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dark-fics-4-you · 7 months

Note

Heyyy saw ur request were open what about dark!rafe catches you talking shit about him to your friends over text???

How a Girlfriend is Supposed to Act

Warnings: noncon, forced sex, domestic violence, choking, slapping, oral (m!recieving), toxic relationship, gaslighting

Despite being with Rafe for almost a year, you had learned all of the quirks that he had when it came to his possessiveness very early on.

The first time you caught him reading your texts, you were surprised by just how nonchalant he was about the entire situation.

He was sitting on your bed after you returned from grabbing the two of you a snack, scrolling through your phone, not even bothering to look up at you until you asked him what he was doing.

“You’re my girlfriend, Y/N.” He said it slowly, like he was reminding you of something you yourself couldn’t possibly forgot. The accusing fire in his gaze made you squirm. “Of course I have the right to look through your phone.”

At first you were too surprised to react. You had never really had a reason to look through Rafe’s phone, but you imagined he wouldn’t be too happy if you did.

“Why the fuck do you look so nervous, huh?” He was starting to sound annoyed, and his eyes were flicking between meeting yours and scanning your phone. “Got something you’re trying to hide from me?”

“What? No, Rafe! I just didn’t expect to find you going through my phone, that’s all.” You explained breathlessly. You didn’t know why he was accusing you of trying to keep secrets from him.

Unfortunately, the last thing that you should have done in that moment was try to snatch your phone away from Rafe.

His hand shot out, tightly gripping your wrist as he dug his fingers into the bone beneath your skin. You cried out in pain and watched as your phone fell onto the bed, before bouncing to the floor.

Your boyfriend was furious now, easily pulling you onto the bed by your wrist and onto your back at a painful angle before straddling you. You struggled beneath him, trying hopelessly to stop him from putting his hands on you

When Rafe slapped you across the face the first time, your ears rang and you swore that your vision went white for a moment.

Every sound became muffled but you could hear Rafe angrily chastising you from above, “dumb bitch. I mean, I pay for your fucking phone, so yeah, you’re not gonna talk back to me when I go through it.”

That was months ago, and you later learned that that wasn’t even the first time that Rafe had gone through your phone.

You weren’t cheating on Rafe, that much was 100% true. The problem was that Rafe’s definition of cheating included behaviors that you knew were not cheating.

Texting your classmate a question about homework turned into a two hour long fight that culminated in Rafe giving you a black eye.

After Rafe saw you had and Topper had sent each other a couple funny posts in instagram dm’s, he choked you so hard you passed out, leaving you to cover up the extensive bruising on your neck around your friends and family to avoid explaining what had happened.

Ever since then you had learned to be careful about who you texted, and if you ever texted anyone Rafe wouldn’t approve or said something that he wouldn’t like, you made sure to delete the conversations.

You were always so diligent in covering your tracks.

Except for the one time you really needed to.

After another argument with Rafe had become physical, once you finally got some space away from him you had texted a friend, vaguely venting your frustrations with him, without revealing too many details to make her suspicious that Rafe was hurting you.

As you shakily typed out the texts you couldn’t help but think back on the fight you had had. After catching a guy staring at you in the club, the moment you returned home, Rafe had been quick to grab you by the throat, pushing you up against the wall before hurling insults at you.

“I mean you dress like such a fucking slut, no wonder I have to chase these guys off. I bet you wanted his attention, didn’t you?” His eyes narrowed as he looked down at you with disgust.

You were so shocked by his outburst you had barely registered the fingers crushed your throat, and you finally gasped for air against his strong hand. “N-no, Rafe!”

His grip tightened as he regarded your fearful eyes, “nah, you always think you can fool me sweetheart but you never can.” His chuckled, but there was no hint of humor in his eyes, “I saw you looking at him when we first walked in.”

You shook your head against him, tears gathering in your eyes as you begged with him, “I wasn’t baby-”

“Shut the fuck up, Y/N.” He spat at you, squeezing so hard you were sure you would have deep purple bruises on your neck tomorrow.

“I never should have let you outta the house wearing that dress. You were looking for trouble walking around like that.” Rafe growled, his eyes were ice cold. You knew that he was itching for a fight, and you didn’t want to give him what he wanted.

“I’m sorry,” you struggled to force the words out with such little breath and Rafe finally gave you a respite when he loosened his grip on your throat. “You okayed it before we went out, I thought it wouldn’t be a problem.”

“I knew every guy at that bar would be trying to fuck you with their eyes, but I didn’t think you’d be doing the same to them!” The more he spoke, the more pissed off he seemed to be making himself. You knew that he was just convincing himself that his actions were justified.

When he tossed you to the floor, you yelped in pain when your shoulder hit the hard wood. You barely had time to reach for your tender neck before Rafe grabbed a fistful of your hair and forced you to look up at him.

“I mean, do you even love me anymore, Y/N?” His voice sounded hurt, and even though this wasn’t the first time he had used this card on you in the middle of putting his hands on you, you couldn’t deny the tug on your heartstrings you had when you looked into your boyfriend’s eyes.

“Of course I do, Rafe!” You insisted, knowing that your enthusiasm was expected and there would be consequences if you didn’t play along.

You were terrified of your boyfriend, and after being with him for so long, you were aware of the ways to deescalate a tense situation. In moments like these you would have said anything to protect yourself.

“Nah, you don’t mean that. You haven’t been yourself lately baby. Always too busy with work to spend time with me and now you’re talking back to me?” He shook his head, tsk-ing as he glared at you disgustedly. “Not to mention, you haven’t been fulfilling all of your duties as my girlfriend.”

You stared at him, puzzled and not understanding his meaning, “what are you talking about?”

“What are you talking about?” He repeated back to you in a mocking tone, like he couldn’t believe how dumb you were to not get it. “I mean, it’s been, what, five days since you last let me have sex with you? I have needs, Y/N. And when you can’t just lay on your back and spread your legs for me, you’re being a bad girlfriend.”

His words stung, and you couldn’t tell if the tears in your eyes were because of the large hand tangled into your hair, or because your boyfriend was acting like you owed him sex, like you were in the wrong right now.

“Now you’re gonna make it up to me, because you are really pissing me off right now, and I don’t want to hear any fucking complaints, do you understand?”

Your body was screaming in resistance, but you numbly realized that you were nodding your head. Rafe’s hand left your hair, finding your chin and gripping your jaw hard.

“Use your words, sweetheart,” the sick grin that was spread across his lips told you exactly how much Rafe was getting off on your humiliation right now and you wanted to be sick.

“I understand.” You forced the words past your gritted teeth, swallowing down the bile that threatened to come up.

Rafe unbuttoned his pants before sliding the zipper down and pushing them down his legs before pulling off his boxers as well.

His dick was hard, a bead of precum already pearled at the tip of his intimidating length.

You swallowed nervously, already afraid of how rough your boyfriend was going to be. You felt like you weren’t ready at all, but the sharp pain the bloomed on your cheek after Rafe slapped you told you that you must have hesitated for too long.

“Quit your damn procrastinating, Y/N,” he hissed, tangling his fingers into your hair again and pulling you to his dick, forcing the tip past your plump lips.

You didn’t have any time to be surprised, gagging and choking on him as he pushed himself deeper towards your throat. He groaned at the feeling of your throat squeezing his cock, urging himself further into the back of your mouth.

Rafe was in heaven, basking in the sight of your teary eyes and the ruined mascara that now trailed down your cheeks. You had looked so pretty at the club tonight, but now you were a crying mess. The noises of your gagging and the steady sound of Rafe’s cock hitting the back of your throat filled the space. Nothing had ever made Rafe hornier than seeing your beautiful, tear filled eyes begging and pleading with his.

He reached out to your cheek, wiping up a bit of saliva that had been forced past your lips. Your glassy eyes were unfocused now that you had given up any thoughts of resistance, too cock drunk to try protesting against the stronger man.

You were doing all you could not to gag on him and choke, knowing full well that that would only spur him on. Every time you pushed at his thigh to get him to ease up, he would slap your hand away with an annoyed grunt.

His pace was relentless now, one hand was gripping your hair and the other was at your throat, holding you still so he could push himself deeper.

“That’s right baby, fuck,” he bit back his groans, ignoring your gagging and desperate eyes when he forced himself too far down your throat, literally choking you with his cock. “Oh fuck- god Y/N, you’re better than any sex doll, you know why?”

He knew you couldn’t answer him, especially since he had started thrusting faster past your messy lips, but he still paused to drink in the sight before him.

“Because they can’t fight back,” Rafe sneered, picking up his pace again, reaching a punishing fervor.

The blond’s dick was slamming into the back of your throat while the large hand at your throat squeezed in warning anytime you so much tried to pull back.

He sped up on final time, chasing his high by forcing you to take all of his cock. Rafe held you in place and watched you choke on him for a couple seconds before letting out a low groan and spilling his salty seed down your throat, giving you no choice but to swallow every drop of it.

When he pulled his dick out of your mouth, you took a gasping breath, but weren’t allowed much air before Rafe slapped you across the face hard.

“From now on, I expect this and more from you every night we’re together. Because that’s how my girlfriend is supposed to act. And if you think about giving me any lip about that, then I’m gonna make you wish you had just kept your pretty mouth shut, got it?”

That rest of the night was no better than the beginning, after Rafe had helped you clean up, he basically immediately led you to your bed.

He chuckled in satisfaction when you didn’t fight back against his wandering hands, and as held tight to your wrists, plunging his cock into your slick cunt, he didn’t say anything about the tears rolling down your cheeks.

The next morning you had woken up sore, your entire body ached, and you weren’t surprised when you looked in the mirror and saw the red and purple blooming around your throat.

Rafe was still asleep, his deep snores letting you know that he wouldn’t be waking up soon.

You quietly snuck into the bathroom, grabbing your phone off of the bedside table on the way. Once you had shut and locked the door behind you, you exhaled deeply, unlocking your phone to check for messages.

Your friend had texted you asking how your night had gone, and feeling perhaps a little too honest, you told her that the two of you had had an “argument.”

‘he thought i was checking out a guy at the bar and said some really rude things to me last night.’ You laughed to yourself as you stared at your own words through blurry eyes. It was both funny and sad to you how used to covering for Rafe you now were.

The bathroom felt more cramped when you remembered that Rafe was just on the other side of the door, despite being asleep.

A new notification popped up soundlessly and you read your friend’s text. She was joking about gathering all of your mutual friends to gang up on Rafe.

If only she knew the extent of what Rafe had done to you. You were sure she wouldn’t be joking then. In spite of that, you were angry with Rafe and wanted to blow off a little steam with your friend.

Which is why you felt emboldened to continue texting her.

‘he’s such an asshole sometimes. i’ve been thinking about breaking it off with him soon.’

You huffed, putting your phone down before finishing up in the bathroom and opening the door.

To your surprise, Rafe was standing on the other side, waiting for you to get out before he brushed past you without a word.

You noticed he was taking longer than he usually did to just pee, and when he finally stepped out of the bathroom, you realized with a horrible chill why he had been in there for so long.

Clutched in his hand was your cellphone, and you could see that it was open to the messages you had just sent.

“‘He’s such an asshole, I’ve been thinking about breaking it off??’” His voice was cold and you cringed hearing him speak your words. There was no denying he had read your texts.

You shivered, frozen in place as he stared you down, his blue eyes boring so deep into you that you swore you could feel them burning straight through you.

Your mouth was so dry, you had never felt so afraid of your boyfriend before. Even after everything he had put you through, you had never said anything about breaking up with him to his face. “Rafe, I-”

If your instincts hadn’t kicked in, you would have taken the blow right to your nose, however you had been lucky enough to dodge the phone fast enough that it only nicked your forehead before smashing into pieces against the wall behind you.

Unfortunately, while you had been focused on dodging your phone, the taller man had closed the gap between you, easily pushing you up against the wall by your throat and choking you with both hands. Rafe’s fingers pressed down against the bruises that they had left there the previous night.

You wanted to scream, but Rafe had knocked the wind out of you and no matter how hard you shoved him, he wasn’t giving up.

“You’re mine,” he hissed as you struggled against him. “Maybe I’ve been hitting you too much recently, because I don’t remember you being this stupid when we first started dating.”

Before you could comprehend what was happening, Rafe had spun you around and pushed you face first into the bed. One of his hands was forcing your head against the mattress, while the other pawed at your silk pajama shorts, opting to rip away the fabric covering you before freeing his hard cock from his boxers.

“You think I’m an asshole?” He growled, the tip of his cock brushed against your slick cunt and you shuddered at the feel of him beginning to force himself inside of you.

“I’ll show you how much of an asshole I can be.”

#rafe cameron #dark!rafe cameron #outer banks #obx #rafe cameron noncon #dark rafe cameron #rafe cameron smut #rafe cameron fanfic #how a girlfriend is supposed to act #rafe cameron x reader

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4mnji · 6 months

Text

FORGIVE ME, BABY ᡣ𐭩 eren yeager x reader

synopsis: u find out ur fwb has been fucking other girls on the low and u hate being one of his options, so he comes over to “apologize” to you

warnings: kissessss, pussy eating, fingering, orgasm denial, choking, pet names (baby, my love, princess), eren is just a lil mean n nonchalant 😠, reader is kinda possessive hehe 🎀, reader and eren r both in their 3rd year of college, once again written with a black women in mind but anyone can read

wc: 1.4k

a/n: here’s another fic that has been collecting dust in my notes for a hot minute. i hope yall enjoy 💋

you’re chilling on your bed, scrolling through instagram bored outta your mind when you get a call from your fuck buddy, eren. you shot up from ur position on the bed making sure u looked good enough to answer the facetime call. when you were just about to pick up, you stopped in your tracks and let it ring until the call eventually went away.

you wanted to pick up, you really did but you had remembered that just a few days ago mikasa, your best friend, had sent you a screenshot of one of her instagram mutuals close friends post with a message undernesth it saying “isn’t that ur man??”. you clicked on the screenshot and it was a picture of eren and some random girl laying in bed, eren with his face buried deep into her neck displaying all the hickeys he must’ve gotten from her with her hand touching his back. you instantly knew it was eren because of the tattoo behind his ear. obviously you knew you and eren weren’t together and probably would never be, but you just couldn’t stand the sight of seeing him give the d to anyone else who wasn’t u when he could simply just hit you up if he wanted a good fuck. your phone dinged 2 times, making you snap out of your trance.

rennie 💋💋

why u ain’t pick up?

i have ur location, ik ur ass is home.

you rolled your eyes at his messages, deciding not to text him back and just call him instead. he picks up on the first ring, instantly questioning you, not even giving u a proper greeting. “why didn’t you pick up?” he says with a blank stare. “well hello to you too” you scoff which doesn’t go unnoticed by him but he chooses to ignore it. “i was in the bathroom.” you lied. eren nods his head, looking away from the camera not saying anything. there’s a moment of silence before he breaks it and shifts his focus back onto you. “i wanna come over, i miss you.” you shake ur head laughing a bit at his statement. “you don’t miss me, you was just with some other girl like 2 days ago. if you really missed me you would’ve came to me instead of her” eren opens his mouth to speak, but you countinue talking. “eren, you know how i feel about being one of your lil hoes. if you wanna have multiple girls on your roster and pick and choose who u want to fuck on what days, you can get the fuck off my line because i’m not gonna be apart of that bullshit.”

eren sighs and doesn’t say anything for a couple of seconds. he thinks about his next actions and choice of words carefully. on one hand, he can argue with you, which would then lead to you not talking to him for a week, ignoring all his messages and calls and then eventually you’ll get tired of doing that and tell him to come over so y’all can “talk”. or he can just agree with whatever you were saying—and he chose the latter. his patience was wearing thin, he actually did miss you and he didn’t want to jeopardize his chances of seeing you with some stupid argument.

after thinking out his words he finally speaks “you’re right princess, i’m sorry” he says trying to sound as sympathetic as possible. honestly, eren didn’t give a fuck if u did or didn’t like his lifestyle, he does whatever the hell he wants to do. however, he didn’t want u to get any more upset with him than u already were, so he decided to make u feel like u had the upper hand so u would let him come over.

you were about to open your mouth to say some slick shit to him because you knew that these type of conversations between the two of you always ended up in some type of back and forth argument, so you were taken aback when he not only agreed with what you were saying, but even apologized. and eren never apologizes. “im right?” u question, confusion laced in your tone. “yea baby, you are and i’m sorry for making you feel that way. i’ll stop fucking around with all these girls i promise, just let me come over so i can make it up to you properly” after hearing all of eren’s empty promises and him actually “agreeing” with what u had to say for once, you folded immediately and told him to come over. you probably would’ve been standing on buisness a little bit more if u didn’t crave his touch so much but you did, you needed wanted him badly.

once you gave eren the green light that he can come over he was there in less than fifteen minutes and had you butt naked on your bed in less than five.

“keep your legs up, baby” eren instructs and u do as he says. you lift your legs up, locking your arms around them to keep them in place. eren begins to kiss all over the lower half of your tummy and slowly trails down to your pretty pussy. his kisses are so sweet, slow, and sensual that is has your toes curling in the air.

“mmm ren..f-feels good” you mutter out while letting out soft moans. eren hums, which sends a little vibration into you. eren knew u were close, even if u didn’t tell him u were. he was always so good at reading u like a book, but for now he decided to play dumb by pulling away and pretending like he didn’t know why u let out that little grunt when he did. before you can question why he stopped he starts rubbing on your puffy clit while looking into your eyes.

“y/n, i really am sorry that i didn’t come to you the other day. i don’t know what i was thinking princess, you think you can forgive me?” eren coos at you, with a little smirk on his face that goes unnoticed by you since your head is in the clouds with the way he’s rubbing on you. when he doesn’t get a response he slaps your pussy, earning a loud whine from you. “you didn’t answer me my love. you forgive me?” he asks again. “y-yes eren…i-i forgive you!” u hardly manage to let out.

eren smiles at you before he gives the lower half of your stomach another wet kiss. he moves his head back down so he can start making out with your pussy again. he’s being so sloppy with it but lord it feels so good. you try to push eren’s head away but he doesn’t let up and instead starts adding two of his long digits into your wet pussy while eating it.

you had no more strength left in your body to push his head away with the way he was eating and fingering your pussy. “erennnn im so closeee!!” you whine. and just when you were about to have your release, eren stops. he lifts his body up so he can sit down straight on the bed and he looks down at ur trembling body and just laughs.

“rennn what are u doing…?” u question quietly. eren rests his large palm on the right side of your cheek “i’m glad you forgive me, but you know…” he pretends to think for a moment, “i never got an apology from you for telling me what to do and you know i hate that bossy shit” his hands slides up to your neck and he gives it a little squeeze just enough to make you cough a bit. you rest ur smaller hands on top of eren’s, mentally hoping that you can make him forgive you and he’ll forget about all this and just make you cum.

“r-ren i swear i wont do it again im really sorry i-“ eren cuts you off and leans down to press a quick kiss onto your lips that were now swollen from you biting on them previously. he lets go of your neck and gives you his signature annoying (but sexy) smirk and god you wished you could slap that stupid look off his face, but you’re in such a weak state right now from how he was eating you out </3.

“show me how sorry you are and maybe i’ll think about forgiving you, sound good princess?”

#forgive my shitty smut writing </3 #anyways i’m working on an ony fic yayyy #eren yeager #eren x black fem!reader #eren x black y/n #eren x black reader #eren yeager smut #eren x reader #eren x black!reader #x reader #eren aot #eren smut #aot fic #4mnji ᯓ★

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hysteria-things · 4 months

Note

Can you do headcannons about toxic but gentle on&off!matt? 😁 (its okay if not!!) Also thank you to the anon who put this thought in my head because I am eating it up and cannot stop thinking about it 😜

ON & OFF MATT HEADCANNONS

𝐚𝐮𝐭𝐡𝐨𝐫'𝐬 𝐧𝐨𝐭𝐞: there is a SFW and NSFW section!

SFW!

the two of you were never a healthy relationship. there was always something you guys would be arguing about.

he is the PETTIEST man when you guys break up for the… you lost track.

president of the sassy man apocalypse, and he always says you’re the problem. (it’s 9 times out of 10 his fault)

your friends BEG you not to go back to him, but you give them the ‘he said he was sorry!’

there was this one time where you ended things on a worse note than usual, and it hit matt hard. despite being able to drive he ran to your house in the rain later that night to apologize with tears in his eyes.

sturniolo tok is so used to it that their comments are low-key hilarious and you guys like to read them together.

user: who wants to bet they’ll be broken up by the end of the week?

user: i think they’re just doing it for fun now😒

user: what happened between yesterday and today didn’t y’all hate each other😭

rarely, there are times where you guys fight and make up for once!

NSFW!

MAKE UP SEX >>>

definitely bent you over the counter or his desk a few times amid an argument just to shut you up.

the longest you guys broke up for was two months, this being where it was “officially over.” because of that, you hooked up with another guy since you were a free woman. the same guy purposely went up to matt and bragged about how he was fucking “his girl…” later that night you were getting fucked stupid on matt’s dick while he said the filthiest things to you.

“fucking slut. you like to walk around and let random guys fuck you? huh?”

“whores like you don’t get away with things that easy, sweetheart.”

“look at that, so fucked dumb that all you can do is scream and cum on my cock. how about we show your new friend, yeah?”

even if you’re not in the wrong, he’ll have his hand wrapped around your throat like a necklace while pounding you in missionary until you say you’re sorry.

this man will have you seeing stars with your eyes rolled so far back that they might stay there. break-up sex is no joke.

“i fucking… ha-ate you.”

“do you, now?”

“matt— sh-shit— yes.”

“good.”

don’t get it twisted, he’s heavy on the aftercare. he’s not that much of an asshole.

he’ll get you anything you need, and when you guys are comfy in bed he’ll massage your thighs for hours; whispering sweet nothings to you as if he didn’t just fuck your brains out.

𝐭𝐚𝐠 𝐥𝐢𝐬𝐭!

@bunbunbl0gs @lexisecretaccx @thy-mission @angelic-sturniolos111 @sophssturn @mattsneezing @janiellasblog @blahbel668 @meg-sturniolo @mattslolita @sturnbaby @imwetforyourmom @tillies33ssss @sturnifyed @raysmayhem-72 @ripmattitude @p1xieswrld @alorsxsturn @txssvx @sttzee @multiluvr @delilahprentiss @matthewsspecial @sturnolio-luvs @sturniolho @suga-daddy-69 @tworosesblackthorn @luckistar-posts @gnxosblog @junnniiieee07 @sturnioloslurps @tylerthecreatorsrealwife @flowerxbunnie @imaslut4kehlani @sturniolosandmoree @hertvgirl @whoreforchrissturniolo @hearrtsturns @stars4matt @freshsturns @loverrsposts @sturnlcvr @elliesturniolo1 @tpvmz @user283926392 @lalalands86 @sukiipjs @sturniologirl813 @leahrab @chrissturniolosslut @h3arts4harry @sturnioloblogs @creamoncreamoncream2 @ivyyyyyysposts @mirxcle1 @iluvm4ttsturni0l0 @catalina-island @mbsbaby @mattsdollie @pinkfarts @slut4mattsturn @thesturniolos @vickeyzloserz @nononopenono1 @bitchydragonparadise @gdsvhtwa @hrt-attack @bellasfavbisexual @dwntwn-strnlo @venusbabysblog @meerkatzthings @crazychrisl0v3r @maggieflms @strtuniolo @mutualsafe @riasturns @sturniolowhore @antpile00 @ashley9282828 @stingerayyy2 @sturnsjtop @luverboychris @yapperchris @imaslutforoldermen @madisonlovesyouu @poetatorturadaa @chr1sgirl4life @hiimolivia @jo-777 @sturnskiss @st4rgrlll @mattyblover07 @sm-ec @mattluvsmarni @knowingnothingnoel @mattsgirlfrieeend @skysturniolo

#✎ ⤾ haleigh’s requests!#chris sturniolo #matt sturniolo #nick sturniolo #christopher sturniolo #nicolas sturniolo #matthew sturniolo #sturniolo x reader #sturniolo imagine #sturniolo fanfic #sturniolo smut #sturniolo fluff #chris sturniolo fanfic #chris sturniolo smut #matt sturniolo fanfic #matt sturniolo smut #chris sturniolo fluff #matt sturniolo fluff

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house-of-lovin · 1 year

Text

legally binded - 3

Jenna Ortega x F!Reader

masterlist | series mast. ♣ prev part | next part

Chapter 3: Movie Premieres, SNL and Quarrels

Summary: After getting caught in some hot waters with the press, you are forced into an unexpected agreement with America's sweetheart, Jenna Ortega to save your career.

