#i just want good things for miles

[disconnected-dragon]

beyond the spiderverse speculation/unhinged babbling that i hope is true

okay fam just got out of the Across the Spiderverse theater and I have-- a few theories. Well-- more like hopeful speculation that gets more and more outlandish as we go out, so-- please bear with me for a couple paragraphs. Spoilers under the cut.

Okay this is heavily based on assumptions and logic and what I personally noticed from the movie and how I personally think the Spider-Verse runs on, so please bear the hell with me.

I think Miguel’s canon theory is incorrect and that the multiverse has ways of self balancing itself because of Miles’ self correction. He had canon events like the death of Uncle Aaron, IE his Uncle Ben moment. It’s also established that it’s possible for multiverses to exist without canon events/canon events can be tweaked, such as Gwen’s dad quitting, and Mayday existing. It's also implied that if there's a Spider-Vacuum, so to speak, that universe will seek to fill it. Like Miles getting bitten to cover for Peter Parker's death. Ik this theory also works in reverse, like if there's too many Spider-People from one universe, one of them is going to die. But it also assumes the existence of Spider-Vacuum, because of all the Spider-People get bitten at the right time/place. If a universe needs a Spider-Person/will need a Spider-Person, someone's getting bit.

So if it's established that the multiverse can self-regulate itself, then it follows that Earth 42 needs a Spider-Person and that the multiverse/his universe is currently acting to try to fill that Spider-Person vacuum. You can argue that The Prowler is technically this universe's Spider-Person, but if we're going by what seems to be the multiverse's logic AND NOT MIGUEL'S-- that being someone needs to get bit by a radioactive spider and become a "hero" so to speak-- and someone from Earth 42 is gonna have to get bit.

IE-- Prowler Miles.

This is speculation held together by duct tape, spit, and prayers, but I think that due to the timey wimey multiversality, etc etc, kinda bullshit shenanigans of the next movie, Earth 42 Miles is gonna get bit by a radioactive spider, maybe have his canon event of Uncle Aaron dying (big emphasis on maybe there because the death his dad can act as both canon events and its established they can be tweaked), and take up the mantle of Spider-Man. Albeit more of an antihero, and influenced by Uncle Aaron. Because his neighborhood is not friendly and they need a tougher Spider-Man.

Think abt it, if Miles WAS supposed to be Spider-Man in his universe AND in Earth 42, it makes sense that Prowler Miles would eventually get bit, even if it takes more time then usual. He ALSO HAS the canon events of Uncle Ben/the police captain (just consolidated into one person-- hey tweaked canon event!), and there's a Spider-Man vacuum in his home universe. It would also back up the idea that Miguel's idea is wrong, because the universe fixed its "mistake" and solved the "anomaly" by itself. It's proof that the multiverse doesn't need a Spider-Cop for the rest of the Spider-People, and he needs to take a goddamn chill pill and let the Miles Moraleses do their thing.

Hell, maybe these dimensional rifts in the first place are the multiverses' attempts to self-regulate and get a radioactive spider into Earth 42, but Miguel keeps fucking it up and that's why Spot was created. To FORCE Earth 42 Miles into the wider multiverse AND GET HIM BIT whether he wants to be bit or not. This last paragraph is probably not true at ALL-- but i wanted to throw it out there because I don't believe in consistency, like Hobie.

Plus an antihero Spider-Man that's taken some hits/had some bad influences in his life would reinforce the idea that "anyone can wear the mask". Sure, Miles G Morales was the Prowler, and he made some bad choices. His methods are unorthodox even by Spider-Person standards. But he's still Spider-Man, and that mask is his regardless of how it got there. Just like it belongs to OG Miles as well. So c'mon people, let's do this one last time--

TL;DR: Prowler Miles is a late bloomer Spider-Man and is gonna totally own Miguel with multiversal facts and logic.

