#i figured the best way to post this was all at once!!

[jakesduskwood]

even statues crumble if they're made to wait

Pairing: Jake x Fem!MC

Genre: Post-Episode 10 Duskwood, Post-Episode 1 Moonvale

Words: 8,916

Summary: It's been three months since the explosion in the mine. Three months since Hannah was found. And MC's accepted that Jake is never coming back. When she gets roped into another missing person's case, it makes for the perfect distraction. Jake is dead. It's fine. That is, until she finds herself on the phone with Alan Bloomgate who says he has something to show her. But it's fine. Jake is dead.

Until he's not.

EPISODE-1 MOONVALE SPOILERS AHEAD (MAYBE)!

[ A/N: Hello! :)

I know it's been a while since I've done this, but I finished Moonvale Episode 1 and if you've seen the ending (and used its Duskwood code), you know what happened and how excited I was to receive that bit of Duskwood. So, I took it and ran with it, and out came this extremely long fic. I did not proofread this as it took me literally almost 12 hours to write so it is completely and 100% me and my love for Jake and I hope you love it.

Side note: I suck with anything related to timelines, so I made one up on my own. I know Episode 1 of Moonvale takes place over the course of a day or two, but for the purpose of this fic, it made sense to make it longer, so it's not a typo, or me losing my mind, it's just the way my brain processed this.

Enjoy! :) ]

It’s been three months since the explosion in the mine.

Three months since Richy had been killed. Three months since Hannah was rescued. Three months since I had last spoken to Thomas or Cleo or Lilly or…or Jessy. I didn’t blame her then and I don’t blame her now. Any of them, really. I didn’t share the bond they had with each other. I wasn’t from Duskwood. It didn’t matter that we’d experienced a tragedy together—and yes, perhaps them more than me, but I loved Richy too. I had lost Richy too. And Jake—

But mostly, I think they just wanted to forget. To move on. They didn’t want to remember that their friend had been capable of…of that. And I was a constant reminder of that to them. So I understood why we didn’t necessarily talk anymore.

The one person I did keep in contact with from Duskwood, oddly enough, other than the occasional update from Alan Bloomgate, was Dan. We weren’t best friends or anything, but he allowed me to check in on our friends in a way that I didn’t know how to do with anyone else. Maybe because I thought he was the least affected among them. I knew he cared about Hannah, but he wasn’t to her what Thomas or Cleo or Lilly were. And he wasn’t to Richy what Jessy had been.

I’d learned from him that Thomas and Hannah had broken up. There was no bad blood, but Thomas hadn’t quite figured out how to accept the things he’d learned about his girlfriend when she’d been gone, and Hannah hadn’t quite figured out how to re-trust someone after Richy. Even if that person was Thomas. But I’d hoped they would find their way back to each other in the end.

I thought about reaching out to Jessy every once in a while—even just as an apology for everything that had happened. I’m sorry that Hannah was found at the expense of Richy. I’m sorry that he did this to you. I’m sorry I didn’t realize it sooner. We should have. We should have. We should have. I miss you. But I never send it. I’m not all that sure she’d respond anyway.

Cleo and I were never all that close. She has her best friend back, so I think she’s probably as okay as she can be. Helping Hannah find a new kind of normal in a time where her childhood friend had kidnapped her in order to prove a point. I don’t know how you come back from that—I don’t know how you come back from knowing that you killed somebody at all.

I hadn’t found the courage to ask if somebody had told Hannah about Jake.

Not that I think it would matter anyway. I hadn’t heard from him since before the explosion in the mine, which was, like I said—three months ago. I waited the appropriate amount of time—twenty-five days—before I broke down and concluded that maybe he hadn’t survived. Which just piled a shit-ton of guilt onto my shoulders because it was supposed to be me in that mine. He had gone in place of me and now he was dead.

It was the only explanation that made sense. I was used to Jake disappearing for days at a time, but never as long as he had been now. And he didn’t seem like the type to tell me he loved me and then leave without a single explanation. Not unless he had to. But it had been three months and as much as I missed him, as much as my chest ached with the thought that we would never eat Chinese food out of shitty motels and have that on-the-run ending we talked about, I had accepted that he wasn’t coming back.

I wonder if he had known about Richy or if he had died still thinking Michael Hanson was the one who had kidnapped Hannah. I wonder if his last thoughts were of me. Maybe it’s selfish, but I kind of hope they were, because I’m pretty sure I’ll think about him for the rest of my life.

I wonder what it would have felt like to run my hands through his hair. To kiss him. To spend every waking moment with him and know it was because I loved him. Because I would have. Talking to Jake became about more than just finding Hannah. It became a part of my day I looked forward to more than anything else. He confided in me in a way that told me he never had with anyone, maybe not even Hannah, and I needed that from somebody. I needed somebody to trust in me the way that Jake did. I needed somebody to love me the way that Jake did.

It was strange—and maybe a little ironic—the thought that something so beautiful could come out of something so tragic.

Anyway, my point is: it’s been a long couple of months. Of thinking about my friends. Of thinking about Jake. Of wondering if I should have done things differently. I should have gone to Duskwood to help. Not even with the mine, but sooner. I could have. I could’ve gone when Jessy was attacked on the way home. I could’ve gone when the group made plans to cut out of town and hide away in the house Richy had found. Selfishly, I should have. In that moment, when they were settled around the fire and Lilly called me, I had never remembered wanting anything more. I should have grabbed Jake—metaphorically, maybe even literally—and rode it out with them to the end.

I don’t stop missing them after three months. Of wishing things could have been different. Wishing I could have done more. But exactly ninety-five days after the explosion in the mine, seventy days since I had accepted that Jake was never coming back, twenty-two days since I had last heard from anybody from Duskwood (Dan included), my phone dings with a new message.

And the cycle starts all over again.

It’s somebody named Eric, who claims he needs my help to find his friend Adam, who disappeared while he was waiting for a ride in someplace called Redlog Pines. And much like with Duskwood, I have never heard of Redlog, and the case reminds me way too much of Thomas’ first message to me, so much that it makes my chest ache, but I can’t say no because there’s somebody missing, and if I’d say no the first time, God knows where Hannah would be.

So, I say yes, and I help out where I can, and Eric decides he needs to bring about four more friends in on his little plan and I try my best to stay emotionally unattached because I remember everything that happened the last time and I can’t go through that again. I offer up information when I can and keep my words short and careful because I’m not ready to get attached to somebody else I know I might never meet.

I know how this ends.

Two days in, Ash, one of Eric’s friends, brings up my Duskwood past and the unhealed wound I’ve been trying to mend breaks open again. She asks about Richy, and about the mine, and then because I’m me and I can’t help myself, I tell her about Jake. She tells me the news never mentioned another body and I shove that thought to the back of my head because hoping for something that will never come true will kill me.

Four days into Adam’s disappearance, and the police not giving a shit—as Charlie, somebody who reminds me far too much of Richy for comfort, points out—my phone beeps with an incoming call from somebody I haven’t spoken to in a while.

“Go for [MC].” I answer my phone.

Ever since Hannah had been found in the mine and Jake had…you know, my phone had been more silent than I’d gotten used to. Until this new case. But even that—it was only a few days old and I didn’t want to go down the same path with them that I did with my friends in Duskwood. We didn’t really know each other that long, sure—even though sometimes it’d felt like it—but it felt like I’d finally been a part of something. Like, I had found these people who had chosen me for me.

And originally, maybe they had. Maybe they’d had every intention of keeping me around, but then Richy was the Man Without A Face and Alan Bloomgate had rescued Hannah and nothing was the same as it had been when we’d met each other. We knew too many secrets about each other by the time the town settled. Secrets we would have to take to the grave.

Or maybe I’m losing my mind a bit and I had really only been a means to an end.

Either way.

“Alan?” I raise my voice when there’s nothing but breathing on the other end of the line. “Did you mean to call me?”

His tone is clipped. “I found something.”

“You found something.” I repeat.

My heart clenches. For all I know, it might fall into my stomach. As far I know, from watching the news, from what Ash told me, Jake’s body was never found. Richy’s was. Or what was left of him to find, anyway. I had assumed that there just hadn’t been enough of Jake left. The thought left me nauseous, but it was better than hoping for something I knew I could never have.

“I’m sending it to your phone now.” He responds. “Let me know what you think of this.”

And then he hangs up.

That was a riveting conversation, I think as my phone dings with a message. I do my best to ignore my other messages—contacts from Duskwood I’m still not ready to acknowledge—and click Alan Bloomgate. He sent me a video that looks like—oh God.

Immediately, I’m overcome with emotion as an all-too-familiar forest pops up on my phone. It’s a video of Alan’s bodycam footage. He’s searching the Duskwood forest. A forest I’ve seen too many times in the background of other video calls.

