got here and the fact that he’s even around to see it gets him all warm.

“So what happened?”

“It was a flash mob. You know those—yeah, they’re usually insufferable, but that one was a little calmer. Nobody was, you know, dancing and yelling. It was just a bunch of people cheering and all, and the guy was actually proposing to his girlfriend. It was so cute.” You sigh a little, a brief exhale of air, and it turns into a smile. “I’d love that.”

He raises his eyebrows and, despite himself, laughs. “Vraiment?”

You turn to him, ready to defend yourself, mid-laugh. “Heeey. Everyone says they find big, romantic gestures cheesy, but I think deep down, if you trust the person enough, you’ll like it. Maybe not a proposal, though—can you imagine the pressure?” You pause. “But I don’t know. There’s something so nice about just knowing that person loves you so much they think it’s worth it to share it to everyone around you. So even if it’s cheesy, I wouldn’t mind much. You?”

“It’s cheesy for me,” he disagrees, shrugging. “But I see your point.” Truth be told, he didn’t see you as a romantic type—but all he’s ever seen you do lately is work, and even back in childhood, all you ever did was study. He likes learning these little facts, ones you wouldn’t share in interviews—likes knowing you feel comfortable enough to share with him. “Dancing is a bit overboard.”

“Oh, definitely.” You throw your head back to laugh, eyes half-shut and crinkled and reflecting the sun. Would you look the same if he was dancing to The Beatles, proclaiming all the words he hasn’t had the courage to say?

—

Next question is who your first love was—we’re rolling in three…

“First love?” You laughed a little, facing the camera to continue your Screen Test interview with W. The questions had been candid and lovely, but they were about your career, which you answered with familiar ease. First love is different—uncharted, private territory. But you’d realized all this too late, and the director called go, and you let words spill out of you like a bag popped open.

“I want to be funny and witty and say acting, but that would be a lie. Um, my first love was a childhood friend. We lived near each other, our parents were friends, and I… I really did, I liked him a lot. But these—there were so many factors at tension with each other, like me moving away in 2013—that’s, what, six years ago now? And us being young and not really knowing how to communicate. When you’re a teenager, you’re kind of just like, oh, no worries, um, that’ll sort itself out, and then you grow up and look back and realize, these things never do. But I miss him a, a, a… a lot, and I think of him always.” Your smile didn’t reach your eyes when you looked at the camera again. “We learn a lot from childhood loves.”

Cut. Lovely. Just lovely.

“Thank you, Lynn,” you said with a small smile. A pause as silence creeps up onto the room, and then, quieter: “Could we omit that? I—sorry. I could answer anything else. First kiss, or something? I’m sorry, I just. Sorry.” For the first time in five years, you realize, you’ve conjured his memory again.

—

“Okay. What else do you remember?”

“I… do you remember the recital song?”

“Of course I do! The dance is… that’s a different story.” You’d been at Charles’ hotel room earlier to go over some video shoot regulations for a 24 Hours With video you’re doing in a few days. You stayed because—that’s beyond you at this point, and you’d rather not delve into the rationality of it all. You’re content with thinking about how nice this conversation is, a trip down memory lane.

“The dance, mon dieu, the dance.” He smothers a hand over his face, smiles fondly. “You were at the center!”

“Stop. Stop,” you protest, letting laughter settle into quiet. “It’s crazy, you know? How we… like, we share a life. Not—but like, we had a whole childhood together.”

“And nobody knows.” It’s not something you keep a secret on purpose—it’s just that neither of you feel like name-dropping the other. Some stories have surfaced, but none of you have fully commented. Somehow, that’s a good thing for you.

“Do people ask?”

“People ask, yes.” His accent is a reminder of your past—you’d once had the same thick wraparound, the loose reign over English you’ve now grown to master. Now your accent is a lot thinner, to the point where it’s barely perceptible, and if it is, your coworkers and fans call it cute, chic, use it as a jumping off point to ask where you grew up. But in this hotel room, legs folded underneath you and glass of wine in hand, you have no coworkers or fans, it feels like; no one to perceive you but Charles. Charles and his accent, nostalgic and so very his, which you wouldn’t describe as anything but home.

“What do you tell them, then?” Quickly, you add: “The truth, or…?”

“That we knew each other as kids,” he says, smiling absently. “That is the truth, no?”

You cover a smile with the rim of your wine glass, nodding. There’s no revisionist history in that statement, but it hides a lot of the truth, the nitty gritty of it. You know it, he knows it, you both know it. “What would you want me to say?” His voice is soft and thin and imploring, so different from the boisterous voice he uses in public, from the slurred voice you heard in the club. This sounds real. This sounds like a conversation you would’ve had years ago in your childhood bedroom before everything went—

“Nothing, that’s fine.” You cut your own reverie off, clearing your throat. You even laugh, to alleviate the tension, but he sees right through you so many years later. “Unless you’re privy to telling people how we didn’t talk for months before I left.”

He blinks, smothers a palm over his face again, and sighs, eyes meeting yours. “I’m sorry. I don’t—I… I’ve wanted to bring it up.”

“I’m not mad.” It’s a half-lie. “Okay, no—I am, a bit. It just—it would’ve been nice to hear it two weeks ago.”

“I know.” He doesn’t even need to say it, but him saying it sends a low thrum of reassurance in you. Charles has found, in the two weeks of being in your company, that he accomplishes a sense of self—a sense of quiet, a sense of privacy—when he’s alone with you. Perhaps it’s your natural ability to bring out the best in people, to talk and loosen tongues and make everyone around you feel safe. Or, and this is on a likely front, maybe he misses being one of those people.

He pretends he’s back to last week after another club rendezvous left you tipsier than the first time, dropping you off at your hotel room with two hands taut at your shoulders, one pinching a keycard. You’d been muttering something under your breath, stumbling as you went—you weren’t tripping too much, really; he didn’t need to hold you, but he told himself he had to—and leaning against the doorframe of your room, staring at him blankly. When he met your eyes, you said: maybe, just maybe. Just those three words. If he tries to remember right, you’d been smiling, but he was sufficiently tipsy, too, so he could just as well be wrong.

He does remember a few things right. The eyeliner smudged across your lower eye, lipstick smacked to a point where it looked like you wore none, beads of salt by your lip, your hand wrapped around your necklace.

The silence is anything but awkward; still, he resolves to break it. “When you were drunk last week.” He looks up. “You said—you kept saying, maybe, just maybe.”

A laugh escapes you, stilted and a bit nervous. “Oh. That was—yeah, okay.”

“What’s it mean?”

“You seriously don’t remember?” You’re laughing for real now, your hair bobbing with it, eyebrows furrowed to emphasize your confusion. “Oh, my God. Charles, it’s all you ever said in Year… what, 7? I don’t… anyway. But when we were maybe twelve, I…”

Momentarily, you’re stunned by the memories of him—you’d forgotten they were even there. You press a few fingers to your lips and clear your throat. “Sorry. Yeah, I, um—I think you heard it in a movie or read it somewhere, and for ages it was your favorite saying. Maybe, just maybe.”

“I don’t underst—”

“—You were always just saying it,” you cut in, laughing, your voices layering as you discuss the origin of his former favorite term. “No, you really—”

“I don’t—I do not ever remember say—”

“—Well,” you say, “I remember.” He stays silent for a few seconds, the intensity of your stare and the little smile on your face and everything beating down on him. For a split second he thinks of opening his mouth and getting on his knees and telling you everything, all the apologies, all the things unsaid in the months and years you became strangers. He seriously does. The pressure is almost physical, beyond overwhelming.

“I have to go.” You swallow the lump in your throat, disentangle your legs and clamber off the couch, setting the empty glass on his coffee table. “Good?”

“Yeah,” he says, blinking. “Yeah. Take care. Should I drive you?”

“God, no.” You laugh breathily. “I’ll see you tomorrow.”

He closes the door after you leave, stares at it, as if that will conjure you back to him. It occurs to him, jolts him almost, that he’d almost let slip a quiet utterance of love you as you slipped out. His stomach boils. With thankfulness over not having said it, he wonders—or with regret?

—

“Best friends now, are you?” Lily, Carmen, and Rachel look up to the sound of your voice, their serious faces breaking out into smiles. If you could chart the time you spent here, there are definitely people you’ve spent the most time with—these three are at the top of the list. You hang your coat and drop your Chanel bag on the entryway seat, already picking up on the British noises of Love Island UK from the telly.

“Wait, so she’s hooking up with him?” Lily asks, confused; her train of thought is cut off by your flopping onto the bed. “Hiiii. Where’ve you been?”

Muffled by the bedspread: Charles’ place.

Silence. The television switches off and you hear the precarious preparation of three girls readying themselves for a debrief-or-sobfest of a lifetime, a noise you’ve heard and partaken in countless times over your life. You suddenly feel too watched, too spectated; you break the quiet by looking up, displaying your tear-streaked face.

“Talk to us,” Rachel encourages, her voice raspy with unuse (Love Island will keep one occupied and quiet for hours on end). Three of them are touching you in some way or other, reassuring grips on your hair or shoulders. “Did you two fight?”

And, oh Christ, fight? It’s not like you’re dating. You aren’t even halfway to that (not that you want to be, but that’s a discussion for another time). The idea of a fight with him is so terribly juvenile, so horribly reminiscent of secondary school and Monaco and being together and being friends. You can’t fight with a guy who’s not your boyfriend. You can’t fight with a guy you’re not close to, for Chrissake. You squeeze your tears out of your eyes and breathe hiccups out.

“Do you want gelato?” No, no.

“Love Island?” In a minute.

The truth is, you want both, but you really just want to sort everything out with Charles. It was no use—hating each other was futile, but pretending everything was fine in some pathetic attempt at a “truce” seemed even worse. You just want to talk everything out, even if it excavates feelings you’d once been able to suppress.