[uncanny-tranny]

This might seem like an "old man yells at cloud" situation, but it's just wild growing up and being told how dangerous distracted driving is - how, at highway speeds, you can traverse the length of a football field (100 yards, 91 meters) in a matter of seconds - how one split second sending a text while driving could result in a potential fatal crash, and then getting on the road as a driver and being surrounded by billboards. Their entire purpose is to catch one's attention, so they're lining major roads, which tend to be highways. How is it that you're told how important it is to never be distracted while driving, but still being advertised to?

At best, this type of advertising is an eyesore to pedestrians and motorists and a general waste of electricity to light it, and at worst, it is an active danger considering they are there to advertise and therefore, must catch people's attention.

I'm not even against advertising in theory, but this particular mode bothers me so much and I hate how pervasive it is - especially in large cities or highways.

[qiinamii]

quite the poet, quite the inspo

[doctorsiren]

I saw an interesting post a while back that said “Capcom made us [Miles and Diego/Godot] only have like two(?) interactions because they knew we would be unstoppable with a brother dynamic” and tbh it stuck with me bc it was intriguing.

So yeah that potential brotherhood, but that Godot/Diego AU I made (that I still need a name for)

Also I bet Gregory Edgeworth would have smelled like a bit like coffee, and so Diego just reminds Miles of that comforting presence 😭 (the von Karma estate was a tea household, so he didn’t smell much coffee after DL-6 and didn’t realize how much he missed it/reminded him of his father)

[yellowocaballero]

Miguel is Fine, Actually (Being Spider-Man's Just Toxic As Hell)

Before I watched ATSV I said that I would defend my man Miguel O'Hara's actions no matter what, because he's always valid and I support women's wrongs. I was joking, and I did not actually expect to start defending him on Tumblr.edu. But I'm seeing a lot of commentary that's super reductive, so I do want to bring up another perspective on his character.

Miguel wasn't acting against the spirit of Spider-Man, or what being Spider-Man means. Miguel isn't meant to represent the antithesis of Spider-Man. Miles is the antithesis of Spider-Man. Miguel represents Spider-Man taken to its extreme.

Think about Miguel's actions from his perspective. If you were a hero who genuinely, legitimately, 100%, no doubt about it, believed that somebody is going to make a selfish decision that will destroy an entire universe and put the entire multiverse at severe risk - if you had an over-burdened sense of responsibility and believed in doing the right thing no matter what - you would also chase down the kid and put him in baby jail to try and prevent it. He believed that he was saving the multiverse, and that Miles was putting it in danger for selfish reasons. Which is completely unforgivable to him, because selfishness is what he hates the most. And then he goes completely out of pocket and starts beefing with a 15yo lmfaooo he's such a dick.

But why did Miguel believe that? Why did he believe that Miles choosing himself and his own happiness over the well-being of others was the worst possible thing? Why did he believe that tragedy was inevitable in their lives, and that without tragedy Spider-Man can't exist?

Because he's Spider-Man.

Peter Parker was once a fifteen year old who chose his own happiness over protecting others. It was the greatest regret of his life and he never forgave himself. Peter's ethos means that he will put himself last every time, and that he will sacrifice anything and everything in his life - his relationships, his health, his future - to protecting and helping others. Peter dropped out of college because it interfered with Spider-Man. He destroyed his own future for Spider-Man. He ruins friendships and romantic relationships because Spider-Man was more important. If Peter ever tries to protect himself and his own happiness, then he's a bad person.

That is intrinsic to Peter. Peter would not be Peter without it. A story that is not defined by Peter's unhappiness is not a Spider-Man story. If Peter doesn't make himself miserable, then he's just not Peter.

That is a Spider-Man story: that not only is tragedy inevitable, that if you don't allow yourself to be defined by your tragedy then you're a bad person. If you don't suffer, then you're a bad person. If you ever put anything above Spider-Man, then you're killing Uncle Ben all over again. Miguel isn't the only one that believes this - as we saw, every Spider-Man buys into what he's saying. There's no Spider-Man without these beliefs.