I watch as he stumbles upon an object that’s too dark to make out at first. When he gets closer, it’s clear that it’s a backpack. It’s simple. Black. Nothing about it that screams this is mine and I left it here about anybody in particular. You stupid, stupid idiot, I tell my heart when it rattles against my chest in hope. He’s dead.

Alan stands and treks away from the backpack—I want to scream at him to go back, to open it and look through it and tell me if it’s what my heart aches to believe, but I can’t, because this is a video and I’m simply watching with wide eyes, waiting for…for something. But then. But then, he moves further into the forest and I watch as he stumbles upon an object that makes my knees tremble and tears rush to my eyes and my hands shake. A black hoodie. It looks like it’s been through hell, with holes scattered up the sleeves and dirt cakes into the hood, but it’s unmistakably his.

And then—Alan lifts the hood and picks up something that makes me sink to my knees with a sob that wracks my entire frame. Because I’m staring at Jake’s mask. The mask he doesn’t go anywhere without. The mask that protects him. And so my relief is short-lived, because I realize that even if he’s alive—which seems like a very big possibility at this point—he’s alive without the things that he needs to survive.

And then the anger kicks in. Because if he’s been alive, on his own, for three months—why has he not contacted me? Unless he survived the mine but he didn’t survive the after. But that didn’t make any sense. So, okay, he wasn’t dead. But that didn’t make any sense either. He told me he wouldn’t let them catch him. Because catching that meant he would be apart from me. Did something happen that prevented him from being able to reach out and tell me he was at least okay? A quick text that said didn’t die in the explosion in the mine, you don’t need to mourn me, by the way, going off radar for another year. Did he think I would have given up on him?

I wipe my eyes and shoot a message to Alan.

ME: Recently?? Did nobody search the forests before?      

ALAN: Searched the forests for what, [MC]? The logical assumption seemed to be that if anybody was inside the mine when Richy set the fire, they would have perished alongside him. Officers were stationed outside every known entrance and exit. Besides, after the story you and your friends spun around this town, do you think anybody would have gone back into its forests?

ME: But it’s possible?

ALAN: I would say these items had been there for some time. But I would say it is likely he ditched them when he fled the mine, yes.

Another sob tears through my throat. Jake is alive. I don’t know quite what that means for us as of now, but I know it’s the best news I’ve heard since Hannah was found. Jake is alive. He’s out there somewhere. And even if it’s been three months, and even if I’m a little bit mad at him right now, I know that if he was here, I would throw my arms around his neck and hold on to him until someone dragged me off, and even then—I would fight kicking and screaming.

I close out of my messages with Alan and pull up a conversation I haven’t had the heart to look at in quite some time.

ME: Jake’s alive.

LILLY: …

LILLY: Have you spoken to him?

ME: Alan called. He found some of Jake’s things in Duskwood. I don’t know a lot of details. But I know he made it out of the mine.

Lilly types for a long while, but she doesn’t respond. I don’t take it personally. I think it’s probably hard for her to be happy that her brother’s okay while also trying to accept that her sister may never be okay again. Her sister, who had once-upon-a-time been kind-of-sort-of in love with their brother she didn’t know she had. I think that would probably mess with any family’s heads. And on top of all that, you throw in manslaughter and a kidnapping. I wouldn’t wish anybody, not even my worst enemy, to have had to go through what the Donforts had.

When it becomes adamant that Lilly isn’t going to respond, I start scrolling through messages with the rest of the group in Duskwood. I click on Jessy. I’m here if you need me. That had been the last thing I sent to her, a couple of days after Richy’s death. She hadn’t responded. I click out of Jessy’s contact and click on Thomas’ instead. Thank you for everything. That had been his last message to me after we found Hannah. I’d liked it. I hadn’t expected at the time it would be the last thing we’d ever say to each other. I click out of Thomas’ and click on Richy. So, you want to turn yourself in? I’d asked. That was before he called me. Before he lit a match and burned himself and the mine to the ground. Some people would call that heroic. I mostly call him a coward.

I click on Jake’s name. It’s been a while since I read messages between the two of us. Maybe before I had accepted—thought—he was dead. In that twenty-five-day period when I’d hoped with all I’d had that he would come back. I love you. That was the last message he sent me. I’d responded with I love you too, Jake. Then, four days later: Are you okay? A week later: Jake, please, you’re starting to scare me. I know you said you would contact when you could, but it’s been a week. After twenty-five days, when I had finally accepted our fate, I’d sent one final message: I hope you know that I love you, and I will always care about you, but I think it’s time for me to move on. I’m so sorry that I sent you into the mine. It should have been me. And I will probably feel the guilt from that for the rest of my life. Thank you for everything. Take care of yourself, wherever you are.

After that, I had closed out of our messages and hadn’t looked back. Partly because I couldn’t bear the pain of it. It felt like I had given up on him. I hadn’t—if I had thought for a second that he was alive, if I knew then what I know now, I would have never sent that message. But holding out hope for somebody who I thought was a ghost at the time? That was slowly killing me.

It’s only then that I notice the screen flickering. Much like the way it used to whenever Jake would hack into my phone. I don’t think he’s much in the mood to be hacking right now, but somehow, I know it’s him. When had he done this? Recently? If I had opened our messages, would I have seen this ten—twenty—even fifty days ago? It hadn’t looked like this the last time I texted him. Did he see my last message about needing to move on? Was that why he hadn’t reached out to tell me that he was okay? Because he thought I was moving on happily without him?

No, my brain supplies. He wouldn’t. He would reach out anyway, because he knows how much the thought of him not being okay would have destroyed you.

The screen flickers once more and then a message pops up, bright and blue-tinted and clear as day on my phone.

[MC]

I WILL FIND YOU

And the world around me shifts.

--------------------------------------------------

Maybe it sounds crazy, considering I’ve never seen his face before, but I always thought that if I’d ran into Jake one day, maybe on the street or at one of those motels he stayed at or maybe even in Duskwood, surrounded by all our friends, I would know it was him. I would, because it’s him, and it’s me, and we’re the only two people who understand each other quite the way we do.

I still believe that.

I believe it when I book my flight to Duskwood (or rather, twenty miles outside of town, which is the closest airport). I believe it when I board the airplane and find a seat next to a mother with her screaming child and when I shoot off a quick text to Eric to let him know I’ll be MIA for the next few hours, but to message me if he needs anything—and I think about how much easier this case would probably be to solve if we had Jake.

Maybe it would have been harder to find Hannah without me, but I know damn well they would’ve never found her without Jake.

Dan picks me up from the airport. I haven’t told the others yet. Something about it felt off—like I shouldn’t message them and say hey, I know we haven’t spoken in a while, but I’m booking a flight to look into why my maybe-slash-not-really boyfriend left his belongings in a forest we really wish we could forget about, and by the way, can I crash at your place?

It’s quiet on the car ride back into town. I’m looking through my messages from Eric and the group from Redlog Pines and thinking about how I’m Duskwood with this group and I want so badly to laugh because it’s ironic, but Dan wouldn’t understand. He might just call me crazy. Better yet, he would ask how I manage to get myself into these situations, and really, I don’t have an answer for him.

“How have you been?” I ask, just to break the tension, as Charlie, in my messages, tries to persuade his friends to head back into that creepy cave in the middle of the forest. He’s going to get someone killed, I think.

Dan looks over at me. “Are you still with Hackerman?”

My chest squeezes. “His name is Jake, Dan. And we were never really together.”

“Hm.” He nods like he doesn’t quite believe me. “You already know mostly everything that’s been happening here. Thomas and Hannah called it quits. They say it was some mutual decision, but it’s hard to find them in the same room together. Jessy hasn’t been out with us since. I think we remind her too much of Richy. The group’s all changed.”

“And you?” I ask.

He gives me a cheshire-like grin that doesn’t quite meet his eyes. “I’m always the same.”

We make it to Duskwood just as the sun’s going down. Much too late for me to try and trek through the forest and retrace the steps Jake might have taken that night. Not that I think it would help give me any clues as to where he might have gone, but mostly because I wonder if it will make me feel closer to him. We’ve never been in the same place before, and even if he’s not there now—he once was.

“Can you drop me at the police station?”

Dan blinks. “The police station.”

I nod. “Yeah.”

“We answered their questions for weeks, [MC]. I don’t think anything you have to tell them at this point is going to help. The investigation’s closed. Everybody knows Richy did it. He died with the fire in the mine. Everybody’s trying to move on from that.” He works his jaw. “Did you come here to open old wounds after all this time?”

I try not to show the hurt look on my face. “This isn’t about Richy. Look, Alan called me. He asked if I could look at some things. I figured it was better for me to do it in person. That’s it. Nothing to do with Richy. Nothing to do with Jessy. Nothing to do with you.”