“What kind of crush doesn’t disappear after ten years?” You ask through tears. It’s almost funny, but the question comes straight from the heart. “I’ve dated guys, lived across the world, started a whole new life pretending he never—pretending we were—fuck. Pretending he didn’t exist. It was—I’m not lying, it was easy, pretending. But one glimpse—I see him one time and suddenly it feels like all of it was in vain. It’s the same crush I had before, coming back, like it’s never going to leave me alone.”

“Maybe it’s not a crush,” says Lily, slowly.

“So what is it then?” You ask, hopelessly. What is this—this revival of memories? This little feeling, this sense that no matter where he is or what he’s doing, you’ll be just as in tune when you reunite even if it takes a decade? A decade spurred by months of being given the cold shoulder? What kind of magic is that?

She doesn’t answer, because you already know.

—

“Hey Vogue—I’m here with Charles Leclerc, and we’re here to take you along with us on all our little adventures here in Monaco.” Your smile is rehearsed, the perfectly-orchestrated blend of fun and serious, and when the cameraman calls cut, it falls into a more natural resting face. It’s the one Charles turns to and observes for any signs of a grudge.

The day is busy, which is precisely why it was chosen as the film day: three shows in the morning, press junkets for your movie and Charles’ season in the afternoon, and then a gala in the evening, hosted and attended by Anna Wintour herself.

The day’s business is only trumped by its tension, which reaches its crescendo in the janitor’s closet of the fourth floor of your hotel. It’d begun with a fight over the color palette, then a fight over last conversation you shared, then a fight over him fucking up the color palette, and then kissing against the door. Ironically enough, this floor houses a fair number of honeymoon suites.

It’s ironic beause hardly anything about this is or should be romantic—it’s a temporary fix, a pause from the turmoil, his hand squeezing your thigh. He’s gentle but you feel his possessiveness, lingering longer, higher and higher up until he’s playing with the high hem of your skirt. You knot your fingers in his hair, smell the shampoo and hairspray and cologne in the wispy curls there.

He kisses your jaw, then downward, until he’s licking, nipping at your throat. Charles.

“Yeah?” His voice is rough against your pulse point.

“Make it—we gotta—quicker.” Your hands tremble, heart hammering loud and bold in your chest. His voice is sure, gravelly, quiet, and you have to focus on something—so you centre on his hands, up your thighs and slipping under the lace of your skirt, bunching the fabric up around your hips. His hands, big and calloused, fingers resting on your hipbones, on your ass.

He’s hard against your thigh, straining against his jeans. You could cry. “I want more.”

“I know, baby. I know.” The pet name, so new but so natural, sends you into a dopamine rush.

You squirm when he doesn’t let up on his touches, over every inch of your body, groping you. He wants to take his time—he hates that he can’t—and counts on the possibility of a next time. You pull him in for a spit-slick kiss, needy and whimpering, sloppy and tongues knotted. It feels good—fuck, it feels like this was all you were ever made for, his touch.

You buck your hips into the air desperately. “We really—fuck. We don’t have time.” Cameras, a shoot, a video; reminders ring in your head like alarm bells. He nods, goes I know, and you pick up the strain in his voice as he tugs his jeans down just enough to rub his clothed cock under your entrance, hard and drooling through the fabric.

You moan softly. “Please, I can take it,” you breathe. You’ve never been this wet, this worked up, this teased. You need to feel him, be full of him; he presses you flush against the door with a hand at the small of your back to keep it from aching too much, and drops forward as he pushes into you. Your noses brush and he goes deeper, air thick and muffled with little moans and whimpers.

His mouth is against your jaw, thrusting slowly to get you used to the size of him. The angle gets you dizzy, draws a burst of wetness out and gets you clenching around him. You’re flushed and sweaty, moaning. Feels s’good. So good, Charles, so, so good. He fucks harder, the door rattling, dirty talk cooed from his lips to your ear: Yeah? Feels real good? You’re so good for me, baby, come on.

Your needy voice, needier movements, are driving him crazy, getting him to fuck you harder, licking over his lips as he watches you fall apart on his dick. Relax, he slurs. You squeeze around him and moan, wretched and raw. Oh fuck, fuck, fuck. You’re so big. You’re getting his dick wetter and wetter with every thrust, shiny and drooling with cum.

Yeah? He says it so well, the best kind of reassurance. Come on, we don’t have time, baby. Let me feel you cum.

I know— you whine. I’m cumming—it feels too good—

You cum first, thighs shaky around him and lip curling into your teeth. You lean forward, mouth to his shoulder, and bite at the cotton. Fuck, he grunts, and releases then, a groan spilled into your hair. You watch, laughing breathlessly, and feel the world click into something different.

You two will do anything, apparently, but talk this all through.

—

The gala is big and extravagant and you’re seated not with Charles this time, but with a roster of celebrities straight out of an LAX red-eye. Anna is at the table adjacent, andy you were able to talk to her about the experience, though not without leaving out bits with Charles in them.

You’re beside Florence and she’s talking about something, about a new movie she’s working on, and you chip in with jokes and laughs but your smile doesn’t really reach your eyes. You’re still caught in a web of fragile confusion. “I need to excuse myself for a moment,” you say after a while, after you’ve done nothing but smile and push broccoli puree around on your plate.

Consolation comes with isolation, at least tonight, at least right now. You find an empty balcony on the third floor, stare into the black sea. You try and try to remember what life was like three weeks ago, but it’s irrevocable now, the change that’s come since then. You tap the glass of your beer bottle against the marble banister, solid and probably expensive—a match for the rest of the hotel, you realize. It’s starkingly clean and smooth, and white, the kind of things you’d only say about a marble banister when you’re trying to avoid an adult introspection.

Behind you: “Are you okay?”

In response, you say, “We shouldn’t have had sex.”

Charles settles himself into a spot near you, not totally beside but not too far—he, too, holds onto a bottle of beer. There are fancier drinks around, but somehow the dry taste of ale is all that brings you comfort right now. Your gears turn and, without prompt or question, you spill yourself forth.

“It was hard, when you didn’t… when we didn’t talk, and you didn’t ever tell me why, so I didn’t know anything. I keep remembering it, even now, what—ten years later, ha ha, even after… I don’t know, after the fact. We’re supposed to have moved on from shit that happened to us when we were fifteen but I’m finding it to be the hardest thing in the world. It was so… like, I had no trouble saying goodbye to anything else but you. And I’m famous now, my life is a whole thing, a—this whole party, and I’m supposed to… fuck.” You shut your eyes, and you can feel, through the thick fog of embarrassment and delirium, the tears that stain your cheeks. “It’s like. You know when you’re a teenager and you see all of it in movies and TV, this, like, moment where you’re staring at someone from across a room, and you’re smiling and talking to other people and you’re happy because you know in a few hours, you’ll be with that person anyway? At home, rearranging furniture, feeding the dog, eating leftovers? That… I always thought you’d be that person for me. Maybe because you were the only—you know—the only love I ever knew, and now, what. Four? Boyfriends and ten years later, you might expect me to feel differently—hell I expect myself to feel differently, but, unfortunately for you and me, I don’t. Sorry. I’m not—I’m not drunk, or anything.”

He stares at you, his expression soft and unreadable. It feels like it’s just the two of you in the world today, twenty-somethings, ten years later, unearthing all you left buried. “I…” he says, before pausing. “I’m sorry for leaving.”

You nod in response.

“I always thought you would forgive me.” His face is sullen and handsome and your heart seizes. “I wanted to be your person.”

“How could I forgive you without an apology?” Your voice comes out fragile. “I leave in three days. You’ve fu—you’ve… you’ve kissed me, had sex with me, flirted with me. You’ve done everything but that.”

“I did apologize. I don’t think it was enough, but—”

“But you didn’t,” you reply, a jagged response. “You never said anything.”

“I wrote you.” His eyebrows knit. “I wrote you.”

“You wrote me.” You repeat, deadpan. Your head spins with it. “What, a letter?”

“An e-mail. Before your first film came out—2014? A year after you… yeah.” He’s quiet and timid and nervous. “I forced Gi to tell me your address.”

“I didn’t… I wasn’t using that e-mail anymore. I haven’t in years.” You pinch your nose and let the silence settle like fine dust onto the room, an unspoken bomb that explodes over the both of you, raining regret and unsaid words. “I have to go.” You push yourself off the banister, turning already to the doors of the balcony. He stops you before you can step any further, a hand closed over your wrist, rough and warm.

“If you find the message,” he says, “will you read it?”

“I don’t plan to,” you lie. “Goodnight.”

—

From: Charles Perceval Leclerc <[email protected]>

Date: 14 October 2014

To: You

Subject: Urgent!

hey buttercup, I asked Giada for this email address. my bday in 2 days. Will you be home for Xmas this year btw? ill show you some new places that open ed + we can bike around. mum misses u a lot too. parfois je souhaite que tu ne partes pas… not sometimes but always. i think i need to edit this a little let me try ag

From: Charles Perceval Leclerc <[email protected]>

Date: 14 October 2014

To: You

Subject: Buttercup

j’appellerais mais je ne pense pas que tu veuilles répondre. it’s been more than a year since you moved out, in two days i’ll be celebrating my second birthday w/o you. i’ve been karting a lot, things are looking up, just like we always said they would :) just want to say i miss you a lot, and i hope you’re doing good. i would say i hate radio silence but i know it’s my fault all this happened in the first place. i’m sorry i stopped talking to you last year when you were moving away. i was being childish, but the truth is it was the only way i could handle it - by pretending we werent friends at all… i don’t want to make you pity me or anything (ne pense pas que je suis) but yeah you’re my best friend and you always will be. i’m sorry for being a knot head.

i was always scared to tell you but it’s been there since forever: i love you. i should’ve enjoyed your months here instead of leaving you in the air. i know i ignored you but it’s the 1 thing i regret. should’ve done a lot more, i know.. but i didn’t. we have a lot of promises i broke because i was being selfish. i kept the paper ring to remind me. remember that? we had a “playground wedding” when we were 5/6?

tu ne me dois rien - i just want you to give me a chance to make you happy, even if it’s just in the way we’ve always been (as friends). if you write me back i’ll try and fly there. mum is always asking me if we’ve talked yet. if not, that’s ok. i love you all the same and i will love you as you reach your dreams. this will never change.

charles

p.s: est-ce que je te manque?

p.p.s: call me if you can and wish me a happy birthday?