Miguel attempted to find his own happiness, and he was punished in the most extreme way. He got Uncle Ben'd x10000. He tried to be happy, and it literally destroyed his entire universe. It's the Spider-narrative taken to the extreme. Of course Miguel believes all of this. Of course he believes this so firmly. He's Spider-Man. That's his story. And the one time Miguel tried to fight against that story, he was punished. And like any Spider-Man, he'll slavishly obey that narrative no matter the evil it creates and perpetuates. Because if he doesn't, the narrative will punish him. The narrative will always punish him. It's a Spider-Man story.

I don't think the universal constant between Spider-Mans, the thing that makes them Spider-Man, is tragedy. I think it's the fact that they never forgive themselves. And Miguel is what that viewpoint creates. He doesn't believe this things because he's an awful, mean person. He believes them because he's a hero. He's a good person who hates himself.

Across the Spider-verse isn't really a Spider-Man story. It's a story about Spider-Man stories. Miguel's right: if this was a Spider-Man story, then Miles acting selfishly really would destroy the universe. But Miles' story isn't interested in punishing him. It pushes back against Peter's narrative that unhappiness is inevitable and that you have to suffer to be a good person. It says that sometimes we do the right thing from love and not fear, and that Peter's way of thinking is ultimately super toxic and unhappy. ITSV was about Miles deciding that he didn't need to be Peter Parker, that all he needed to be was Miles, and ATSV is about how being Peter Parker isn't such a good thing. Miguel shows that. Whatever toxic and unhealthy beliefs he holds - they're the exact same beliefs that any Spider-Man holds. He's a dick, but I don't think he's any more awful a person than Peter is.

TL;DR: Miguel isn't a bad person, he just has Spider-Man brainrot.

[everysongineverykey]

as part of the getting-worse-before-it-gets-better portion of aziraphale and crowley's season 3 relationship arc we NEED a desperate "i love you" from aziraphale met with a hissed, spiteful, and quickly regretted "i forgive you" from crowley

[b4kuch1n]

same teacher, different lessons

transcript

[tricoufamily]

keep smoking, i love you keep smoking, i love you keep smoking, i still love you but i don't wanna die, i don't wanna die i don't wanna die, i don't wanna die i don't wanna die, i don't wanna die i don't wanna die, i don't wanna die

[fromdarzaitoleeza]

Spring is here , the true beginning of the year , the season where my soul reborns and blooms .

I have made some progress in terms of the person I am becoming, truly in all my honesty all that i have done is to stop caring for everything that once used to matter , the less I care about anything in particular the less I am bothered and the happier i stay. And i really hope everyone here is doing well and I appreciate all the love that was sent.

The problem is I care a lot about everything and i don't even get the bare minimum in return and when i do get it it's too late, so much time has passed by then ,when it comes by then i do not want or need it because it's the not care that came out of love it came out of their guilts. And the longer i wait for it to come by -the more I learn why I don't need it anymore .

I am slowly learning to value myself ,trying to put myself in a position where I can agree that i too deserve all the good things and love even on the days when i have nothing to offer .

Idk guys I am just here to rant and to be stupid

Better late than never they say , I guess it's not too late for me either, I will start my life and live up to what I want & how I feel ,i don't have to care about anything else as long as I feel alive in my bones things will eventually flow, I will fall in love with myself little by little day after day.

I will choose myself instead of choosing others and I will fall in love with my solitude instead of bearing it with me , i don't care if I end up alone if I do end up all by myself I will be with someone who i know has a tendency not to give up .

Life is really short i just don't want to sit and watch it pass by , if I am lucky enough I will have 40 more springs to experience , I have clear boundaries and thoughts in my head now, eventually i will find peace through it I hope so.

Ramdan kareem to people who celebrate it here please remember gaza in your prayers and fastings

[dirtytransmasc]

atwow hot take:

if jake had said his "son for a son" shit out loud and spider had heard him, he would have been so beyond pissed, he would be seeing red.