Warnings/Tags: dual!pov, famous!reader, actress!reader, mentions of hard substances, intoxication, mature language, real people (do not read if any of these makes you uncomfortable)

(this is all fiction!)

Note: Otherwise known as the One in New York. What do you guys think about R and Jenna's dynamic so far? 👀 (taking a break for a few days/maybe a week after I post this, I think I've kept you all fed for a bit while I'm gone lol, in the meantime, send asks I'll try to answer all of them!😋)

Word Count: 6.4k+

“You get on that plane and I’ll drop you as a client.” Jake’s voice rings out from your work phone.

“What the fuck, Jake, are you serious?!” You seethe, practically red in the face.

You have been on the phone with Jake for the last hour – Liv refuses to pick up your calls after you blew up the group chat, rehashing your argument with Jenna. Desperately pleading to fly back home because you couldn’t stand being in the same city as the actress, at the moment.

You couldn't even think about her words without it making your blood boil.

“Fuck yeah, I’m serious. Do you know what time it is here?”

Glancing at the clock it read 3:46 A.M. EST, you roll your eyes. “It’s just past midnight in L.A. You won’t die if you don’t get eight hours of sleep.”

“Be quiet. I don’t wanna hear another word from you.” He nearly shouts and you imagine that one vein popping through his forehead. You liked to stare at it when Jake goes off on his shouting tangents at you.

He never notices that you're not paying attention.

“Maybe we should get Liv on the phone or maybe Sarah?” Link glances at you worriedly.

He hates seeing you so riled up, so he often played the middle-man with your quarrels against Jake and Liv.

“Liv says she doesn’t wanna hear it. Sarah says forget it and I’m saying, I’m not fucking around this time Y/N, this is your last chance. I’m over your shit.” He hangs up the phone, leaving the line dead.

You jump face-first into the stiff bed, groaning loudly.

“Looks like you’re outta luck.” He pats you back, leaving you to sulk alone as he shuts the door. “Try to get some sleep.”

There was no way you ended up in this situation.

You guess, it was fair to acknowledge your recent streak of bad behaviour. First, it was tame — ignoring your phone, running away to party, getting mixed in the wrong crowds – eventually, Link had to start dragging you out of bed by the legs (sometimes kicking and screaming) just to make it in time for a gig.

You’re not sure when all of this started. All you knew is that you were so tired. You just wanted one second to breathe; to feel like that young child again, with hopes and dreams. But no, someone was always hovering over your shoulder ready to drag you away to another event you could care less about.

You close your eyes, allowing the jetlag and exhaustion to set in as your body moulds into the mattress.

–

The next day, you find yourself standing in front of Jenna’s hotel room. The large double door looks menacing and faintly, you can already hear a bustle on the other side. You really didn’t want to knock but you know what was on the line so you swallow your pride and raise a fist to knock.

But before you can knock, the door is opening revealing a girl, with dirty blonde hair bearing a semblance to a certain actress. “Oh, hi!”

“Hello.” You greet warmly.

“I’m Aliyah. Jenna’s younger sister.” She holds her free hand out.

You shake her hand, “Nice to meet you, I’m–”

“I know who you are.” She smiled then laughed, “Everyone knows who you are.”

You chuckled, shyly nodding. “I guess.”

“Are you two done?” Jenna suddenly appears, yanking the door wider so you can see her. Her makeup complements her well; the green bustier two-piece looked expertly crafted just for her; and the way her hair fell in soft waves framed her face nicely.

“Hi…” You say a little vacant-sounding.

You don’t say anything else.

From the corner of your eye, you see her sister’s raised brow but you think you’re imagining it because you can’t keep your gaze off of Jenna. The actress raises her brow at you, impatient.

“What did you need?” She asks.

“Uh—I wanted to talk, about last night."

Jenna watches you momentarily before rolling her eyes; pulling you inside with a rough yank. “Get inside before someone sees you — Aliyah close the door.”

You stumble, still a little dazed but the smaller girl’s nails are gripping your arm painfully making you snap out of it.

“Ow, ow, ow.” You whisper, not inattentive to the multiple people scattered around the large room.

“Guys, this is Y/N.” She ignored your complaints and pulled you past the foyer into the living room – her entire team had taken refuge in the room to get the star ready for a day of press interviews.

Various echoes of your name and greetings are sent back to you but you certainly don’t miss the awkward tension in the room started by your sudden presence.

“Sorry, I didn’t mean to interrupt, I can just go.” You point behind you.

“Nonsense.” An older woman that looked kinda like the actress waves off. “It’s great to have you here, Miss L/N. Jenna was just talking about you.”

“Oh please, just Y/N is fine.” Shaking your head bashfully, briefly wondering what she could be telling her family and team about what kind of person you are.

“I’m Jenna’s mom. That’s her dad, her other sister Mia, and her brother Markus.” She points and you try to keep up with the names of the people she’s throwing at you; Jenna’s family and team included.

“It’s so great to meet you all. It’s not hard to see that Jenna is so loved.” You say sincerely.

“We try our best.” Her dad says looking appreciative of your words. You smile at everyone and it seems to ease a bit of the tension in the room.

You didn’t see Jenna rolling her eyes again (her favourite to do around you) disregarding the encounter; she hides the surprise she feels from your genuine compliment.

Last night's argument with you, still burning in her brain.

“What did you want to say?" She says a little bluntly.

Watching as everyone turns to go back to what they were doing, you look down at Jenna. “Um… I wanted to apologize for last night. And call a truce, maybe over dinner?

She looks surprised not expecting you to be the first one to give in. “Oh…”

“Yeah…”

“I appreciate it.” Jenna cuts in, “I’m sorry too… a truce sounds good. Sarah got mad at me too, for what it's worth. She even said I was whining.”

Jenna jokes, dropping her walls a bit.

You rub a hand on the back of your neck, chuckling, “Good to know.”

“I can’t do dinner though.” She shuts her eyes as if remembering something.

“Oh, that’s okay. Maybe another time.”

“Or maybe… you can be my date to the Scream cast dinner?” She offers, looking a little hopeful.

“Are you sure?” You chew your lip. Ignoring the word date.

“Yeah! Totally, you can meet everyone, it’ll be great. Not to throw anyone under the bus but they’ve been trying to meet you.” She says sheepishly.

You laugh, dropping your walls just a tad. “Sure I’ll be there.”

She smiles warmly, satisfied with your answer. “Yeah, it’ll be great. I guarantee there’ll be paparazzi, so it’ll be good for publicity. They’ve been hounding me since I landed, my dad nearly pushed a guy in the airport. I couldn’t even walk to the door by myself at the SNL dinner cast party.”

You lose a bit of the smile but Jenna doesn’t see, laughing at her memory of the paparazzi. You blink around, making sure no one saw you, it might give them the wrong idea. “Uh, yeah sure. I’m good with whatever.”

“Okay, cool.” She shoots a thumb up, walking away from you. “I’ll see you tonight?”

“Mhmm.” You smile, waving goodbye to everyone and booting it out the door.

Unsure where the tension in your chest is coming from you swiftly walk to the elevator; aggressively tapping the button as if the elevator would come faster that way. And practically throwing yourself in the metal box as soon as it opens.

You miss the entire pandemonium that implodes in the room when you leave.

“Holy shit?” Mia exclaims.

“Language.” Her mom chastises.

“No, holy shit, indeed. Jenna oh my god what did you do to that poor girl?” Aliyah walks past Jenna to grab a bottle of water from the fridge.

“What are you talking about?” She looks at her sisters confused.

Mia’s rolling her eyes, standing up from the couch. “Did you not see the way she was looking at you?”

“No? How was she looking at me?” She turns to her mom who had a hint of a smile on her lips as if she knew something. Jenna was starting to feel left out.

“She likes you, Jen.” Her brother speaks up, not even bothering to look up from his phone.

“What? You guys are crazy. We barely know each other.” Jenna starts shaking her head furiously, turning to Enrique, her stylist and close friend. “Enrique, tell them they’re being crazy.”

But he shrugs, sharing that same Cheshire grin her mom had. “God, not you too.” She clamps her eyes shut with her hands.

“Hey! Watch the eyes!” Her makeup artist warns.

“Dad?” She drops her hands, pleading at the silent man, who, she knows is listening. Why do Dads do that thing where they let everyone argue, only stepping in when the Mom asks for backup.

He remains in character – staying silent.

“You guys don’t know what you’re talking about. She was literally here for five seconds. How could you possibly think she likes me from that.” Jenna turns to everyone else.

“I don’t know, Jen. The eyes never lie.” Mia says, privy to the way your smile fell when Jenna mentioned being spotted for publicity tonight.

“I’m– I’m late for interviews, I need to go,” Jenna mutters, grabbing her purse and walking to the door.

–

“This is gonna blow up.” Your producer says from beside you.

“I don’t know. I still think it’s missing something.” You sigh, sliding the headphones off as you slump onto the plush leather seats.

You sneaked off to the studio not too far from the hotel in lower Manhattan. See you would have told Link or anyone really, but you were trying to be discreet. And Link is one ‘ol snitch and the personal fun police.

It seems after your fight with Jenna, Jake and Liv put you under strict instructions not to leave the hotel unless accompanied by someone from your team.

You’re not a fucking child. You don’t need a babysitter. So here you are, with your producer in the studio trying to record this damn song you’ve been stuck on for three months.

“Maybe it’s time to scrap the song then.” He offers. “It’s never gonna be done before Coachella.”

Immediately you are shaking your head. No, this song is special, you can feel it. If only you can get your head out of your own ass long enough to find the damn words.

“No, just– just put it on hold. Let’s work on something else.”

He sighs, clicking the screen to pull up another file. “Your call.”

The buzzing of your phone against the wooden table echoes into the silence that grew as you waited. “Ah fuck.”

Reaching over, you grab the phone and are bombarded by a flurry of texts and missed calls.

Some from Jenna, some from your bodyguard and driver, most from Link.

Jenna’s is the first one you click.

The phone rings three times before it gets picked up. Muffled, loud voices are all you hear at first before she eventually speaks up, “Hello?”

“Hey, I am so–”

“Where the hell are you? You’re ten minutes late. We’re all waiting for you.” Her tone is sharp and snipped.

You had fucked up.

“Fuck… I’m sorry, I’ll be right there– there was…. uh.” You stand, gathering your jacket and silently bidding your producer goodbye as he looks on confused. “There was a lot of traffic. I am so sorry, I’m trying to make it as fast as I can.”

She sighs through the phone, “It’s…fine. Just get here as soon as you can, please.”

A little white lie never killed anybody.

You make it to the restaurant in record time. Pushing through the paparazzi camping outside the restaurant doors. Do they have no shame? Clearly not as they shout Jenna’s name at you; asking if you were there to see her, trying to get their piece of the scoop. Thankfully, the security guard had seen you and personally ushered you to the cast‘s table. Someone must have informed them that you were coming.

You’re still blinking away the spots in your vision from the camera flashes when you feel an arm pulling you down to sit.

“What took you so long?”Jenna asked assertively, scanning you.

“I told you. Traffic.” You plaster a smile at all the eyes on you, subtly shrugging Jenna’s arm off yours with a little bit of attitude.

You don’t miss her clenched jaw. Plastering a smile in front of her costars who were trying their best not to gawk at you. "Well, where were you then? No one could get a hold of you, we were worried."

You tried your hardest to school your genuine surprise at her worry. "Sorry. I was working. My phone was off."

“Hi! I’m Melissa, it’s so nice to meet you, I’m a big fan.” A brunette extends her hand from across the long table – interrupting Jenna before she can say anything else.

You make the usual greetings, introducing yourself to Jenna’s costars and colleagues. You felt a bit like a trophy wife if you were being honest. Like eye candy on her arm, serving only to make her look good. Upon that realization, you feel a little flushed. You’re not sure why, that is the whole point of this whole thing.

Her castmates have been sending you two knowing eyes over dinner — giving Jenna inconspicuous smirks and smug grins as if you couldn’t see. You keep your head down after the pleasantries are over and the main courses are brought out.

Grateful, you don’t have to talk about your upcoming projects any longer.

“What’s wrong?” You nudge her elbow, noticing how she was pushing away some pieces of food on her plate.

“I don’t like apples.” She mutters.

You can’t fight the smile that creeps on your lips but you don’t tease. “Just push them off to the side and I’ll eat it.”

She looks at you. “You sure?”

“Yeah, it’s no big deal.” You shrug taking a sip of your wine.

“That doesn’t gross you out or anything? I know some people are weird about that sort of thing.” Jenna explains.

“Dude, I’ll eat your apples, chill.” You laugh.

“Okay, thanks…” She mumbles, still looking at you but you turn, talking to Mason and his girlfriend.

Jenna feels a nudge on her side. “What?”

“You two are cute.” Jasmin smirks. “And Y/N L/N? Not a bad catch at all.”

“Stop.” Jenna blushes. Unsure if she feels uncomfortable that some of her close and respected friends believe this lie so easily.

–

“Hey, give them some space!” The security guard shouts as the paparazzi come rushing toward the door as soon as the cast steps out.

You were standing in the lobby waiting for Jenna. “Shit…” You hear her mutter, watching as she searches for something in her bag.

“What’s up?” You ask.

“I forgot my sunglasses in my room. The flashes hurt my eyes.” She frowns. Wordlessly, you fish the pair you stashed in your jacket.

“Here, wear mine.” You hold the glasses out, watching as she just stares at it. Rolling your eyes, you push it toward her. “Dude, just take it.”

“Thanks…” She mumbles, sliding them up her hair.

You walk ahead of her, holding the door open as everyone trickles out. You’re regretting giving Jenna your only sunglasses cause the flashes are bright and it’s making your eyes water.

“Go ahead,” You usher, only leaving once everyone’s gone ahead of you. You trail behind ignoring the various men with large cameras chasing you as you walk down the sidewalk.

“Y/N over here, please! Just one photo.”

“Y/N, just one photo of you and Jenna, please!”

“What do you have to say about Vegas?”

You ignore them keeping your head down trying not to fall behind.

“Where’s Y/N?” You hear over the sea of nameless faces.

“Right here.” You say, sliding in beside her.

You miss the subtle sigh of relief she lets out.

“You can’t just walk behind everyone like that.” She grits, frustratedly.

"I tried to keep up." You mumbled like a scolded husband.

The shouting increases when you stand beside one another; practically rendering you blind with all the flashes. “Dammit.”

You place an hand on her back, pushing her forward. “Put on the sunglasses and walk.”

“Y/N, please over here. Jenna!” The shouting is constant and blurs altogether all at the same time.

“Ow.” You feel Jenna tumble when someone bumps her side causing her to bump harshly against you. Firmly, you grab her arm to preventing her from falling and pushed back against the crowd to check on her.

“Are you okay?” you ask worriedly as she fixes the lopsided glasses. “Yeah, yeah. I’m fine.”

“Hey. Watch it–” You grit at the closest person holding a camera. “It wasn’t me.”

The man insists, still shamelessly snapping flashes directly into your face and you begin to grow angry, slapping the camera out of his hands. “I said fucking watch it, asshole.”

You glare for a brief moment as the shouting gets impossibly louder. Knowing if you didn’t pull Jenna out of this, chaos would ensue. You link hands and drag her through the crowd, briskly walking to her castmates who shared looks of concern.

“Are you okay?” You ask, still walking but now barricaded by security and her friends.

“Yeah, I’m fine, I promise.” She squeezes your hand but then sighs, “You shouldn’t have done that.”

You scoff, “Are you serious? That guy pushed you.”

“It was an accident and you kinda overreacted.” She whispers lowly.

You clench your jaw, dropping her hand — Not wanting to blow up in front of her colleagues, you walk swiftly ahead.

You don’t talk even when you are both side-by-side being driven back to the hotel. Her driver has the partition up halfway but you see the nosy glances he keeps making at the rearview mirror as you and Jenna sit in silence; acutely aware to the growing tension between you and the actress.

You refuse to speak, just looking out the window as other cars pass by on the street.

“Are you done ignoring me now?” She speaks up but you still don’t want to talk. “Seriously?”

“Y/N all he did was push me. A little shove, that’s all. I’m okay. What’s not okay is the phone call you know we’re going to get from Liv and Sarah about that guy’s camera.”

“He deserved it.” You mumble through the palm holding your head up.

“I’m not saying he didn’t but you can’t just be aggressive to paparazzi like that. It’s exactly what they want.” She reasons, turning to you. Hoping you’ll finally look at her.

“I know…”

“Look at me, please?” She places a hand on your arm.

You turn, keeping your face impassive.

She sends you a shy smile then laughed. “I mean it though, thank you for having my back. My Dad is gonna think this whole thing is hilarious.”

“Why?” You can’t help but join in.

“He’s a cop, so he’s a little protective. He’s been waiting to shove away a pap for the longest time. He’s gonna be so mad you beat him to it.”

You laugh imagining her father’s reaction.

–

“You haven’t seen Scream? Not even the original?” Jenna turns bewildered like it was the most blasphemous thing she’s ever heard. You were in her hotel suite, watching movies. For some reason, Jenna invited you over to her room after being dropped off at the hotel. “How? You’re an actress.”

You couldn’t think of a good reason to say no so you accepted.

“Yeah, sorry. Jeez. Way to sound like a film snob. I didn’t know there was a checklist of movies to watch before becoming an actor.” You snort reaching for more popcorn from the bowl beside you.

“Shut up.” She hits you with the remote. “How have you not seen any of the Scream movies? You’re literally going to my premiere tomorrow.”

You hold up your hands in surrender, throwing a couple of kernels in your mouth. “Sorry, they’re not really my cup of tea.”

She rolls her eyes, snatching some popcorn from your hand, ignoring your protests. “Oh sorry, I forgot we have an action star in our midst.”

It was your turn to hit her arm, “Shut it. I just mean… I haven’t found the time to sit and watch them. They’re not exactly short films.”

“You’re in the MCU and Dune. Don’t talk to me about long movies.”

“Touché…” You can’t beat her there. They are ridiculously long movies. Probably why you’ve only ever seen them during premiere night and never again. “Well, put one on then. Let’s see what all the hype is about.”

She grins scrambling for the remote. “You’re on.”

You wait for her to pull up the Scream catalogue, chuckling at her visible excitement.

“Hey, why did you become an actress? and singer while we’re at it, Miss Grammy winner.” She nudges your shoulder.

You snort, shoving her lazily. “Shut up… Do you want the press interview answer or the real one?”

She raises a brow, immediately deciding. “The real one.”

You nod, feeling like she would say that.

“My mom... She was a rising star in the 80s but something happened and she never got to live out her dreams. When she had me she put me through all of the arts. I bumped and failed with most of them but acting and singing kinda stuck… I guess she saw those were the only two things I could stand so she pushed and pushed, it led to Jake discovering me and here we are.”

Jenna stays silent processing your story, she doesn’t miss the slight solemness your tone had taken. "Why do I feel like there's more to it than that?"

You chuckle, licking your lips. "Caught me... it's why I don't talk to my parents anymore."

"Oh..."

"Yeah. As soon as I turned eighteen I cut ties with them. She got too controlling, wanting money, wanting autonomy over my career so I took Link with me and moved to L.A. and did it on my own. I think... at some point acting became a spite thing with me because of her.

“Spite?” Jenna asks?

“Yeah… it was all I’ve ever known for a long time until I started making music. Probably the only time I’ve ever felt sure about a decision.”

"Oh..." Jenna finds herself saying again.

"Uh–sorry. I didn't mean to make it weird. We can just forget about it." You curl into yourself, tugging the blanket to your lap.

Jenna blinks, feeling dumb that she's made you think her silence is a bad thing.

"No..." She grabs your wrist. "Thank you for sharing with me."

You look into her eyes, feeling a bit small at her kind eyes. You know it's not out of pity but you couldn't help but want to close up again.

Pulling your hand away from her grip, you cough. "Of course, we're friends now."

"Oh, are we?" Jenna ignores the drop in her chest when you pulled away like that. “Okay, what’s the press answer then?”

“That I watched the movie Cabaret when I was younger and wanted to be like Liza Minelli.” You admit.

Jenna scoffs, “That’s literally my answer.”

“Is it?”

“Yeah except, it’s Dakota Fanning in Man on Fire.”

You chuckle, “doesn’t Denzel die in that one?”

“Yeah and what about it?” She raised a brow.

"But see, don’t fight it we’re meant to be friends... we even share the same answer."

"Shut up, dummy. Every actor has some sort of answer like that.”

Eventually, the two of you start a marathon of the Scream franchise. Which in hindsight, is kind of a bad idea seeing as it was way past midnight and the other actress still has a long week ahead of her. It seems like the events of the day catch up to her cause you feel a head slipping on your shoulder; distracting your focus halfway through Scream 3.

Jenna had fallen asleep with her head on your shoulder. You fight the urge to tense up not wanting to wake her up. She looked like she needed the rest and you relate more than anyone to her exhaustion.

“Jenna…” You lightly tap, “You fell asleep, you need to go to bed.”

She grumbles, whining in her slumber. You feels your cheeks warm when she unconsciously moves to snuggle closer to you, throwing an arm over your waist.

Fuck.

Really?

God, I am not your strongest soldier.

“Jen, seriously. Wake up.” You shake her arm.

“What?” She complains, her words muffled by your collarbone.

“You need to go to bed.”

The feeling of her soft lashes brushing against the material of your shirt as she blinks sends a shiver down your spine. “Oh…”

Jenna mumbles mortified. Quickly pushing herself off of you, unable to look you in the eyes. “Sorry.”

You don't mention how she might have punched your stomach and that you were desperately trying not to cough.

“S’okay…” You shake your head softly. You couldn't help but notice the way her hair fell over her eyes messily.

“I’ll see you tomorrow?” She asks once she regains her senses, waking up from her short slumber.

Something tells Jenna she won’t be sleeping with how fast her heart is pounding; uncertain as to where her sudden anxiety is coming from.

“Yeah… I’ll be waiting for you inside.” You stand gathering your belongings.

“Wait, you’re not walking the carpet with me?” Jenna pulled a face.

You raise a brow, “No? At least, I wasn't told I had to. They just said I had to show up.”

“Oh… okay.” She nods then sighed, long and profound.

You continue to raise a brow but don’t say anything. Not wanting to push her. You remember the last time you guys fought and are immediately turned off. No thanks, not trying to open that can of worms.

“Okay. Goodnight then.”

“Goodnight, Y/N.” She leans against the door.

Her premiere is a success. After borderline shoving you inside a tinted Cadillac, Link brushes your vintage Prada gown down; making sure you are in tip-top movie-star shape. You don’t walk the carpet, instead heading straight inside – making headlines.

Your every damn move is a headline these days.

Silently thanking whatever God was out there that you didn’t because the way your jaw dropped when you see Jenna was downright embarrassing. Your reaction would surely have been a running piece if cameras were around.

Your managers would love it though.

Link had to forcefully elbow your side as Jenna walks up to greet you.

“Wow…” You manage to say. “You look stunning Jenna.”

Jenna was glad for the dim lights in the theatre, “Thanks.” She blushes, casting her eyes down.

“You look great too.” She scans you up and down, suddenly feeling warm under her gape.

Maybe it was the way her makeup is done or the deconstructed tuxedo for a dress that she had on tonight but she looked more mature, intimidating? Like she could throw you around a little and you’d just gladly ask her to do it again.

Wait, what?

“Thanks… Link and I should head to our seats but I just wanted to congratulate you. This is seriously amazing.” You express sincerely.

Jenna flushes more, waving you off with a huff and a lazy hand. “Please.”

“Seriously!”

Link coughs loudly, interrupting the bubble you and Jenna found yourselves in. “Okay, someone’s a little impatient. We better go.”

A hand reaches out, grabbing you. “Do you wanna, maybe, I don’t know. Sit beside me?”

You turn, surprised. “Oh? What about Enrique?” You glance at her stylist standing just behind her pretending like he wasn’t listening; fiddling on his phone.

“I’m sure he won’t mind switching to sit with Link, right Enrique?” She turns, asking her friend.

He grins widely, “Nope. All good with me!”

“Perfect!” She smiles at you, still grabbing your arm.

“We’ll be down there!” Jenna calls out to Link and Enrique linking your fingers out of nowhere as you walk to beside her costars.

