I don't wanna further hijack that poor poll, but the thing about Harrow's schizophrenia is that it's canon. The author has confirmed it, and shared that it's based on her own experience.
It's a pretty obscure bit of canon, so of course there's no shame in not already knowing, but that's why I'm so obnoxiously persistent about letting people know.
Whatever else is up with Harrow, autism or cptsd or any number of likely headcanons, she is also schizophrenic. I feel like that's too important to be handwaved away as a difference of opinion.
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Obviously I had to make it a thing (Patreon)
Spoilers for Handplates! Make sure you’re all caught up before continuing!
I ended up scene-picking around the timeline at pretty-much-random, whatever I thought fit the lyrics the best in the moment of blinding inspiration (lol), but now that I’ve got the basics down to paper, I think I’d more carefully choose in mostly-chronological order. That also means some would have to be cut, so I want to show them off here! :D I also drew them all from memory so if there’s inconsistencies, that’s why lol
For example this is one of the very early lyrics, but the events take place well down the timeline! I’m sure I can find a good stand in - mostly I just wanted to draw Papyrus from this scene, ugh I love him ♥ And the lyrics do fit!
Looking back to Sans for reassurance haha. I changed a few of the lyrics to be more Papyrus-specific -
- also featured here! He’s got the Gaster pose going on here hehe, and cutting around in time of him in Snowdin and also back at Asgore’s, him reassuring Asgore about Sans’ HP is so cute, I had to make reference to it haha
Happiest little sibling spinnies <3 <3 Probably the cutest panel of the whole bunch honestly haha ♥ Their little faces!! Ugh 💕
One of those instances of the lyrical contradictions, and I think I would keep this jump forward - everything has changed! And they’re really not okay, but they have each other
The one makes me laugh honestly, a bit dark lol. All their safe people, except for the two that take up the rear of each. I mean, technically it’s not inaccurate with Flowey’s, he won’t be alone! Unfortunately. The human, well
Started settling into a rhythm by this point, and rather pleased for it :) Poor Papyrus! He didn’t do anything wrong and he still has all these sad feelings about it!
All catching up to him :( You can only run from and ignore your problems for so long - this line feels so him, dealing with what their world is and all that entails, poorly
I appreciate the fact that Papyrus has this dream several times, it fits lots of places! Gaster look what you did to him even when you don’t exist anymore
Papyrus as an adult! Though he also is in the one with him and Sans dream-sharing. Things start breaking real bad for him, I’m still not over how good this song is lol
I did admittedly go a little over-the-top with these, he was not crying this much but I just jsalfdjfds this scene is so- much. So much! The lyrics goaded me, blame them haha - and also the attention to his neck! Even if it’s not in reference to choking on tears specifically, still drawn to the same place! I love Sans going to comfort him as well as rally him ahhhhh
I got his Soul glitches wrong haha, but seriously! This song, I swear!!
A bit of irony - he’s being heard! So much! Just not listened to. I am so enamoured with his pose callbacks throughout the entire comic ugh, so beautifully done
Handing off the song for a moment to someone who actually can rewind it - I don’t think I’ve ever drawn a Genocide Run human now that I think of it :0 It was so satisfying to draw Gaster kneeling on the ground like that haha, contact points were - on point ✨ for this doodle session hehehe
Originally I had his glow coloured in purple but this was one that I actually went back to look at (because I love this scene so much hhgggg <3 <3 <3) and had to change to his natural colour - he deserves it!! He’s earned it!!
I’ve honestly fallen more in love with this song through him and vice versa haha ♪ It’d be quite a bit before/if I could make a full version, even just with what I’ve got here, but it was so fun to draw at all ♥
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CARRION EATER
this is some kind of standalone idea. the original version was much more goofy, crassus was going to cover up pompey's mouth and say, 'no, no. he's got a point. let him speak,' and then pompey was going to bite his hand and say, 'you're not even supposed to BE here.'
then I read a review about a staging of julius caesar that sounded like it got REALLY mean (because it involved improv since it seemed like the intention was supposed to be interactive with the audience) and decided to add some teeth into it.
(also yes, I broke the 180 rule. it’s fine. usually I try to include panels that show characters walking around when I do that, but this comic was a standalone, so instead pretend that I’m spinning the theoretical cameraman around on an office chair or something. or that the camera is a ghost.)
also because titling something Carrion Eater and then NOT having it get a little mean and nasty in the dialogue seemed. like a waste.
eventually, I'll figure out a design for lucullus that I like, I keep wanting to draw other characters when I draw him, so he might need a new hairstyle.
