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#i gave up on any new year episodes let me have this one at least moonbug? please?
an-idyllic-novelist · 3 months
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Husk with Violet Evergarden!reader scenario
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warnings: aged-up!reader [early to late twenties], spoilers for episode 4 to the season finale, mentions of physical abuse and attempted drugging, violence, Husk's language, dismemberment, mentions of cannibalism.
Hey guys, and welcome to another Hazbin Hotel fics, this time featuring our grumpy bartender and one of my favorite characters, Husk! :) This is a collaborated project with not just @isuckatwritingsobenice, but also with @vikkirosko, @witch-of-the-writing-desk, and @riddle-simp, who gave me honest feedback on the rough drafts and how to make it the best fic I could create before sharing it with the world.
If you would like to see more of Husk x Violet, please do let me know know in the comments section or as an ask! Like always, bullying is not tolerated here so if there is any implication of it happening here, this scenario will be taken down immediately. If you have nothing nice to say, do not say it at all.
With that being said, sit back, relax, and let's see who will win the full house at the card tables tonight :)
Reblog to support content creators!
Husk isn’t gonna deny it. It ain’t like him to deny the truth when it’s staring at him right in the fucking face. He thinks you are a little bit of an oddball. You don’t smile, you wear the same outfit every day, and you don’t eat much either unless Niffty practically drags you to the staff’s dining room from wherever she found you hiding. Normally, it’s one of two places: out in the backyard, or the greenhouse, because you’re the hotel’s groundskeeper. And that was on your days off.
 Like Angel, you worked for an overlord, but your boss wasn’t that shitbag Valentino or Vox or Velvette. Your boss is Rosie, the owner of Rosie’s Emporium in the Cannibal Colony. You were her personal secretary. You had been on her payroll for over ten years, working from nine to five unless you had to stay later. She did not seem to mind you staying at the hotel so long as it did not affect her reputation or your work ethic in any way. 
So far you’ve kept your word. Alastor actually seemed to be happy that you were around. 
Maybe. Husk couldn’t fucking tell what that son of a bitch is thinking anymore. But back to you. 
You, who believed in Charlie’s work.
You, who participated in each activity and helped around without getting paid for your time.
You, the expressionless ex-military soldier, has been on his mind recently and he did not like it. 
He lost the ability to feel anything years ago. 
Nonetheless he continued to observe you from afar. When you weren’t busy with watering plants, you were seen in different parts around the hotel with the others. 
You would sit with the princess in the parlor, comparing ideas on what tomorrow’s group exercise should be, even when the only two ideas you’ve suggested were shot down immediately by Charlie. She didn’t like the idea of group bonding through hand-to-hand combat but loved the concept of showing appreciation to one another through handwritten letters. Vaggie approved the former. The latter? Not so much. 
In the kitchen you would go through the cookbook with Niffty and Alastor, trying to decide on tonight’s dinner.  They allowed you to help out, at least when it didn’t involve cracking eggs. Apparently you were not very good at separating the yolk. 
When Sir Pentious was away from the hotel doing God knows what, he trusted you to look after the Egg Bois until he got back. You kept them busy around the greenhouse though they tended to make a bit of a mess. 
Angel started to work extra late at the studio after his show and tell presentation. Something about making a big commercial and Val wanted to make big bucks on this new product that the Vees were launching in a week. You must have noticed that something was off about him, but you didn’t say anything to him. No words of encouragement, no comforting hand on his shoulder. All you did was clench your gloved hands into fists, watching him leave and…unsure of yourself. What you should do. 
Husk heard you asking Niffty what were some of the kid’s favorite foods about that time, and she was more than happy to help you with whatever it was you needed as long as you left the kitchen sparkling when you were done. You were concerned about the kid. Least from what he could remember. He drank a lot that day. 
When he woke up much later after falling asleep at the bar, hearing your footsteps descend down the grand staircase and towards the kitchen. Groggily, probably stupidly on his part, Husk thought it would be a great idea to know what the fuck you were up to so early in the morning. Turns out you were trying to cook something, judging from how you looked at the ratty cookbook propped up on the counter and the wide array of ingredients spread out. 
He saw you cook  finely chopped onions, garlic, and minced ground meat in the large frying pan on the left side of the stove. You stirred something in a smaller sauce pan on the right side with a wooden spoon. He saw you handle all of the ingredients with great care, placing them in a baking dish  even when you weren’t wearing your leather gloves. A small shudder crawled down his spine at how the kitchen lights bounced off of the adamantium skeletal prosthetics that acted as your hands. 
He didn’t even wanna know how exactly you lost them in the Great War. 
Everything was soon laid out, layer by layer and placed in the oven. He didn’t know he stood there for so long, even when you began to clean up the kitchen with a rag. Time ticked by slowly, and then a delicious aroma tickled his nose even as he took another swing of the half-filled booze bottle he was holding. He was about to leave you alone, knowing you’d be fine when he saw you pull out the dish with your hands and no oven mittens on, you fucking moron! Then his mind remembered something that stopped him from making an entrance. You couldn’t feel anything with your prosthetics, not even as you placed it on the stove top to let it sit. 
A couple of hours later - maybe he can’t keep track of time anymore so it might have been the following morning - he saw you giving Angel a large paper bag every morning before both of you left the hotel, and telling him to have a good day. 
Angel grudgingly thanked you later on that evening when he got back…though did say your garlic bread needed some work. The next day, he gave you a paper bag, telling you to taste real Italian grub and try to replicate it. 
Guess it became a game between the two of you, ‘cause Angel was slowly being someone real and not some fake  whiny bitch. 
As odd as you are….you cared about everyone in your own way, even when the words that came out of your mouth angered someone or made them cry, you tried. You never asked for help unless it was necessary, trying to learn everything on your own. And you were smart, Husk will give you that. 
And he…he doesn’t know if he had the heart to tell you that redemption might not be possible. Unlike him, you still carried a spark of hope. You believe in the princess. He doesn’t want to be the one to see you reach your breaking point, to be dragged into a swamp of despair and get drowned in all sorts of addictions to cope with the pain. He was…anxious. No. He was scared for you. He wanted to help you but he was afraid that by intervening, he would just make matters worse.
It was better to just stick to the sidelines with a bottle of booze and watch everything happen like the bartender Alastor wanted him to be, right? Well, turns out he was wrong. 
One night after he made Angel a drink and called him out on his bullshit for being fake, the whiny little bitch stormed out of the hotel. Vaggie tried to make him go out and bring him out, but Charlie intervened. All she asked him was to make sure that Angel was okay. Do not force him to come back if he isn't ready. Obviously judging from the distraught look on her face, something happened between the princess and Angel. 
Husk did not know what or why, and he really did not want to play the role of a goddamned babysitter. Not when it was actually a slow evening and he didn’t have to hear these fucks bitch and moan for hours on end. But Vaggie’s glare, knowing Alastor would force him to do it because he fucking can and not knowing what would happen if he actually violated the terms of their contract, he left the hotel. The first place he went to were the streets. No luck. And no one had seen him. When he moved his search to the bars, he spotted Angel going inside one of them. 
Long story short, he was going to hang back and just keep an eye on Angel getting drunk off his ass with some shady sharks in a corner booth until he saw one of them pour something into Angel’s drink. He took care of the fucker, got Angel out, and listened to him. Angel Dust was not just an act. It’s who he needs to be. Drinking and getting high is his escape. He wants to be damaged so that he won’t be Val’s favorite toy anymore. 
Then when it seemed like they came to an understanding with a song, those bastards opened fire on the streets, targeting him and wanting Angel to come back to have some ‘fun’. Yeah, fuck no. 
That was when he heard car tires screeching against the asphalt, doors opening and closing with more shouting. Husk gritted his teeth. “Shit.” He turned to Angel. “Stay down. I’ll take care of this.” He pulled out his cards, ready to hop onto the roof of the pink Volkswagen they were hiding when he heard a  shnk, a high pitched squeal, then a gurgle. 
THUD.
Shnk.
THUD.
C-crack.
THUD.
“Who the fuck is this bitch?! Kill her, kill her you stupid asshats!” 
“Holy shit, toots?! The fuck - why is she here?!” Angel cried. Husk raised his brow, craning his head as far as he could without being in range of a bullet to see what was going on. There were only two people Angel called toots and he was pretty damned sure they were back at the hotel, safe and sound. Not one of them blitzing across the street, dodging bullets and slicing enemies down with a hunter’s knife in one hand, a large carpet bag in the other. 
He blinked. Nope. He was sober. Shit. He thought as you weaved between the shitheads, disarming, decapitating, and snapping their necks in no particular order. You weren’t exaggerating when you said you were a weapon for the army.  When he saw a flash of movement from the smaller grunt, twirling a knife and aiming it for your head as you pumped lead into his friend, Husk made his move. Hopping onto top of the car and threw his cards. One cleanly sliced the asshole’s neck. 
He quickly made through the growing crowd, running towards you as he threw some dice into a hammerhead’s mouth. But when he turned his back towards them, he felt something light and strong coil around his neck, cutting off his air supply. 
Fuck. Garroting wire! Husk flailed around  scratching, kicking,  and trying to get loose but the fucker was too damned strong. Black spots began to appear in the corner of his eyes when he felt a white hot stinging pain graze his left cheek, then something warm and sticky with a metallic scent. Blood.
The body behind him dropped, and so did he, yanking the wire off  him and inhaling deep gulps of  precious oxygen. Husk looked up and saw Angel with a shit-eating grin and a Tommy Gun in his upper hands. 
“Eat lead, sucker!” The porn star cackled, firing several more bullets into the corpse and his buddies that were closing in on them. Angel grinned at him, extending a hand to help him up.”I told ya. I can handle myself, baby.” Husk felt a grin stretching his own face as the fella pulled out more weapons with more arms. Well….not something he was expecting. 
Between the three of them, they made quick work with the rest of the gang and their reinforcements. Like him and Angel, you were covered in grime and blood but you were all right. 
“Are you two all right?” You asked as you wiped off the blood from your knife with a handkerchief, the carpet bag by your feet and in pristine condition. “No limbs missing that weren’t missing before you arrived?” 
“Yeah, we’re good.” Angel said, putting away his guns and extra limbs. “More importantly, why the fuck are you out here instead of the hotel?!” He interrogated, his voice lowering an octave as he glared at you, stomping towards you. Before Husk could stop him, Angel grabbed  your cheeks with his hands and pinched them. “You know these streets are dangerous, toots! How many times do Vags and I gotta tell ya?! Come straight home when you’re done with work!” Then he blinked, his face turning white, his eyes widening in horror. “Toots,” He said slowly. “Y-you ain’t hooking up with anyone around here, are ya?!” He yelled, now pulling your cheeks outwards as if you were a cartoon character. 
You didn’t flinch from the cheek pinching or pulling; instead, you looked at him in slightly confusion. “I don’t understand. What does fishing have anything to do with this except that these men were quite literally loan sharks standing outside a nautical-themed bar?” You asked. 
“Toots.” Angel said warningly. “If you don’t give me a straight answer, I swear to fucking God I am going to yeet you off a rooftop.”
“ ‘Yeet’?” You repeated.
“[First Name], just tell us why you’re here.” Husk said, already feeling a headache coming on and in need of a drink. You turned your attention to him, then back at Angel before you spoke.
“Rosie sent me out on a last-minute errand to get fertilizer for her plants. But by the time I got there, the shop was already closed. I was on my way home when I heard the gunshots, and saw the two of you being pinned down. I was not going to leave my comrades behind when I could help them. So I did. And now,” You looked over at the bodies strewn across the street. “I have what I need. Two birds with one stone, as Rosie says.”
“Ya mean ‘kill two birds with one stone’, toots?”
“Yes.”
“So, by fertilizer, ya mean these schmucks that we just totally obliterated.”
“Yes.”
“Food for plants.”
“Carnivorous plants. And if the fertilizer is fresh, the better it is for them. Rosie loves her plants very much.” You said, pulling away from Angel and grabbed the carpet bag off of the ground, walking towards the nearest body. “If you do not want to be here, I suggest you leave quickly.” You knelt down, laying the bag down and opened it, laying out assorted tools. Bone saws, knives, a large roll of plastic wrap, etc. “Rosie says I have gotten much quicker at dismemberment.” You carefully peeled off your gloves, replacing them with gray surgical ones. 
Husk glanced at Angel, eyebrow raised. It seemed like they were thinking the same thing because the latter spoke up with a toothy grin. 
“Baby, I was a mobster long before I was a porn star. ‘Sides, hacking up a body all by yourself is gonna take you all night. Better to have more hands to get the job neater an’ faster, am I right Whiskers?” 
Husk smirked. “Can’t argue with that, Legs. Guess you’re stuck with us until this job is done. You got another bone saw in that bag of yours?” He asked with a grin, somehow…happy to actually be doing this. Who would have thought a new friendship started with cleaning up bodies?
You stared at them for a moment, obviously stunned because you must have thought they’d leave you here alone, before you pulled out two more bone saws and more rubber gloves. Your instructions were simple enough: the severed pieces couldn't be any bigger than your body, and they needed to be wrapped up tightly in the plastic wrapping or else you’d have to pay a hefty cleaning bill to get the blood out of the bottom of the bag. Angel’s extra limbs came in handy for the latter task. Between the three of them, they made quick work with the dead loan sharks and everything was loaded inside the carpet bag, and no one was the wiser. This was Hell, after all. Cannibalism, gun fights, and dismemberment was commonplace in these parts. 
You thanked him and Angel profusely, bowing your head to them before you shyly asked if they would be interested in getting a bite to eat. To Angel’s knowledge, the closest place that is still open late at night is Devil’s Diner, which is half a  block from Jackpot, the casino Husk had owned from his glory days as an overlord. The food wasn’t too bad there, and cheap too. 
Now that he thought about it, Husk had worked up more of an appetite after the fight and so did Angel. Better to do that than trying to cook something and waking up Niffty. So, the three of you went to Devil’s Diner. Of course, you tried to just have a cup of coffee, but neither he nor Angel were having it. Conditioning your body to minimize nutrients to complete a mission, his ass. 
Both he and Angel persuaded you to try the day’s special with some water plus dessert. Whatever you couldn’t finish, get a to-go box. Husk himself ordered a sandwich with chips. Angel got pancakes, sausage, strawberries, and a strong drink because he fucking deserved it. 
Conversation started slow at first, but as the orders were placed and drinks were served by their waiter, words were exchanged, and stories were shared. Angel revealed he had a little brother and more family down here, though he rarely talked to them anymore after getting into the show biz. Husk confessed that he used to be a magician in Las Vegas, showing off a trick with his cards. 
They shared a good laugh over Val’s shitty eyesight. It shouldn’t take thirty minutes to count three bills, but it fucking did for the moth man.
You told them that you were once commissioned to help a playwright finish his newest script after being on a hiatus for many years, but he had been a difficult man to work with because he had no interest in doing anything else except drinking his days away. You had actually acted out a scene on the lake where the hero would journey home to be reunited with her father after vanquishing a monster. That was when you began to understand how grief affects people in different ways…and how your actions affected the people you had killed on the battlefield. People who had families and had one-day wishes that would never be fulfilled because they died by your hand. You are here in Hell because you are, you were, a weapon to be used in war. Reconnecting with people, with your emotions…it’s a lot harder than you thought it would be. 
“That’s what being human is all about.” Husk said. “Ya make mistakes, ya regret the choices ya wish ya would have made, or should’ve made, and ya need to live with it.” He knew that better than anyone. 
“The old timer’s got a point but look at how far you’ve come!” Angel exclaimed, spreading his arms out as he began listing all the good things you have done and accomplished since you came to the hotel, though you still needed to learn how to bake real Italian bread, not just heat up the cheap frozen ones in the oven. Husk silently agreed with him, taking another swing of his whiskey. In the end, you got a to-go box, but Angel said he could take it back with him to the hotel. You still needed to deliver the body parts to your cannibal superior and Husk said he’d go with you. But you insisted that you would be fine on your own, and that he and Angel should get some rest. 
“Rosie will not let me stay long in the emporium with how late it already is. She’s very particular about keeping the lights on after business hours.” You said, the corners of your mouth tugging downwards into a frown as your gaze fell upon his wings. “Husk…you were twitching a little and I heard your spine crack earlier, and your voice sounded a little raspy. I do not know what the cause of your ailments beyond the scuffle with those loan sharks could be because I am not a doctor…but it would be better if you and Angel took it easy for the rest of the night.” 
Keep in mind that Husk had once been an overlord. Yes, he’s been out of the game for a while, he won’t deny it. But he was not going to admit that you might be right.  “There’s nothin’ to worry about, I’ll be fine. If I can handle a fight, taking you where you need to go will be a walk in the park.” He grumbled, ignoring Angel’s snickering. 
He watched you raise your hand, fingers outstretched towards one of his wings, and then you pulled it away to clench your hand into a loose fist. Husk saw your hesitancy isn’t because you were disgusted at the sight of them, or his appearance. Hell, you had more bloodstains on your clothes than him and Angel combined. No. You were hesitating because you were afraid that your touch might hurt him, or make the pain he was feeling worse. 
Husk grinned as he grabbed your wrist, pulling it forward and carefully coiling the gloved fingers around the outer part of the left wing near his forearm to give it a squeeze. “See?” He flexed the muscles. “I’m fine. You ain’t got nothin’ to worry about.” It took him a second to realize how impulsive his actions were, seeing how your eyes widened and hearing Angel release a low, teasing whistle, muttering “Kinky~!” under his breath. Great. The kid wasn’t going to let this go, not even after a few drinks. Shit. Fuck. 
He tried to ignore the warmth flooding his face as he kept his gaze on you until you nodded your head, removing your hand from his wing. You were convinced that he was more than fine to accompany you back to Cannibal Colony, at least for the moment. You turned to Angel. “Are you going to be okay, heading back to the hotel on your own?”
Angel smiled toothily. “Toots, you should know me by now. Sex isn’t the only thing I’m good at.” He winked, holding up the to-go boxes as he turned on his heel, waving his extra hands over his shoulder. “See ya back at the bar! Ya still owe me a drink, Husker~!” Now that he left the diner, it was time for the two of you to make your exit. 
You walked down the steps and looked at him. “Ready?”
Husk nodded. “Yeah.” He then held out his paw to you. “Let’s get going.” You nodded, placing your hand in the center of his own, covering the golden-heart shaped paw  before he scooped you up in his arms, one claw under your legs and the other around your shoulders. You stared at him.
“What-”
“Hang on tight.” Husk did not give you a chance to respond, unfurling his wings to their full length before putting all of his weight on his back leg, catapulting the two of you into the crimson skies of the Pride Ring. Walking was fine and all, but as you mentioned, it was already pretty late. Why waste more time when he could fly there? 
So here you were, held like a princess with one arm wrapped around the carpet bag and your hand placed on his shoulder. But instead of screaming your head off or pleading with him to land somewhere, your attention was elsewhere. You were captivated with the multi-colored pin pricks of light down below,  your mouth partly open and [Eye Color] irises widened by a fraction. It was obvious that you hadn’t seen Hell from above. Or maybe you hadn’t traveled by air before. Either way, seeing such an expression on your face, one that wasn’t calm or expressionless like a doll who lived by someone else’s order.
You looked like a living, breathing human who had her own thoughts and could find beauty in the most bizarre of places. 
It almost made Husk consider extending this flight for a little longer until he realized he’d have to explain to you in great detail as to why he did decide to do it. So he brushed it off, and followed your instructions to your destination. 
Twenty minutes later, the two of you arrived at the stone steps leading up to the glass double doors of Rosie’s Emporium. The dimly lit streets were mostly empty, the bars were still open and echoed with raucous laughter and jazz. It was tempting to slip inside there for a drink, but Husk wasn’t too keen on being around cannibalistic drunks. Alcoholic he might be, he wasn’t that stupid. And he didn’t want you to get in trouble with the overlord who ran this place. She was your boss, not his. 
He watched you put a hand into your coat pocket and pulled out a small golden key. You put it in the dead bolt, twisting it to the left before pushing the door open. “Miss Rosie?” You called out, stepping inside the darkened establishment. “Miss Rosie, it is me. I am back.” 
A moment of silence enveloped the place, but only briefly because soon a tall, thin woman in a burgundy dress with an oversized hat and feathers materialized in front of you. She was at least two or three heads taller than you, smiling down with rows of sharp, gray teeth and pitch black orbs. “Oh there you are, I was startin’ to really get worried! Did John give you everything for my precious little sprouts?”
You quickly explained what had happened, how you could not see John because he had closed the shop by the time you got there but the fertilizer you collected from a gun fight you got into and came out victorious should be more than enough. Rosie was all but delighted, twirling in a small circle as she cooed.
“Ohh, I knew it was a good idea to hire you from the moment you came for the interview! I wish I could’ve seen you at work, using that bone saw and hacking away at corpses, but there’s always another day~! You know how many people come in wishing to have their husbands or wives ripped from limb to limb, at least the ones that taste bad! Ah?” She stopped dancing, craning her long neck to stare at him. “Who’s this you brought with you, [First Name]?” She looked over her shoulder, wagging a finger at you with a raised brow. “Come now, I know I said I wanted you to find a good fella someday, but this one’s way too scruffy for you and you’re much too young for him! Oh, I’m just kidding, I know you’re dedicated to your job! Well? Introduce us!”
You did, introducing him to the overlord as Husk and the hotel’s bartender. Alastor must have told her about him because she immediately called him ‘Alastor’s kitty cat’ and ‘how he used to be such a sophisticated-looking fella until he gambled against Alastor’. She laughed. “Well, small world, after all! [First Name], be a dear and take that bag into the back, will you? I’ll feed the little monsters myself, and you can go home! Oh, did you want some pinky fingers to go? I’ve got plenty of them and you probably didn’t eat dinner again, am I right?”
“Understood. And no thank you, though I will take up on the offer to try one of those roasted legs next time.” Husk almost gagged at your monotone words and Rosie’s cackle, but he had to keep his composure. As far as he knew, you were not a cannibal. And if you were…well, you probably wouldn’t have gone out of your way to help him and Angel, or at least order something from the Cannibal’s Section at the diner instead of force feeding yourself on the daily special. 
You might have only been gone for a few minutes, but it was awkward to stand near Rosie, the way she smiled at him like she was thinking about adding him to her menu for not dressing up in a vintage outfit. At least he hoped not. He could barely contain his relieved sigh when you appeared again, hands empty with no bag in sight. 
“It’s done.”
“Wonderful~! Now, you march up to bed as soon as you get in the door young lady! No staying up late!” She said, following the two of you to the door. “Give my regards to Alastor and tell that man he must come back soon! These halls have lost their sparkle without his lively presence! Oh! Before I forget~!” She snapped her fingers, and in a puff of dark red smoke, a large wad of bills materialized in your hands. “Here’s your paycheck! I know it’s a little early but I have a very important task for you to do tomorrow!” She grinned. “Go to town and buy yourself some new clothes for work!”
You faltered. “But -”
“Tomorrow is your day off I know, and I really, really love your enthusiasm when you try to come in to help around, but a proper lady of society cannot live on just one dress and a pair of boots! Oh, and you will also need to get a Hellphone in case something like this happens again! No ifs, ands, or buts! If Alastor throws a fit about it, I’ll talk to him! Now, shoo! Husker, be a dear and get my darling worker back to that hotel safely, all right?” She added with a wink.
Husk grunted exasperatedly but did not say a word. The last thing he wanted to do was go pissing off an overlord who just happened to be the Boss’ friend. So he just nodded, and followed you out of the door. When it shut behind them with a click, things got…awkward. Now that you weren’t carrying around a bag full of body parts, there was no need to fly all the way back to the hotel. Or at least that he thought you were thinking. 
But he told you that he didn’t mind, since Charlie was probably already worried about the two of you even if Angel had somehow managed to persuade her otherwise. So…you agreed, albeit hesitantly. Husk didn't waste any more time. He scooped you up in his arms and took off into the night skies, though with this being the Pride Ring, there was really no way to tell if it was day or night anymore. Cannibal Colony soon became another darkened spot, getting smaller and smaller until it disappeared from sight. 
As soon as the two of you made it back to the hotel, Husk had no doubt everyone would be giving him shit. Angel would make comments on his little ‘date’ went, which he’ll deny in every possible way, and the princess might be cryin’ from anxiety or relief knowing that two of you were all right. But that was then. This is now. And…he’s come to like holding you in his arms. 
“Husk?”
“Yeah?” He felt the arms around his neck tighten slightly…but not that it wasn’t too uncomfortable. It felt…okay. Like you were trying to say something, but you struggled to find the right words to say without sounding like an ass. 
“Thank you…for everything.”
His lips stretched into a grin. "You're welcome." 
He felt the cold of your palms, it would seem, through the gloves, but it was not so important. Because as the two of you flew back to the place you called home, he saw you smiling down at the Pentagram in wonder, whispering the places you had visited and or wondered what they were or if he knew anything about them, to which he either answered yes or no. It was such a small smile, but how could he not commit not it to his memory? 
And maybe, just maybe, it wouldn’t be so bad to get a drink with you on a night around town. Or make one for you at his bar. He knew how to make a good non-alcoholic pina colada, even an alcoholic version of it. But who knows? He’ll take things one step at a time, and see what happens. 
What Husk did not realize at the time, not too far in the distant future, you would be the one to close the gap between them…and there would be something more between the two of you. Something that made his days in Hell just a little brighter. 
Taglist: @riddle-simp @kanroji-san @star-fawn21 @luthefriendlywitch @kameyo-kumo @solesurvivorjen @solandis-does-stuff @ladydoe8 @victheauthor @anielly-2010 @dilucragnvindr-my-beloved @bones4thecats @mmelionsblog @frompeach @nixie-writes @tired-of-life-86 @trecllllllll @lanxianschoenheit @22carolina08 @justamegafan @the-cat-queen-peasants @oucx @diamondzoey @alyriaschoenheit @lbcreations-blog @alastorsart @nunezs-stuff @sillypenguincats @theunknowntravel3r @imperfectbloodmoon @no1sillybilly @likesugarandcyanide @bladeismine @bones4thecats
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stevie-petey · 4 months
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episode one: MADMAX
Steve is looking at Nancy so tenderly, and when he removes his sunglasses you see how much his eyes light up when she hits his shoulder and leans in close to him.  “I missed you,” Steve tells her, his voice soft and sensual.  It’s the way he says it that makes you want to run your hands through his hair, be the one in his arms as he kisses your neck and whispers how often he’s thought of you since you’ve been gone. You’ve felt his arms around you before, once. You know how securely he holds on, how his cologne lingers on your clothes long after he’s gone. You miss him, you miss everything. 