You still don’t say anything when Jenna wraps herself around you when you make it to your seats, waving as people cheer with a large smile before pulling you to sit down.

Only then did she pull herself away, “sorry about that.”

“All good.” You mumble after realizing what happened; turning to face the large screen.

Perfect photo op.

“Hey is that sharpie on your dress?”

“Yes.” She sighs.

The rest of the night goes off without a hitch but you can’t stop the growing unpleasantness in your chest. You decide to brush it off and save face for Jenna’s night. Your sulking and feelings can wait in the privacy of your own four walls and definitely not at a high-profile movie premiere.

By the time you found yourself at the NBC building in a random dressing room at the SNL studio, waiting for Jenna’s monologue you forget all about it. You lay lazily on a stiff and most likely old couch, scrolling through your phone.

A knock on the door has you pulling off your headphones. “Come in.”

“Hey Y/N.” A head peaks in making you sit up briskly. “Aliyah, hey. Is everything okay?”

“Yeah, yeah. Just uh– Jenna’s asking for you.” She sends a sheepish smile, the corners of her eyes crinkling.

“Oh,” Your head perks up. “Is she okay?” You question, following the smaller girl past hallways that all looked the same; trying not to bump into the various stagehands buzzing around.

“Yeah, yeah, she’s kinda freaking out, though and… we can’t get her to calm down.” You both stop at a closed door.

“Oh… why me?” You couldn’t help but ask.

“Uh… okay she didn’t exactly say you but I saw your episode and you were hilarious and who better to talk her down than someone who’s done it before.” She flashes a large grin before opening the door and shoving you inside.

The room is empty save for Jenna dressed in a short-legged suit. You force yourself to blink, reminding yourself that you are on a time crunch.

“Jenna.”

She snaps her head at your voice, and a noticeable tremble in her fingers is the first thing you see. “What–what are you doing here? I thought you’d be in your seat by now.”

“Your sister asked me to come.” You admit, walking forward.

“I’m fine. Go to your seat, I’ll see you after the show.” She turns her back to you, looking over sheets of paper with multi-coloured inked notes scribbled on every open space.

“Take a deep breath for me, Jenna.” You walk closer, slowly bringing the hand tightly clutching her notes down. The bones in her fingers relax as she drops the paper. She doesn’t say anything when you don’t disconnect your hands.

You find yourself standing much closer to her.

“Take a deep breath.” You repeat.

Jenna closes her eyes, inhaling a long, deep and audible breath in then out. She clutches your fingers as she does so, unconsciously leaning back against you to ground her bubbling anxiety.

She stays in your hold with her back against your chest: a death grip on your fingers. Your swipe a thumb over the skin of her hand. “It’ll be okay…”

“Thanks…” Jenna looks into your eyes, taking one last deep breath.

Briefly, you hold her gaze feeling tepid under the intense look in her eyes. You can’t tell what they're saying but for some reason, the way her dark pupils seemed softer under the fluorescent lights had you under a spell.

And for a fleeting second, you thought she was leaning in closer to you — eyes flickering to your lips.

“Don’t mention it.” You drop her hand immediately, taking wide steps back.

Not liking the way her eyes flickered down.

You don’t like what that could possibly mean.

Jenna’s turning rapidly, pretending not to notice as you take sizable steps away from her. “What did my sister say?”

You laugh, shoving your hands in your jacket. “That she liked my SNL episode and thought someone who’s done it before can talk you down.”

“Talk me down?” She scrunches her nose.

“Don’t shoot the messenger.” You shrug.

“Your episode was okay.” Jenna turns away to face a mirror, brushing away her bangs.

You take the bait, glad she wasn’t trembling anymore. “Okay? I got the whole cast to break, it’s considered a classic. It was nominated for an Emmy that year.”

“It didn’t win though.”

You scoff playfully, “I’m leaving. You clearly don’t need my help anymore.”

She laughs obnoxiously as you stomp out of her dressing room. “Wait.”

You stop just before you open the door. “Yeah?”

“Thank you… for talking me down.” She tucks a hair backs, a little shy.

The small smile creeping on your face is hard to subdue. “Don’t mention it. Now, go. You’re gonna kill it.” You wink, exiting the dressing room.

“She’s all good.” You tell her team.

“That’s it? She hasn’t calmed down all day, it takes you – what, five minutes?” Enrique crosses his arms. Jenna’s mom smirks, patting his back then walked past him and into the room as the rest of her family slowly trickled in; her sisters staring at you intensely.

“Uh sorry?” You blush furiously, walking off in the other direction to find your seat.

Jenna kills it, but that was never a surprise. You can tell she’s nervous throughout her monologue but after Fred Armisen does his bit – from beside you, which had been a pleasant surprise. She begins to grow confident, feeling pleased with your embarrassment when the camera pans to you and Fred.

You’d get her back for that. Making a mental note to cook up a special revenge plan, just for her.

Eventually, she falls into the role naturally. Nailing her punchlines perfectly, working the crowd like an expert, and exquisitely performing her skits. It’s a shock to you when you overhear someone behind you say she’s never done live stage work before.

She's so natural at it.

It's a privilege to watch her perform.

You nearly die when she changes into a red suit as she introduces the musical guest of the night.

Actually, you begin to slide off your seat when she comes out in a pinstripe suit — a reference to the Addams family you overheard in passing.

When credits roll and the ‘LIVE’ sign turns off. You remain in your seat. Unsure if you are just admiring her or if it’s ‘cause your legs no longer functioned. You can’t fight that admiration as it grows when you see how supportive her family is as they cheer her on and celebrate this win as one unit.

You smile, wishing you can relate. At least some people had that in their lives.

A part of you thinks it makes the whole world’s difference, having a support system like that. But you would never know.

Silently, you slip out the stage doors and back to the random dressing room you’ve decided to take refuge in.

You narrowly miss Jenna trying to find you through the masses; her smile dropping a bit when she realizes you’re gone.

–

You don’t get a chance to personally congratulate Jenna because Link was bursting into the dressing room — after complaining about trying to find you for ten minutes. Rambling on how you’re needed back in Los Angeles and there was no time to say goodbye.

When you catch the other actress it’s by pure stroke of luck. You're going through checkout at the hotel, waiting for Link to do all the work as you wait behind him.

You feel slightly guilty that you're just leaving without warning.

You should send Jenna a text, right? But would she even care if you left so suddenly? She did want you out of the city just a few days ago.

But then, you two literally just, might’ve, maybe, almost kissed/shared a moment in her dressing room, so who knows what you should do at this point.

You feel a migraine forming at the base of your skull, the longer you thought about the other actress.

“Y/N?” A voice breaks your self-deprecating thoughts. You turn to see Jenna with her team and family trailing beside her.

Jenna’s smile falls when she sees your bags. Her family walks ahead but you certainly don’t miss their curious eyes as she stops in front of you.

“Where are you going?” Her eyes keep flickering between you and your bags.

Link avoids her sharp, accusing eyes.

“Back to L.A. sorry I was just about to send you a text, actually.” You confessed, a little ashamed.

It felt like you got caught doing something you shouldn’t be doing… like when you lie to your long-time partner about the real reason why you want some time apart.

“A text?” She raises an unamused brow not liking your answer.

“Yeah, Jake wants me back in L.A. Uh– sorry, was I supposed to tell you?” You ask, a bit confused.

“Tell me?” She scoffs, face dropping. “Yeah, you’re supposed to tell me. I was going to invite you to dinner to celebrate with my family and the SNL cast tonight. But you weren’t even in the audience anymore by the time I finished.”

“Sorry… I thought you’d want to celebrate with your family.” You shrug lamely, torn between feeling guilty and confused at her reaction to the news of your sudden departure.

She made it feel like you were trying to escape.

“Well, I thought–”

She cuts herself off with a huff then looked back as her family waits for her by the elevator.

“Thought what?”

As if remembering she was still out in a very public setting, after hosting one of the most recognizable programs in America; Jenna blinks out of it. Shoving her feelings down.

“Nothing. Have a safe flight back to L.A. I’ll see you in a few days… or weeks” She mumbles with an edginess to her words, walking away before you can say anything else.

“Tough break, buddy.” Link pats a comforting hand on your shoulder as you were rendered speechless. Unsure if you should chase her down and apologize.

Damn can she walk fast in those heels.

But, why would you be apologizing for having to do your job?

But the way her brow creased like she was actually upset caused an unpleasant drop in your chest. Not enjoying how she was upset and that it seemed like it was all your fault. You? Nah. Maybe she’s still dealing with other stuff and is just taking it out on you.

It wouldn’t be the first time.

“What. Just. Happened.” You turn, aggressively snatching your card from the hotel worker who definitely enjoyed the show.

“Are you blind?” He scoffs then walks away from you.

“What do you mean? Link… what do you mean?”

taglist is closed (if your @ can't be tagged it will be removed, DM me to fix it.)

@alexkolax @ladey @jjsmaybank20 @werewoofrobinbuckley @chealsib @fanboy7794 @la-douleur-ne-finit-jamais @zelload @natashadeservedmoree @orang3-ish @jennasslut @friedryes @canyonyodeler @nahnahnahwhatt @be-missed @jjuncidio @fearstreetsoloyouandurmom @oksana-moods @theirishmanronan @r-ude @wokethefuxkup @bandaidss @skate-to-breathee @user173781 @frasersgf @natblidaclexa @justafoolinlove @bring-mecoffee @slu7her @haughtsauce21 @wheesunsangel @cyberexpertalienspy-blog @jennaortegasfootrest @zaza11sblog @omega-horus @heroofdeath11 @selluequestrian @justalittledissociation @imaloserbby @catswag22 @sorexhera @smjmgko @acutenobody @raven-ss @canceldevvi @sweetaimu @rockwyn @rwndsana @cheesybacon1 @cvluswnt @secretbackrooms @vixen1006 @zhasmindoesntknow @namesduntmatter @ulicebld @rozmrazaradelfinow @icarly23 @cartierdreamx

#jenna ortega #jenna ortega x reader #jenna ortega x fem!reader #jenna ortega x you #wednesday netflix

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cieloclercs · 1 year

Text

what would you say (if i told you i love you)? — charles leclerc

PART: 3? (read part 2 here)

summary. in which childhood best friends blur the lines between what they’ve always known, and something more

warnings. swearing, online hate, we’re getting to the angst now 🫣 arguments, charles is an idiot, arthur and joris being sick of his shit (but what else is new)

pairings. charles leclerc x arsty!reader

face claim. tara michelle

author’s note. again, i have no idea how much modern art sells for at auctions so don’t come at me if this seems unrealistic 🙏☹️ i also feel the need to clarify that y/n has 2 instagram accounts, one personal and one for art stuff ☺️

liked by joris_trouche and 51,196 others

y/nsart auction update! 🎨

tide - sold for €12,460 erode - sold for €9,500 wave - sold for €20,890 glint - sold for €6,300

this is nothing short of a dream come true for me. the support i’ve seen both on social media and at the auction (once again, thank you to everyone who stopped by!) has been beyond anything i ever could have hoped for 🩵

if you’d told me when i was a little girl that one day people would pay for art i’ve created, i wouldn’t have believed you. i’m so so grateful to have been given this opportunity to do something that i love and to share it with the world 💗 i can’t wait to see what the future holds!

view all comments…

username congratulations y/n! 💕💕

*y/nsart liked this comment

leclerc_pascale C'est tout à fait mérité. N'arrêtez jamais de peindre, ma fille, vous avez un don! / completely deserved. never stop painting, my girl, you have a gift!

y/nsart merci beaucoup 🥹 je promets de ne pas le faire x / i promise i won’t

arthur_leclerc congratulations petite sœur! / little sister

y/nsart merci arth ☺️

y/nsart also, ‘petite’? i’m literally older than you?

arthur_leclerc but you’re smaller 🙃

charles_leclerc toujours fière de toi, ma chérie ❤️ / forever proud of you, sweetheart

y/nsart 😐

charles_leclerc you’re still mad at me? ☹️

y/nsart if you wanted one of my paintings you could have just asked rather than wasting over €20,000. i would have let you have it for free

charles_leclerc i didn’t waste anything, y/n

username uh oh mom and dad are fighting 😳

username ironic how her highest selling painting was literally bought by her best friend 😭

username i guarantee you it would NOT have sold for that much if charles hadn’t been bidding

username i don’t want to be the one to say it but lately it kind of feels like y/n’s been using her friendship with charles as a way to promote her art…

username as much as i love y/n icl i think you might be right 🥲

username 🤢🤢🤢

username stop using charles’ fame to try and make yourself relevant! you’ll never be good enough for him babes 🥰

username the switch up on these comments from ‘fans’ is actually so embarrassing

username i know! it’s like as soon as y/n starts becoming successful everyone suddenly decides it’s not because of her own hard work but because of charles 🙄

username lmao how has she managed to make tens of thousands for that shit she calls art? i’m sensing a clout chaser 😂

username this REEKS of jealousy

username these comments make me sick. y/n has proved time and time again how talented and hard working she is. just because charles doesn’t know you exist doesn’t mean you get to hate on another girl who he ACTUALLY cares about. grow up.

*charles_leclerc and y/nsart liked this comment

username i feel so bad for y/n. no offence to charles but if he’d let the auction play out normally without bidding (although he does have a right to do so if he wants!) then she wouldn’t be getting all this hate right now 😔

comments on this post have been limited.

liked by pierregasly and 1,567,836 others

charles_leclerc back to work 🇳🇱

view all comments…

username no y/n like? ☹️

username is y/n with you?

username guys check kym illman’s instagram! he said charles turned up to the paddock alone…

username i mean, y/n could be arriving later right?

username if y/n isn’t there it’ll be the first race she’s missed since singapore last year 😳

username y/n has a life besides charles! just because she’s not at one race doesn’t mean they’ve fallen out or anything ☺️

username but think about it…neither charles nor y/n have posted anything to do with each other since the auction a week ago normally they can barely go a day without posting each other 🥴

username can everyone just stop talking about y/n 🙄 all she ever did was distract him anyway

username forza charles! ❤️

username he’s not even smiling :((

username because he knows ferrari are shit, it’s probably nothing to do with y/n

username i didn’t even mention her? 😭

joris_trouche i think you’re missing someone mate

username JORIS??

username HE KNOWS SOMETHING!!

username JORIS PLEASE TELL US WHAT YOU KNOW

username i hate to be the bearer of bad news but y/n just posted. she’s not at the grand prix 🥲

yourusername

viewed by charles_leclerc and 9,637 others

replies:

arthur_leclerc oh shit arthur_leclerc what did he do joris_trouche just say the word and i’ll smack him for you 😁 ↳ yourusername please don’t do that 😭 yourfriend you don’t need him, mon amour ❤️ ↳ yourusername ☺️

you:

did i do something wrong?

we haven’t spoken in a week

charlie 🤍:

no, y/n

you:

you won’t answer my calls

charlie 🤍:

i’ve been thinking about what you said

i don’t want you to have to deal with hate because of me

you:

so you think ignoring me is the answer?

charlie 🤍:

i’m not ignoring you, y/n, i’m trying to protect you

you:

what the fuck?

charles, i don’t care what people say about you

charlie 🤍:

but i do

isn’t it for the best? if we aren’t seen together for a while, you won’t get any of the hate

you:

you really don’t get it do you

if you think i want you to cut me off to ‘protect me’ then maybe you don’t know me as well as i thought you did

charlie 🤍:

don’t say that

i just want everyone to see you the way i do

you:

and i already told you, i don’t care what they think of me

i only care what you think

charlie 🤍:

why?

you:

i’m surprised you haven’t figured it out yet

charlie 🤍:

figured what out? [ seen at 4:11PM ]

y/n?

you:

i think it’s best if we don’t see each other for a while

bye charles

charlie 🤍:

what?! [ seen at 4:13PM ]

y/n come back [ delivered at 4:14PM ]

just tell me what you mean [ delivered at 4:20PM ]

please y/n [ delivered at 4:47PM ]

liked by yourfriend and 1,637,937 others

scuderiaferrari A DNF in Zandvoort for Charles. Now time to refocus ready for Monza 🔜

view all comments…

username what the actual fuck was going on with him today?

username i don’t know. i’ve never seen him so distracted 😕

username honestly a rookie mistake. if he’s going to be pulling shit like this then he doesn’t deserve his seat 🤷

username it’s just one mistake?? calm down 😭

username why do i feel like this has something to do with y/n…

username oh my god will you all shut up about y/n 🙄 they’re not even dating !!

username and? they’ve been best friends since they were 5 years old. if my childhood friendship broke down i’d be pretty fucking upset about it too

username we don’t actually know that they’ve fallen out tho…neither of them have said anything

username but isn’t it obvious? y/n not at the race, charles being distracted and sulky around the paddock? they’ve definitely argued about something

username charles i can’t keep defending you when you do this 💔💔💔

username how this guy has managed to keep his seat with all these mistakes i have no idea 😒

username hopefully y/n will be in monza to bring him some good luck🤞

➜ part 4

924 notes · View notes

casurlaub · 4 months

Text

Why Wolfstar makes sense canonically

Call me delusional but welcome to my TED talk

Most of this has been said repeatedly by others over the years. I don't mean to steal anybody's credit, so if you feel like I have, please reach out.

This is me 'defending' Wolfstar, I'm not hating on another ship here and I won't engage in a discussion about which ship makes more sense. I'm just trying to elaborate why I can 'see' Wolfstar - even from a canon perspective.

I'm trying (and hoping to succeed) to be respectful and I'm not attacking a specific person here. This is just a general post with all my thoughts on the matter and all the arguments I've heard against it.

Brace yourself because this is going to get really really long, and there'll be a lot of quotes from the original source material.

The original source material

I feel that many people who claim the ship doesn't make sense fail to see that we're in this fandom because it did make sense to us after reading the books. The fandom exists, because many people saw it. Because it's possible to see it. It's not the other way around.

The thing with Wolfstar is, that it's all in the 'show not tell' which I suppose makes it 'easy' to overlook. Obviously it is, with the author not intending the ship - I'm not saying wolfstar is canon, but it makes a lot of sense with what we have in canon.

Their nonverbal communication

They have a lot of nonverbal communication going on, which shows a great level of understanding for one another. But they're not only able to read one another, they're actively (and both of them) communicating via eye contact - a lot. They're searching for the other person's eyes and are passing along 'thoughts', are reaching silent understandings just like that. That hints at a great emotional connection.

Let's do that 'chronologically':

It doesn't take more than a single look from Sirius to convince Remus that he is innocent. At this point Remus doesn't know shit about what really happened. He admits so himself later on, he keeps asking Sirius questions later on. And yet again he's so ready to believe Sirius,

Professor Lupin came hurtling into the room, his face bloodless, his wand raised an ready. His eyes flickered over Ron, lying on the floor, over Hermione, cowering next to the door, to Harry, standing there with his wand covering Black, and then to Black himself, crumpled and bleeding at Harry's feet. 'Expelliarmus!' Lupin shouted. [...] Lupin caught them all defty then moved into the room, staring at Black, who still had Crookshanks lying protectively across his chest. [...] Then Lupin spoke, in an odd voice, a voice that shook with some suppressed emotion. 'Where is he, Sirius?' [...] Black's face was quite expressionless. For a few seconds, he didn't move at all. Then, very slowly, he raised his empty hand, and pointed straight at Ron. 'But then… Lupin muttered, staring at Black so intently it seemed he was trying to read his mind. “'Why hasn’t he shown himself before now? Unless...-' Lupin's eyes suddenly widened, as though he was seeing something beyond Black, something none of the rest could see, '-unless he was the one… unless you switched… without telling me?' Very slowly, his sunken gaze never leaving Lupin’s face, Black nodded. [...] Lupin lowered his wand. Next moment, he had walked to Black's side, seized his hand, pulled hm to his feet so that Crookshanks fell to the floor, and embraced Black like a brother.

And then he says, still without having received any explanation, just like that,

'I haven't been Sirius' friend for twelve years, but I am now... let me explain...'

They are so in synch with their actions without even having to talk about it; they're forming a united front (I'm getting to that later on), they're again reaching a silent understanding just by looking at one another (again),

Both Black and Lupin strode forwards, seized Pettigrew's shoulders and threw him backwards onto the floor. [...] Black and Lupin stood shoulder to shoulder, wands raised. [...] Black and Lupin both looked staggered. [...] Black and Lupin were looking at each other. Then, with one movement, they lowered their wands.

I think it's also important to note that they do not just look, but look to check for each other's opinion on the matter. Harry asks them not to murder Peter and of course they listen to him, but they first look at each other as if checking to be on the same page. So - they've just reunited after over twelve years and immediately take the other person into consideration (I'm getting to that later on).

Then in OotP there's the famous fourty line stare where Remus is just intently staring at Sirius while he and Molly are arguing, as opposed to the others who are watching the conversation (who does that?),

'Lupin, who had been about to take a sip of whine, lowered his goblet slowly, looking wary' [...] Lupin's eyes were fixed on Sirius. [fourty lines of back and forth between Molly and Sirius] 'Personally,' said Lupin quietly, looking away from Sirius at last.

And it's not just Remus doing it. It's mutual. They act like a unit (again, getting to that). They care for each other's opinion and they do know each other so well that a single fleeting look is enough for them to check in with the other,

He [Harry] thought he saw Sirius and Lupin exchange the most fleeting of looks before Sirius answered [...]

And again when Harry contacts them via floo to discuss Snape's Worst Memory, they do it again,

They exchanged a look of great surprise [...] Lupin glanced sideways at Sirius, then said, [...]

They communicate via touch, too:

Black's wand arm rose, but Lupin seized him around the wrist, gave him a warning look, then turned again to Pettigrew, his voice light and casual [...]

So - Remus does not only convince headstrong Sirius to back down nonverbally just by looking and touching him, no I think it's also important to note that Remus, who isn't a 'touch person' (he's awkward when comforting Molly, he (as far as I recall) never hugs Harry, always just shakes hands), doesn't even seem to think twice about touching Sirius. No, he immediately pulls him into a hug, then is restraining him physically when he tries to launch at Scabbers, then continues to communicate via looks and touch. After twelve years of separation he's immediately comfortable enough to initiate it.

They're super in synch - also with how they say things

It carries through the whole of OotP, really. Sirius says something just for Remus to say something immediately afterwards or the other way around. When they're together in a scene, the vibe is always them carrying the conversation together, one adding to the other's thoughts.

It already starts in PoA,

'They didn't say what they thought they saw !' said Black savagely [...]. 'Everyone thought Sirius killed Peter,', said Lupin nodding.

But in OotP it's taken to whole new levels. It's too much to put here, but in that conversation where they tell Harry about the Order it's basically:

said Sirius / said Lupin /said Sirius /said Lupin... throughout the whole scene. One of them says something and the other one adds. And again. And again. And again.

And it happens again (though not to that extent) before Harry's Ministry hearing. In the Boggart scene. And then again when they discuss 'Snape's Worst Memory'.

They're also portrayed as being close to one another (distance-wise) repeatedly throughout OotP.

Like when Remus is there chances are Sirius isn't far. That doesn't have to mean anything of course but the frequency puts out a certain vibe to me,

'I said - shut - UP!', roared the man [Sirius] and with a stupendous effort he and Lupin managed to force the curtains closed again

Honestly, I think it's kind of funny that even when there're a number of people the two of them are always mentioned right after one another. Before Harry's ministry hearing, at Ron and Hermione's party, when Mrs Weasley is battling the Boggart, in the Department of Mysteries,

He pushed it open and saw Mr and Mrs Weasley, Sirius, Lupin and Tonks sitting at [...] Sirius, Lupin, Tonks and Kingsley Shacklebolt were already there Lupin had come running into the room, closely followed by Sirius [...] [...] and five more people sprinted into the room: Sirius, Lupin, Moody, Tonks and Kingsley.

And then when Harry floos to see Sirius after he has seen 'Snape's Worst Memory' Remus is there again-, casually sitting at the table and reading and Harry mistakes him for Sirius even (because he's looking so at home?). But Remus immediately knows where to fetch Sirius and comes back with him quickly after. That just has such a domestic vibe to me.

[...] long wooden table where a man sat poring over a piece of parchment. [...] 'Sirius'? [...] It was not Sirius, it was Lupin. [...] 'I'll call him,' said Lupin. [...] And Harry saw Lupin hurry out of the kitchen. [...] Lupin returned with Sirius at his heels moments after.

