Vent about eNVy shipping go:
People who seriously ship eNVy make no sense to me
Like it's fine if you do it for fun, hell, I do it for fun too
But when you genuinely say things like "oh they were made for each other", it makes me think you didn't understand the material
V hurt N, and pushed him away when he needed her the most. Yes, N had a crush on V in the Manor, and the pilot. After learning how horribly she deals with her trauma, however, he stopped wanting her. The way she keeps people in the dark. The way she refuses to communicate, to show appreciation. N literally said to her face that she "kinda sucked." That was the snuff of the official eNVy flame.
No offense, but how do you guys watch this and think "Yeah, they're right for each other. They're soulmates in any other universe"
No, in my opinion, they aren't. Hell, I'm even willing to bet that Manor eNVy wouldn't have worked out, because V is motivated by fear to do bad things. She had the opportunity to speak out against N's abuse from J, and she didn't. When they become DDs, she had the opportunity to tell N what the Solver was capable of, and she didn't.
But y'know who does stand up for N? Uzi! "He's his own person!" Y'know who's willing to really brave the horrors of the Solver? Together? Uzi!
So for those of you who, again, seriously ship eNVy, I implore you to rewatch the show.
.
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actually, fuck it, i AM writing the essay, even if no one will read it.
my thoughts on penelope, how she sees herself, and why the carriage scene's ending is the most important thing in the whole wide world under the cut. and bridgerton season three part one spoilers, obviously.
penelope featherington hates herself. bit of a strong start here but, there we go. that's what you get when i'm going feral about her again at three in the morning. (it was eleven a.m. when i finished writing this post. i rewatched all four episodes of season three...)
i'll start from the beginning — she isn't a confident person. i think that's what a lot of penelope hate really comes down to, not relating to her in that way at all. not understanding what being treated the way she has can do to you. so let's start here:
imagine for a moment, no one fucking listens to you.
this includes her favorite people in the world. her family, for one thing, that's obvious, but her best friend, too. many times we hear eloise discover and re-discover what penelope's interests are in the series because, as she says, "i didn't really hear it." she was so frequently not really listening to her. they've been friends for years, but huge aspects of her friend's personality were completely unknown to her. this isn't anti-eloise by the way, i love her too, but we're adults who can admit our favs are all flawed people. the show wouldn't be nearly as fun if they weren't. eloise continues to belittle others for their interests when they don't match up to hers (like that poor girl who was just really passionate about embroidery) and she's done so to pen, however unknowingly, for ages.
penelope tried to beg marina to not fool colin into marriage. she had so, so many other suitors, so many other choices she could have made. all pen wanted was to not have her other best friend slash crush make that life altering of a mistake. but for this, she was called a child. immature. talked down to as if she knows nothing about the world. (she had been mostly right, by the way, in her insisting that george must still love marina, would still want to marry her, discovering that the letter had been forged. if he'd not died on the battlefield, penelope would have been the one to secure a happy ending for marina.) when she wasn't listened to then, she got more desperate, telling colin that marina was in love with someone else to deter him from the marriage while still careful to not ruin marina's reputation and expose her pregnancy in the process. she tried. but no one would listen.
so only when the situation became dire, she did the only thing that she could, and took matters into her own hands.
which brings us to lady whistledown.
it's interesting, really, that she chose that name. to specify lady so she might be taken seriously, yet not hide under a pseudonym completely removed from herself (i.e. using a masculine pen name or implying she's not a part of the ton at all) it's clear that lady whistledown is, for the most part, what penelope wants to and yet fails to be: someone who commands attention, who people admire and trust for an opinion, someone who gets listened to.
by the time we find her in season three, she's fresh off hearing her crush saying he'd never, ever court her, and her best friend finding out that she was lady whistledown all along and had exposed a secret of hers — only after penelope had, of course, also begged eloise to stop seeing theo, to stop raising the queen's suspicions, and was once again ignored. her only friendships have been destroyed, and she has resigned herself to a loveless marriage of convenience because she can't stand to be ignored, controlled, and belittled by her family any longer. she's ready to take the devil she doesn't know over the devil she does.
so, when i say her self confidence is on the floor, i mean it.
yes, a sliver of hope remains in her, and we can see that in her decisions (wearing parisian fashions, for instance) but her plan remains, she is simply going to marry someone, anyone, because she has to.
but even still, her confidence has not taken it's last hit.
let's imagine some more: no matter what you do, people are going to laugh at you.
penelope finally, finally gets her big moment. people stare at her as she enters the room. she still immediately hides herself in a corner because that's who she's always been, but still. she has a moment. not quite what she'd imagined, i'm sure, as she bought all new gowns, but attention and awe nonetheless. but it cracks almost instantly when her social awkwardness comes out, failing to get anyone to ask her to dance, and shatters completely when cressida destroys her dress before she can ever take to the floor.
