#i know no one is following me for my opinion on a shitty cartoon that came out a year ago

[colorful-horses]

I ragged on High Guardian Spice a lot while I was watching it, but I have to admit that ever since then, I legitimately cannot stop thinking about it.

The way it completely lacks plot, hooks, interesting concepts, characters, or anything remotely unique is, in and of itself, kind of incredible. I've truly never watched another show like it. Its not even unforgivabley bad—it's just NOTHING. If HGS were a color, it'd be beige.

The most enticing aspect of High Guardian Spice is how, across the whole 12 episode run, never once do they even ACCIDENTALLY stumble into anything interesting. It IS a special show, but only because, despite all odds, it completely fails to be special at Every Single Possible Turn.

I love it. I've watched it 7 times.

[krishna-sangini]

My Journey to Keshav

My journey to Keshav began when I was probably 2 or 3 years old. The tales that my grandpa and my great-granny told me; of Krishna's baal leelas, the cheer haran, His raas leela, His journey to Mathura, the slaying of Kansa, and then becoming the protector of uncountable people... All these tales I marvelled at as a toddler have the credit of hooking me onto my Keshav for the very first time.

This was just the start... Of a beautiful journey that would ultimately become my destination.

The toddler me grew up into a kid. That’s when the cartoon ‘Krishna Balram’ came onto the scene. And yeah, that show is 100% credited with making me fall head-over-heels for the sibling pair. I mean, y’all would be lying if you said you didn’t absolutely fall in love with Krishna and Balram after watching that show! Like, come on! Those two boys are simply sweethearts! Then came the ‘Little Krishna’ movie series. Ouffffff! My heart was completely occupied by the Makhan Chor by then. 

But then I entered teenage! The best phase of human life. You know, the phase everyone goes through where Westernization is considered cool and spirituality is considered ‘boring’ and ‘conservative’. Yeeeah… I fell into that ditch too. I pushed Kanha into the backseat. I got absorbed in the world of being ‘cool’ by shunning my religion and putting on the mask of atheism.

(This is not a dig at people who are genuinely atheists. Y'all are free to have your own opinions,  and I respect yours even if mine are different.) 

During those 5-6 years, I forgot all about my absolute bestie. The one who had stayed with me through every nightmare and sunshine. Needless to say, my life was a torment those years. Serious shitty family issues and my then school can be credited for that.

But again, once you’re into Krishna, he'll always find a way to bring you back if you go astray. That’s exactly what my Keshav did to me.

2020 saw the advent of the COVID-19 virus in India, and a long and tiring lockdown followed. Just as people were beginning to get frustrated to death, the good old Mahabharat and Ramayana started airing again. That was the turning point for me. Seeing Nitish Bhardwaj’s excellent portrayal of my Keshav, I was hit with the nostalgic memories of my childhood that I shared with Kanha. It was then that the thought struck me, “If a human can look so freaking beautiful, how much more radiant and divine must Kanha have looked in real life!”

And that was it. I called for Keshav after so long. He was waiting for me, perhaps. Waiting for me to call Him with all my heart, without my pride’s obstruction. I did, and He responded right away. A couple of days later was when I had that magnificent dream where my Keshav showed me a glimpse of Himself for the very first.

(I have posted about that dream here too; the link is in my pinned post. If you’re curious, you can check it out! Also, please share your Krishna story too!)

And since then, there has been no coming back.

I am now compensating for those 5 years by falling in love with my Keshav harder with each passing day. Not that I mind it. Because I absolutely love it. Now that I look back, it had been Him all along. All those times I sat crying alone in my room cuz of the mess our family was in, Keshav was there right by my side, caressing me gently. I was just too haughty to realize it. Had it not been for Him, the wicket of my life would already have toppled years ago.

Sooo, this is my journey to my Keshav. The journey that still continues; it will continue till we meet finally on the ultimate day… This journey has mended me in so many ways. It has shown me a whole new side of myself. It has helped me realize myself better. And best of all, it has made me feel my Keshav more and made me love Him much more. And I’m so so glad that I had people in my life who led me to the beginning of this journey. For this too, I thank our Manmohan.

Sooo, yeah. That’s it. How has your journey to Krishna been so far? Feel free to share!

Radhe Radhe, sakhis and sakhas! Kanha will stop by in your dream tonight~ (Yeah, he told me so himself!)

[renarots]

🏎️💨 THE FORMULA 1 TAG GAME! 🏎️💨:

tagged by @solaireverie

thanks pookie <3

1. Who or what got you into F1?

i grew up in a pretty big nascar family, my family would put it on the tv instead of watching the kids and natural progression i fell in love with motorsports. i do think a combination of seeing the tooned cartoon and me being fascinated by the engineering in the cars dragged me fully into f1.

2. Who was the very first F1 driver you supported? Do you support them now? Have your opinions on them differed or stayed the same since then?

for me it was fernando alonso and jenson button. although jenson is retired i still watch him in his other series like nascar. i still support fernando as well although i feel like it passed the torch on to lando when he was the reserve for mclaren and then later took the seat at mclaren. if you cant tell im a huge mclaren girl.

3. Who’s your current favourite F1 driver?

lando norris and yuki tsunoda, cant pick one but yeah theyre my ultimate pookies 🫶

4. Is there a driver pairing or pairings you support? What made you attracted to that pairing in the first place?

my biggest driver pairing right now is lando and oscar, i think their pairing is what lando needed and what oscar needed and theyve already shown they push eachother so i cant wait for this season. my ultimate that i think about is fernando and mark tho, theyre my roman empire. from them always misisng eachother as teammates and then the infamous abu dhabi 2010. i could go on an essay about them (as a treat i also love nando and jenson)

5. Do your parents, siblings or relatives have a favourite driver?

no but i did get my friends and their cats into it. one of them is a ferrari fan and the other is a mclaren girl more leaning towards op81 but im gonna make her an ln4 girl soon. her cats are both mclaren cats but one only loves lando, she legit gets disinterested when someone else is on screen. one time she literally followed landos car off screen and my friend didnt even know that was lando so she was surprised her cat caught on to him.

6. Do you have any favourite races? Are there any that stand out to you the most?

i know i mentioned it before but abu dhabi 2010 is definitely one i watch a lot. 2020 austrian gp as well, even tho lando got the podium cause of disqualification it still holds a special place in my heart. Runner ups are silverstone 2023 and Abu Dhabi 2023 where pookies lead the race for a period of time.