—

“Rachel, I would sooner die than wait another two hours for the tarmac to clear again.” You try to up the firmness in your voice but it fails, only serving to make you sound less angry and more agitated. When all you get in response is a muffled I’m coming! you grumble and hang up the phone. Your plane was delayed all of three times, and the instant it arrives and is scheduled to take off on time, your friendsistant is nowhere to be found.

Lily and Carmen had thrown you a goodbye party the night prior, with sprinklers and music and cocktails, and promised to be on the next flight to L.A. Vogue and David had emailed you for a job done spectacularly, and to watch out for the videos and interviews’ release dates. Twitter is raving about your movie. Everything should be good, and yet, it’s not.

You check your inbox. IM COMJNG LILTIERALLY IM RUNNING THRU AJRPPRT!!!!!! You scoff again, hoping the plane doesn’t somehow take off for the fourth time, and take a seat on the VIP waiting area sofa again, shaking your now-empty chai latte. The room, sectioned off from economy and business, is fairly full.

A woman paces over to you, a bright grin on her face. “Hi. I’m a huge fan.”

“Thank you,” you smile, despite your tiredness.

“This is so embarrassing—but do you happen to have the time?”

“Sure”—you tap your phone open—“half past four.”

“Great,” she says. “Thanks, Buttercup.”

You’re opening your mouth to say you’re welcome, but it catches like cotton in your throat. You watch her depart like nothing happened, a strange feeling settling in your chest. You have barely any time to answer it, because a flight attendant is tapping you on the shoulder, addressing you by name, thankfully. She maintains a tone of professionalism all throughout her announcement that the aircraft under your name will have to evacuate the runway in ten minutes or less.

“I know, I know—I’m just, um. I’m waiting for somebody. She should be near now, though.”

“Tremendous. Merci, Buttercup.”

“Wh—” You stutter, blinking and watching her leave. “What?”

She doesn’t turn, walking to the kiosk to exchange information with her coworkers. You look around the airport, for a camera hidden somewhere maybe. Perhaps you’ve been unknowingly listed in some Impractical Jokers skit.

Rach hurry you text instead, leaning back and hoping you’re in some grandiose delusion. Your phone dings. Omw promise! It reads. Then: Look up buttercup

Your head snaps upward faster than you can register what you’ve just read, matching the opening notes of a song you’ve grown all too familiar with in your lifetime. The opening beat to Build Me Up, Buttercup flows like honey through the room’s intercom and floods it with life.

Mouth agape, you watch as the staff and guests perform the routine you’d learned at fourteen, complete with hops and turns you were too embarrassed to do even then. They’re smiling and whooping themselves and each other as they go, finishing the entire first verse before turning collectively to the entrance of the room. There, in all his glory: Charles, wearing an entirely too-small headdress that reads Buttercup, worn dusty from years of being stored away.

He’s dancing, too, closer to you. You refuse to budge for the express purpose that he dance some more, which he complies with, though not without an eyeroll and an exasperated sigh. Your heart beats with something irregular and warm. You’d told him about this before. He’d listened.

The music settles for a little and the dancers do, too, so he takes the time to raise his sign. Will you forgive me? It reads. No pressure. Except kind of. You laugh, throwing your head back at the gesture, at this entire affair that must have taken some amount of effort to prepare. As the lyric comes on, so does his sign: I need you… more than anyone, darling.

He drops the sign when you approach him, arms crossed over your torso. He removed the headdress and places it gingerly on yours. “I believe that belongs to you.”

And, hyperaware of all the eyes and yet the complete lack of cameras—you’re grateful for it—you finally, finally, finally pull him in for a kiss. You’ve kissed before, done your worst, but still means volumes to the both of you.

In-between kisses and cheers (from voices belonging to Lorenzo, Rachel, Lily—so many familiar ones), he says it again: “I’m sorry. I’ll make it all up to you.”

“You better,” you tease into his lips, smiling. “I know. I love you.” Ten years later—your person still is, and no doubt will always be, Charles Leclerc.

#f1 #charles leclerc #charles leclerc fluff #charles leclerc imagines #charles leclerc drabble #charles leclerc x reader #charles leclerc smut #f1 x reader

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itwasntimethatdidit40 · 1 month

Text

Be still, my foolish heart.

Pairing/Au: Soft single dad!Joel Miller x Curvy f!reader, no outbreak

Words count: 8816 (I know, I’m sorry 💀)

Rating: +18, MDNI, NSFW

Summary: A meet cute at the clinic where you work leads to finding the best date you could ask for… our one and only Joel Miller.

Warnings: pov second person, no use of y/n, meet cute, a little bit of a slow burn, reader is curvy, has breasts and vagina and wears a dress, apart from that no other specific description is given, age gap (reader is 35, Joel is 46), Joel is a single dad and he is soft (what can I say, I’m a sucker for a soft Joel okay), reader doesn’t trust Joel immediately and she thinks he might be dangerous (he’s not, he’s cutest), Sarah is alive and well and she’s mentioned multiple times, mention of Tommy, Joel is a contractor, unprotected p in v (wrap it up IRL, folks!), pussy pronouns, mention of use of oral contraceptives (reader is on the pill), fingering (f receiving), oral (m and f receiving), dirty talks, elderly people being fragile and sick, slight mention of Joel’s prescriptions including antidepressant (game Joel took it so I put it in there), I know that prescribing medicine doesn't exactly work like that in America (not even in Italy for that matter) but allow me a poetic license (😂), reader has insecurities about her body, mention of bullying and previous toxic relationships that reader has been subjected to, internal reader’s voice inserts, pet names (pretty lady, good girl, honey, sunshine, baby, babe, angel), squirting (not specifically mentioned but still), Joel is feral and reader too.

I don't think I forgot anything but if I notice it I'll add it right away.

I made a mood board for the first time in my life, I know it's not great but I tried 💀 English is not my first language so please be gentle (I also have Covid at the moment… yeah, it’s 2024 and I caught it for the third time, lucky me), I hope there aren't too many mistakes, no beta so it's all my fault LOL, no proofreading. Title is an Hozier quote. Of course, because I love this man.

Oh sh*t, here’s what I was forgetting: the mirror scene is inspired by Polin (yep, it was a great scene ❤️) but I think I personalized and changed it enough to make it just Joel and reader's, at least I hope.

(Reader works in a clinic because I do this job so yes, she has this thing in common with me besides being curvy. Every time I write a curvy reader is so personal to me)

I might write something else about these two if you like, I really love this pairing and I hope I’m not the only one, comments and reblogs are very much appreciated! Thanks to anyone who will read this 💐

You are at your desk, absorbed in an email you are writing to a patient who is asking for prescriptions for medicines. The clinic is empty and quiet and this doesn’t happen often so you’re trying to keep up with emails and messages and phone calls that you have received in the last hour.

Suddenly the door opens and a man enters the clinic, at first you don't even look at him, you just say "Good morning" and continue typing.

He clears his throat and says “good morning” and stops in front of you, on the other side of the desk. He’s clearly waiting for you to shift your attention to him so you turn and look at him. For a moment you’re speechless. He’s a gorgeous man.

Tall and broad, dark hair slightly streaked with silver, strong aquiline nose, beard and mustache framing a pair of plump lips, perfectly designed jawline and neck.

Stunning.

You didn’t expect anyone like this ‘cause really, the doctor you work for has hundreds of elderly patients or families with children and you have never been interested in married men, you don’t even look at them but anyway, you never saw a single person that was attractive to you in this place before.

You smile politely as you ask “do you need anything?” and you want to sink into your seat because you don't even have makeup on and you're wearing the first things you found in the closet this morning. An old pair of jeans and a black top.

“Yes please, I need some prescriptions. I just changed doctor because my previous one is now retired. I always sent an email to his secretary but this is the first time I've asked for my prescriptions here so I thought I'd stop by in person especially since I was in the area. I’m working in the building next door”

Bingo.

That’s why you never saw him.

You quickly look at his hand on the desk for a ring and it’s not there.

His hands are gorgeous though, big strong working and experienced hands.

“Sure, can you tell me your name please?” you ask trying to keep your tone professional while being excited to know more about him.

“Joel Miller” he says and you find the way his tongue rolls up to pronounce the r at the end so delicious it’s almost embarrassing.

For a moment you're almost afraid he might hear your thoughts.

You turn back to the computer typing in his name and a moment later his medical records appear.

46 years old, born in late September, he lives in Austin. You look at his prescriptions and notice a reflux medication, another for high blood pressure, and an antidepressant.

Oh.

What happened to him?

“Well, Mister Miller, what do you need today?”

“You don’t have to call me Mister Miller, even if you’re younger than me I think?”

You look down in bewilderment, not expecting much familiarity from him since it’s the first time you’ve seen him but you answer anyway “Yes, actually. I’m 35”

“So you can call me Joel” he says with a smile that tugs at the corner of his mouth and hopeful eyes of someone who asks not to make him feel old.

“Of course I can” you hurry to answer “So… Joel, what do you need today?”

He gives you a grateful look and replies, “I don’t remember what it’s called but… my medicine for high blood pressure.”