Summary: what does steve fear more ? you or the plague ? currently it's you, some guy with an awful mullet stares you down in the parking lot (gross), nancy invites you to a party from your nightmares, and you become an official unlicensed therapist for will. yay for junior year !
Rating: general, slight cursing
Warnings: fem!reader, use of y/n, descriptions of PTSD (slightly), swearing, and general angst and exhaustion
Words: 5.2k
Before you swing in: hello ! welcome back to the rewrite, hope yall are well :) heres chapter 1 of season 2 !!! so so so excited and ready to dive into this new season. things get a bit darker, feelings get even MORE complicated, and poor reader just really needs to take a fat nap and maybe some reassuring words. shes more angsty this season, so buckle up
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October 29th, 1984
You originally gave Dustin the phone number to Bookstrordinary in case of any emergencies.
Now, you’re really starting to regret it.
For the fifth time this week, Dustin calls you at work to beg for money. Him and the boys recently started going to an arcade that’s opened up in town and have spent practically every day after school there this year. Sure, you don’t mind loaning your brother a few quarters, but at the rate he’s going he’s gonna drain your next paycheck.
Just as you’re thinking this, the phone rings.
Right on cue.
Alex, your coworker, smirks. “How much do you think he’ll ask for this time?”
“If I’m lucky, only a dollar.”
“Will asked me for three tonight, so I wouldn’t jinx anything.”
You gape at Jonathan, who has started hanging around your job after school just to have something to do. “No fucking way.”
“Way,” he laughs, pointing towards the phone on the counter. “Answer before Dustin sends a drone our way.”
You sigh and pick up the phone, which is on its second round of calling, and put on your best customer service voice. “You’ve reached Bookstrordinary, may I ask who is calling?”
“Don’t play dumb, Y/N.”
“Aw, I’m doing well tonight. Thanks for asking, Dustin.”
“I need five dollars.”
“Ya know, ‘please’ has such a nice ring to it.”
“... if I say please, will you give me the money?”
“No.”
Silence fills the other end. Alex and Jonathan are hunched together, trying to stifle their laughs. You send them a thumbs up, and they give you one back.
“You’re a horrible sister.”
“What!” You scoff at Dustin. “I think you owe me like, at least ten bucks now. Yet you don’t see me complaining.”
A loud groan, then an obnoxious scream. “I promise I’ll clean Mews’ litter box for a week straight if you just give me the money.”
“Tempting, and honestly I’d take you up on that offer, but I already spent my last paycheck on my Halloween costume. You’re outta luck.”
Dustin gasps. “You were gonna say no this whole time? You just wasted like, at least five minutes of my time! I could’ve been digging through the couch for coins by now!”
“Jesus,” you pull the phone away from your face as Dustin continues to shout. Jonathan lets out a loud cackle and Alex just shakes his head. “I can give you some money next week–”
The line cuts off. Dustin has hung up.
What a little shit.
“You remind me why I’m grateful I’m an only child.” Alex says, now walking from behind the counter to begin stacking some books. Technically your shift ended almost thirty minutes ago, but you and Jonathan prefer to hang around for a while. It’s rare to have some time with just the two of you (even if Alex is there as an unfortunate third wheel).
“Glad I can help.” You respond. Once he’s gone, you turn to Jonathan. “And you were right, Dustin indeed wanted more than Will’s measly three bucks.”
He laughs. “Figured as much. The look on your face was genuine disbelief when he asked.”
“Mhm, I’m scared these boys will turn into horrendous teens. The lack of gentlemen in Hawkins these days is astounding.”
“C’mon, I’d say I’m a gentleman. I mean, I’m riding on your bike pegs tonight to keep you safe.” Jonathan says, waving an arm in front of his body as if to present all his gentleman-ness to you.
“Sure, bee.” Although, he has a point. Joyce has the car tonight so she can drive Will to the arcade and Jonathan doesn’t like you biking home in the dark. After what happened last year, none of the Byers are particularly keen on letting their loved ones go off alone at night. So, to ensure your safety, Jonathan has started riding on your bike pegs all the way home.
It’s endearing really, wholly unnecessary, but endearing.
Jonathan flicks your nose. “Who else would be such a gentleman to you? Steve?”
Hearing Steve’s name sends a wave of varying emotions through you. Guilt, shame, remorse, longing. You miss him. You really, really miss him.
“I thought we agreed to stop talking about Steve.” You mumble, now busying yourself with a piece of paper on the counter.
After Will was found last year, you and Steve had gotten really close. He’d spend hours bugging you at work, he’d gotten you such a lovely Christmas gift that still hangs on your wall, and you’d grown close with him in a way you haven’t before with anyone else. He would’ve done anything for you, he cared about you with such genuineness, and you couldn’t handle it.
Summer came and the heat that came with it scared you.
You’d pushed Steve away, severed any connection you had to him. It was easier when you didn’t have to see him every day at school, but ever since junior year started, you’ve been in your own personal hell.
Steve walks past you in the halls without batting an eye. He doesn’t look your way, like the months you spent learning every inch of his wonderfully unique brain and the moles scattered along his face never happened; he doesn’t give you that smile that makes your knees weak. He’s avoided you like the fucking plague, which you can’t blame him for, but it’s only made things more awkward between him, Jonathan, Nancy, and you.
Jonathan sighs. “I’m sorry, bug. I just… he seemed good for you, ya know? I was actually starting to like the guy before you suddenly stopped hanging around him.”
You play with the piece of paper, hoping that if you don’t respond then Jonathan will just drop the subject, but a thought seems to cross his mind.
“Wait a minute. Steve didn’t like, hurt you or anything, right?” You don’t respond again and now he’s starting to get worried. “Y/N, I’m serious. Did he do something to you?”
The irony of the situation is so comical you want to laugh. Here Jonathan is, demanding to know if Steve hurt you and if that’s why you’ve stopped being his friend, when in reality it’d been Jonathan who hurt you. Jonathan, your oldest and dearest friend, is the reason you’re so fucking terrified of letting Steve in. Of falling in love with him.
You’re already in love with Jonathan, you can’t put yourself through any more hurt.
But fuck, you miss Steve. You’d come to rely on him and his obnoxious sense of humor that never failed to make you laugh. The way he so effortlessly filled the room with warmth.
“Relax, bee. He didn’t do anything. I just wanted to focus on Will and the boys more.” You lie through your teeth.
He gives you a funny look. “I know you care about the boys, but you know they’d want you to have some other friends.”
“I have you, that’s all I need.”
It’s all I can afford.
“Bug, I’m worried about you. You’ve all but thrown yourself into school, you work non stop here, and when you finally have some free time you’re spending it researching child psych for Will–”
“Just drop it, Jonathan!” You finally snap at your friend.
He stops, surprised by your outburst. He can see the angry flush in your cheeks now and the slight heavy breathing you do to try and calm yourself down. Jonathan drops his shoulders, defeated. He’s been worried about you ever since junior year started. You’re more withdrawn, you look like you haven’t slept at all, and now you don’t even feel comfortable telling him what’s been bothering you.
All Jonathan knows is that one day you were glowing while telling him a story about Steve and his stupid jokes, then the next day you looked frail and sickly as you told him that Steve was no longer visiting you at work.
Something happened between you two, he’s just not sure what or how to even help.
For once, Jonathan is at a loss.
“And then she chased Mike all the way down the street for her money! He got away!” Jonathan finishes his story with a grand flourish, laughing and hitting his steering wheel as if it’s the funniest thing in the world.
You let out a weak laugh, exhausted from the night before. It’s early morning and you’re in the school parking lot, hanging in Jonathan’s car as always, and you feel like utter shit. You stayed up late last night reading this journal you’d found in the school library about acute trauma in children. It had been fascinating and there were some things you thought could apply to Will. Before you knew it, it had been three in the morning and you needed to be up soon for school.
Which leads you to now: slouched in the passenger seat, sunglasses over your eyes to block out the annoying sun, tiredly listening to Jonathan’s recounting of his phone call with Nancy from last night. Apparently they’ve progressed to nightly phone calls now.
Lovely.
Without meaning to, your eyes start to drift shut. The car is the perfect cozy kind of warm and the late October air wraps around you as if to lull you to sleep. Jonathan notices you’ve gone quiet and pokes your cheek.
“If you fell asleep I’ll tell your mom and she’ll put you back on house arrest.”
You slap his hand away. “Don’t do that, then she’ll just ban me from your house.”
“You were up all night researching again, weren’t you.”
“If you have to ask, then that’s probably your answer.”
“Y/N–”
You put a finger up, using your other hand to rub at your temples. A headache is forming and you’re three seconds away from just skipping first period to nap in the car. “We aren’t doing this again. Drop it.”
Jonathan rolls his eyes. “I’m your best friend, it’s my job to worry about you–”
“And it’s my job to tell you to fuck off whenever you’re getting on my nerves–”
Suddenly a loud blue camaro comes speeding into the school parking lot, effectively drowning out whatever you’d been saying to Jonathan. The car revs its engine and almost hits a few students as it jerks its tires and then screeches to a halt, parking right next to you guys.
You and Jonathan look at each other.
“What the fuck?” You look out your window and are greeted with the sight of an attractive blond guy staring at you. His music is blasting so loud you can hear it through Jonathan’s windows.
“Jonathan,” you whisper, getting his attention. “Am I really tired or is there a guy with a god awful mullet staring at me right now?”
“He’s real.”
“Cool.” You continue to stare at the guy, unsure what to do. You’ve never seen him before, there’s no way you’d forget a face like that in Hawkins. He’s attractive, almost unappealingly attractive, and there’s a coldness to his beauty that makes you uncomfortable. He looks dangerous, like he knows how much power his beauty brings him.
The boy winks at you, a lit cigarette dangling from his mouth, and then gets out of the car, slamming his door rather harshly. It’s then that you notice the redhead girl, much younger than him, possibly around Dustin’s age, getting out of the car as well. She slams her own door and doesn’t even spare the guy a glance as she drops her skateboard down and rides towards the middle school across the parking lot.
Meanwhile the boy saunters inside, a lazy pace in his step that also holds immense confidence. He’s cocky, cool and collected, and he takes one last look around, as if to survey his new claimed battleground. You notice a few of your classmates gazing at him with interest, which you don’t really understand. He’s hot, but his attitude alone tells you everything you need to know about him.
Once he’s gone, Jonathan finally speaks. “Who was that guy?”
“No clue,” your eyes linger on the doors he’s just walked through. There’s something off about him. “But I don’t think we want to know… C’mon, if we don’t head in now we’ll be late for our first class.”
During your lunch period everyone’s buzzing about some upcoming Halloween party. As you’re walking towards your locker with Jonathan, you notice a few pieces of orange paper being passed around. You don’t pay much attention to them, but when Nancy joins you two she eagerly takes a few from the girl passing them out.
Nancy playfully shoves the papers at you and Jonathan. “You guys are totally coming to this.”
“We are?” You ask, eyeing the flyer wearily. You have nothing against parties, but the thought of being surrounded by a bunch of drunk teenagers in horrible costumes is frankly terrifying to you.
“You sure are, Y/N.”
“But Nancy–”
“‘Come and get sheet faced’.” Jonathan reads aloud. “Yeah, Nance. I think we’ll pass.”
Nancy groans. “I can’t let you guys sit all alone on Halloween. That’s just not acceptable.”
“Actually,” you correct her, annoyed by the assumption, “we have a tradition with the boys. We take them out every year to trick or treat and it’s always been fun. We won’t be ‘alone’.”
“No offense, Y/N, but spending Halloween with a bunch of middle schoolers isn’t much better.”
You make a face and look over at Jonathan for help, but he shrugs. “You gotta admit, it is kinda lame.”
“I can’t believe you’d betray me like this–”
Nancy smiles at this. “See? Plus, I doubt trick or treating with the boys will take all night. You’ll be home by 8:00, and Jonathan will be listening to the Talking Heads and reading Vonnegut or something, while you, my dear Y/N, will be baking a fresh batch of cookies and throwing away all the candy corn you find.”
“Sounds like a nice night.” Jonathan responds, and you nudge your shoulder with his. It does sound like a nice night, one you’re looking forward to.
“I forgive you for your earlier betrayal.”
“Guys!” Nancy stops at her locker now, slight frustration in her voice. “Just… Come on! I mean, who knows? You guys might meet someone and–”
Her words are cut off with a squeal as she’s suddenly lifted in the air and spun around, Steve having snuck up behind her. Nancy now puts all her attention on him, he has his arms wrapped low on her waist and he’s wearing sunglasses inside like some idiot, and your heart hurts. He looks good, too good.
Steve is looking at Nancy so tenderly, and when he removes his sunglasses you see how much his eyes light up when she hits his shoulder and leans in close to him.
“I missed you,” Steve tells her, his voice soft and sensual.
It’s the way he says it that makes you want to run your hands through his hair, be the one in his arms as he kisses your neck and whispers how often he’s thought of you since you’ve been gone. You’ve felt his arms around you before, once. You know how securely he holds on, how his cologne lingers on your clothes long after he’s gone. You miss him, you miss everything.
Steve, as if sensing what you’re thinking, risks a look at you. Your eyes meet his and for a brief second no one else exists anymore. It’s just you and him in the small Hawkins high school hallway, where he’s yours again in a way that’s clouded with “almost” and “not enough”, and you want to tell him how lovely he is and how horrible you feel for hurting him, but then he diverts his gaze and focuses back on Nancy and you’re thrown back into reality.
He isn’t yours. Hell, he isn’t even your friend anymore, and you’re the one to blame.
Once Nancy and Steve start kissing, you share a disgusted look with Jonathan and silently agree to leave.
“Young love, huh?” Jonathan jokes bitterly when you’ve left them behind.
“I hate it.”
And you do.
You’re really starting to hate this whole “love” thing.
The only highlight so far this school year has been you and Will growing even closer. When Jonathan told you that Will started seeing the Hawkins Lab people for treatment and to see how he’s been recovering, you pulled Joyce aside later that night to ask if it’d be okay if you spoke with Will yourself. Since everything that happened last year, you’ve only become more interested in psychology, and you’d be lying if you said Will wasn’t an interesting case study.
You told Joyce that you’d been doing your own research, reading journals upon journals, and she made you a deal. You could help Will as long as you also took care of yourself, that you wouldn’t place an even heavier burden upon yourself. Of course you agreed, promising her you wouldn’t, and that’s how your weekly chats with Will began.
Jonathan had been against it at first, telling you that you didn’t have to worry about Will because you already do everything else for the kids. You told him you could handle it, and secretly you liked helping Will because you were able to pour all your anxiety and complex feelings for Steve into research and studying. It was a win-win in your eyes.
Meanwhile, Mrs. Waters had been extremely understanding when you asked for Wednesdays off. After all, you’d been working at Bookstrordinary for almost three years now, so she was quick to make the accommodation.
Now here you are, another Wednesday spent at the Byers’ home. You’re sitting with Will in his bed, the both of you quietly scribbling with his crayons. You’ve learned that he’s more receptive if you draw with him, if you take your time.
“How was Dr. Owens today?”
Will pauses mid-scribble. “Fine.”
“Just ‘fine’? Nothing else?” Your head is down so he doesn’t think you’re studying his reactions, but you keep an eye on him anyways.
“Yeah. I told him about my latest episode.”
“You had another one? Would you like to tell me when?”
Will thinks for a moment, and you tell him that he of course doesn’t have to say anything if he doesn’t want to.
“Last night. I was back in the Upside Down… and there was this… this thing.”
Now you stop drawing. “Like the monster we killed last year?”
“Different,” he shakes his head. “This thing was evil.”
Will’s eyes are darting everywhere around the room, and you can see his growing unease, so you decide to put the topic to rest for now. Clearly the episodes are getting worse, scaring him more, so you shift gears.
“Okay, I believe you. I’m sorry for the episodes, but besides them how have you been feeling? Is school getting any better?” Earlier this month Will had confessed to you about the kids in school calling him “zombie boy” and treating him like a freak. You did your best to comfort him, and once you finished your chat with the boy you’d gone to Joyce to let her know.
Will sighs. “School is… school.”
You reach out and move some hair out of Will’s face. “I’m sorry, little bee. Middle schoolers are idiots, they’ll never understand how much you went through. I mean, I had to face that monster for only about twenty minutes. You had to hide from it for days, so you’re honestly incredibly braver than me.”
This gets a smile out of Will, which you’re relieved by. He’s been quiet lately, more closed off, and you’re worried that with the one year anniversary coming up, his episodes will only get worse.
A knock on the door, and then Jonathan pokes his head in. “Hey, guys. Mind if I join?”
“Actually, I think I should go. Bob’s been begging me for my cookie recipe, so I’ll leave you two alone.” You send a look Will’s way, a you better talk to your brother about this look, and he weakly nods his head.
As you walk past Jonathan out the door, you lean in close to Jonathan and whisper, “he’s struggling at school. Be gentle, kids can be fucking awful.”
He nods and squeezes your hand, silently thanking you, and you close the door behind you. While you want to help Will, make sure he’s adapting well, you also recognize your limits. He’s not your brother, Jonathan is, and you know he’ll be more open with him.
Joyce is in the kitchen with Bob, making some popcorn over the stove. He’s filming her with his ridiculously large camera and you can’t help but smile as you watch them. Joyce looks so happy around the guy, laughing more than she’s laughed in the last five or so years you’ve known her. She deserves this, she deserves a guy like Bob. Sweet, slightly silly, but good.
When Joyce sees you lingering in the doorway, she waves you in. “Hey, honey. Any luck with Will tonight?”
“A bit, he told me some of what’s happening at school. He still seems… off, but at least he was opening up. It’s a good sign.”
Joyce hums, but you can sense that there’s more on her mind. You look around to make sure Bob isn’t near, he’s busy digging through a cabinet to find a clean bowl, so you move closer to the woman and lower your voice. “What did Dr. Owens say this time?”
“Claims we need to just pretend everything is okay, despite the fact that it’s getting worse.”
There’s an edge in Joyce’s voice, so you’re careful with your words. “Well… I think he’s right.”
“You do?” Joyce turns to you, her voice loud with surprise, before she quickly remembers Bob is near and lowers it again. “Why do you think that?”
“I was up late reading a new journal I found about acute trauma in children. It’s been almost a year since Will disappeared, he spent days in complete fear, almost died… I mean, it makes sense that his body is remembering those traumatic effects.”
“So you think we should just leave Will alone, let him suffer through his episodes without any help?” There’s more confusion and fear than anger in Joyce’s voice, and you rest your hand against her arm.
“I know it seems counterintuitive, but the best studies we have all show that we have to let those who suffer from post-traumatic stress adapt at their own pace, through their own ways. They hate feeling pitied, and I have a feeling Will is starting to as well.”
Joyce turns the stove off and shakes her head at you. “You sound like Hop. I thought you hated the guy.”
“I don’t hate him,” you chuckle, now helping the woman peel off the foil and sprinkle some salt onto the popcorn. “He just reminds me too much of my dad, and we all know how that ends.”
“Well if you ask me, I think it’s because you two are so similar.”
You gasp. “How dare you!”
Joyce laughs and the seriousness from the previous conversation dissipates. Bob finds a clean bowl and together you and him pour the fresh popcorn in as Joyce prepares the drinks. They’re having a movie night together, and you want to cry because of how adorable it all is. Joyce deserves this.
“You know you’re welcome to join us tonight, Y/N. It’s Will’s turn to choose the movie.” Joyce tells you, but you politely decline.
“Normally I’d love to, but I should get going. I have some homework and I promised Dustin I’d bake him some Halloween treats.”
“Oh!” Bob turns to you. “Speaking of, you promised you’d give me that recipe of yours!”
You and Joyce share an amused look. “You caught me, I did. I’ll write it down right now and you have to swear that no one else will look at this. Deal?”
Bob nods, ecstatic, and you grab a piece of paper and quickly scribble down all the ingredients he’ll need and how to make the cookies. Joyce watches fondly, and you fill with warmth having pleased her. When you’re done, you hand the paper over to Bob and make him cross his heart, just to be extra sure he won’t reveal all your secrets.
“Scout’s honor!”
“Very good then, soldier.” You salute him, and then pull Joyce into a hug. “I really gotta go now. Can you tell Jonathan I said goodbye?”
“Of course, bike home safe, alright?”
You wink at her. “Scout’s honor.”
Bob lets out a loud cackle and you can’t believe that this guy is real, but Joyce is laughing along with him and you’re pleased she’s found someone as endearing and kind as him.
As soon as you get home you throw down your backpack and bunker down at the kitchen table. Your mom isn’t back from work yet and Dustin seems to be off somewhere doing god knows what, so it’s just you and Mews for now.
Mews plops herself on the table next to an essay you’ve been working on and you scratch her head as you work. You get lost in your writing, humming softly to yourself, enjoying this small moment of peace.
You won’t admit this to Jonathan, but he’s right. You’ve been overworking yourself, your body aches and your eyes droop with exhaustion almost every day now. But keeping yourself busy is what’s helping you stay afloat. The more you pile onto yourself, the less time you have to think about Steve and his stupid smile and stupid hair and stupid face.
In the middle of one of your sentences, Dustin flings the front door open and scares you. “Jesus, dude!”
He doesn’t spare you a glance, but when he sees Mews on the table with you he suddenly looks a bit alarmed. “Mews is here?”
“Yeah…? She’s helping me with this english essay.” You respond, confused.
“Huh,” Dustin thinks for a second, but seems to shrug it off. “Anyways, I’m home.”
“I can see that.”
“Are you gonna ask about my day?”
“How was your day, my dear brother.”
Dustin hops onto the table and shimmies his shoulders. “I met a girl.”
“What?” You drop your pencil in shock and Mews scatters, your exclaim having frightened her.
“Don’t act too surprised, geesh.” Your brother rolls his eyes, but then he frowns. “Actually, technically speaking I haven’t met her yet, but–”
“You have a crush?” You’re in shock. In your eyes, Dustin is still a baby, no older than six years old. And yet here is he, thirteen and talking to you about a girl.
“Yes, Y/N. Her name is Max, she has red hair and is new, and she’s totally awesome.”
Red hair? You remember seeing that girl in the parking lot earlier today. “Was she with that weird new guy, the one with a mullet?”
Dustin nods, so you poke him in the stomach and ooh at him. “I saw her this morning, she was prettyyyy.”
He shoves your finger away and blushes, which you find adorable. Dustin’s first ever crush, you can’t believe how old he is now.
“Yeah, she’s pretty, but she’s also just awesome. I think she’s the one with the new high score on Dig Dug.”
“Dig Dug?”
Your brother scoffs. “The arcade game the party always plays? Honestly, do you not listen when I tell you about my days?”
“Alright, fine. If you can remember what I told you I did yesterday, then I’ll apologize for not listening better.”
Dustin closes his mouth, unable to recall a thing.
“Mhm, that’s what I thought.” You flick his hat. “Anyways, since you officially like girls now, I’ve been dying to give you some girl advice.”
“Y/N–” Dustin groans, but you shush him.
“First things first, always be a gentleman. Max does indeed seem cool, but I’m sure she’d appreciate a nice and polite young man like yourself.”
Dustin nods. “Okay, be kind. Got it.”
“Good. Now secondly, we Hendersons are charming people, so just be yourself.”
“Duh,”
“Lastly, if she shows interest, tell her how you feel. Better you’re honest and true about how you feel rather than hide it and sulk.”
Dustin snorts. “Says you.”
You look away from him, slightly hurt. “I don’t know what you mean by that.”
“C’mon, Y/N. When are you gonna tell Jonathan you love him? I mean, everyone knows you do, it’s about time you confess.” Dustin drones on, unaware of your hurt feelings. “And he’s obviously in love with you, you guys are disgusting to be around–”
“He doesn’t love me back.” You whisper, looking down at your paper. You feel pathetic, confessing this to your little brother.
Dustin freezes, now realizing you’ve gone quiet. He can feel your mood darken and he feels like shit for not noticing it sooner. He’s upset you. “I’m sorry, Y/N. I thought he did, I mean the party and I all assumed…”
His words fade off, and you want to crawl into a hole and never come out. It’s embarrassing, you shouldn’t be pitied like this by your brother. “It’s okay, I know what you meant.”
“Y/N–”
You get up from the table and gather your things, shoving them into your backpack. “I’m gonna finish up this essay in my room, then I promise I’ll start baking those marshmallow puffs you like–”
Dustin jumps down from the table and blocks you from leaving the kitchen. “Jonathan is an ass–”
“Language–”
He doesn’t let you interrupt. “You’re cool, he’s stupid, and I’m here for you. Alright? Don’t make me pull a code blue on you.”
You wrap your brother into your arms, something he hadn’t been expecting, and allow yourself a small laugh. “No need for a code blue, I promise. Just, give me like an hour to sulk and then I’ll be as good as new. Okay?”
When you pull away, Dustin eyes you, but understands he won’t win this argument. The two of you handle your emotions the same way: alone, in solitude, away from prying eyes. He knows you just need some time to yourself, but he still feels like a jerk for upsetting you in the first place. “Fine, but if you’re sulking later I’ll flick your nose.”
You flick his nose and then quickly flee to your room, Dustin not far behind you. “Flicked you first!”
“Not fair!”
You slam your bedroom door and giggle as you lock it. Dustin bangs on the door, but you can hear the amusement in his voice. You tell him you’ll be out as soon as you’re done with your essay, and then go and sit down at your desk. Sighing, you dig into your bag and pull out what you need. Without meaning to, you look up and see your Spider-Man poster, your wonderful Christmas gift from Steve, hanging in front of you.
The small joy you’d been feeling vanishes.
The poster stares back at you, you can almost hear it calling you a pathetic coward, and you feel guilt claw at your throat. You close your eyes, remembering the cold from that winter day, and you can almost smell the cologne Steve had been wearing when you’d thrown yourself into his warmth. Sometimes, if you sit still enough, you think you can feel the ghost of his embrace.
You open your eyes.
Steve isn’t here.
Of course he isn’t here.
You exhale, feeling the familiar ache and exhaustion within you; junior year is looking quite grim.
-
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Adrien is Marinette's Therapist, NOT her Boyfriend and it's Gross
Mental health struggles are no joke and, if you have those struggles, then you absolutely need a partner who will support you through them. That's why, at face value, Adrien supporting Marinette with her PTSD and anxiety is very sweet. It's what a good boyfriend should do. The problem is that Adrien is being written like her therapist, not her boyfriend.