7. Do you have a favourite circuit? Can be from the past or from the current calendar.

singapore is lovely, silverstone because of this year with lando leading the gp just really put it up there, and i think interlagos always has me excited, even if mclaren has a bad track record with it (please get your shit together for quali guys)

8. Have you ever been to an F1 race in real life? Feel free to tell us your experience going to one if you like.

ive never been to one theyre too expensive in america to go to one but i have been to a couple nascar races and those were so lovely. im hoping to take my friends and i to the suzuka gp next year tho (its so much cheaper please f1 sort your shitty pricing please)

9. Have you ever met an F1 driver in real life?

no and id rather melt into the floor than meet one

10. Do you have a favourite F1 car? If so, what is it?

i think the rb19 (rocky) has to be my fave rn if you asked me a year ago i would say otherwise but from an engineering standpoint rocky is the most beautiful piece of machinery ive laid my eyes on (excluding my beautiful b&m rollercoasters of course (my first love fr))

11. Do you have a favourite one win wonder?

not really tbh

12. Do you have any favourite quotes from the F1 world? This can either be inspirational or hilarious.

"i nearly said i wouldnt want to be married to him but obviously i- im happily married to a lady but" -mark webber (🫵🏳️‍🌈❓)

"who is the blind guy in the alpha tauri?" -fernando alonso (even tho it was against yuki it was so funny from this years radios)

"soy lago" -lando norris (i miss carlando guys)

"fernando is faster than you" -rob smedley

realised thats a lot of fernando related quotes but oh well 🤷‍♀️

🏷️ <3

@dumbf1sketches @formulafics @disneyprincemuke @lovewithmary @piasstrisblog @bekaillustrates @honeyhobbs and anyone who would like to participate

[sickknotdoom]

Sparklecare fandom is so shit. People would literally go in your DMs and talk that you SHOULD stop following that one "problematic" person. And despite all horrific things happening in the hospital all "problematic" content makers are hunt down for sport by the fandom. It feels so sterile and bland, really.

I can't take Sparklecare as a serious product about social issues, it really a story about someone OCs and it's actually a cool thing! Not every media should tell you something really deep and important, for me it's just like a saturday cartoon which i love really much.

Kittycorn is cool, fandom is shit.

ok theres some issues with this, but for the most part i agree.

sparklecare was originally based on a traumatic hospital experience kneeby had, and also the american healthcare system generally being shitty. the comic used to be so good, but it had such an aggressive fall from grace once the clowns started honing in on ships. these may be oc's, but theyre still characters in a franchise, and people will treat them that way, even if its indie.

kneeby isnt all that cool, kit cannot take criticism, constructive or not, and neither can the rest of the clowns. i was literally banned from the official sparklecare discord and blocked by kit for pointing out a flaw in unis writing when i was thirteen, and other clowns tried to talk me into changing my opinion on it with the excuse of "were only four volumes in" and all that shit.

however i agree that the sparklecare fandom, especially on twitter, has such an issue with deeming seemingly anyone "problematic" for whatever reason and starting a huge hate train. im a victim of this. i was sexually coerced by a fifteen year old when i was twelve and said fifteen year old decided to make a google doc a year later painting me as the bad guy, and now everybody in the sparklecare fandom blindly thinks im a predator and refuses to be corrected. somebody even tried to lie about my age and call me a pedophile. and who knows when or if itll stop.

i know i may break my anonymity by providing that backstory, but i feel like it was necessary to bring up in this conversation. this has likely happened to countless other fans of the comic, and that thought scares me.

[intrepidradish]

Media: Dragon Ball Z

Year/my age: 2002/12

What drew me to the media:

I came home from highschool everyday and had a small tv with a built in vhs in my closet. It was 4:30pm and toonami was on Cartoon Network. I watched the entire Cell Saga and Majin Boo like a fiend. It was a shitton of episodes! Ugh. It's almost impossible to watch all the way through now, but maybe because as an adult I want like...more plot motivated writing. One of the best fanfic foder aspects of DBZ is that so much is left open to interpretation. I didn't question the filler episodes as a kid. I just liked all the muscles and screaming. The animation/manga style remains super duper fun. But mostly I found DBZ memorable because of Vegeta. I got truly invested in him as a character, because for most of DBZ, he really lets you down. I think TV shows love to harp on tropes for children, ie the bad man becomes a good man and all his values change to match the good characters *sparkles*, because they think morally those are the stories that should be told to children. Which is sad, honestly. Vegeta doesn't fall into that arc. He remains...kind of a bitch... and his character arch is fantastic and long and hard and he fucks up a lot and he doesn't really apologize for any of it. This was amazing to see as a preteen. Teaching failure to a child is really hard, and I think that America's school system is really bad at even attempting to. But failure is super important. Because all of life that child cum adult is going to fail, and its going to suck.

What made me a fan:

In college, I did another pass of DBZ, and whoa, developing adult horny brain really went into spiral knots wondering...so what the fuck... Bulma and Vegeta... had sex? They made a child. They made Trunks. So they had sex, right? I think this is pretty common a reaction. And as soon as you think that, well... the next step is... 'wait wait wait, how did they have sex? why did they have sex? what did that even look like?' And that's what sends you scouring the internet at 1am in your underwear (covertly, because you're in a dormitory with three other roommates).

I wish I could put to language what is it about romance that sends people into fandom holes. Romance is really important to fandom. I think it has something to do with how regimented relationships are in mass media. They aren't diverse. Most main stream romance is very streamlined and never gets into the messy odd bits without being labeled as some kind of edgy cusp drama. I don't know. But relationships seem to be the spring board for fandom hijinks. I'm all about it. I'd rather have fake blorbo relationships in my brain to obsess over than the real world. That shit gets you into trouble.

Oh god, and what an indicator of future dispositions. If you get into the Vegebul fandom, a lot of them are rape stories (because god forbid, a woman could want a shitty asshole alien man to bone at night. Bulma has her own set of problems, specifically with vanity being high up there). But yeah they were hot and I was pretty ashamed about the whole thing.

I was such a baby then.

Have I written fanfiction for it?

YES. One winter vacation, I wrote a 40 page fanfiction. This was probably in 2010? It was UNFINISHED, but I was incredibly sweaty the entire time, trying to build up to a spanking scene. (Yes, 40 pages of build up for spanking. I'm embarrassed for myself.) My computer crashed and the entire document was corrupted. My first fanfic was lost. RIP

Opinion on the fandom:

Pretty chill. I didn't interact with it much besides reading secretly. Originally, I was reading on fanfiction.net. When I came back to it years later (once again after college, I got my husband into it) I was reading fanfic for it on Ao3. I run into other Vegebul's periodically. They are all in their late twenties, early-late thirties. I follow someone here on tumblr that wrote this fantastic long series (100+ chapters) called Pillow Talk which is on Ao3. It's fucking incredible about showing the ups and downs, ins and outs of their relationship, because they do wind up together in canon (which is wild).

The most recent interaction I had was in the kink community, which was like *sigh* 'god, we are so fucking predictable, aren't we?' We had a good laugh! But he was trans masc too, chilling in a femme body, so we clicked right away about it.