Remus and his relationship to his friends

Remus mentions Sirius first when he speaks about his friends, although in every other occasion it's always James who's mentioned first. He always says 'James and Sirius'/'your father and Sirius'; it's always James first, Sirius second, but when he's talking about him finding friends for the first time in his life, it's suddenly Sirius first,

'I had friends, three great friend. Sirius Black... Peter Pettigrew... and, of course, your father, Harry - James Potter.'

I don't think that necessarily means anything though, but I felt like adding it just for the sake of it... (I know the author stated James supported Remus after Hogwarts, not Sirius, implying they were (always) closer, but - and that's just my general personal approach - I don't care much for what she said in any Interviews/on pottermore/wizardingworld.com or whatever. She's contradicting herself so often there (see below). To me it's always books first and the books show that Remus and Sirius are close as adults whereas we don't have much information about Remus/James).

Then Remus is very obviously operating on double standards when it comes to Sirius as opposed to Peter. In his conversation with Harry it's insinuated that he doesn't want Sirius, who he believes to have betrayed Lily and James and killed Peter and twelve others, to receive the Dementor's kiss.

'He deserves it,' he [Harry] said suddenly. 'You think so?' said Lupin lightly. 'Do you really think anyone deserves that?

Yet later when he learns the truth he has no qualms whatsoever about killing Peter. He doesn't stop Sirius, he doesn't hesitate, he's joinng in. Why's this so different suddenly? Selling away your friends lives and framing your other friend (Peter) isn't worse than selling away your friends' lives and killing your other friend (allegedly Sirius), is it? So if their 'alleged' crimes are comparable, why is Remus acting different about Peter's than he is about Sirius's?

'Shall we kill him together?' 'Yes, I think s,' said Lupin grimly.

It's not about him thinking the Dementor's kiss was worse than death either. Because he as no qualms to bring Peter to the Dementors when Harry stops them from murdering him. So... why the double standards again?

Sirius/Remus also so do 'relationship behaviour'. I mean the whole nonverbal communication already, but also,

'Sirius, sit down.' [...] Sirius sank slowly back into his chair, his face white.

Remus gets Sirius even after over twelve years of being separated. Sirius is impatient in PoA, because he - finally - wants to take revenge on Peter. Remus not only sees that but tries to stop him. To me it reads as if he knows that Harry's opinion is important to Sirius, will be, once he sees clearly again and that he doesn't want him to destroy his chances with Harry by acting too impulsive. Because his intervention isn't rooted in his concern for Peter's life obviously, because he's ready to kill Peter once they explained everything,

'[...] I think Molly's right, Sirius. We've said enough.' Sirius half-shrugged, but did not argue. 'I'm coming up there to have a word with Snape!' said Sirius forcefully, and he actually made to stand up, but Lupin wrenched him back down again. 'If anyone's going to tell Snape it will be me!' he said firmly

Sirius doesn't exactly react well to being emasculated (and that's an understatement). He doesn't react well when Harry doesn't want him to come ro Hogsmeade as Padfoot - he lashes out and answers with a low-blow ('You're less like your father than I thought '). And yes, that's in OotP where his mental health isn't the best. But the rest of those scenes also happen in OotP. And he lets Remus call the shots, lets Remus stop him, in front of all the others. Remus is giving him a direct order like he is a f**** dog (not going deeper into this because I *hate* all those pup/pet play fics) and Sirius does not only not fight back, he complies. I'm not saying he respects/likes Remus more than Harry, I'm just using this example to point out that, considering Sirius's character it's a really big deal.

Remus understands Sirius and is looking out for him

'Sirius, NO!, Lupin yelled, launching himself forwards and dragging Black away from Ron again. “WAIT! You can’t do it just like that - they need to understand - we’ve got to explain -“ 'We can explain afterwards!,' snarled Black, trying to throw Lupin off, one hand still clawing the air as the tried to reach Scabbers, who was squealing like a piglet, scratching Ron’s face and neck as he tried to escape. 'They’ve - got - a - right - to - know - everything!,' Lupin panted, still trying to restrain Black. 'Ron’s kept him as a pet! There are parts of it even I don’t understand! And Harry - you owe Harry the truth'

And then again he's stepping in when Sirius is not doing himself any favor with Harry (again),

'And why did he fake this death?' he [Harry] said furiously. 'Because he knew you were about to kill him like you killed my parents.' 'No', said Lupin. 'Harry-' 'And now you've come to finish him off!' 'Yes, I have,' said Black, with an evil look at Scabbers. 'Then I should've let Snape take you!' Harry shouted. 'Harry,', said Lupin hurriedly, 'don't you see? All this time we've thought Sirius betrayed your parents, and Peter tracked him down - but it was the other way around, don't you see? Peter betrayed your mother and father - Sirius tracked Peter down-'

And then Remus is stepping in - again - when it's getting too much for Sirius,

'Harry... I as good as killed them', he [Sirius] croaked. 'I persuaded Lily and James to change to Peter at the last moment [...] I was scared. I set out for your parents' house straight away. And when I saw their house, destroyed and their bodies - I realized what Peter must'v done. What I'd done.' His voice broke. He turned away 'Enough of this,' said Lupin, and there was a steely note in his voice Harry had never heard before.

And in this scene in OotP he's also looking out for him,

'I'm coming up there to have a word with Snape!' said Sirius forcefully, and he actually made to stand up, but Lupin wrenched him back down again. 'If anyone's going to tell Snape it will be me!' he said firmly

They're forming a united front - not once, but it's a recurring motive.

Both are ready to handle the whole Peter thing together. They haven't seen each other for over twelve years, they didn't part on good terms and still they're immediately including the other. Even Sirius who's (in this situation) either failing to see how his behavior isn't doing him any good with building a relationshio with Harry or is incapable of stopping himself, is including Remus,

'Ready, Sirius' said Lupin [...] 'Together?' he [Sirius] said quietly. ‘I think so', said Lupin [...]

And then again, they're ready to kill him together, too,

'Of course,' said Black, and the ghost of a grin flitted across his gaunt face. He, too, began rolling up his sleeves. 'Shall we kill him together?' 'Yes, I think so,' said Lupin grimly.

And also non-verbally they're an united front (see above),

Then they're portrayed as 'shoulder to shoulder' (figuratively speaking) in other situations as well. Remus is taking Sirius's side in the argument with Molly although he has no business doing so, although he usually prefers to stay in the background. He's usually keeping quiet, usually not speaking up - Molly even thinks she's getting an ally when he joins the conversation,

'Personally,' said Lupin quietly, looking away from Sirius at last, as Mrs Weasley turned quickly to him, hopeful that finally she was about to get an ally. 'I think it better that Harry gets the facts - not all the facts, Molly, but the general picture - from us, rather than a garbled version from ... others.' [...] 'Molly you're not the only person at this table who cares about Harry', said Lupin sharply.

Remus is always taking Sirius's Side - he keeps making excuses for James and Sirius's behavior at Hogwarts, he keeps playing it down - even as an adult. He's damn biased, he doesn't move an inch - as long as they're in public at least,

'Sirius thought it would be - er - amusing, to tell Snape all he had to do was prod the knot on the tree-trunk with a long stick and he’d be able to get in after me.'

'a schoolboy grudge' [Remus to Snape]

Lupin looked sideways at Sirius, then aid, 'Look, Harry, what you've got to understand is that your father and Sirius were the best in the school at whatever they did - everyone thought they were the height of cool - if they sometimes got a bit carried away-' 'If we were sometimes arrogant little berks, you mean',, said Sirius. Lupin smiled.

And I think it's important to point out that Remus does this even though it's not his real stance on the matter,

'[...] it would be - er - amusing, to tell Snape [...]' 'We were in the same year, you know and we - er - didn’t like each other very much. He especially disliked James. Jealous, I think, of James’s talent on the Quidditch pitch…'

The 'er' and 'I think' is a speech pattern of his that indicates he's not being completely honest/doesn't truly believe what he says. ('So he - er - accidentally let slip that I am a werewolf this morning at breakfast.' / 'Er - perhaps it will be best if we don’t revive him until we’re safely back in the castle.). He doesn't truly think they were as harmless as he's portraying it ('Did I ever have the guts to tell you I thought you were ought of order?').

So - united front on the outside, no matter what. But it's insinuated that behind closed doors Remus is taking a different stance. He's blaming himself for not stepping in with the whole Snape thing, because that's just who he is - blaming himself for everything (sometimes rightfully so, sometimes not) While I do think he didn't say anything outwardly, there must have been something that made it clear to the others that Remus didn't approve of their behavior,

'Of course he was a bit of an idiot,' said Sirius bracingly, 'we were all idiots! Well - Moony not so much', he said fairly, looking at Lupin. But Remus shook his head. 'Did I ever tell you to lay off Snape?”' he said. 'Did I ever have the guts to tell you I thought you were out of order?' 'Yeah, well', said Sirius, 'you made us feel ashamed of ourselves sometimes… that was something….'

Remus is suddenly living at Grimmauld Place

So at the end of GoF Remus obviously has his own place (or is living with his father again, although he didn't want to because he didn't want to disturb his quiet life according to the author? But then again I don't care what she said on Pottermore).

'Sirius, I need you to set off at once. You are to alert Remus Lupin, Arabella Figg, Mundungus Fletcher —the old crowd. Lie low at Lupin's for a while, I will contact you there.'

So that's at the end of June. And then at the beginning of August when Harry arrives in London, just six weeks later, he's living at Grimmauldplace already, and not only at Grimmauld Place, he's living with Sirius

Lupin, who was staying at the house with Sirius but who left it for long periods to do mysterious work for the Order [...]

And then rhey give away joint Christmas presents,

Sirius and Lupin had given Harry a set of excellent books entitled Practical Defensive Magic and its Use Against the Dark Arts, which had superb, moving colour illustrations of all the counter-jinxes and hexes it described.

They act differently with / because of one another

Sometimes they even defy their core character traits.

Remus's primal drive in everything he does is to be liked/fit in/be seen as good by others (and not as the monster he sees himself as deep down). He's even sometimes manipulative and hypocritical because of it. For example he doesn't tell Dumbledore about Sirius's animagus form because of it (or at least it's part of the reason, or he believes it to be). But when Snape enters the Shrieking Shack he doesn't care about himself getting into trouble for - allegedly - helping a supposed mass murderer break into the castle and everything. Even though he stated before that he didn't tell Dumbledore about Sirius for fear of losing his respect, all he cares about suddenly is Sirius's safety:

'Severus, you're making a mistake,' said Lupin urgently. 'You haven't heard everything - I can explain - Sirius is not here to kill Harry-' [...] 'You fool,' said Lupin softly. 'Is a schoolboy grudge worth putting an innocent man back inside Azkaban.'

Also Remus is able to get through to Sirius even in a state of utmost agitation. Sirius is trying to murder Peter and Remus stops him and Sirius listens, even though his goal is finally in reach. Although, up to that point, he didn't exactly act very sensible (slashing the Fat Lady, breaking into Harry's dorm with a knife),

'All right then,' Black said, without taking his eyes off the rat. “Tell them whatever you like. But make it quick, Remus. I want to commit the murder I was imprisoned for…'

And he continues to listen to Remus, Remus continues to be able to get through to him even when he's getting emotional. And Remus, who's always trying to appear mild (for fear of being perceived as aggressive which he can not afford because of the werewolf-thing), who even spoke quietly before in that very same conversation, is losing parts of his composure when Sirius is attacked,

“Molly, you’re not the only person at this table who cares about Harry”, said Lupin sharply. “Sirius, sit down.” Molly’s lower lip was trembling. Sirius sank slowly back into his chair, his face white.

Remus is letting loose around him (and the other marauders). He quips,

'Did you like question ten, Moony?' asked Sirius as they emerged to the Entrance Hall. 'Loved it,' said Lupin briskly. 'Give five signs that identify the werewolf. Excellent question.' 'D’you think you managed to get all the signs?,' said James in tones of mock concern. 'Think I did,' said Lupin seriously, as they joined the crowd thronging around the front doors eager to get out into the sunlit grounds. 'One: he’s sitting on my chair. Two: he’s wearing my clothes. Three: his name’s Remus Lupin.'

'Well, as everyone thinks I’m a mad mass-murderer and the Ministry’s put a ten thousand Galleon price on my head, I can hardly stroll up the street and start handing out leaflets, can I?,' said Sirius restlessly. 'And I’m not a very popular dinner guest with most of the community,' said Lupin. “It’s an occupational hazard of being a werewolf.'

[As @remusawoooo put it: let's form a comedy duo <3]

And Remus is obviously very comfortable with Sirius. He's always restraining himself, Harry narrates his way of speaking as 'mild' or 'quiet' so many times, but apparently he's different when he's alone with Sirius. That hints at a great level of trust. He doesn't bother to keep up his act around him, because he doesn't worry about being perceived as mild with him and just speaks his truth ( e.g. about Umbridge). He can just be and oh boy, thinking about Remus's character that has to be the greatest fucking deal ever.

'I know she's a nasty piece of work, though - you should hear Remus talk about her.'

And then Remus, who is so good at appearing restrained, is losing his composure when Sirius dies,

'He can’t come back, Harry,' said Lupin, his voice breaking as he struggled to contain Harry. 'He can’t come back, because he’s d-' [...] Lupin's face was pale. [...] Lupin turned away from the archway as he spoke. It sounded as if every word were causing him pain.

In this moment Harry himself is in huge (emotional) pain, but he still notices - must've been rather obvious, then?

Edit (because it's been pointed out to me): and then Remus goes into self-destruction mode after Sirius's death, signing off for dangerous Order missions, obviously falling into some sort of depression..

Their mutual respect for one another

So, I've read how Sirius wouldn't/couldn't possibly respect Remus / see him as an equal. How they wouldn't fully 'trust' one another. No matter if you 'see' Wolfstar or not, that is just plain wrong.

Sirius respected Remus already as a teenager. He (and James, too), cared for his opinion, otherwise they wouldn't have been affected by whatever he thought about their bullying. But they were ('you made us feel ashamed of ourselves sometimes').

The whole Sirius thinking Remus was the spy thing also shows that he respected him. He saw him as capable - not just as capable of betraying his friends, but also as a capable person in general, a person with an own agenda, not just a copy of him or James. He didn't see Peter like that.

Sirius lets Remus take the lead in the scene in the Shrieking Shack even though the whole taking revenge on Peter/avenging James (James!) thing is most important to him. He does not only let himself be swayed by Remus and lowers his wand instead of killing Peter right after they forced him to transform, he also let's Remus lead the conversation. To me that shows a huge level of trust. He only joins in after Peter accused him of having learned tricks from Voldemort. But before that it's just Remus talking for some paragraphs?

And Sirius listens to Remus not only in that scene, but also in OotP. First he sits down again in his argument with Molly simply because Remus told him so. Then he's waiting for Remus to come back to the room before he even starts telling Harry about the Order business.

Lupin hurried of to the portrait to restore calm. It was only after he had returned, closing the kitchen door behind him and taking hs seat at the table again, that Sirius spoke.

Then he just accepts when Remus says they've said enough without arguing,

'[...] I think Molly's right, Sirius. We've said enough.' Sirius half-shrugged, but did not argue.

Headstrong Sirius, who's even challenging Dumbledore's orders by insisting on telling Harry stuff, who's challenging Dumbledore's orders by accompanying Harry to King's Cross (as Padfoot), who's willing to challenge Dumbledore's orders when he suggests meeting up at Hogsmeade (as Padfoot). But Remus says we've said enough and he is just like 'okay'. Remus says 'sit down' and despite him having been attacked personally he just does. He clearly respects him a great deal.

On a more subtle note (and maybe I'm reading too much into the source material here, but it makes sense to me)... The Prank was not a big deal in canon. At least not initially. But adult Remus tells us in PoA,

'That was still really dangerous! Running around in the dark with a werewolf! What if you’d given the others the slip and bitten somebody?' [Hermione] 'A thought that still haunts me,' said Remus heavily. 'And there were near misses, many of them. We laughed about them afterwards. We were young, thoughtless - carried away with our own cleverness. I sometimes felt guilty about betraying Dumbledore’s trust, of course… he had admitted me to Hogwarts when no other headmaster would have done so and he had no idea I was breaking the riles he had set down for my own and others’ safety.[...]'

And he's still making excuses for the prank in this scene and Sirius still says how, 'it served him [Snape] right'

But then in OotP when they discuss Snape's Worst Memory with Harry, Sirius obviously has some introspection and to me it easily reads as if they had talked about that behavior - as adults,

'I'm not proud of it,' said Sirius quickly. Lupin looked sideways at Sirius, then said, 'Look, Harry [...] if they sometimes got a bit carried away-' 'If we were sometimes arrogant little berks you mean,' said Sirius. Lupin smiled.

He cuts him off and to me it reads like, 'okay Remus, you can stop making excuses for me'. Maybe adult Sirius came to that conclusion himself with being out of Azkaban for almost two years at this point. He's certainly emotionally intelligent enough to do so. But then again, he's incredibly blind when it comes to Snape in general, even as an adult, so I'm not so sure about that.

Other things

Sirius was lounging in his chair at his ease, tilting it back on two legs. He was very good-looking, his dark hair fell into his eyes with a sort of casual elegance neither James's nor Harry's could ever have achieved, and a girl sitting behind him was eyeing him hopefully, though he didn't seem to have noticed. And two seats along from this girl - Harry's stomach gave another pleasurable squirm - was Remus lupin.

I personally think that's over-interpreting the source material, but I've read someone pointing out how it reads like,

'Hormonal male teen doesn't care for the attention of a teenage girl, why could that be, why could that be... oh, here's why: ...'

(let's not forget about asexual people though)

The Original source material getting ridiculously obvious without the author intending so

Okay, so I personally don't set great store by this, but I think it's funny:

Their names being the biggest cliche ever

Remus 'Moony' Lupin and Sirius ' the Dog Star' Black. Moon and stars, come on. All this from an author who's taking the name game to ridiculous levels. (I mean Remus Lupin = Wolf-son Wolf?, even Lyall = Wolf. And Sirius = the Dog Star Black. And he's a black dog.... really?)

Nearly matching Patroni

They have (supposedly) nearly matching Patroni. Remus's is a wolf while Sirius's is supposedly a dog because it usually aligns with the caster's Animagus form. Anyhow, it's supposed to reflect the caster's personality. Matching Patroni are a huge deal in HP. And a wolf and a dog are pretty damn close, meaning that even if they're not 'matching' technically speaking, they (the caster) are pretty damn close character-wise?

But what about...?

All your 'proof' doesn't necessarily mean they're a thing romantically

No, that's right. I'm not saying wolfstar is canon, I'm just saying it makes sense, even from a canon perspective. Obviously the author didn't intend them to be canon. My point is that it's no stretch to read them as being a thing (whatever that means - being together or just having some sort of unresolved feelings) even in canon.

I'm aware that the things I pointed out don't mean much if you look at them individually. I agree. Like, of course joint presents don't have to mean anything, maybe Sirius is just being 'nice', is including Remus. But it's the sum that give off that vibe—at least to me.

But hey, I'm not trying to convince anyone of Wolfstar; I'm just trying to elaborate. I'd be happy if we could all agree that, no matter any romantic feelings, they were very close friends. Because that, as I hope to have pointed out, is definitely canon.

They don't make sense because of the prank

First - they don't have necessarily to have been a thing back in fifth year already.

Second - the prank was no big deal in canon. I've already ranted about this in another post, so I won't repeat myself here. But canonically Remus didn't make a scene. Like it or not, think it's in character or not, but he didn't.

But Sirius disregards Remus's feelings in 'Snape's worst memory

So this is, what we're talking about, right,

'I’m bored,' said Sirius. 'Wish it was full moon.' 'You might', said Lupin darkly.

Again, they don't have to have necessarily been a thing back in fifth year already. Most of the 'show' we get from the original source material is from when they're adults.

And: Sirius being flippant is just how he is, it's not unique to his relationship with Remus, it doesn't mean he disrespects Remus or anything. He's sarcastic with James in that very same scene, too, even though James had just been insulted and turned down by Lily in front of numerous bystanders (maybe not the nicest thing to do?).

'Bad luck, Prongs' [...] 'Reading between the lines I'd say she thinks you're a bit conceited, mate.'

We - as a fandom - are turning the full moons into a much bigger deal than they were - or at least than Remus wanted them to be. ('And they didn’t desert me at all. Instead they did something for me that would make my transformations not only bearable, but the best times of my life. They became Animagi.')

But Sirius thought Remus was the spy - they couldn't have been close in 1981

'Being close' is a matter of definition, like, I can be super hurt and disgusted by someone's behaviour and still the person can mean a lot to me. So I think it's possible that they cared for each other even though Sirius suspected Remus to be the spy. But in the sense of them 'emotionally getting' each other I definitely agree. But - even if they weren't close in 1981 - what does that say about their teenage years? Or about them past PoA? Right, nothing.

But Lily's letter didn't even mention Remus and Remus isn't standing with them in the Order photograph

See above.

But you don't just move past something like mistrusting each other so deeply

Maybe you don't. They did. Because they did, no matter what you think about wolfstar. Btw, Sirius is asking for Remus's forgiveness, so there's that for the whole 'he can't forgive him for not having him gotten out of Azkaban'-thing.

'Forgive me Remus', said Black. 'Not at all, Padfoot, old friend,' said Lupin, who was now rolling up his sleeves. 'And will you, in turn, forgive me for believing you were the spy?' 'Of course,' said Black, and the ghost of a grin flitted across his gaunt face.

The ghost of a grin. Yes, Sirius is obviously very resentful.

And even if they had a chat about it during 'Lie low at Lupin's', even if they worked through some old baggage - by the beginning of OotP they're definitely super casual with one another.

Their whole dynamic is super toxic... The mistrust and everything. That's not a healthy basis for anything

Unfortunately, being toxic doesn't stop people from being in a relationship. But I don't think they are toxic, not necessarily. While I agree that they definitely have issues (I don't see either of them being good at healthy communication; how were they supposed to learn? Besides, both of them have problematic character traits), I do think, in general, they treat each other with respect. And there's no evidence whatsoever for either of them holding grudges about the spy situation. I know people want Sirius to be resentful because they feel Remus deserves it for letting him 'rot' in Azkaban, but there's no evidence for that.

But Sirius didn't seek out Remus's help in PoA when he was after Peter

That would have been risky, wouldn't it? And I don't think there was much on Sirius's mind except for the revenge thing. Sirius is usually quite calm and way less dramatic than fanon makes him out to be. But he loses it completely with the whole Peter affair. I mean slashing the Fat Lady and acting like the mad mass murderer everyone thinks him to be by breaking into Harry's dorm with that knife? (Stupid and also super risky with no wand)

But Sirius isn't with Remus in GoF but rather lives in a cave

Yes, to be close to Harry. Because Harry is his top priority (see below). So what does that prove? He's rather with Harry than with Remus. Agreed. But it's not like he was roaming the UK instead of being at Remus's before. He was somewhere south, far far away to evade seizure. He only comes back because of Harry.

It's understandable, because he feels responsible for Harry (and perhaps guilty because he blames himself for James's death). He doesn't feel responsible for Remus, who is a grown man - and Remus's safety isn't at stake. His own safety is more important than just being with his friend/lover/whatever, but it's not more important than Harry's safety. I think that's a pretty healthy dynamic actually.

Harry doesn't notice so they can't be a thing

Harry is great at noticing some things. Others, not so much. For example Harry thinks Tonks is in love with Sirius, so so much for Harry's perceptiveness. The books being from Harry's perspective is part of the point of Wolfstar making sense.

What about James?

What about James? Is this a contest? No one says Sirius and James weren't best friends (I won't step into the shipping James/Sirius debate here, I respect the ship eve though it isn't my cup of tea). We all agree they were super close. We all agree they were inseparable and that Sirius was devastated about James's death. Following this line of argument Jily makes no sense either (as @myheadsgonenumb pointed out). People are capable of loving their partners (or loving someone unrequitedly or loving someone without realizing) and having a close best friend at the same time.

Plus, who's to say he wouldn't have been devastated if Remus had died, too? People have the ability to care deeply about more than one person (and again, it's not a contest)

BANG! Thin, snake-like cords burst from the end of Snape’s wand and twisted themselves around Lupin’s mouth, wrists and ankles; he overbalanced and fell to the floor, unable to move. With a roar of rage, Sirius started toward Snape, [...]

Yes, Sirius is obviously completely indifferent to what happens to Remus.

BUT it does annoy me that a lot of wolfstar fics are erasing James / are turning Remus into everything James was for Sirius. Like James was just a side character for.Sirius. That's unrealistic. Sirius needs James, Wolfstar or not.

