#i don't care that they kill ppl

[childsaturn]

Barty crouch Jr is a little stick man,,, he has no muscle and physically couldn't hurt a fly

[1eos]

'tumblr is full of 14 year olds' wrong tumblr is full of 24 year olds who just don't do anything. and that's okay

[poorly-drawn-mdzs]

Instruction on Courtship

[First] Prev <--> Next

[ashleyslorens]

Now this might be a bit stringy, but then, of course, it's fiddle player. No, this isn't fiddle player. It's piccolo player.

[a-fangirltrash]

I don't believe that Ford saw Fiddleford as Bill saw him.

Something to use, to get what he wanted. I DO believe however, that he treated him/made he felt that way. I think that Ford deeply cared about him, maybe he even liked him the same way WE ALL KNOW McGucket did, but i think Ford is pretty BLIND with social cues, so their relationship was never more than "friends with weird homoerotic tension". Maybe they kissed once and McGucket shot him with the Memory Gun LOL.

But Stanford was controlled by Bill, he was too blind with all the lovebombing bill did to him. He was too blind to see the danger. He called Fiddleford a coward not because he didn't care about his well-being, but because HE WAS OBSESSED, HE DIDN'T CARE ABOUT ANYTHING. Bill took his mind, sanity and isolated him from his relationships and fucked them. For him, Mcgucket not telling him what he saw was a betrayal, everything they've worked on throw to the trash. Bill convinced him it was just gonma extend his investigations at the end! For him there was no danger!

Also, having a multidimensional portal alone is overwhelming, is not the same as having someone else with you! There's the fact that mcgucket leaving his life was what made him realize that Bill was TOOXIIIIC. Canonically if Stanley took the diary with him, he'd reconnect with Fiddleford, as we can read in the diaries

Tbh, i have a headcanon that the fact that their relationship didn't escalated to something else, was the opportunity Bill took to take Stanford all for himself LMAOOO.

TLDR; FORD DIDN'T "USE" MCGUCKET. He did cared for him, he was just mentally unstable af and obsessed because of his toxic triangle (ex)partner ☠️

Thanks for coming to my Ted talk in defense of Stanford :3

[xenineshroom]

I've seen people who are otherwise ideologically opposed to me- speaking out against the revisionism happening with theyfab. I'll even take folks who are like, "well it's not a slur- but it's just plain dishonest to act like it has anything to do with critiquing transmisogyny." Like 4chan cis men invented it, it's a slur still drenched in its original transphobic misogynist context- but whatever! These folks have a better platform to stand against this shit than I do because they share community with the people defending it. I don't care who does the convincing or how.

[thedreadvampy]

sometimes I forget that my experience has been. um. not 'your experiences are not universal' vibes but more like 'your experiences are EXTREMELY atypical'

[winteriron-trash]

rdj the (whitewashed) electric boogaloo

This is a reminder to everyone who's excited about RDJ's casting as Doctor Doom that this casting is whitewashing. Victor Von Doom is a Romani character and has been a Romani character since his introduction in the 1960s. (Fantastic Four Annual #2 [1964]) Not only that, but his Roma identity and the persecution he and his family faced due to it is integral to his character, it is what forms his identity. (Books of Doom by Ed Brubaker) Even if on the off chance this casting is meant to not be Victor but instead be some variant of Tony or whomever else becoming Doctor Doom, it is damaging to the character to rob him of that important cultural background. Doctor Doom does not exist without that history. Fans have been pushing hard to cast Doom as a Romani actor for years, especially since the MCU has whitewashed other Romani characters. (Wanda, Pietro, etc) This casting is not a celebration moment, it's fucking heartbreaking that the MCU repeatedly ignores the important and nuanced cultural backstories of characters.

I know I can't change anybody's mind on whether or not you want to be excited about RDJ's return to the MCU. But I do think at the very least you should be mad that the MCU is baiting us all and destroying nuanced and interesting characters for the sake of self-referential easter eggs and nostalgia bait. Because that's what it is. Feel how you'd like to feel about RDJ's return, but personally, this is soul-sucking. I had such a deep love for the MCU as a teenager, it was obviously something incredibly formative to me, especially Tony Stark. This isn't recreating what I fell in love with the MCU for. This is turning a well-planned and artistic storyline of adaptations into cheap cash grabs and fan service. Because, I think we're past the point of being able to call the MCU an adaptation of anything. They can use existing characters' names and powers, but to say they're being properly adapted is laughable.

This is not an adaptation of Doctor Doom. This is RDJ the Electric Boogaloo because Marvel's fear of losing the interest of dedicated MCU fans overrides their willingness to tell stories that are genuine to the characters. I don't know what there is to be excited about that. The MCU has lost its authenticity and aside from a few projects, feels heartless. Every movie is a copy of a copy. This announcement isn't something celebratory, it feels like a death knell of a cinematic universe that's so desperate to cling to relevancy it's resorting to nostalgia for a character/actor who hasn't even been dead for a decade. We're not getting anything new, we're just rinsing and repeating the same song and dance.

I get it. I love Tony Stark, his death destroyed me and I to this day, rue the ending he got in Endgame. It misunderstood his arc and it robbed him of a satisfying conclusion. But the solution to that isn't dragging the corpse out of the grave five years later to whitewash an existing character with rich and interesting nuance, just to forcibly tie his existence in the MCU to Tony. Whether he is a variant or not. Why would you want someone else's fave's legacy to be destroyed simply so your fave's legacy can go on? Hell, if we were really all so hellbent on the return of RDJ and/or Tony to the MCU, we have the multiverse for a reason. There were other ways to do it that didn't whitewash and ruin someone else. This just. Isn't something to be happy about.