“Oh yes, this one” you nod and proceed to prepare it, “just a moment, Mr Miller… uhm I meant Joel, I need to get the doctor to sign it,” you tell him as the printer gurgles, spitting out the prescription paper.

You stand up from your chair, feeling your legs a little unsteady, and once you’re in front of him his height impresses you even more. He’s imposing, you’re a curvy girl and yet you feel so tiny in front of him.

You notice that he looks you up and down and seems pleased, his eyes reflecting an approval that makes you very satisfied.

You move quickly to the doctor's office, enter apologizing and have him sign the prescription. When you leave you find him standing in front of your desk waiting, he looks at you again and you notice a certain sparkle in his eyes.

"Here you go" you say and hand him the prescription.

You feel his fingers lightly brush yours and a shiver of pleasure runs down your spine.

“Thank you,” he smiles at you, “you are very kind.”

“No problem, have a good day,” and you approach the desk to sit down again. You see him hesitate for a moment, as if he wanted to add something.

“Do you need anything else?” You ask curiously and a part of you really hopes that he will ask you for your phone number or if you want to go get a drink after work.

“Oh no, no thanks, see you next time”

His gaze drops to the floor as he says this, as if he's embarrassed, which you like because it feels like you're not the only one in the room who's been pleasantly shaken up by this encounter.

He puts his hand on the door handle and turns once more, smiling shyly.

You smile back feeling a sense of tenderness so premature that you wonder if you're losing your mind.

You go back to work but all you think about is him, you want to know more.

You enter his name again in the search bar and reopen his folder. Joel Miller. You wonder who he really is and what he does but apart from his pathologies and his date of birth you don't find much else about him. His address is there but you certainly won't use it for unorthodox purposes such as accidentally ending up in his neighborhood, you would pass for a stalker as well as a very unprofessional secretary.

Nothing stops you from noticing that he lives in a very quiet residential neighborhood though.

Will he be married? There are men who do not wear a wedding ring so it might not be safe to rely only on the fact of not having seen it.

You hesitate a bit before doing so because you already feel awkward enough for someone you've only seen once but in the end you type his address in the search bar to see if other people who live with him in the same house appear, usually families tend to have the same doctor for convenience.

You hold your breath as you stare at the white screen waiting and after a few seconds a result appears.

Sarah Miller.

“There I knew it, he’s married” you think, huffing and shrugging, but then you look better and realize that this Sarah is 14 years old. “So… he has a daughter”

No one else showed up in the results so you assume he is not married but he may have been and then got divorced. Unless his wife chose another doctor but that seems very strange to you.

You contemplate trying to Google his name but then decide it's best to wait until you get home, you can't use the work computer for personal stuff.

You sigh and go back to your work, completing your search just a second before the doctor comes out and asks you if you have any urgent messages.

Today everything is strangely quiet though, even if you wasted time looking for information on Joel you finish all the work, not without thinking about him at least once an hour. You feel silly, you shouldn’t have any kind of thought about someone you don’t know and with whom you have only exchanged a few words, the fact that he seemed interested and that he was about to ask something while he was about to leave could also be false projections that you have made in your head. And yet…once home, after taking a shower and putting on clean pajamas, you throw yourself on the sofa nibbling on a sandwich and open your laptop.

You open Google and type his name and the first result that comes up is “Miller - construction company”

It could be him, now that you think about it he mentioned he was working on the building next door which is in fact under construction.

You scroll down to the bottom of the page where the owners are listed and you see two names, Joel and Tommy Miller. You assume that Tommy is his brother. You go back to the Google page for a moment and check if there are any namesakes but no one else in the city has the same name. And just like that, you know what he does.

You don’t think you can do anything with this information, you live in a new apartment and everything is in perfect working order so you just have to wait. Before leaving he said “see you next time”, so now you find yourself wondering when the next time will be. Probably in a month, when he will need a new prescription.

Such a long time. But maybe this will help you, you tell yourself. It's just a passing thing, you tell yourself. You can't be so foolish as to project your fantasies onto him. You decide that this is okay, you'll just get over it.

_____________________

After a week you almost got Joel out of your mind. You worked quietly, met the usual old people who came to the clinic to be examined, no sign of him. You'd be lying if you didn't think about it anymore but you stopped yourself from doing something foolish like contacting him for a fake construction job to try to meet him.

You are preparing some prescriptions when the doctor comes out of the office and asks if you could please take some medicine to the home of a very elderly patient. It is something you usually do not do but the caregiver cannot leave her alone and her son is away for work all week so she had no choice but asking you to do that. It will take up extra time because you will have to go to the pharmacy and then to her house, the doctor offers to pay you overtime but you know the lady and say that it is not a problem, you can do it without compensation.

Of course you can do that for Rose.

When she was better and could move around quite independently you often talked when she came to the clinic, she immediately took a liking to you and treated you like a niece, she would bring you gifts, vegetables from her garden, other times sweets cooked by her.

She is a dear lady, you are happy to be able to do her a favor.

At 5:00 you leave the office and head to the pharmacy, pick up her prescriptions, and get back in the car to drive to her neighborhood.

Rose lives in a nice street with many rather large houses, well-kept gardens and white picket fences.

You knock on the door and Georgia, the caregiver hired by Rose's family to assist her, opens it.

You already know her, she has accompanied Rose to the clinic many times but lately her health has worsened a lot and she can no longer leave the house.

“Hi, Georgia! I I brought Rose’s medicines”

“Hey! How long has it been since we saw each other? Come in!” She says with a big smile.

Georgia is a very sweet person and a great professional, she has taken great care of Rose all these years. She is a qualified nurse and the granddaughter of a long time friend of Rose. Georgia had moved to Texas from Arkansas to attend college and since then she had always lived at her grandmother's house, who lived a few miles from Rose's house.

She took the job because she loved her and when her grandmother passed away Rose was very close to her.

Georgia offers you a coffee and some chocolate cookies she has prepared, which you gladly accept.

You chat a little while Rose is resting and then when it's time to wake her up to take her evening medicine you accompany Georgia to her room to say goodbye to Rose.

She is lying motionless in a bed, now forced to ask Georgia for help with everything, she is almost 85 years old now and you are so sorry to see her like this. Until a few years ago she was an energetic, witty woman, with lots of hobbies, she loved reading, gardening, cooking and going to the movies. Now she was a ghost of herself. And the worst thing was probably that her mind was still working, so she realized what was happening to her and this made her even sadder and more helpless. Her body did not respond, while her mind understood everything.

She recognizes you right away and greets you so sweetly with her now faint voice. It breaks your heart to see her like this.

She asks you for a hug and you put your arms around her little shoulders, holding her gently. She's always been good to you, she doesn't deserve this.

You leave the room, wiping away a tear, without letting Rose see you, and say goodbye to Georgia, promising to come back and visit them soon.

You stand in the driveway feeling helpless for a moment, you would like to do so much more. Some patients have become like an extended family to you, you have known them for years and seeing some of them fold in on themselves, increasingly frail and elderly is so bad.

You look up and see a black pickup truck driving down the road. There’s a man in it and he looks familiar. He pulls into the driveway two houses down and gets out. And oh, shit.

It’s Joel.

Joel Miller.

He lives in the same neighborhood as Rose and you didn’t even registered that in your mind before.

You don't know what to do, whether to get in the car and drive away pretending nothing happened or take the opportunity and go say hello to him.

It seems silly to say hello to someone you've only seen once, no matter how attractive they are. You walk to your car, rummaging through your bag for your keys.

You're about to curse because never once do you find something in your bag, it doesn't even matter what it is. Big bag? You find nothing. Small bag? You find nothing either.

Your eyes move for a moment to the asphalt and you see two boots approaching, you look up again and you see two legs wrapped in dark jeans streaked with paint and of course to those legs is attached the rest of Joel Miller's wonderful body.

Your eyes widen and you watch him stop in front of you, beautiful as a God. Even more beautiful than the first time you saw him.

“Hi! I saw you across the street and I was pretty sure it was you. I almost made a fool of myself, but hey, I was right!”

You lose your words, it's as if they've slipped out of your brain and melted at your feet.

At least you solved a dilemma, he greeted you first.

“Hi” you say shyly.

This doesn't make you any less nervous, you were trying to sneak out of this neighborhood unnoticed and you could say that he ruined everything and you don't know him well enough to know whether to be grateful or keep running away pretending to be very busy.

He has a daughter, a respectable job, a brother, lives in a nice neighborhood, and seems to lead a regular life. Is that enough to trust these days? Probably not.

This dude can be anyone, a serial killer, a criminal, a drug dealer, a thief, whatever.

How do you know he doesn't sleep with a gun on his nightstand or keep dead bodies in his basement?

Trust no one, is something you learned from a very early age and you always stood by it, safety first.

Have you been wanting to see him again for a whole week? Yes.

Did you just realize that you know nothing and that you might be risking something? This too.

“Can I ask why you’re here?” He asks, running his hand through his curls in a way that drives you instantly wild.

God, why is he so gorgeous, this doesn’t help at all.

You can always run to Rose and call the police if he suggests something strange and you’re in the middle of the street in broad daylight so you decide to take the risk and say the truth

“I came to deliver medicines to a lady who lives here” you reply, acting like he doesn’t have any kind of effect on you.

“Oh, so this is something you do? I didn’t know that”

“No, not regularly. I actually did it because it’s Rose, you know. She’s an adorable old lady”

He nods as if he knows exactly what you're talking about and actually says, "Sure, Rose. I know her. She used to babysit my daughter many years ago."

Okay, those are some great credentials. So maybe you can trust Joel Miller? Isn't he a lunatic homicidal? Maybe not.

Obviously you pretend you don’t know anything about Sarah and ask, “Oh really? You have a daughter?” raising your voice in surprise for a better result.