But it's stated Sirius and James only cared for each others opinions, no one else's

Is it really? I've basically already tackled that one above, but, while I agree that they were most important to one another, Sirius himself says to Remus, 'Yeah, well. You made us feel ashamed of ourselves sometimes… that was something….'

What about Harry - the books state he was the most important person to Sirius (and vice versa), not Remus?

Agreed and again - is it a contest? That line of reasoning would mean that parents aren't capable of loving their partners because they have children.

But Sirius wouldn't be with someone who let Harry suffer at his aunt's / who allegedly endangered Harry's life in PoA by withholding information from Dumbledore...

He wouldn't? The backbone of this argument is that Sirius would not trust/forgive someone who did these things. And wether you ship wolfstar or not, that is just canonically wrong. They were canonically close in OotP (see quotes above) - if you're negating this you're being delusional.

I don't think I have to deep-dive into Sirius's character here because it's obvious that he didn't hold a grudge against Remus.

Remus is too much of a loser for Sirius to want him as a partner

I feel like that's pretty much the same argument, so it get's pretty much the same answer: He wouldn't?

The backbone of this argument is that Sirius was too cool for Remus, had not enough respect for Remus, which is, canonically simply not true. No matter if you like it, no matter if you think it makes sense considering Sirius's character, it's fact that adult Sirius respected him very much. He listened to him, he cared for his opinion, he backed down because of him, he allowed Remus to take the lead. He doesn't treat him as inferior. Not a single time.

But Sirius is so much better than Remus, he has a better moral code, he's a better man, a better [insert statement here]...

Again - it doesn't matter much if you think so, or what I think about it. But Sirius didn't think so. Not a single proof he's resentful towards Remus, not a single proof he thinks Remus is inferior to him, not a single proof he doesn't respect him. The opposite actually.

But Remus is such a pushover, it just doesn't fit personality-wise. Sirius needs someone strong

Is Remus really? Because he isn't as an adult. At least not as long as he isn't concerned personally.

I see Remus as someone with deep-rooted self-worth issues, hence he's struggling to stand up for himself (his worst decisions are all linked to his poor self-esteem). But he has no problem in PoA to stand up to Snape (in the scene in the Shack), he has no problem to stand up to Sirius (multiple times in that scene), he has no problem to take the lead in the conversation with Peter. He has no problem to stand up to Molly when she's attacking Sirius and he tells Sirius to leave it to him to deal with Snape when they learn that Snape stopped giving Harry Occlumency lessons (and wrenches him down again). He's not as gentle/soft/pushover-y as people sometimes think.

Besides, we don't know much about how he really was as a teenager. He himself says that he didn't call them out for the whole Snape thing, but his self-perception isn't the best and he tends to blame himself for everything, so we don't really know how true that really is... As mentioned before, Sirius himself says,

''Yeah, well. You made us feel ashamed of ourselves sometimes… that was something….'

And also (before that),

'Of course he was a bit of an idiot,' said Sirius bracingly, 'we were all idiots! Well - Moony not so much.'

But Sirius is depressive in OotP - the long hair, the drinking, his moods...

Yes, of course, he's trapped in his childhood home without being able to do anything, he's feeling useless. No wonder he's depressed. Having a relationship doesn't save you from depression (although having no fulfilling platonic/romantic relationships at all can be a major factor for getting depressed).

If one or two pillars have crumbled that is possibly already enough for the roof to tumble down - even though the third is still standing (surprise!).

[On a personal note: I know what I'm talking about (although not everyone's experience is the same obvs) because I'm suffering from depression despite having a wonderful partner, great sisters and great friends.]

But Harry inherited all of Sirius's money/belongings when he died, not Remus.

I don't know about you, but I don't peg Remus as somebody who would've accepted it. Apart from that, Remus was an adult whom Sirius saw as an equal, just as capable as himself, whereas Harry was Sirius's godchild, whom he felt responsible for (and probably still guilty towards).

But Sirius had his wall plastered with pictures of bikini-clad girls

And I had a poster of my favorite (male) singer over my bed at the age of fourteen. Guess what, I'm not straight.

What about Remadora?

I'm not stepping into the 'Is Remus gay'/'Is Remus bisexual' debate right here because I don't think it's necessary. Remadora was after Sirius's death. Period.

And the whole Remadora ship is awful - for both of them. @lizlemonbennet wrote a beautiful post about that

Tonks deserved better - she was so unhappy pining after him, it was literally sucking joy and confidence out of her (her hair changed and her Patronus changed). Lets talk about her Patronus actually. Before Remus it was a rabbit, after she fell in love with him it was a wolf. If Patroni represent your personality, what does it say about you when your Patronus is your lover's literal prey? To me that's a pretty obviously unhealthy dynamic.

But you're erasing women from the story

No, we're not. Wolfstar was a thing before Remadora and Sirius doesn't even have a canonic love interest. Besides - I love Jily and doesn't Hermione get paired with just about anyone?

But the author stated on wizardingworld.com that Remus had never fallen in love before he met Tonks.

I think the whole killing off Sirius and marrying off Remus thing was just the author dealing with fans interpreting her story in a way she didn't like. So, that's point Pro Wolfstar in my book. Either way, I don't care much about what she wrote on Wizardingworld or elsewhere when it contradicts the original source material. Because the author contradicting herself in interviews, on Pottermore, with the films, and even within the books is really nothing new. Just a short list of her making no sense:

James Potter being a seeker, no a chaser, no a seeker, actually nvm

Saying that Snape was in a gang with the Lestranges ('a married couple') at school, when Bellatrix had already left school when Snape arrived at Hogwarts

Saying James was fifteen in 'Snape's Worst Memory' when he had to have been sixteen. It happened after O.W.L.s and students turn sixteen during their fifth year of school. With his birthday being stated as being in March in the very source material itself (DH), sorry, but that's just wrong.

The whole timeline of the Order deaths in 1981

Halloween 1981 being a Wednesday when it actually was a Saturday (Wednesday - Saturday, close, huh?). The story starts from Vernon Dursley's perspective who's on his way to work and Harry's been brought to Privet Drive the same evening. According to the 'real calendar' this means baby Harry spent over a day alone in the ruins of his parents' house? Cool

September first, 1993, being a full moon, meaning Remus has to have transformed on either the train ride to Hogwarts or during the Start of Term feast. Meet your need DADA professor, he's a werewolf, like, right now. Ups, I guess the jig is up.

Remus not transforming in PoA when he hurries to the Shack despite sun already having set just because the moon is blocked by clouds??? It's that easy to evade transformation, yes? Why not lock yourself in the basement, then?

.... (don't get me started on plot holes, I could rant about this to no end)

Other reasons the ship appeals to so many people

Friends to lovers (with a bit of enemies to lovers because of the spy thing?)

I don't have to elaborate on that do I?

Just the right measure of opposites attract / Like will to like - They're good together or at least have the potential to be

I didn't mean to turn this into some Remus Lupin / Sirius Black meta, but...

In some ways they are super similar. It's very important to both of them to be viewed as 'good' by others (although their definitions may differ). Remus because he needs that sort of validation because of his poor self-worth. Sirius needs to be seen as 'good' as opposed to his family. They get each other partly because they know how it's to be reduced to a single trait. But then they act very differently about it - Sirius plunges into action while Remus retreats and masks.

They're both dark in some ways; they were both ready to kill Peter.

James didn't believe one of his friends would betray him. Both Sirius and Remus weren't so naive (Although drawing the wrong conclusions):

You think I'm a fool?" demanded Harry. 'No, I think you're like James,' said Lupin, 'who would have regarded it as the height of dishonor to mistrust his friends.'

Remus is kind/gentle but he's also passive-aggressive at times and sometimes manipulative. Whereas Sirius is harsh, sometimes even cruel, but that means he's also blunt. That has the potential of them dragging one another away from the extremes a bit, meeting in the middle (although Sirius probably would be able to do so on his own, I think most times he simply doesn't care).

While Sirius is much less dramatic and rash than parts of the fandom make him out to be, he has a tendency to act impulsive (acting like a mad mass murderer when he breaks into the castle / wanting to murder Peter without thinking about what that means for his relationship with Harry / jumping to his feet to immediately have a word with Snape when he hears about him dropping the Occlumency lessons). He can do with some sort of counterforce just as Remus needs somebody who forces him to crawl out of his shell.

The drama

They get each other without really getting each other. Sirius thinking Remus is the spy is super tragic because he's (probably) in one way or another reducing him to the werewolf thing, which is the one thing that really hurts Remus.

But he doesn't do that for malicious intent - he does so because he sees Remus's struggle, because it makes sense to him and because he deems Remus capable. But he doesn't really *get* Remus. Because if he did, he would have realized that for Remus it was always most important to be liked/fit in. He'd never betray his friends' trust, because he's so grateful for having them in the first place. He would have rather died, - he doesn't think his life is worth much anyhow (as opposed to Peter). Remus would rather die than risk being shunned.

So he sees Remus but misses the point spectacularly. Which just breaks my heart. And still they're finding back to each other (as friends at least)

Goodbye

Thanks to everyone who's read that far. Again, I don't mean to bash any other ship, this is just about my 'love' for Wolfstar - canon wolfstar especially, meaning keeping their canon personalities and not erasing James or playing down his importance. Don't tell me I can't write a canon compliant Wolfstar story just because the fandom has transformed the characters into something else.

I'm also not saying that you have to read it the way I do, it's always interpretation anyhow. But I hope I managed to shed some light on the whole matter.

I didn't check the text because I didn't intend it to get that long tbh. I only had time to write it down because I'm sick at the moment. But I hope there's no holes or anything.

#Can we at least agree that they were close as adults? Bc that would already make me happy (and it's true)#wolfstar #wolfstar defender #remus x sirius #remus lupin #sirius black #marauders #marauders era

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brucewaynehater101 · 12 days

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I remember this one shot where tim & bruce swaps bodies while bruce is as batman in some jla meeting. Tim just continues it perfectly.

This is the body swap au, btw

Anyways, would Tim do a good job as Batman?. I think if Tim sees the swap as something brief he would do his best. (But we all make them swap long enough to Tim having enough time for long term plans) so if Tim gaslights himself into believing they would swap back after some weeks, he would do better. He thinks he can do better as a way to show he can be Batman without being a evil one(he's fighting the gun Batman allegations).

Still, it would be funny that in his "I'm gonna fix Bruce's life while am here plan".

Tim acts less as a classic moody batman while in the atalaya. Gives more and kind advice. He talks with Superman about his situation with Kon. He helps Flash with his eating schedule. He helps Arthur with whatever is going on in Atlantis. He shuts off all of the surveillance on Bruce's coworkers, just to mess with Bruce.

He just avoids Martian tho.

Then, it's been a month since the swap. They don't seem to find any way back. Tim cannot lie to himself anymore and the Batman duties are becoming way too much.

Then Bruce dies in Tim's body.

Tim never wanted to be Batman, neither to be like Bruce. But he messed Tim up. Tim never wanted to be like Bruce Wayne. And now he is living his nightmare, every day since Bruce death, Tim has to wake up and avoid his reflection. Tim never wanted to be like Bruce Wayne and now everyone call him the wrong name. Bruce died and Tim does what he does best, he sacrifices. He ditchs his identity any hope of being Tim Drake, so Batman can rise once again.

(The last paragraph is a little darker end of the version of this au where Bruce dies in Tim's body. I happily would read some of your ideas where none of them dies tho. There's just so many aspects os this au we can develop more, also we need more bruce pov of this).

Here is the post being referenced!

[I'm sorry to say that 90% of Bruce POV's are just gonna be him suffering.... I can try, though. Put up a valiant effort]

Let's really pack in that angst, shall we?

For this AU, Tim has been compared to Bruce so many fucking times.

At first, despite his shaky relationship with the grieving man, he took it as a compliment. He was like his hero Batman!

It started with Alfred fondly tutting over Tim's capacity to neglect self care duties and his shared interests. The older man would sarcastically ask Tim if he was following Bruce's footsteps of being a loner who sits in his basement all day (just teasing and joking and slight reprimanding).

Then there were the heroes that remarked on Robin's uncanny ability to do the batglare or translate Bruce's grunts.

When Steph and Tim got into arguments (and Tim was being a grade A asshole), Steph would compare Tim's emotional incapability and distrust with Batman's.

Dick, in the heat of the moment, has yelled at Tim to stop acting like Bruce (they got ice cream afterwards as an apology).

Jason has tsked and grumbled and shouted about Tim being molded into Bruce's shape/image.

Even Babs has made a comment or two.

While they didn't mean to hurt Tim (unless they were fighting [for which they would both usually make up and apologize]), it caused a small dig and insecurity to Tim's own self-image.

He wanted Bruce to be proud of him.

Tim wanted to be nothing like Bruce.

Then you add on the 16th birthday, Bruce's shit with Steph, how Bruce treats his other kids, other canon events, gun Batman, and Tim losing the rose-colored glasses of childhood?

Yeah. Tim doesn't want to be Bruce.

It seems fitting, after stealing Robin, that he'd get stuck under the name of the man he grew to see as a warning.

It figures that his choice in saving Batman lead to Tim's loss of self.

[Hmm... I can do another post chatting about Bruce or no one dying if you would like.... Or someone else dying before the truth comes out :)]

#thank you for the ask!!!!#dc au #body swap au #tim drake

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goldenhickeysandramen · 7 months

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Evolution of their narrative

I admit it. I also get confused as to what kind of couple Tae& Koo is supposed to be to their shippers.

When I first joined the fandom they were the “hidden couple”, and jikook was “fan service”, cause is what the masses demanded from BH/Bang PD.

It didn't take me long to realise that the "masses" in this fandom are actually the taek00kers (humaluvre is bigger than the majority of the most famous JK's focus accs) … So I've never really understood who the masses-asking-massively-for-"jikook"-content were 🤷‍♀️

Then, I read them that the big proof that taek00k was real was, precisely, that they couldn’t do all the things that jikook could do so well (you know, travel together only the two of them, stare at each other in rapt attention, sucking ears and necks, treat each other as a married couple, support each other to the fullest, holding hands whenever they have the opportunity…). The reason of them not doing all of these things was South Korea, since it is an homophobic country.

That’s why the company edited the content and didn't let them interact. It was all cuts and so on. Everything they did was private, and that's why there was no evidence, other than some witnesses of people with telescopic sight and facial recognition (maybe they were androids?)

I had more or less understood the narrative, until the LOVEGRAM era started, and that's when it all blew over!

Their insta accounts were no longer professional accounts (like twitter or weverse), but personal… and from then on, their selfies were some short of engagement pics or couple confirmation and their funny comments about boxing hooks were actually whipped messages of love.

Btw it seems South Korea was no longer homophobic at that time.

INSTAGRAM WAS THE LAW

When JK closed his Instagram account (forced by the company 😌) we were already in chapter 2. The lovegram didn't matter anymore…because Jungkook hanging out sometimes with Tae and wooga became the confirmation of what Instagram -in reality- failed to confirm. Never mind that their hanging out concentrated during some months when they both had more free time or that they actually just did what good friends do: having fun at the movies, bowling or skiing together with other friends… but hey, those tiny details don't matter in the great love story that is told.

And from there we move on to the part where the CHAOS really started, when the COMPANION SYSTEM news dropped

And guess what? Korea became homophobic again

Some said that they were forced to part ways (the company, the government, themselves because they wouldn't last a second without f?….). Gays dont enlist together they said.

Another line of argument was that Jimin had asked JK to enlist with him… I guess because he was going to be terrible at the military. LOL

But we all can sense that the most extended opinion was "I can't understand this plot twist for shit".

(Maybe the problem is they never understood their favs but that’s for another post)

And in the midst of CHAOS it was no longer possible to think of a new narrative...that's why the strategy became "attack". If they can't prove that their favourites are a couple, they'll go and debunk the rest.

At this point they don’t seem to care if ta3k00k is real or not… they simply choose not to surrender and ignore some facts. If they freaking ignored Jennie during a year, they will do the same with jikook being glued for 18 months.

So in the next months, we'll probably see part of fandom (solos and tkkers) attacking jikookers, and another part trying to ignore us. I fear the chaos will continue… pretty sure some toxic ones will watch the travel show just to diss jikook..

But we shouldn’t care too much because as we have seen, Jimin and Jungkook will never stop taking their decisions and behaving with authenticity

The boys have chosen their own path this year, not to please the majority of their fandom (jikookers are not the mass), but because they wanted to.

At the end of the day, they care about their fans, but we don’t own their lifes and they have shown us. And I applaud 👏 them

And yes, maybe their country and the careers they have chosen dont allow them to be fully free…. but they dont prevent them to stay one next to the other. They know how to choose the battles worth fighting for.

Don't you think it's beautiful and says a lot about the quality of love and respect that Jimin and Jungkook have for each other?

I think so

"standing in the fire next to you"

💜💛

#kookmin #jikook #jikook kookmin #mingguk #jimin and jungkook #jikook kookmin jinkook jiminshiii jk #minkook #mingukkie

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from-the-clouds · 1 year

Text

texas sun - joel miller x f!reader - vol. xiv

series masterlist | series playlist | writing masterlist | previous chapter | chapter summary: The final chapter pairing: joel miller x f!reader words: 9.2k (I love being insane) chapter warnings: SMUT (18+only) - unprotected sex. Insecurity/Jealousy. Angst/arguments. Discussions of death, blood and injuries. Alcohol & Marijuana use. Fluff. Bisexual reader (happy pride ya'll!). As always please dm for more specifics. a/n: This could probs use another round of proofreading but it would've delayed this even longer sooooo.... Here we go! I feel pretty emo right now and I might make a more in-depth post about my thoughts at a later date bc I just finished writing this in a hot daze so I can't put all my thoughts coherently together. But I just wanna say thank you to everyone who supported and gave love to this story. This is by far the most popular fic I've ever written, and I don't really know how? Or what I did to deserve all the love but I just want you to know how much I appreciate it. Thank you for sticking with me through all the angst and delayed updates and everything. I'll never forget you and I'll never forget Joel x Reader!! Thank you so much, I hope the finale lives up to your expectations! ❤️

**I DO NOT HAVE A TAGLIST. Please follow @ftcwriting and turn on notifs if you would like to be notified when I update my works :) **

I’m not the kind of man who tends to socialize I seem to lean on old familiar ways….

-May 16, 2024-

“Are you sure you’re okay if I leave you here alone?”

Ethan’s voice jolts you out of a daze, and you blink your eyes open, realizing that you’d dozed off while sitting upright in a patio chair, the cheesy romance novel you’d been reading still lying open on your lap. Turning to look over your shoulder, you find him standing with one foot on the deck, and one foot still inside, cut in half by the sliding glass door.

Clearing your throat, you straighten up and nod. “Of course. I’ll be fine.”

Ethan studies you carefully, like he’s not entirely convinced. He’s been hesitant to leave you alone unless it’s absolutely necessary – only stepping away from the house to go on patrol shifts and to bring home meals from the mess hall. Recovery has made you feel like a burden to him – to all your friends in the community, really. Everyone….well, almost everyone, has been supportive, but you’ve never been comfortable being openly vulnerable.

Unfortunately, it’s too hard to deny the pain that you’ve been in since the accident, the trouble you have getting around, the exhaustion that clings no matter how many long naps and twelve-hour nights of sleep you get. According to the doctors, being so tired is just part of recovery – rest is important, but the concoction of pain medication you’ve been prescribed only makes your drowsiness and confusion worse. It had been a big deal that tonight you’d mustered the energy to drag yourself outside to sit in the fresh air.

“I’m fine,” you assure Ethan, once again. “Have fun on your date.”

“It’s not really a date,” he says, almost a little too quickly. “We’re just hanging out.”

“Right,” you say, matter-of-factly. “Do I know who this person is?”

Ethan looks at his feet. “You remember the day this shit happened?” he asks, gesturing towards you. “Before you left on patrol, the girl that said hi to me? It’s her. Her name is Alex.”

“Oh?” you tilt your head, give him a small smile. “She was cute. How’d you ask her out?”

“Well,” he begins, scratching the back of his neck. “I may have…uh, gotten some advice.”

“You didn’t think to ask me?” you’re able to muster up a small smile.

“I would’ve, I just…..” he shakes his head. “It seemed stupid…with everything you have going on.”

“It’s not stupid,” you say, feeling a wave of guilt. Even though he’s the one looking after you, you haven’t spoken to him much about anything going on in his life. In fact, you haven’t really spoken to anyone in a long time, beyond thank you’s and blanket statements like I’m doing better. You feel disconnected, and more lonely than ever. If you ever get enough energy to leave your house, you expect most of the people in the community to have forgotten you exist. “Who’d you ask?”

“Uhm….” Ethan runs a hand through his long dark hair, shifts his weight. “….I’ve been assigned on patrol with Joel Miller a lot lately….so….”

You almost laugh when he uses Joel’s full name. Joel has been such a huge part of your life – sometimes the hero, sometimes the villain – that you don’t need to hear his last name to know who Ethan’s talking about. You could know a thousand Joel’s, and he’d still be the first person that came to mind. But Joel is still a sore subject, and Ethan knows it, which is why you suspect he’s avoided telling you this in the first place. You feel your eyebrows knit together, only able to let out an unenthused. “Oh.”

“I just, you know….he’s a guy. And it sounds like you even liked him at one point so….he must know something, right?”

“That was a long time ago,” you say quickly, regardless of the fact that he’s right.

It’s probably not fair to blame Joel for everything that has happened to you. You know this, deep down. But you’ve been so helpless and isolated since you’ve woken up in that hospital bed that you’re desperate to find someone to hold accountable. And Joel hadn’t visited you in the hospital once. By this point, he’s abandoned you so many times that your resentment feels justified, even if your current state is not directly his fault. Because it was you, after all, who had walked into the path of those men, too angry to think clearly, too weak to take them down alone. The only person you can blame is yourself, and you really don’t want to.

“Did he tell you to take her out on patrol, make her cry, and almost get her killed?”

Ethan clicks his tongue, looks down, almost ashamed. “No. He did not.”

“You should be careful with Joel,” you warn.

“I was…” Ethan says. “But I don’t think it’s that simple. I think he’s actually alright.”

“So you’re friends with him now,” you state, hoping he refutes. But instead, he looks up at you, frowns, and lifts his chin.

“What happened to you was horrible. It shouldn’t have happened. And yeah, maybe you think he’s the reason you almost died…. I don’t know the specifics so you can believe whatever you want. But I know that he’s the reason you’re still alive.” Ethan’s voice breaks, and you feel tears brimming your eyes before he continues. “He brought you back here, he donated his blood, he-”

“What?” you cut him off.

“What do you mean, what?” Ethan asks. “He was the only person there who had your blood type. You would’ve died if he didn’t. They didn’t tell you this?”

“Whatever it took to make him feel less guilty, sounds like,” you say, dismissively.

Something hot burns in your veins, something that must have always been there since you woke up, but you’re only feeling it now. It’s unsettling, Joel being a part of you that way. Your lives had already seemed intertwined enough already. But now, he’s inescapable.

“Well, he stayed by your side every night while you were asleep. Fuck, I mean, he was probably there just as often as I was. He made sure I ate, and slept and showered and… and he never once asked for anything in return. He cares about you as much as I do, clearly, so I don’t think it’s wrong to think he’s a good guy….”

You must not care about me that much, you want to say, but you stop yourself. Because it’s not true, and you’d only be saying it to hurt him. You have nothing to defend yourself with, no way to convince him otherwise, and so you just stare at him until he shakes his head and slips back inside.

Ethan is stubborn, he always has been. And it’s a special kind of stubbornness, fueled by anger – so common in most of the young people you meet these days. You understand why they’re all like this. When you’re robbed of your childhood – you get stuck there….waiting….. Like someday you’ll have a chance to do it all over again, regardless of how obvious it is that you won’t.

─── ･｡ﾟ☆: *.☽ .* :☆ﾟ. ───

-May 25, 2024-

Things get better, albeit slowly. You begin to wean off the pain medication, which makes you more alert. It’s still difficult to leave your house, but you can move around it more easily, and you don’t spend all your days sleeping. Luckily, you aren’t as stir-crazy as you’d been expecting.

One afternoon, Ellie Williams shows up on your doorstep with a bag full of groceries.

“Maria wanted me to bring these to you,” she says when you open the door. “She told me to tell you she’ll be over tomorrow, but she wanted me to give you these to tide you over.”