[poelya]

seeing people genuinely complain about the deaths in the acolyte and throwing around words like cruel and sadistic just once again has me thinking people need to actually sit and ponder on where a story is going and if it's something they can handle watching. nothing about the acolyte has implied it's anything besides a murder mystery, and features an entirely new cast of characters — something that, the last time we saw this in live action, ended in them all dying. just because something belongs to a franchise you love, doesn't mean you have to watch it, or that it has to be your cup of tea. It also doesn't make it bad storytelling if it's too brutal for your liking. The internet gives you every opportunity to make an informed opinion on what you consume, ultimately it's your responsibility, not the show's, to cater to what you can handle.

[bitchthefuck1]

you know what, I actually will talk about this because it's bothering me. The issue with focussing so heavily on syd and carmy's potential for a romantic relationship isn't that there's something inherently unintellectual about romance or whatever, it's that a lot of people seem incapable of doing that without immediately flattening the story and ignoring or intentionally misreading any and all nuance for the sake of that romance. Every scene suddenly becomes about how it impacts their relationship, every analysis is done through a romantic lens, every frame or line of dialogue becomes about finding some easter egg or hint that "proves" these people should start dating. Their dynamic is absolutely a fundamental part of this show, but if you can only see it as a will-they-won't-they, you miss so much of what the story is actually trying to say with these two.

There are good versions of this story where their relationship is romantic and there are good versions of this story where it isn't, but as soon as you decide them being together is "the point," you lose the ability to actually judge the story for what it is, not what you want it to be.

[lord-squiggletits]

Part of why I hate this fandom's take on Autobots vs Decepticons is ppl (mainly 'con fans honestly) who can't have any nuance of the situation whatsoever and love to write plots like "oh the humans are racist and abusive towards Cybertronians so this is how Megatron is right" no actually I don't think colonialism/imperialism and racism are justified so long as you can point the finger and say "they were the aggressors first" or "their hands are no cleaner than ours bc their society sucks too" sorry. Please come up with better sociopolitical narratives in your war story.

[childsaturn]

How I image the slytherin + pandora gang to look as picrews

This is probs during 6th year in a just lovers type world

Regulus is in a situationship with James, dorcas is dating Marlene, barty is in a hoe phase, pandora is crushing hard on Lily, and Evan is OBVIOUSLY dating me 🙄🙄🙄

[resdayn]

transphobes stay mad

[lupins-hehim-pussy]

I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears

I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!

The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.

More:

Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.

Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)

Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.

Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.

Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.

The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.

They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.

And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.

I could go on, but this is already so long. But yeah, I hope this gave you an idea.

[shallowseeker]

Worth pointing out... Dean is a soldier.

In this episode, 5x03, he came all this way expecting to die with Cas facing an archangel, which is the thing he may arguably be the most afraid of in this particular moment (with the recent stuff with Lucifer, Michael, etc)

...all because Cas asked.

Dean's used to risking his life for loved ones, friends, and fellow hunters all the damn time. Like... the sad thing IS that when it comes to risking his life for others? It hardly registers.

Back in 2x20, we saw that when faced with happiness, Dean remembered John's "heroic" example.

DEAN: It's like my old life is, is coming after me or something. Like it like it doesn't want me to be happy. Course I know what you'd say. Well, not the you that played softball but... "So go hunt the Djinn. He put you here, it can put you back. Your happiness for all those people's lives, no contest. Right?" But why? Why is it my job to save these people? Why do I have to be some kind of hero? (begins to cry while talking) What about us, huh?

It's what most, nearly all (?), of the soldier-coded characters tend to do. I think too of Mary in Apocalypse-word. The sad part is that, in many ways, the real Mary is even more of a soldier than John was.

MARY: (looking uncomfortable) I, uh...Boys, um...About that. [Dean and Sam look at their mother, confused. Mary sighs.] MARY: I’m not going back. DEAN: I’m sorry. What? MARY: I fought beside these people. I respect them. I respect their cause. You can’t expect me to just abandon them. SAM: No, Mom, that’s not -- You heard what Lucifer said. We have 31 hours -- MARY: I -- Sam...Dean...I know what you went through to come find me. [Dean scoffs at that. He is obviously upset.] MARY: But these people are being slaughtered. They need me here. DEAN: (getting angry) No, we need you, Mom. We do.

[wammyhoe]

When will you update the fanfic whiskey in a teacup🙏 Its well missed

I'm surprised (in a super good, heartwarming way) that you guys still ask about it. It's been on hiatus for about 6 months now, and I'm really sorry for the delay.

I've been incredibly busy, but I'll try to find time to update it soon. The story has become more demanding than I originally expected, and I don't want to post just to "keep it going" with endless fillers that would detract from the story.

Mello is trying to reach his goal but is conflicted about his feelings for the reader, and she has her own challenges to overcome as well. They both need to resolve their individual issues to be together, and I want to execute this well. I aim to keep him as in-character as possible, which is really challenging in a romance story. I've accepted that the Mello I’ve developed might be a bit out of character, which leads to a lot of asks (that I frankly just delete bc ugh, get a life?) criticizing my portrayal, as if those commenters know him personally.

Anyway, my experience in the fandom has been mixed lately, which is unmotivating and mostly disappointing. But I appreciate your support and interest, and I hope to post the next chapter soon!

ily!!! take care 💜💜