I also remember I had an annoying conversation with my stepbrother once about tattoos. I don't have any, so they were asking why I don't. I said "If I started to get tattoos it would be a slipper slop before I start making bad decisions like getting a full Vegeta arm sleeve." Their mouths twisted in that judging you face and said "yeah don't do that." Like...ahem. My point exactly.

I think people get pretty judgy in general about Vegebuls because its a 90s kid's show, and its not a very good one. But being a Vegebul is kind of like... realizing your parents have sex. It's part of 'coming of age'.

Would I participate again:

Hell yeah, I would. Once a Vegebul always a Vegebul. The biggest hurdle for me would be catching up on all the new material. I watched Dragon Ball Super and found it lackluster. GT was so bad, I cannot. Something that's commonly an issue for me is the amount of subject material required to understand a story in fanfiction. I'll get into it later with other fandoms, but if the lore gets too big, I suddenly don't know how to participate.

Master post

[happytroopers]

crosshairs fic idea: reader is gossiping with coworkers (maybe medics idk) about who the most attractive clone is and reader mentions crosshair and he somehow finds out and teases her

Teasing // Crosshair x reader

“It’s definitely Captain Rex. ” Tula, a Rodian nurse from the 212th, stated decidedly. You giggled into the shitty GAR rationed caf.

“That’s just cause your into blondes.” You teased, content with the rounds of chuckles at the mess hall table as Tula’s teal cheeks blushed blue.

“I still don’t know why we’re having this conversation, they’re clones, they all look the same! Thats like the whole thing.” Rys groaned uncomfortably, the only man at the table of civilian enlistments. It was rare for some many of your friends to be in the same place at the same time- but medical staff and engineering alike, every six months after your first deployment civilian enlistments were shipped back to Coruscant for a week long training refresher.

“You can’t say that, it’s rude!” Tula slapped his arm, eyebrow ridges furrowing over her galaxy eyes. He held his hands up in surrender.

“Yeah Rys, we won’t assume you’re any less straight if you admit that Wolffe is clearly the most attractive.” Raina grinned, her peach colored lekku twitching at the thought of the commander. You considered the idea but shook your head as other names got thrown around.

Kix, Fives, Bly, Keeli, Cody, and a couple other names you didn’t quite recognize the names of were tossed around the table. Haircuts, scars, tattoos, personality all became deciding factors as you at your dinner, occasionally chiming in to tease your friends.

“Ok then, who do you think the hottest soldier is?” An engineer from some outer moon data post asked after you teased her for her choice- Tup, a younger soldier in the 501st that you hadn’t met since your transfer to Clone Force 99.

You held your hands up, ready to evade the question. But Raina interjected, a challenging look on her face. You’d gone through academy with the peachy colored twi-lek and her sharp tongue was almost faster than her flying. You knew that look, and it didn’t bode well.

“If you don’t answer, I’ll tell every trooper I see all week that you said it was them.” She threatened with a smirk that said she already knew she had won. The smirk grew to a grin when you let out a defeated sigh.

“Well, in my own personal opinion, that Crosshair is the most attractive man we work with.” You admitted quietly. An honest answer on your part, you did think he was attractive even if you’d never say it to his face. Immediately, several pairs of disbelieving eyes landed on you.

“What? He doesn’t even count!” Rys pointed an finger at you to emphasize his point, “he doesn’t even look like the other clones!”

You shrugged as Tula slapped the back of his head again, her voice scolding as she hissed, “You can’t say that either!”

Then she looked at you, “Really though? He’s meaner than a burned gundark.”

“He’s scary.” Raina nodded.

“He’s an ass.” Another one of the 212th enlistments echoed from down the table. You’d forgotten that a few of the units they were assigned to probably had worked with Clone Force 99 at some point. Nevertheless, suddenly, you felt a need to defend the sniper who had finally become what you’d consider a friend.

“Ok, so it takes a while to get to know him, but...” you started, thinking of all the amazing qualities no one else saw because they weren’t with him all the time, “he’s loyal to a fault, really funny, always pulls me out of sticky situations and usually manages to keep me out of them to begin with, once you get to know him and how he is, you see how much he cares about his-“

“Ok, sure,” Raina cut you off, clearly not believing the cold eyed sniper could care about anything or anyone. She paused to pitch her voice up, flutter her eyelashes, and clasp her hands beside her face like a cartoon princess, “we don’t know him like you do~”

She interrupted herself with a snicker before she continued in her normal voice, “and all that bantha crap, but this is about attractiveness. What makes him hot? And don’t give me any of this, personality is all I look at shit.”

“And if I tell you, you’ll leave me alone?” You asked, though it was more of a demand. Tula nodded, she had always been a little boy crazy, and was dying to hear the scoop. You sighed again, hoping your cheeks weren’t too flushed, “fine, He’s very unique looking, in all the best ways. He’s very tall and lean, but crazy built. I’m into the silver hair, and believe it or not, under the armor that man has the best ass you’ll ever see.”

Tula was leaning on the table, giggling wildly at the juicier bits of you description. Raina had leaned back in her seat, and rolled her eyes, “To each their own, I suppose.”

Fortunately for you, the conversation switched to complaining about to the soldiers that were in charge of your training. There was a rumor the Fox used “civilian training” as punishment for his men when they earned a reprimand. It made sense, all the Coruscant guardsmen that were tasked with running drills with you weren’t exactly thrilled to be there. As if any of you were either.

“Yeah, I definitely don’t understand that attitude. We get it, you don’t want to be here, neither do we, but we are so let’s just get it over with- with out the..... are you even listening?” You were in the middle of your tangent when it was clear none of your group was listening to you. Instead there were all staring over your head with varying looks of slight fear, curiosity, and overall disdain. Tula was the one who attempted to subtly point behind you. At first you feared it was one of the troopers in charge of your training, so you quickly turned around with a forced apologetic look on your face.

To your surprise, you found Crosshair. Helmet free, as usual he had a toothpick between his teeth as he gave your group an appraising sweep. He had the same look on his face that he did when he was sizing up ‘the regs’- until he got to you. It took a year for him to stop looking at you that way, but his slight sneer eased out to neutral-which when it came to the sniper, it might as well have been an ear to ear grin.

“Crosshair! What are you doing here?” You asked, turning around in your seat. In addition to his sudden appearance, just his president was slightly confusing. Typically, Hunter would come himself, or send Tech- all to avoid a potential fight. Your training mates looked slightly bewildered at the amicable exchange.

“Springing you. We’ve got an assignment.” He shrugged after plucking the toothpick from between his lips. Like a true creature of habit, he started twirling the stick between his fingers. You quirked an eyebrow motioning to the other civilians.