Adrien has his own struggles with depression, loss, and paternal neglect. Yet none of these struggles are brought up once Adrien and Marinette get together. Instead, the relationship is all about her needs and struggles even though this season ends with Gabriel's take down, meaning that focusing on Adrien's issues would have made more sense from a narrative perspective. How much more powerful would the final have been if Marinette really understood Adrien, Emilie, and Gabriel's relationship?
But why do that when we can make everything about Adrienette instead? Why bother to mention Emilie when Marinette is a much better point of conflict between Adrien and Gabriel? After all, if we did that, then Adrien would have a life outside of Marinette and that would be, well, sigh, let's get into it, shall we?
In Derision, we learn that Marinette apparently doesn't have some form of anxiety or ADHD or any of the other things that people have theorized over the years. No, vanilla-Marinette is a totally relaxed, go-with-the-flow non-planner who only started planning after Chloe, Sabrina, and Kim gave her PTSD. Does this insult her character and make no sense? Yes, but let's not get into that. Let's just accept the retcon and look at the fallout of Adrien knowing that his new girlfriend has massive trauma that's mainly focused on romance and controlling situations.
The very next episode is Intuition. In it we see Marinette calling Adrien to show off her ability to do things without planning (or, at least, with less planning) and it's clear from context that this is an exercise that they're doing:
Adrien: Well... (his phone rings) Fancy that! Marinette! I like spending time with Marinette. (picks up his phone) Marinette: (on-call) Guess what I'm calling for: nothing! Can you believe it? I'm calling you randomly, totally out of the blue, for no reason at all! Adrien: So you didn't write down everything you might need to say to me based on everything I might say to you? Marinette: Not at all! Well... I did. I really tried not to, you know, but it was too hard! Anyhow, I limited myself to fourteen possible conversations, including this one! Adrien: Congratulations! Marinette: (on-call) Thank you! Adrien: And did you prepare questions for science class? Marinette: (on-call) Not-a-one! Not even for the live video conference we're doing with Max's mom on the super awesome Tsurugi space jet! I, Marinette, will improvise questions, unpredictably, without planning anything!
In the context of the show, this conversation is deeply concerning and I don't know wtf the writers think they're doing. There is no way in hell that a 14-year-old should be guiding his girlfriend through a therapy session or therapy exercise unless he has the guidance and approval of a trained mental health professional.
Seriously look at what Adrien is doing in this dialogue: Marinette tells him that she's called him without planning and he doesn't just say "that's great!" Instead, he asks if that's true, congratulates her for her mild improvement, and then prompts her to talk about another situation where she would plan things out. In other words, he's asking about the therapy homework that he's clearly given her or that they've decided on together. It's also clear that this isn't their first discussion on the topic because he's very comfortable knowing what to ask about to see if she's done her homework right.
Why was this homework chosen? Who knows! It certainly wasn't picked by someone with training! A therapist wouldn't tell you to avoid planning for a school assignment (something that we've never seen Marinette overplan before, but once again, we're ignoring the retcon). This scene would arguably be inappropriate for an established adult relationship, but a nascent teenage one? Absolutely not.
My SO and I have both done therapy and seen wildly unbalanced relationships. This conversation threw massive red flags for us on both fronts. This is not what a healthy relationship looks like. This is not a give and take. This is why you need a therapist to at least guide you through this type of situation or you will set yourself up in roles where person A is not getting their needs met because the relationship has an established dynamic where person A is the giver and person B is the taker.
This is especially true for a young relationship that's just getting its feet off of the ground. They're supposed to be in the honeymoon phase! More established relationships are better able to handle phases where one person needs more support than the other which absolutely happens and is totally normal. However, when those things happen, it's vital for the supporting partner to have their own support since they can't get it from their partner.
Miraculous denies Adrien this suport. In the very next episode, we get this:
Adrien: I've always seen Marinette acting funny in my presence. I thought that was just the way she was. I thought it was sweet. I thought it was just her charm. But now that I know it's because she loves me and she freaks out about telling me, I feel bad. Because it means that this whole time she's been uncomfortable around me, and I haven't done anything to help her. Kagami: But you didn't know. Adrien: It doesn't take away from her suffering. I just wish she could feel more at ease when she's with me. Otherwise, one day, it'll be too late and she'll give up. Kagami: What can I do to help, Adrien? Adrien: Thanks, but it's not up to you or anyone else to help. I'm the one who's gotta do something.
No! Adrien, you are not equipped to deal with this solo. Ask Kagami to help! Ask Alya to help! Ask Marinette's parents to help! There are times when it's okay to involve others in your relationship and this is one of those times! This isn't even a relationship issue! It's a mental health issue! I know we're flipping gender roles here, but it's not somehow cute or healthy just because a guy is trying to "fix" the girl for once. No one should try to take on that task. This is what therapy is for.
If therapy is not an option for financial or other reasons, then yes, sometimes you have to struggle through and loved ones can help, but in TV land? Especially aimed-at-kids TV land? Show the ideal scenario! At the very least, show a support network! And I mean actual support, not Kagami asking to help and Adrien shooting her down! Writers, you are making Gabriel's dislike of Marinette valid! You are making it so that she is dragging Adrien down! Stop doing that!
Adrien deserves love and support, too. Adrien deserves to be romanced. Adrien deserves more than a kiss and an "I love you" that he had to fight to hear! He never even gets one of the presents from Marinette's chest. She did more to woo him before they got together and it's such pathetic writing.
The fun of getting these two together is letting them do all the stuff they've always wanted to do! Let Marinette bring him macrons! Let him bring her roses! Let her enhance his wardrobe! Let him write her poems! Let them be a healthy, balanced, sickeningly-cute couple! It's fine if she's nervous at the start and takes a while to act normal, but this show takes it to a level beyond teenage jitters and it's not funny or cute. It's concerning.
All of these issues start with Derision's romance-based-PTSD retcon and it was the worst thing they could have done for the Love Square. It poisons the rest of the season and is why I just can't ship these two in canon even though I love what they could have been. They have established such a horrifically unhealthy dynamic that I can't see this ending well unless they get couple's therapy in the very near future and that's not even touching on the baggage that will come from the lies and still unresolved Ladynoir trauma.
As soon as Marinette has romance-based PTSD, she was incapable of being in a relationship until after she'd learned to manage her PTSD. (PTSD cannot be cured, btw, you just learn how to manage it and the symptoms can lessen.) The writers apparently knew that. It's why they gave her a therapist to support her as she worked through her issues and got to the point where she can say "I love you". His name is Adrien. Isn't he cute?
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markantonys · 6 months
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My Mom Reacts To: wheel of time season 2 episodes 5-8 (episodes 1-4) (season 1)
the episode 1-4 post did not contain book spoilers, but this one does, so beware!
first, some dinnertable questions that arose in the past few days:
mom: 3000 years ago, when the first dragon was around, was ishamael--wait. was ishamael the dragon? me: no mom: but he was around back then? me: yes, he was the first dragon's best friend, but then he betrayed him mom: just like how liandrin is betraying everyone
(also, she keeps trying to call him "ishmael" like the moby dick character)
mom: at the end of 14 books, does good triumph over evil? me: i'm not gonna tell you that mom: well this show won't go for 14 seasons, or if it does, i'll be in a dementia ward by then
mom: how long is someone the amyrlin? me: for life, unless they get removed mom: is it an elected position or would they have like a coup? me: [sweating] it's an elected position
she wanted to know where everything was, so i pulled out the handy randland map mug she gave me for christmas to show her! haha
she also asked if we see more of the other colors (ajahs) in the books, and i said if anything we see less because liandrin and alanna have much less screentime in the books, and she was very surprised to hear that
dad: [setting up a dad joke voice] what's it called when lan dies? me: what? dad: lan's end
(okay that might be an americans-only joke lmao there's a big clothing chain called lands' end, not sure how widespread it is. but it cracked ME up, at least!)
mom: does lan die?!?!?!? me: you read his wikipedia article like 2 months ago mom: well i don't remember any of it, that was a long time ago!
she also assumed that no one who is together now (lanaeve + randgwene) will end up together. i'd straight up told her a while ago that rand and egwene don't end up together but she wasn't totally sure of that now, so i think it's actually okay if i tell her spoilers because she'll forget them immediately djkfjgh
episode 5
"she should be glad to get those ridiculous nails cut"
she was horrified by the horse slaughter!
my dad laughed at the guy getting his head exploded, maybe it's not just rand maybe he just likes to see Anyone have a bad time
elyas: your friends from the two rivers aren't your pack mom: ohhhh 😔😠 elyas: neither was your wife mom: [GASP]
she loves hopper so much and i'm not ready for her to see ep8!!
brown sister trio introduced, we pause as i am tasked with writing down every ajah and what they do lmao
my mom repeatedly asked if suroth was a forsaken. probably because she has The Audacity to talk to an actual forsaken Like That!
not much reaction to aviendha at all this episode! i think my mom was a bit overwhelmed by all the new info being learned in this episode, so she was more concerned with trying to figure out who the aiel and the seanchan are than with paying attention to aviendha specifically (partially my fault bc i first explained the aiel as "those warrior people" and she thought i meant the seanchan lmao). she mourned that we hadn't started our character/terminology list on a bigger piece of paper!
i had to fight to keep it together rather than shout with joy during the gawyn namedrop djkjfgh
mom: did the red one free nynaeve so they could try to escape?? me: yes mom: she is just too complicated for me
in this same vein, my dad later referred to liandrin as a "double double agent"
moiraine: [big sigh] dad: she's always a drama queen
he's not wrong jkdjfg
ishy tenderly stroking rand's face also got no reaction, much to my surprise haha i meanwhile was silently losing it
when the seanchan were bringing out egwene and saying how powerful she is, my dad was like "but she's the wrong one, it's the other one who's powerful" oh my god let poor egwene LIVE djkfg even he is pulling a "did you hear that nynaeve is the most powerful channeler we've seen in 1000 years" on her!
my mom cracked up at moiraine saying "it's your choice rand, i mean it this time" and was like "yeah i was gonna say, is she ACTUALLY going to let him choose here?"
episode 6
my mom literally THE SECOND renna's bracelet linked with the a'dam: "so she can channel too? i thought these people punished everyone who can channel" not her INSTANTLY clocking The Sul'dam Secret when in-world it apparently took hundreds of years for anyone to notice hahaha this certainly lends weight to the "this information Is Known but routinely suppressed, as fascist governments are wont to do" interpretation over the "literally not a single person had any idea until the wondergirls" interpretation
lanfear: why do you think you can't trust me? mom: because you have a silly hat
911 lanfear's just been murdered. i guess some people (straight women) ARE immune to her dominatrix outfit djkfg
my mom also voiced her displeasure with rand's haircut again in this scene. my mom 🤝 me 🤝 mat
BOTH my parents thought lanfear's condition was going to be that rand had to kill moiraine himself! the second he opened his eyes they both said it! they're already thinking so dark!
on that note, i'd predicted my mom would be annoyed at moiraine for refusing barthanes's sandwiches, but that was not the case: instead, she and my dad both went "oh i bet the sandwiches are poisoned" they're so suspicious of everything now! and rightfully so
"i can hear you bickering from the fruit market" got a good laugh
my mom also gave a hearty, appreciative chuckle at mat shitting on rand's hair. he spoke for all of us!
mat: i'll meet you in an hour mom: they don't have watches, how will they know when it's been an hour?
mom when moiraine apologizes to barthanes: why is she being nice? me: because she feels bad mom, as if it never occurred to her moiraine might have a conscience: oh..............
mom when siuan arrives in cairhien: now someone can tell her about liandrin! me: but no one here knows that mom: UGH!!!
haha welcome to wheel of time! the necessary information is always stuck in the wrong plotlines and unable to be passed along to the relevant people!
elayne to nynaeve: if we help ryma, we can't help egwene mom: oh this poor woman, now she's faced with another hard choice just like in the arches! me: [sits there stunned because i never made that connection]
episode 7
my mom loved lan telling rand to tuck in his shirt, naturally
lan: heron dips over the wing [or whatever the name was] mom: what? me: it's a sword form, they all have weird names mom: oh, that would explain why it didn't make any sense
lan: your duty is to protect everyone in the world, not just the ones you love mom: that's a big responsibility :(
she laughed and said "she doesn't like not being the boss!" at nynaeve's face when elayne told her to do what she said
she is SO PRESSED about other characters needing to find out about liandrin. she was so excited when anvaere eavesdropped and then so mad when moiraine left before anvaere could tell her the news (but i reassured her by saying that moiraine is about to go to the same place as nynaeve & co who will be able to tell her)
moiraine: [is Mean to lan] mom: TUH! dad: he should just slay her
mom: so what does this tea do? me: allegedly it will show mat his past lives mom: but it might be a trick me: ishamael DOES call himself "father of lies"
my dad was like "that was cool!" after mat's bad trip, which is among his biggest reactions to anything, other than "[chuckles] that was a good one!" when egwene said "renna i will kill you"
ishy: i just want to close my eyes and never have to open them again mom: so kill yourself then 🙄
911 ishamael's also been found murdered. i think she could put the forsaken in line honestly, "you have a silly hat" "kill yourself" she's just not having any of their shit. i hate to compare her to cadsuane, but it's kinda giving cadsuane.
lanfear's dominatrix outfit did get more appreciation this time though when the silly hat was not present ("they had fun with her costumes")
rand: i need your help lanfear mom: ??????? doesn't he know she's evil???????
"she could at least say something nice to lan 🙄" when moiraine fails to say something nice to lan after getting unshielded thanks to him
lanfear: [broken amyrlin line] mom: is she broken??? me: i think she just meant metaphorically, not physically mom: oh. but their love is broken :(
episode 8
my dad actually put his laptop away to watch this episode with his full attention. this is high praise! he never does that!
mom: who's that? [dain] me: the whitecloak perrin spared when he escaped with aviendha mom: i don't remember that me: we watched that YESTERDAY mom: 🤷
she did remember after another moment though haha but that supports my impression that ep5 was A Bit Too Much New Info for her to take in all at once
lanfear: rand i'm the only one who truly cares about you mom: i don't think THAT'S true!
when perrin tells hopper to stay there: "he's just going to leave his dog out in the desert with no water???"
mom when lanfear calls ishy sweetheart and strokes his hair: wait was he the one she was in love with????? me: no it was rand's past life, that's why she's obsessed with rand mom: rand's past WIFE???? me: LIFE
babe wake up new polycule just dropped (lanfear/ishy/lews/ilyena)
she GASPED when renna cut off egwene's braid! as she should!
she said "too bad min isn't here" during the episode (she thought it would be helpful if min could tell mat what would happen if he were to touch the dagger; i was like "i think he knows it would be bad mom" lmao) and after the episode she anxiously asked if we would ever see min again, dammit mom don't you dare become a min stan on me jdkfgh (although, the fact that she thought we might not see her again indicates it's 0% on her radar that min might be anyone's love interest, which is interesting! a number of show-onlys were at least expecting her to be mat's i think)
nynaeve: i'll make you regret the first kiss your mother ever gave your father mom: [delighted] that's a creative one! dad: there are a lot of nasty women on this show and only one nasty man [ishy] me and mom: TUH!
although he is not wrong to say that s2 was the season of Female Villains and Women Being Mean (and i loved every moment of it!). don't you worry dad, rand's gonna be stepping up to fill the Nasty Man Quota soon enough. and i can't wait!
dad when rand is watching egwene from a distance: he's not doing a good job of hiding me: at least his cloak is the same color as the wall dad: well his dumb face isn't
why is he SUCH a hater when it comes to poor rand jkdjfg please, that's your future son-in-law!
they both were repeatedly pressed about everyone carrying the horn box (or rather "the briefcase" as my dad called it) out in the open
mom: they need to just put it in a sack! me: they don't have any sacks on hand! mom: there's plenty of sacks lying around!!!
she keeps thinking that rand got the heron-marked sword from his mom, and when she saw that turak had one she was like "but i thought those were the swords of the aiel?" and i cracked up imagining how offended aiel would be to hear her say that
she missed rand killing all the seanchan because she was too busy asking me the above question, but when she looked back at the screen she went 1) "oh, this is so gory" 2) "did RAND do all that????"
she was sad about ingtar, she was like "ohhhh, i liked him :(" imagine caring about ingtar, could not be me jdkfg
me: so lanfear is talking about the seals of the other forsaken, she wants this guy to throw them all in the ocean because she doesn't want them to be released mom: why doesn't she just do it herself? me: me: me: i don't know, actually..................
(maybe she just wanted them gone stat but didn't want to leave falme for even a moment while shit was going down with rand and ishy? or maybe she was like, I'm Too Hot And Iconic To Get My Hands Dirty Doing Things Myself)
mom as soon as renna's shown to be alive, after egwene's picked up the collar: she should go put the collar on her!
she been knew again!
mom at the mat-perrin reunion: put the spear down before you hug him, you'll stab someone by accident!!!!
she was glad to see egwene get her vengeance, but added "but now i bet she'll feel guilty for killing someone because she's a good person :("
ishy: [talking about what rand did in his past life] mom: rand doesn't even remember that! rand right on cue: i'm not lews therin!
i warned her "you might not want to look" just before hopper's death, but she did look, and she was very sad. as was i!
she thought that one of the heroes of the horn was stepin and i told her it wasn't (it was just some random guy with similar hair) but maybe i should've let her keep on believing it because it's a nice idea!
mom when the spear goes through ishy and hits rand: OH NO!!!! just like min said!!! me: [vibrating with glee over The Great Cauthor Stabbening]
when ishy said "i'm sorry old friend" to rand here my dad said "that sounds familiar" and i was like what's he talking about? but then realized that's what LTT said to ishy in the cold open!!! my heart!!! thank you dad for catching that parallel, i gotta go make a gifset now
"how is one guy holding off all these soldiers by himself?" mom i cannot believe you of all people would doubt lan!
she laughed at rand being like "[half-dead] who are you???" but made no comment on the subsequent romantic shot of elayne. however, after the episode she was like "'who are you?' rand said................is something going to happen with him and elayne??" and i was like 🤷😁😁😁😁 and then she said "but they both have red hair, are they from the same place?" and i told her that elayne is not aiel and not ALL redheads are aiel lmao and maybe i should've just said "you'll see" but. i don't think it's a spoiler to confirm that elayne is not aiel.
she does not believe that ishy is really dead, and she kept asking me if he was really dead and if he shows up again later in the books and i swear, the three oaths possessed me in that moment and made me incapable of saying "yes he's really dead, no we don't see him again in the books". so i just kept shrugging which probably made it obvious that indeed, this is not the last we see of him haha
mom when moiraine starts weaving fire in the direction of the tower: what's she doing?! everyone's up on that tower!!! me: she's not trying to BLOW UP RAND mom: oh
at some point during all the battles she was like "now what's lanfear up to during all this? 🤨" a good thought to have always!
at the end of the episode: "now we have to wait a whole year or two for the next season!!!!!" she's hooked!!
favorite character roundup: my mom said lan is #1 and egwene is #2, and she also loves loial, and she said that she didn't care for perrin last season but likes him a lot now. my dad said his favorites are "the tree guy" (loial) and "the new woman at the end who's more powerful than anyone we've seen so far" (moghedien! that one was a surprise to me. tumblr 🤝 my dad. i hope he'll enjoy The Season Of Moghedien next season! tho it could also be that he just said her because she was the last character we saw and he'd already forgotten all the other ones lmao)
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loupy-mongoose · 4 months
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Was all of this gallbladder stuff sudden, or is it just sudden for us because you never mentioned anything about a gallbladder removal until recently
I mentioned a few times throughout the first week of Jan. that I was having some tummy issues, but I never really brought it to the spotlight. The most I did was inform you all that I had gotten "sick", and then only a few days ago mentioned my gall bladder.
There is very little way I can call this sudden in general, however.
I'm... actually gonna put this under a read more, because it runs a lot deeper than just these last few weeks... (Kinda turned into a life-story lol)
So, throughout that first week of Jan, I was having off-and-on mild pain. Nothing too intense, and I'd been through it many, many, MANY times before. (Yeah.... MANY.)
I tried to wait it out every time, only going to Doctors twice for it, and it would eventually go away. I would be careful with my eating afterword (based on past experiences, not any research or knowledge) and eventually I'd be back to normal for the time being.
The time between spells varied. Sometimes it was only months, sometimes it was almost a year. I don't think I ever went beyond a year with no spell, but I can't remember.
This started about
TEN
YEARS
ago.
If each episode has been a pancreatitis attack, then I consider it no small miracle that I'm as good off as I am.
I went to the Doctor once for it as a youth, and they gave me some kind of IBS or other pill for bloating. They did nothing to help, and I didn't pursue any more doctor visits about it until '22.
That time the pain didn't go away for many days, and it got incredibly incapacitating. So I went to the Doctor (completely different one from the first--we'd moved states.) I got some imaging done and they found Pancreatitis and Colitis. They gave me antibiotics and sent me home to recover.
But they didn't finds gallstones.
So I recovered and felt armed to better handle these pain episodes--Just limit my consumption to liquids.
Well, I was doing alright until now.
We had... a V E R Y fatty Christmas dinner, and I was grazing off of the worst of it the following week.
Then, come New Year's Eve, I start to feel that little ache. I... I ignored it, and ate some of the goodies we'd prepared for the night, a little more reserved about it than I normally would've been. Eating has always been one of my absolute favorite parts of that time of year, and I didn't want to let my potential stomach issue completely ruin it for me.
I'm actually surprised by how mild the pain was at first, given all the nasty stuff I'd been eating.
Anyway, that mild pain subsided, and I foolishly let myself eat some more leftover goodies, thinking I was being careful. And of course, it came back.
This went on through the week, with me gradually being more and more careful about what I ate, trying to eat more stomach-bug friendly foods like crackers and toast.
A night finally came where it was so irritating that I threw up. That night it instantly made me feel better. I still increased my carefulness in consumption the following day, taking in nothing but a couple cups each of Pedialyte and chicken broth.
But still it came back. And that was the night it got bad.
I threw up a couple more times that night, and instead of helping this time... the second time left me in a lot of pain. So much that it was uncomfortable to breathe. Uncomfortable to do anything.
Thankfully my dad didn't have work that night (he works overnights), so we ultimately decided at about 6 am to take me to the emergency room.
There they found the gallstones and got blocking ones out of the way, and I spent the following week recovering in the hospital.
It seems most likely that gallstones have been the offender all these years, but the symptoms never quite matched that. I remember once looking into Pancreatitis and seeing that the symptoms matched that pretty well, but never let gallstones settle as an option.
Anyway, I guess I can at least say I have some closure after all this time. It'll be good to finally be free from this plague!
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flower-boi16 · 3 months
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Hazbin Hotel Is A Show That Exists
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So...after five years of waiting, Hazbin Hotel is finally out. I had very low expectations going to Hazbin - not only because of the current state of Helluva Boss (Its spin-off show) but also because of all the things I was hearing about it from people who saw the leaks - needless to say, it wasn't very positive. I was expecting this show to be a complete disaster on every single level, though deep down, I did want to be excited for this show - as I did used to briefly be a fan of Viv's work until I realized HB's MANY writing issues, so I went in with low expectations, expecting the show to be awful while deep down hoping that MAYBE It'll MAYBE end up being good. And after watching the first four episodes I can say that...
The show isn't awful nor is it that good. It's just...PAINFULLY average. In this post I'm going to give my current thoughts on HH based on the first four episodes that are currently released. Note that these are only my current thoughts on the show - there's a chance that MAYBE the show will improve in the second half of season 1. But for now, here are my current thoughts on the show:
1. The Animation & Visuals
The animation is...fine. The characters definitely look very rigged at times, but the animation is at least pleasant to look at. An issue I have is the camera work - sometimes the camera work can be VERY off at times. The show would constantly cut to different perspectives in some of the scenes and it becomes a headache to look at. It's especially bad at the beginning of the Happy Day In Hell song - where the camera looks like it's having a stroke during the sequence as it constantly cuts to different perspectives a LOT.
That being said - the camera work is mostly fine throughout the rest of the show so it's not too bad. So overall, the animation looks fine. I don't love it, but I don't hate it.
2. The Comedy
The show's comedy is...actually pretty ok. There were a few jokes that got a good laugh out of me, especially in episode 3, the episode that isn't written by Viv, so it therefore is the funniest episode of the show so far. I am surprised by the lack of sex jokes in the show which is at least a plus. That being said, a lot of the jokes in the show don't really land - mainly the ones that Angel Dust makes. So really, the comedy is OK. I don't hate it, but I also don't love it either.
3. Worldbuilding & Plot
So now let's talk about the main plot of the show as well as its world-building. Ok so the main conflict for the show is that due to someone killing an Angel during the last extermination - the exterminations are going to happen twice as fast now (6 months instead of one year). The mystery of what happened to the angel...lasts for about two episodes before we're given an answer in episode 3, and then it's just resolved like that.
Aside from that the series mostly revolves around its premise so far which is good. Alright, now lets talk about the lore and worldbuilding - basically Lucifer used to be an angel in Hevean but was seen as a trouble maker and Adam demanded that Lilith fuck him (or something Idk Idr) and Lucifer and Lilith fell in love blah blah blah Lucifer gave an apple to his new lover Eve blah blah blah the apple was cursed blah blah blah the apple created hell blah blah blah It sent evil to the world and Hevean was pissed about that so they banished them to hell blah blah blah Lucifer became sad blah blah blah Lilith didn't blah blah blah Hevean started doing exterminations because they were afraid of Hell's power.
(Semi-accurate description of the opening exposition dump). Ok so a few things; 1) I already asked this in another post but why did Hell never choose to fight back against Heaven when Heaven shouldn't have any power over hell because Hell was a realm created by Lucifer? Also, why does Heaven even have any power over Hell to begin with? and 2) So Heaven is eeeevil now and is going to kill all of Hell. Like I already said, it would have been more interesting if Heaven wasn't evil, and it also would've been better than this Hevean v Hell war we're probably going to get in the finale.
They even changed the reasoning to why Heaven started doing the exterminations, instead of it being because of an overpopulation problem now it's because Heaven was afraid of Hell's power...
...which contradicts the pilot which is canon to the series. But then the show just goes back to the overpopulation problem as the reason for the exterminations???? Like??? Which is it, is it because Heaven is evil or because of an overpopulation problem??? PICK ONE!!!