spider loved his little siblings so much, neteyam included, even after they grew apart. he loved them like they were his own blood and protected them like they were too (we see a lot more of them together in the comics, where spider is the big brother without a doubt). neteyam's death most certainly rocked him hard, even if he hasn't really been able to show it (how could he? he's already going through all the shit with his dad and the RDA and their nonsense, he can't grieve around neytiri, he's just so tired after it all. he doesn't have the room or the energy to grieve yet)

so if jake had the audacity to say that to/around spider not even a few hours after he watched his little brother get shot after coming to save him, after he stared at the bullet hole in his back, after he watched him take his last breaths, after he watched the light leave his eyes, after he watched his little brother die for him; if he said that while his little brother's body lay in a pool of his own blood not even ten feet away, not even cold yet, blood still clinging to his chest, the scent of it still filling the air: he would have lost his shit.

because the disrespect for his brother is wild.

jake was an active player in spider's neglect and abuse for the last 16 years, he let it happen, he helped it happen. he tried to send spider with the humans, tried to take him away from his siblings, from the forests, from eywa to live with his foster family that didn't love him (not to mention Nash was an asswipe of epic proportions) and the RDA of all people. he had referred to spider as a stray animal since he was little. he was the reason spiders life was hell.

and after all that, years and years of putting him in shit positions and allowing him to suffer the fate of being forever unloved and uncared for (by an adult authority figure, cause I love the kids, but they don't make up for the gap left by a parent), this is what it took for jake to care about him? his little brother had to die in front of him first? he had to be traded out to fill the space of a corpse, to fill in the gap left by his little brother's death?

in canon, spider was in deep in shock with nothing to break him from it, he wasn't in the place to really think about any of it, and I'm sure we're gonna see this anger in the coming movies, but if jake had said it out loud, that would have been enough to snap spider right out of it, and he would have given jake a piece of his mind, I just know it.

[lorephobic]

literally nobody asked for it, but here's my list of saltburn essays that i've slowly been drafting over the course of the last week which WILL be required reading for anybody trying to engage with me about this movie. my very personal saltburn 101 syllabus just dropped

A Wolf in Deer's Clothing: Saltburn's Attempt at Innocence

an examination of party costumes and our character's last attempts to masquerade as something they're not: felix—an angel, all-forgiving and all-knowing, something to be worshiped; and oliver—a prey animal, prey to class-divide, prey to saltburn, prey to felix.

thoughts about oliver specifically are loosely organized in my #bambi tag

A Midsummer Night's Mare: Farleigh Start as the Ultimate Victim of Saltburn

a farleigh character study, about the ways he was mistreated and manipulated at saltburn, about fighting to stay alive and the scars left behind by knowing when to give in

alternatively titled "QuickStart", may be adapted into a conclusive essay specifically focusing on oliver and farleigh's relationship

The Eye of the Beholder: On Saltburn's Voyeurism & Violence [working title]

how wealth and class pushes the catton's toward the volatile reality of being able to look, but not touch. on desire and the lack thereof, and portraying yourself as an object to be desired

may end up as two separate essays on wealth and aestheticism but i'm pushing toward a conclusive essay about the intersection of the two, which i feel is at the heart of saltburn

alternatively titled "Poor Man's Pudding: A Melvillian Approach to Saltburn's Class", again, may be adapted into it's own essay

Gender-Fluid: A Study in Sexuality and Saltburn's Desire to be Dry

a deep dive into the bodily fluids of saltburn and how oliver upsets the standard of men who are just so lovely and dry. on the creative choice to lean into the messy wetness of sex and desire and the audience's instinct toward repulsion

a celebration of the grotesque and an examination of why we would label it as such

least developed of the four, heavily inspired by @charnelpit's lovely post about the fluids in saltburn

if anybody is actually interested in any of these, i can work toward something closer to a finished piece instead of just bullet points and quotes in a google doc, but mostly this is so i can share my very brief takes on a multitude of themes in saltburn that have been haunting me

edit for people seeing this in the future: all posts about my essays are being organized into my #saltburn 101 tag if you’re interested in following these through to development!

[plaid-maniac]

Do you ever think about how there totally could have been an old classmate of Phoenix Wright and Miles Edgeworth in the audience during like turnabout sister or turnabout samurai. Do you think they would realize? Like “hey, were those the guys in my class in like fourth grade? I kinda remember them. Wonder if they remember each other. But it was so long ago, I doubt they would even care.” Meanwhile Edgeworth and Phoenix are undergoing the most insane mental battles where both of them are going “I recognize my best friend across the courtroom and I desperately want to be close with them again.” And “god he is so god damn annoying I wish he would die already.”