“You can’t ‘spring me’, it’s GAR regulation for me to do this training refresher.” You reminded him, he rolled his eyes- but you weren’t sure if his disdain was for your use of air quotes or just disdain for GAR regulation in general. With any member of the Bad Batch, it was usually general disrespect for the rules. You gave him a look before continuing, “I still have three more days.”

“Is it really training? You could run circles around anyone here, especially them.” He drawled as he nodded his head over his shoulders at the table of red painted troopers who were eyeing him in distrust. Your eyes went a little wide, was that a compliment? And then you ducked your head at the offended glares of your table. In an effort to prevent a fight, you stood quickly before letting him lead you off.

“They’re aren’t gonna let me leave, Crosshair.” You reminded him, looking up to meet his eyes. He smirked a bit, setting his eyes forward.

“How are they gonna stop us?” He challenged, dropping his smile to glare at a passing trooper.

“Well, ion cannons come to mind.” You mused before clearing your throat, “You guys could always go with me, you went on plenty of missions before you got stuck with me. It be like the good ole days.”

He didn’t laugh at your joking tone, but shook his head, “You’re one of us, you stay with us”

You were stunned to silence for a second, despite your friendship he’s never referred you you as ‘one of them’. Heat rose to your cheeks as you exited the corridor into a lift, so Crosshair diffused the tension.

“Mission takes precedence over regulations. When have we been know to follow the rules, anyways.” He mused, swiping his ID card so the lift would let you out in the hangar. He relaxed a bit when you snorted a laugh before he continued on, “Besides, how can pull you out of sticky situation if you’re on a different planet?”

You froze in your spot, stomach dropping and cheeks flaring with red hot embarrassment; you had forgotten the cardinal rule of working with Crosshair.

If you didn’t have eyes on Crosshair, Crosshair definitely had eyes on you. And in this case, apparently ears as well.

“Ok, look-“ you started, hoping to ease your embarrassment, but all of the excuses you could come up with fell flat before they made it out of your mouth. Fortunately, the lift door slid open, allowing you to escape before you could further your embarrassment.

Crosshair actually chuckled out loud, long legs easily traipsing past you as he headed towards the Havoc Marauder. Momentarily, he twisted around to walk backwards, pointing his toothpick towards you, “Don’t worry, your ass is almost as good as mine.”

[ciaran-archive]

What do you think of the opinion that writers should read 'real' books? I know it's something that's been argued to death but I recently had a falling out with a friend who was formerly very gifted in lit classes when we were in school but she had to change courses but even now she's still a casual writer and we had a chat and she says that it's silly to only read fanfics and that 'real' works NEEDS to be read too for development and I find her hypocritical and snobby since she reads fics too?

i think it’s stupid to think you’re going to learn everything there is to know about writing from a single place. fanfiction is diverse as hell in form and function, and i don’t want to denigrate it on specious grounds, but like - at least for me - fanfic is a place where i’m picky as fuck about what i read. i have zero patience with the characters i know making decisions i disagree with. i’m liable to stop reading over minor quibbles with the writing. when i look for fanfic, i sort as narrowly as possible, and then i dismiss 90% of the fics i come across anyway. i have no interest in diversifying my palate via fanfic, even though when i have taken tries on fanfic, i’ve discovered some of the most mesmerizing and intense and fresh writing i’ve ever had the pleasure of reading.

published fiction, by contrast (and again, this is personal and dependent on the way i read) makes me more patient and willing to go where the author is leading. it forces me to think about the story overall in a certain pattern, knowing that it’s following a structure i can discern with some effort, and makes me think about predicting plotlines. fanfic, a lot of the time, doesn’t do structure (and i think that’s great, because i can’t do structure and i despise having to force my fics into a formula that buries the vibe i’m trying to create) and plays fast and loose with genre conventions. reading published stuff makes me realize what those conventions are and how they can be done well or badly. can i learn that from fanfic too? probably! but i wouldn’t be aware of the genre in the same way i am when reading something published.

insofar as it’s silly to read fanfic, it’s silly to only consume any single medium of content and nothing else. i would also roll my eyes at someone who only reads academic articles or only watches children’s cartoons. i think you need diversity in what you consume. one of my major problems w myself is that i can’t get myself to engage with as much media as i’d like because of my adhd. basically, it’s not silly to read fic, but if fic is the only thing you’re reading then you may at one point wanna figure out how to expand your range a little. it’s not going to hurt you to be limited, and it’s fine if that’s what works for you, but it’s also going to inform your expectations in a certain direction and make it harder to engage with things that don’t follow that pattern.

it also depends on whether ‘development’ is a priority for you - it is for me, which is why it was really important for me to get back into reading published work. i like reading published stuff! it’s got the kind of hard sff i really like, and i find original romances are pretty fun and give me perspective on the stuff i’m used to reading from fanfic. however, now that i’ve read enough published work this year to say (over two dozen books) i’m pretty sure that reading published work didn’t do a lot for my development as a writer - not nearly as much as writing consistently and talking to other writers did. in fact, i’m pretty sure watching tv serials is better for my writing than published books. there’s no way to tell for sure what’ll work and what won’t, but i think you will get something out of reading published work, and it’s worth trying in order to figure out whether you want that something. 

in any case, i don’t see the point in arguing whether published work or fanfic is better. people make shitty things and sometimes the shit’s on ao3 and sometimes it’s on the barnes and noble bookshelf and there’s no way to decide once and for all which one’s better. they both have their moments. 

[innovativestruggles]

Extra thoughts on Daisuke x Suzue (Anime and Novel)

I was prompted to write this when a friend asked me several prodding questions on Daizue’s relationship and feminism several days ago. Obviously my friend knew where to hit the right nerve LOL

So I thought about it and I’d like to share my thoughts. I don’t know whether my DaiSuzu followers are still hanging around, but if you see this, then this is for you. This post is very opinionated of course so you may not agree with what I have to say. 

I took the initiative to go back and watch some of the FKBU episodes, and then top it off with the novel. As I mentioned in numerous older posts, the novel is the original and was written sometime in the 1970s. If you can read Japanese, I strongly recommend you grab a copy and read it for yourself. It goes into a lot more depth with regards to Daizue’s relationship and there is a lot more development between the two.

Novel and anime are different yet there are similarities. What I am going to write here is purely about DaiSuzu and because there are only minute differences in their interactions in both novel and anime, I will combine the two elements together. But before I do that, I want to talk a little about Suzue.

Suzue

I absolutely love Suzue’s character - in almost every single aspect. She is strong, clever, independent and defies all odds. Her personality and interests are definitely more pronounced in the anime in terms of strength and defying the odds. She does the hard yard - a mechanic, an engineer, a creator, a pilot, a spy, an intelligence operator - she is a one stop shop and she is not just a pretty face. Then we have her novel counterpart, who shares similar traits that concerns intelligence and independence. She does intelligence and spy work for Daisuke as well, and the only thing that was absent would be her ‘mechanics and gadget development role.’ Given that the book was written in the 70s by a misogynistic piece of shit, I am surprised the author gave Suzue that level of prominence. 