“Yeah I do. She's 14 years old and she's already giving me a hard time, she’s so smart and responsible that she’s basically parenting me” he shrugs while a little smile tugs at the corners of his mouth. You can see in his eyes how proud he is of her.

You giggle “well, she sounds so cool, I do love a tough girl.”

“Oh, she’s definitely your girl then”

You smile and think that after all, yes, Joel probably doesn't have any horrible skeletons in his closet.

And again he falls silent and looks uncertain and embarrassed, he lowers his eyes and then asks you, “You know, I’m going to be working in the building next to where you work for a little while longer, so I was wondering if you’d like to have a coffee with me sometime?”

It’s like every word is bouncing around in your head as you think about what to say. Would you like to get to know him better? The answer in the end is, “Yes, I would like to, thank you” you feel your face heat up as you say it.

Joel shifts his weight from one leg to the other as he looks at you, he seems nervous, excited but above all happy.

“I’m glad you accepted. So…what do you think about tomorrow?”

“Okay, I have lunch break from 12 to 2, is 1 okay for you?”

You see his face light up “sure that’s fine. See you tomorrow then”

For a moment he raises his arm as if he wants to come closer and touch you, but then he immediately lets it slide down his side.

Gentleman, you note in your head.

It is not yet the time for such confidence, but secretly you hope that it will come soon.

You say goodbye to him and get back in the car and you see him waving at you in the rearview mirror.

“God, Joel Miller, I already know you’re going to be a threat for me. In the best sense of the word.”

_________________________

In the weeks that follow, you and Joel share a lot of coffees. Every day he waits for you outside the clinic at 1:00 sharp, you go to the corner café and chat for an hour before returning to work. He tells you a lot of things about himself and his life which you adore listening about.

He also confides in you that he was in therapy and had to use antidepressants for a period of time, when Sarah's mother abandoned them. You completely understand.

And the more you talk to him the more you get convinced that he’s a great person, you don’t have any doubt about that.

He never fails to compliment you, on your clothes, on your hair, on your eyes, on your nail polish.

He laughingly admits that the compliment about the nail polish was Sarah’s suggestion. “Dad, she told me, girls like it when you notice details.”

You laugh out loud and nod. “She’s right. And you’re right, too, you have a very smart daughter.”

He shrugs “I know,” and then adds. “It’s been so long since I’ve dated anyone, I don’t even remember how to do it anymore.” You lean slightly across the table and whisper. “Well, I think you’re doing great.” And it’s true. You feel spoiled like a queen.

He gives you a mischievous smile “oh yeah?”

“Yes, definitely” And you want to kiss him right there, in that crowded café.

Yet a voice inside you still can’t understand how someone like him, who could have all the women he wants, is inviting you, a curvy girl.

You shouldn’t, but you still have those latent insecurities from when you were 15 and boys in your class made fun of you. Somewhere inside you there is still that fragile and wounded teenager who thinks it’s impossible that someone could truly love you. Or even just desire you.

And you hate it, because Joel has done nothing but show you how much he enjoys spending time with you. And his compliments have always sounded sincere, his eyes are, they send you a reassuring image, full of admiration. He seems truly interested in you.

You're still in this internal monologue where you curse yourself for being like this when he asks you, "Would you like to go out to dinner tonight?"

Oh. He did it. He took the next step.

With your heart pounding in your chest and your mouth unable to help but curl into a smile you answer “yes!” a little too loudly.

You put a hand over your mouth as he looks at you amused “well, I’m glad you’re so excited about the idea. Should I pick you up at 8?”

“Yes, that sounds perfect” you reply, quietly this time but with a little firecracker in your chest that keeps banging where your heart is.

You finish your coffee and go out and he asks for your address which he writes down on his phone. You try to say that there is no need for him to bother but he insists on picking you up.

“Do you like Italian food?”

“I love it”

“Good, see you tonight” and this time his hand wraps around your arm and squeezes lightly as he leans down to give you a kiss on the cheek.

You return to the clinic feeling like you're walking on clouds.

You come home after working as hard as you can while still feeling anxious and completely unsure of what to wear. You know you didn't do anything wrong and that's a relief because you certainly can't mess up your patients' medications.

You jump in the shower, mentally going over everything in your closet. You decide to exclude any black dress because no, simply no. It's a special day and you want to wear a color. Maybe the green dress? No, green doesn't suit you, you don't even know why you bought it. Maybe the red one? But that one is very low-cut and you've rarely felt good enough to wear it. Maybe the blue one? The blue one is low-cut, but not too low-cut, it hugs you in the right way, it doesn't highlight what you don't want. Yes, maybe it's the right choice.

You hum in the shower as you wash your hair, satisfied with your decision.

You come out feeling invincible. Joel Miller has asked you to dinner. It’s been years since anyone has asked you out. You didn’t like the ones who did, and God only knows how much you miss good sex. Someone who touches you just right. Someone who makes you sigh and whimper and feel alive in his arms.

Someone who kisses you and leaves you breathless and doesn't hesitate to make you feel simply amazing as he goes down between your thighs.

Joel seems to have all the makings and miraculously seems eager to give you exactly that.

You slip into the dress and look at yourself in the mirror. You like the image it reflects. To hell with those stupid kids who always gave you shit and made you feel horrible.

You're going out to dinner with Joel Miller tonight.

Joel fucking Miller who in the high school categorization is the equivalent of the football quarterback.

The High School Prom King.

God, that makes you feel so good.

He rings the doorbell at 8:00 sharp, just as you’ve finished putting on your favorite lipstick. You take a deep breath as you go to open the door, placing your hand on the handle, and mentally preparing yourself for what you’ll find on the other side.

Finally you open it and he’s perfect. He looks like a painting framed by your door.

You stifle a scream with all your strength and say “hello” to him in a high pitched voice.

Goddamn you.

He doesn't even seem to notice. “So, miss, are you ready?”

“Sure, thank you.”

You grab your bag from the hall table and walk out with him. He takes your hand as he walks you to his pick up truck, opens the door and helps you get in.

Once in the driver's seat he turns to you and says "you look incredible tonight"

And you're about to say that after all you could skip dinner, who cares, instead you could go to your room and fuck. But you decide to behave as well as him, this man has a daughter to take care of and it seems like he's not looking for a one night stand judging by how many coffees he's offered you and how much he's put in to get to know you, so much so that by the second time he could order for you with his eyes closed, so you just say “you too” with the biggest smile widening on your face.

And oh, it's so true. He left aside the flannel shirts and the worn jeans and with them he was already the most attractive man who had ever caught your eye.

He’s wearing dark blue jeans and a beige shirt that hugs his strong biceps. You can glimpse his soft tummy as he drives, the last button before his belt tightening in a delicious way, his meaty thighs wrapped in those jeans are mouth watering.

The work he does makes him muscular in all the right places.

The car stops in front of the restaurant and he opens the door for you again. He lets you enter the restaurant first, he addresses the waitress politely and they place you at the best table in the restaurant. You are impressed, he did all this for you.

The evening passes pleasantly, you talk a lot and chat about everything, by now there is a familiarity between you that you have built over the weeks, you feel safe and comfortable with him. Finally. After so many failed and wrong relationships you feel like you have found someone right. Joel is not ashamed of you, he doesn't try to change you, he doesn't comment on your weight, he is truly a breath of fresh air.

And you see the way he looks at you, enraptured. His eyes sparkle as he talks to you and listens to you. He listens to what you have to say and never makes inappropriate comments.

You both have a sense of humor and you like that, you manage not to take yourself too seriously and laugh together. Which is hot. Extremely hot. Every time you see that dimple on his cheek pop up, your knees buckle and your heart melts. He’s so adorable.

You also like the fact that he talks to you about Sarah, it makes you feel involved in his life, it seems like he doesn't try to keep you separate from it.

“Sarah is at a sleepover at one of her friends. So…would you like to stay over tonight?” he says it looking you straight in the eye and you already know what it means.

It’s the night.

The big night.

After all, you felt it and put on your favorite lingerie.

“Sure I want to,” you reply, taking his hand across the table and squeezing it. His hands big and strong…you can’t wait to feel them all over your body.

He insists on paying the bill despite your protests, you walk out of the restaurant and toward the truck when Joel grabs your waist and presses you against the door. He’s an inch from your lips, you can feel his warm breath on your skin.

“Can I kiss you?”

“What if I say no?” you tease him with a mischievous smile.

His body is completely on top of yours and the truth is that you can already feel your panties getting wet.

“I would quit, but it wouldn’t be easy so I hope you’ll reconsider”

You giggle “okay” and you feel his hands tighten on your hips.

He presses his lips against yours and it's a sloppy, needy kiss, urgent, all spit and tongue.

It leaves you breathless and you wonder what he will do in bed if this is the effect he has on you with just one kiss.

In fact you are touching each other really for the first time, in these weeks you have imagined many times his lips, their taste, their softness, their warmth. Now you know that he exceeds all your expectations.

He's calmer now, his lips fit perfectly between yours, he gently nibbles your lower lip and continues to lick inside your mouth.

He’s divine.

Utterly divine.

His hands run up and down your hips and he's about to lift your dress and grab your thigh when you stop him. “Joel…”

He looks at you with bated breath and eyes begging for mercy. “Yes, sweetie?”

“Not here…please, take me home” you whisper and he sighs “okay”

You don't even know how you managed to stop but you want your first time to be just for the two of you, you don't want to risk prying eyes or voices shouting obscene comments getting in the way.

You're already nervous enough that he'll see you naked for the first time.

He makes you get back in the pick up and gets into the driver's seat, while he fastens his seat belt you cast an eye at his crotch and you realize he’s semi-hard.

While he's driving, you put your hand on his thigh, because he has to know how much you want him.

You squeeze gently and hear him grunt “Babe…don’t do it, I won’t make it home.” and you giggle.