He sighs, and I’m not entirely sure he’s going to abide by my wishes until we pull in front of a tiny building—tinier than most—that says Duskwood Police on the sign. Duskwood must not have that much crime. Well, not until this, I suppose.

“Thank you.” I tell him as I reach over to undo my seatbelt and climb out of the car. “This is a nice ride, by the way.”

He raises a hand in some mock-salute. “Need me to pick you up?”

“Nah.” I shake my head. “Think I’ll explore the town for a little bit.”

“Suit yourself.” He shrugs and then he’s off.

I square my shoulders and take a deep breath before opening the door to the police station. It wasn’t like Alan asked me to come down here. He hadn’t. Even during the investigation into Richy’s death and Hannah’s kidnapping, when he questioned us, he never asked me to come to Duskwood. We’d done way too many video calls and phone calls and at one point, I had asked if he thought it would be easier for me to come to Duskwood, to which he responded back, are you ready for that?

No, I hadn’t been. I’m not even so sure I was now. But knowing that Jake was alive, that here was the last place was, I had to try.

“Can I help you?” The woman at the front desk asks.

I clear my throat. “I was wondering if I could speak to Alan Bloomgate. I’m one of—I was involved in the Hannah Donfort case. My name is [MC].”

Her eyes widen. “Give me a moment.” She stands and heads to some back office—which looks to me more like a closet—and then returns with a clipped smile. “He’ll be right out.”

Apparently, she isn’t lying, because not two minutes later, Alan is stepping out from the same door and staring me down. I hold his gaze and hope it says that I’m not here to argue. I will tell him my truth, but only my truth, not Hannah’s, not Jake’s, not anybody else’s.

“I was wondering when I would see you.” He says.

I shrug one shoulder. “Isn’t a few months later better than never?”

“Let’s go into my office.” He says, and leads me around the desk and back into the closet space he had come out of. He sits behind the desk and motions for me to take a seat opposite him. “I’m just going to guess you’re not here to talk about Miss Donfort.”

“I want to see them.” I tell him. “His things. I want to see them for myself. And whatever you want from me in return, I’ll give to you.”

“You’re playing a dangerous game here, [MC].”

“He isn’t a game to me.” I snap back and then sit back and try to relax. “I appreciate that you called me. It’s—I helped you find Hannah. I would do it again. Even with knowing the things that we do now, I would do it all again. That’s how much that group means to me. That’s how much he means to me. I’m not asking you to break any rules or to lie for him or to—to let him hide in your basement for the next five years. I’m just asking you to show me what you found.”

He stares me down for a moment. Then, he sighs, says “wait here for a minute” and disappears to another room. When he comes back, it’s with an evidence bag in his hand filled with the objects I saw on his bodycam footage. My breath hitches in my throat.

“I can’t let you touch them.” He says as he lays them in front of me.

I stare into the eyes of the mask. “Did you tell anybody that he’s alive?”

“I don’t know that he’s alive,” is all the answer he gives, which is an answer to my question. I slide my gaze down to the black hoodie, to the dirtied sleeves and muddy hood, and think about the fact that Jake wore this. I’m so close to him.

And yet I’ve never been further away from him.

“Thank you.” I tell him. “For—for this. And for listening to me about Hannah. If you hadn’t, I—I don’t know what would have happened. How much longer he would have gone on for. If he would have ever stopped.”

Alan’s silent for a minute. Then, he clears his throat. “You know, it was strange to me. Both Hannah and yourself swore to me that neither of you knew the other.”

“I don’t.” I swear.

It was one of the (albeit many) things that didn’t make sense to me. How Hannah got a hold of my number. How she sent it to Thomas. She’d told Alan she hadn’t really remembered texting him my number at all.

“I believe you.” He reassures. “I just think it’s strange. One mistake, if you can call it that, and you throw yourself into a missing persons case to help a stranger.”

“They’re not strangers.” Even though Hannah is kind of still a stranger.

“But they were.” Alan reasons. “You had no reason to say yes to helping Thomas. I doubt anybody would have held it against you if you turned the other way. But you decided to follow this until the end. To make sure they found Hannah. And you care about them. Maybe that’s why I find that I’m more lenient with you than maybe I should be. Why you’re sitting across from me right now calling the shots. Why I’m not asking you about the hacker.”

“I wouldn’t tell you if you did.” I look him in the eye so he knows I’m telling the truth.

He returns my gaze. “Maybe that’s the other reason.”

“Hm.” I acknowledge before I turn my gaze away—from him, from the objects that I know belong to Jake and it takes everything in me not to snatch them up and run. “Well. Thank you for allowing me to steal some of your time. For letting me—” I cut myself off before I say something that makes me break down in a fit of tears in front of him. “—just thank you.”

Leaving the station is easier than coming in. I’m still not any closer to knowing where Jake is than I was when I arrived here, but there’s a comfort in knowing he walked these streets. I wonder what he would think if he knew I was here. He hadn’t wanted me to come to Duskwood when everything was happening…but now that it was over, would he be happy that I was here? That I had come to Duskwood to piece together where he might have gone? Would he track my location and come to find me and…or was I grasping at straws?

It felt like I had just gotten him back. Not really, not entirely…but knowing that he was alive, that he was out there somewhere, maybe thinking of me and looking for ways to come back, to live the life we talked about when he asked me if I was sure…that was worth it. The thought that we could maybe someday have that—even if it was a twenty percent chance.

I check my phone again to see a new message from Ash. She’s asking me if I’ve heard from Charlie in the last few hours. Apparently, he’s AWOL, and I want to help, really, but…it doesn’t really feel like that’s where I am at the moment. Not just physically—obviously—but mentally. We got lucky with Hannah. And that was really only because we had Jake. Adam didn’t have a Jake. Or…maybe he did and I just hadn’t met him yet. But I already had a Jake and I didn’t want another one.

Maybe—if I found him, I could convince him to help. That was a big maybe. Not because I thought Jake would say no. He would say yes to anything I asked of him. The maybe was whether or not I could find him. More likely, the maybe was whether or not he would find me.

Three months ago, I would have been able to come to Duskwood and have no shortage of things I wanted to do and people I wanted to see. Now, as I stand outside Duskwood’s police station, I feel nothing but loneliness. Nobody knows I’m here. I could pass Thomas on the street and he wouldn’t even know it. I could run into Jessy at the library and she would walk by me without even a second thought. Why would they? I hadn’t told them I was here.

So, with nothing left to do, I walked. Toward the town center. Toward the library that Jessy showed me on our walk through Duskwood. Toward the Rainbow Café where I knew that Cleo and Hannah had spent a lot of their time. Toward the Black Swan. Toward—

Ah, what the hell.

I had nothing better to do and The Aurora seemed like a great place to drown my sorrows. To think about my next steps. To figure out—now that I was in Duskwood—what I planned to do. The thing about Jake being so secretive (and on the run) was that I couldn’t retrace his steps. I wasn’t able to ask if anyone had seen him. One, because he would make sure nobody had. And two, because three months was a long time to forget somebody’s face if you didn’t know who you were looking for.

I pull open the door to the bar and step inside. Immediately, I’m hit with the stench of whiskey and a handful of chatter. Duskwood’s a small town. And The Aurora definitely proves it. The bartenders move melodically around each other, serving patrons on the other side of the bar. If you walk down further, there’s a handful of tables.

And dead in the center is a table with my friends. Or, some of them. Dan and Cleo and Lilly. Could I still call them my friends? Ex-friends, maybe? Acquaintances? I didn’t know what they were. Or how to address them. It wasn’t like we had gotten into a fight. We didn’t stop talking for any reason other than that we did. We stopped talking.

I make a beeline for the bar to avoid a confrontation and plant myself on one of the stools. One of the bartenders—a girl cute with bleach blonde hair and brown Bambi eyes—asks what I want and I channel my inner Dan to order a whiskey—neat.

Looking over my shoulder, I focus on the table of them. On Lilly, who’s smiling at something Cleo said. On Dan, who’s the only one of them who actually knows I’m here. But even he’s focused on the conversation they’re having. It’s strange—to see Dan a part of something I’m not sure he would have been before. It’s nice.

“[MC]?”

I turn my head away from the table of my friends and focus my attention across the bar on someone I should’ve expected to see. “Phil.”

“I thought I recognized your voice from when we talked.” He smiles. “I wasn’t sure, but I saw you staring longingly at them—” He nods towards Dan and Cleo and Lilly. “—and I knew. What brings you around here? I expected you to show up maybe a few months ago, but by now, I thought you’d moved on without us.”

I was tired of the words move on. Like I’d had a choice. Like the people from this town might open their arms and welcome me back into their lives. So I’d been part of the group who’d saved Hannah Donfort. So had a lot of people. It didn’t make me special and everyone here knew it.

I offer him a smile in return. “I’m looking for somebody.”

“Anybody I know?” He asks.