ONWARDS! this is playing off of this scene
To this Lucullus retorted that Pompey was going forth to fight an image and shadow of war, following his custom of alighting, like a lazy carrion-bird, on bodies that others had killed, and tearing to pieces the scattered remnants of wars. For it was in this way that he had appropriated to himself the victories over Sertorius, Lepidus, and the followers of Spartacus, although they had actually been won by Metellus, Catulus, and Crassus. Therefore it was no wonder that he was trying to usurp the glory of the Pontic and Armenian wars, a man who contrived to thrust himself in some way or other into the honour of a triumph for defeating runaway slaves.
Plutarch, Pompey 31
the romans are fightingggggg 🍿🍿🍿
finally, the painting panel is taken from Giovanni Battista Tiepolo's The Triumph of Marius (through the Met's Open Access/Public Domain use policy etc)
bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost
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grimm – batman: legends of the dark knight #149
[ID: a panel sequence of young Dick Grayson just two months after his parents' murders. He's sulking at the dining table in the grandiose Wayne Manor. The dinner is taking place in front of a lit fireplace that causes the entire room to have a soft, bronze glow to it. The table itself is long and decorated and Bruce Wayne is sitting on the opposite end of it. Alfred Pennyworth prompts, “More mashed potatoes, Master Dick—?” But Dick is too busy thinking about a young criminal he ran into when he snuck out earlier. He quietly mutters the taunt she told him, “‘Spoiled brat in a circus suit’—?” Alfred asks, “Was that a yes or a no?” The pouting child brusquely tells him, ”no,” which causes the butler to clear his throat. Dick begrudgingly corrects himself, “No thank you, Alfred.” Alfred responds, “As you wish, Master Dick.”
But Dick is already uttering another taunt under his breath, “‘Lap of luxury’!” Bruce leans forward slightly and asks if everything is okay but Dick dismisses his concern. He excuses, “I'm... I'm not very hungry, Bruce. Is it okay if I go to my room?” Despite his obvious qualms, Bruce awkwardly smiles and replies, “Uh... Of course. Certainly.” Dick gets up as Alfred tells him the food will be in the refrigerator if he gets hungry later but Dick just ‘uh-huh’s him as he walks away. With the child upstairs, Bruce immediately stands up and paces. He stops in front of the fireplace and stares into the blaze as he monologues his worries, “Maybe this was a mistake. What in the world made me think I could raise a boy? I don't know the first thing about it! I've always been a loner! I don't have the knowledge... or the disposition... to make this work.” Alfred wryly asks, “Are you addressing the fireplace, Sir—or me?” But Bruce stresses his demur without looking at him, “His parents are dead, Alfred! What gives me the temerity to believe I can replace them in his life?”
Alfred solemnly reassures, “I asked myself the same questions once. What in the world did a butler know about raising a young man who'd just lost the two people he loved most in the world? But strangely enough, Sir—I adapted. I learned. I learned because I wanted to... Because I cared. And... despite some difficulties along the way—I think the young man in question turned out splendidly. And I think Master Dick will too.” Bruce doesn't say anything but he his eyes closed in thought as Alfred talks before looking at him with a soft smile. He straightens his posture when Alfred finishes and puts his hand on his shoulder, silently grateful for the man's fatherly reassurance and support once again. END ID]
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I can’t wait to see if you have any analysis brewing with what happened in the Minato oneshot and perhaps some sns parallel. Idk I’m dumb but when I read mito’s talk with Kushina about love I was very curious to what your thoughts would be!!!
well I think it's easy to see what tropes kishimoto likes in romantic relationships.
the idea that it's okay to break promises/go back on your word when it comes to the one you love...
getting stronger to protect your most precious person, specifically creating jutsu for them and having them as your driving force... assisting each other's strengths and fighting side by side on the battlefield... minato wanted to create a jutsu to correspond with kushina's massive chakra as a jinchuuriki. like how naruto wanted to use his wind to assist sasuke's fire, which is what they ended up doing...
not wanting to lose someone because you love them too much. the idea of living without them is too much to bear so you'd rather die with them instead...
minato saying he likes strong people, especially those stronger than him... sns admire each other's strength (and here and here), and of course sasuke's "you had a strength that I didn't". naruto saying he wanted to be cool and strong like sasuke. they balance each other out...
the idea that love saved mito, love saved kushina, love saved naruto from his hatred of being jinchuuriki. the idea that love can transcend everything. naruto changed sasuke's heart just like sasuke (and iruka) changed naruto's. during vote2 sns shed their fate, they blew off their sun and moon arms, their love overcame what their predecessors couldn't as they reconciled and resolved to work together.
unlocking new powers because of your loved one, like kushina getting the sealing chains, sasuke developing his sharingan for naruto, minato finalising the rasengan and building on kushina's seal, naruto letting the kyuubi loose because of sasuke.
kushina stabbing minato through the chest and telling him to run away to which minato says no he's not gonna leave her because he's always within kushina. sasuke stabbing naruto through the chest and all naruto can think about is how he wanted to be friends with sasuke too much.