His low, raspy voice drives you crazy, and for a moment while you're stopped at the traffic light you consider sliding down your seat and straddling him but no, just no, wrecking his car on your first date wouldn't be the best way to end it.

You take a deep breath, leaving your hand quietly on his leg, but you want… oh you want so much to move it up and reach his bulge and stroke it over his pants.

When he pulls up in his driveway in the cab of his pickup truck there's an electricity between you that could power a small village, you feel it fluctuating in the air.

He quickly unbuckles his belt and leans over you to unbuckle yours, not without kissing you. “Let's go, pretty lady, I feel like I can’t wait a minute longer”

You get out and run to the door, he nervously searches for his keys in his pockets and opens it. You don't even have time to look around, it's the first time you enter his house but you only see it fleetingly because he takes your hand and immediately drag you to the bedroom.

There’s a chest of drawers in one corner and a wardrobe, both made of dark wood, probably made by him.

In the center of the room there is a large bed with a headboard of the same wood, the walls are a beautiful cerulean blue, there are three paintings hanging above the bed.

The bed has beige sheets and a light beige duvet with white stripes.

It’s a very manly cozy room, he makes you sit on the bed and you feel how comfortable it is, it's like him, warm and soft.

He starts undressing in front of you, he takes off his shirt and unbuttons his jeans without taking his eyes off you, he seems hypnotized by you.

You suddenly feel like there's an emptiness in the pit of your stomach, you wonder if you're ready to make yourself so vulnerable in front of him.

Oh fuck, where did this come from now? Why? You were so happy just a second ago.

It was easy in public places, you were able to use irony and your defense tactics.

Now there’s just the two of you and you wanted that, you insisted for that and yet you feel exposed now.

You know it's right, your insecurities right now aren't from Joel. Joel makes you feel safe.

It's you, it's just you.

Joel notices your hesitation, comes closer and caresses your face then he gently takes your chin and raises your gaze towards his

“Are you okay?”

“Yes” you reply in a small voice.

“If you don’t want to do it, that’s okay, darling.”

Your voice cracks a little as you reply “no, oh no, Joel I want it”

“So what’s wrong? Talk to me, you can trust me, you know?” He slips his hand into your hair and caresses you gently, looking you intensely in the eyes.

It's so stupid, all night you've felt hungry and lustful for him and now… you're afraid that seeing you naked he might think he made a mistake.

“I…” you try to say. You know that he at least deserves sincerity from you “I… I’m ashamed”

Joel's eyes widen and a completely confused expression appears on his face “about what?”

He really doesn't seem to understand and it makes you feel a little frustrated

“About my body, about the fact that I'm not thin, I have stretch marks and many other defects and you will see them” you say it all in one breath feeling silly.

“Oh babe…no. Listen to me carefully: you’re absolutely gorgeous. You don't have to be afraid to undress in front of me, I'm sure that whatever is under your clothes is wonderful and deserves to be worshipped. I really like you. I'm not saying this just because I want to have sex. You’re beautiful, honey”

You feel tears stinging your eyes and you fight them back with all your strength “you could have anyone you want”

“I want you. I want you if you let me” his voice is firm, his fingers caress your jaw until they reach your lips and brush them gently.

“Do you trust me?”

Sure, why shouldn’t I. He’s never given me a reason not to. you say to yourself.

“Yes” you whisper

“I want nothing more than to make you feel good and I won’t do anything you don’t want.”

“I know”

“And you can always talk to me about anything, okay? I don’t want to make you regret this”

He is sincere. He is absolutely sincere and you can clearly see it in his big beautiful brown eyes.

“Okay” you smile

“And by the way…your curves make me absolutely feral” he gives you a mischievous smile.

“Yeah?” you say with a hint of surprise

“Sure. Would you let me prove it to you?” his hand is on your shoulder now and lingers on the strap of your dress.

“Yes, please Joel… yes”

Damn insecurities, they were about to make you lose the best man you've ever met.

And now you feel impatient again and want his hands everywhere.

Now you notice his broad chest, the freckles scattered across his skin, the happy trail of hair that ends up hidden by his jeans.

Now you can enjoy the view of his muscular shoulders and strong neck and you can't wait to taste his skin under your tongue.

His hands move slowly over you, he slides the straps of your dress and reveals your bra.

“Get up,” he says, “I want to show you something.”

You look at him in disbelief. “What?”

“Come with me” he takes your hand and makes you get out of bed.

He takes you to a full-length mirror in a corner of his room “Sarah made me buy this because she says I have to look at myself before I leave the house. She says I make terrible combinations when I get dressed. Sometimes I'm in a hurry and wear my shirt inside out or something like that." he says smiling and shaking his head.

You giggle and the confidential tone with which he speaks to you makes you feel special.

“Well I don't know if it's the mirror's merit but you did a good job tonight” you joke.

You are in front of the mirror and he is behind you “look at yourself”

You become serious again and observe yourself.

“Look how beautiful you are” he says in his deep and slightly hoarse voice“can I?” he asks placing his hands on the clasp of your bra. You nod.

He takes off your bra and drops it on the floor. You look at that woman in the mirror, you look at her skin and the roundness of her breasts and her hard nipples and then you look into his eyes and you see nothing but admiration “God, your breasts are amazing” you hear him say “can I touch them?” and you nod again “yes, please Joel”

He traces the outline with his fingers and then cups his hands and fills them with your tits.

You don't miss the moan of pleasure that he tries to stifle in his throat “they are so soft” he squeezes them delicately “mmm baby, they feel amazing in my hands”

He takes your nipples between his fingers and tugs on them slightly “and these? Look how sexy they are, I bet they would be delicious in my mouth”

You feel your skin heat up and your head spin, you squeeze your eyes shut at the sensation of his hands playing with yours hard buds and his words go straight to your cunt. He’s so good at this.

“Open your eyes, honey” he whispers in your ear “don't stop looking at yourself”

His hands leave your breasts and for a moment you want to take them and put them back there but you let him. He slides your dress down your hips, until you're left in your underwear in front of the mirror.

“You’re stunning” he punctuates every syllable on your skin making you tremble “absolutely gorgeous”

His hand slides over your stomach and your belly that always makes you feel insecure “Is that what worries you?” he asks as if he can read inside you “that you don't have a flat stomach? Honey, your tummy is amazing.”

He squeezes it and it seems incredible to you how delicate his big hands can be “It's full and delicious and sweet and I can't wait to bite into it”

You squirm, leaning over his broad chest “Oh my god” you moan

He caresses your hips with both hands, supporting you “and these… they feel welcoming and warm and mmm baby, so sensual. Can you see it? They fit my hands so perfectly”

You look at yourself and you've never felt this way.

Guided by his words you finally see yourself beautiful and desirable.

He slips his fingers under the edge of your panties “Can I?”

“Yes” you say in a breath

He slowly slides them off, revealing your pussy “Jesus.” He mutter “look at her. Look how perfect she is”

He just touches your mound and you feel hypnotized, his voice, his hands, the warmth of his body, it’s all too much.

“Oh baby… I love that you left that little strip of hair”

You can't hold back anymore and you whine “touch me Joel, I want more”

His voice vibrates on your soft skin again “Tell me what you want, in detail” He bites the spot where your neck meets your shoulder “I want to hear”

“Oh god… I want… I want your fingers inside me, stretching me just right” you babble “I want to feel full”

His fingers slide between your folds “God baby you’re soaking wet. It’s all for me?”

You squirm under his touch nodding repeatedly, you feel desperately needy and hungry.

“Yes. Please Joel”

“Please what, baby?” He ask maliciously

“Make me yours, make me all yours”

“Can you see how beautiful you are now?”

“Yes” you nod “yeah. Don’t make me wait any longer. I need you, Joel”

You can swear that right now you feel really beautiful and also the luckiest woman in the world.

“Oh, you're getting impatient now… I like that” he says in a hushed tone.

He's still behind you and holding you close, he's still wearing his jeans but you can feel his hard cock pressing against your ass.

You look small in his arms, he surrounds you completely.

He brings you back to the bed and makes you lie down, you are completely naked and yet you no longer feel ashamed and inadequate.

He takes off his jeans, remaining in a pair of black boxers.

At the sight of his erection poking out against the fabric you lick your lips in anticipation.

He lies on top of you, his eyes on yours, looking at you intently “You’re perfect, honey” and then his mouth crash into your neck, kissing and licking everything he can, he takes your skin between his lips sucking and biting like he was starving for you.

“Your skin is like velvet and you smell so good, fuck”

And you whimper and cry and clasp your hands on his shoulder digging your nails in them and you feel like you don’t need anything else in this life.

He lowers himself on your body, grazing at your skin with his lips, lingering for a while on your nipples and mumbling at how good they are.

“I love touching you with my mouth, tasting your curves against my lips” until he reaches your tummy giving sloppy kisses at it and then he bites it. His teeth are attentive and gentle but at the same time eager, like he wants to taste your whole being.

And then he come to your mound and traces your thin strip of hair with his tongue and you buck your hips and move one of your hands through his curls and you plead “more, Joel, please”

He grunts at you when you tug his hair and you look at him with the most miserable begging eyes you can pull out “You want it so bad, babe? Want me to eat you out?”

You mewl a yes and he smirk “want to come on my tongue?”

You nod again “yes”

He places himself between your thighs “God, she seems made for this. So sweet scented and pretty. I bet she tastes so good”

And in an instant he dives into your pussy and his nose bumps your clit as his tongue begins to lick you up and down, delving your folds and making your hips jerk.

Your legs are wrapped around his back and his hand is on your tummy holding you in place “god, you look so beautiful like that, my precious angel, all spread and ravenous for me” every word vibrates on your clit and make you moan loudly. It’s like a demon took possession of your body, an insatiable and aching demon that wants nothing but pleasure.