I shake my head. “Nah. At least nobody you would recognize.” I pause. “How’s Jessy?”

“She’s—Jessy.” He answers, like that is an answer. “I don’t know if she’ll ever really be okay with the way things happened with Richy. I wouldn’t expect her to. Obviously. But I don’t know. I think I just thought she would have gone back to her normal life by now. And then I remember that most of her life revolved around him. He was her best friend. She worked for him. And I’m trying to be patient about that. But—” He shakes his head. “Maybe you should talk to her.”

“She doesn’t know I’m in town.”

“Okay.” He hums. “So, you’re not in town for my sister. And you’re not in town for your group of friends because they’re over there and you look like you’d rather be anywhere else. There’s always Hannah, but I don’t think you knew her that well. Or at all. Would I be right to assume this is about a certain hacker who helped to find Hannah?”

“He didn’t help find Hannah.” I defend. “He was the entire reason we found Hannah. I would have never been able to do it on my own. Even with the others’ help. He’s the only reason we found out about—” I pause before I say something I maybe shouldn’t. “It doesn’t matter. He’s the only reason we found her. Everything I did was just dumb luck.”

“That wasn’t what the news said.” A voice cuts in and I turn my attention from Phil to focus on the stranger that slides into the seat beside me. Not too close—a couple inches away. I don’t recognize him. I don’t know him. But I don’t know every person in Duskwood. Maybe a total of like nine or ten. “I’m sorry to interrupt. But I heard you had a lot to do with finding Hannah Donfort. The news said you were some kind of hero.”

I offer him a tight smile. “That’s nice of them. But…if they knew my—friend—knew what he did to find her, I don’t think I would be as much of a hero as everybody says.”

“That’s noble.” He says, eyes meeting mine, and it strikes me at once how handsome he is. He has dark hair. Bright green eyes. Focus, [MC]. I scold. You have a…a someone.

My phone buzzes.

ERIC SENT A PHOTO.

ERIC: What do you make of this?

I sigh and click on the photo. It’s of—some object. Much like the one that was addressed to me on the envelope in Adam’s glove compartment. The image is a bit different—but I don’t know enough about what it means to have an answer as to why.

ME: Was this one addressed to me?

ERIC: Nope. Ash.

“Are you okay?” Phil asks.

I clear my throat. “I’m a popular person—apparently.” A thought strikes. “Have you ever heard of a place called Redlog Pines?”

Phil frowns. “No.”

I turn to look at the stranger. “You?”

“Redlog Pines is a small town about two hundred miles north of Duskwood.” He answers. “Known for their wooded forests, much like Duskwood.”

“Why are you looking into a place with forests as creepy as ours?” Phil asks, incredulously. “Didn’t you get enough of that with Hannah’s case?”

“Yeah.” I sigh. “You would think.”

“Hey, [MC]!”

I wince at the sound of Dan’s voice. Shooting Phil a look that screams please help me to which he shakes his head amusedly, I turn and plaster on a fake smile as I take in the shocked looks on Cleo and Lilly’s faces. I should have known better than to come to The Aurora and talk to Phil when the three of them were having a conversation across the room. I should have known they would sooner or later see me. I just hoped it was later.

“Hey.” I hop off my stool and make my way across the bar to them. “It’s, uh, fancy seeing the three of you here.”

“What are you doing here?” Cleo asks.

“I haven’t really figured that out.” My eyes meet Lilly’s. “It sounds crazy to say it out loud. But I was hoping that—I’m not sure if Lilly told you—”

“That Jake’s alive.” Cleo nods. “None of us ever really thought he wasn’t.”

I don’t think she means it as a dig—but it still feels like one. Like she’s saying you gave up on him you gave up on him you gave up on him even though she’s not and she didn’t really know him and the only person I can talk to at this table who even might understand is Lilly and even—Jake didn’t confide in her the way he did me.

“Right.” I acknowledge. “So I thought that maybe if I came here, I could trace his steps from when he was here and—I haven’t really thought that far ahead. It’s not like I thought he left me any clues in the forest or anything like that. I don’t think he expected me to be here. He hadn’t wanted me to be the last time we talked. But that was before everything happened.”

Lilly’s eyes track behind me. “Does Jake still have Nymos on your phone?”

“Uh.” I furrow my brows. “I think so. I hadn’t heard from him in a while, but I went back and read through our messages after I talked to Alan and…my phone glitched, like it used to when Jake had hacked it. And then this message appeared on my screen.”

“And by chance, can Nymos track your location?”

“What—” I shake my head. “Maybe. I don’t think I ever really asked him. It didn’t seem necessary at the time.”

“Uh huh.” She focuses on me once more. “Let’s say, for one minute, that Jake has access to Nymos who has access to your location.”

Cleo must catch onto something I’m not sure of. “Jake didn’t want you here.”

“Uh, thank you?”

“You know that’s not what I mean.” She waves me off. “He didn’t want you in Duskwood. He had been adamant about that when we were talking about the mine. That’s why he went. If you showed up in Duskwood—”

“Nymos would have alerted him.” Dan finishes.

“Okay…” I’m not entirely sure I’m on the same page as them. “So—you think that Jake found out when I came to Duskwood.”

“Correct.” Lilly beams like she just solved life’s greatest mystery.

“And you think he would—come find me?”

She smiles sympathetically at me—like I’m the world’s biggest idiot for not realizing what she has been trying to say sooner. “I think he already has.”

“You think Jake’s in Duskwood.” I deadpan.

“[MC].” Cleo grabs my shoulders and turns me around. “We think he’s in this bar.”

Stranger, as I had nicknamed him—AKA the guy sitting beside me at the bar, with Phil and Redlog Pines (which he probably only knew about because of me) and the whole Hannah being kidnapped and not taking any of the credit thing—was looking back at me. So was Phil. Like they thought I was the crazy one. Like it would’ve been so hard for him to look and me and say it’s me or anything that might have clued me into the fact that—

“Jake?” I whisper, because I’ve lost quite a bit of sleep over the past couple of months and I’m not one hundred percent sure what—or who—I’m seeing is real. “Are you here?”

He tilts his head and smiles at me. Actually smiles. A bit shyly, like it’s something he’s not used to doing, but maybe like it’s something he could get used to. And I think about how terrible I probably look right now because I’m not wearing makeup and my hair is tousled from constantly pulling at it and my clothes are wrinkled from the plane and the police station and I look like a mess. But our relationship has never been about looks. Clearly. I didn’t even know the person I’d been talking to until Lilly and Cleo and even Dan pointed out the obvious.

“If I—” I close my eyes and open them again. Nope. Still there. “I need you to still be there by the time I reach you because it’s been a—” I sniffle. “—it’s been a rough few months and I don’t think I could handle you disappearing again.”

He stands from the stool he was sitting on and shuffles his feet. Like he’s not quite sure where he’s supposed to stand. If he thinks about moving, I’ll tackle him onto the floor of The Aurora and then apologize to Phil later. It feels like everything I wanted is right here in front of me. And I’m scared to death that it’s not real.

“What’s one thing you would take with you if you were stranded on an island?”

His smile stretches. “My computer.”

And that—that’s what breaks me. I think I might start blubbering like an idiot but I don’t remember the time it takes for me to cross the measly twenty feet between us. All I remember is grabbing his black hoodie—because of course—and dragging him to me. I don’t kiss him, despite how much I want to, because I don’t want our first kiss to be tainted with my snot and tears. Instead, I bury my face in his collarbone and wrap my arms around his neck and hold on for dear life.

Because I can. Because he isn’t dead.

“Y—You’re here.” I pull back and cup his face with my hands. “How are you here?”

“You came to Duskwood.” He responds, and then—hesitantly—he presses his lips to my forehead in a kiss. “Alan called you.”

“He found your things in the forest.” I whisper back. “He said they’d been there a while. The police hadn’t searched the forest because they assume you died in the mine.”

“They aren’t looking for me here.” He confirms. “I didn’t expect it to take so long for them to find my belongings, but I anticipated that you would find out. At the time, it wasn’t safe for me to reach out and contact you. They kept on my trail for a while before they assumed I died in the mine with Richy.”

“Why didn’t you contact me then?” I ask. “Is it because of what I last messaged you? I didn’t mean it—I swear, I thought you were dead. If I had known you were alive, I would have waited, however long it took. I wasn’t trying to give up on you.”

“Hey.” He places both hands on either side of my face. “I know. I know that, [MC]. That was never why I didn’t reach out to you. I know you said you wanted this life with me. But I didn’t want that for you. But I was selfish. I couldn’t let you go. So I was trying to find a way to make both of those things true. But I was always coming back to you.”

“And did you?”

“Come back to you?” He asks.

I sniffle. “Find a way to make both of those things true.”

“Not entirely.” He admits. “Nymos alerted me you had boarded a plane headed in the direction of Duskwood and I—” He shook his head. “I knew I would find you here.”