When I saw the promotional materials and then the second episode of FKBU, I was so excited! Finally, a strong female character who has all the ‘male dominated’ traits! I was looking forward to what the anime had to offer her, considering the creators were talking about giving Suzue an ‘important’ role in the anime.  And throughout the series, her character in that sense did not disappointment. She did a lot of work for Daisuke and she was the backbone of everything. She even had to rescue him at times. What an incredible woman.

In comparison, novel Suzue, although a prominent, intelligent character, still had some level of submissiveness to her that screamed ‘I need a man to save me and do things for me’ kind of way. Unsurprising of course being written by an old fashioned man in the 70s. So the anime in a sense was a breath of fresh air.

Then we see the lack of screen time. Although Suzue was just a supporting character, she was quite prominent in the novel. The anime went through all this trouble to create such an incredibly strong female character, but gave her such little screen time. Disappointment doesn’t even begin to describe it. I’m just frustrated that it is always the bloody male characters that gets a lot of screen time. I don’t give two fucks about your need for a fanservice or to appease fujos, we need more female characters who are strong, clever, independent, does not need a man to save her, is not overly sexualised and gets plenty of screen time. If it’s not one, it’s another. Can’t they just bloody do it all together? Also, have three main characters, Daisuke, Suzue and Haru ffs.

Feminism & Anime

If you trawl through my blog, there are a lot of posts about women, feminism, misogyny, toxic fandoms and a lot of het ships. Although I do absolutely love my M/M and F/F ships, there is a reason for my interest in anime het ships. I am a social worker who specialises in working with victim/survivors of family/domestic violence and sexual assault (DVSA), and complex trauma. Considering the majority of perpetrators are men, and the majority of victim/survivors are women, it is important to emphasise the need for a healthy and respectful relationship. I enjoy bringing my feminist perspective to film and fiction because they are an extension of society. Film and fiction (including anime and manga) are based on societal perceptions, and characters are still, unfortunately, heavily gendered. 

The anime fandom consists of real people and if you look all over social media, people talk about the characters all the time and their thoughts on them. It comes from somewhere. So when I watch anime, and when I see a male and female character get together in a manner that is healthy and respectful, they get a standing ovation from me. In particular, is when a male character treats his female partner in a way that empowers her or if he abstains from using his male entitlement to demean her. Because in society, there is still a large proportion of men who continues to abuse women in every way possible. If fans are constantly viewing content (yes, even ‘cartoons’) where women are objectified and disrespected comparatively to men, that rigid stereotype is reinforced and ingrained. 

I just want to add a note here that the LGBTQIA+ community do experience DVSA as well and this post does not disregard or invalidate them in any way. The focus of this discussion however, pertains to men, who make up the majority of perpetrators and, women, who are the majority of victim/survivors.

Daisuke and Suzue

I answered an ask sometime ago about why I ship DaiSuzu and although that has not changed, I have given a lot more thought to the reasoning behind it. The one thing I dislike about Suzue is her obsession with Daisuke, both in the novel and anime. It does take away her cool, independent like character, and submit her to the idea that she is nothing without first appeasing a man (Daisuke in this case). I don’t want to put too much dislike into her character in the anime, because we never got to see what her history was like with Daisuke. In the novel, I do see elements as to why she can be a bit obsessive, and that was most likely to do with her being ‘adopted’ and given a second chance. It was her way of showing appreciation. Yet she does have romantic feelings for Daisuke, so in essence, her character was emphasised as a typical lovestruck woman 😒

Again, she was incredibly loyal and forgiving towards Daisuke in the anime, despite his shitty attitude towards her at times. You’re probably wondering, after all that I wrote about feminism, why I would still ship DaiSuzu? In the anime, that comes down to Daisuke’s trauma. It added an extra layer of complexity. Daisuke’s standoffish, cold behaviour towards Suzue was not out of a sense of male entitlement and disrespect towards Suzue being a woman, rather, it was a manifestation of his trauma. Of course, it does not excuse his behaviour, but this is the reason why I really enjoyed watching their relationship. There was a lot of mutual trust going on (which I wrote about), covert appreciation of Suzue’s skills and abilities and Daisuke’s own way of making amends with her. 

In the novel, however, Daisuke does not have a history of any traumatic experiences. His personality was a lot more animated and though he does exhibit some weird behaviour towards Suzue, he does not do it out of male privilege or misogyny. He was just dense (and an idiot).  

Regardless, DaiSuzu’s relationship isn’t just as simple as black and white. There are elements of feminism that intertwines the anime and what I love a lot about Daisuke was that he never put Suzue down, felt intimidated, or tried to make her feel inadequate for being more clever and more intelligent than him. He relied on her knowledge, her skills and her expertise to guide him through his missions, because not only did he trust her with his life, he believed in her skills. He quietly allowed her to do her job without questioning her abilities or intervening.

I won’t discuss how shit the anime was and how much they shat on Suzue’s character by making her Daisuke’s relative, but like I said, I was pretty impressed with the way they turned Suzue into a strong character, and Daisuke’s perception of Suzue as a woman.

And yes, Daisuke doesn’t deserve Queen Suzue. And if you were again to ask me about Daisuke’s true feelings for Suzue? I am pretty damn certain that he loves her to death - in both novel AND anime.

[its-all-ineffable]

Ranking the DCEU movies, from least favourite/re-watchable, to favourite/most re-watchable

*Okay, so I saw a ScreenRant article that ranked the DCEU movies based on how re-watchable they are and I disagreed, so here's my list! Also, I included favourite, because if I re-watch something loads, it means I love it, that's how I work.

WARNING: This will be a LONG POST!

Also, these are just MY opinions, so feel free to disagree or agree with them as you wish, and please, feel free to talk to me and tell me about your views on these films! But don't start a fight with me or anyone else in the notes. There's no need.

The films will be ranked in the following order - least favourite/re-watchable is number 12. Favourite/most re-watchable is number 1. We will start with number 12. Okay, let's go!😊

(Only 10 images allowed, so sorry, had to cut two)

12. Aquaman

What can I say...I just, I really am not a fan of this film. Like, the colours were pretty, Jason Momoa is an amazing actor, & the creatures were all very cool, but it wasn't interesting to me. Arthur is possibly one of my least favourite DCEU characters, so already I was struggling. The plot felt unnecessarily complicated & convoluted to me, & I didn't feel invested in any of the characters or the story. That being said, it had some gorgeous cinematography & Jason Momoa is a great actor, despite me not liking his character. It's a decent film, & I'll re-watch it, but it is my least favourite DCEU film, I'm afraid.