He nudges at your entrance with his tongue and you cry again for more “your fingers, Joel, please, give them to me”

He pushes two fingers inside your soaking wet hole, they enter just easily and he curls them up inside you reaching for your sweetest spot.

“fuck, yes” you howl “god they feel so good, they feel so fucking good, Joel”

“I know baby, I know, you’re taking them so perfectly”

He continues to swirl his tongue over your clit as he pump his fingers in and out of you, increasing the pace when you can’t hold your moans anymore and you’re so loud you almost fear his neighbors can hear you “God, Joel, I’m coming - I’m - coming ah- god you’re incr- ah” you’re totally babbling trying to get a complete sentence out of your mouth and you can’t, you just can’t because he’s too much and you never felt that good before.

“Soak my fingers, babe, soak my face, give it all to me”

Your pussy clench around his fingers and you feel breathless as your orgasm washes all over you, his dirty talk made you over the edge.

You whine his name as you come, again and again and he doesn’t stop lapping at you until you’re calm.

He lies down next to you, wrapping his arms around you, you bury your head in the crook of his neck and sigh, “Oh, Joel.”

His hand sits on your ass squeezing gently “Such a good girl for me. I can’t believe you almost called yourself out from this”

You playfully pinch one his nipples “don’t make a fool of me”

“I would never” he says, kissing your hair “I’m just saying that you’re too good to not be taken care of. Your body deserves to feel passion and lust and all of that”

“On that note… there’s something else I’d like to do” you look at him maliciously

“What, baby?”

“I would love to… uhm… fuck, I would love to give you head”

He tilt his head “excuse me miss? Watch your mouth!” You giggle hiding your face in his chest and he laugh, and then he goes serious and ask “You sure? You don’t have to do that if you don’t want to”

“Yeah, I know” and you raise your face to kiss the lovely bald patch in his beard and you move to his ear and you whisper “I really want that though”

“As you please, sunshine”

You cup his bulge in his boxer and stroke it gently over the fabric “someone else here needs to be taken care of too”

He grunts “yeah, baby, keep going like that”

“Actually… I can make it even better” and you move from his side getting on your knees on the bed and then sitting on your heels as you keep stroking him.

You lower his boxer and his cock spring free, he’s already hard as rock. You lick your lips “delicious” and he looks at you mischievously “I guess you can be naughtier than I thought, baby”

You smirk back at him, lowering yourself on his groin and kissing the tip of his cock, just the tip, gently as a feather.

You giggle and pull back as he bucks up his hips to your mouth “so impatient, aren’t you?”

“It’s just… I didn’t have anyone giving me head in a very long time”

You open your eyes wide “I don't believe it”

“I swear” he says in a lower hoarse tone “I didn’t… I had some one night stand here and there but nothing serious, you know, I needed to be focused on Sarah and my work. so everything was quick and meaningless”

You can’t imagine Joel having meaningless sex with anybody, he’s so respectful and attentive with you.

You raise an eyebrow. “Joel Miller, do you mean to make me believe that all the women in the neighborhood aren’t in love with you?”

“Oh Rose loves me for sure” and you laugh “but about the others… I don’t know, some of them tried a couple of times but I always rejected them. I told you, I didn’t have time for complications”

“Then why you’ve changed your mind now?”

“Sarah threatened to sign me up for Tinder if I didn't find someone. And then I met you”

You giggle “so you went out with me to be safe from Tinder”

“At first, maybe. But now you know that it's not just that, right?”

“Yeah, I know.”

What he just did speaks volumes about how much he likes you.

And you’re even more convinced now.

You lower your head and lick the tip again swirling your tongue around it and he moans.

You slide your tongue flat along his length and wrap your hand around the base. It's big, bigger than you expected but you don't feel intimidated.

“Oh baby, you’re so good to me, what have I done to deserve such a perfect girl?”

He gasps when you took all you can of his cock in your mouth, feeling his length sliding over your tongue and his musky taste invading your palate, you whine beginning to suck like you’re desperate, stroking the rest of it with your fingers.

It doesn’t take too much before you start feeling him throbbing between your lips, he’s right on the edge as you suck and lick and kiss him like the most delicious lollipop you’ve ever had.

He pants loudly bucking his hips “Baby I’m almost - AH- almost there”

You make his cock pop out of your mouth “finish inside me, then”

“You sure?”

“Yes, I’m on the pill” you nod straddling his crotch and positioning his cock at your entrance.

You slowly lower yourself feeling the tip force its way into your hole and you moan with every inch that pushes its way inside you.

You stay still for a moment feeling his cock fill you up completely.

He says nothing but he looks you in the eyes and the brown of his pupils has become incredibly dark.

Eventually you start moving on top of him, placing your hands on his chest, your pussy making lewd sounds and your tits bouncing, he takes them in his hands squeezing them as he sinks into you, deeper and deeper and harder and harder.

You’re basically riding him and you've never felt so wild and free, your insecurities just disappeared clouded by your pleasure.

“Fuck, baby, you’re so gorgeous like this, look at the way your hips move, it’s so fucking amazing”

You throw yourself onto his chest as you feel his seed paint your walls, you take his mouth with yours stifling his moans that echo inside you.

He slides a hand between you, searching for your clit, and his calloused fingers begin to move over it. You end the kiss to look into his eyes, “don’t stop” he whispers “come for me baby.”

Your head feels light and your vision blurs as you feel your orgasm building up from the depths of your tummy, your pussy clenching and squeezing his cock.

You gush all over him like never before, making a mess of his crotch and the sheets underneath, crying his name so hard.

You rest your head next to his, inhaling the smell of tobacco, wood and the sweat of his neck, and you laugh, you laugh joyfully, “God,” and he does the same, wrapping his arms around you and caressing your back “Nothing like this has ever happened to me before, I'm sorry”

He holds you tighter “you don't have to be sorry, darling, it was wonderful”

“I made such a mess” you murmur

“So what? Nothing that laundry can’t fix. And I’m good at laundry, you know?”

He kisses your forehead and stroke your cheek “I haven't felt this good in ages”

“Yeah, me too” you kiss him wrapping one your leg around his.

You both stay quiet for a while, enjoying each other’s warmth, kissing every now and then suddenly it hits you and you say, “Do you know who we owe all this to?”

“No, I don’t honey, to whom?” he asks confused.

“Rose” you say “Think about it, if I hadn't brought her medicines that day we wouldn't be here now."

“That’s true. I think we should go visit her and bring her a nice present.”

“Yes. She will love the story of how we met.”

You kiss him again and think about what gift could match this. Probably none, because it's the best thing that's ever happened to you.

#pedro pascal #joel miller #fanfic #joel the last of us #joel tlou #the last of us #joel miller fanfiction #one shot #joel miller x reader #joel miller x oc #joel miller au #joel miller one shot #joel miller fluff #the last of us hbo #joel miller comfort #joel miller x curvy reader #joel miller x f!reader

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genericpuff · 4 months

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The Derivative Fashion Sense of Lore Olympus

So I'm usually out here going Gordon Ramsay on Rachel's ass about her writing and art, but for this unsolicited essay I will be wearing a different hat.

Yep, we're going Miranda Priestly today. Specifically the Miranda Priestly who talks fashion, not the Miranda Priestly who abuses employees lmao (though rest assured, I'm gonna have a lot of curt words throughout this).

Disclaimer: I am not at all an expert on fashion, these are just my thoughts and observations from studying fashion styles as part of my own artistic journey, so as always, take what I have to say with loads of salt. I also realize the irony that I am addressing the derivative nature of Lore Olympus when I, myself, am creating a derivative retelling of Lore Olympus.

Alright, enough small talk.

There's this general misconception in runway fashion that all those "impractical outfits" are meant to be worn by the average person, people such as myself who see these outfits and go "what the fuck do you mean Lady Gaga wore a dress made out of meat?!" When we see these crazy fits, our first impression is often "Why would anyone wear that?"

Well, because they aren't outfits. They're art pieces.

And not only are the outfits themselves art pieces, but the people wearing them are the canvases. These outfits aren't designed for just anyone to wear, especially not your average Joe, they're designed both with the artist's vision as well as the model in mind. A lot of thought, expression, cultural influences, and personal messaging is sewn into these designs.

Think about it this way, you couldn't take that aforementioned Gaga meat dress and put it on Taylor Swift. Not only would it not be physically tailored to her, but it wouldn't align with Swift's brand of music. Gaga, at the time of wearing that dress, was making a statement that came about from a collaborative effort between herself, the canvas, and her fashion designer, the artist. The meaning would be lost if you put Swift, Katy Perry, or any other musician into it, because the fact that Gaga is the one wearing it is part of that meaning.

What would happen if you did take the meat dress and put it on someone else? Well, that's how you get the controversial 2022 Met Gala when Kim Kardashian wore the sequin dress that Marilyn Monroe wore for JFK back in 1962.

Not a replica. Not a re-interpretation. The actual literal dress that Monroe once wore. This was a very bold - and in my opinion, reckless - move on Kim's part, because not only was she forcing herself into a dress not tailored to her (and yes, there has been deliberation on what damage was caused to the dress on account of this) but rather than working with a fashion designer to come up with a fresh new interpretation of the same concept, she just went "yeah I'm gonna wear the exact dress", in what many interpreted as a disrespectful power move to artificially put herself on the same level of prestige as Monroe. But she still isn't on that level of prestige and it speaks volumes that she thought carving out her own legacy would be as simple as just taking someone else's. The wolf wore the sheep's clothing with the intent to fool the sheep, but it was still a wolf.

But okay okay, WHAT does this have to do with Lore Olympus?

Well, Rachel released a new interview clip.