Hell is also kinda boring of a setting, it's just our world except red. That's it. So the lore and worldbuilding is kinda eh, Heaven is just evil cuz ofc it is and the lore has some problems. Its funny to how one of the lyrics of Adam's big villain song is "its all black and white", and since Adam is the bad guy and Charlie's goal is to redeem sinners, the show is trying to go for a "it's NOT black and white" message, but that's kinda ironic considering that this Heaven/Hell conflict is very black and white in it of itself; Hell good Heaven evil. That's it. Not saying black-and-white conflicts with a good guy and a bad guy are bad, most shows can make them work and be interesting, but Heaven would have been more interesting if it wasn't evil, at least IMO.
4. The Voice Actors
A lot of the discourse surrounding Hazbin until its release was the new voice actors. Let me just say I don't dislike the voice actors here; I think they are fine and they fit the characters decently well. Their singing is also decent as well. So I don't dislike any of the voices, they are fine for the most part and fit decently well with the characters.
5. The Songs
The songs so far are...fine. If there was one thing that HB consistently got right, it was the songs. Even if I dislike HB, the songs are actually pretty good (for the most part...). Hazbin's songs are...decent. There aren't any songs that I can say are bad, though I have some issues with the show's music; mainly the fact that the show sometimes shoves in songs...for the sake of having a song.
If you want to make a musical with songs you need to make sure each song has a distinct purpose for the story; take "Part of Your World" from The Little Mermaid. Before this song, it's pretty easy to infer that Ariel has an interest in the surface world - with her collecting human stuff and all. But the song further shows us her desire to see the surface - to see what it's like above water. It shows her desire to see the surface in the form of a song - it has a purpose within the story because it tells you something about the character.
Hazbin Hotel meanwhile sometimes has a problem when it comes to shoving in songs for the sake of meeting the song quota; the two biggest examples are "Hell is Forever" and "Respectless", as well as "Whatever It Takes". These songs are all completely unnecessary and they give us information that could have been communicated through simple dialogue rather than characters bursting out singing.
"Respectless" in particular feels less like a song and more like the characters just...singing a conversation with each other. The song is completely unnecessary and is just there to fill the song quota per episode. None of the songs I've mentioned are necessarily bad, but they suffer from being unneeded (HB also sometimes has this problem in season 2 mainly in episodes 3, 4, and 7).
Aside from that issue - the songs are...fine. None of them are bad but some of them are kinda useless and don't serve much of a purpose. I at least liked Happy Day in Hell and Poison, aside from that most of the songs are...ok. I just don't find most of them that memorable.
6. The Characters
Now, let's talk about the characters. First I'll talk about the main cast then the villains.
Charlie - I think Charlie's...fine. I always like overly positive and happy characters for protagonists so I was going to like Charlie anyway. She's fine; she's easy to root for and she's likable enough.
Vaggie - Vaggie's also fine. I do like her snark in episode 3, but aside from that there isn't much that interesting about her.
Nifty - Nifty's cute. Nifty's funny. I like Nifty.
Angel Dust - sigh Ok so I didn't like Angel Dust in episode 1 because of the fact he was another character whose one character trait is being excessively horny. And I also find all his jokes painfully unfunny. I'm not really in a position to judge how well his abuse from Val was handled so since I held a poll asking SA victim's thoughts on episode 4 and most of them voted no I'll just say that they didn't handle it very well and move on. So ya don't care for Angel Dust.
Alastor - Ah yes the creepy radio demon. He's also fine, I like his whole style and stuff.
Husk - Husk's whole purpose in the first three episodes is pretty much just to be pissed off at stuff, I kinda liked the scene where he talked to Angel Dust in episode 4 but aside from that, Husk is kinda just..fine...like everyone in this main cast.
Now let's talk about the villains so far!
Adam - Don't care for him. Sigh look Adam could be an entertaining villain but so far his dialogue and jokes are just painfully unfunny and I don't care for him as a villain. I could talk about his sidekick whose name I forgot but she's gotten so little screen time I can't form an opinion on her yet.
Also isn't it funny how HH was meant to be a female-focused show yet the males get more focus so far (As I've already talked about)? Ya, I thought so too. Anyways, the characters are...fine. I don't hate any of them, but I also don't really love any of them either. None of them are that interesting so far to me.
That's pretty much what I can say about everything in this show so far; I don't hate the animation but I don't love it either, I don't hate the comedy but I don't love it either, I don't hate the songs but I don't love them either, I don't hate any of the characters but I don't love them either.
7. Conclusion
So, that's my current thoughts on HH based on the first four episodes. Well...it's certainly a show that I watched. It's amazing to me how a show could be so consistently painfully average in pretty much EVERYTHING, from the animation to the songs to the comedy to the characters, to the episodes themselves, Hazbin Hotel is the most painfully average show I've watched so far. It's not bad so far, but it isn't good either. Again, maybe the show will improve when the latter half of season 1 comes out...
...or it will just get worse. I'm expecting the latter unfortunately due to the trailers making it look like there's going to be a Heaven/Hell war which means the show is probably going to abandon its premise like its spin-off (...that came before the main show was released). But ya, Hazbin Hotel is painfully average so far, probably a 6/10 so far, expecting the show to probably get worse, goodbye.
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mirageofadesert · 4 months
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Looking back on my first year as a c-drama fan!
This year I fell - first down a flight of stairs - and then (because I couldn't walk properly for a few weeks) down a rabbit hole of cdramas!
In total, I have watched 28 dramas since May. I actually finished 17 of them. I re-watched 8 of them at least once. My most rewatched show is Till The End Of The Moon, followed by Love Is Sweet and The Untamed!
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Shows I loved
Till The End of The Moon: This drama triggered my hyperfixation, and I still love it so much. Tantai Jin became my new obsession.
Love is Sweet: This one surprised me because I don't usually care for romantic dramas. It made me more open to different genres.
The Untamed: I watched this for the first time in 2019, and now I can appreciate it even more.
The Sleuth of Ming Dynasties: It took me several tries to get into the drama because the political setting was too complicated. I'm glad I didn't give up. Wang Zhi became one of my favorites!
New Life Begins: I was just looking for something light in between and was quite surprised how much I liked the show.
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Things I learned as a newbie:
Cdramas are an acquired taste. Sometimes it's worth going back to a drama that you initially gave up on.
To avoid spoilers, it's best to skip the intro and especially the outro.
I love my characters unhinged.
Apparently it is okay to share leaks from filming.
Never believe anything that comes from yxh accounts.
Shippers are toxic in any fandom.
C-drama fans are a bit older than K-pop fans, but they can be just as unhinged and have trouble distinguishing between how to treat actors and the fictional characters they play.
My ADHD is better regulated when I watch shows in a foreign language while reading the subtitles. I don't get bored watching TV, which is rare!
Shows I dropped, and what I learned from it:
Hidden Love: I still don't like romances that have no significant plot beyond the relationship. Especially if I don't care about the characters at all.
Back from the Brink: Sometimes dramas that start well become an unwatchable, rage-inducing mess halfway through, and it's not worth sticking it out to the end.
Beauty of Resilience: I'm a character-driven audience. If the characters aren't compelling and the story isn't interesting, I don't care about the show.
Ashes of Love: I hate childish FL with baby voices and naive personalities. I need better written female characters. I'm on my 3rd attempt to watch this show and I only have a handful of episodes left, so I'll actually make it to the end (eventually).
I've dropped a lot more shows and actually watched some to the end that I didn't like very much in the end, but those are the ones I learned the most from.
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What will stay with me:
Tantai Jin: I'm still obsessed with this character. He is everything I need in a fictional character.
Luo Yunxi: This will come as no surprise to anyone who follows me, but my obsession with TTJ soon extended to Luo Yunxi.
Bai Lu & Sun Zhenni: While I appreciate both of them as actors, it's their fun and uninhibited personalities that made me fall in love with them!!
Costumes: I adore the detailed costumes and hanfu styles, and do prefer costume dramas to modern ones.
Food & drinks: I'm now looking into more Chinese foot now and how to cook vegetables in more interesting ways. I also bought "moon cake stamps"... so wish me luck!
New online acquaintances: I have made some new friends online who I can fangirl with to my heart's content!
What I'm looking forward to in 2024:
I'm really looking forward to Luo Yunxi's upcoming dramas, Follow You Heart, Shui Long Yin and Immortality (🤡). I'm also looking forward to Sun Zhenni's first leading role!
There are still many dramas I want to watch, but haven't found the time for. Like A Journey to Love, Goodbye, My Princess, Nirvana in Fire, Then Miles of Peach Blossoms and The Blood of Youth.
I'm not sure what else I'll post here next year. Probably more reviews and content related to my favourite actors. Let's see if something triggers my hyperfixation soon!
Happy New Year!
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nisuna · 5 months
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I fucking love the fact that you write down my ideas so quickly. you have become my favorite.
and so, for a very long time I thought that Itadori had an older half-sister who always took care of him. Even when she learned that Yuji had become a vessel for Sukuna, the older half-sister did not leave her brother. And that's why she feels weird when Sukuna, who has her brother's body, fucks her on the couch. Of course, she couldn't resist the King of Curses himself. But she is very worried about the fact that this is her younger brother's body
Omg hiiiii♡ thank you so much that's so sweet of you 😭 I'm trying to keep up, but I've gotten a lot more submissions that I expected 0.o Would you like me to call you something or anyone for that matter? Something like (emoji)-anon if you're comfortable enough with me knowing that it's you ^^ Let me know if anyone would like that!
But either way, thank you for another take!!<3
~short drabble~
TW: this one's kinda dark as I'm currently malding, screaming, crying, throwing up over the new episode 🥲; angst with smut, kind of dubcon, forced sex, mating press, a lot if talking and hating, my heart hurts, this probably wasn't what you had in mind I'm sorry 😭
"Lets make a binding vow. If you let me fuck you I'll leave your brother alone whenever you're around, deal?"
Is he joking? What kind of deal is that? You cursed yourself that you were even considering it, but being able to linder your brothers pain even just a little was worth it for you
"Deal...but doesn't he see everything like you do when he's on the inside? I don't want him to know about any of this."
"Don't worry I put the brat to sleep and if he does wake up I'll erase his memory. He'll never know any of this happened."
"Not tricks alright? I want that included in the vow."
He clicked his tongue at your comment nodding his head with a sigh. "Sure sure whatever you want sweetheart. Now get rid of those clothes let's not waste any more time. You wouldn't want him to take over while you're stuffed full of cock now would you." At that you swallowed your remaining pride and gave him the okay by pulling your top over your head.
"Now we're talkin'."
You shouldn't be enjoying yourself right now, you really shouldn't. But how could you not if his fat cock was splitting you open so deliciously.
"Shit you're dripping. Best pussy I've had in years. You like it too, huh? Like my fat cock up your pussy? 'gonna make me cum if you keep clenching 'round like that."
"Ooooh will the mighty Sukuna-sama, King of Curses cum like a virgin boy within a few thrusts boohoo", you mocked which only earned you another hard thrust of his hips.
"Cool it. Or I won't play nice anymore. Might even wake the brat up to see his sister like that."
"You wouldn't! What about the vow?, you moaned at his harsh words and mean thrusts.
"The vow starts after the fucking, so you better watch it, got it?"
With that you pressed your lips together nodding your head. "Got it..."
Satisfied he grinned while putting your legs over his broad shoulders folding you in half.
"Now that's a good girl"
"Whatever."
At least he made it worth your while. He made you cum harder than anyone ever had. And more times than you could count. Your head was mush at the point he bottomed out and filled you up.
"Was nice workin' with ya, see you never, Sweetheart." he mused being kind enough to put Yuji's clothes back on.
As Sukuna left Yuji's conscience you were quick to put your clothes back in place. Catching him because he almost toppled over from exhaustion. He faintly heard you calling his name but as soon he saw your dishevelled self, pink cheeks and messy hair, his eyes shot open.
"Oh no. He was out wasn't he. Nee-chan what did he do? Tell me what he did, if he hurt I'm going to kill him. I'm going to fucking-."
"No he didn't do anything, don't worry everything's fine. I'm fine. We just.. talked. He will leave you alone as long as you're with me. You're safe with me now. He won't bother you anymore. From now on I won't ever leave your side. We'll stay together forever.", you smiled at him trying your best subdue the tears that were threatening to spill. You opted for hugging him tightly, patting his head softly. Yuji opened his lips to say something, but he swallowed his words and hugged you back just as tight instead. "Okay, I trust you. You would never lie to me right, Nee-chan?" You felt your heart drop at his words but hummed in agreement nonetheless. "Never."
You were a good sister and you loved your brother more than anything. And that is why you will be taking this secret to the grave.
-----
Feel free to send me your Hot Takes as well ^^
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fic rec friday 10
welcome the the tenth fic rec friday! where, on friday, i rec five of my favourite fics.
1. A Rain-Check on Redamancy by @youraveragemushroom
Burnout these days usually came from working long nights at the Garrison. If Lance from five years ago could see himself today—working part-time to rebuild Earth and full-time as an instructor at the very same institution that gave him his crippling anxieties—he would probably shit a brick. Hell, five years ago he hadn’t even known aliens existed (although he always knew deep down that humans weren’t alone in the universe), and now he’s best friends with multiple! One of which had apparently texted him an hour ago.
Forgoing proper texting procedure due to fatigue and general doneness, Lance tapped on the icon to call back.
“Hello?” a familiar deep rasp answered from the other line.
“Hey, mullet,” Lance replied, pushing aside the papers in front of him to lay his head down on the desk. “What’s cooking?”
In which Lance finds himself ignoring how late it is and indulges himself in pining after Keith. Which becomes slightly more difficult when said object of his affections shows up in the middle of the night to rescue him from paperwork, stress, and the melancholy that came from being away from him.
the ‘god i wish you were here’ ‘look behind you’ trope will get to me EVERY single time idc. always makes me all stimmy bc its THE epitome of romance. this whole thing was so so romantic and full of parallels to the first episode to show how deep their relationship has gotten...i love me some romantic parallels fr
2. sweetheart by @jilliancares
“Sorry, babe,” Keith says. He even smiles, no doubt proud of himself.
And Lance knows it’s his fault. He started it, after all, but at least the biting term of endearment made sense when he was the one doing it. Keith had been talking to him like they were some old married couple. The kind who’ve been married too long and don’t love each other anymore and gripe over meaningless shit, only managing to piss each other off even further.
That’s why Lance called him dear. Because it made sense in the situation. It was a calculated insult. A strategic jab.
Keith, on the other hand, is weaponizing the term of endearment without any rhyme or reason, simply to get back at Lance.
Or: Keith and Lance have gotten into the habit of using pet names as condescending insults. They're not really terms of endearment.
ooooooo god endearments going from sarcastic to desperately genuine and the inherent hopelessness in that....whew boy. its def a Concept that u indulge and then you have to clutch ur stomach. i remember reading this as i was getting ready and brushing my teeth and the cliff scene made me gasp out loud and stop just to i could pay Full Complete Attention
3. don’t speak the language by @goldengalaxies
“More importantly” Lance says. “I am currently having a breakdown in this lift because look at him- I am so incredibly gay.”
“Lance!” Hunk buries his face in his hands. “He could speak English you know, your skills of deduction are really not that good.”
Lance ignores his warning in favour of groaning dramatically. “Oh, Dios mio, Hunk, he’s so gorgeous. Look at those muscles. He could probably bench press me.” Lance fanned himself. “Oh my God, fencing is my new favourite sport, fuck swimming.”
(or the one where Lance thirsts after a random guy in the lift who he thinks can’t speak English. lance is very wrong and hunk is very much done with his shit.)
let me tell u about this fuckin FIC. it’s hilarious, but i first read it before i meticulously started storing and bookmarking my fave fics, so when i wanted to reread it i couldnt find it. but i KNEW it was hilarious so i spent fckn hours looking for it, and it took me hours too bc i coulnt figure out which tags to filter. but it was WORTH IT. the entire concept of this fic is hilarious and makes me laugh. amazing work.
4. Whose bright idea was this? by IronScript
When Lance is captured during a mission with the MFE pilots, he wakes up aboard Haggar's ship, though the witch herself isn't there, so he figures why waste an opportunity? Then he finds something that he definitely hadn't expected.
All the while, he has no idea that back at the Garrison, his team and a few select others are watching his every move.
bro the idea that the team is panicked for lance’s safety and they desperately organise a rescue mission for him terrified that hes getting tortured and losing hope but by the time they find him he’s already got one foot out the door and has rescued himself is ENDLESSLY funny to me. like he really said ‘damsel in distress who’ and i love him for that lmao
5. Garfle! Warfle! Snick! by IronScript
How the game show episode actually should have happened.
I'll admit to being a Lance stan, but even people who don't like him seem to agree that he was really fucked over in this episode. So here's my attempt at it. Is it more realistic than what actually happened? I like to think so.
another ironscript fic bc they nail bamf lance. this is how the gameshow WOULD have gone if vld gave a shit about their characters like actually. like yes of course the team is proud of each other and capable of acknowledging mistakes. of course keith knows lance’s worth. of course lance is a badass. of course the team knows wtf theyre doing. love to read this when i get mad about the game show
that’s it for today!! i’ll see y’all back next friday for the next fic rec post!!!
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zhansww · 8 months
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[all photos © yibo-official]
It’s been almost exactly three years by now since we first saw dd, wearing the eyefunny necklace. The photo on the left is from August 17th 2020 (rehearsing for his Dragon Fist performance) and the photo on the right is from Aug. 19th (recording a DDU episode). I still think, given the timing, that it was likely his husband’s birthday present for him that year. And a pretty smart present at that imo cuz it kind of shut up all the speculation around the gucci ox-head necklace — which we’ve seen dd wear for 14 months and the last time (around his wrist) in a sdoc3 recording on Aug. 12th.
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There was more let’s call it indisputable evidence of it being gg’s present when it came to that gucci necklace — which led dd to mostly hide the necklace under his clothes rather than wear it openly. But when it comes to the eyefunny necklace, we really have nothing substantial to go on. Anyone who already believes that ggdd are together will also believe this was gifted to dd by gg, given its constant presence on him, but do we have any proof to actually support that theory? Not really. Some fans might mention the sunflower rumor (even though the flower pendant was a daisy) and the “lonely star” lyrics to explain the flower and star pendants but that’s easy enough to dismiss. I see this as a positive, though, cuz it means dd doesn’t actually need to hide the eyefunny necklace. But also, Yibo being Yibo, he made it kinda obvious who gave him the necklace when he replaced the star and flower pendants with the bone pendant in November 2020, which he has stuck to ever since.
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Of course, the bone could also have a meaning to Yibo which I know nothing about but pretty much the only thing I can immediately connect it with is that time gg called dd gouzaizai (and maybe also the time dd’s co-star got asked if he gets to call dd gouzaizai and he said “no. I’m not XZ”) and the possibility that that nickname — as well as the person who gave him said nickname — bears enough significance in dd’s private life to make him wear that pendant frequently for this long. But still, at the same time, this one moment can be seen as such a weak argument that there isn't much of a case for the theory "the eyefunny necklace was a present from gg" which in turn means dd doesn't have to hide this necklace. And he doesn't, not really.
I'm aware none of this is new btw (and this is def not the first time I've been emo about it). Just seeing a glimpse of that chain around dd's neck never fails to warm my heart. I saw someone refer to it as soft collar once which I have not been able to forget lol. But me, I really do see it as a sort of "replacement" for his wedding ring for now. Like, he unfortunately can't publicly wear the ring gg gave him but he can and does still show who he belongs to by constantly wearing this necklace. Also, seeing how downright unhappy ggdd have looked in the last months, this necklace keeps reminding me that no matter how tough things get for them for whatever reason... they are devoted enough to each other to get through it (and hopefully soon). At least, I believe so.
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ordinaryschmuck · 9 months
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Why I Love The Owl House-Part One: The Characters
Salutations, random people on the internet who are already skimming past this! I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons.
Back in 2018, when The Owl House was announced, I didn't think much of it. I looked at the teaser poster and knew that it would be a show that would gain a following, but I didn't think it'd appeal to me specifically. Then, in January 2020, just before the world made an oopsie, I saw that Disney Channel uploaded the show's first episode on YouTube. Having finished my homework and studying at the time and having nothing better to do, I clicked it out of morbid curiosity to gain a first impression of this series. And I'm not kidding when I say that the second the episode ended, I said, out loud, to myself, "I think I just found my new obsession for the next few years."
Yeah, I went from thinking the show wouldn't exactly be my thing to being obsessed with it. And obsessed I was! I wrote fan fiction and reviews and even drew a handful of fan art you are NOT allowed to look up due to how bad it is. The Owl House, with no exaggeration, also changed my life as it gave me quite a decent following on Tumblr for thoughts and stories I've crafted regarding the show and even gave me a new friend or two to share those same thoughts and ideas together. One of my closest online friends is someone who once reached out to me as a proofreader for a fic I wrote once upon a time, and I probably wouldn't have talked to them if not for The Owl House. I owe so much to this series that I adore that to explain what makes it so great...can't be done with a single review. I even considered writing a long review after Season One ended but gave up on the idea after realizing there's so much to talk and praise about the series. And that was with Season ONE! That was before Season Two made the show more spectacular in nearly every conceivable way!
So, yeah, we're gonna have to do this in parts, each dedicated to a specific theme. However, before we discuss THIS review's theme, I should get one thing out of the way: I'm not just going to praise The Owl House in every single review. There are problems to be had with the show, and I can't ignore them because the praises are stronger. I love The Owl House. I wouldn't be doing this if I didn't. But it's because I love it that I have to point out problems as they come because to truly love something means to take the bad with the good. And while there's a lot of good, there's still some bad worth mentioning.
With that said, let's finally begin by discussing the backbone of any series: The characters. And BOY, does The Owl House have a LOT of great, well-written characters, to the point where I initially considered that there wasn't a bad one in the bunch...I say initially because I finally woke up to how much I despise Tibbles (Yeah, wait until we get to him). Although, know that while discussing characters, we're not talking about one-offs like Bria and her lackeys in "Through the Looking Glass Ruins" or ones who weren't named in the show, like Amelia and Cat. We're focusing strictly on frequent players and fun side characters that nail the short time they appear. And we're also going in order from my least favorite to my most favorite. And just know that this is in order based on how good they are as CHARACTERS and not as PEOPLE. There’s a difference, and I’ll be able to explain as I go.
Now, without further ado, let's begin this wild journey together with the worst character in the series.
(Also, be warned, this is going to be the LONGEST post you’ll ever read. The Google Doc is 33 pages long…)
Tibbles: Yeah, really no contest here.
Tibbles is, quite frankly, the only character that I consider inadequate. I get the idea the writers were going for: He's a secondary antagonist for lighter adventures amongst heavier ones. The problem is that type of character does not function for a show like The Owl House, a series where the writers were told they'd be cut for time while working on Season Two and having little time for lighter tales. Maybe if the show had enough room for twenty more adventures or if The Owl House had a slight lean toward episodic misadventures like Amphibia, Tibbles might have functioned better as a comedic villain that occasionally screws with the main characters for filler. But because The Owl House has so much to do and would eventually become a series with no time to do it, Tibbles becomes more annoying when he distracts from the plot. Fortunately, he's only in three episodes. Unfortunately, Tibbles never becomes as entertaining as he could have been. He has one good capitalism joke, and that's all the good I can say about Tibbles. Let's move on…
Jacob: Another secondary antagonist that would have worked better if the show had more time. Maybe make him a constant threat (read: annoyance) to Vee or the rest of the Hexsquad while they're stuck on Earth. Instead, he's nothing more than a one-and-done threat who makes a singular cameo in the best episode of the series ("Thanks to Them"). At least Jacob being a crackpot conspiracy theorist is kind of funny. Otherwise, he'd be lower than Tibbles.
Perry Porter: He has next to NO character. Barely even a scrap.
He’s the father of one of our primary characters, and Perry has NOTHING going for him other than that and being a reporter. At least he’s not annoying.
The BATs: Yeah, might as well lump these three together because they started off making you think they'd do SOMETHING, only to have very little to do with the plot, with only one of them having a definite personality (It's Amber, and I love her).
Katya's kind of fun as this weird fanfic writer who has a hint of appreciation of showmanship, given how she very clearly wrote Raine's speech. But then you also have Derwin, who's so forgettable that I know for a fact that you had to Google his name to remember who Derwin is. These three are a mixed bag of sometimes being fun yet forgettable, to the point where I don't blame the writers for forgetting their existence when it came to the rest of the series. A shame, really, because there could have been something interesting to explore with this secret resistance organized by Eda's ex. The problem is, just like Tibbles, there's not enough time for characters like the BATs to flourish. They're missed potential, sure, but that doesn't make them bad. Just less than remarkable members of this very extensive cast.
Gilbert and Harvey Park: Have slightly more personality than Perry with Gilbert having more of a playful and laidback side to him and Harvey being the more serious and worried of the two. You can see glimpses of this through the little details like Willow falling onto Gilbert in that swinging memory in “Understanding Willow.” Gilbert laughs with Willow while Harvey looks a little worried. That’s sweet. They balance each other out.
Also, they’re gay, and gay characters are always better. It’s why they’re a step above the BATs. NEXT!
Warden Wrath: He has the same problem with Tibbles and Jacob, where Warden Wrath is a secondary antagonist in a show that doesn't really have the time for him to be as effective as he COULD be. What makes him BETTER is that Wrath is at least funny. Like, the man chopped off Eda's head and then asked her out. That's humor, baby.
Also, he's a good dad to Braxus, so...you know.
Though I will admit, I'm surprised how little a role Wrath played in the show. In "A Lying Witch and a Warden," he gave off main antagonist energy with his look and menacing demeanor. Turns out he's just a throwaway character, and that's for the best. He doesn't overstay his welcome, never distracts from the plot, and has a few hilarious lines and moments. Not the strongest threat or character, but decent's good enough for me.
Kikimora: I might be the only person who doesn't hate this little gremlin, and even I have to admit she's not that great.
Don't get me wrong, I adore how insane she acts and how obsessive she can be in wanting to beat Hunter, specifically. She has a lot of fun moments and, weirdly, looks adorable when not wearing a cone of shame. She has her fun moments...but fun enough to be a recurring antagonist throughout the series? To the point where the characters have boss fights with her in three prominent episodes?
I...don't think so. I like Kiki just fine, but only in spades. Her voice can get grading after a while, and you do get sick of her obsession with the Emperor's coven given time. She's at least funnier than Wrath, though. I will ALWAYS stand by that. But that's not enough to get her higher.