11. Wonder Woman

*(No photo because of the limit, & WW84 will have a photo)

I liked this movie, I did! Aquaman's the only one I don't really like. That being said, I was slightly bored during it. All the stuff surrounding Diana's childhood & training was wonderful, & her seeing 1918 London for the first time was brilliant! But the full plot took a while to get going, & while I do like Steve and Diana, I felt their love story was a little forced. Don't get me wrong, they're cute & I like them together, but the film couldn't develop their relationship fully & do all the plot stuff it wanted. However, over-all, a fun film, but not one of my faves.

10. Justice League (2017)

So...yep. I liked this film, the first time I watched it, & I still do in some ways - some of the humour does make me laugh, & it has some good team bonding in it that got me started on the found family fics for the League. However, having now watched the Snyder Cut, this really is an inferior film. And learning about how abysmally Gal Gadot & Ray Fisher were treated during the re-shoots for it, as well as how they cut all the other characters of colour, really pushes this down the list. A better film than most people say, imo, but also one of the weakest entries into the DCEU. (Also, cutting Lois' grieving arc & all supporting characters of colour was really shitty.)

9. Wonder Woman 1984

This is the movie I most recently watched! I was worried, going into it, because I'd heard a lot of bad reviews about it, & about it's messages, but I actually really enjoyed it! It was a lot of fun, & I really vibed with Steve and Diana's relationship a lot more too! Barbara was awesome, though I think her development wasn't the best, & we were robbed of a brilliant friendship between her & Diana. The villain felt kinda cartoon-ish as well, & saving the day with, essentially, 'the power of love' was very twee, but it was a still an enjoyable movie! Not sure I get all the hate surrounding it, but I may be over-looking something. Still, a solid movie.

8. Suicide Squad (2016)

Here comes the hate, but... I actually LIKE this movie. I know, shock-horror! It was the first DC movie I ever saw, & the only one I liked for several years, before I got into the DCEU. But it was an enjoyable, funny & well-shot romp, & while it uses a lot of superhero movie clichés, it's still a good movie imo! It's not high art, nor is it my favourite DCEU movie, but I really like most of the characters, the action was well-done (especially for Harley) & I found the plot easy to understand. Plus, hate on the movie all you like, but you have to admit that the soundtrack is awesome!

7. Birds Of Prey (and the Fantabulous Emancipation of One Harley Quinn)

So, this movie - I really like it! I've seen it a good few times, & you know what, all the characters are amazing! It's hard to pick a favourite out of them. The costumes, the fight choreography, the characterisation, the plot & the soundtrack all make this movie super enjoyable & so much fun to watch! However, the pacing feels disjointed & odd in places, & while I love it, & all the Harley content, it will stay in the middle of the list. Still, a brilliant film, & one of the ones I enjoy the most because of how absurdly entertaining it is!

6. Batman v Superman: Dawn of Justice

Two of my favourite DCEU characters in one film?! Yes please! Honestly, I don't get the hate for this. It's not high art, it's not meant to be, it's meant to be an enjoyable superhero flick, & that's what it is imo! I'll say right now that I adore both Henry Cavill's Superman & Ben Affleck's Batman, & I feel like this film showcases them so well. It's in the middle of the list though, because, as much as I love the plot (it's super interesting to me, the way people see superheroes & it's accurate to what would likely happen if we did have a Superman in reality), & the characters, I don't want my favourites to fight! I want them to be friends! Still, a wonderful film, full of wonderful moments for all the characters! (More on this film later...😉)

5. Shazam!

I mean, what a great film! Honestly, I can't think of something I didn't like! It was funny, heart-warming & so well made. The way the movie managed to give us the story of a kid desperately searching for his family (& realising that it wasn't his biological mum, but this wonderful rag-tag foster family) & the story of a superhero discovering his powers was phenomenal, & even when there were cliché elements, the film poked fun at itself & had fun with the concepts. The child actors were so damn good, ALL of them, & all the little references to the other DCEU movies made Shazam feel like it was it's own film while being part of a larger universe. Perfect movie & one of my favourites!

4. Batman v Superman: Dawn of Justice (Ultimate Edition)

*(No photo because of the limit, & Batman v Superman has a photo)

"But it's the same film. you can't-" 30 mins of extra footage makes it very different, & this is MY LIST, so yes, I can put it on here again. I am in love with Amy Adams' Lois Lane, so any extra Lois content (which there is) is an absolute win! Also, you'd be surprised how much difference 30 mins of extra footage can make to a movie. I loved the original cut, but this one is the superior film, & I just love it. Again, I don't want my faves to fight, but this movie is so good that I will deal with that! I also think that Jesse Eisenberg as Lex Luthor works - he creeps me the fuck out & is scarily intelligent as well as crazy. I don't care, this film is on here again, & it deserves to be!

3. The Suicide Squad

This film is spectacular. It really is. I have been to see it in the cinema 3 times since it came out & I still adore it! I have so many feelings about all the different elements of this movie that I could make a post specifically for it! Just...this is what we all wanted. It is a crazy, funny, emotional, clever, batshit insane movie, full of the weirdest characters ever, with a brilliant soundtrack & a wacky plot, & that makes it one of my favourite DCEU movies! I feel attached to the majority of the characters, even Blood Sport, who apparently shot my baby Clark!(Will not forgive him for it, but am attached to him in a weird love-hate way). Just, simply, a brilliant, brilliant film.

2. Man of Steel

I have said it before, but will continue to do so - I LOVE HENRY CAVILL'S SUPERMAN!😍 Literally, words can't describe how much I love him! I love this film for so many reasons & if number 1 didn't exist, this would definitely take the top spot. Lois is so cool (and beautiful), Martha Kent is a legend, the villain is a frightening & powerful threat, & Clark Kent/Kal-El is a beautiful, compassionate & interesting character. Henry Cavill does so well portraying the many emotions Clark has to deal with, & the other actors are also brilliant in their roles, particularly Diane Lane as Martha Kent & Amy Adams as Lois Lane. I could watch this film on repeat & never get bored.

1. Zack Snyder's Justice League

We have reached number 1!🤗 This freakin' movie, omg...there is so much I could say, so much I want to say, & I do not have the will to type it. I have watched this movie SO MANY TIMES since I discovered it, & I cannot stop watching it. I don't want too. The character development for one, like, WOAH! There is so much that is cut in the 2017 version, & character development, specifically Victor's, suffers for it. All of the characters are better developed in this version, & the relationships better formed, but Victor really does shine, which he deserves! The cinematography is so much better, & the plot...the plot make sense! All the characters of colour who were cut are put back, the weird Flash landing on Wonder Woman's boobs scene is gone, Lois & Martha are allowed to have their grief be shown & all the characters come out of it so much better. Hell, I actually liked Arthur in this film, because he's allowed a personality! It's shameful what the studio did to this movie, and Zack Snyder, and I am so happy that this film exists. It is my overall favourite DCEU movie, the one I have re-watched the most, and imo, the best DCEU movie at present.

