#i hope the movie's good

[drjamjams]

The Doom that Came to Gotham really is the best Batman story because it contains all 4 of his favorite places to be! 

[chloesimaginationthings]

In every FNAF universe William Afton can't count

[triona-tribblescore]

okay so they may have a minor chokehold on me at the minute-

[lastoneout]

Pacific Rim is the best movie ever made for the same reason Sif is the best boss in Dark Souls. It's not bcs of quality or craftmanship or whatever it's bcs when I hear "giant robots fighting giant monsters with the power of love" and "huge wolf with a big fucking sword" I am overcome with the urge to scream "HELL FUCKING YEAH" at the top of my lungs before headbutting a wall so hard I leave a dent in the plaster.

[quillyfied]

There being two movies now in the Benoit Blanc world, and both movies sharing some recognizable tropes and archetypes to build its flavor, there’s a specific type of character that I’m struck by, particularly as a white woman, in both Knives Out and Glass Onion:

The Sympathetic White Woman.

In KO it’s Meg. In GO it’s Whiskey. They both bond with the (WOC, very important to emphasize) protagonist by being less crappy to her than the rest of the cast, and both signal to the audience that they’re trustworthy as far as the protagonist goes. They tell the protagonist that they’re on her side. They try to be supportive. They’re sympathetic to the audience.

Then comes the moment when the Sympathetic White Woman’s security is threatened.

(Brief added interruption to just say: please dig through the notes and replies on this baby for some additional excellent thoughts from other people, including the very important distinction that Marta is a white Latina and not a woman of color (my mistake thank you for the corrections), and more thoughts on Whiskey’s actual/additional betrayal moments!)

For Meg, it’s her mom telling her she has to drop out of school if they don’t get the inheritance money. For Whiskey, it’s Duke dying. In both cases, the protagonist reaches out—Marta tells Meg she won’t let that happen, she’ll support Meg with whatever money she needs; Helen tries to soothe a hysteric Whiskey by telling her she doesn’t need Duke and he deserved what he got (not realizing Duke is dead, of course). It’s a slightly different moment in each movie, but the basic framework is the same: the woman of color protagonist reaches back to the Sympathetic White Woman, and notably, reaches DOWN, offering the support the Sympathetic White Woman offered earlier.

Only…the Sympathetic White Woman was never intending to be the one the protagonist had to reach down to. So she snaps. Meg tells her family about Marta’s mother and they use it to threaten her. Whiskey latches onto the belief that Helen killed Duke and tries to kill her with a spear gun in what she thinks is self-defense. The Sympathetic White Woman Heel-Turn.

Meg and Whiskey both also sort of try to make amends after their Heel-Turn moments, but…the trust is already broken. The protagonist knows better now. The Sympathetic White Woman is not to be trusted.

Why this sticks out to me personally is the very obvious callout that feminists of color have been making about white feminists for literal decades: that white feminism lacks any true support or compassion for non-white people, that it’s empty promises of support and when the chips are down, white feminism upholds whiteness over feminism in an act to protect itself. And whiteness…is a damn difficult thing to even see when you’re white and raised in an overwhelmingly white community, let alone begin to pick apart and unlearn. It’s reactionary, how Meg and Whiskey turn on Marta and Helen to protect themselves.

It would make Meg incredibly vulnerable to support Marta fully, the way she promised to back when she thought she had the resources for it, but Marta is that vulnerable every day just existing as a Latina woman in America. Whiskey’s Heel-Turn moment is a little more immediate trauma based, but when looking for someone to blame, she doesn’t hesitate to blame Andi (Helen), scrapping together the few pieces of information she has—Andi hates all of the Disruptors, Andi got screwed over by them, Andi fought with Duke just minutes before he died, Andi was in their shared room tearing it apart when Whiskey came in distraught. She’s looking for an outlet. There’s Helen red-handed and in view. Boom. Whiskey grabs the spear gun instead of talking it out with the person she admitted just hours ago to feeling sympathy for.

Growing up white and steeped in whiteness causes defensive reactions when that whiteness is brought up, or, god forbid, challenged. It’s a knee-jerk thing for people who haven’t begun to deconstruct it for themselves; even for people who have, to see just how far and deep in American society that reaches is troubling. Humbling. Enraging. The Sympathetic White Woman archetype is, to me, a warning to not let whiteness overrule sense and morals. To be smart about it. And, crucially, to check myself for condescension, especially when interacting with non-white folks in any capacity.

(Also why the presence of Benoit Blanc is so important. He is also sympathetic, he also offers his own support, but crucially, he just uses his whiteness to clear a path for the WOC protagonist to take her place and do what she needs to do. He doesn’t speak over her, he doesn’t turn on her, he just listens, and presents the truth for her to do with it what she will. Or, in one case, hands her highly volatile crystal hydrogen for when she’s really ready to tear the Murderer’s crap down.)

[hellishgayliath]

It is a shame children such as yourselves had to endure such hardships

You all did not deserve to have the weight of the world fall on your shoulders

[cozylittleartblog]

is this the tragic clown the sims warned me about

[sherlockig]

[davidtennantgenderenvy]

truly we are in the midst of a Tennaisance

[spielzeugkaiser]

Back to the traditional shenanigans! This one was kind of inspired by a bunch of romeo-and-juliet-esque paintings which I liked the vibes off, but wanted something different storytelling wise. I also think I wanna do another design for female presenting Aziraphale, but for the first try this was fun :)

[devilart2199-aibi]

Papa Prime hug! 🥺

[navree]

i hope and pray that when the lotus hotel and casino episode airs they decide to once again have it set to poker face by lady gaga, because that was one of the few good decisions the movie made

[chloesimaginationthings]

FNAF movie Mike learns about Michael's awful diet

[i-love-consuming-media]

Idk if y'all realise but this could be the start of a new era of internet based horror movies!!!

I'm so excited

[aroaceofthesea]

Why is no one talking about 2 weeks until the 50 years since goncharov anniversary

[1hellofacookie]

Her job

is...

Beach?

and kissing women

kenjoy