colin tells her she looks nice, and her immediate reaction is "do not mock me, please."
it's only after this that she confronts colin about what he said, only after this that she speaks ill of him as lady whisteldown — not saying any more than what his sister had already pointed out earlier in the episode, mind you, that his change in personality seemed disingenuous — only after she has been publicly humiliated that she lashes out in her anger.
and, this anger, she also immediately regrets after colin has proven himself to be kind. it's a bit like making a snide comment online without the ability to delete it after.
but when penelope has hope, she is kind. she writes of the promising ladies of the ton and wishes them well with their matches, when she has hope she speaks positively of would-be spinsters and their successful marriages. many of her earlier musings in previous seasons were to call the women of the ton beautiful, to speak to their skills.
but hope for penelope does not last long. she manages to successfully speak to one suitor at the next ball (which, though this is another argument entirely, is backed by a string quartet version of "jealous" as colin re-approaches her at the drinks table — any arguments that his feelings start at their kiss isn't paying near enough attention) but the entirely true rumor about her having help from him spreads through the vine and penelope is hopeless once more.
and a hopeless penelope is a cruel penelope, as we've seen, and this time, she turns that cruelty inward, publicly. while she later says it would have been suspicious if lady whistledown hadn't commented, in truth, she has proven time and time again that her emotions rule lady whistledown's writings. in that moment, eyes tearful, she was embarrassed and ashamed of herself, she decided to say so. she repeats the same sentiment to colin when he comes to visit her:
"in truth i brought this on myself. a sad, stupid girl who believed she might actually have a chance at love."
and here is where lady whistledown continues to be someone penelope sees as different to herself, because penelope doesn't see herself as a lady. not just for lack of title — she does not see herself as worthy of or requiring protection. to call back to antony's season one romance: "every woman is not afforded such gallant protection." "every woman is not a lady."
she says nothing of him bribing her maid to give them time alone. like most of the ton she doesn't think the time they spend alone together could be anything other than platonic, at least on his end. they spent extended time unchaperoned at the bridgerton house and not once did she speak on impropriety. he'd been alone with her in the previous season and even when they were caught no one had a thing to say about it. no one questions it because penelope is not recognized as desirable, not seen as needing this protection, not seen as a lady. she is seen, even by herself, as a spinster already.
when she asks colin for a kiss, she reassures him that she would ask nothing of him for it, she would not entrap him in a marriage citing impropriety, she doesn't even think about whether someone might see. she does not care in this moment if she is to be "ruined," she only wants to feel some illusion of intimacy, some imitation of being wanted. even her running back inside immediately after, and the subsequent conversation under the willow tree, are further proof that she doesn't believe he could have kissed her for any reason other than pity.
and, even after all she goes through with lord debling, she is still not the only object of his affections. the entire time she pursues him, cressida is there, hot on the trail, ready to sweep him away on a moment's notice. penelope writes of their dance that his choice of her is surprising. though her feelings for colin have not simply fluttered away once debling's shown interest, her possible engagement to debling is on a wavering tightrope. not once in this can she feel wholly at ease with lord debling, only afforded a bit of security once he asks her mother for her blessing. and amongst this, her mother still belittles her, saying she should not become greedy for wanting to marry someone who actually cares for her.
she asks lord debling if he might ever love her, in all the years of marriage they may have ahead, and he says probably not.
and when colin breaks up her proposal, insisting debling isn't right for her, still penelope does not even consider, can not even conceptualize that it might be done out of jealousy. colin having feelings for her is laughable, she says as much, and it is the same thing she has been told over and over since the start. he chases after her carriage out of breath asks to be let in, gets on his knees and tells her he can't stop dreaming of her and she tells him "please. do not say things you do not mean." she cannot imagine that any of this is real. it is confusion that prompts her to repeat the agreement they had in episode one, "but, colin, we are friends."
and while an entirely separate essay could be written about the rest of the carriage scene, it is what happens the moment the carriage arrives at bridgerton house that stands out to me. they have this moment, colin asks "could the carriage driver not keep on driving?" and they both laugh, the way they always do with one another, and he fixes her dress (carefully, avoiding using a select few fingers as he does so) and they kiss again, and he gets out of the carriage.
and for a single, heartbreaking second, penelope's face falls, and she calls after him: "colin?"
it is so clear in her demeanor that she thought that was it; that's all she gets. the fantasy is over and it is back to reality. for a split second, she believes he is no longer hers.
for a single second, it's as though she thinks he is going to shut the carriage door on her, and walk away.
but he turns around, hand outstretched, asking if she'd like to come in. and she's once again confused, "what?"
do not say things you do not mean. do not mock me please.
and when he says: "for god's sake, penelope featherington, are you going to marry me or not?"
she looks so relived she could cry.