“You could have found me sooner.”

He lets go of my face and he feels like he takes my skin with him. “It wasn’t that easy.”

“It could have been.” I demand.

I’m angry again. Now that I know he’s alive and okay and that he could have found me, I’m angry that he didn’t. I told him I would choose that life with him. Over and over and over. He didn’t need to make the decision for me. He didn’t need to try and protect me. And yes, maybe the fact that he did makes my heart flutter a tiny little bit, but that’s besides the point.

“I told you before you left me.” I tell him and I’m aware it sounds like we’ve been in a relationship for five years and I’m aware that everybody in here is watching and listening in on our conversation and they probably all know we’re who we are, two people involved in helping to find the kidnapped Hannah Donfort, and maybe that’s all we’ll ever be in this town. But I would rather be the girl who found Hannah Donfort in Duskwood with him than be me anywhere else. “You told me you would let me go with you.”

“That was before I told you I loved you.”

My heart skips a beat. It screams I love you I love you I love you back, but I say— “What does that have to do with anything?”

He looks somewhat amused. Like he knows I would never hold it against him. It’s clear to both of us that I wouldn’t because even though I’m glaring up at him with my furrowed eyebrows and my lips pouted, I’m still pressed tightly against him. His hands—even though they’ve moved from my face—are now resting on my hips. Pulling my tighter to him. There’s no space in between us. If it was up to me, I’m pretty sure there never would be again.

“[MC].” He says, and oh god I wish he would say my name every day for the rest of his life. “Have I—in the short time we have known each other—ever struck you as the type of person who says I love you? But with you…” His words are a whisper against my lips. “It’s easy to fall back into old emotions with you.”

“I want to be angry with you.” I tell him.

He shakes his head. “No, you don’t.”

“No, I don’t.” I agree. “But I might be if you don’t kiss me.”

He brought one finger underneath my chin and tilted it up until our lips were separated by a fraction of an inch. My eyelids fluttered. I didn’t care that everyone in here was about to see just how much Jake meant to be. I didn’t care because I had waited too long for this. And then—just as I’m leaning toward him to press our lips together, he whispers— “[MC]?”

“Hm.” I acknowledge.

“Who’s Eric?”

My eyelids crack open and I shove at his chest. “That’s what you’re worried about right now? Here I am, in front of you, covered in snot and tears and who-knows-what-else because you’re here right now, and you’re worried about some guy I don’t even know?”

“Who’s Eric?” He repeats.

“Ugh.” I run my hands through my hair and take a step back. “I don’t know. He’s the other side of Thomas or whatever you want to call him. If we lived in a different town.” I glare back at him and try not to admit that I think his jealous side is a little cute. “He messaged me. Thought I picked up his friend from some parking lot and I didn’t, but his friend sent him my number, and it was Hannah all over again. I’m trying to help them.”

“This Adam has been sending you a lot of videos.”

“You know I hate when you hack my phone.” I complain, even though I really don’t. Even though I had prayed for him to help me with this case. “I really don’t know Adam. Like—even less than I know Eric.

“But you know Eric.”

“For like a week.” I reassure. “He added me to this group chat with him and like three other friends of his. They’re desperate to find Adam who has apparently dropped off the face of the earth and I don’t know what to do. I had you with Hannah’s case. And you knew her. And they—” I look over my shoulder at Cleo and Dan and Lilly, who are pretending like they’re not listening in even though I know and Jake knows they are. “—they knew her. And obviously Adam’s friends must know him but I don’t and you don’t and there is no Jake in Redlog Pines.”

“I don’t trust him.” He shakes his head. “Any of them.”

I laugh. “Jake, you didn’t trust half the people in this bar when we first started talking.” I look over at Phil and then Dan. “It doesn’t mean they committed a crime. If I had backed off when you asked me to help you find Hannah, we may never have.”

“I thought that was all thanks to me.” He sounds smug, like that little smiley face he loved to annoy me with (AKA make me fall in love with him). “Did he flirt with you?”

“No.” I deadpan. “I think he was focused on his missing friend.”

“I was focused on my missing sister.” He shoots back.

I close my mouth. Alright. He has a point. But I wasn’t flirting with Eric. He was focused on finding Adam and I was focused on mourning—and then finding—Jake. Maybe it felt like Eric and I were two sides of the same coin. Maybe that’s why I agreed to help him. Because I didn’t want to happen to him what I thought had happened to Jake—to me.

“You’re being ridiculous.” I say instead. “How do you think I could ever entertain the idea of being with somebody else when for the past three months—more than that if you count the time we have actually had together—I’ve been focused on you? On discussing Hannah with you and then talking to you about anything and everything and then worrying about you and then hating you a little for convincing me you should me the one to go into the mine and then mourning you when it was hard to even think about you and then finding you?”

His eyes are wide. I think I’ve rendered him speechless. Which—serves him right. I know he’s not somebody who serves their feelings up on a silver platter. I know that. Obviously, I knew that from the first time I spoke to him. Back when he was nothing more than ??? and I was almost convinced that Dan was right and he was the Man Without A Face—a thought that I now hate with everything in me. But I need him to trust me. Jealousy streak and FBI and the missing persons cases aside, he needs to trust me.

“Trust me.” I cup the sides of his face again. “He’s nothing like you.”

He swallows. “Some people might consider that to be a perk.”

“I don’t.” I say.

And then I’m kissing him and it feels like coming home.

[profounddefendorcrusade-blog]

Clover's personality (in-depth)

This thing turned out way longer than intended. As promised, I wrote my opinions in regards to Clover's mbti; I also wanted to include the enneagram but figured it would be too much, so I'll do that separaretly. For those who wanna get straight to the point, just scroll to the end of the post for a pic of the functions I think Clover has. But if you want more details, read the whole thing. Probably not many people will wanna do that, but I had fun, lol. Please excuse me for nerding out

Analysis

Even before they got into the Underground, Clover thought to themselves "Ok, this is a dangerous mountain and I ain't coming back, I'm probably gonna die and therefore not live to see the rest of my life play out BUT I'm gonna follow my values anyway. They're worth the risk." To me, right off the bat, that's Fi over Ti (aka inner values and morals over inner facts and logic).

I've done some research on this stuff and found out how "Fi knows the value of something not by analyzing it but by feeling it deep inside themselves that it is how it should be" Ti has to be as objective as possible, Fi doesn't. So I sat down and thought about how exactly Clover approached situations.

I feel like their main reasoning for being in the Underground were their inner values and beliefs of finding out what happened to the children. That's why I'd say they're an introvert rather than an extrovert (it's not because they're quiet and reserved, although they are, but because Clover's inner world affects their outer world). Now, both Ti and Fi look inward, and those inner thoughts and feelings affect how they interact with the external world. The real question is: is Clover objective enough to be considered a dominant Ti user?

We can see in the Vengeance route that Clover is stubborn with their beliefs and refuses to look at things from a more... logical POV: "Asgore killed five humans. Is it fair to wipe out every other monster in my way who gives me even the slightest reason to do it?" Martlet was the only exception because she was the only one who had tried to be nice and understanding. Clover's dark side is that they're tunnel-visioned and see morality as black and white (don't look deeper as to WHY the monsters do what they do), and blindly follow their own beliefs over what objectively makes sense. Just like Ceroba, who I'm positive is a feeler (she only considers how she felt about Chujin and not how skilled of an engineer he actually was, even when there's clear proof he wasn't the best at his job). 

Objectively, it's not fair to kill so many monsters after only five humans were killed. If Clover wanted fair vengeance, they would have stopped after five monsters were killed. But no. According to Clover's own logic, everyone morally imperfect, everyone who's hurt them, who tried to hurt them, or messed up somehow, must die. So, Clover isn't thinking about what makes sense; they're thinking about what makes sense to THEM, and stubbornly hold onto that till the end (again, like Ceroba), even after Martlet's warnings. She says how the Royal Guard will be after them.

The logical (T) thing to do would be to STOP before things become even messier, but once again, no. Clover doesn't care about the consequences, only fulfilling their mission that is driven by their own set of values. No matter which route you choose, you will be presented with Clover's own version of what "justice" means. It's not the objective truth, it's not what's the logical thing to do; they follow their own framework based on their (our) choices.

"If unhealthy INFPs are dealing with threatened values or viewpoints that oppose their own, they can go the other way and imagine that others are all corrupt, thinking badly of them, and deluded. They may see themselves as the only people who see “the truth”, or the only people who really care to make a difference in the world. They can become especially harsh and critical of others and take on a martyr role, gradually secluding themselves from other people". - this feels like geno Clover; they thought they were the hero but they were playing the villain all along

Now that I think about it, the logical thing to do, the one that makes the most sense, would be never to have entered Mt. Ebott in the first place. And if vengeance was what Clover wanted to do, it is fair and makes objective sense to kill only five monsters (since that's how many humans died). But as explained, Clover didn't follow that logical conclusion, but rather their own twisted sense of justice. The same goes for neutral. It's Clover who chooses who gets to live and who gets to die based on their own beliefs and feelings, which are not backed up by facts. Everything they do they do because they themselves feel like it should be done. They are the one who decide who gets to live and who doesn't based on their own opinion/how severe they think the misdeed of the final boss is. This counts for the regular monsters who attack them, too; again, THEIR own subjective decision.