[gingermintpepper]

hi, i haven't read the iliad and the odyssey but want to - do u have a specific translation you recommend? the emily wilson one has been going around bc, y'know, first female translator of the iliad and odyssey into english, but i was wondering on if you had Thoughts

Hi anon! Sorry for the somewhat late response and I'm glad you trust me with recommendations! Full, disclosure, I am somewhat of a traditionalist when it comes to translations of the source text of the Iliad + Odyssey combo wombo, which means I tend to prefer closeness in literal verbiage over interpretation of the poetic form of these epics - for that reason, my personal preferred versions of the Odyssey and Iliad both are Robert Fitzgerald's. Because both of these translations (and his Aeneid!) were done some 50+ years ago (63 for his original Odyssey tl, 50 flat for his Iliad and 40 for his Aeneid) the English itself can be a bit difficult to read and the syntax can get confusing in a lot of places, so despite my personal preferences, I wouldn't recommend it for someone who is looking to experience the Iliad + Odyssey for the very first time.

For an absolute beginner, someone who has tried to read one or both of these epics but couldn't get into it or someone who has a lot of difficulty with concentrating on poetry or long, winding bits of prose, I fully and wholeheartedly recommend Wilson's translation! See, the genius of Emily Wilson's Iliad + Odyssey isn't that she's a woman who's translated these classics, it's that she's a poet who's adapted the greek traditional poetic form of dactylic hexameter into the english traditional poetic form of iambic pentameter. That alone goes a very very long way to making these poems feel more digestible and approachable - iambic pentameter is simply extremely comfortable and natural for native english speakers' brains and the general briskness of her verbiage helps a lot in getting through a lot of the problem books that people usually drop the Iliad or Odyssey in like Book 2 of the Iliad or Book 4 of the Odyssey. I think it's a wonderful starting point that allows people to familiarise themselves with the source text before deciding if they want to dig deeper - personally, researching Wilson's translation choices alone is a massive rabbit hole that is worth getting into LOL.

The happy medium between Fitzgerald's somewhat archaic but precise syntax and Wilson's comfortable meter but occasionally less detailled account is Robert Fagles' Iliad + Odyssey. Now, full disclosure, I detest how Fagles handles epithets in both of his versions, I think they're far too subtle which is something he himself has talked at length about in his translation notes, but for everything else - I'd consider his translations the most well rounded of english adaptations of this text in recent memory. They're accurate but written in plain English, they're descriptive and detailled without sacrificing a comfortable meter and, perhaps most importantly, they're very accessible for native english speaking audiences to approach and interact with. I've annotated my Fagles' volumes of these books to heaven and back because I'm deeply interested in a lot of the translation decisions made, but I also have to specifically compliment his ability to capture nuance in the characters' of these poems in a way I don't often see. He managed to adapt the ambivalence of ancient greek morality in a way I scarcely see and that probably has a hand in why I keep coming back to his translations.

Now, I know this wasn't much of a direct recommendation but as I do not know you personally, dear anon, I can't much make a direct recommendation to a version that would best appeal to your style of reading. Ideally, I'd recommend that you read and enjoy all three! But, presuming that you are a normal person, I suggest picking which one is most applicable for you. I hope this helps! 🥰

[constantwarriorblogs-blog]

Finally getting around for a sequel to this post

I'd imagine there are some points where Sonic and Tails stop showing each other cursed images for a few weeks or months depending on schedules, missions and motivation, neither of them acknowledge their food atrocities, and no one still knows why they abuse their cooking skills, no one can get proper answers out of them.

Until either Sonic, or Tails commits a war crime in the kitchen and the cycle starts over again

The first time it happened, Amy thought Sonic and Tails finally gave up on the multiple food sins, it really gets out of hand sometimes. At first, it was just beans being poured into places beans shouldn't be and now it's just unhinged (No amount of bleach can ever wipe the memory of the chilli pickle)

It's all quiet until she hears Sonic audibly gag in the other room while Tails has the widest, most maniacal grin she's ever seen him have.