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Hello!!
I'm back to crack posting about my favourite shows and/or characters! =D
We Are ep 8 was gold. It had comedy, friendship, silliness and romance in the absolute perfect amounts.
Warning: long post 😊😅
This scene with Peem and Matt is peak comedy. I rewatched it so many times hehe
Phum: I'm gonna ignore every inch of space to stand right beside you. <3
Peem: *bombastic side eye*
Also Peem: *leans into him*
Khaofang woke up today and chose violence 😭👍🏼
Let's be honest though, that was not the sibling we'd expected to throw fists.
Meanwhile, Toey: that's my hia Fang 😊
Isn't that the million dollar question Mick 😭
If they got together already, how would the series run for 16 eps 😭
Toey with his hias ^ (also Matt edging him on like he's in a competition I'm dying 😭)
Toey with his P'Q:
However savage Q may be, he still shares the same braincell with his friends 😭👍🏼
IT WAS SO MEAN OF THEM TO MAKE MATT PAY WHEN THEY'VE HARDLY EVEN TAKEN A SIP! T-T
Peem before, when Phum even touched him: LET GO YOU ASSHOLE
Peem now: *fond, indulging smile* what do you want to do?
*shakes head with a sigh* boys in love ay
The motorcycle 'hold me tightly' trope being reused with a bicycle aka how to make them sit even closer
Peem saying so-so when Phum asks if he looks handsome: Peem, babe, you were the one who called him handsome first remember? 😭
What secretly. Phum was about as subtle as football directly hitting your painting (yes I think I'm very funny).
With all due respect, please get the f out and let my boys be. Please and thank you. :)
^This is the answer to any question about Pun. 😭👍🏼
This scene is so, so beautiful. I am absolutely loving how they’re giving friendship/platonic love as much importance as romantic love because yes. I've been waiting for a bl like this forever (or at least since I got into bls hehe-). Bad Buddy and MSP came close, but We Are took the trophy. They love each other so much. Kill for each other? Nah, they'd go together and make that person's life living hell, and that would make my day.
I really really love that they're still so silly with each other in college, and are close to and comfortable enough with each other to be able to be childish and play in the middle of the day, to be each other's safe space.
This friendship is so precious and close to my heart. Even more than the romantic parts of the story, this is what makes me want to watch this series every week to see what new shenanigans they've got up to.
I love them. So much.
Beer is me, I am Beer.
Smiling at them so softly. Oh, he knows. And he ships. 👍🏼
This scene was also so beautiful.
They've finally started acknowledging that there's something between them.
I think more than Phum being unable to express himself, he's taking small steps to guage how Peem reacts. He wants them to be on the same page before he takes the next step.
Like with the kiss, he didn't hesitate to talk about it, to tell how much it means to him and then kiss Peem again. But he waited until Peem kissed him first, and till he was sure that Peem wanted to talk about it.
I really like this about him. He's not taking a step back per se, just making sure that when he takes a step forward, he's not leaving Peem one step behind.
Phum explains again and again how Peem is his safe space (his dialogues this time reminding us of Peem's little speech to his own friends and Fang talking about why he likes Tan with Phum), to make sure Peem knows.
It's already been told to us how alone he's been most of his life, so Peem and his ragtag group of friends is very new for him, but it's fun, and it not only brings him closer to Peem but also a friend group - a support system he didn't really have before. Sure, he has Fang, Beer and Mick, and Tan, but it's nothing like this silly little group that puts paint on each other then plays with water and gets almost black out drunk on a regular basis.
Also, did anyone else notice the two matching rainbow coloured jars behind Peem here? No? 👀
Simp. (affectionate)
I always love these call scenes where one of them somehow travels through his cell phone to land in the other's bed hehe
Peem is so done with Phum and his branded fashion outfits 😭😭
"You were born in Thailand."
Pond and the "I'm Thai" meme 😭
wait.
A bl lead realising he likes someone (his romantic interest) all on his lonesome??
Colour me surprised!
I actually didn't think I'd get to see this happen ever in a Thai bl, but good for him lol
So that's that for this week! If you've gotten this far, thank you so much for reading! 😊
Here, have a bubble tea 🧋
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Hi there! So, I don't know if you’re in the mood to have your brain chemistry altered by the silly little lego show once more, or if you’ve just already done this, but I have a suggestion. Try watching the S4 special (specifically A Lifetime of Mistakes) for the millionth time, and then take that knowledge, along with the Wukong-Macaque/MK-Mei Hero and Warrior parallels we’ve been getting, and THEN go rewatch S1E6 AKA The Great Wall Race. Specifically through that particular lens.