For example, they might see Dalv's actions as acceptable/forgiveable and spare him, but not Starlo's and kill him. Objectively, both characters are messy in their own way, but Clover gets to be the "judge" and decide their fate, not objectively looking at the situation, but subjectively. In short, according to them, Dalv may deserve to live, but not Starlo. 

And even if they're a dominant Ti user, which I don't think they are, Clover is more past and future-oriented than present-oriented (N over S). As mentioned, they thought about how much they'd risk by going down Mt. Ebott (potentially dying, and definitely never seeing the surface ever again, or their family) but they followed their heart's desires; to them, morals and ethics (their own morals and ethics) were more important than what the more logical thing to do was (stay on the surface where it's safe).

In other words, they could already "predict" what would happen in the future, while in the present moment (the beginning of the journey).

And right before sacrificing their soul in pacifist, they think about how their death would affect ALL the monsters in the future, whether they had directly met and befriended them or not, even though they wouldn't be there to see it.

Clover seems to be able to easily move between the past, present and future, unlike sensors, who are mainly in the present moment (this is what I've heard somewhere at some point and remembered it, dunno how true it is). They can easily recall the past, and what they remember are things that moved them on the inside.

I've heard some of my friends say that Clover's character arc was to become a kinder person (develop their Fe), which, honestly, I don't think is the case. They simply acted on their inner views of what justice truly means, without further analyzing whatever they believed justice to be.

In pacifist, they're naturally selfless and kind and forgiving: a bit of a prankster, but they're one of "the best souls" according to Martlet. Just look at the ACT options that they used to befriend monsters. Quietly listens to Decibat, offers Dalv a handshake (and friendship), easily forgives Martlet, Starlo, and even Ceroba (+ gives her a hug), endures so many hardships yet keeps their heart pure and selfless. 

They were always driven by something bigger than themselves (like Chujin, who I also think is a N user).

ISTPs are more adventurous and independent and flexible and focused on current problems in the present moment; Clover has been future-oriented from the start; they depended on Toriel to take care of them, and didn't try to immediately "adapt" to the monster world. Their 1st reaction was to stay safe and cozy. ESTJs (yeah, at some point I thought Clover could be one) are more "ruthless" in their pursuits, they "force" others to adopt their inner values. Clover doesn't do this in any route; they simply act upon their own beliefs, but aren't demanding that other monsters to have those same beliefs.

That's why I think they're an INFP.

Functions

Fi (dominant) – "If something goes against their moral code, they will not go through with it." It went against Clover’s moral code to spare monsters in genocide and abort the mission, so they didn’t, regardless of Martlet’s warnings.

"Fi dominants are inclined to speak up against beliefs or actions that go against their personal values or express disapproval of certain behaviors." I can't find the screenshot, but in the Mines, if you interact with the character who's in the same room as one of the puzzles, Clover will find out how that character pulled a prank on that guy who later got a promotion in the pacifist end credits (I need to reply the game to find the screenshot). But basically Clover was upset that their own morals weren't met and gave them a "disapproving look" or smth

"Ti dominants most often feel compelled to speak out when people are acting inconsistent (ie: contradicting themselves) or when people are being illogical from the Ti user’s perspective." I think Clover reacted to the above situation as a Fi user

"Unlike Fe users, Fi users are very blunt and direct. Fi and Te creates a person who is brutally honest about their opinions and feelings. If they don’t like a person, they will let that person know." Not a person in this case, but an example of this are the options we get for Martlet's questionnaire. Clover will have no problem honestly giving her the lowest scores for both questions; we also also get the chance to honestly tell Ceroba that we're not into Starlo's training. There are these cases where they're direct as well:

...and blunt:

they would have given at least a smile or a thumbs up, but no, their honest opinion is their honest opinion

"They appear cold and withdrawn, but tend to warm up as they get to know a person."

Ne (auxiliary) – "Ne views a situation from multiple angles and motivations" I feel like this is best seen in pacifist; this is exactly why Clover decided to give up their soul in the end; they saw all the motivations of the monsters, from many different angles. On the flip side, in the vengeance route, it’s the complete opposite situation: Clover only looks at things from their own pov, completely disregarding others. That’s the thing about the INFP dark side: INFPs become "disillusioned or stuck in their ways." This 100% describes Clover at their worst: stuck in their ways is already explained, while we can say they were disillusioned when even Martlet turned against them/gave up on them (in Genocide). That was enough of a reason for Clover not to feel bad about finishing her off. They never liked her, but they definitely liked her more than anyone else, so I’d say it counts.

"Creative, open-minded, and able to think outside the box" We can say Clover’s creative when they build Axis’ robot companion, solved the two puzzles in the Mines, they’re also most likely into role-playing just like Starlo, based on their clothes (and they seemed into the whole larping thing with him), and how they seem to be into drawing; open-minded, definitely (Clover with everyone; the pacifist route in a nutshell); able to think outside the box (this goes hand in hand with them being creative: I forgot to mention the many creative ways they found to befriend monsters)

"Ne lives in the present like Se does but makes connections to past and future." Imo, this is exactly what Clover does (their sacrifice in the future, and all the things other monsters had said to them in the past; however, they DO interact with the present world at the same time. This is what I meant when I mentioned how they "jump from and connect all 3")

Si (tertiary) – "happy in their comfort zone" Is this Clover? Yeah. Initially, this was their "default" reaction/behavior: with Toriel. They subconsciously became more independent thanks to good old Flowey. As I said, their values led them to take the risk and come into the Underground in the first place, not adventure/excitement (the way I see it). Were they also seeking the truth? Yeah again, they wanted to know the truth behind the whole situation, but I think it had more to do with how they had found the fact that no other humans bothered to look for the kids immoral.

"Si users may draw on their past experiences to guide their present actions and decisions" Example, how the detailed lines they remembered everyone said in true pacifist, influenced them to make the decision to die in the present moment. Or when they asked Ceroba if she would date Starlo, after hearing and remembering Crestina mention his crush on her beforehand, wanting to set them up.

"Si users have a strong memory for past experiences and details" Yep, explained above. Also, dunno if this counts as noticing details, but we can make them beat the Shufflers’ game with ease.

"Si users are typically practical and realistic in their approach to solving problems" The Snowdin mini-quests come to mind (although they use past information here too to figure out what each character needs to be helped). Also, how they fixed the elevator by using a pickaxe (most practical & realistic choice). They’re also pretty rational while dealing with Guardener, and in general, while dealing with enemies.

Te (inferior) – I guess this is why I suspected they could be an ESTJ.

"seen as leaders" By everyone.

"Come up with ideas quickly" Pretty much throughout the game. They’re more low-key about this than ESTJs though.

"Ruthlss and domineering" This is them in vengeance route

"Extraverted Thinkers recognize the emotional content, but then they set it aside to focus on the facts" I feel like this inferior function of theirs is mostly seen in flawed pacifist. They recognized Ceroba’s emotional situation, but chose to be fair and just instead.

"Te users are logical" Recognizing the dangers of the Underground and deciding to stay with Toriel. We can also say it makes sense that Clover attacked those who attacked them first, and finished Ceroba off (Te is what is objective, but from the external world)

"Though they are generally free spirits, they like to have a certain order in their lives. They do enjoy structure, just as long as it does not intrude with their feelings/morals/ethics/etc. They like to be the ones to create the structure, not to have the structure to be created for them."  Vengeance route and Clover’s "mission" come to mind. Basically, the structure is that, whoever Clover sees as morally flawed, gets to die. And they stick to it

tl;dr this picture pretty much explains the way I see Clover's functions in a nutshell ↓

[sturneunoia]

record

cw: implied sex, implied intimate recording, pet names

soft!dom!matthew x sub!reader

༊*·˚

“i don’t know,” you mumble, eyes shifting from the camera, that rested a few feet in front of you, to him.

“c’mon, just something to try out. if you don’t like it, we don’t have to do it again,” he assures, his hand resting under your chin to keep your undivided attention.

you run your tongue along your teeth, letting his words linger in the air for a few moments as you made your decision.