kurama referring to kushina as 'my jinchuuriki' and minato rasengan-ing him because kushina is not his. orochimaru saying 'my sasuke' and naruto going feral because sasuke is not orochimaru's. freeing their loved one's from a villain's grasp, because their loved one should not be owned by anyone.
and just more generally, protecting each other, wanting the other to be safe and happy, being relieved when the other is okay, teasing banter between them, just normal stuff which is reciprocated :)
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Ok no one else is allowed to smile softly at Atsushi before letting themselves get killed to stop him dying with them anymore, he's got enough going on as it is 😭
Bonus with all three of Atsushi's girlfriends looking at him softly
Atsushi harem but the catch is they all keep telling Atsushi to go so he doesn't die with them.
Reading the dialogue between them actually makes me feel sick it's literally a pattern! This keeps happening from Lucy's 'you have to live on' to Sigma's 'let go, or you'll die too' (not this panel but 3 panels before) to Akutagawa's 'you damn fool, hurry up and go'!!!
The patterns....the patterns!!!
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It's a new day. Time for another conversation
@naffeclipse: It'll turn their world upside down!
The devil sitting on my shoulder: You could make a comic out of this
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Instead of leaving a comment on a fic like a decent human being, I decided that it was a good idea to set myself up for an art project that is 50% landscape and fabric and colours I rarely-if-ever get to use oops X"D
On an unrelated note, did you know that @brightmouth 's Lessons in Idle Ecstasies is fucking great?? (All her writing is, really, I just have so much reading I need to catch up on, I've been too busy trying to figure out how to paint rocks and mountains and things I thought I knew how to paint ^^; )
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Connie performing Tameshigiri, requested by Sharkman Jhones at Patreon!
(And an extra page.)
Okay I didn't know about this practice until this request was made. I think it's pretty cool. 🤩 Admittingly, I haven't done my research as much as I wished I had. I just basically skimmed it on wiki, looked at Google images, and heavily used poses from this video: https://www.youtube.com/watch?v=fonwRv5yQaA
And I just learned the sword is suppose to be facing up when you put it back in the scabbard, blergh, too late for that now. :P
Also, Patreon shoutout~ ♪
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am i the only one who sensed some jilted lover vibes from jensen?
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forgot to post abt this panel but god it absolutely breaks my heart. I love when kaworu's 'ethereal easy-going' composure is broken through and we get scarce bits of the lonely boy unacclimate to being treated like a person underneath.
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i wonder what this means
we know judgeman's appearance is similar to lady justice, who has a blindfold over her eyes, to represent impartial or blind justice. it's interesting that during sukuna's trial, and subsequent death penalty veredict, the stitches break on one side and that eye opens. something that didn't happen during the first death penalty delivered to yuuji despite both eyes opening up. we know everything higuruma is aware about his own ct, and ce in general, he grasped through reverse engeneering. his surprise about judgeman confiscating sukuna's cursed tool and not the cursed technique highlights that higuruma is only aware of his own technique due to things he was able to experience and deduce from the short time that has passed since he became a sorcerer. it's safe to say he had never persecuted someone who used a cursed tool before and therefore was unaware of this aspect of his technique (similar situations have happened before to characters like geto and even the way mahoraga works). this makes me wonder if judgeman's abilities are something we and higuruma have limited information on and there's something else going on, hinting at a possible outcome for higuruma/higuruma's character.
judgeman's eye opening is especially interesting because that is exactly the stance higuruma decided to take once he lost faith in the justice system. jujutsu kaisen and the concept of cursed energy and cursed techniques are very based in buddhist philosophy, or rather the power system is, and more specifically the concept of suffering. buddha recognised there was suffering in life and started guiding people into following a practice to get rid of that suffering, through the four noble truths the noble eightfold path. which ultimately would result in liberation from the samsara, cycle of rebirth and suffering. a lot of that lifestyle is learning how to properly process suffering in a way that's beneficial to the individual with the goal of achieving enlightment. in jjk suffering directly creates cursed energy and when that suffering sort of accumulates it originates cursed spirits. jujutsu sorcerers are basically people able to process their own suffering and their own ce to fight and exorcise the suffering that's constantly emerging from humanity (tying deeply with the core theme of jjk and a big plot point - the merging). you could even draw parallels between ways individuals cope with their own pain and their cursed techniques, which is very obvious in characters like geto (ingesting curses through cursed spirit manipulation akin to bottling up his own feelings and letting that suffering eat him from the inside out), for example. where am i going with this? i'm not sure (sorry if you read all of this expecting a really cool theory) but what if this is sort of an awakening moment for higuruma? a moment where his technique will finally align with his beliefs? i just don't believe the differences in judgeman throughout the story are a coincidence. not when judgeman also has this form, with both its eyes completely shut.
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