That was my list!😊 I hope you enjoyed it, and please feel free to share your own opinions in the notes, or via asks or DMs, because I'd love to talk about the DCEU with more people! If you disagree, that's cool, we all have opinions. Feel free to tell me why you disagree, and say which films you'd put where! But please, be kind and respectful, and do not insult anyone because their opinions are different to yours. That's it! x

[pochiperpe90]

Interview with the director of “They Call Me Jeeg”

Interview with director Gabriele Mainetti about the movie and the Zingaro (Luca Marinelli)

When I think back to “They call me Jeeg” I think of the Zingaro. In your film there is one of the most beautiful villains of Italian cinema of recent years, how was he born?

We wanted to create a villain that wasn't just bad. We wanted to give it a three-dimensionality, complicate it and make it fascinating and original. In my opinion, the Zingaro is a very successful character and much loved by everyone for a specific reason: because they feel him close. He is the victim of what is a bit of a contemporary neurosis, that is, the need to showcase himself. We are now victims of how many likes we get on social networks and how many views does the video we post on YouTube, and he’s interesting because when he was a kid he performed in a singing interpretation on ‘Buona Domenica’ and then he lived what many people did: he become a meteor (it means that his fame lasted very little). But it’s as if he had never accepted it and brought with him this narcissistic attitude, and he wants to become a respected and almost famous criminal, but it makes no sense, because criminals when they become so important have to live in basements, it's not that you can show off, so it's a bit of a nonsense, and that's all the madness of the Zingaro.

It was interesting, because when I met people to do the auditions they all came with - as they say in Rome - 'the nostrils of the nose widened like bulls', as the kind of bad guys who beat you. But the Zingaro is an intelligent, sophisticated character, with a talent, who can sing, elegant, who has his own aesthetic idea, he is beautiful, and therefore I needed someone who would bring me the intelligence of the character, and Marinelli although at beginning was very distant from what you saw on the screen, had made me glimpse this necessary feature.

The stakes were high. It was difficult after seeing Luca Marinelli as Cesare in Claudio Caligari's ‘Don't Be Bad’ to think that in a few months he would be back with another strong character.

I shot a year before ‘Don't be bad’ and this helped him a lot, he always recognizes it when he can. Luca was far from the peripheral element, he is a boy who grew up in a modest family, in the streets with his friends, but still he was in Prati, he wasn’t in San Basilio, in Tor Bella Monaca or Corviale. He has never experienced one of these realities, and this character must have had this reality in his blood here, and the need to redeem himself socially and find the famous 'turning point' of the criminal. I took him, took him to Tor Bella Monaca, we did a lot of tests, it was a very intense job. At the beginning there was a moment of jealousy, not because the ‘Maestro’ had taken him, but because it was released first, but it was right. At one point I said: "What do I care!", Caligari taught me so much with two films - if they say that Caligari has made little cinema, it’s the biggest bullshit that can be said, because in Caligari’s movies there is more of that cinema that in a hundred films of many morons. The fact that he saw this light inside Luca and the fact that I also saw it inside him, means that something works. I love Caligari, I love him as much as I loved ‘Don't be bad’.

I admit I was almost upset when at the press conference at the Quattro Fontane, here in Rome, Marinelli arrived in plain clothes, not dressed as the Zingaro …

He is very shy, very reserved, he’s exactly the opposite of his character. Paradoxically in life Santamaria is the Zingaro, and Enzo is Luca Marinelli …

The nice thing about the Zingaro is that we discover his character and his past little by little, when we think that the character has been defined and yet, not really. I loved his unexpected obsession with Italian singers, four queens of the Eighties: Loredana Bertè, Gianna Nannini, Nada and Anna Oxa …

We actually had an Italian singer in mind but we were unable to involve him, we thought of replacing him with another singer but we continued to find only women and we said to ourselves "but she doesn't have the power of this one", and in the end the idea: "but why don't we take several, as if he was an expert?", and this thing was born a lot with Luca, especially the musical choice, we went there, we evaluated them, we discovered which ones we could use - because you know music always has a cost ... I am a lover of all four singers put in the film, TOTAL, which should probably lead me to question myself about my sexual orientation, right now I continue to heterosexualize everything, but I love them, a lot, and I loved Anna Oxa when I was little, Berté despite now looking like Mickey Rourke is always super, great, she always has a crazy voice.

Since we met the Zingaro, with some of my friends, we greet each other with: «C’è una ragione che cresce in me»

To think that someone posted to me on the Internet: "If I started singing such a shitty song, it means that the film is really beautiful!", and I replied to him: "But how dare you saying that “Un’emozione da poco” is a shitty song, you are a shit!».

What was it like shooting the scene in which Luca Marinelli, in a shady club, sings and dances in a sequined jacket, shirtless, with just a glove, with his hair back, with high-heeled boots and tight pants, the song by Anna Oxa?

Luca did it I think 15 times. In the end, the voice was right, Luca has a very strong voice, he is very resistant, he never loses control. I made him do it a lot of times, because he wanted to make it perfect and I kept following him. I have told it through many fields. We have thought about it a lot.

Look, the Zingaro was a very difficult character. The look, how to throw his hair, how to dress him, how he had to sing, how he had to perform, which tattoos… is the character we have thought about the most. Then if you notice he is clearly a quote from David Bowie's Ziggy Stardust, especially in the final part.

Another thing that I liked so much about your film is that there are no good and bad characters. Bad guys are never just bad guys. And it’s precisely the weaknesses of the characters that make them close to us, the Zingaro who sings at the top of his voice “Non sono una signora” in the car with friends as if he was at the stadium, Enzo who eats the usual cream pudding in an atmosphere of extreme desolation in front of the TV, Alessia fixed with a single DVD, a cartoon for children. “They call me Jeeg” is a film about superheroes who are real people, who are so real that at different moments in the film we identified with a different protagonist of the three.

Thank you so much because this thing you say, is not easy. Usually the emotional vehicles are always one or two, three is tough. It all depends on how the writing is set up. The character is the most important thing in the film, because it’s the emotional vehicle of the viewer. In America they had already tried it in some films. Super didn’t have super powers but he was a sort of vigilant who disguised himself and went to do good, he was a loser in an American town who clashes with this boss, microboss of the underworld, and must kill the Evil. The Manichean vision between Good and Evil, which is very American, still makes me laugh.