“That’s very nice. Thank you for bringing them to me,” you try to take the bag from her hands, but she steps back just a little, like she’s unsure if you should be carrying anything. You let your hands drop to your sides. “Would you like to come in?”

Ellie hesitates for a split second, adjusting the bag in her arms, and then nods. “Sure.”

Stepping to the side, you allow her into the home. Because of how warm it is outside, you’ve opened all the windows to let the breeze through.

“Sorry for the mess,” you say, Ellie following you into the living room. There are stacks of books and pill bottles with instructions scattered on your countertop. You haven’t swept the floors in awhile and all the hard surfaces are covered in a thin layer of dust. It’s not really that bad, but you don’t have the energy or strength to be on your feet for long – let alone to clean the house.

“I don’t mind,” Ellie says. “It’s not even that bad. I don’t know why older people worry about leaving your house messy and shit….no offense.”

“There was a time it used to matter,” you tell her. “And I see where you’re coming from, but my thing is – if you’re going to live somewhere, you should do what you can to make yourself feel comfortable.”

Ellie purses her lips, as if you’ve made a good point but she doesn’t know how to answer. Instead, you continue. “Can I get you anything? Water?”

“No, I’m okay,” she puts the bag on your kitchen counter.

“You can sit if you’d like,” you tell her. “I just need a moment to put these away.”

When you walk into your living room a few minutes later, she’s hovering near your record player, looking through the vinyls. The turntable was already in the house when you’d arrived years ago, but it was buried in the closet and broken. Ethan had managed to fix it after a little troubleshooting and scavenging for parts. Now, you both were always looking for records to bring home, and had amassed quite the eclectic collection – jazz, funk, hip-hop, and everything in between.

“Wow,” Ellie says, running her fingers along the shelved records. “You found all these?”

“Some of them were already here. But yeah. Ethan and I are always on the lookout on patrol. I can play you something. What do you like?”

“Eighties, I think,” she says. “But…I also haven’t heard as much.”

“Well here,” you thumb through the records, pull out a worn copy of Speaking In Tongues. “How about some Talking Heads?”

You pass the record over to her, and she stares at you blankly. It’s only then that you realize — she’s never used a record player before. There’s a familiar pang of sadness before you show her how.

“Are you feeling better?” Ellie eyes you wearily once the music starts, and you settle onto the couch, feeling a little worn out after being on your feet.

“Yes,” you say. “I’m older now, so it seems like healing takes a lot more time.”

Ellie nods, then bobs her head to the music a little. “This is better than most of the stuff Joel likes.”

“Oh yeah,” you smirk, and instinctually, you recall his enthusiasm for all things old-school country. “I remember that,” you say softly.

With so much time on your hands lately, you’ve found yourself thinking of Joel a lot, reminiscing on the time you’d spent with him and Sarah. What Ethan had told you about him staying by your side was definitely making you reconsider your assessment of him, even if you were still hesitant. It was probably a trap to think you’d ever be able to feel those things with him again, but if remembering them brought you comfort, you weren’t going to resist it.

“You’re more than welcome to come over to listen anytime,” you offer, and she nods excitedly.

Ellie stays for longer than you expect. You talk a fair bit. She tells you about what she’s learning in school – but mostly how ‘fucking useless’ it is. She wanders around your living room and pokes through your stuff without asking, but you don’t think to stop her – you just answer her questions and let her be curious.

Eventually, the sun dips below the horizon, and she excuses herself to go home, insisting that Joel will ‘fucking kill her’ if she’s out too late. Even though you’re exhausted after entertaining her for a few hours, you find it feels nice. Being on house arrest, essentially, had left your starved for connection outside Maria and Ethan.

You see her out the door before returning to your refrigerator to look for something to eat. Ethan will be back from patrol any minute, so it may be nice to make him something even if you have almost no energy.

But when there’s another knock on your front door, you’re shocked to see who you find staring on your porch.

Joel.

You almost forget to speak at the sight of him. It’s been weeks since your accident and he might as well have moved away from Jackson since you hadn’t seen him at all.

“Hey,” you say, tentatively, taking him in. He seems preoccupied – cheeks flushed, hair rumpled, and out of breath, like he had run all the way to get here.

“Have you seen Ellie?” he asks, not even greeting you in return. “I’ve looked everywhere and I-

“You just missed her,” you cut him off, not because you’re trying to dismiss him, but because he's clearly distressed. “I’m surprised you didn’t see her on your way over.”

Joel sighs, eyes closing in relief. “Thank God.” For a second, you glimpse the frazzled and overworked father you used to know. “She stayed out too late, had me worried sick.”

“She’s fine,” you say. “Although she did say you might kill her if she didn’t get home soon.”

Joel gives you an almost imperceptible smile, but seems mostly irritated by Ellie’s suggestion. “I would do no such thing.” He shakes his head and takes two steps backwards. “Thank you. Didn’t mean to be a bother.”

Your mind floats to a memory of Joel on your front porch, late getting home from work and looking for Sarah, and you can’t help but feel a bit of sadness and longing for a simpler time, a surge of affection.

Joel is halfway down your front porch steps when you speak again. “You aren’t bothering me.”

He pauses, turns to look over his shoulder. There’s something he wants to say, you can feel it, and you step outside, letting the door fall shut behind you and remaining huddled against the siding, and he turns to face you fully, sighing. “I’ve been meaning to stop by, actually….”

“Oh…really?” you can’t keep the surprise from your voice, and he notices.

“Yeah,” Joel rubs his fingers together, a nervous habit of his you know all too well. “Yeah. I- well, I wanted to apologize to you.”

You’re so startled by the words you can’t answer right away. But the split second of hesitation causes Joel to continue, looking to fill the empty space.

“I’ve been waiting to find the right thing to say….but it doesn’t seem like that’ll ever happen. I’m not even sure I know where to start.”

“Oh,” is all you can manage, still taken aback. The only thing that doesn’t surprise you about his admission is the sincerity. You could say a lot of things about Joel, but he isn’t a liar. He always tells the truth. Maybe it’s why he pulled away from you to begin with. It’s easier than the alternative – spending time with you, which would force him to be honest. For how much you’ve changed, you’d probably do the same.

But the thing with Joel is that you’re exhausted. You’re tired of the back and forth, of the push and pull, of the constant struggle to hold your care over each other's head, hoping the other will break first. Maybe this is a fresh start.

You step closer to him, and you see him study the way you move. Of course, you’re trying to look strong, but he can surely sense the weakness. He’d always been good at that, better than any of the others. Your hand comes to rest on the porch railing for support.

But…..

There’s that voice in the back of your head, the one that tells you this is a mistake. The one that reminds of the pain you’ve often earned through vulnerability. It likes to think it’s served you, protected you, and it has. But it’s not always right.

“I suppose I owe you an apology, too,” you say. “At the very least I should thank you for what you did.”

Joel shakes his head, dismissively, but looks to where your hand rests on the porch railing, looks back up to you as he reaches out. “I’m just glad you’re okay.”

His hand clasps over yours, and to anyone else, this might be nothing. It’s so innocent, unassuming. But the effect it has on you is palpable. He squeezes once, and you flip your hand over, squeezing his back, giving him a gentle smile. “I am too.”

Joel’s eyes fill with a warmth you haven’t seen in twenty years, and your stomach flutters, your heart races. A part of yourself that you’d considered long dead seems to rouse.“Would you like to stay for dinner?”

“I told Ellie we’d go to the mess hall together,” Joel says. “Otherwise I would.”

You blink once, and Joel sees it, immediately continuing on. “But maybe Ellie and I can come another time, join you and Ethan?”

“Yeah. He’d like that,” you say. “That might be nice.” ─── ･｡ﾟ☆: *.☽ .* :☆ﾟ. ───

-June 20, 2024-

You think that at the end of a long winter, bears must hate coming out of hibernation.

It must suck. They spend months sleeping, doing almost nothing, and then suddenly they’re forced to function again – to hunt, to eat, to roam, to survive and socialize. You imagine there has to be a learning curve, a desire to crawl back into their den and never leave again.

Or maybe you could be wrong, and they love it. And you’re just a wimp who hates feeling uncomfortable.

All you know is that you’re huddled in the back corner of the Tipsy Bison, nursing a whiskey – and it’s the last place you want to be.

You’re overwhelmed.

And despite the fact that you regularly used to attend community events, it’s been so long since you've been out in Jackson that you feel like you don’t belong. To some extent, you’ve always felt this – too hardened by the outside world to fully assimilate, especially when the town throws dances. But in the past, you at least attempted to convince yourself otherwise.

Two weeks back, the doctors had cleared you to go about your daily activities as normal – within reason, of course – but you hadn’t exactly jumped at the opportunity. Tonight, Ethan had accused you of becoming ‘antisocial’ and ‘reclusive’. You had agreed to attend – but only to beat those allegations. So far, you are definitely not.

You scan the crowd, taking in the people spinning around the dance floor. Some of the women are wearing dresses. You can’t help but feel a little envious of how easily they’re able to perform femininity, which is something you’d given up on a while ago. It hadn’t exactly served you before arriving in Jackson, and you predict it would be humiliating to start trying now. After all the things you’d experienced, you were left marred with scars and wrinkles, stretch marks and loose skin. Since then, you’ve remained loyal to the combination of men’s denim and tank tops with flannel-button downs overtop.

It doesn’t always stop the men in the community from descending like vultures. You might be the last pick – there are plenty others who are younger and prettier – but you’re still an option. Bea, your old partner, had always theorized that some men were particularly drawn to sapphic women, that it was ‘the ultimate challenge’. Maybe there is some truth to her theory, but you like men….sometimes. So there is always a part of you that yearns for their validation, for as many times as you tell yourself you don’t want it. But it never feels good to get it after you’ve watched them exhaust all their other options.

It’s pathetic, but it makes you think of Joel. He and Ellie had been over to yours and Ethans last week for a nice dinner, and you had tried to gauge whether there was any romantic connection between you still. Occasionally, you’d caught him looking at you with a wistful smile, but he could have been lost in thought. It’s not like you needed that from him or anything, but it might be useful information. After all this time, Joel is still so handsome, and probably has an impressive selection of potential partners here in Jackson – women of all ages. You hope he’s not here tonight – you can’t see much besides the dance floor at this point – because the thought of him cozied up to anyone here, combined with the acrid taste of the drink in your hand, makes you want to gag.

You take another look around the room. Eugene, your partner in crime – quite literally – is walking towards you, which helps quell your spiraling mind . If you talk to him, say hello to Tommy and Maria, maybe Ethan will see the effort you’re making and you can sneak out without having to deal with anyone. It’s wishful thinking, but it’s worth a shot. The sooner you can get home tonight, the better.

─── ･｡ﾟ☆: *.☽ .* :☆ﾟ. ───

Joel can’t stop staring.

He knows it’s impolite. He knows that he’s not being subtle. He knows that if any other person in this bar followed his eyeline, they’d pick up on what he was doing in an instant. But every minute he doesn’t get called out for it, he becomes more and more emboldened.

It’s the first dance he’s ever been to in Jackson, and the only reason he’s here is to placate Ellie and Tommy. But even they have abandoned him in favor of better companions – his brother is deep in conversation with Maria, sitting across from him in a booth, and Ellie is out on the dance floor dancing with one of her new friends, Dina.

Joel just can’t help himself. He still feels guilty for what he’s done, but he can’t shake the feeling of a soft hand clasped within his own – the first time he’d felt any semblance of hope since arriving here. Tommy and Maria had already slyly let him know about all the women who were interested, but he couldn’t bring himself to entertain their advances. There’s only one he wants, and she won’t even look in his direction.

When he’d first noticed you, you were whispering with Eugene on the opposite side of the dance floor. According to Tommy, you spend a fair bit of your time with the old man, which Joel initially thought to mean that you had some sort of entanglement. At first, Joel thought that couldn’t be possible. But you were deep in focus as you listened to Eugene’s words, nodding and leaning in closer and closer, and Joel thinks Tommy might be right. He wants to understand what you see in this man – tall and unkempt, covered in tattoos with long, graying hair and a beard to match. But Joel catches himself in his judgment, he’s probably just as unappealing – not just because of how he’s aged, but because of how horrible he’s been to you in general.

The next time Joel sees you, you’re at the bar, chatting with a man who Maria had introduced him to not long ago, a resident who is new in town. Joel had been too busy focusing on the fact that he’d been in Jackson long enough to not be its newest resident that he couldn’t remember his name. He wishes he had, so he could keep tabs on him. Of course, he can’t blame the man for being drawn to you – Joel knows very well that you’re hard to miss in a crowd.

Still, Joel bristles when you both step away from the bar, and the man’s hand lands just above your sacrum. He actually finds himself tensing up, resisting the urge to intervene, because it’d likely only make you angry. Plus, maybe you are interested. That question is answered quickly when you reach behind your to clasp the man's hand and place it back at his side. Where it belongs, he thinks.

“Joel!”

He snaps his attention to what’s in front of him – interrupted, and probably for good measure, lest he get himself too worked up. Ethan approaches with a girl his age, her arm linked through his. Joel stands to greet them.

The terse understanding between himself and Ethan while you were still in the hospital had somehow turned into a friendship, especially after they’d begun getting paired up on patrol. Ethan reaches out for Joel’s hand to dap him up, slinging an arm briefly over his shoulder.

“How’s it going, kid?”

“Good, good,” Ethan nods, pulling back, and gestures to the girl next to him. “Joel, this is Alex.”

“It’s nice to meet you,” she says. “Ethan’s told me all about you.”

“Really?” Joel asks, feeling a little bewildered.

“Only good things,” Alex says quickly, as if she senses his apprehension. Ethan puts his arm around her waist. Joel recalls a few weeks back when he’d asked for advice on how to ask out a girl. Joel hadn’t pried at the time, but now he seems to understand, and is surprised by the swell of pride he feels. “Ethan says you’re a fucking badass,”she giggles after she swears.

Joel looks over at Ethan. “I don’t know about that.”

He shrugs, changes the subject. “Since when do you come to these things?” Ethan asks.

“Ellie dragged me out,” Joel answers.

“I did the same with my aunt,” Ethan chuckles. “But now I can’t find her, and I’m pretty sure she’s escaped.”

“Oh, is she here?” Joel plays dumb, like he hasn’t been aware of exactly where you have been all night. “I haven’t seen her.”

“I think she was with Eugene earlier,” Alex has to stand on her toes to speak into Ethan’s ear. Joel watches Ethan’s nose wrinkle.

“Do you know Eugene at all?” Ethan turns to Joel. “I’m trying to figure out what’s going on there, but she won’t say anything.”

Joel wishes that he had more information. “Tommy says they seem close.”

“I know that,” Ethan says. “I wish she would just be honest with me. It’s not like I would be mad. Whatever,” he shakes his head. “We can talk about it another time. I just want to find her so I can introduce her to Alex.”

“We should say hi to Tommy and Maria first,” Alex says, and Ethan nods in agreement before saying goodbye to him. Joel claps a hand on Ethan’s shoulder as he moves past him, and Alex gives him a shy smile in acknowledgement.

Focusing back on the crowd, Joel realizes that you’ve vanished in the short span of his last interaction. Maybe you’d rejected that guy, and then he’d retaliated. Maybe you’d gone home with Eugene. Joel shakes his hand. It’s none of his business. He doesn’t need to get involved. It’s not his job to look after you, regardless of how much better he feels when he does. Old instincts. He can’t help himself.

He settles on watching Ellie and Dina spin each other around on the dance floor. Eventually, Tommy and Maria, then Ethan and Alex all trickle out of the booth to go get another round or head to dance. Joel stands to release the booth to someone who actually needs it – and is left in the corner, nursing a nearly empty beer that’s now flat and warm. He looks towards his family and friends, but for some reason, he still feels alone.

Joel isn’t sure how long he stands sulking, but he starts when someone approaches from behind.

“Having fun?”

You’re a pace or two back, one thumb hooked through a belt loop, a whiskey in your opposite hand. Joel looks back at the crowd a moment, then at the ground. “No.”

“Neither am I,” you commiserate, stepping alongside him.

Joel considers offering that Ethan was looking for you, but selfishly does not want to give you a reason to leave, so he stays quiet. You observe the dance floor like he is, smiling slightly at the sight of Ethan and Alex dancing. The flannel you’re wearing over a gray tank hangs loosely off one shoulder, and Joel wants to reach out and touch the exposed skin. You take your last sip of whiskey, bring a finger to swipe under your bottom lip, and Joel wishes he knew what you might taste like right now. He scolds himself for fantasizing.

You don’t speak either, and you stand in silence for a while, until you eventually pop your hip, shifting closer to him. Maybe you don’t realize it, but you’re already standing so close that your arm gets pressed up against his. Neither of you acknowledge the contact, but Joel is acutely aware of how your skin burns hot against his own. He feels comforted by the affection, even if it’s unintentional.

“Want to leave?” Joel asks, and can hardly believe that the words came out of his mouth, even if he wanted them to.

You look over at him, not bothering to hide your surprise, but your expression evens out quickly, and you give him a single nod. “Yeah.”

─── ･｡ﾟ☆: *.☽ .* :☆ﾟ. ───

Joel’s still not convinced this is real. It feels too much like a dream, the weather outside is so pleasantly warm it feels like he’s floating as you walk down the street. He had never expected you to agree to leave with him, and now he doesn’t know what to do, or what to say.

The greater distance you put between yourselves and the bar, the quieter the town is. Most of Jackson’s residents are at the dance, save for the guards at the front gate and the handful of people that had been mingling just outside.

He heads in the general direction of the neighborhood, even though he lives on a different street.

“What are we supposed to do now?” you wonder out loud, and you sound a little incredulous, like you’re equally as shocked to find yourself beside him. The question carries a bit more weight than it would have coming from anyone else.

Joel contemplates. He’s not sure what he wants from you – there are a lot of things, actually – but he doesn’t know if he really deserves any of them. For now, your companionship is more than enough.

“You’re welcome to come back to mine,” he offers. “But if you’re looking to keep drinking, all the booze is back at the bar.”

“I’m good.” You shake your head like you’re uninterested, but look over at him with a sparkle in your eye. “I have something better….”

You reach into the pocket of your flannel and produce a rolled joint between two fingers, looking over your shoulder. “Those dances are usually terrible, so I always come prepared.”

Joel can’t help the chuckle that escapes him, and the sheepish grin he gets in return makes his cheeks feel warm. “Where’d you even get that?”

“You’ve never been on patrol with Eugene, have you?” you ask. “He has a place just out of town where he grows it. I’ve been helping him since we first got paired up, and in exchange, I get to sample the supply.”

Of course. Joel would’ve never imagined that was the reason you were so close with Eugene, but it suddenly makes incredible sense. He shakes his head in a combination of relief and amusement. “You really haven’t changed.”

“Oh, I’m sure I have,” you answer, smiling to yourself and looking at the ground. “But of course I haven’t shaken all my bad habits.”

“That’s not true,” Joel mutters.

“Well, you haven’t changed either, for as much as you’ve tried to convince me,” you nudge him gently, offering him the joint. “What do you think?”

Joel plucks it from between your fingers and puts it between his lips. “I think I have a lighter at home.”

“Sounds perfect.”

In the front hallway of his house, you slip out of your tennis shoes, shuffling behind him in your socks, pausing occasionally to study some of the doodles that Ellie had drawn and hung on the walls – it wasn’t exactly a priority to decorate these days, but they certainly livened up the place. He knows how much Ellie likes you, despite the fact that she doesn’t gush, but the odd comment here and there says as much. Joel remembers how difficult it had been to keep Sarah away, and Ellie now is no different. He doesn’t seem to be able to help himself, either.

You sit next to Joel on his wicker couch, curling your feet up under you as he lights the joint and study him while he takes the first few puffs. He does it without thinking. That’s how soft Jackson has made him. Normally, he’d be too stressed about being out of his wits. But he can’t see how hypervigilance has served him since settling down. He feels safe here, and somehow especially because he’s with you.

When he passes the joint your way, you look at him wistfully. “Old times,” you say with a grin.

Joel nods as he exhales, coughing. “Old times.”

“Oh yeah,” you say, as if you just remembered something. “You can’t tell Ethan about this. He doesn’t know, and he will give me shit about it. I need him to take me seriously.”

Joel shakes his head. “Well, you know, it sounds like he and Tommy both think you and Eugene are together.”

“What?” your head jerks forward in shock, eyes going wide. “Oh my god, no. Do people think that?”

“I’m just sayin’,” Joel wants to mention how he had seen you whispering to each other at the bar earlier, but then realizes it’d give a bit too much away. “That’s what they think.”

“Well....historically speaking I might’ve liked older men…. but not that old.”

Joel purses his lips. “You’ve lived here awhile, huh?” When you nod, he continues. “Has no one caught your eye?”

“Uhm….not really. But….” you trail off, looking into Joel’s backyard. “To be completely honest, I don't think about that much these days. I guess I feel like I have a lot to be grateful for. I don’t want to push it.”

Joel understands, and nods pensively.

“What about you?” you ask.

“I guess I feel the same.”

That causes you to smile a little bit, look over at him. “I bet you already know this. But the women here would line up down the block for you.”

Joel can’t help but roll his eyes, though he wonders if you would, too. Even if you did like him, that didn’t seem like your style.

“I’m serious. I’ve heard the things they whisper behind your back. All their fantasies about you are pretty creative...”

“Fantasies?” He grimaces. He imagines none of them know anything about who he really is. You’re the closest thing, and all he’s done is hurt you. “I’m sure you were quick to set them straight.”

“I don’t say anything,” you say, then continue on, a little quieter, looking at him from under your lashes. “I like to keep you to myself.”

Joel isn’t sure how to respond to that. You have every right to tell all of them that you were once together, and all the ways he’s hurt you since. Yet for some reason, you’ve chosen to protect him.

“So….all this time….” you wonder. “You had to have been with other people, right?”

Joel doesn’t think to hold back. “I had a partner for a long time. Tess. First, it was all business, I helped her smuggle things in and out of the Boston QZ…and then, I don’t know….we got along, we trusted each other and…” Joel trails off, hoping you’d put together the rest before he has to go into too much detail. “She was real fuckin’ tough. Scared me a little at first. You would’ve liked her.”

“Well, we already have one thing in common. What happened?”

“She’s the whole reason I ended up out here….with Ellie,” Joel explains. “But I lost her a little over a year ago.”

He hopes you don’t ask how. Maybe someday he’d be willing to go into detail, but talking about it generally is hard enough as it is. But fortunately, you seem to pick up on his hesitance. “I’m sorry, Joel,” you say softly.

He shakes his head. “I was an asshole. To her. I should've....after Sarah died I didn’t want to get attached, so I kept her at arms length and I... I wished I hadn’t in the end. It only made things worse.”

“Yeah,” you nod, look down. “I’ve made that mistake before.”

Joel doesn’t want to linger any longer on the memory. “What about you? Were you with anyone?”

“Uhm, yeah,” you fidget, looking uncomfortable. “I had a partner….for like ten years."

Ten years? He had been with Tess for more, but something about that information feels jarring. He’s shocked Tommy never told him this. Did Tommy even know? Suddenly, it dawns on Joel everything that could’ve happened to you since you’ve been apart. Entire lifetimes. And he’d said such horrible things when you’d fought. He remembers your face when he’d told you that you didn’t know what it was like to lose a child. Maybe you had. He’d been so cruel and inconsiderate just because he was uncomfortable.

His throat feels tight, almost scared to learn anymore. “What…what was his name?”

“Well, Bea….was her name.”

Joel is sure he doesn't hide the shock well. “Sorry, I didn’t know…”

“Yeah,” you say. “I don’t think I did either. Well, I sort of did, but I was too young I think when I first realized to make any sense of it, but…. I met her and…yeah,” then, you smirk. “I mean, I went to an all-girls school and I had a really bad relationship with my dad so…it definitely makes sense. ”

Joel considers this, smiles along with you. “But anyways. Her and I met shortly after my brother died and it was kind of the same. We kept each other alive, things developed from there. We ended up getting involved with this group who lived in the middle of nowhere. That’s a whole other story, but…” you wave your hand. “I loved her, and I lost her right before Ethan and I got here.”

Joel sees all the pain in your eyes, and wishes he could say something to take it all away. He knows he can’t. You look back out into the woods in his backyard, take a deep breath, and reach back towards the joint that you had put out not long before, lighting it again. Joel gets the sense that both of you had done the most amount of sharing possible for the time being.

“Look at us,” you take another drag before passing it over. “Old times.”

