I'm in A Mood™ (stressed) so im going back to my roots of melting two character together into one person. So bruce wayne!danny fenton. Danny Fenton who, for eight years, grew up in a beautiful gothic manor with his mom and dad under the name "Bruce Wayne". Playing piano with his mother, running around the manor with his father.
Then when he's eight it's ripped away from him. There's blood on his hands and pearls pooling at his feet, and both his parents are dead in front of him.
And he gets shipped off to distant relatives "the Fentons" shortly after, Alfred close on his heels because someone needs to take care of him, someone that knows him. Bruce goes to the Fentons for the safety of anonymity. Gotham's press wants to sink its teeth into him.
Danny misses his city even if it took everything from him. There are shadows in his eyes and he's pale as a sheet even beside his distant cousins, and they change his name to "Danny Fenton' because nobody should know that their newest child was illustrious orphan Bruce Wayne.
They call him Bruce behind closed doors. Danny prefers it that way, he clings onto the name -- the one his parents gave him -- like a lifeline. He makes friends with Sam and Tucker. Tucker takes one look at the willowy, morbid little boy standing in the corner like a shade, ghosts in his eyes, and drags him out into the sunlight, and takes him over to Sam.
When Danny is twelve, he's still not over it -- and he's a little obsessed with the Fentons' research, with the morbid. He has books upon books on death, murder, detective work. Anything he can get his hands on. And stars. He loves stars.
Alfred owns the apartment next to them and comes over regularly. Danny clings to him.
When Danny is twelve, he's still quiet, meek, a shy little thing prone to being bullied. Freaky little Fenton with the night in his eyes and too-cold skin even before he put one foot in the grave. in a sleepover in his room with Sam and Tucker, he tells them the truth. They're his friends, he trusts them.
"My name is Bruce." he murmurs, voice quiet as the breeze, always quiet. he's staring at his star-covered sheets.
"Like Bruce Wayne?" Tucker asks, a joking tone in his voice.
Danny smiles a little, lamb-like with insecurity. "I am Bruce Wayne." And he takes them down to the lab, disrupting Maddie and Jack, to prove it. Sam tells them of her own wealth then shortly after. They start calling Danny "Bruce" in private too -- its trust. Thats what it is. It's trust.
Sam goes to media functions and comes back with aching feet and complaints on her tongue -- and Danny soaks it up all like a sponge, splayed across a beanbag chair with Tucker in her room. He's not envious of her, he used to go to events with his parents and they kept him safe from the ugly of Gotham's Elite. For the most part. He's had comments made at him, he doesn't miss them.
Alfred returns to the manor semi-regularly, Danny goes with him. he wanders the hallways and helps Alfred clean, the last thing either of them want is for their home to fall into disrepair. He brings Jazz with him next time, then Tucker, then Sam. They all help him clean, and he shows them his room. The one across from his parents', it feels strange.
When Danny dies when he's fourteen, the first adult he tells is Alfred. He and Jazz go over to his house more often than they stay in the Fentonworks building. At least at Alfred's, the food doesn't come to life. Alfred sits at the kitchen table and weeps when Danny tells him, Jazz is upstairs, and its just the two of them.
Danny's ghost form wears pearls around his wrist and the gloves look stained with some kind of black substance. He looks like a child who died in a lab accident, but he also looks like a child who has shadows dripping off his shoulders, curling at his feet, hanging from his eyes.
because amorphous blob batman has my heart always and danny/bruce will not escape it even in death even if that IS the only reason im giving him Mild BatBlob Vibes...so far
when they go to the manor, alfred helps danny make a pile of stones between Martha and Thomas' graves, nobody but the two of them (and sam and tucker) will know what it means. (not even bruce's children later down the line, not for a long, long time)
danny dives into ghost fighting on shaky feet and not half as witty as he once was in one world. he's skittish, skittering between blasts from shadow to shadow and clumsily making his way through each battle. but helping people lights a fire in him. he still has shadows dripping off his feet but there's a purpose in his eyes.
and god help him, he's going to help people.
562 notes
·
View notes
The process of creating is the active, constant question of the self, to question the extent of my capacities to convey a message worth of people's respect and admiration. To me, Look Back is a tale of self-reafirmation for Tatsuki Fujimoto. I'm aware it came out in the gap between part 1 and part 2 of the author's best seller, Chainsaw man, which makes this oneshot such an intimate soul-shaking story after what may be the pinnacle of his career. This made me question, why would he write this kind of story after CSM (and Fire Punch) anyways?
Through Fujino and Kyomoto's journey (which funnily, their names convined are Fuji-moto) we are put in the shoes of the stirring yet self-doubting mind of the creator: "why do you draw manga? why do you create?" is the question the protagonist has to find the answer for. Fujino navigate her life for her passion and pride as a talented story-teller artist, while Kyomoto does so for her love for art itself in a more reserved and personal way. Convined, I think they are the rope that pushes Fujimoto back and forth in his mind, the fear of the creator to tell a story worth of people's respect (Fujino) while being faithful to oneself (Kyomoto). Fujimoto knows there always will be an expectation, a mark above his head everytime someone is aware a new story has his signature, so it's understandable for anxiety to take the worst of you, the fear to be openly judged by the masses. So why do you even bother to get through that unpleasant thing? will I ever surpass what I made in my past projects? why do I keep creating? is this all I will ever be? the entire process is tiresome, boring, a never-ending task, I enjoy art better as a consumer anyways, so why?
If there's only one person who my art made their day better, made them smile or excited for what is coming next, then it was worth every single second I spend working on it.
It's a reafirmation to keep going: I was born to live into this world for this sake and I'm worthy to receive this love. This is my place.
I deeply respect you for it, Tatsuki Fujimoto.
153 notes
·
View notes
Count this as a request if you wanna but I’ve been thinking about boot and his daughter again … girl dad what if I pulled my hair out it’s safe to assume he has experience with little kids because of his family but can you imagine the first few months being a little turbulent for him when he first stars raising her
shoutouts to you for giving me an excuse to draw more of da baby… i love new dad boothill so much, they make me so sick WAHHHHH he shouldve been a dad longer‼️‼️😭
76 notes
·
View notes
listen I know we're rooting for "white hair streak" Callum as a symbol / effect of dark magic, and while I think it's more likely than the alternative, given that it has largely been Claudia (and Ziard's) territory thus far, I think we're underselling the tragic potential of Callum being given the corruptive face instead of a white streak
The facial / bodily corruption physically manifesting has solely been demonstrated through Viren thus far, who is Callum's primary foil (even if he, like many others, also has parallels with Claudia and her dark magic use in particular)
We know that just one spell can warrant the corruption (Viren received his after healing Soren) and require it to be hidden
Seeing the corrupted face of himself was enough for Callum to reject being a dark mage in 2x08, but as we know, neither that nor the threat of Aaravos was enough to make him not do it again in 5x08
Just as Viren's dark magic face informs his duality and how honest he's being with himself and others, if Callum wears his / in the lead up to his immediate second possession, it could show a similar erosion of identity (i.e. that Callum has lost himself physically and mentally due to the possession)
We also know there's a way to heal heavy dark magic corruption other than just Purification given the Mushroom mage's spell with Zubeia. Possible symbolism of Callum being returned to normal / uncorrupted and healed once he breaks free?
Viren's corrupted face, even though he covered it up, is something he links to Lissa ultimately leaving him. Meanwhile, one of S6's inversions will seemingly be Callum likewise going to extremes / following in Viren's footsteps, and Rayla being the opposite of Lissa in refusing to leave
75 notes
·
View notes