Adrian Graye: He's yet another secondary antagonist that would have benefited from more time...I'm noticing a theme here.
Eh. Either way, this guy's great. His whole schtick is being a bad and nitpicky director, and that's funny to me. It's what I would expect from the head of the Illusions Coven, who are witches best defined as ones with a sense of showmanship. Some might find Adrian annoying, which...yeah, he's kind of intended to be. But I get it. Not everyone would laugh at this guy as much as I do, and that's okay. Comedy is subjective, after all. My only complaint with Adrian is that we don't see more of him. He's too fun of a villain with an equally entertaining concept to be wasted as a one-and-done antagonist that resorted to only cameos in the future. Still, if the worst I can say about a character is that I want more of them, is that actually a problem?
Tinella Nosa: Also known as Dana Terrace's self-insert. She's used primarily for comedy, and thank goodness for that. I don't know if I would have appreciated this character as much as I did if Tinella was best friends with the main cast or had some stake in the plot. In fact, the one plot and subplot that feature Tinella in a prominent role was some of the worst the show has ever had. Thankfully, she's mostly a character for random comedic bits, and I really wouldn’t have it any other way.
Barcus: Another character whose primary purpose is to be funny. At least Barcus is a dog that radiates stoner energy, giving him a ton more bonus points.
Braxxus: ALSO a comedic character, but is only better because the joke's funnier. I mean, Braxxus is just a character who's a little toddler that looks and sounds disturbing. How can you NOT laugh at that?
Eberwolf The Huntsman: Quick aside: Was anyone going to tell me that Eberwolf was apparently a man, or was I supposed to find that out for myself? I mean, shame on me for assuming genders, I guess...But I'm pretty sure I wasn't the only one on that.
Anyways, Eberwolf is fine. In the short time he's in the show, Eberwolf offers great humor by being this feral little rascal that primarily annoys Darius. Not much to say other than that, and I doubt having more time would benefit Eberwolf. He really does scream "Comedy Relief" to me, and sometimes being entertaining is enough. Not everyone needs depth.
Boscha: Speaking of depth, I will forever stand by my claim that Boscha worked better as a one-dimensional bully than a three-dimensional one. Sure, three-dimensional bullies can be interesting because it leads to us learning why they do their harsh acts and that there are reasons why they're bad kids...However, that's why we have Amity. And for a redeemable bully like HER to work, you need an irredeemable one to show up to prove that not every little s**t can be better with time. Some are just sadists for no reason. And that's where Boscha comes in as a bully that knows full well she's hurting people but doesn't care because her only justification is that they deserve it. Why? Because Boscha believes she's better than them. That inflated ego makes her the perfect mirror of what Amity could have been and causes Boscha to be the best rival to Willow. Willow starts off with confidence issues, where even though she gains more of a boost thanks to her friends, there's still lingering self-doubt in the back of her brain. Boscha lacks that. She may do some affirmations to her reflection, similar to what Willow does in "Any Sport in a Storm," but while Willow briefly second guesses herself, Boscha says every word as if she knows its universal truth. So when these two go up against each other, it's great because it allows Willow to prove that she IS the best while proving that Boscha's the worst. It was perfect, and it's why I had no issues with Boscha remaining one-dimensional...But then the writers had to SCREW IT ALL UP!
Now, don't get me wrong. Revealing that Boscha had codependency issues with Amity and Boscha's other friends is interesting. There's just one problem: They introduce this idea in the second to last episode of the series. There's next to no time to fully flesh it out, leaving Boscha with a character arc that feels both forced and rushed. It might have been better if this idea had been established from the beginning instead of using most of that time writing Boscha as a one-dimensional bully with no depth to her. I still say she's entertaining, but maybe the writers tried TOO HARD with her.
Matt Holomule: But sometimes, it's better to try for a character that used to be the most universally hated.
How in the hell did I go from hating this little stink rat to being genuinely entertained by him? He's not my favorite or anything, but, like...compare Matt's first appearance with his last. He was an insufferable little prick who caused problems for Luz and Gus all because Matt wanted power and drama. That's it. Just those two things: Power and drama. Yeah, those are not great motivations for a character.
In fairness, it was clear we were supposed to hate Matt, and humor comes from watching him fail miserably. The problem is that he didn't do it enough, and while I'll laugh at the little stink nugget getting messed up at the end of "Something Ventured, Someone Framed," Matt still won by the end of the day, getting everything he wanted. He just got a little messed up along the way, is all. So while the idea is there, it's not strong enough to make the character entertaining.
But then the writers decided, "Hey since we're not going to try with Boscha, let's try SOMETHING with Matt." And it worked! "Through the Looking Glass Ruins" showed why Matt was such an insufferable, slimy weasel because he attended a school where the more powerful received more respect. Matt never got that in his old school, so he tried again in his new school, looking for power and drama because it's all he knows. Then by "For the Future," not only is the guy actually competent, but he's hilarious through false bravado and not being smart enough to know that he's been crushing on a robot. It's a huge improvement...but only from a character that makes three primary appearances and sucks with one of them. A character who's decent two-thirds of the time isn't too bad, but that still doesn't make him high up on my list, where characters are better for far more than that.
Viney: Or a character that has a better vibe despite...barely having anything to work with.
Viney...is insane. She dumps friends over the tiniest of misunderstandings and uses her griffin as an assistant for everything. She's clearly not well in the head...and that's what makes her entertaining.
Vine is a looney nut who might be unaware of her crazy actions. It's good fun, but the problem is that there's not enough of it. Like Matt, Viney has very few prominent moments in the series, and you can tell she's not as entertaining as she could have been. If the writers went all the way with her insanity or made her a character that's the textbook definition of "zero chill," you can bet Viney would be one of my favorite characters. As is, her craziness is only...a scrap of what could have been a great personality. I like her, don't love her.
Jerbo: Jerbo's higher because he has more of a well-defined personality. And he wasn't instantly unlikable, so...
And that really is all there is to say about Jerbo. He's fun as a fearful boy down on his luck and has a bit of intrigue with how he wanted to change the coven system forever. And he does, which is honestly pretty cool. Still, not a lot to make him higher.
Owlbert: Hey, look! It's a character that had a ton of prominent appearances in Season One and was all but forgotten in every season after!
This is a shame because Owlbert is one of the two palisman in the series that feels like a genuine character. The others are cute (my favorite is a tie between Ghost and Stringbean), but Owlbert, for a few episodes, felt like a prominent member of the cast with his loyalty to Eda and the connection formed with Luz. In fact, he and Luz had such a great connection that, for a while there, I assumed the show would do a thing where Eda passed down Owlbert to Luz as a form of passing the torch from the master teacher to the master student. But that didn't happen, which I can be fine with because Stringbean's perfect, and I will not hear any argument about it.
Still, it's weird how Owlbert showed up a fair amount of times in Season One, even having an entire episode dedicated to him, only to be forgotten and discarded by the time Season Two rolled around. And I know someone who'll be mad about that.
Bat Queen: And she's a character that had her own kind of potential only to be forgotten in Season Two. Only in this case, I'm willing to be more forgiving toward Bat Queen. It sucks that we'll never fully know who her owner is, but that always felt like a minor story beat for someone who wasn't that major of a character. Or, at least, someone who never had TIME to be a major character. The Bat Queen had intrigue as a discarded palisman who dedicated her life to looking after abandoned ones, but someone like her doesn't really have a place in the grander story of the show. Plenty of characters in the series have good reasons to have their stories continue or their personalities develop, whether having close ties with a main character or having a narrative purpose. Bat Queen doesn't really have either of those things, so it's why I'm not someone who’s losing sleep at night just because she has this engaging backstory brought forth but never followed up on. I'd still like to see it, but I always knew that after hearing Disney shortened the show, it was always going to be the Bat Queen's story that would fall on the cutting room floor. Missed potential for sure, but at least we had an interesting character for a short while.
Odalia Blight: And the winner for the worst mother of the year goes to--Yeah, I know. An easy joke to make. But I can't help it! It's always served on a silver platter!
Anyways, Odalia's the worst. Yet that's what makes her the best, funnily enough. She's the most snobbish snob that's ever snobbed while having zero respect for other people, least of all her family. You hate her with every fiber of your being, and you cannot wait to see her fail miserably despite trying so hard to reach the top. And Odalia absolutely is a character one loves to hate. She called Amity and her friends into the office and soon scolded Amity for not being in class. It is a challenge to make someone that kind of entertainingly despicable, yet the writers nailed it. However, they might have worked too hard to make us hate Odalia and not enough to deliver her just desserts.
I have no problems with Odalia being an awful mother, wife, and overall person throughout the show. I figured it was only a matter of time before she got hit in the face with SOME karma that would make it all worth it. Sure, it was nice to see her bend to the whim of a literal god that craved pizza bagels, and I do love that Belos, who values life less than her, didn't even want to use Odalia as his meat puppet. Still, she deserved worse. After everything Odalia did and the bridges she burned, it would have been nice to see either Amity or Camila knock her lights out for being a terrible mother. Hell, we even saw Kikimora doing community service and grunt work after her crimes, so it would be fitting to see Odalia right there with her. Or giving her SOME punishment other than making the last time we see her being Odalia standing off to the side and acting like she doesn't care that she lost everything. And that...doesn't feel right. After everything Odalia's done, we, the audience, and her family, deserve to see Odalia receive the worst punishment she had coming to her. Maybe not death or even going to jail. But SOMETHING is better than nothing. She was entertaining, but being so goes only so far without a proper failure.
...But at least she's hot. I know that's out of left field...but we all know it's true...Camila's still hotter, though.
Gwen Clawthorne: ...At least she's a better mother than Odalia?
Alright, I might be the only person who doesn't hate Gwen like others in the fandom, just like with Kikimora. But unlike Kiki, Gwen has much more to like...at least to me. Yeah, her falling for scams isn't great, and realizing the error of her ways could have been done better if not...quickly paced, but I don't mind her. Upon her introduction, it's clear that Gwen wants to try and help Eda with a vile curse. She may have been a bit hostile with her wording, but we soon learn that the curse not only turns Eda into a savage beast but one that clawed Gwen's husband's eye out and ruined the family business that's been around for generations. You can't really blame Gwen for being...agitated about the curse. Or wanting to try anything and everything to cure it. Yes, Eda's curse is often used as an allegory for a chronic illness. And a pretty decent one at that. But sometimes, with a story, you have to remove the allegory from what's shown, and doing so helps you gain more of a perspective for why Gwen reacted the way that she did. Was it right? Well...Not really. I guess she could have seen sooner that she should have been there for Eda instead of scaring her off, not to mention the damage Gwen caused in her debut appearance, but Gwen was at least quick enough to come around and realize what she did was wrong, and APOLOGIZE. Most parents like her won't be that easy, obviously, but another thing about fiction is that you have to realize that it's...fiction. Not everything equates to real life, and you should accept a character's choices and actions if it suits the story. Not many kids can do that, sure, and that's where the hesitation fits, but I think Gwen's kind enough to prove that she's worth believing in. She still spent years trying to help Eda, even if it was misguided, and was ready to kill the guys scamming her. Gwen is not a bad person. Her heart's mostly in the right place despite the troubles she caused, and I'm willing to bet she learned her lesson in the end. Just listen to her speech to Eda (and a little to Lilith) near the end of the episode. That's a mother's imperfect love if you ask me.
Masha: Admittingly, there's not much to them. Masha's a solid character. They have tidbits of personality as someone who's into the grim and horrifying but has a good sense of humor about things when they laugh off reading Vee an accurate fortune by saying she needed bath bombs or humorously sum up Belos' backstory about him being upset that his brother got a hot witch girlfriend. Plus, there's the genuine representation of having Masha be non-binary but still comfortable dressing and looking feminine. From what I've learned, being non-binary doesn't mean sticking to a gender-neutral style. Some like to look feminine, while others are fine appearing masculine, and it's cool for The Owl House to represent that through Masha. I only wish there was more about them. I could go on and on about most of these characters, but for Masha, there's not enough to go off of. It really is the good vibes and representation carrying them, but that's not much to complain about if you ask me.
Skara: SKARA IS THE BEST GIRL!
What's that? She barely has much of a consistent personality and is an over-glorified background character, if anything else? Well, too bad, because she's the best girl.
Honestly, I don't know why I love Skara so much. She hardly has any character to her, but something about her is just so gosh darn endearing. I'm telling you, sometimes a character can be entertaining by having a good vibe alone.
Steve: THIS MOTHER F**KER, however, had NO RIGHT being as entertaining as he was! Nor how popular!
Steve. F**king STEVE! All he had was one or two lines in a less-than-stellar episode, yet the fandom ADORED this mother f**ker! And, yeah, they were funny lines, but not "OMG, best character EVAH" levels of funny! But sure enough, people loved him! So the writers brought him back, and gosh dang it, he's so endearing! He's the most chill and reasonable character in the entire show! He gave King insight into who he was in one of the biggest character moments in the series! He's...NOT the golden god that I think people were picturing him as under that mask, but DAMN, is he still a handsome fella! He's so great, that I honestly wish he was in the show MORE! Gosh, DANG IT!
"If you love him so much, why are you acting angry about it?"
Because it's FUNNY!
"No, it isn't."
Yes, it is! Moving on!
Terra Snapdragon: Finally! Some good frickin' secondary antagonist!
Terra is why I hoped the series would dive deep into the other covenheads, primarily the clearly evil ones. This woman radiated supervillain energy as someone who seemed super sweet but would kill you with zero hesitation. And we learn in the flashback episode that Terra was somehow more bloodthirsty, having zero care for the lives of others, least of all children. The woman was despicable, and it was a treat seeing her return when she did. And, unlike Odalia, Terra had a proper amount of punishment. Sure, it sucks that she slinks away in the finale, but her forced to play pretend with the Collector while in an outfit that...did not work on her is pretty decent karma for someone who saw others as below her. Plus, she at least turned into a puppet for being too big of a big mouth, which is more than what Odalia got. I'd prefer if Terra had MORE punishment, but who knows? Maybe she went to jail or...tripped and snapped her spine off-screen.
If anything, my only complaint was that Terra wasn't in the series more. Make HER the main threat in "For the Future" instead of Kikimora and Boscha. THAT would have been fun. Regardless, she's entertaining enough as is, even if more screen time would have made her better.
Principal Bump: This man deserved more love...He said, while still leaving Bump below several characters.
For real, though, Bump deserves more credit, even from me. He's the school principal in a children's animated series, but instead of making him the demonic, overbearing dictator, the writers made him...the exact opposite. If anything, Principal Faust is more of what I would expect as a cold, careless, and horrifying hater of fun and children. Thankfully, that's not Bump. The man may be strict and have no problems throwing a kid into a detention pit, but he still cares about the safety and well-being of his students. Hell, he loves his students. Even with trouble-makers like Luz, Gus, and Willow, Bump can't help but cry because he has fond memories about the three of them and the trouble they caused. And while he can be dead-set in some ways, Bump is still willing to admit when he made a mistake and chooses to correct it, like in "The First Day" by letting the Detention Kids pick multiple tracks to study from. He's kind and reasonable, and that's what's to love about him. Plus, Bump's got some Grade-A snark on him. Some of the show's funniest and most quotable lines come from his dry remarks, and it's partially why he's bumped (ha) up so high. As I said, Bump deserves more love...It's just unfortunate that there are more entertaining characters than him.
Lilith Clawthorne: Admittedly, Lilith would not be up this high if she remained the person she was in Season One. Back then, Lilith wasn't the worst. She functioned nicely as a foil to Eda's wild side and had a great design for a secondary antagonist. The problem is that Lilith was a little boring, her motivations weren't made clear until the finale for the sake of a twist, and that same twist REALLY hurt her character...for about a week until everyone was quick to forgive and forget after a poorly paced redemption. And that's another fault of Lilith: Her redemption. She cursed Eda, ruined the family, ostracized Eda from society, hunted her down for YEARS because of blind faith in a man playing her like the cheap-ass kazoo that she was, and it all got wiped away almost instantly. Granted, there is one asterisk to this: It was all an accident...Sort of. 
Lilith did mean to curse Eda but didn't intend for it to last as long as it did. And you at least get a sense that Lilith feels some remorse for doing so, even stopping their first duel together the second Eda brought up the curse. The problem is that she doesn't feel enough, still treating Eda as lesser than her despite the two of them being close and Lilith supposedly feeling guilty about cursing her. And, again, it feels like everything got resolved too quickly. I accepted everyone is quick to say, "Everything's good for now" in "Young Blood, Old Souls," but only because I expected Lilith to get dragged through the coals in Season Two. But she didn't. She was quickly treated as one of the gang, and Eda did nothing but jokingly remind Lilith that she cursed her. You do that after years of getting over something, not after a week. So, as a redeemable antagonist, Lilith might as well get a C-...Thank goodness she became an entertaining character, regardless of that.
By Season Two, Lilith becomes an almost different character. Better yet, she becomes what I wanted Viney to be: Bats**t insane. Lilith is violent enough to tell Philip that he better be digging his own grave and punches him in the face without hesitation, ecstatic about banisters and having barnacles on her head, and willing to devote her whole life to an eight-year-old and perform blood sacrifices in his honor. The woman lost her mind, and I was all there for it. Even then, though, she still had a bit of intelligence, being hesitant to trust Philip after seeing some similarities to Belos and studious enough to figure out glyph combos herself. It's just that now because there are fewer worries and fears about keeping an image and being the best, Lilith can let go of inhibitions and go nuts. Her redemption could have used a lot more polish, but being so dang entertaining in Season Two is what made Lilith a character I couldn't care about to one I was excited to see when I could.
Alador Blight: Wish I could say the same about this guy...
I think I love the idea of Alador much more than his execution. Upon his introduction, he's presented as the lesser of two evils between him and Odalia, with Alador being easier to talk to without threatening to kill anybody and trying to find compromises that could stow Odalia's fire when she becomes unreasonably angry. Initially, one could assume that he's on the same agenda as hers, only to later find out that Alador's being mistreated too, with Odalia working him to exhaustion, too tired to even notice his children's problems half the time because he's too busy working for Odalia to the point where he never even took a sick day. In Season Two, this lines up with a lot of his behavior. It's why he acts so scatterbrained and unsure of what to do in most appearances. Or the way he tries to tell Odalia they've demonstrated enough with the Abomiton and how he forces a compromise by making Odalia stick to her word and sneakily tell her that being with friends makes Amity stronger, and how he promises to Amity to let Odalia back down in "Reaching Out." If you look solely at how he acts in Season Two, I believe it's pretty decent character work/development, showing a man who loves his kids but can't be the father he wants and needs to be because of his overbearing wife...However, there is ONE moment that spoils everything.
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Yeah, that one. This is the scene that everyone points back to when discussing Alador's change of heart and whether or not he earns Amity's love despite it. He's very clearly on Odalia's side in this argument, being just as cold as her. Some argued that because this memory came from Amity as a kid, she might misremember the details and misconstrued how Alador acted that day. Even his silhouette seems different from how he looks in the present, and I was willing to agree because I remember days when my parents got a LITTLE mad, and it was the scariest thing in the world. However, not only would you be surprised how more traumatic experiences stick with kids, but the show makes it very clear that memories inside one's mind recreate things to the exact detail. Sure, there's the fact that it's Amity's recollection in Willow's brain, which, as far as we know, isn't as perfect as a picture. But The Owl House never explicitly establishes how weak a witch's memory could be while already inside a memory. It's a very weird distinction to make but necessary to prove that Amity's memory isn't as exact as it looks. Although, if you want explanations, I have some of my own. One realistic, another analytical, and one argumentive.
Realistically...this is a retcon. The writers had a new idea of what to do with Alador and realized, too late, that they had to make changes to his character for it to work. Changes that go beyond a scene where all we see is his silhouette. And when a retcon's made, it's sort of a team effort between the writers and the fans to explain how it works, with the writers providing the information and the fans analyzing previous scenes to see how it holds up. And after writing about how he's under Odalia's abuse and manipulation, here's where the analysis comes in.
Alador works so much and dismisses his kids because, if he doesn't, Odalia will have the kids do work for him. Not wanting to let them go through what he does, Alador reluctantly goes along with what she demands, only getting her to back down when he sees an opportunity, like in "Escaping Expulsion." Unfortunately, just like that episode, he's still on her side most of the time, doing what she wants and saying what SHE thinks is right even if he probably doesn't want to. Because if he doesn't, he and his kids are in WORSE trouble. That day, when Alador scolded Amity, might be a day when he felt like there was no other choice because Odalia left no room to back down and was forced to do and say what she wanted.
Plus--and here's where I get argumentive--We forgave this:
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Granted, there are some arguments against this as well, one I'll get to when talking about Amity. For now, I will say there are three reasons why we're willing to forgive Amity: One is that she's a kid. People are more willing to forgive a child's behavior because they can outgrow it and become better. People have this idea that adults can't do the same thing, that they should already know better...even though adults rarely do, and they could live up to seventy while still unaware of how their behavior is wrong. Number two is that we spend more time with Amity, learning how much she regrets her actions and proving how she'll work hard to be a better person despite them. We can't have that with Alador because the show has to do so much and has very little time to do it. Some corners can be cut, and Alador was one of them. Thirdly, and this is the one I can't argue against, people understand Amity's plight because they WERE Amity. They've had experience with neglectful and abusive parents, and that experience beats any argument a person has. It doesn't matter if you, me, or anyone else argues that Alador isn't badly written. THOSE people, the ones who had an Alador of their own, will always feel uncomfortable by how the writers made him because those people know not every parent is like him, and they don't want kids thinking THEIR parents are the same. I mean it when I say I can't argue against that because that's a fair reason to not like a character.
Personally, I like Alador enough. At least, I like the idea he represents. It's good to show that parents can be mistreated too, especially a father because not enough people take men getting abused in a relationship as seriously as women do. The execution is a little sloppy because of that one scene in Season One, but it doesn't bother me. It DOES, however, bother others, and for reasons I can't help but sympathize. I won't call Alador a bad character, but I won't stop others from disagreeing. But at least his kids are great (and, yeah, we’ll get to them).
Dell Clawthorne: Dell's kind of both a symbol and a character.
Symbolically, he's the physical representation of Eda's biggest regret. She blinded and crippled her father, ruining the family business in the process. But the sad part is that none of it was her fault. Yet Eda still blames herself, not even wanting to go and SEE Dell because the pain of knowing what she did to him is too great. He proves that Eda can turn into what she is afraid of becoming. Something that we see in her nightmare in "Watching and Dreaming." Something that no one wants to be: A monster. A monster that doesn't deserve forgiveness or love. A monster that should be locked away for the safety of the ones she loves. But the crazy thing is that Dell DOES love Eda. He DOES forgive her.
Dell has every right to be angry. He lost his eye and his job. Who wouldn't be angry after that? And maybe he was for a bit, but I doubt he was ever angry with Eda, let alone resent her for it. Instead, after years of her running away and never wanting to talk to him again, Dell only wanted to see his daughter again. His scene with Eda in "Elsewhere and Elsewhen," where he clarifies that what happened was tragic but still loves Eda despite it, is one of my favorite interactions between two characters in The Owl House. And trust me, that's a hefty list to get on.
Dell's time on the show wasn't long, but what he does gives a lot of substance to the show for a guy who probably has less than five minutes of screen time (I don't know, I didn't do the math). Maybe he could have offered more, but I'm glad with what we still got.
The Titan: The same goes for this fluffy individual. We only knew them for a short amount of time, but holy hell, did the Titan make the most of it. Even though, technically speaking, we knew them the whole time.
I don't think I've seen a show where the setting happens to be an essential character in the plot. I'm pretty sure everyone assumed the Titan was a corpse that our characters had adventures on, and that's it. Any idea that they were a being that could talk to others could get shot down because the only person to "talk" to the Titan was Belos. And with him being the serial liar that he was, any fan could assume that even talking to the Titan was impossible, and meeting them was even more so. Turns out it wasn't.
And the Titan, the powerful being whose corpse is big enough to form a landmass, also turns out to be a chilled-out individual. There are brief moments of seriousness and even nobility in their final moments, but for the most part, the Titan is just a laid-back, jovial person. Personally, I'm into god-like beings that are like that. Not one that's wrathful or vengeful, but kind and acts like someone you could, I don't know, have a beer with. Not that I drink beer, but...you know.
Granted, the Titan WAS a bit wrathful with how they treated the Collector, but they clearly feel bad about it after finally realizing the Collector meant no harm, and it was the Collector's SIBLINGS who did the dirty work. The Titan admitted to making a mistake, making them both a kind god and a humble one. It amazes me how much characterization was given to the Titan in how little time they were officially introduced in the show. There are characters who are better after having more time, but there are also ones who might just be worse. So I appreciate that they made the Titan so top-tier, even if making them nothing more than the Isles, and the show's setting, would have been more than enough.
Emira Blight: I will forever be grateful for the course correction that the writers took with Edric and Emira, not only making them great supporting characters instead of semi-antagonists like in "Lost in Language" but also giving them their own personalities that help them stand out instead of being exact copies like most twins in media. Unfortunately, Emira might be the least interesting Blight sibling.
THAT DOES NOT MEAN BAD! Just because Amity's more engaging and Edric's more entertaining, that doesn't make Emira a horrible character because of it. It just means that, comparatively, she's not as high as her siblings. With that said, Emira's still pretty fantastic as the only Blight with a functioning brain cell. She calls Edric out for his occasional stupidity, gives proper advice to Amity when she's freaking out, and has her thoughts together because Emira didn't work herself to exhaustion. It also makes sense why Emira's a healer. She's there to keep her family physically and emotionally safe, making sure Edric doesn't hurt himself or counseling Amity when things are too overwhelming. Not only is Emira the most sensible, but it might make her the glue that keeps the family together. But despite that, she's still playful, still mischievous. Except, unlike her brother, there's a more controlled intelligence behind the fun and games Emira pulls. It's a bit more subtle, but it's there. So, while she might be the weakest Blight sibling in terms of story value, Emira is still a great character in her own right, being a fun yet essential family member with that perfect older sister energy...Mainly because she's the older sister, but my point still stands!
Edric Blight: Ah, the one Blight sibling that proves how most of the brains went to Amity and Emira while he got only the scraps.