“Old times,” he repeats, a smile working its way onto his face.

“This used to be my favorite thing to do with you.”

“It was nice,” Joel agrees….hesitates before continuing. “But I can think of some things I liked better.” He gives you a knowing look, and you roll your eyes, laughing easily at his joke. It feels so good to make you laugh, to see you smile. Why had he spent so much time resisting?

“Touche.”

What happens next spills out of Joel so quickly he doesn’t think to stop it. “I tried to look for you….after all this happened. I didn’t have Sarah anymore, and I thought maybe….I don’t know. It was the only thing that kept me going for a while.”

“I did too,” you confess. “But…I was with Vincent and Ethan, and I felt like I couldn’t leave them alone for something that might just be…. I always hoped you both made it. And I’m so sorry she’s gone. I really did love her.”

“I know you did,” Joel reaches out to take your hand. “I know. And I shouldn’t have said those things I did. I’m still not sure why you’ve been so patient with me.”

“Hmm,” you shift so that you’re closer to him. “You waited around for me back then. It’s only fair that I’d wait around for you now. I want you in my life. I don’t care what that looks like. But it’s too hard to forget about a person that you loved.”

Joel wants as much from you as you’re willing to give, and he can’t tear his gaze away from you. But he wants you to see him, all of him, before he takes it.

“I’ve let a lot of people down. I’ve done a lot of h-horrible things,” his voice cracks, and tears well in his eyes.

“I have, too, you know? Those things still live with me. But I think what matters is who we are now,” you reach out, fingertips brushing the scar on his temple, and Joel swears that even if you don’t know the story behind it, you can see right through him. “And I know who you are.”

“I don’t want to hurt you anymore than I already have.”

“You won’t,” you say. “No more than anyone else has. And if it makes you feel better…when people hurt me, I’ve gotten pretty good at hurting them back.”

“If I do, I’d hope you would.”

“I will. I promise,” your thumb strokes his cheek, marveling at him. “I would suggest a blood oath or something but….I heard we kind of already did that…”

He’s given you every warning, every barrier, and you’re still here. He can’t believe it, and he doesn’t think he can hold back any longer. “Come here.”

He kisses you. He wishes that he could be slow and tender and gentle like he used to be – and certainly he’s still capable, but he realizes that he’s been depriving himself of something he wanted for so long, and can’t seem to control himself.

Your hands land on the side of his face, and he wraps his arms around your waist, pulling you onto his lap. Maybe you’re somewhat taken aback by his urgency, you hum against his lips, but you don’t resist at all. Joel maneuvers you so you’re straddling his thighs, and he grips your hips, your ass, coasts his hands up your side. Your lips part in a moan, and he slips his tongue into your mouth.

For a while, he stays there, savors the taste of you, whiskey and smoke still lingering on your lips. His hands cup your jaw, feel your body, grip and squeeze and stroke and you let him, continue to let him. He tries everything, wondering if you’ll tell him to stop, if you’ll decide you’ve had too much, but you don’t. Then again, he should know by now that you’re a woman who knows what she wants. He just finds it’s hard to believe that he’s the thing you want.

You break away from him, just a little, and Joel presses his nose to your neck, kisses your pulse point.

“Should we go upstairs?” your voice is raspy and breathless. “Will Ellie be home soon?”

“Probably not for a while. We can be quick.”

“Hopefully not too quick,” you raise your eyebrows. Joel can’t help but laugh a little. He relishes in the way your hands rake up and down his arms, exploring him, touching him. Of course he wants you, but even just this would be enough. He’d be content with less, he hadn’t realized how starved of affection he’d been.

You’re able to pry yourselves off one another to make it up the stairs, and Joel guides you with a hand to the small of your back. When you get to his bedroom, he opens the door, but stops you before you go inside.

“Hold on,” Joel mutters, winding one arm around your waist, the other behind your knee.

“Joel, what-no, you’ll–” he pulls you into his arms.

“Do you really think I’m not strong enough?”

“I didn’t say that,” you chuckle as he carries you over the threshold and into the bedroom, breath puffing against him before he lays you down on the bed.

When he hovers over you, your fingers wind into his hair, nails raking against his scalp. He savors every sweet sigh he’s able to pull from you, hands cupping your breasts and squeezing your hips. You’re so pliant and open beneath his body, it makes it easier to not feel guilty about what he’s doing. He knows he shouldn’t feel guilty, you’ve said as much, but it might take some time before the feeling will die completely. Hopefully, he has enough time with you to see it off completely.

Clothes are removed quickly, intentionally, as you both bare more and more of yourself to each other. And while he wishes he could’ve been there to see the ways in which your body has changed, you’re still as beautiful as ever.

Joel, however, is hesitant to give himself away completely. When you tug at the hem of his shirt, he hesitates.

“I don’t know if-” he pauses. “If you want to see all that.”

“Joel,” you stare at him knowingly, kneeling across from him as he stands at the edge of the bed. “I do.”

So he releases your hand, and lets you pull it over his head. Carefully, you study him, his body littered with scars. He knows he’s not as in shape as you remember. These days, he hardly can look at himself in the mirror after a shower. He expects you to be disgusted, or at least see it flit across your face before you compose yourself, but you don’t. Your fingertips drag through the smattering of hair on his chest and down his torso, tracing several prominent scars – each one with a story – but you linger on the one at his abdomen, frowning.

He sees the question on your face, but you don’t ask it. Instead, you return to press yourself against him. “I’m so glad you’re still here….”

You kiss him, then, and Joel can only kiss you back.

Joel isn’t the only one with battle scars. Some of them he feels are his fault, but you seem less self-concious about them, which gives him a surprising amount of confidence. Maybe it’s just a reality of what happens when you make it this long.

When you’re finally bare beneath him, he admires how you look, stretched out and waiting, chest heaving and shivering with anticipation. He slides his hand between your legs – feels you already wet and warm, sinking two fingers inside. Your walls flutter around the intrusion, back arcing off the bed when you sigh out his name. Joel.

He’d forgotten how nice it felt to hear that.

Joel is already thinking about what he’d like to do to you next time. He’d be more careful, more patient. He’d bury his face between your thighs to see if you tasted as good as he remembers, he’d let your fingers curl into his hair. But right now you both seem desperate for the same thing.

He pumps his cock a few times with his hand, he can’t remember the last time he’d been this hard – the last time he’s wanted anyone this badly. Even with Tess, it had always felt like the both of them were hurrying to scratch an itch, her eyes would wander like she was thinking of other people, and maybe he was, too.

Joel lines himself up with your slick cunt, teases you a little, and you roll your body down to meet him, gasping when his blunt head slides in – just a little.

He can’t hold back. You practically suck him in, so tight and hot around him he finds it immediately overwhelming, but he doesn’t even think to pull out. Only when he’s fully seated inside you, and given you a chance to adjust, does he start to move.

It’s euphoric. You’re both older now, more mature, but he still remembers all the things you liked, even if it takes a moment for him to find the spot inside you that makes you cry out, legs wrapping around his hips.

Unlike before, you don’t bother trying to hide from him. You kiss him, hold him, touch him, look him in the eyes, tell him how good he feels – you don’t hold back. Joel relishes every word you say, clings to the praise and gives it back. Your lashes flutter when he tells you how pretty you look.

He can think of nothing else other than bringing you pleasure, can tell you’re getting close when you begin to rut against him, and he reaches down to let the pads of his fingers slide over your clit.

When you come, you whine his name, lock your lips with his own and he swallows your moans. The feeling of you so impossibly tight and wet and pulsing and squeezing him so tightly has him following closely after.

His head is still buried in the crook of your neck when you speak again. “God, I’ve missed you.”

“I’ve missed you, too.”

The second Joel pulls out, he starts missing how close he felt to you. But you fix that by rolling over onto your stomach, curling up at his side, head on his chest, and arm across his stomach.

“Joel. Fuck, you’re so perfect.”

He’s far from it. But he’s starting to think if you say it enough, maybe he’ll start to believe it. He turns his head to kiss you gently, slowly. “So are you.”

“We can do this again, right?” you ask.

“Yes,” he says. “Yes, we can.”

“Good,” you settle back against him, and very slowly, he dozes off with you right beside him. He doesn’t want to sleep alone again, and luckily, he doesn’t have to.

─── ･｡ﾟ☆: *.☽ .* :☆ﾟ. ───

-December 4th, 2026-

When you return home from patrol, you find Joel in his living room – boots off and socked feet propped on the arm of the couch. You don’t notice his eyes are closed, that he’s asleep, until you get closer, see the book he’d been reading resting on his chest as he snores lightly. You can’t help but feel for him – he’s probably exhausted from constant patrols, so he must be tired.

But mostly, you’re just overwhelmed by the love you feel for him, catching him in a quiet moment of vulnerability. Hesitantly, you reach out and squeeze his foot. It’s gentle and tender enough that he blinks his eyes open and looks around, taking in his surroundings, rather than jolting awake like he often does. When he sees you on the opposite end of the couch, he melts back into the pillow he’s propped against.

“Hey, stud,” you lean against the arm of the couch.

“Hey,” Joel answers, voice still gruff with sleep. “How long was I out?”

“I don’t know,” you shrug. “I just got in.”

“Hmm,” Joel closes his eyes again, folds his hands across his stomach.

“You’re wearing the glasses I got you,” you point out. They’re simple. Rectangular black frames. You’d found them on patrol, and brought them home after Joel had been complaining that he could barely see when he read before bed. But he’d tried them on and insisted he hated the way they looked, so you’d ended up using them most of the time.

“They do work,” he grumbles, like he’s ashamed to admit it. “But I still think they look stupid.”

“You look like a sexy librarian,” Joel rolls his eyes, but you can tell he’s suppressing a grin. There’s always a bit of defiance about him, he can’t fully admit how you get him so flustered even after you’ve spent so much time together. You press your thumb into the arch of his foot and he groans. “That feel good?” you ask.

“Yes.”

“Whatcha reading?” You gesture towards the book.

“Some book about the moon landing,” Joel lifts it off of his chest, where it lay face down and open, looks at the back cover. “For Ellie.”

“How sweet.”

“It’s a little dry,” he deadpans. “But she likes this stuff.”

You shift your massage to his other foot. Joel stretches, his arms lifting above his head, the shirt he’s wearing rides up just so, so you see a sliver of his lower belly before it disappears again, throwing an arm over his eyes.

“Are you tired?” you ask.

“Always,” he says through a yawn.

“Me too,” you yawn along with him, since they’re contagious. He pulls the glasses from their perch on the bridge of his nose and shuts the book, placing them both on the coffee table in front of him. You take your hands off his feet and he sits up a little straighter, holding out his hand.

“Come ‘ere,” he says, and you do.

He grunts as you settle into his arms, head nestled against his chest, sprawling out almost on top of him, the only way you both can fit like this on the couch.

“You’re so warm,” you say softly, letting him wrap his arms around you.

“You’re cold. Your hands are freezing,” he holds them in his own.

“It’s cold out.”

“Don’t know why you left today.”

“Obligations. Patrol.”

“Fuck that.”

You laugh into his chest, pausing for a moment before speaking again. “You know, I think we might be boring.”

“What makes you say that?”

“Well, we don’t really leave the house. We spend all day reading. And we’re old.”

“We’re not that old.”

“But we’re getting up there.”

“Sure, but…” Joel trails off.

“Everything’s so quiet, so calm.”

“I think that’s what most people would describe as content.”

“Are you content?” you ask, lifting your head to look him in the eyes.

“I’m happy,” he says softly, tucking a piece of hair behind your ears. “Are you?”

“Of course.”

“Good. Then don’t worry about the rest.”

“Okay,” you settle back against your husband's chest, feel his lips brush your forehead.

His fingers search absentmindedly for the ring on your finger he’d found while clearing out a pawn shop not too long ago. The one he wore looked nothing like your own. But the marriage had been long overdue, and neither of you cared what the rings actually looked like.

Nowadays, you split your time between his place with Ellie, and your own with Ethan, but end up in his bed every night. At this point, you don’t think you could sleep without him.

Years ago, another lifetime, you’d had a conversation underneath a sky full of stars. You’d told him that for you, good things had never lasted. Joel had made a promise.

This will.

It took time. There was a lot of pain. But in the end, he had told you the truth.

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genderqueerdykes · 12 days

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One time I saw a post where it was talking about like. “I’m tired of these people saying transfeminity can be just based on vibes what the fuck is an AFAB trans woman you are all a disgrace” or whatever and it reeked of violent transmedicalism (“being trans isn’t vibes” reading very much like ‘you need dysphoria to be trans’) but also horrible intersexism. transradfems and transmeds when people lie outside the perisex notions of gender or when someone’s identity is literally not based on dysphoria

oh yeah the part about these arguments that gives me the biggest portion of the headache they cause is literally that right there- people immediately trample right over intersex people to attack people assigned female at birth which is just. how do these people not see that they're literally attacking other women for no reason like how can you claim to be a feminist and your TWO largest targets- AMAB trans women and AFAB trans women- ARE WOMEN!

radfems, transmeds, etc. not only fail to realize that their #1 target for their hatred campaigns, bullying and indoctrination into their cult are women, but they also blatantly display that they have no fucking clue that intersex people literally exist. like we are literally left out of the conversation FIRST every single time, doesn't matter what we're talking about. that one just instantly hits the trash can. like especially radfems and terfs love to just violently ignore the existence of intersex people, they are never exposed to any intersex conversations, because many intersex conversations are trans inclusive. they hate to acknowledge that some people do not naturally fall into their assumptive, narrowminded, incorrect views on what men and women are. if they acknowledge intersex people, they must admit that they're dead wrong about human biology and biological sex, and they just can't have that.

also this reeks of racism because this is completely ignoring the experiences women of color have in white countries have. MANY AFAB trans women/fems are women of color, due to how absolutely vile whites have been toward people of color the entire time they've colonized other people's lands. black men and women in the american south used to be treated like and referred to as animals- white europeans were so rattled and disgusted by the fact that in many other cultures, there is less variation in facial/body features between AMAB and AFAB people, but also because specifically women in those cultures did not look like white women, which was just so frustrating for those poor colonizers.

i'm tired of seeing people bitch about this kind of shit, so thank you. it's just tired and it's the most petty bullshit to get upset about. i've met so many amab trans men. when you deny people with these identities exist, you are being transphobic. you're caught up on one size fits all dictionary definitions of what an identity "SHOULD" mean but it's just unrealistic. you cant possibly begin to fathom how another entire ass person has lived. humanity is too diverse to be shoved into whatever the hell else these other people think is right about biology and gender identity.

#asks #answers #transphobia #intersexism #intersex

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adickaboutspoons · 3 months

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Oh boy. Okay. Here we go

A totes calm and measured response to this post over here by @themetabridge. Forgiveness for the whole new post. I had too much to say to fit into what Tumblr apparently thinks is an appropriate length for a re-blog.

First? I mean. Text just means the words and actions as they are said and shown in a given piece of media being analyzed. Which is what I’m here to do with my meta – textual analysis. That’s why I insist on textual support for any argument interpreting the media in question. Naked assertions do nothing to explain how you arrived at your conclusion. Vibes aren’t good enough. Show me what IN THE TEXT made you think what you think, and I will do you the courtesy of the same. Otherwise, I don’t see how we could possibly have much to say to one another.

The fundamental breakdown we are having is that you have failed to provide a textual basis for why you think Ed is a bad person. While I respect your assertion that a person’s essential goodness is predicated on the actions that they perform, I cannot respect the corollary supposition that there are actions that are either “good” or “bad” in a vacuum, as this completely ignores circumstance and motivation. WHY someone does something is AT LEAST as important as WHAT they did.

For example - Stede killed Ned Lowe in cold blood. Does it matter that he did it because Ned “shit-talked [his] friend and damaged [his] ship,” and “fucked Calypso’s birthday”? Does it matter that Ed, the person whom Ned’s shit-talk actually impacted, told Stede not to do it? Twice? Does it matter that Ned was a subdued enemy combatant, and as such could have just as easily been gagged like Hornberry and the overtly racist Wellington, who survived imprisonment and went on to watch Ed and Stede sign the Act of Grace? Do we compare Ned to the French Captain who got flayed for his racist rhetoric, though Ned’s comment was, strictly speaking, about Ed’s class rather than his race? How far are we going to go to disentangle class and race when one absolutely informs the other?

How about a more straight-forward example; Stede set an unnamed man on fire and quipped about it like some asshole 80's action hero. Does it matter that he threatened Stede’s life? How about if, when he did so, he was twenty feet away, armed only with the bottle he had just broken over his head, and there were half-a dozen pirates between him and Stede who all thought Stede was hot shit, and so Stede was in no immediate danger? What if Stede has a long history of people making attempts on his life, and being unsure that he even deserves to live, and this is meant to show that, now that he has something to live for, he’s done with the part of his life where he lets anyone try to take that away from him?

This is what I mean when I say that the show is careful to never outright condemn the use of violence. The narrative tells us clearly that, within the context of the show, some things are more important than an unnamed or one-off character’s life – preservation of one’s own life or the lives of one’s loved ones, dignity in the face of racially-based persecution, resistance to colonial oppressors. The reasons for and direction of violence matters. Context matters.

And speaking of context, you misunderstand me when you suppose that only what literally appears before our eyes counts can be “read into the text”. I refuse to give extra-textual sources of information (such as the historical reality of sergeant recruiters and being pressed into service or the historical Golden Age of Piracy) any weight unless they can be validated by in-text support, because the show itself cares fuck-all about historical accuracy. But extrapolations about the in-show universe based on in-text support are fine.

So, considering that the very first thing we hear in the show is Frenchie’s little ditty about the violent reality of a pirate’s life, and considering Jack’s comment at brekkie about how pirating is an "ugly profession”, and considering what we see of the raids in 1x5 and 2x2, we can reasonably conclude that pirate culture is steeped in toxic masculinity where the expectation of performing violence is de rigueur. Because Ed has carved out a successful reputation as Blackbeard, and because we see the ease with which he can go from being casually conversant with Stede to “giving it some oomph” to scare the location of the treasure out of the French captain in 1x5 with the THREAT of violence, we can reasonably conclude that he can successfully perform the required violent displays of piratical society (or at least, given that we know by his bathtub confession that he has not personally killed anyone since his father, he can adopt a convincing enough posturing that no one would doubt he COULD). From his interactions with Jack and familiarity with “yardies” and “whippies”, and his ruminations about “the old days” of “drinking all day and biting the heads off turtles or making some poor bloke eat his own toes for a laugh”, and Fang’s assertion that Ed made him kill his dog, we can reasonably assume that Ed has a history with casual violence for the sake of fun and cruelty for cruelty’s sake.

However.

I think “the old days” is an important qualifier there. Season 1 Izzy may be frustrated that Ed is not performing Blackbeard sufficiently well to suit him (on that point we can agree), but even by his own deathbed confession “for YEARS I egged [him] on, even though I knew [Ed] had outgrown [the Blackbeard persona]” (emphasis mine, and pin in that for a moment). In 2x1, Fang is crying into his cake saying “I’ve never seen Blackbeard like this” - indicating that the conditions of the Kraken era are NOT the norm. The slivers of Ed we see in 1x3 before the Spanish raid are marked by him speaking calmly and rationally to Izzy (in stark contradiction to Izzy’s insistence that he’s half-mad) never even raising his voice much less using threats or any actual violence to get Izzy to do what he wants. In fact, it is Izzy who suggests a course of action involving very normative piratical violence (“Do we open fire? Or would you rather we just attack them, kill them, throw them out to the sharks, sir?”), which Ed counters with a genteel proposition - inviting (not even ordering!) Stede aboard for a face-to-face meeting. Izzy being comfortable enough to push back against orders (“Oh, Edward, can’t I just send the boys?”) even suggests that he feels no threat from Ed at all. Every indication is that by the time we meet Ed, well before he ever meets Stede, he’s already well past done with violence for violence sake.

When Ed does meet with Stede, before he’d fallen in love (Even though the are the U-Hauliest, I would argue “fascination” with a possible side of “infatuation”, but certainly not yet love), one of the early conversations they have is about the depiction of Blackbeard in Stede’s book of pirates. Ed expresses revulsion and anger that the persona that he’s worked so hard to cultivate has been twisted into a hyper-violent parody - a “Vampire Viking Clown” that’s barely even human, with a head of smoke and overladen with weapons and hardly bears any resemblance to the real man. We’re meant to understand that this is not a valid or accurate representation of who he is. Violence is a normative part of pirate life, but he has “one knife, and one gun JUST LIKE EVERYBODY ELSE” (emphasis mine, again) - he doesn’t shirk from using the tools of violence when it’s necessary, but he is NOT excessively or wantonly violent.

And we SEE the evidence of this because of how Stede reacts to the way Ed acts around Jack. Jack keeps Ed drunk all day, decoupling his inhibitions from his decision-making processes and, in spite of Ed explicitly saying that he’s mellowed out, Jack eggs him into the kind of hyper-violent Jackassery that is excessive even for pirate society if the nervous reactions of Stede’s crew are any indication. Of course, this is all part of Jack’s plan - to manipulate both Ed and Stede and force them apart - and the reason that it works is because the way Ed acts around Jack is NOT the way he chooses to act under his own volition, hence Stede’s frustration and disappointment.

While I agree that piratical violence is not political praxis, I would argue that, considering that every raid we have witnessed Ed participate in has been against a representative of colonial power and, more often than not, specifically the enforcing arm thereof, it’s not unfair to conclude that Ed’s reasoning goes that if piratical violence is to be done, better against someone who deserves it than not - i.e. those who perpetuate the violence of colonialism. Regarding instances of violence outside the context of raids, here’s where we take that pin out of Izzy. Izzy and Ed are locked in a cycle of abuse over the first season, wherein Izzy decides that Ed is not Blackbearding hard enough, and, because he feels entitled to controlling Ed’s actions, bullies and harasses him into capitulating - typically in the form of performing violence. Afterwards, Izzy performs some form of deference - apologizing and/or acting as though he’s going to leave, which Ed “talks him down from” and mercifully allows him to stay. It’s why, when Ed sees Izzy packing up a dinghy (lol. With what? It’s not like he’s on his own ship or would have brought his things with him, or sacked plunder from the Revenge. Clearly he was just stalling until Ed noticed him and swooped in to do his part of the cycle) he tells Stede he “should deal with this,” as though it’s tedious, but normal occurrence. I think an important part of this cycle as the season progresses, though, is how Izzy keeps upping the stakes.

So by the time we get to the end of the season, when the last iteration of the cycle starts up again (when Ed is once more insufficiently Blackbearding by being emotionally vulnerable and open with the crew following his return to the Revenge and his stint in the pillow fort (note that Izzy is apparently FINE with Ed not being Peak Pirate, just as long as he hides it away from everyone), and Izzy once more bullies and threatens Ed) this time it is especially cruel - Izzy is a thumb in the wound, attacking Ed at his most vulnerable and saying it would be better if Ed was DEAD than “pining for his boyfriend.” This iteration now also brings with it a history of escalation (first in Izzy bringing Fang and Ivan in to force Ed's hand about killing Stede, lest he look "weakened by the love of a pet" before his crew, and therefore in danger of mutiny, and then by bringing in the British Navy to force Ed to take Izzy back - or rather, to force Izzy back into Ed's life because the terms of the agreement see Ed remanded into Izzy's custody as though he is property to be distributed at the will of the Brits) - an established pattern of the lengths to which Izzy will go to get what he wants, and so a very real threat implicit in Izzy’s warning that “Ed had better watch his step” as Izzy serves only Blackbeard. So Ed gives him what he wants. He Blackbeards it up just like Izzy insisted, and lets Izzy know in no uncertain terms that the insubordination is done. It’s not a "frat boy prank" when he cuts off Izzy’s toe and feeds it to him, or even something from which he's deriving pleasure as he might have in the old days; it’s a calculated, proportional response, done under duress and against his own inclinations, but exactly the tool required to get the message across clearly.

As to the question of why it matters if Ed is bad, first and foremost, because saying that he is bad requires you to explicitly read contrary to the text. If you’re not going to engage with the text on its own terms, I don’t see how you can do any analysis of what story it’s trying to tell. I already discussed the ways in which the narrative is specifically about how Ed is NOT bad, even when he himself thinks he is. I have also discussed how, while “violence is never the answer” may be broadly understood to be the correct way of comporting oneself in real life, the show never condemns violence across the board. The show condemns cruelty, both on an interpersonal and societal level, but positions the use of violence as an acceptable and reasonable response thereunto. It treats circumstance and motivation with nuance and weight. Living within this context, Ed’s use of violence by the time we meet him is well within the normative acceptable application thereof. Judging him by standards outside the context of the story within which he exists makes as much sense as judging the Stede from the show for being a slave owner because that’s historical fact - that’s just not applicable to who he is in THIS story.