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I will say, these seem to have all been recorded at once probably when she was back at NYCC and they're probably going to be released daily leading up to the free release of the finale. Why they're hyping up the free version rather than hyping up the FastPass version that actually generates income, I have no clue, but I digress.

As always, the transcript is as follows:

"I really like looking at like, uh, vintage clothing and silhouettes that are... y'know, timeless. I mean, obviously it's really hard to future-proof work that's set in the modern setting because of course the times are gonna change, like, rapidly and there's not a lot you can do about it, but in terms of, like, fashion, there are just some silhouettes that are always going to look very classy, so... I try to put things that will not age. Like, I think there was a chapter recently where she [Persephone?] had like a very vintage Dior look which I really liked, um... and I feel like that will always look nice, like in 10 years time I'll be like, 'She looked good'. But there are some outfits which are more modern where I'm like, 'That probably won't look good in 10 years time'. But, y'know, we still got the inspired vintage Dior outfit so that's good, that's safe."

There isn't much to say about the actual transcribed text itself, but I do think it's very telling that Rachel tries to upsell her sense of fashion sense in LO when... much of it is just flat out derivative. At best she's often referencing real life people (mostly Hollywood celebrities) and at worst she's usually just grabbing stuff off Pinterest inspo boards without any consideration towards the influences or who she's putting into them.

That said, I do think she told on herself quite a bit in that final line of the interview clip - "that's good, that's safe."

I can understand wanting to play it safe in terms of knowing your limitations and not wanting to create something that would be dated in a few years.

But fashion... isn't about playing it safe. Because ultimately, how something ages in the long term isn't something that you, the artist, can control, and like many art mediums, you need to be focused on what to create next, not on how well your old art pieces still hold up in the present where they've been removed from their original context.

And I think this rings true for a lot of Lore Olympus, beyond just the fashion. It's all just a little too safe. We see it in the fashion, we see it in her uncommitted writing decisions, we see it in how often she's willing to retcon things just to write herself out of corners.

And I think that's really Rachel's biggest weakness as a creator at the end of the day. As much as she's tried to put on the persona of "screw you, I'll do what I want", her actions are always the opposite of what she says. She says that the fashion in LO is very vintage, but I can count on one hand how many outfits were actually vintage. The vast majority of them are a lot more modern, with a lot of Western influences, and sometimes with a boob window thrown in.

Case in point, the most recent outfit of Persephone wearing a practically-nude sparkle dress?

That's Rihanna's Swarovski dress that she wore in 2014.

Now, to Rachel's credit, she did find a way to personalize this to Persephone by removing the cap and giving her a rose-shaped bun, but the outfit itself is still just copied directly from Rihanna. Not only is there not a whole lot of Persephone's influence beyond her being literally made out of roses-

-but there isn't anything calling attention to the fact that this is a Greek myth retelling. And this isn't just a problem with the Swarovski dress callback, this is a problem EVERYWHERE.

And of course, that's not even touching on the fact that Hades and Hecate are forced to wear suits constantly. Because, according to Rachel, the fashion inspiration for Hades and Persephone only went as deep is "he's the groom and she's the bride"-

Rachel plays it safe by sticking purely to the inspirations she consumes from modern American media. The "modern twist" on the myths in LO is literally just "it's Greek myth but it's set in Los Angeles". She doesn't seem to want to put herself out there and actually consume Greek content any deeper than what she can find on Google, and it shows in how little Greek there is in this Greek myth comic.

There is, ironically, as I've been told by community members in ULO, a fashion collection called Persephone created by Paolo Sebastian, and in it you can see the actual Greek influences in these outfits far more than what you see in even Persephone's most visually stunning outfits:

These are dresses and yet Paolo uses them as an opportunity to tell the story of Persephone, somehow even more faithfully than an actual written adaption of The Hymn to Demeter. Because fashion, too, can tell a story - and Lore Olympus' fashion, like its writing, has no story to really tell, at least not in Rachel's hands when she's just pulling whatever she can find from what she treats as a pile of "stuff" on Google.

And that's not even getting into how the writing plays it safe much in the same way as the fashion influences and artistic choices. A good example is that S3 premiere sequence, in which Hades and Persephone are pulled away from each other so that... they can get washed down by their family and peers.

Rachel doesn't really do anything to re-contextualize this reference for the context and setting and circumstances of LO, she just goes "I liked that bath scene from Beauty and the Beast so I'm going to put it in LO."

And of course, it doesn't work as effectively as it did in Beauty and the Beast, because the whole original point of that scene was to showcase the big and scary Beast being washed down like a dog by his servants-turned-into-furniture while he stresses over how he's going to win over Belle. It's a comedic subversion, artistically by showing the ferocious beast reduced into a wet dog, but also on a narrative level by showing through his dialogue and actions how nervous he is to impress Belle because his own fate - as well as the fates of his servants - depend on her falling in love with him. He can't afford to mess this up.

But in LO, it's two naked people who we already know love each other and are committed to each other, we've already seen countless scenes of them being sweet on each other and showcasing that they're into each other, and by all accounts they've already gotten their happy ending, so it makes no sense for them to just be like "OMG SHE LIKES ME?? I CAN'T BELIEVE SHE LIKES ME!" "should I seduce him?!?!??" because this seems like a no-brainer and there's zero actual stakes riding on this the way that there was with Belle and the Beast. Plus the people washing them down aren't their servants who are in the same situation as them, they're random gods from the Pantheon whose affiliation ranges from "family" to "never even had a conversation before". One of the women washing down Persephone has literally never spoken a single line of dialogue to her; another one of them was literally dumped by her partner because he wanted Persephone more than her. Who are these people and why are they enthusiastically appearing to give her a bath? Why is Hades being given a scrub down by his own brother?

And that's really the most striking difference between inspired references and derivative ones. Undertale was a game created by a guy who was in love with retro games like Earthbound and Megaman. Stardew Valley was a game created by a guy who loved Harvest Moon and used to play it with his girlfriend. Content that's built on the foundation of another is natural and the basis of inspiration, but you have to go further with it than just going "yeah this thing existed and I'm taking it", otherwise you miss the purpose of why those inspirations were created the way they were.

And when you don't actually explore how you can re-interpret those influences and add your own voice into them, that's how you wind up writing like Rachel whose writing is about as inspired as a cheap character swap cutaway gag from Family Guy.

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Rachel's great at referencing, but that's not at all an impressive thing to do as proven by Peter Griffin. She's not at all re-contextualizing or expanding on what inspired her... but she still claims that she's exactly what she's doing because she calls Lore Olympus a "deconstruction". But her deconstruction only ever goes so far as "well what if Aphrodite left Ares for Hephaestus instead of the other way around?" and then just showing that question and never answering it or delivering on the potential of what that could cause. At best, she'll ask a "what if?" but then never actually show us the what if, it begins and ends with the question and the question itself doesn't provoke any thought deeper than "huh, yeah, that would be neat I guess." Episode's over, next scene. What if we showed that clip of Bill O'Reilly freaking out on set, but like, replaced it with Stewie Griffin and changed nothing else about it except for that? That's the joke, next scene.

I know, we're digressing hard off the fashion here, but the fashion itself is just a symptom of a much bigger problem that expands even beyond Lore Olympus - Rachel plays things way too safe. Even her responses in her interviews are painfully subdued, often resorting to the same tired answers that we've heard 823190589320 times before to the same hand-picked questions that are undoubtedly chosen ahead of time to ensure she doesn't have to answer anything too complicated. And when she does say "I have thoughts about xyz" she never actually... expresses her thoughts. She just says she does and then moves on without any further elaboration because she can't wholeheartedly commit to whatever thoughts she has going on.

Granted, I'm sure that part of that is owed to the fact that she might feel like she can't say anything while the critics are breathing down her neck. I can understand that. But it's gotten so chronic that it's now bleeding into the work itself and it's led to even more criticism of her work. Need I remind you that this is the same person who copy pasted the definition of "xenia" from a first result Google search into her comic instead of naturally writing it into the script:

Rachel played it so safe that she basically treated her own audience like kindergartners by explaining what a scene meant even after explaining it in the text:

As true as it is in fashion, writing stories and making art takes risks. That doesn't mean you have to completely throw caution to the wind, but if you don't take risks, you do yourself the disservice of writing something that can truly be called unique and special to you. If you don't use your influences wisely, if you don't analyze and re-analyze what's influenced you over the years, you're going to wind up losing a lot of subtext in those influences and missing out on the opportunity to add your own voice into the re-interpretation. Rachel does take a lot of risks in LO, but they're not calculated risks, they're not risks that actually have any meaning behind them, she's sort of just throwing stuff at a wall and seeing what sticks, and worst of all, when it doesn't stick, she herself doesn't stick to it, she backpedals, she cowers away from the decisions she's made.

Rachel expressed her worries about depicting fashion that would become aged, but Lore Olympus is already aged through her own inability to commit to her decisions, take risks, and find her voice. It's aged itself through its poor interpretations of the myth, it's aged itself through its reliance on Tumblr tropes that have already been replaced tenfold, and it's aged itself through Rachel herself riding off the initial innovation of creating Lore Olympus and then never continuing to challenge herself or raise the bar for herself.

It proves true the discussion around why Lore Olympus became popular - at the time, it was groundbreaking, drawn in a style that we hadn't seen much of before, with fresh new takes on the myth; now, in 2024, its 'takes' feel tired and half-baked, and its art style has become a corporate-scrubbed shell of what it once was. And yet, Rachel is still rewarded for it all the same, so settling for comfortable mediocrity has become the name of the game.

Rachel may be trying as hard as the Disney life action remakes and Kim Kardashian to put herself on the same pedestal as the greats of yesteryear simply by copying what they did, but in playing it this safe and refusing to find her own voice out of the voices that influenced her, Lore Olympus isn't timeless. It's soulless.

#lore olympus critical #lo critical #anti lore olympus

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