“on the vlog camera though? what if nick stumbles across it or something?”

you feel his thumb rub your jaw gently, trying his best to make you comfortable with the situation, “different USD card babe, one for only you and i,”

you sigh, staring at him for a moment longer before making up your mind, “okay, yeah,”

a small smirk appears on his face, it taking him no time to grab the camera, setting it up on a tripod nearby.

you lean back against the headboard, picking at the skin around your fingers as you watch him anxiously. you wanted to do so, trust. you were just nervous that it’d be found. or worse. accidentally posted for some odd reason. but you trusted him. so you allowed it.

he makes his way toward you, once everything is situated, crawling onto the bed to hover over your half-naked figure, “remember, this one’s all about you,” he whispers.

༊*·˚

[liketwoswansinbalance]

Do you think the School is exempt from having to pay taxes?

Yes, I do think the School is exempt from taxes, and there is no canonical evidence I can remember which suggests it is subject to taxes.

Given that funding was never an issue (or flat-out irrelevant to the plot) to Rhian with his renovations, as he never seemed to have any trouble getting the work done that he wanted, that could mean the School isn't subject to taxes, or that taxes were a minor enough non-issue amid everything else that went wrong that they wouldn't have warranted a mention in the narration.

Also, the School is a private institution, which could mean the Kingdom Council has less power to intervene with its ongoings, at least towards the beginning?

Aside from that, throughout the main series and the prequels, the School is capable of magically terraforming all on its own, usually on the basis of who is its master(s). Indeed, it's as if the setting were a character in its own right.

⸻

If you had wanted to hear from the brothers themselves:

Rafal: Why care about the answer? I’m the only authority that matters. [expression and inflection darkening] If the Kingdom Council has a quarrel with that fact, by all means, I’m willing to negotiate.

Rhian: Rafal! Must you always embarrass me in front of polite company?!

⸻

Yes, they are breaking the fourth wall.

I personally wouldn’t put Rafal above tax evasion, assuming he’d find a smart way to do it and never get caught. After all, he initially only wants “the best” for his School and Nevers, and for his alumni to emerge as the victors of the tales, from the eternal war of his Woods. If taxes wouldn't bode well for future Evil victories, well, he'd simply have to do away with them, wouldn't he?

And, he wouldn’t want needless fuss over his breaking the law, not that he cares about staying within the rule of law as a fugitive in Monrovia's eyes, so he'd probably stay within the bounds of the law rationally, within reason, unless he were certain he could get around them.

That, I’d figure, would be Rafal’s attitude towards the Woods' law and order in general, when the laws aren’t his own. If you want to hear about his unfortunately sour attitude toward my readers, you can read this similar ask dialogue post, in which he addresses all of you directly, once again, breaking the fourth wall.

[rainymoodlet]

Kiss Me in Komorebi+ 🌸

[Episode Six] 1st Rose Ceremony!

We finally made it, folks! The First Rose Ceremony of the challenge is here! Daniel’s so appreciated the opportunity to be able to meet these fine sims and learn more about them: it’s going to be so hard to say goodbye!

The Roses will be given out in random order! They are not indicative of Romance Point rankings.

@retro-plasma @buglaur @wastelandwhisperer @softietrait @rebouks @dirksdreamer @jaigny @hallasimss @akitasimblr @wormsimblr @2013trait @julietisufferingwiththeuser @mattodore @hauntedtrait @bionibots @anarchosimdicalist @morrigan-sims @yikessims @lre333 @gothoffspring @kawaiishitty

[ Part 1/5 ] 🌹

[wittyworm]

Going to be making stickers and posters and spreading this around my town hopefully soon. the green square is going to have a QR code that will have a bunch of resources and ways to help. Iv gathered some of my own but if anyone has resources they think would be helpful or have suggestions on ways to best do this (its just me and my sister) id really appreciate the help.

[paimonial-rage]

For people that enjoy my bookkeeping!verse series, I am planning on editing and revamping all of my previous chapters and posting it to Ao3. I understand that it's difficult following chaptered works on Tumblr, so hopefully that'll make updates easier to follow. I'll let you all know when it gets uploaded. ;v;b

[tacomanarrows]

For the first time in like 3 years, EVERY SINGLE ONE of my OCs gets something new in their toyhouse galleries today

[skitskatdacat63]

are there any other historical figures you like I'm intrigued 👀

Okay buckle in, somehow this post will be weirder than any of my f1 stuff bcs for some reason I'm very intense about historical figures, I think I just have a tendency to treat them like blorbos

Mostly I'm endeared to powerful figures, idk why, it's the way it is. Okay so obviously you already know I like Napoleon(and Wellington to an extent), that really doesn't need to be emphasized anymore

Since being in Austria, I feel super endeared to Maria Theresa. She just seemed like such a boss! I think she's just really cool. Her father changed the plan of succession so she'd become Empress(rather than her cousins), but immediately upon taking power, she was immediately embroiled in war over her being the new ruler(everyone who had signed the treaty of succession suddeny reversed) But she defended her rule of the Habsburg monarchy! I think the coolest part about her is that her husband, who married into the Habsburgs, was supposed to be in charge, but she wouldn't let him be involved at all practically and was the de facto ruler of the Holy Roman Empire for like 20 years. She had 16 children and was basically constantly pregnant and having kids while involved in war, yet still held power and guided Austro-Hungary through it all 🥹 I think it's very funny also that she was laying out so many reforms, guiding the country basically just herself, and still found time to write letters to all their kids and be an overbearing mother. Also she was Marie Antoinette's mother?? I'm still shocked by how many important kids she had. If you've been to any part of the former Austro-Hungarian(+ Bohemian) Empire, she really left her mark, there's soooo much stuff named after her. The statue of her in between the Kunsthistorisches and the Natural History Museum in Vienna is really cool, and that she has a whole Platz named after her with her giant statue!!! I think it's just really admirable that a woman at that period of time had so much power and ruled so efficiently. (MY god sorry I wrote so much)

Okay now I'll try to refrain from the historical rambles, I also like: Julius Caeser(cliche sorry I know), Dmitri Shostakovich(my favorite composer ever), Pyotr Tchaikovsky(pls read about his sugar mommy patron), Erwin Rommel(I like his nickname: The Desert Fox), J.C. Leyendecker(favorite artist, I am obsessed with his work), Alphonse Mucha, Calvin Coolidge(not the best president by far but the anecdotes about his social awkwardness and quietness are hilarious to me), Ernst Gideon von Laudon(not completely insane about him, but it's like with the Napoleon Crossing the Alps painting, I saw a painting and bust of him and now feel weirdly endeared.) And then there's probably some others I can't recall atm because it's 3 am

I think my top three though are Napoleon, Julius Caesar and Maria Theresa. They're all just very: "Catie saw a painting/statue and is now very weird about it." And then being in the vicinity of so much history made it 1000x worse. Things I saw in Vienna that made me go "oh my god it's blorbo from my history book": Napoleon Crossing The Alps painting(I seriously sat in that room for probably 20 mins just staring at it, I didn't want to leave) + some other various Napoleon artifacts in the Heeresgesichtliche, a very nice bust of Julius Caesar, and literally the entirety of Vienna had Maria Theresa everywhere

[arolesbianism]

I need agent 4 to appear in side order soooo badly I do not care in what context I just need to put Jim and Mark in the same room please please I'm desperate

[stiles-o-dylan24]

If you ever decide to make iaby into an actual book, I will totally buy it like no matter what! 💛

I want to smother you with cuddles🥺

Sooooo I’m actually in the process of going through the chapters with a proper editing process for the entire series fixing grammar, flow of sentences/scenes, and adding in more scenes I wish I had to begin with and once I’m done I will absolutely be uploading it to be printed into a book with Lulu. No idea how that process will be but I will be updating on here when I’m ready for it to be printed and see about how to get copies to people who want them.

Also means I will need to figure out a cover… which I’m totally at a loss with what to do for that

[born-to-lose]

In my depressed era again <3

[weirdly-specific-but-ok]

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)

[always-a-slut-4-ghouls]

*makes a whole bunch of art and crafts*

“I want to sell this so I can make EVEN MORE and also hopefully someone else will enjoy it!”

*can’t fucking drive because of my gods damned epilepsy*

“Alright, so, while I could probably walk this stuff to the ups store two blocks over during spring and fall, once it starts to get really snowy the sidewalks are going to be shit and i don’t want to risk damaging something before I can even send it!” 🥲🫠

[emberwhite]

I spent the last 11 months working with my illustrator, Marta, to make the children's book of my dreams. We were able to get every detail just the way I wanted, and I'm very happy with the final result. She is the best person I have ever worked with, and I mean, just look at those colors!

I wanted to tell that story of anyone's who ever felt that they didn't belong anywhere. Whether you are a nerd, autistic, queer, trans, a furry, or some combination of the above, it makes for a sad and difficult life. This isn't just my story. This is our story.

I also want to say the month following the book's launch has been very stressful. I have never done this kind of book before, and I didn't know how to get the word out about it. I do have a small publishing business and a full-time job, so I figured let's put my some money into advertising this time. Indie writers will tell you great success stories they've had using Facebook ads, so I started a page and boosting my posts.