Edric is not smart. And that very fact leads to two kinds of entertainment. Firstly, it's funny seeing his dumbass stumble through life. He tried to eat snow, attempted to keep a wild bat as a pet, couldn't pick up a hint to save his life, and ended up in a full-body cast after a reckless rescue mission. The poor boy is a riot because of how dumb he acts, which leads to the second thing entertaining about Edric: He's aware of his lack of smarts and how others see him as "The Dumb One." It causes Edric to be a little insecure about his talents, despite having great knowledge of Beast Keeping and decent skills with Potions. It's as if the writers saw the fans' preconceptions about Edric and decided to do something with it. Unfortunately, they only did it for one episode because we're strapped for time, but that brief instant of character insight is what's to love about this show. We have so many characters to use and so little time that instances like Edric helping Eda and King make a potion is enough to be considered great character development for someone who could have easily been "The Dumb One" and nothing more. He was funny enough with that simple character trait, but one tends to appreciate when a show goes the extra mile, even if it's for one episode only.
Hooty: Oh, Hooty. Sweet, dearest Hootcifer.
At first, I did not like you. You were an annoying addition as comic relief, whose screechy voice only made me hate you more. But then something interesting happened. As time went on, you became less annoying and more endearing by nature. Having an eagerness to please others mixed with a constant ignorance of social cues made you quite humorous. Yes, quite humorous indeed. The laughs brought forth by things you have done and said were plentiful, and I was delighted by each appearance you've made.
And best of all, dearest Hootcifer, you've made Luz and Amity a canonical couple. In an episode that will be nearest and dearest to many fans' hearts, you have not only brought out beautiful development between King and Eda but also managed the most adorable display of young love to occur. A young love between two girls, no less, meaning this moment of spectacular representation for the LGBTQA+ community is all thanks to you, a character best described as a "bird worm." That is both mildly hilarious as well as incredible.
Unfortunately, dearest Hootcifer, your time on the show was not perfect. Whilst Season Two was you at your best, it took all of Season One for me and others to warm up to you. And by Season Three, with every other characters taking story prominence, there was nary any time for you, Hootcifer, to add anything of value. You hardly had any lines, nor did you manage to have any final words in the series finale. Other characters in the series had faced this injustice too, but it is extra ludicrous for you, Hootcifer. You were there since that very first episode, becoming the fourth member of the Owl House family. To think that your last line was only in the second to last episode, despite how much of an impact you've left on the others and the fans, it pains me that you were one of the few cheated out the most with that final season.
Regardless, despite everything, Hootcifer, you are a well-done character with humor and heart. Tis no wonder that the show is named after you, for you are worthy of such an honor.
...In short, Hooty is funny, endearing, and surprisingly grows on you. I have...no idea why I gave that sentiment across in such a fancy way, but oh well.
(He deserves it anyways)
Flapjack: *Sigh* Another loving bird...
Just like Owlbert, Flapjack's the only palisman with enough prominence in the series to feel like a character, but unlike Owlbert, the writers actually explore more with Flapjack. But that may be because his story is tragic.
It is heavily hinted that Flapjack is Evelyn's palisman, who also lured Caleb into the Boiling Isles and indirectly sparked DECADES worth of...bad stuff. And within that time, Flapjack lost an eye and an owner and spent so much of his life alone. That is until he met Luz...who then introduced Flapjack to Hunter.
It really was a solid expectation subversion that Flapjack chose Hunter as an owner. He had a kind and playful energy that matched Luz perfectly, but no. He wanted Hunter, possibly because he looked so much like Caleb. And not wanting to lose another Caleb, Flapjack seemed to make it his number one goal to help Hunter in every way possible. That's when it hits you why Flapjack is perfect for Hunter: He's what Hunter NEEDS. Flapjack may have worked well with Luz, but Hunter needed him more than she did. Hunter was all alone for most of his life and went through so much emotional and mental stress in his unfortunate existence. Then here comes Flapjack, cheerfully supporting Hunter in his interests and literally pulling him to people who will make him happy. Flapjack's basically a therapy bird if I've ever seen one. And it really was nice seeing the majority of the time he's spent in the series be dedicated to making someone else happy...because it makes his death all the more tragic.
All Flapjack wanted was to make Hunter happy, ignoring the fact for so long that being near Hunter was the biggest risk that Flapjack could have ever taken. The second Belos might see Flapjack, he'd be as good as dead due to Belos' need to feed off the souls of palismens and because of Belos' hatred for everything that Flapjack represents. Yet Flapjack still stuck it out and stayed by Hunter's side despite these risks. His death was all but inevitable, but it hurt all the same because while we knew, deep down, it would happen, we didn't WANT it to happen. But it did, and it stings that a bird that wanted to do nothing but good only paid a horrible price for his kindness. On the bright side, Flapjack died doing the one thing he did best: Helping Hunter. No, SAVING Hunter.
Flapjack was loyal to the end, and we all love him for it. And miss him all the same.
Darius Deamonne: Hey, look! It's another character that's important to Hunter! And this one is FABULOUS!
I'll forever be blown away by the expectation subversion the writers did with Darius. Upon his introduction, you think he would be this menacing secondary antagonist the characters would have to fight through in a final battle against Belos. That was definitely the vibe I got from the guy, with how menacing he acted and how he looked in his abomination form. Turns out, most of that was an act...Most of it. I'm willing to bet that he really was ticked off by whoever was screwing with him, and his annoyance was real with Ebberwolf. But by using what we NOW know, it's clear that Darius was playing SOME of his behavior up to make it convincing enough that he's on the Emperor's side in case any ears are listening in. Belos does have eyes and ears everywhere, after all...somehow. Plus, it makes the reveal that Darius is on the side of good all the more pleasant of a surprise. He's certainly less menacing, but not as a fault. Darius still has the same snark and agitation towards people who are more, let's say, foolish than him, just as Darius did in his first appearance. It's just that now he's more subdued because he's surrounded by people who Darius doesn't need to scare. Even when dealing with the Emerald Entrails, Darius acted cold but reasonable. And when actually TRYING to scare the kids, you can argue he wanted to further scare them away from joining the Emperor's Coven, showing them what type of person they'd be dealing with.
But the biggest surprise came when he turned out to be a decent father figure for Hunter. Unfortunately, we never get to see him as an actual father, but it's still sweet seeing Darius show Hunter the first amount of respect and care from an adult the poor boy ever got. Darius shows interest in Hunter's interest, respects his decisions, and encourages him to be a kid and not a soldier, likely because Darius knows full well where that leads for the previous Golden Guards. It warms the heart to see how much Darius cares for Hunter, getting worried when he's in danger and feeling joy when he's safe and sound. It's all great...and it SUCKS that Darius is one of the few screwed over in the finale. No final lines, just pure silence...and some shipping fuel between him and Alador. At least there were still moments of Darius showing he cares for Hunter, and they're both happy together. I didn't really expect much from Darius. He was already fun upon his introduction, but having him become this stern yet caring person was such an interesting twist that I can't help but admire more. It's not what I expected, but I appreciate it nonetheless.
Vee Noceda: That IS her last name, and I will hear NO SLANDER ABOUT IT!
...Anyway, Vee's a great character.
I am forever impressed by how great of an, yet another, expectation subversion Vee is. Everyone, including Luz, upon first seeing Vee, saw her as an evil doppelganger trying to steal Luz's life. I still remember the shock and fear I felt when first seeing Vee, worried about what this could mean for Luz and Camila. And then we got to know Vee...and I much prefer the character we got over an evil clone or whatever the popular theory at the time was.
Vee, quite possibly, might have the most tragic life out of everyone in the show. She was born in a cage, was treated as a lab experiment and nothing more, gained a ton of PTSD surrounding rats and cages, and likely never knew the feeling of a warm bed or a good home-cooked meal until meeting Camila. Vee's life was a nightmare before running away to the human realm, and after learning about all that, it makes her finding a home with the Nocedas, being a part of their family, all the sweeter. A friend of mine said that her plan was a LITTLE flawed because Vee didn't know whether or not Luz would return, but in fairness, Vee said that she didn't mean to keep the act up forever, but Camila was nice to her. Vee was operating off of emotions due to getting an inkling of what love feels like, even if Camila's motherly love wasn't for Vee exactly. And with the family she's found and the friends she made in the Human Realm, it's no wonder that she prefers a life there, graduating high school with Luz and having a form for herself to gain an identity of her own. It's amazing how much care and attention the writers put into Vee and her story...Especially since she's basically a minor character.
Yeah, it's crazy to think that a lot of this stuff that happens with Vee is for a character with a substantial role in TWO episodes. Honestly, I wish she had more and could have time to bond with Camila and Luz, showing how much of a happy family she's gained. But, even after "Yesterday's Lie" ended, I already assumed the odds of seeing Vee again in something big were NEVER to become a reality. The shortening of the series, leaving fans with only half a season and three specials, meant that the odds weren't in Vee's favor to grow and develop more than she already did. In a case like that, you have to learn to accept what you HAVE instead of complaining that you didn't get what you WANT. And as for what we have with Vee, it's still good and compelling stuff for a character that makes two appearances. Sure, the potential of a greater character is there for Vee, but for a minor character, she's still really great. Now, if she was a MAIN character, THEN it'd be an issue...Speaking of which.
Gus Porter: Ah, NOW we're getting to the important characters.
Gus is...probably the least interesting out of the main cast. That doesn't make him bad, mind you. I mean, look how far he's come in this list. It's just that, compared to everyone else, Gus felt as if he had less going on. While everyone else was dealing with trauma, family issues, and self-worth, Gus was always kind of...there. The worst part is that there are a lot of hints of there being more to him. He somewhat admits to Hunter in "Thanks to Them" that, while things aren't awful, Gus isn't happy. He missed his dad, and Gus was the first to break down and cry after "King's Tide." There's something there to explore, but because it's a season where so much is going on and there's little time to focus on everybody, Gus, unfortunately, gets the short end of the stick when dealing with HIS trauma. And there's not much going on with his family. There's no discussion of what happened with his mom or any animosity between Gus and his dad. They have a healthy relationship together. Which is appreciative, don't get me wrong. But it's NOTHING compared to Amity's issues with her parents, Eda's strained relationship with her sister and mother, and Luz's difficulty in getting her mom to understand her. The closest bit of intrigue we get with Gus and his dad is how bored and kind of annoyed Gus looked during the Grand Prix in "Eda's Requiem." There could be something to explore there, maybe talk about why Gus went with his dad even though he clearly wasn't having a great time. Unfortunately, this was during a season when the writers were told the series would get cut, and they had to rush to close up as many character arcs as they could before reaching the end, with Gus, again, getting the short end of the stick. Thankfully, the show does something about Gus' self-worth, showing his doubts as an Illusionist and some anxiety about being used by others for personal gain. It's engaging stuff, but it comes at the cost of Gus being overshadowed by an admittedly cute couple and the fandom's favorite white boy.
We definitely get a good amount where I say that Gus is an engaging character, but never enough to stand above the others. And that, right there, is why Gus is the least interesting in the main cast. There are great things about him to explore, but he's never given a chance to truly shine. Thankfully, Gus is still great in a supporting role, acting as the group's cheerleader and hyping them up to do something. Or how he acts as the little brother, having sometimes naive optimism and playfulness compared to everyone else. He's still a smart cookie who knows when to be serious, but it's clear that he's the second or third youngest in the cast, right next to King or the Collector. So, while Gus would have been even better with more time dedicated to him and him alone, that doesn't mean he's any worse of a character because of it. He's still endearing with how supportive he is, even if that makes him less interesting than his friends.
Speaking of which...
Willow Park: Willow...has a similar problem as Gus, but it might be a little worse. Because while Gus has entire subplots in episodes dedicated to him and his issues, Willow has consistently shared the spotlight with other characters throughout the series, where they get a lot of development, and she gets the scraps. To the point where fans talk more about the people Willow has a relationship with instead of Willow. She used to have a friendship with Amity? They latch onto AMITY'S side of things. Hunter's her boyfriend? They latch onto HUNTER'S side of things. In fact, I think people talk more about her BULLY than they do about Willow. Rarely does Willow get any attention in the fanbase and even in the series, which is a shame because she IS a solid character.
Willow's your typical shy girl who learns to gain more confidence. Only this one has more of a violent edge and seems more than capable of killing someone for hurting her but doesn't due to her self-confidence issues. Plus, instead of stretching out those issues throughout the entire series, Willow gains more confidence at the end of Season One. An annoying thing about shy girls is that they remain progressively so, getting better through inches instead of miles. With Willow, she gets over it pretty soon, to the point where I genuinely thought Willow didn't have much to do in Season Two because the writers figured her character arc was done. Which is a shame because even though her friends have more development than her, Willow is a great straight man to their antics. She's often remembered as a friend with the one functioning brain cell in the group, acting as the voice of reason when her idiot friends have a dumb idea. But she's still supportive of their ambitions and adventures because THEY were supportive of her. It's her way of paying them back. Willow just has a better idea of when to draw the line.
Plus, there is an interesting idea about Willow that the writers manage to explore beyond her shyness, even if it's not to as great of an extent as everyone else's development. You see, Willow has a problem processing trauma. In "Understanding Willow" (which ironically helps us understand Amity better), Willow states that it's best to hide away what's upsetting her while saying, "Out of sight, out of mind." Only for that to QUICKLY backfire as Amity takes things further by burning the very thing Willow only wanted to hide. They both learn it's better to confront the things that make them uncomfortable, gaining an understanding (ha) that you need to face your pain to heal from it. Except that Willow somewhat forgot that lesson in "For the Future," which showcased what makes Willow great. She's there to help her friends and their issues but ignores her own because she believes her friends’ are more important. All the girl needed was a good cry over her dads, but Willow instead repeated to herself, "Keep it in," not wanting to let her own problems overshadow everyone else's, which caused her emotions to grow more out of control. This side of her is an engaging idea, and it sucks that it's only been explored twice while her friends got more development. I'm willing to blame the shortening of the series for this one because there's no way she only had such a small role to play in the series upon conception. Willow acts as great support like Gus, but she could have been so much more. And that's a "What if" that's going to unfortunately be lost to time.
King Clawthorne: I have mixed feelings towards King, at least in the first season. I didn't hate him. It's just that, within Season One, King hardly had a direction. More often than not, he was the comic relief that went off doing silly things in the B-Plot while everyone else went on the real adventures. It led to entertaining bits, like gaining an army of sentient stuffed animals or using the Owl Beast as a tool to dominate the playground. But then there were times when they felt like an unnecessary distraction, like being an MC at Grom or being mistaken as a substitute teacher. And most of the time, it's all for the sake of an unrealistic goal. I could tell from the beginning that he would NEVER be the actual King of Demons, and it was just something the other characters played along with because even THEY knew it would never be a reality. So there was never anything King could add to the show besides humor, which he did well due to Alex Hirsch's hilarious delivery with a few jokes. If King stayed the same as he does in Season One, he'd go just above Hooty as someone entertaining with a few solid scenes of heart with the rest of the main cast, but nothing more than that.
...But then the writers decided to make King an actual character in Season Two.
King became more consistent and engaging in the series from "Echoes of the Past" to beyond. In most of the series before this moment, King always went back and forth as either a child, a pet, or an immature adult with delusions of grandeur. Post "Echoes of the Past," it's pretty clear that King's a child but one with a bit more maturity than others. He acts naive and has a definite need to be protected at all costs when he acts sad. And Alex Hirsch KILLS it when portraying King's youth, where the times King cries or gets emotional sounds like an actual kid rather than a grown man playing a kid. His delivery isn't just good for humor but for some amazing voice acting that surprisingly adds to the illusion. It's sort of like how John Roberts convinces me that Linda from Bob's Burgers is a New Jersey Mother in a way that's better than any voice actress ever could manage. Sometimes, you need to give in to the illusion.
As for what makes King engaging, that's where his purpose comes in. King wanting to become the King of Demons and have people bow down to him is...cute and results in some good humor. But King wanting to know what he is and where his Dad came from? Now THAT is a way to make someone invested in a character we already enjoyed. King was entertaining before, but seeing his struggles to find answers about his past and heritage was always endearing and helped you feel for the little guy. And when he finally DOES get answers, it cleverly gives King what he wanted in Season One: To be something that people would bow down to in respect and fear...and King doesn't want that anymore. After learning he's the last of his species, that his blood family is dead, and everything is falling down around him and his found family, King doesn't want to be the monster everyone fears. He just wants to be King and have things go back to normal. Or, HIS version of normal, anyway. It's pretty compelling to show King's growth as comic relief to an actual character by giving him everything he thought he wanted, only to practically refuse it. King is almost a completely different character by Season Two, and it really is for the best. Season One King wasn't too bad, but his Season Two self really gave him the boost he needed.
Raine Whispers: Raine is best defined as a pretty flawless character. At least, in my eyes, they are, as there's not really a bad thing I can say about them.
Upon conception, Raine was nothing more than a love interest to Eda...and that tracks. So much of Raine's development and story occurs when Eda is there, fawning over them and wanting to reconnect. Even their debut episode was more about Eda's issues and how Raine was there to guide her to the right path when it mattered most. They're very much a character severely connected with Eda and never had the chance to star in the spotlight instead of sharing it. A shame, really, since Raine organizing a resistance against Belos could be enough for an episode of its own, but, unfortunately, not the case for a series that got shortened. However, just because Raine's a character connected to Eda, it doesn't make them any less fun or engaging.
First and foremost, you GET why Eda is so in love with Raine. Where Eda is an agent of chaos, Raine is more for CONTROLLED chaos, willing to join Eda to cause some mayhem but in a way where they don't get caught or in trouble. And that's just them as kids. As an adult, Raine wants to destroy a militaristic dictatorship from the inside out, determined to keep the act going and fight literal brainwashing no matter how often they get caught. They're also pretty determined, fighting against Belos infecting Raine's brain and fighting with their last breath when Belos tried to get to the heart of the Titan. Because while Raine was one for chaos as a kid, they're still a good and caring person. Raine didn't want Eda involved so she wouldn't get hurt and MEANT their promise to Luz to make sure nothing bad happened to Eda during their mission on the Day of Unity. But on top of everything else: Raine is a charismatic dork, having enough charm to make Eda the Owl Lady blush but still having the dorkiest smile when announcing their crew's name is "The CATs." Raine is ALL these things, and the result is someone who's a blast to watch, even if they're simply Eda's love interest. They still add enough entertainment and drama, even if some of it, unfortunately, focuses more on the Eda side of things. Would I love more of a spotlight to shine on Raine? Of course. They're an outstanding character who unfortunately got put through the wringer, what with being physically tortured, used as Belos' meat puppet, and MAYBE groomed by Terra Snapdragon (That creepy witch). But when a character's conceived as a love interest, even if there's more to them, you gotta take the good moments when they're badass and awesome and appreciate when they contribute to the story on the sidelines as a supporting character than a leading one. At least they were right there to kill Belos and lived happily ever after, snuggling with Eda. Not too bad for a love interest, huh?
Oh, and Raine's also the first non-binary character in a kid's cartoon with a major influence on the characters and the plot. That's pretty cool too.
The Collector: Here we have a character that turned out WAY better than I imagined. I didn't admit it in the past, but I was a LITTLE worried that the writers would make The Collector like Bill Cypher: A chaotic god-like character who takes pleasure in treating others like his playthings. And The Collector IS that...but there's something that makes them a different yet intriguing character: The Collector's a kid. Yes, he's a kid who turned the Boiling Isles into their playground and the residents into toys, but they’re still a kid.
Upon our introduction of The Collector, we're given this idea that he’s a sick and twisted little gremlin who's just as excited as Belos is about the genocide of the Boiling Isles (which might be an image aided by the fact that it's Belos' memory). But every time we saw them since, the more the writers leaned into the Collector's child-like behavior, showing that the reason why he might be all for Belos' genocide and treat people as literal playthings is that they don't understand what life and death means. He doesn't MEAN to be a problem. It's just that no one has ever taught them otherwise. And that's a more interesting way to go about this character instead of making The Collector a new primary antagonist. It might have worked fine, but when you make a character with god-like powers, it becomes difficult to believe anyone could defeat them. So, the idea to stop The Collector by TEACHING him what's right and wrong before it's too late is a clever way to go about things, especially when it's King that does most of the teaching, using his newfound maturity to teach The Collector what Eda and Luz taught HIM. The result is a new, engaging character that also shows the stellar development of another. Not too bad for someone added to the series at the last minute...Yeah, no, that's what The Collector is, though.
After finding out the series would get shortened, Dana Terrace and the writers thought, "Hey, let's just go NUTS this season!" So, they threw in The Collector as a way to add more spectacle to the final three specials of the show. Sure, the writers had SOME idea of what to do with The Collector beforehand. But after getting the bad news from the executives who decided the series no longer fit the brand, it was the final nail in the coffin to shove The Collector in there. And MAN, there is no better representation of the show's forced conclusion than The Collector, as they're this thing that ALL the characters react to, whether protagonist or antagonist, and are forced to work through their story arcs and character development around within the last few minutes of the show. It's a pretty fun way to look at The Collector, even if he's still a great character despite all they represent. Regardless, I'm still grateful the writers didn't just turn him into the new primary antagonist who killed the old one to show off their threat level...Especially since the old one is REALLY good.
Emperor Belos/Philip Whitebane: "YOU LIKE BELOS MORE THAN WILLOW, GUS, RAINE, AND EVERYONE ELSE?!"
Yes...As a CHARACTER. Not as a PERSON. Because he's NOT a PERSON. He's a FICTIONAL CHARACTER.
I'm serious. People should stop equating "good character" to "good person," especially in this fandom. You can't talk about how well-written Belos or Odalia are without someone coming around and saying, "THEY'RE AWFUL PEOPLE!" I know that. Most...SHOULD know that. But here's the thing: Belos is an antagonist. A character whose purpose is for the audience to love to hate him. If that's done well, he's a good character. And guess what: Belos does it REALLY well, to the point where he's one of my favorite antagonists in a Disney property. Probably one of my favorite antagonists of all time.
Upon his introduction, Belos scared the crap out of me. From his design to even the way he spoke sent chills up my spine. He didn't even SOUND all that threatening, with a deep and scary voice. He sounded like a dude, but it’s in the way he said things, as if Belos knew what he was saying was messed up. But he didn't care, almost like it was because he thrived on people fearing him. And that was just on his INTRODUCTION. From a few of his future appearances, the writers showed Belos acting MORE horrifying, having disturbing spells unlike anything we've seen before, being aware that SOMETHING is spying on him, and revealing that he has a curse that turns him into a somehow MORE terrifying monster. It was pretty effective in getting me to fear this creepy son of a non-witch...And then "Eclypse Lake" showed us his face, revealing that he not only SOUNDED like an ordinary dude but LOOKED like one too. Sure, he had that weird green mark that went down his face, but so much fear I had of Belos went away when I saw that he looked like someone's grandpa who forgot to wash his face. But as the show went on, the more it made sense to make Belos look like a regular man. Instead of portraying a fantastical evil, the writers went for a more realistic one...with supernatural powers, yes, but consider the villains of OUR world. They're people who look like you and me, using their faces to hide dark intentions and charm their way to a position in leadership. That fits Belos' actions to a T, and you see how perfectly it matches in real life when Luz voices her frustrations that no one can see how evil Belos really is, only for King to tell her that no one wants to realize that they've been following the wrong guy. Do you want to know why members of your family refuse to accept that a LOT of Republicans are evil? It's because they spent years, even generations, believing the opposite. So to tell them the truth, even if they NEED to hear it, they'll refuse any facts given to them. So having Belos be the exact representation of all of that, showing kids what to be wary of, is a great way to educate them to learn that sometimes the most dangerous people in society are those who control it in the first place. Even making him a grotesque monster doesn't really take away from the allusion but adds to it, letting Belos' true, inner self take physical form and showing kids what happens to these monsters when you're too late to stop them.
And that's not even getting into the motivations! I didn't feel TOO shocked when it was revealed that Belos was Philip Wittebane. Don't get me wrong, I was still a LITTLE shocked, but I predicted it and expected that Belos' big plan was to return to the Human Realm in some way, but that left some holes into why he spent so much time controlling the Boiling Isles to do it...And then it was revealed that Belos was a WITCH HUNTER. And I'll never forget the dread I felt when I realized, "Oh, they're doing THIS. Oh, no..." The level of fear that I once had for Belos skyrocketed once his real plan became clear and how INTENSELY close he was to reach his ultimate goal.
The scariest part of all is how believable it is. Given how real-world politicians are willing to wipe out an entire group of individuals just for existing, someone like Belos isn't too far of a stretch. Neither is how he came to be the monster that he is. Philip was only an orphaned child raised to believe that witches were Satan's spawn set to destroy everything. And one witch "stole" his brother, the only family Philip had left, and left him feeling like his rage was justified. Except...it's not. It was NEVER justified. Caleb left Philip on his own volition and, when Philip found him again, tried to convince the twit that Evelyn was fine. Philip could have easily taken his brother's word for it and changed. Philip would later have YEARS, possibly CENTURIES, to learn that he was wrong, but he never did. The conditioning was put too deep into his brain, and Belos was the result. I wouldn't say that makes him a tragic character, but it DOES explain so much about why he acts the way he does.
The best part about Belos is that he's consistent. Because of his conditioning, he never once wavers his opinions or questions if what he's doing is wrong. Belos considers himself the hero of his story and views Caleb and Luz as tragic losses. When met with the LITERAL GHOSTS of his sins, Belos yells at, or flat out ignores, them, proclaiming that he was doing the right thing and it's not HIS fault that their souls were too far gone. And with Luz, Belos tried to kill her on three separate occasions, actually succeeding the third time around. And when backed into a corner, realizing he's as good as dead, does Belos ask for surrender? Does he beg for forgiveness? NOPE! He initially tries to manipulate Luz, attempting to take advantage of her good nature into thinking he's good now. And, when THAT instantly fails, Belos yells at Luz, saying she's betraying her humanity and is nothing more than the very evil he spent his whole life fighting against. Luz doesn't buy a word of ANY of it, least of all when he says they're better than this petty revenge and killing out of a twisted form of justice. Even though that's exactly what he's been doing all his life.
Evil to the end, Belos is an antagonist that works because of how perfectly diabolical and realistically despicable the writers made him, making him interesting to dissect while having it feel so cathartic to watch him get stomped to death by the very people he hated. I could honestly go on and on about what makes Belos so engaging to watch and easy to hate...but this gosh dang review is long enough already, and I haven't even gotten to my top five favorite characters yet!
Speaking of which, let's talk about the ONE good thing Belos did with his life...After we talk about Amity.
Amity Blight: How's THAT for a smooth transition?