And just… enjoy watching the decisions they, especially MK, make during a situation where an immortality-granting object is on the line. Have no major thoughts about how this is the first real fight we see Mei and MK have. Experience absolutely zero strong emotions as you watch MK’s pursuit of that object lead to him destroying things that both of them love. Just… have a lovely, peaceful rewatch.
But seriously, if you’re in the mood to let the silly little monkey show do its silly little monkey show thing, try rewatching that episode because it legitimately ruined my night.
Like… it’s not a perfect, one-to-one comparison. There’s a lot of differences, both nuanced and obvious, that differentiate the two situations.
But there’s something there and it’s been driving me insane, so feel free to come join me on the precipice of madness if you want.
*GRABS YOU*
I HAVE BEEN THINKING ABOUT THIS FOR DAYS. ANON, YOU GET ME IN A WAY THAT NO ONE ELSE DOES, WE ARE TOGETHER IN ARMS.
But anyways *puts on sunglasses* I always have zero emotions when it comes to the lego show. Me? Completely calm and collected. I totally didn't have a breakdown while rewatching 1x06 to write this post.
But, just to meander on by the precipice of madness...
Mei: "*gasp* My bike! What is wrong with you! I thought you were my friend!"
MK: "Okay! I did bad! I just- I really wanted that peach and I guess I got carried away! You know how much I love stone fruit. *sigh* I was never gonna win though—you're the racer, not me. I'm sorry."
Mei: "Yeah I know—just, don't be dumb next time, okay?"
MK: "All I can do is try!"
(1x06 The Great Wall Race)
-
Even without the added context of s4, it's easy to put together that the whole reason MK wants the peach to begin with is to become more like Monkey King. Case in point, 1x09:
MK: "I just wanted to be good enough..."
"...like you."
(1x09 Macaque)
-
MK in seasons 1-2 is pushed by his motivation to live up to Monkey King's legacy—to become stronger. He wants to have the power to protect and help his friends, but this often causes more trouble than it fixes (1x01, 1x02, 1x06, 1x09, 2x03, 2x06, 2x10).
And so, MK reaching for immortality and wanting to be "good enough", instead harming the relationships he's trying to help?
Macaque: "No that's YOU! You're the one always running off! Looking for more power, more sources of immortality—you're the one who wouldn't quit while were were ahead! Not the great sage, he's got to drag EVERYONE else into his mess!"
-
MK: "Why didn't he just stop, right here? He was already so much stronger than anyone ever needed to be!"
Macaque: "Wukong didn't think so. He always felt he had to be stronger—more immortal."
-
Sun Wukong: "I just wanted to protect the people I cared about—to be strong enough. I lost sight of why I was doing any of it."
-
It's like history is repeating itself.
Which, this all obviously has a strong connection to 1x06, but it also is a strong connection to 2x06:
MK: "It means I need to be stronger! Be so powerful, that it'd be certain defeat to fight me!"
Sandy: "Maybe you need a break little man, just kick back for a bit."
MK: "Uh, did Monkey King ever take breaks?"
(2x06 Game On)
-
Which,
Sun Wukong: "Daw, don't be like that! Eat some fruit, soak up the sun—that's why I've been training so hard!
Macaque: "What, so you can be the strongest?"
Sun Wukong: "No! Well...maybe a little bit—but that's not the point! It's so that we don't have to worry about anything or anyone ever again! Just live a lazy life sittin' in the sun and eatin' fruit, and doing whatever we want!"
(4x11 A Lifetime of Mistakes)
-
Did Monkey King ever take breaks?—well, he did. It's here we start to see both the similarities and the differences between SWK and MK. AND IT DRIVES ME INSANE. They both reach after power in paranoia. They both try to protect the people they care about (and sometimes they do that through lying/leaving). They both want things to stay the same. Yet, SWK is arrogant where MK is self conscious. SWK goes off alone where MK tries to do it together. SWK can't plan for shit where MK is the designated plan man.
Sun Wukong VS MK and Monkey King VS Monkey Kid. How are they similar and how are they different?
And then if you throw Wukong-Macaque/MK-Mei Hero and Warrior parallels into all of it?
Peng: "The six-eared Macaque fighting side by side with his own replacements! Is there anything Wukong could do that would break his hold over you?" (4x13 Rip and Tear)
Is there anything MK could do that would turn Mei against him? I feel that it's SO telling that Mei wasn't included in this conversation:
Yellow Tusk: "I know full well what would happen should Azure fail. But- but he is my brother. I owe him my life."
Sandy: "We get it! I'd do anything to help my friends. But at the cost of the world?"
Pigsy: "I'm sorry pal, but NOTHING worth that price!"
(4x14 Better Than We Found It)
-
And here's why Mei is going to be the one to calm MK down like MK calmed her down during 3x10—
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