Within a first few days, I got a lot of likes and shares and even a few people who requested the book and left great reviews for me. There were also people memeing on how the boy turns into a delicious venison steak at the end of the book. It was all in good fun, though. It honestly made made laugh. Things were great, so I made more posts and increased spending.

But somehow, someway these new posts ended up on the wrong side of the platform. Soon, we saw claims of how the book was perpetuating mental illness, of how this book goes against all of basic biology and logic, and how the lgbtq agenda was corrupting our kids.

This brought out even more people to support the book, so I just let them at it and enjoyed my time reading comments after work. A few days later, then conversation moved from politics to encouraging bullying, accusing others of abusing children, and a competition to who could post the most cruel image. They were just comments, however, and after all, people were still supporting the book.

But then the trolls started organizing. Over night, I got hit with 3 one-star reviews on Amazon. My heart stopped. If your book ever falls below a certain rating, it can be removed, and blocked, and you can receive a strike on your publishing account. All that hard work was about to be deleted, and it was all my fault for posting it in the wrong place.

I panicked, pulled all my posts, and went into hiding, hoping things would die down. I reported the reviews and so did many others, but here's the thing you might have noticed across platforms like Google and Amazon. There are community guidelines that I referenced in my email, but unless people are doing something highly illegal, things are rarely ever taken down on these massive platforms. So those reviews are still there to this day. Once again, it's my fault, and I should have seen it coming.

Luckily, the harassment stopped, and the book is doing better now, at least in the US. The overall rating is still rickety in Europe, Canada, and Australia, so any reviews there help me out quite a lot. I'm currently looking for a new home to post about the book and talk about everything that went into it. I also love to talk about all things books if you ever want to chat. Maybe I'll post a selfie one day, too. Otherwise, the book is still on Amazon, and the full story and illustrations are on YouTube as well if you want to read it for free.

[reiderwriter]

Can I request a Spencer babying the reader BAU and everyone on the team is so done with it but reader is confused and oblivious...?

A/N: Thank you for your request! I've been very much feeling post-Prison/ later seasons Spencer recently, so I hope you enjoy this fic!

Warnings: mostly fluff, implied age-gap, slight mentor/mentee dynamic.

Your first year in the BAU would've been tough had it not been for Doctor Spencer Reid.

It was tough still, but without him, you don't think you'd have been able to handle much of it. He'd been your mentor through each case, taking you under his wing when he wasn't on academic leave, teaching his criminology courses at the FBI Academy.

Those weeks were the hardest, and you found yourself moping about in the office, texting him once or twice a trip for advice.

On one particularly hard case, he'd come back into the office after you'd text. Not to consult on the case, but just to drop you off a chamomile tea and a pastry to brighten your day that little bit.

When he was back, your days were great. He knew so much, and you learnt so much from him so quickly, eagerly consuming his every word. You were so eager to please him that you often forgot others around the two of you.

“Spencer, if you're done fawning after Y/N we have a case to work on,” Emily gently chastised the man as he pulled out your chair for you, ready to sit down to hear the details of your next crime.

“Oh, Emily, thank you, but it's okay. Doctor Reid was just being considerate, I'm sure he'd have done it for anyone.” The shared glances around the room were filled with glib secrecy, but no-one commented further, leaving you slightly baffled.

Those shared looks between the other members of your team had become more common as of late, with each one more worrisome than the next. There was something unsettling about being the only one out of the loop, and as the newest member of the team, and the youngest, it often felt disheartening.

“Y/N, don't worry. Being the youngest member of any team is tough, but you're smart and you're holding your own.” With a pat to your head he walked away, lifting the weight off your shoulders slightly but not fully. You needed to get to the bottom of the BAU's non-verbal communications, and you needed answers.

Your first technique was interrogation. Surely one of them would break and tell you if you laid out your thoughts and feelings clearly.

Surely not, you found, as each member casually and softly blew you off.

“Y/N, you just need to think carefully about how certain members of the team act towards you. How familiar they are. How overly familiar they are.” Tara had at least told you that much, bit it had left you just as confused as the radio silence from the others.

“Everyone has behaved very professionally with me. You've all been very welcoming up to this point, which I appreciate greatly.”

“I wouldn't count gifting you flowers for your first successful case as the most professional act, Y/N,” she said as she sipped her coffee. “But I suppose that is just up to interpretation.

Doctor Reid had sent you flowers after you finished your first case. But there had been extenuating circumstances in that case. You'd both worked on the geographical profile on that case, and together had figured out the species of flower the unsub was using was only cultivated on one local flower orchard. It had cracked the case open and you'd found your unsub hours later.

So the flowers were an extension of that small joint success. That was all.

Your second attempt at figuring out what was going on was observation.

Partially taking Tara’s advice, you tried your best to track the moments when each of the weary looks would come your way.

Overwhelmingly, they seemed to be directed towards Doctor Reid whenever the two of you interacted.

You had to gently inform him of this, before it interrupted both of your abilities to work.

“Doctor Reid, do you know why Emily and Rossi are both currently watching us from between the blinds in their offices?” You whispered to the man, leaning in close to his ear. You were quite sure he didn't know, but a question seemed as good a way as any to broach the topic.

“I do, yes. It's best if you ignore them.”

His nonchalance in the matter shocked you, so sure you were that this would be news to him. You waited for him to elaborate, but he didn't.

“Why are they staring at us?” You finally managed to force the words out in a small squeak, forcing his eyes back to yours.

“Don't worry about it for now, I'll handle it.” He smiled down as you, and the bright gesture washed away more of the tension you'd been feeling in the office. You smiled back at him as he rose from his desk chair and carried himself to the stairs. You giggled when he winked down at you, just as you noticed Emily frantically hurrying away from her office window as Spencer knocked on her door.

As much as he told you to not worry about it all though, you really couldn't help yourself. You found yourself growing more clumsy under the watchful eyes of your entire team, galling more times than you'd care to admit into Doctor Reid's arms. He always caught you, though, and you were thankful you never did yourself serious injury.

You finally got the answers you'd craved out on a case about a month into your struggles.

There was something slightly unsettling about the way the female Sheriff was paying attention to Doctor Reid, and it made you uncomfortable. Your mouth ran dry when she touched his arm, but a small part of you warmed up again when he shrugged her off. Until, at least, you heard him explain why.

“I'm sorry, I'm a germophobe, so I'd really prefer you not touch me.” His voice was calm and steady; it really didn't seem like he was lying.

“You're not pulling my leg? I'm sorry if I came on too strong, but-”

“Why would I pull your leg, I said I don't like physical touch?”

“Well, there was that young girl earlier, Y/N was it? You had your hand on her back as you walked in, so I didn't think…”

The woman had made a good point, and you crept closer to the edge of the door to hear Doctor Reid - Spencer's response.

“Sheriff, if we're done here, do you think I could get back to my job?” You were almost disappointed in the change of topic, but you weren't all that sad to see the Sheriff remove herself from the room. Slipping in behind her you decided to test the new theory that had slipped into your mind in the last minutes.

You called out to him to grab his attention as you walked into the room but before he had the chance to turn and greet you, you threw your arms around his shoulders and pressed your body down against his, enveloping him in a back hug.

It was quite possibly the most familiar position you'd been in with him, but really it wasn't all that different from your usual proximity.

Unlike when the Sheriff casually brushed against him, he didn't stiffen, didn't pull away, but instead melted into your touch, looking up at you with a large grin.

You stood shocked for a minute before grinning back.

“Spencer, I think I know why everyone has been watching us for the last few weeks.” You said, causing his eyes to panic slightly as he acknowledged your words.

“The, uh, the Sheriff was just in here talking about a development either some of the DNA test results-” He desperately tried to change the subject, but you were locked in now, spinning his chair around to face you more as you came eye-to-eye with him.

“I know why the Sheriff was in here, Spencer, I heard it all.”

“It's not what you think,” you paused for a moment as your brow furrowed, trying to figure out if you'd somehow caught the wrong end of the stick.

“So our coworkers haven't been waiting for you to ask me out, having noticed large changes in your body language and attitude around me?”

“It's….exactly as you think.” His face was flushed with pink and your heart skipped a beat at the man in front of you. But you still had some questions.

“And you knew, but you didn't say anything to me despite the fact that I bought it up multiple times?”

“I'm…I'm not good with words," he frowned

“Are you good with dates?”

“Excuse me?”

“You're going to take me on a date when we get back to Quantico. After giving it some thought, Doctor Reid, it seems I've become quite enamoured of you.” You dropped into his lap then, sitting there like a cat pleased to take up residence on its owners legs. He stuttered for a few seconds but then found his voice again, face lighting up.

“Spencer. Please, Y/N, call me Spencer.”