Anyways, Amity's great because with nearly every new appearance she's made, she becomes a better character, and I mean that in two ways. For one, she becomes more intriguing as we learn about her home life, interests, and motivations, all three being connected in some capacity. Everything that Amity did, she did because her parents (her Mom, mostly) told her to do it. Ending her friendship with Willow, forcing her to be friends with Boscha and her mean girl squad, be the best of her class no matter what, and join the coven that she slowly doesn't want to join anymore. These are all the things Amity was forced to do, and had no choice to do it.She had almost no free will, but that doesn't mean she couldn't rebel in the tiniest ways. She took time out of her day to read to kids and used the cover of it being extra credit to keep doing it. She has a secret room with a collection of Azura books to enjoy a fantasy series, idolizes the purest hero, and has some creative freedom if that fan art on her diary's cover is anything to go by. Even her bullying has SOME ways of cheating. Amity may have said that Willow had no talent, but it was an attempt to get Boscha and the others to stop while covering her tracks so they won't tell anyone she went soft on Willow. And in "I Was A Teenage Abomination," some of Amity's words almost sound encouraging. There's a mocking tone to a lot of it, but the subtlety of her going "keep it up" is still there. Sure, Amity would later have a rage later regarding Willow and Luz’s cheating, but even that is more or less justified. They broke the rules, and, knowing how Odalia reacts to failure, Amity is NOT willing to let go of her "Top Student" badge without a fight. Maybe I'm stretching, and maybe I'm looking deep into things that aren't there. But it's the same thing I do with Alador: When presented with new information about a character, it's a collaborative effort to look at what came before and figure out how it works. And I think there's enough to Amity's actions in the past that are justified by her motivations yet still have a bit of her good side shining through. Which is good because that brings me to the OTHER reason why Amity gets better with each episode.
Piece by piece, bit by bit, Amity becomes a better person after learning a new and valued lesson by the end of every episode. And unlike a blonde-haired character I hate from that frog show, Amity has a clear and definite desire to become a better person. The writers SMARTLY confirm early on that Amity doesn't want to be cruel. She specifically can't show weakness, so she builds walls to hide away her good side, believing that part of herself is weak. But through Luz, the best thing that ever happened to Amity, all those walls come crumbling down, and the Amity SHE wants to become would soon blossom. She's less reserved, more open about feelings, smiles instead of sneers, and acts nicer to Luz and others around her. There's still some anger, annoyance, and the occasional snark, but it was nowhere near as bad as how Amity USED to act. And through each wall that falls gives Amity courage to stand up to her parents and finally become her own person, to the point of dying her hair to reflect the kind of person she wants to be. By a quarter of the way through Season Two, Amity finally gains an identity that reflects what she always had hidden underneath. And it's satisfying...And then writers made her Luz's girlfriend.
Yeah, this is a complaint you'll often see floating around. The second Amity and Luz start dating, a lot of her individuality tends to trickle away, with most of Amity’s problems being related to or overshadowed by Luz's. Just look at "Reaching Out," which has Amity dealing with her issues of Alador's neglect and wanting to form SOME connection with him. But it's barely touched upon due to the real meat of the episode being Luz using the event as a distraction towards her own issues, which I remember more regarding that episode than anything Amity went through. And things get worse by Season Three, where almost every character has something to go through or a chance to highlight their grief, and Amity is...just kind of there, being looped in with supporting her girlfriend and dealing with an ex-friend instead of dealing with her own problems.
It definitely sucks that after all that fighting that Amity went through to gain independence and discover her true self, only to be sidelined once she gets it. But I will say that while Amity is forced into being categorized as Luz's girlfriend, that role still highlights Amity's development. She acts warm, kind, and, most of all, understanding towards Luz and her issues, the same way Luz acted towards Amity, proving she can give as much as she can take. It's not how I wanted things to turn out, but hey. At least Amity got a complete character arc before being pushed to the side. That's WAY more than what I can say about Gus and Willow, the characters introduced to us as Luz's best friends. Guess a girlfriend takes more of a priority.
But that's enough about the fandom's favorite white girl. Let's NOW talk about the fandom's favorite white boy AND the writer's favorite punching bag.
Hunter: In all seriousness, Hunter feels like a character where the writers went, "Hey, remember Amity? Let's just...f**king do THAT again. But BETTER."
And they did! Hunter pretty much has the same journey that Amity did as a character, but with all the strengths and NONE of the weaknesses. Upon his introduction, you think he's a charismatic yet evil little brat who doesn't value the lives of others with how quickly he threatened to kill Luz, Eda, and King. But, just like with Amity, the more we learn about Hunter, the more we realize why he WOULD act the way he did and even why he SHOULD.
Hunter is the supposed "nephew" of Emperor Belos, a man who hates failure to the point where he's ready to kill after you let him down ONCE, and you don't want to push his limits too many times. Hunter knows AND fears this fact, so he learns to hold his tongue when possible so as not to gain another injury during one of Belos' temper tantrums. So, Hunter does what he's told, acts carelessly toward others beneath him, and constantly tries to prove himself as a valued soldier instead of acting as a teenager. The poor boy has his own set of walls built up, and instead of letting the cracks grow, he often tries to patch them as quickly as possible because he fears Belos WAY more than Amity fears her parents. And rightfully so, because Belos would absolutely kill Hunter if he betrayed him. He's done it before.
Hunter being a Grimwalker shouldn't surprise me, as the pieces were there and...not really subtly hidden. Yet that doesn't change how horrifying it makes Hunter's situation. It's one thing to fear being replaced by a better soldier in his ranks or something. The fact that Belos can and will attempt to make a better, more efficient clone of Hunter and kill him if needed...makes Hunter digging his own grave in "Eclypse Lake" more fitting than we realized. It makes him not only replaceable but disposable, with that newly acquired knowledge making Hunter shatter, having a panic attack as it hits him all at once that his fears are more than justified. The worst part is that Hunter spent YEARS with that monster, never standing up because he couldn't do it as easily as Amity did to her parents. She can always run away, hide out in someone else's home to escape a mother who probably doesn't even want her. There's NOWHERE Hunter could go that could keep him away from Belos for long, what with him being the Emperor and Hunter having little to no friends. Thankfully, the ones he had did a lot of work.
Luz, Amity, Willow, Gus, and ESPECIALLY Flapjack all helped to give Hunter a better life. Luz offered perspective, showing Hunter that there's more to life than being told how to live it and that the authority figure he listens to isn't perfect. Amity represents evidence, showing Hunter that if you let good people in your life, they will help you with what tortures you. Willow gave companionship through herself AND a group of people that made Hunter genuinely smile for what must have been the first time in his life. Gus then offered comfort, showing Hunter how to calm his anxieties and fears he'll continue to have. And the one to provide all of these things is Flapjack, who gives Hunter perspective, evidence, companionship, and comfort through his own actions and dragging Hunter to people who could offer more. This gave Hunter a support group of individuals that slowly but surely gave him the desire to be the person he wanted to be and gain an identity. Sure, Hunter would build his walls back up each time they tore them down. But there were always cracks that made it easier to convince him what was the right thing to do for others AND himself. And it all gave him the courage to finally stand up to Belos, who saw Hunter as nothing more than a meat puppet, metaphorically and literally.
Hunter's journey does share a lot of similarities with Amity's. I will admit to that. But where she's later demoted as a character defined by a relationship, Hunter is a character that grew because of the support system he gained and was allowed to keep a sense of identity after his friends brought out his good side. They're the ones who guided him down his path, but what Hunter chose to do after was all his own. Plus, it feels SO GOOD to see that after Hunter's grief and knowing how many others before him died tragically to Belos, he gets his happily ever after. Hunter has a home life that's healthy, friends to support him, a girlfriend to LOVE him, and a chance to genuinely smile every day. He LIVED. He SURVIVED. And that must feel inspiring to those who feel there's no escape from the tragedy of their own lives. I love Amity's journey, but Hunter's definitely better and more impactful in ways you won't believe.
And he'd be the best character in the show...if it weren't the fact that I love three more. At this point, you can probably tell who they are, so let's get started with the fandom's favorite MILF.
Eda Clawthorne: I swear that Eda being hot isn't the reason she's in my top three...Maybe.
But for real, Eda is the only character on this list where if the show was about HER...I would watch it. There is SO MUCH about Eda that makes her a blast to see and a lot to dissect that makes her engaging as she is entertaining.
When regarding her personality/character traits, Eda is an instant gem. She's a con artist, frequently driven by greed, has NO problems breaking the laws, and is more than willing to beat up anyone who messes with the kids she's grown attached to. Now many, myself included, have pointed out that Eda's character shares similarities to Grunkle Stan from Gravity Falls. And...yeah, there's definitely a lot to compare, but there's much more to contrast to help make Eda stand out more as a character. For instance, while Stan one hundred percent loves Dipper and Mabel, Eda still feels warmer towards Luz and King. She may show some annoyance at Luz's enthusiasm or playfully mock King believing he's the most dangerous creature alive, but when it matters most, Eda's there for her kids. To protect, counsel, and sometimes cry over them when situations seem dire. Though she'd probably hate to admit it, Eda has a good heart and one that isn't buried after years of emotional baggage (don't worry, we'll get into that). And she doesn't need much bonding experience to help bring that goodness inside her. When Eda saw a little creature alone in a dangerous environment, Eda took it in and raised it as her own. When seeing a young girl with the same amount of spirit as Eda did when she was younger, Eda decided to accept that young girl's offer and teach her the best she knew. Eda was a caring mother figure to King and Luz when they needed her. As for being a teacher...she could have been better, what with barely teaching Luz anything. Still, she tried, and that's primarily in part because of her own love of magic.
Eda may be a criminal striving to get rich, but those two things aren't mutually inclusive like it is for Grunkle Stan. Eda's a criminal because she disagrees with this close-minded rule that witches should be in a coven, doing one kind of magic for the rest of their lives, except for a small group of elite soldiers picked out by the Emperor himself. Anyone with half a brain can see the flaws of this, and Eda was one of them, breaking the law for years because Eda couldn't help but see how it never made sense. So, she never joined a coven, something considered a major offense against Belos' rule, with Eda being considered a wild witch by her community. And the woman RELISHED that idea. Due to not joining a coven, Eda was allowed to do any type of magic she wanted without being in a stuffy uniform and listening to the vague lies of an evil emperor. It left her with a bit of an ego boost, claiming that she's the most powerful witch on the Isles, but at least Eda gets to do what she loves. Even as a kid, Eda had a PASSION for magic, wanting to learn as much as she could and knowing more than Lilith, a character proven more studious than Eda. It's why you can buy Eda being the better witch than Lilith, because while Lilith can understand the technique, Eda has a better grasp of how good it feels to do magic. After all, she loves doing it in a variety of ways. Even her being a new headmaster of a magic college makes a lot of sense. She may not have been the best teacher for Luz, but they were both dealing with a form of magic that neither really knew much about. The only time their teaching clicked was that moment when Luz had natural magic, and Eda could finally offer advice she KNEW would work. Natural magic is what she understands and has a greater passion for, and teaching "wild magic" to the new generation, giving them something she always wanted and a chance to learn further, makes all the more sense when you take the time to think about it. It's a side of Eda that I don't think fans talk about much. A shame, really. It's an interesting part of her that's worth sharing and deserves to have more attention drawn to it. The show certainly didn't...Though, to be fair, there was one last aspect of Eda's character that's, admittedly, more engaging.
Eda's past, from her family to her ex and to her curse, is a subject that follows Eda throughout her life whether she likes it or not. One way or another, something keeps crashing back into her life, and the results lead Eda into an emotional rollercoaster that ends in tears or violence. Some healing comes from it, but the tears and violence are still prominent. Her fights with Lilith, turning into a rage monster due to her mother's meddling, losing Raine, and her father wanting to talk are all emotional situations with Eda and the tattered relationships she had over the years. The hurtful part is how it all leads back to her curse, one way or another. I'll talk more about Eda's journey with her curse and the allusion it represents in future parts, but I'll still say that so much of Eda's pain, her drama, became prominent because of something Lilith did and how Eda reacted to it. She always ran away or denied there was a problem in the first place, making a horrible situation even worse as it left her burning bridges she'll want to rebuild later. And the worst part is that this is something Eda struggles with the most.
Despite all her pain and trauma, Eda tries to cover it up with jokes and a cocky smile or anger and determination. When the curse started overtaking her in “Agony of a Witch,” she looked at Luz with a smile to make things light, but the fear in her eyes betrayed everything. When losing Raine to Darius and Eberwolf, she choked back her tears and forced herself to focus on anything else. Because to her, it's better to deny how hard you're hurting than face it. She'll voice her worries from time to time but often hides just how strong those emotions are for her. And she definitely doesn't want to relive emotional memories due to how hard it was keeping things together the first time. The only time when Eda tends to embrace her inner turmoil is when things are so intense that she can't help but cry and voice how scared/worried she is. It weirdly makes sense that the only thing that could make Eda finally open up is facing the end of the world where it's not just HER who's in danger but the people she loves too. Because above all else, while she may hate to show it, Eda is a softie to the ones she cares about, especially Luz and King. The three of them have gone on so many adventures together and faced so much danger that you can understand why it's almost always them that brings Eda to tears. Luz's attempt at a goodbye in "Young Blood, Old Souls," King's adoption in "Eda's Requiem," knowing how deep in trouble Luz is in "Edge of the World," and finally revealing that there's no plan in "O' Titan, Where Art Thou." Those kids mean the world to her, as she would be nothing without King and Luz giving her purpose, love, and a healing heart...Which makes it weirder how little Eda got to do in Season Three.
Yeah, a lot of characters got the short end of the stick in Season Three, even members of the main cast like Amity and Gus. While most got some narrative or development, others got forced into the supporting role to help those more important characters. But for Eda, it feels weird because she's part of the main trio. Nearly every poster and promotional material featured Luz, King, and Eda. Nearly every episode featured Luz, King, AND Eda. And every version of the show pitched, even if they didn't look the same, it was always Luz, King, AND EDA. So to have a season where she takes a narrative backseat while Luz and King have more relevance to the story feels off. Although, to be fair, it's not like there was much to be done with Eda. Pretty much every narrative she had got wrapped up with Season Two. She's accepted the curse as a part of her, made peace with her family, and reunited with Raine (even if they didn't seal that deal with a kiss). It's almost as if the writers knew they wouldn't have a chance to explore Eda further with a shortened season, so they completed every arc they could with her in the remaining time they had left. So I can see why they didn't do much with her because what else could they have done? But it doesn't stop how weird it is that Eda could have easily been written out of the season if not for the fact that she's part of the main trio, and it'd be even WEIRDER to have a final season without her. Because, truth be told, the series wouldn't be the same without Eda.
Eda offers humor, heart, and tragedy to The Owl House. Her past, trauma, relationships, and love make for someone that deserves main trio status. Probably even main character status too. I would love to see more of her with how much intrigue Eda has, even if a lot of it is done already. Would I want to watch a spin-off of her as a teen? Probably not. But I wouldn't mind seeing more adventures this wild witch would get into.
Also, I'll say this much about her: There's a consensus in the fandom that Eda is the best mom in the show. And while she certainly is a great mother like no other...there's someone we ALL know, deep down, deserves the title for Best Cartoon Mom.
Camila Noceda: OOOOOOOOOOOOOOOOOOOOOOOOOOOOOH, I have been waiting for this one...
Now, I'll be the first to admit that I am incredibly biased towards Camila. Upon her introduction, I always thought she was neat as a mother who truly cares about Luz, her interests, and her wonderfully creative mind. She said so within the premier. And even when sending Luz away, all Camila tried to do was look to the bright side and convince Luz that her summer won't be as miserable as she might predict it to be. Camila could tell that going to Reality Check Camp was the last thing Luz wanted to do, so Camila tried her best to make it seem like a fun time despite how down it made Luz feel. It shows that while she may not be a perfect mom for sending her daughter away, Camila is still caring enough towards Luz, and she wants her to be happy despite encouraging a decision Luz wouldn't like. I considered that a fascinating angle towards a mother like Camila, providing a reason for Luz wanting to leave but never out of malice. I liked it...But a quantifiable portion of the fandom did NOT, with too many people claiming Camila was an awful mother who hated her daughter. Camila had maybe a minute, maybe TWO minutes, of screentime, and that's somehow the interpretation people made. I wouldn't say I'm the best at analyzing and interpreting characters, which is a crazy thing to bring up THIS FAR into my longest review yet. Still, even I have to say that people's interpretation of Camila was a MAJOR reach. Like...how do you look at a woman who explicitly states she loves her daughter, gives her multiple kisses goodbye, and you immediately go, "Oh, she HATES Luz." How do you do that? And how do you claim she's a worse mom than Odalia? Yeah, that was a thing! People genuinely would defend Odalia for being a good mom with their last breath and then turn around to s**t on Camila. Even after finally meeting Odalia and seeing how bad SHE was, people still somehow considered Camila worse. I never understood how it got out of hand, and I'm convinced the writers somehow picked up on all this overreacting and decided to make Camila better with every single appearance she made soon after.
From that premier, I already gathered this idea that Camila was a flawed but caring mother trying her best despite mistakes. By "Yesterday's Lie," I was convinced she was the best mom Luz could ask for, even if powerful emotions caused Camila to make mistakes. When Vee acts like the "perfect daughter," you can see, on Camila's face, how Camila noticed something was off and how much she didn't like it. To her, "Luz" was throwing away everything that made her Luz, and Camila didn't WANT that, made even more evident by bringing all of Luz's stuff back in after Vee tried throwing them away. Then when the real Luz "calls" Camila, acting like her true self again, Camila seems ecstatic and is willing to play along with what she assumes is a weird game because she's so happy to see Luz be herself again. Through these small moments, you understand more how much Camila cares for her daughter, despite sending Luz to a camp to teach her to fit in better. It was an action done out of love, not malice. Camila couldn't be FARTHER from a bad person, as proven by how she reacts toward Vee. There may have been initial fear of finding out what Vee really was, but through some coaxing from Luz, all Camila can see is a poor girl locked in a cage and needing help. It's there that you understand where Luz got her kindness from. Because even though everything is going beyond Camila's comfort zone, the woman's still willing to kick a flat-Earther's ass to protect Vee. She's kind and warm to the people she cares about and violent to the ones that hurt them. Like mother, like daughter. But Camila isn't all too perfect. As the events finally come crashing down on her at once, she feels ALL the emotions as she has this breakdown. There's fear that Luz is stuck in a demon realm, anger knowing she WILLINGLY went there, and despair at the idea that Camila might never see Luz again. All of this leads to Camila BEGGING Luz to promise to come back, with Luz interpreting her words as "stay here and NEVER return to that awful place." This caused Luz to be fearful for the future, and more fans hyper-focussing on the negatives instead of the positives. They saw a mother telling her daughter to abandon everything that made her happy when anyone with a single functioning brain cell can tell you that it's just Camila being worried about Luz and not fully grasping the whole story. She knows Luz had SOME fun in the Boiling Isles, but Camila's strong emotions at the moment caused her to fail to understand why Luz loves it. Or, at least, misconstrue the facts, thinking it was just Luz living out a fantasy, the same thing Camila sent Luz to summer camp for. It might seem weird that Camila also focuses on the negatives instead of the positives, but in fairness to Camila, the woman went through the worst thing any mother can go through: Losing contact with her child for who knows how long. I can't blame her for her judgment being clouded by everything she's going through. Still, fans clung to the negatives, too...So it's good Season Three shut them all up for good.
Season Three might as well be the season of Camila, because of all the things Season Three did right, diving deep into Camila's character is one of them. Where her first two appearances showed how much of a caring mother she can be, Season Three took it up to TEN notches. She took so many children into her home when they had nowhere else to go, stayed up late to figure out how to get them everything they could need for a happy life, acted nurturing when they had a tough time, chose violence for someone even saying ANYTHING mean about her baby, and dove head first into a dirty graveyard pond to save a child. Camila earned the title "Mother of the Year.” And she wasn't even trying. But while the season shows how kind, nurturing, and even badass Camila can be, it also had her face some mistakes. Camila wasn't bad for sending Luz away or asking her to stay home. She's a single mother who lost her husband, who probably connected to their daughter in better ways and left Camila to do everything alone. She wanted to be the best possible mom but second-guessed every decision and was unsure if she was doing the right thing. So I like that most of this season is about her trying to LEARN from these unintended mistakes, asking for advice from Luz's friends, and finally sharing with Luz the mistakes Camila made and how she now comes to regret them. What's even better is that Camila tries her best to understand Luz's world. A lot of it scares Camila and makes her uncomfortable, even years after being aware of the Isles in the epilogue, but she still puts in the effort to TRY. It's because Camila loves Luz and wants to be a part of every aspect of her life. Camila may struggle, but she still wants to try. And THAT'S what makes her the best mom.
Camila is warm, loving, and just so much fun to see. She isn't perfect, but instead of denying those imperfections, Camila chooses to confront them and TRIES to better herself. It's evidence that not every parent gets the assignment as they receive it, but they're not instantly failures because of it. Yes, there are horrible parents who refuse to change, but I like that the show teaches kids that there are those who care enough to do better. That's what Camila is, and I love the hell out of her for it.
But do you want to know her GREATEST achievement? She gave birth to the best character in the show…
Luz Noceda: Luz Noceda. Luz fickin' Noceda. A character so good that I made an entire post discussing how she's a fan-frickin'-tastic character. And even then, it felt like I barely scratched the surface of what makes her so good. I mean, how can you accurately explain everything that you love about your favorite protagonist ever? Better yet, how can you summarize it for a review that's gone long enough already? Well, I'm at least going to try...Emphasis on try.
Luz is a character that won me over instantly. The happy, goofy character is always fun for me as I think they're perfect for humor and endearing entertainment. That's Luz to a T, as her antics and attitude towards so many things cause me to smile to no fail. How can I not when she has a kind smile as a snake bites off her doll's head or when she has an argument with her hands? Luz is almost always a delight, but what's interesting about her is that while she's primarily happy and fun-loving, that doesn't make her naive or stupid. Luz has a good sense of maturity, even before her angst arc (Yeah, we'll get to that). In "Covention," I was impressed by her response to Eda's disdain about joining a coven. Luz made it clear that she understands Eda's outlook but wants to go and make her OWN decision. In fact, Luz is mature enough not to follow ALL of Eda's orders. There are times when Luz DEFINITELY should, but I like how the writers gives her enough emotional intelligence NOT to listen to ALL of Eda's wild and free ideas of anarchy. She has enough emotional intelligence to know what's right and wrong at times but is still young enough to learn more when put in danger at a time she really SHOULD have listened to Eda. Luz IS a teen, after all. She wouldn't have all the answers.
But now that we're talking about her intelligence, that's probably an aspect of Luz that's looked over the most. Because Luz is smart, and that shouldn't be an argument. It should be a fact. The girl endlessly worked on glyphs until getting them right, often having scraps of paper lying around her after past experiments. And not only is she studious, but Luz is also crafty at any moment. Some of my favorite scenes with Luz are ones where she comes up with a great plan on the spot, like how she thought up a way to brand Belos as he was killing her. It makes sense the girl wanted to try out for theater because her improvisation is on POINT. And she has the power to back it up. I said in that character analysis that Luz is powerful but not TOO powerful. My good buddy @l-egionare pointed out how I misjudged how powerful Luz CAN be, given how a single plant glyph made that big tree in "Enchanting Grom Fright" and how she wiped the floor with Emperor's Coven members and Conformitorium guards. She certainly has the power. I highlighted her intelligence more because I love characters who win fights by outthinking their opponents rather than overpowering them. The truth is, Luz, CAN do some epic stuff. She's just not AS powerful as Eda and Lilith were at their best, due to Luz having limitations to her glyphs and how she sometimes casts them. Luz can be invisible but only for as long as she holds her breath, and the strength behind her glyph depends on how much she uses and how big they are. She can do great stuff, even with very little, but nothing TOO grand until the Titan gave Luz that power boost in the finale (which I didn’t initially want, but DAMN amI not complaining). Besides, as cool as Luz CAN be, and how underappreciated that part of her is, it’s not her best feature.
I think we can all agree that the best thing about Luz Noceda is her kindness. She’s not naive enough to believe that there’s goodness deep down inside everyone. Her kindness has limits and it says something that Luz’s first instinct upon finally meeting Belos for the first time is to go for the head. While she will help others that need it, Luz will still take the violent route if you mess with those she loves. Speaking of, do you remember your favorite characters? You know all that development and growth they all went through? Do you know who’s responsible for ALL of that? Luz, that’s who. She helped reconnect Eda with her family, led King to gaining a sense of identity, helped Willow blossom into becoming more confident, indirectly helped Gus make new friends, and helped Lilith, Hunter, and ESPECIALLY Amity become their truer, better selves. They wouldn’t be who they are now without Luz, as every person she made a connection with had their lives changed for the better. And the crazy thing is that’s…not entirely mutual. Another great point my buddy @l-egionare made is that Luz’s life wasn’t doomed for the worst, and his argument has legs. Luz could have made friends like Vee did at summer camp or befriended those two kids in “Thanks to Them” who seemed to love Luz’s brand of weirdness. After high school, Luz could have also gone on to be a writer, sharing her love of fantasy to the world. Heck, she might even  fall in love with someone else one day, like with a horror nerd that loves gore and doughnuts…Just spitballing ideas here. The point is that while Luz’s friends on the Boiling Isles ABSOLUTELY need her for a happier life, she doesn’t necessarily need THEM. It’s an interesting interpretation to think about that makes Luz even BETTER. She’s a protagonist that leads others to their change and growth, which is a primary directive for most protagonists. Not only should THEY grow and change throughout the story, but they should lead the rest of the cast to do the same. It gives importance to the main character, showing just how much they’re needed for the world and the people in it…Which is why it pains Luz to find out she’s indirectly responsible for some strife too.
Like most plucky protagonists, Luz goes through an angst phase, mirroring how the show started off as light-hearted only to become darker as time went by. Luz’s angst, in particular, started in “Young Blood, Old Souls,” where a bit of Luz’s wackiness remained, but she still slowly got more serious as Season Two continued. By the time we reached “Hollow Mind,” an episode that forces Luz to realize she accidentally helped BELOS, most of Luz’s silliness and optimism became fizzled out, with damn near all of it being gone by Season Three. This is due to her seeing what Belos almost accomplished and the damage that The Collector was already capable of. Luz was accidentally and unintentionally the cause of these issues, and it broke her for reasons that ARE understandable…but they’re not justifiable. You DO get why Luz blames herself for everything that happened. She prides herself on her kindness and helping others, with the idea of being a burden crushing Luz in “Separate Tides.” So, to find out that she’s accidentally responsible for Belos, it hurts her because it makes her believe she’s a burden to EVERYONE, to the point where she believes that the Boiling Isles would be better off without her. Even though we LITERALLY just established how that’s false. There are some haters and idiots out there who do like to point out how none of Luz’s friends wouldn’t have had any strife if she never came to the Isles. Except…No. They absolutely would have. I mean, do you SERIOUSLY think Belos wouldn’t have tricked anyone else? The man pulled off a genocidal scam for DECADES. He could have easily tricked somebody else to do his dirty work for a few minutes.