But more importantly, it matters because Ed is a POC character. Describing him as “cruel and perverse” for utilizing violence, particularly when the violence he uses is NOT excessive or impulsive, perpetuates negative race-based stereotypes about hyper-violent men of color. Characterizing him as “bad” for his use of violence when other (white) characters, such as Stede, use violence in similar ways, or are cruel or petty, but can still be considered, on balance, “good” means that Ed is being held to a different, higher standard than those white characters, and perpetuates the frankly racist criteria of expecting POC exceptionalism for POCs to be considered for the base-line assumptions of acceptability that are afforded to their white counterparts. Saying that Stede’s love is what changed Ed’s behavior from cruelty to wholesale abandoning piratical principles is not only antithetical to what actually happens in the show, but suggests a read that POC Ed needs a good white man to show him how to behave, a real white knight to tame his savage heart. That’s some real White Man’s Burden shit there, bro. I highly recommend you put it down.

#Brevity? I don't know her #ofmd #our flag means death #my modest contribution to fandom #crew4life #permanent ink

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chainsawcorazon · 1 year

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didnt wanna hijack someone's post with the Disk Horse, but I just wanna note that bernard being tim's love interest in 2023 is VERY different from him being a side-side-side character in the early 2000s. i think there's definitely a generational divide on how the relationship's perceived bc there's absolutely a difference between how bernard and tim's relationship is portrayed during their time in school versus in adulthood.

part of reading tim's coming out story in the 2020s with relation to bernard is finally acknowledging that we finally broke tim out of his amber glass. this is also, i will note, a SPECIFIC kind of coming-out-story that won't resonate with folks who weren't living through that specific era of homophobia where the fallout of the AIDS crisis overlapped with the rise of mass surveillance and that post-9/11 grimdark take on superheroes across ALL media. it was a weird fucking time. it also won't resonate with anyone who wasn't "growing up" with tim during his time as robin. now, do you HAVE to know every little thing about tim to accept this piece of character development? no, you don't, but you DO have to take into consideration that tim was locked in the time vault for a veryyy long time and a lot of things, including his on-and-off with stephanie, were part of the status quo for his character long before dc decided to pull the trigger with tim's bisexuality.

but what happens when the forever-sixteen isn't sixteen anymore? he grows up! he gets to reflect! he gets to try new things without being held back by the amber glass. time is the key factor here! if you look at tim and bernard's relationship through the eyes of the robin run of that era, of course it's gonna feel weird! that tim could only really take bernard in doses, bc that tim was as much of an asshole teen as bernard was. with the breaking-of-the-amber, we now learn that tim had to do some serious reflection to get to the point where he could say that this guy he used to know COULD be someone special. if you follow tim's story through the lens of a closeted queer raised in the era of when that robin run was being published, tim's just another queer guy who's finally come to terms with the fact that, that dude he went to high school with who he just ran into at the target might not be so bad after all. he's kinda cute, actually. did he think he was cute back in the tenth grade? probably not, but he's not in tenth grade anymore, now is he?

could DC comics have created an entirely new character to serve the narrative purpose of tim's coming out special? sure. then we woulda had ten years worth of criticism from fandom about how tim magically found a guy superhot and thus dumped stephanie over it, and we would circle back to the same argument about whether tim was a douchebag for dumping stephanie for some rando, and that his bisexuality is an asspull versus 'relevant character development'. either way, it would have upset the status quo. now, is that to say timsteph was never real? no! tim and stephanie talking about his erratic behavior and him coming out to her was to SPECIFICALLY address how him being bisexual isn't meant to downgrade their relationship, or that their love wasn't real. for anyone who's still whining about timsteph not being real anymore bc bernbear entered the chat, i've long stopped seeing it as legitimate criticism bc there are YEARS worth of content with them to indulge in. shitting on a coming-out story and a romance that hasn't even had five real-time years to be explored is just straight up crass and highlights much more insidious problems in the fandom aka the rampant homophobia, quick-to-anger behavior of fans who never learned media or litcrit, and motherfuckers who ride or die for status quo like it'll kill them to enjoy something tangential.

long story short, timbern real and so is timsteph, and one of these days, inshallah bartkon will be real too.

#timbern #tim drake #bernard dowd #stephanie brown #timsteph #real talk #dc comics

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venus-haze · 1 year

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Girls on Film (Mickey Altieri x Reader)

Summary: As a film studies major at Windsor College, your junior year is proving to be an eventful one as the eponymous Ghostface begins targeting fellow students, some who you consider friends. You try to focus on your classes, mainly the short film project you’re working on with Mickey Altieri, who your professor inexplicably paired you up with despite the two of you having almost polar opposite views on the medium.

Note: Female reader, but no other descriptors are used. You’re also into gross out movies because I wanted a strong contrast to Mickey’s “blame the movies” thing and also irony…as you’ll see. This is an extremely dark fic, so look at the warnings before deciding whether to read this. Also, you know and I know that Mickey didn’t kill Randy, but in the context of the fic, the reader-character doesn’t know that. Do not interact if you are under 18 or post thinspo/ED content.

Word count: 4k

Warnings: One-sided rivalry (Mickey hates your guts). Discussions of “gross” movies and themes. Descriptions of violence. Major character deaths. Sexually explicit content which involves non/dubcon, knifeplay, bloodplay, sadism (slight masochism). Do not interact if you are under 18.

Film Theory went from okay to off the walls when Mickey Altieri decided to make the argument that movies could be responsible for people’s actions. Using the brutal murders at the early Stab screening in town as an example was in poor taste when it had just happened the night before. It wasn’t even that you disliked Mickey, having met him in your Introduction to Film History course. He was pretty funny, and the two of you had a lot of the same classes together, moved in the same social circles.

He’d expressed similar views before, but never so egregiously. You couldn’t believe a fellow film student would have such a regressive view of cinema. It was asinine to even entertain the idea, but you couldn’t let the conversation go on without giving your two-cents to your peers.

“CiCi’s right. That exact thinking is what led to the Hays Code.”

“Bonnie and Clyde was one of the first post-Code movies to make it big. It showed there’s profit in glorifying crime and violence,” Mickey said. “The decade after it came out was the golden age of serial killers.”

“Oh sure, I watched one too many John Waters movies, and now I’m having sex in confession booths,” you said, earning snickers from your classmates.

“Thank you,” Randy said. “I don’t think anyone was eating dog shit after watching Pink Flamingos.”

“Maybe Ghostface got the idea for the phone calls from Serial Mom,” one of your classmates quipped.

“Kathleen Turner’s character in that was inspired by serial killers. She read true crime books and collected paraphernalia,” Mickey argued.

“I’ll do you one better and raise you John Waters himself,” you said. “The guy has a morbid fascination with the Manson Family to the point where he incorporates references to them in almost all of his movies. He hasn’t committed any mass murders.”

“No, he just makes movies that make people wanna puke,” another classmate said.

Mickey opened his mouth to speak again, but was interrupted by Sidney and Hallie rushing to the classroom door, looking for Randy. Unable to keep the class’s attention after that, your professor dismissed everyone.

CiCi made her way over to you, giving you an exasperated look. “Reagan-era politics have really poisoned some of these people’s critical thinking skills.”

“Tell me about it,” you agreed.

CiCi had been in a lot of the same classes as you your freshman year, and the two of you became fast friends over your similar taste in movies and distaste for closed-minded people. She was a big Lee Grant fan, wanting to make candid documentaries about tough social issues too.

You had some time to kill before your next class, so the two of you made your way to one of the empty picnic tables outside and continued the discussion, which had quickly turned into mutual ranting. Her point about the Slumber Party Massacre movies being directed by women was cut short when you realized you’d have to book it across campus to make it to Film Production II in time.

It was one of the higher level courses for film students who were looking to make feature films rather than focus on screenwriting or making documentaries. Among the prerequisites for Film Production II were Screenwriting I and II. In theory, everyone in the class would have two or three short film scripts ready to be adapted for an advanced Film Studies class. Few films were ever solo projects, so you weren’t surprised when your professor told everyone on the first day of class to prepare to be partnered up for the project, which would count for most of the course’s grade.

When you walked into the classroom, your professor handed you a slip of paper with two names on it. Yours and–of course. You almost had to laugh at the irony. Mickey. His attitude toward you could be unpredictable. Some days would be fine, and others it was like the two of you were about to bite each other’s heads off.

Speak of the devil. You watched his reaction to the slip of paper when he walked in. Unreadable, even when his attention turned to you.

“Is Sidney okay?” you asked when Mickey sat next to you.

“As okay as anyone can be in this situation. That cop from Woodsboro’s here—Dewey, he’s keeping an eye on her.”

“That’s good.”

“So, let’s get started on this thing I guess. Any ideas?”

“Okay cool. I’ve been thinking about it for a while, and my strongest script is ‘The Tongue Remembers’.”

He scoffed. “The one about the cannibal girl who gets lobotomized?”

“Well, we could take the easy route and make a porno,” you snapped. “Not that it’d be very long.”

“Knowing you it’d be snuff.”

“Whatever. We’ll do one of yours, but I get to do casting and set design.”

“Easy enough, ‘Stakeout’ has four characters,” he said, digging through his backpack for a copy of the script.

You flipped through the script, scanning the first few pages to jog your memory. An action-comedy about a group of criminals who knew that they were being staked-out by undercover cops, unaware that one was within their midst. Mickey’s comedy writing was fast-paced and genuinely funny. You’d told him so in your peer review of his script in Screenwriting II. The reviews were anonymous, but the effort was still there.

Most of the reviews for ‘The Tongue Remembers’ were positive, with criticisms of some minor plot points that helped you make the whole script stronger in the long run. The review you appreciated most tore the damn thing apart, but gave detailed explanations for the suggestions given, all of which were so good you almost wanted to seek out who the source was. A handful of people didn’t care for your script at all, objecting to the plot altogether. You quietly suspected Mickey was one of them.

You tried to shake the tension that had settled over you and Mickey following the exchange just a few moments prior. At least it’d be good experience for dealing with inevitable assholes as you worked your way up in the film industry. It was tough to make it without connections, and even tougher for women.

By the end of class, the two of you agreed to meet in the library the next day and start planning casting and a general production schedule. Mickey had more editing experience than you did, but you wanted to sit in on the process after initial production of the short film was over. He begrudgingly agreed, and you left the classroom for the dining hall in a sour mood.

When you walked into the crowded dining hall for dinner, you spotted Randy and rushed over to join him. More often than you’d like, he’d have to be the mediator when you and Mickey would really get into it. At least he seemed to find it amusing.

“Hey, is everything alright?” you asked.

He handed you a plate that already had two slices of pizza on it and grabbed one for himself. “Besides the whole ‘Ghostface is back and people are being murdered’ thing? Can’t complain. How about you? Get your partner for Production II yet?”

“Yeah. Mickey.”

Randy laughed. “Nice. I’m sure that won’t be a disaster.”

“I don’t want it to be! I even said we could do one of his scripts.”

“Which one?”

“That action-comedy he wrote, ‘Stakeout’,” you said as the two of you sat at an empty table. “It’s a good script. He’s a great comedy writer. I’m just pissed he wouldn’t even consider ‘The Tongue Remembers’.”

Randy nodded in acknowledgement. “I liked that one. You did a good job of making the cannibals sympathetic. Strong ending too. I’m not so sure it’d go over well at Windsor’s student film fest. Lotta weak stomachs.”

“Last year’s winner was a fucking romcom.”

“So you give the cannibal a love interest. Go a little further than Texas Chainsaw 2.”

“I’m not trying to win awards. I wanna make art.”

“You gotta sell out before you can make art. That’s the industry, kid,” he said, patting your shoulder sympathetically. “Are you gonna be at the Delta Zeta whatever party tonight?”

“Delta Lambda Zeta? I don’t think so,” you said. “I gotta find people to be in this movie.”

It turned out to be one of the best decisions you could have made, because you ended up with a list of people interested in a role in ‘Stakeout’. More pressing, however, was the news that Ghostface had made an appearance at the party, after killing CiCi in the Omega Beta Zeta house. Your stomach dropped at the news. Just a few hours before her death you’d been talking to her. It didn’t matter that she wasn’t connected to anyone from the original Woodsboro killings, the students who were killed at the Stab premiere hadn’t been either.

In a small college like Windsor, news traveled fast, and by the time you finished eating breakfast, you’d heard that Sidney, Randy, Hallie, Derek, and Mickey had all spent the night at the police station following the attack.

You didn’t want to ask Randy if you were a suspect. Your film taste alone would put you at the top of the list by default. As much as you understood the reasoning considering the last Ghostface duo’s obsession with horror movies, it didn’t mean everyone who watched them would be inclined to commit murder, despite what Mickey thought. Besides, who would your accomplice even be? Derek or Hallie would be too obvious. Gale Weathers was cutthroat, but not in the literal sense. Randy or Dewey would be a devastating twist if the goal was to mess with Sidney that much more. You felt bad. This type of thing was fun in the movies. You couldn’t imagine it being your life.

Making your way to the library, you weren’t sure whether or not Mickey would actually show up after spending all night in a police station, but it didn’t hurt to go anyway and get other work done.

To your surprise, he sat down across from you a few minutes after you’d agreed to meet. He was wearing the same clothes as the day before, dark circles under his eyes.

“Jesus have you even slept? We can do this another day.”

“Spare me your concern.”

“Look, I don’t want this project to be miserable for either of us,” you said. “Between Film Theory and Production, I was kind of being a bitch yesterday.”

“It was really that porno comment that hit me deep. I’m no two-pump chump,” he said with a smile.

“Alright, alright. I’m sorry,” you laughed. “Oh, I have some people interested in three of the four roles for ‘Stakeout’.”

“Already?”

“I wanted to make it up to you.”

He was silent for a moment, placing a hand on your arm and squeezing gently. “I’m sorry about CiCi. I know she was your friend.”

“Thanks,” you whispered, trying to keep it together. The last thing you wanted was to break down in the middle of the library.

The two of you planned to do a test shoot in one of the theater’s empty practice auditoriums over the weekend. The main stage was being used for the theater department’s annual play, but Mickey pointed out that ‘Stakeout’ mostly took place in one room anyway. You went ahead and booked the auditorium on the library computer for about three hours, just to give enough time to work out any kinks and not worry about being interrupted.

While Mickey was going to spend the following couple of days getting props together and making any last minute changes to the script, you would finalize the cast since he approved of your choices, surprisingly. At least, you were going to, until Randy ended up dead not long after CiCi.

You spent a day locked in your dorm room, partially out of paranoia and also in the depression of losing two of your close friends within days of each other. It was getting serious. Randy had survived Woodsboro. If he wasn’t off limits to Ghostface, no one was.

By Saturday, you’d debated bailing on Mickey and not bothering to show up for the test shoot. You decided against it. Moping wouldn’t do you any good.

He looked shocked to see you when you walked into the auditorium. You felt bad your progress on casting stalled. His friend had died too, but he had his shit together enough to bring a box of props and the camera.

“Are you sure you’re good to shoot today?” Mickey asked from behind the camera, set a few feet from the stage.

“Yeah, I’m fine,” you said, your voice cracking a bit. “Really, it’s all good.”

“We don’t have to–”

You shook your head. “Let’s do this.”

“Alright,” he said, though he didn’t sound convinced. “You mind locking the door?”

“Okay.” You walked back to the door, locking it. “I got two of the leads for ‘Stakeout’ down, Frank and Alex. I know Frank wasn’t our first choice, but Greg backed out.”

“No problem–shit, I forgot something in the props box over there,” he said, adjusting the settings on the camera. “Could you get it while I finish setting this up? You can’t miss it.”

“Sure,” you said, making your way over to the cardboard box Mickey had brought with him. It took a lot to rattle you, but as soon as you looked in the box, your skin crawled. The Ghostface mask stared back at you, eyes empty black holes. The same ones your friends saw before they died. “Mickey? This better be some kind of stupid joke.”

You turned around to find him less than a foot behind you. Camera set to record. Knife in his hand. Dangerous gleam in his eye as he took a step toward you.

“Last minute change—unprofessional, I know—but I decided to go in a different direction for our short film,” he said, a sadistic grin spread across his face. “You’re gonna be the star. Too bad you won’t be able to see it.”

Just as you began to scream, he put his hand over your mouth, holding the knife to your throat. “Don’t be a diva on me now. You just say what I tell you, okay?”

You nodded frantically, vision blurred by the tears that flowed freely from your eyes. In your desperation, you accidentally nicked your own skin against the knife, whimpering at the small cut you’d self-induced. Mickey snickered, his gaze shifting from you to the camera lens.

He moved his hand from your mouth, though his thumb rested on your lower lip. Slowly, he pushed it between your lips. Fuck this. Fuck him. You bit down until you tasted copper, earning a sloppy slash across your chest that made you cry out in pain, releasing his thumb.

He looked at his hand in disbelief and then at you, a grin spreading across his face. “You’re gonna fight back, huh? You wanna play that game?” he said, an unnerving laugh escaping his lips.

Feeling bold, you spit his own blood in his face. In his moment of distraction you grabbed the knife, managing to pull it from his hand. You stumbled back, holding out the knife with a shaky hand.

Despite you having the weapon, he still seemed smug, amusement in his eyes as he lunged toward you. You wildly swung the knife, cutting his abdomen as you crashed to the ground. He climbed on you, grabbing at your flailing arms as you tried to keep him away with the threat of being cut again.

“I’ll kill you! Fucking bastard!” you screamed. “You killed my fucking friends!”

“Do it!” he taunted. “C’mon, I wanna see you try.”

In your struggle to stab him, you lost your grip on the knife, and it slid across the stage. The both of you froze. You used this moment to push him off of you, scrambling to retrieve it. He threw a punch to your back. The wind knocked out of you, violent coughs clawing their way out of your lungs. He took the opportunity to stand up as you lay on the ground in pain.

Still, with the adrenaline pumping through your veins, you grabbed for the knife, hissing as your fingers wrapped around the blade and cut deep into your skin. It didn’t matter. You had to do the most with it while you had it in your grasp.

You held the knife up in a weak defense as he kicked your stomach. When he moved to kick you again, you slashed his leg, pulling the blade from his flesh and watching as blood quickly stained his pants.

The wild look in his eye intensified, and he dropped down, his hips straddling yours. You could feel his hard cock press against your core as he shifted. And he said you got off to fucked up shit.

With one hand, he applied pressure to your throat as the other held down the arm you were holding the knife with. You released your grip on the knife as black spots clouded your vision. You could vaguely hear it fall to the ground when his hand released your throat, and you sucked in a much-needed breath. He picked up the weapon, a triumphant grin on his face. You were fucked.

He sat up, lazily dragging the knife down from your chest to your hips. “You probably should’ve killed me.”

“You think I wasn’t trying?” you wheezed.

“You put up a good fight. I’ll give you that.”

“Don’t act like you don’t love it.”

“And you don’t? I saw the thrill in your eyes every time you raised this at me.”

“It’s self-defense!”

“You tell yourself that, babe,” he said, leaning down to kiss you, only for him to stop to whisper, “Try something, and I swear to god I’ll knock your teeth out.”

You were having trouble breathing. He probably crushed part of your trachea. At least you put up a good fight. You lay still as he kissed you, not making an effort to kiss him back until he pressed the blade against your throat. Even then, you let him take the lead, your lips passively responding to his as he deepened the kiss, slipping his tongue into your mouth. He wasn’t a bad kisser. Shame he was a serial killer. It took everything in you not to bite down on it like you had his thumb. You didn’t have the energy to fight back. Knew he wasn’t bluffing about your teeth either.

He pulled away from you, a string of bloody saliva hanging from your lips that he swiped with his injured thumb. Bringing the digit to his mouth, he licked it. You grimaced at the sight.

“C’mon, babe, I thought you were into this kinda thing,” he teased.

“That’s all pretend. It’s not real,” you argued softly.

You gasped as he cut through your top and bra, digging the blade into your abdomen. He traced the tip of the knife around your breasts, watching in amusement as you began to cry. The cool air in the room and metal brushing your nipples made them hard. He used his free hand to pinch and pull at one, eliciting pained whines from you. Your teary gaze was fixed on the knife, though.

“Why don’t you give me a big smile for the camera and tell me how bad you want me to fuck you?”

“Screw you!” you shouted hoarsely.

He scoffed, pulling the knife away from your breasts and holding the blunt side between his teeth as he unzipped your jeans. You squeezed your eyes shut as he pulled the denim down your limp legs, leaving you in only your panties. His index and middle finger pressed against the cotton, rubbing a bit at the wet spot in the fabric.

A pleased noise came from his throat. “So you are into this kinda thing.”

He snapped the elastic waistband against your hips. You moaned. Your eyes shot open, face heating up in embarrassment.

The knife was back in his hand, though the gleam of the blade lowered, down, down, until you felt it pressed against your inner thigh. He dragged the blade across your sensitive skin until the only thing between it and your pussy was the thin fabric of your panties. You felt like your heart was going to explode from your chest.

“Stop. Mickey, please don’t—oh my god—“ you babbled. “Please—Mickey, I’m sorry—“

“You gonna do what I say?”

“Please fuck me, Mickey. I want you to fuck me so bad.”

“That’s better, baby,” he cooed mockingly.

You heaved a sob of relief as you felt him pull the knife from your panties. Closing your eyes again, you reckoned your impending doom with yourself, trying to ignore the sound of his zipper. The rustling of fabric. The air on your bare pussy.

“Time for the real show.”

Mickey played with your clit while he leaned down to kiss you again, devouring your involuntary moans with a triumphant smugness.

“The rest of them were messy and painful, just like in the movies,” he said softly, confusing you for a moment before you realized he was talking about his other victims. “I didn’t hate them, though, so I’ll blame this one on violent porn.”

“Mickey, I won’t tell anyone,” you tried. “This can be our secret. I—I like it, really.”

He groaned, pushing his hard cock between your folds. A pained cry escaped your lips as his length filled you. He hardly gave you any time to get used to him inside you as he began thrusting at a brutal pace.

“Keep going,” he hissed through gritted teeth.

“You feel so good, Mickey. Your cock is so—fuck—I don’t want anyone else.” You struggled to get words out, your brain overrun by the pain and pleasure that competed to cloud your senses.

“You’re not getting anyone else.”

Your eyes drifted to the knife in his hand as he pounded into you, nervous about what he was going to do with it next.

“Look at me, baby,” he ordered.

Your fearful gaze snapped to his, cruel and unforgiving. He kept rubbing circles on your clit, so fast it was almost too painful. That’s what he wanted, though. For you to hurt. Made him feel better, get off quicker if you hurt. It was almost too easy for him, the way your body betrayed you so quickly, wet with slick so he hardly had to do a thing before claiming your cunt.

Your pussy squeezed his cock, a silent encouragement with each thrust against your will. His breathing was heavy, sweat dripping from his forehead, yet he showed no signs of letting up on you. Bleeding, aching, you weren’t sure how much longer you could take the abuse.

“I want you to ruin me, Mickey.” You meant it. If this was how you were going to meet your end, it might as well be as brutal as the dark scenarios your mind sometimes wandered to after watching a particularly bloody film. Maybe he was right. Maybe the movies were to blame. “Fucking wreck me.”

He shuddered, his thrusts getting sloppy. “Fuck–Jesus fucking–”

His grip around the knife handle tightened as he came, knuckles white as he stabbed it into the floor, mere inches away from your face. You jolted, fear and adrenaline sending you over the edge. Your orgasm wracked through your body, muscles tensing, the sensation pulsing through your wounds, making them feel like they were on fire.

You nearly blacked out, but you held on long enough to feel him bottom out inside you. His head hung over yours as he caught his breath. Tilting your head up a bit, you kissed him. Softer, more intimate, hopefully enough to throw him off.

You reached for the knife next to you, but he pulled it out of the floor before you could.

“Nice try,” he said, breaking the kiss.

He stood up and walked away. For a moment, you thought he was going to just leave you there. You weren’t so lucky. He returned with Ghostface regalia in hand, looking down at your bloody body beneath him with a grin.

Mickey brought the voice modifier to his mouth. “Now, who wants to die for art?”

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