She manages to catch a brief glimpse of his phone and saw what Tails had sent.

You know that Vanilla extract meme from a while back, the poll that started the whole thing leading to that wonderful picture? That's what Tails did. It was nothing but sludge and a very heartbreaking sight for Amy.

In retaliation against the sludge, Sonic sent a picture of Top Ramen with marshmallows poured into it, followed by whipped cream, chocolate sauce and sprinkles like it's a fucking sundae

Both Sonic and Tails have been banned from cooking at any of their friends' kitchens since they started this but it hasn't helped at all because of all the live in labs Tails has, that and they don't even need to cook. Sometimes simply having access to anything remotely edible is enough. Tails once received a picture of a lemon or lime with a bite taken out of it. The fruit wasn't peeled or cut (though it would have been just as cursed), Sonic straight up bit through the peel

Vanilla herself doesn't want Cream to be exposed to the atrocities that has been described by Amy.

Sonic and Tails technically aren't banned from cooking at Vanilla's house, they don't dare to.

[roryhastoomanyfandoms]

There are many interpretations of the. Miguel and Gabriella and Miguel situation ans ALL OF THEM ARE GREAT but like...have my 2 cents...just hear me out...

Miguel in canon is an asshole in a major way largely because of his abusive upbringing, getting Eldest Daughtered from a young age trying to take care of his younger brother and protect him from George's violence and Conchata's...indifference/contempt? And he starts getting better once he becomes Spiderman, or at least starts thinking more about the consequences of his actions, and what the people in his life mean to him (shit still goes bad because his comics are insane)

If dad!Miguel never became Spiderman...it's honestly pretty likely he doesn't have that bit of growth and honestly, wouldn't have been a great dad. Not abusive, but I can imagine him being kind of absent and kinda emotionally neglectful, seeing how Miguels everywhere are prone to distancing themselves. Miguel also can't keep a relationship, either by breaking up or Spiderman Branded Widowing, so Gabriella wouldn't have had a consistent mother figure.

Alright, so, Gabriella, here, is being raised by a dad with so much baggage and the belief that its better to just keep her away from it (ei, keep her away from him), no real mom/mom is always changing because of Miguel's turbulent love life, maybe her uncle (depending on. Stuff) and maybe her grandma (depending heavily on Stuff). This is a fragile environment that does love her, but ultimately the adults in her life have too much shit going on themselves to effectively tend to her and her needs, especially as she becomes a tween

But our Miguel.

Our Miguel has every reason to love her wholly and unapologetically. Because he has done some very questionable things to have this child, and he treasures every goddamn second. This is a privilege he has comprised his morals for, and he isn't taking it for granted like Gabriella's actual father.

Meanwhile, Gabriella's dad fucking vanishes one night and the guy who shows up looking close enough to fool adults, he's everything she wanted from her dad. He doesn't raise his voice, doesn't get curt. He doesn't have a new girlfriend every other month. He doesn't have this tense, confused look in his eye whenever he looks at her. The guilt is still there, but it's something else. Its not her dad not knowing how to be better. She doesn't know what it is, but has suspicions.

Her papa looks at her like he's finally figured out how to feel about her, like she's finally stopped being another responsibility or chore to tend to. This one loves her even when she needs help with homework, even when she gets in trouble at school, evening when puberty hormones make her temperamental.

Gabriella doesn't know what happened to the first one, and she never finds out. She just knows that there's something...wrong, with the man she calls Papa now, but he loves her the way she always wanted...so it's fine, right?

Miguel, for his part, sees himself teeter towards their parents. Sees himself have the thing he wants so badly, would do anything for, and skirt the line their parents crossed, their whole lives. And then, that other man with his face dies. Maybe someone else, maybe Miguel really did kill himself.

Either way.

A child gets a parent who loves them, a parent gets a child who they can love freely.

So, it's fine, right?

[opens-up-4-nobody]

It turns out teaching is a lot more fun when you're not violently depressed