“But he was driven out of too many towns! No one would trust him!”
Which is why he made a false identity to fix that problem. For all we know, he could have done it sooner.
“But Luz gave him the light glyph!”
A glyph that did nothing but offer Belos a shortcut to finish a job he was already 99% done with. Besides, he could have learned it on his own or maybe even through The Collector, who already knows that glyphs are the language of the Titans. Belos’ plan would have gone forward no matter WHAT reason you bring up. And what’s weirdly interesting is Luz’s refusal to see it. Yes, Belos could have tricked ANYBODY, but it’s still LUZ that he tricked. That guilt eats away at her and I’m kind of glad it’s not entirely resolved by the series finale. Don’t get me wrong, I want my favorite character to live the happiest life imaginable, but there’s a sense of realism that, even though she killed Belos, there’s still a bit of guilt. It’s hinted that it sticks with her years later, as she missed birthdays just so she could help rebuild the Isles. Although, that doesn’t stop Luz from living her life. She still hangs out with friends, joins her school’s softball/baseball team, and goes out with her family. Luz’s guilt is a lot like that scar above her eye. It’ll be small and hardly noticeable on some days, but it’ll still be there, as a reminder that life isn’t a fantasy.
It’s pretty ironic that Luz escaped to a fantasy world to avoid Reality Check Camp, only to get a reality check anyway. Everytime Luz tries to apply her favorite book series or pop culture to a problem she and her friends face, it always goes wrong. Within the second episode of the series, Luz learns quickly that she’s not some chosen one predestined for greatness…I mean, she kind of is, but not in a way most fantasy stories tend to play it. Luz quickly learns that her coming to the Boiling Isles was an accident, and that the environment she’s forced to adjust to isn’t as pretty as it is in her books. Things are difficult and solutions are complicated with there being no easy answers. Luz learns this throughout her adventures and grows to understand that being a witch like Azura isn’t simple. Luz even goes through a sort of identity crisis, now realizing that her dream to be a witch was always a little too vague and that she has no idea what she wants in life after the adventure’s over. It’s a compelling aspect to her character to have Luz realize that she’s not your average protagonist. So many of us want to be the main character of the world’s story, when we should realize that job would be extraordinarily difficult. Luz learned that the hard way after experiencing pain, suffering, and literal death that will haunt her nightmares for life. I wouldn’t call Luz a cautionary tale of what happens when you continue to live in a fantasy. That’s more like Marcy from Amphbia. Instead, I’d say Luz is more of a representation of a character understanding the cruelness of reality, but through a fantasy setting. We all learn best through the things that interest us, and Luz is no different. And that’s one of the MANY reasons to love her.
I could go on and on about how much I adore Luz alone. And probably would if this thing wasn’t THIRTY-THREE PAGES LONG! And you can’t blame me. She’s my favorite protagonist in anything, and is definitely up there as one of my favorite fictional characters. There might be problems with her character, but I’m more than willing to overlook them because of how much I enjoy Luz and the journey she went on. She is flawless in my eyes, and I will never look at her in a negative light no matter who tries to make me.
And that’s it. That’s EVERY IMPORTANT CHARACTER in The Owl House…My goodness.
As you can probably tell, there’s a LOT of characters here. One could argue too many, as it becomes evident that a few of them could be better if the show had more time to let some of them grow. Unfortunately, we don’t live in a world where The Owl House had three full seasons and all the time in the world to let all its characters blossom into their beautiful selves. But with that said, there aren’t any characters in the show that I’m willing to call bad.
Okay, Tibbles is still inadequate, but he’s still not the worst. None of them are. If any character is lower than the other, it’s due to them being unable to compare to the rest of the show’s standard. Because The Owl House managed to have an expansive cast of lovable, endearing, and complex characters, with a lot of them worth a deep-dive analysis of their own. I can’t get enough of them and they will stick with me for a while.
But as great as these characters are…how well do they work TOGETHER?
Tune into part two, and I might just tell you.
Next part
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Songkran, Water, and KingUea
Was talking about my Bed Friend Reflection post with @respectthepetty and more specifically she was referencing the observation I made about how strongly water ties into King and Uea’s relationship and it got me thinking. What, if any, possible meaning could be gleamed from this theme?
And well, Songkran happened recently and I really just decided it was time to go overboard in the parallels I drew between the use of water and the defining moments of King and Uea’s relationship. For those of you who (like me until I looked it up just now) do not know, the original myth of Songkran states Indra the king of devas looked upon a city and was sad to see high levels of corruption, thus until they strayed back from sin there would be no rains, minimal food and water, and extreme drought. The people prayed to mother Earth (Siri) and Siri told the people the causes of their misfortune and gave them fertile lands, divine seeds, songs for rain, and pots of powder to cool their skin. 
Songkran is the Thai New Year which is particularly well known, in Bangkok at least, for its water fights. (There are other rituals such as cleaning the home, making merit, elephant processionals, etc based on region) 
Songkran stems from the Sanskrit word “saṃkrānti” or “saṅkrānti” which (according to Wikipedia) means “transformation” or “movement” 
So let’s explore this theme a bit more in relation to Uea and King’s relationship shall we?
The first time King and Uea have sex, Uea wakes up, panics, and returns home where he then enters the bathtub: 
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Thus dousing himself in water, water which, in a Songkran transformation sense, should cleanse him of his sin, in this case, engaging in “slutty” behavior, something he was severely punished for as a child by his mother. 
Then, we hit a dry spell for an episode and a half while King and Uea navigate the beginning of their FWB relationship, things seems to be going pretty well. King is, and I cannot stress how much I mean this in a non-sexual way, planting the seeds for a prosperous harvest, and he is doing so when he shoots the I Love You sign to Uea, when he massages Uea, when he goes out with Gun and spends the whole night communicates with Uea, and it is clear by that point that Uea is starting to having Feelings about King. Then King accidentally triggers him, they hit a bit of a dry spell, until Uea finally accepts King’s apologies and re-starts their sexual relationship. At which point, we get the rain:
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With a rain-streaked window overlaying them, King asks Uea “Will you let me be a good thing in your life?” and while Uea tries to brush the question off, we know his answer is yes. King has washed away the sins he has committed against Uea (accidentally triggering him) and they are moving into the next phase of their relationship to one another, where Uea starts seeing King as a good thing in his life. 
Third instance of water comes after Uea’s encounter with his family on his birthday. He calls King seeking comfort, and King recognizes Uea’s anxiety and makes him take a bath instead of continuing their sexual encounter while Uea is emotionally compromised. King brings Uea a birthday cake, and while I have not read the novel, I remember there was a post floating around comparing the book and the show that mentioned that Uea is surprised or touched or something to discover that King cares more about Uea than his mother does because he actually gives Uea a celebration for his birthday.
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Uea is once again cleansing himself, this time of the sins of his family, and enters another phase of his relationship to King where he trusts that King cares for him. 
And we get secondary movement in the King/Uea department with them sitting together in the pool:
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While King has been witness to some of Uea’s present traumas and trauma reactions, Uea has not otherwise been forthcoming with information about his life. He’s mentioned when his mother texts him, or he makes vague and off-handed comments about things not going right for him in life, but he has not told King any actual information about himself and his life…until the pool, where he talks about happy memories living in Lampang with his cousins. Uea is planting seeds and watering them in the hopes of a bountiful harvest. They openly flirt with each other and discuss visiting Lampang together, fully abandoning the behavior of Friends With Benefits even as they continue to define themselves as such. 
Episode 5 marks our next rain-streaked windows event where the power goes out, Uea has a panic attack, and King calms him down.
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Uea is able to sleep, in darkness, through the night which is a huge step for him. Over a cover of rain, Uea is cleansing his fears, and it is showing us that the seeds King has been planting to ensure Uea can trust him are beginning to bear fruit. King has become such an honest, stable presence in his life that Uea is able to find safety and security from the sins committed against him. 
We get another drought in Episode 6 with King promising Uea a beach trip (hello water) but having to cancel due to the arranged match. No water, no movement, no growth, their relationship begins to break down and Uea begins to regress, latching on to the ‘Bed Friend’ title between them as a way to convince himself that he and King have not been going through the motions of a romantic relationship for the past few months/episodes. 
Besides the waterworks (King and Uea’s tears) the only instance of rain we get in Episode 7 is actually reserved exclusively for Uea after he stands up to his mother and his step father. 
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Under a cover of rain, Uea is cleansing himself of filial obligation and is finally fighting back after years of biting his tongue. He is cleaning house, getting rid of the people who have sullied his life for so long. This marks a personal transformation for Uea, another songkran. 
Now, if you have read my posts about the use of reflections in this show, then you will know I operate under the assumption that the reflections we are given are indicative of the character’s internal emotional states.
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So if you combine the reflections as emotions and the water as transformation, you can imagine the weight of King and Uea being reflected off the water when they confess their feelings for each other. King admits he likes Uea, he gets Uea to admit that he likes King, and while being reflected off the water they are able to cleanse themselves of their transgressions against each other (even though I personally think Uea did nothing wrong) and progress their relationship from the ‘friends with benefits’ phase to the ‘seeing each other’ phase. 
One aspect I have not fully mentioned of the ritual of water pouring in relation to Songkran is not only does pouring water wash away your sins, but it can wash away bad luck as well. Uea is a person who believes himself to be unlucky, and he has said as much in the show. But with this admission from King, and with them being now openly on the same page, and with Krit and the arranged match complications resolved, King and Uea (Uea especially) are able to wash away the bad luck keeping them apart. 
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And we know from here on out King and Uea are going to be a tight, cohesive unit because they are frequently surrounded by water for the rest of this show. They have removed their sins, removed their bad luck, and are now granted a glorious relationship. (Of note additional rituals as a part of Songkran include washing the feet of your elders and serving delicious food. While they are not washing each other’s feet we are still getting imagery of them with their feet in water and eating food)
Episode 9, we get four minutes straight of rain, from the scene immediately after King introduces Uea to his parents as his boyfriend until King wakes up sick from the rain. 
First, we have our parallel to Uea’s rainy car ride, with King being the one to stand up to his family, say that he loves Uea and he will not be joining his parent’s company. 
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He has cleansed himself of his own filial obligations, and he has Uea there to comfort him and try to break him out of the moody headspace he has gotten himself in to. The tire goes flat and King exits in to the rain to figure out what happened, and Uea brings him an umbrella, but King is already drenched.
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This is a blessed rain, a rain from Siri, a rain that heals the burnt flesh from drought and allows the crops to grow. A rain that allows for the cultivation of fertile land. In this case, the growth and cultivation of King and Uea’s relationship to one another, and to themselves as individuals as well.
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Very Important Side Note:  Episode 9 of Bed Friend aired the same weekend that Thailand was having their Songkran festival. 
Now, forgive me if I get any of this next part wrong, I do not understand zodiacs very well, but apparently Songkran is meant to celebrate the movement of the sun in to Aries. Now, my knowledge of zodiac is limited but I am pretty certain Aries season begins around March 20 or 21st and goes through about April 20th. King and Uea go on their Sea Trip in Episode 10 on March 25th, during Aries season. 
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And uh, it might not rain in Episode 10 but…
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That does not mean our boys aren’t getting absolutely covered in water at every opportunity. I mean, as evidenced above we have them fully submerged in the ocean, snorkeling.
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And in the bathtub where the wine drunk boyfriends are not only being horny on main, but we have a little bit of verse action happening. This is the final water we get in the show before we get Uea’s first attempt at intentionally turning the lights off and we move towards King and Uea’s engagement. 
We get the perfect circle, Episode 1 starts the relationship between King and Uea with Uea alone in a bathtub trying to wash the memory of the evening away and ends in Episode 10 with King and Uea together in a bathtub, feasting from the bountiful harvest they have sowed throughout the show.
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miscreantahead · 3 months
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Back on Tuesday when episode 4 dropped I had some thoughts about how the "fears" are going to work in this universe. Personally I'm operating under the belief that these are the same entities that could have been destroyed in the TMA universe and got pulled into this new one, but as many have already stated, that doesn't mean they have to be (and at this point I'm thinking definitely are not) the "fears" as we know them.
Something I keep coming back to is Leitner's talk of an eye a hand and a boot attacking an anthill and the ants not perceiving that it was all attacked to one larger assailant. This was about the avatars, but considering we have so little confirmed about what the entities we used to call the fears actually are, and considering the eyepocolypse couldn't happen without all of them coming through... what if this time, it's all one big horrible thing? Or, more accurately, to some degree, always has been? Obviously they can't be one individual as we perceive the concept of a singular individual otherwise the Web wouldn't have defected and there wouldn't have been a power structure with the eye, but off the hand I think of like organs in a single body, like the eye became the brain and the Web's shenanigans was liver failure.
Part of what supports that for me is the guy who gave the narrator the violin. The violin itself has obvious slaughter vibes. The man who gave it to him felt very beholding. And he also had a bag of various artifacts that could have done things that we'd associate with certain fears the way we knew them in TMA. Sure, he could just be a Leitner/Salesa, collecting various artifacts related to the powers, but the thing that sets this guy apart of from those two is that they never handed them out. So far, like the post I just reblogged before typing this one said, the cases don't come off like there's much fear involved, or at least they don't end in a place of fear. My sort of whackadoo theory right now is that what happened in the TMA universe has educated these entities (or possibly entity) in some way on what needs to be done in order for them to cross the threshold and take over their new reality like they did previously. Assuming they're capable of learning that is, and I know some things in TMA sort of seemed to imply they're not (but in my mind it's more like huge portions of their existence aren't perceivable to us and likewise much of ours fly under their radar and so I think they could have gathered something, just not anything that would have been perceptible enough for any of us or the characters to understand.) I mean, if you think about how fumbling the attempts for them to cross through were, and the way someone who was essentially human had to be the one to figure it all out (and took thousands of years to do so and let's face it got REALLY lucky that everything finally went his way like if you think about all of the things that could have gone wrong for Jonah, how many times Jon could have died, how many times the next 100 Jons would have to be put in a situation where they could die. The chances of him actually winning were so fucking slim, it was a tough order and he delivered and who's to say anyone would be able to again) and open the right door you'd think they'd be inclined to overhaul their methods. I think the entities still feed on fear, but I think they want the same thing it had before, it's done settling for scraps. I think when it was defeated and sent to live on the outskirts again it got a little pissed off, and I think it's going for a different approach to try and make that happen again. Obviously I might be humanizing the Things too much, I probably am, but I'm also kind of like... if they have manifested in a completely different way in this universe made up of the same meat sacks as the last one, like not just different "categorizations" and "presentations" but different motivations and focuses... it seems like it could be due to it learning from experience. Which is nice and terrifying :-). Another thing I think a lot about is how the fuck would any other power winning have worked in the TMA universe? The eye worked because it wanted to see everyone's suffering, it let the other fears do their dirty work because it wanted to watch. If any other fear had taken the lead, how would the others have functioned? The end probably would have accelerated the death of all of them just like Oli's s5 musings went on about, and the rest would have done some crazy shit making no room for anyone else's priorities because they have no reason to. There's a reason the brain has to be in charge, maybe Jonah Magnus even knew that and it's why he settled on beholding?
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respectthepetty · 11 months
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Please share your favorite gmmtv actor ships - they do not need to be a fixed couple, if you have those (because i do). Also, this is not meant to be an ask for real people shipping, if you are uncomfortable with that. Just your favorites maybe in terms of on-screen dynamics or any other criteria. Sorry if this is so vague 😭
Anon, serious questions before I begin - Can First and Water be a favorite pair because the amount he cries in each series, I need my babygirl to stay hydrated?
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Or can one of my favorite pairs be Sing & a suit/necklace combo with the shirt unbuttoned and his man bitties out?
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No? Not what you are looking for? Well, then, let me redirect to my favorite people ships rather than shipping people with inanimate objects.
So . . . before I jump in, just remember that all of these HAVE happened, so I'm not crazy:
Gun x Gun?
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Hold on before you think I'm not taking this seriously! I already stated I think Gun is one of the best actors on GMMTV's roster (if not the best), so understand that if GMMTV won't let him make out with Sing when both of them were giving us sexual tension as ToddBlack, or give Tor a little kissy kissy in Midnight Museum because they were brothers or whatever, at least let the man play against himself more. It could be like the Barbie movie, but with Gun being everything. It'd be fun to see, and if GMMTV wanted to go dark sci-fi, he could answer that age-old question: Would you have sex with your clone?
Neo x Phuwin
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We had this. They were paired together in Cause You're My Boy. Then they were hinted at in Dark Blue Kiss. But then, they were made into brothers in Fish Upon the Sky, so Phuwin now has Pond, and Neo got Louis. But why though? Why were we denied another adventure of these two being paired up together?! I had them down on my hopes for a 2023 offering, and I'll have them down every year from now on. I want them back! NOW!
Earth x Papang
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Aof was crazy for pulling this off in Moonlight Chicken, but now that I've seen it, I can't unsee it. And even more, I WANT IT! I have never seen Earth kiss like that, and he has had several partners. Did Aof strike a goldmine with this pairing? Papang has always done his job, but these scenes, which lasted no more than eight minutes, gave me an alternate timeline that I must see play out on my screen. Immediately.
Pond x Nanon
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If Aof was crazy for Earth x Papang then Jojo was batshit insane for Pond x Nanon in Dirty Laundry. These two had a strip-off pole dance in a club called Boys Next Door, Nanon twisted Pond's nipples for information, then Pond's character had sex with a client with Nanon and Film's character in the car. This shit was wild, but that was only 15% of the hijinks between these two. I need them to recreate this creepy magic, and I need it to be twelve episodes long with at least 52 minutes runtime per episode.
Gigie x Fah
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Since I mentioned Jojo, The Warp Effect is queer. QUEER! It gave use Fluke with Thor, Jan with Silvy (oh, my God that magical being could choke me!), and Mark with Best, yet, it toyed with us by suggesting the possibility of Gigie with Fah. Be brave about it, GMMTV! More than one wlw couple can exist in a show. Give me a redo, and this time, give me these two picking each other again, and again, and again regardless of what Alex (New) does with those Polaroids.
New x Sing x Fluke
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Mentioning The Warp Effect reminded me that these three could out beat any historical trio including Destiny's Child, The Jonas Brothers, AND Charlie's Angels! Sing and New have been around for a bit, so I'm surprised they haven't acted in more together, but throw Fluke in there, and they had the perfect dynamic: Gay pretty boy and former bully with kinky puppy and space enthusiast trying to help out their bi idiot friend (it's canon to me). Sing and New will be in the Thai remake of Cherry Magic, so I'm sure Fluke could fit in there somewhere somehow. Make it happen, GMMTV!
First x Khaotung x Sea
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And on the topic of throuples, this one hasn't happened, but by golly do I want it! Whoever paired First and Khaotung together deserves a Noble Peace Prize, but whoever thought of interviewing them with Sea deserves the Library of Congress Living Legend award and to be the Grand Marshall at the NYC Pride Parade. That person gets it. I'm not shipping them as actual people together. I want whatever chemistry they had in that interview to be transferred onto the screen and brought to me in 2024 because only a Year of the Dragon can handle the fire they would deliver.
Pawin x Satang
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GMMTV, you know what you did in that Star in My Mind x Our Skyy 2 episode was effed up. I don't care how many times you pair Pawin up with other boys. You know what you did, and I'm taking this grudge to the grave.
Ohm x Perth
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The fact that Double Savage cast them as brothers instead of a one-sided love affair was in the words of the most beautiful Raye a "DUMB DECISION!" Then to have them color coded?! THE AUDACITY! And no, I will not be writing about the colors because unless these two get paired again, as LOVERS, I will rewire this story in my head of what it should have been to deserve these two amazing actors partnered up with each other rather than the poop pile I got. I wrote what I wrote.
Joong x Dunk
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If you know anything about me, know that I'm a JoongDunk fan first, and a human second. It has absolutely nothing to do with their acting even though that's what you asked for. It has everything to do with them. Much like the interview with First, Khaotung, and Sea, Joong and Dunk in their interviews are ridiculous. They resort to tomfoolery and instead of answering the questions, they start arguing about the most trivial details. ForceBook and GeminiFourth do this, but add in JoongDunk's live streams and Safe House footage, and I don't know how they get anything done when filming because they are either arguing, dancing, napping, or giggling. Hidden Agenda yesterday, please!
Bonus: Since this was exclusive to GMMTV, I couldn't include who my ultimate acting pair is, but if you know me, then you already know, so without further ado
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MAXTUL DOMINATION!
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AITA for calling out my mother-in-law on her poor parenting? Background info: I (then 21 F) had been dating my then boyfriend (then 21 M) for 3 years. We both lived with our parents, so I saw his family all the time. His older sister (then 28 F) had a fiancé (then 39??? M, he lied about his age) and she had moved back in after another mania-induced business of hers had failed. The sister has always refused to treat her bipolar disorder and the parents are very compliant, to the point where her mother took her out of a psychiatric hospital 2 days in because she asked on the stolen phone she got (she really needed to stay). The mother also constantly lends money to her daughter to start a new business / put gas on the daughter’s car / get a boob job. I’m talking thousands here. And she never has any intention of paying the mum back and exploits that. All this compliance happened in detriment of my bf’s needs. The parents were much harder on him, never gave him any money or the car the sister got. It annoyed me deeply because he would get depressive episodes with no support from them, and he was tired of fighting with them over the double standards. It came to head one night during family dinner. Six plates on the table, the parents had worked hard on the food, everything ready. The sister and the fiancé never came down. The mother went upstairs to check, came back, and started putting food on two empty plates. We went like ??? and she explained they said they weren’t coming because they were watching their show (on netflix), so she was making them plates. She took the plates upstairs and returned to eat. I was appalled at the *nerve* from two grown-ass adults. The mother was clearly a bit upset. But I said nothing. UNTIL dinner was over and she got up, saying she was going to bring their empty plates from upstairs. I snapped. I can’t remember my exact words, but I told her she shouldn’t go get their plates like their maid (that she shouldn’t have made them plates in the first place), that they had disrespected her enough by not coming down to eat with everybody and they were grown enough to bring down the dishes and at least wash them. I called them lazy. I wasn’t yelling by any means, but definitely ranting. I had many more things to say about her parenting choices, which I obviously didn’t share. I know it’s not my place, even with what I did end up saying. And we typically had a good relationship overall. She just quietly agreed with me, but went to get their plates anyway. My bf told me later that I was acting a bit scary, because I never snap. tl/dr: AITA for snapping at my boyfriend’s mother and pretty much saying she lets her daughter take advantage of her? You’ll be the judge.
What are these acronyms?
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youngjusticeslut · 7 months
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Since we can almost all agree season 1 was the best. What do you think made it so good and so favorited compared to the three seasons?
Given that I've recently finished rewatching Season 1, I feel like now is an excellent time to answer this ask.
In my opinion, Season 1 of Young Justice is the best, and none of the following seasons even come close to matching it. At its core, Season 1 introduced us to this core team of teenage heroes and told the story through their lens. There are a few defining key features to this season that makes it stand above the others, and they are as follows:
You did not have to know any comics history in order to understand and follow the plot. This is, arguably, one of the most important elements of Season 1 that the other seasons (Outsiders and Phantoms in particular) fail on. Each character is a unique take to their comic counterparts. In the case of Kaldur and Artemis, they remain completely separate and can almost be considered characters that are completely unique to the show. In the case of more recognizable heroes (Wally, Dick, Superboy and Miss Martain), Season 1 gives them enough of a refresh that they feel new, but with familiar elements that make them fun to watch and get to know. Easter eggs don't detract from the plot, and remain just fun little things to point out and commend for their inclusion. Unlike later seasons, which pulled heavy elements from DC comics and wove them into the plot, Season 1 is accessible and enjoyable to everyone and isn't just for those who've read the comics.
The core cast of characters. Season 1, primarily, focused on the Team (Aqualad, Robin, Superboy, Kid Flash, Miss Martian and Artemis, sometimes Red Arrow.... and later, Zatanna and Rocket). These characters were the main cast, and every episode revolved around a story that put them in the spotlight. Every character (with the exception of Rocket) got at least one episode focused on their their development and gave them a chance to shine, and the audience a chance to get to know and appreciate them. The famous couples (Spitfire, Supermartian, etc.) got proper build up and were pretty fleshed out, making them endearing to the fandom. Unlike later seasons, which have outrageously bloated casts and relationships that got maybe 50 seconds of screentime (I'm looking at you, Wonderbird), Season 1 invested in its characters and let them lead the story, making them feel all the more real and the story that much more genuine. This is why the harsh transition between Season 1 and Invasion feels like a heartbreak. We spent 26 episodes falling in love with the core Team, and now all of a sudden we're expected to care about an entirely new cast with no support, explanation or buildup. It felt like being cheated out of 5 years with this cast, and even now we still don't have answers to a lot of questions in the gap.
Show, don't tell. I won't get too much into this one, but if you've been following me throughout Outsiders and Phantoms you'll know how much I loathe the amount of "telling" instead of showing. Season 1 does this so much better. Missions are played out, instead of explained to viewers through excessive monologues. Characters let their actions speak for them and actually had the time to play around the plot, instead of letting the plot making the decisions for them.
The reality of it all. At the risk of sounding like I belong on Twitter, Outsiders and Phantoms has an insane amount of 'woke' storylines-- for the sake of being woke. Don't get me wrong, several of the topics brought up in these later seasons are extremely important topics and I can understand why they're included; they're just not executed well. Compare this to Season 1 where the natural reaction to the events of Failsafe was that everyone on the team needed therapy to discuss it. There was no cheesiness, no hammering on the head about it. Action --> Natural Consequence.
I can really go on and on about how amazing Season 1 is, but truly, it was so good. I wish we'd gotten 4 seasons just outlining 4 years with the Team, getting to see them grow and change and be together. The rest of the seasons are fine, but none hold the charm and sheer power that the first have, and for that it will always be top tier in my book.
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