This attempt to mix what I call the ‘Pasolini element’ with the ‘fantastic element’, which I had already tried in my short films ‘Tiger Boy’ and ‘Basette’, comes naturally to me. You know, I was lucky enough to have done the American school, I was part of the University in New York, my grandmother lived the first years of her life in New Jersey, I have relatives in New Jersey, my sister lives in America, I have a very "happy" relationship with America, the American system is total crazy, but I understand their cinema, and I understand their fictions, and I understand why we digest some things and we don't digest others, I know how we work. For me, the only way to get to the suspension of disbelief was to tell characters that are as real as possible, then hook on to a very strong experience. Because if you are so passionate about him, you can't not believe him when he has super power, but he has to react to super power as anyone would react. They are really well written.

This thing here makes me laugh ... No one has ever focused on this thing. This guy falls from the top floor and runs away! Escape! What the fuck are you running away for? He wasn't hurt but he runs away, he has to run away because he's afraid, he goes back home and if he has to, he can't think about it yet, he doesn't think about it yet, but it's typical of someone who doesn't want to have responsibility. Then when he gets angry that he punches the wall, he still struggles, and when he becomes aware of the fact that he has super powers, since he is a criminal, what does he do? He rob an ATM, to buy more yogurt. That's where the stuff works. If, on the other hand, you made him fall from the top floor and then say: "Damn, I’m so strong!", he would jump again, climb up, smash his head, gut, takes his cocaine, it seemed, you know ... but what are we talking about.

The 80s songs, Buona Domenica, YouTube, superheroes, the Roman suburbs, the Olympic stadium ... the mix of elements that are part of the story of “They call me Jeeg” could be very risky, but the way it’s narrated makes this a winning combination. You tell things you know without judging them.

Exactly. Many kids call me and tell me: «Ah, but how did you do it, but how did you do it», «How it should be done» I replied: «Guys, you should talk about things that concern you!». You have to talk about the things that belong to you, and try to insert them into what the cinematographic genre is, that genre has its codes, if you want to do an even more extreme operation, but I don't recommend it, you have to completely subvert them. But you have to make it work for what you are doing. I am an admirer, for example, of Puglielli's ‘Dorme’, it's a WONDERFUL film; he recounted the frustration of his height, which is actually a shortness. We must start from the things we know, from our frailties. Unfortunately, the American superheroes, especially the Marvel ones, lately, are all plastic. I always ask myself, a question that always arises spontaneously, but how the fuck do they put all that spandex stuff on? How do they get into it? Do they all oil themselves first? It looks like a wetsuit ... I find it really ridiculous. In fact, it's not that I don't like superhero movies, I like Batman, because he still has a great internal conflict and everything, but here I need characters with great fragility. My favorite superhero movie is The Guardians of the Galaxy, because I know five ramshackle people who have the responsibility of saving the world. And they manage to do it, how? Because they establish a true relationship between them, which is that of friendship, and realizing that they love each other, they understand that they can also love others and say to each other "Oh well, let's save these assholes", it's fantastic, it's fantastic, it's beautiful. I can empathize with them. Certainly with Superman I can’t, I can’t succeed.

In the days I watched “They call me Jeeg” I had arrived at the third episode of Jessica Jones, the Netflix series in which the protagonist takes the opposite path of Enzo, from superheroine to 'normal' person, investigator with somewhat special powers. What do you think of recent series or movies that have a superhero at the center?

I saw the first two episodes but it bored me a bit. Deadpool is just the answer to this clean cinema, with him farting, getting sodomized by his partner and he's nice, but he didn't convince me too much, because he is in reaction to the plastic of these super heroes, and therefore he mocks everyone. But I don't give a damn about that either. I want the story of a person, I want the story of a character, that's the thing that excites me. I saw Daredevil and I didn't mind, it wasn't bad.

The background of Rome in “They Call Me Jeeg” is an important component. Are there any Italian films set in recent years, in the capital, that you care most about? I think of Romanzo Criminale, The great beauty, Don't be bad, Suburra.

They are very different films. Sorrentino has such a unique look that one cannot fail to recognize it. Formally it’s indisputable. Sometimes, from a content point of view, there are some things that I probably can't grasp, and I don't know if it's my limit; I like to get excited, the staging excites me, but I don't know, I love ‘La dolce vita’, I love Fellini, I love ‘Otto e mezzo’, that distorted and grotesque vision that he had ... but there is no comparison, that would be nonsense.

“Don’t be bad” is certainly the one that excited me the most. Who wants to make a certain type of cinema, social cinema, committed cinema, should study this ability of Caligari (but how much has he been criticized? Because yes, "Masterpiece" and that and that, but everyone criticizes a lot of it, because they are infamous ‘rosiconi’ → jealous people in the Roman dialect). What Caligari teaches is that he puts you next to a character with extreme problems but makes him feel like a friend, makes you understand that he is like you and allows you to identify. He has a deep friendship which is that between Cesare and Vittorio, he has a love story, the character of Cesare, as well as that of Vittorio, even the drug itself is experienced as fun at the beginning, as a sort of pact of love between the two of them, then you understand many things, that is something that is a great lesson in cinema, it’s a lesson in profound cinema, of cinema that interests me, cinema that excites you.

Romanzo Criminale is a very successful genre operation, which has highlighted the possibility of tackling the genre when it was thought to be banned; when I had this subject in 2010 I used to shoot like a jerk for all the productions and they said to me that: "Don't have to do this thing, because it doesn't make sense, genre cinema isn’t liked in Italy, it doesn't work, it's a waste of time, among other things, we don't have the skills to organize it», and instead Romanzo Criminale, then the series, then Gomorra the series, Suburra, now they make Suburra the series, is telling the opposite. Fortunately there is a Romanzo Criminale, fortunately there is ‘The Great Beauty’ who won the Oscar, fortunately there is ‘Don't be bad’.

DUDEMAG

Just wanted to translate this old interview for the non-italian’s fans ^^ (sorry for my English)  

[kob131]

Rewatching volume 8 I can safely say that they kinda ruined Ironwood's character. To me they made him a cartoony villain by shooting the counsel guy and teaming up with Watts at the start of the volume, as well as him willing to blow up mantle even though Salem was gone. I think they should have taken their time in the volume making Ironwood a villain, Judgemental critter explains how he could have been better in her review. Buuut that's just my opinion

Then I figure you don’t mind if I go into Judgmental Critter’s Ironwood part?

‘Ironwood is an interestingly complex character, both kind and understanding but also stern and harsh.’

... That’s...not unique. Like, at all. That’s like every Sink or Swim Mentor or Stern Father figure. Fuck, Hank Hill came to mind.

‘He was the one who broke the news to Yang, being earnest and disappointed that yang was disqualified. But also put his foot down so there’s no protest from the girls.’

... So? This isn’t the aspect of him that Volumes 7 and 8 are being focused on and this is BEFORE his paranoia and trust issues got validated so of course he’s in a naturally better state.

‘Here’s a man who convinced himself that he built an army that couldn’t be beat.’

Wait, did you just...skip the part where he relates to Yang and implies he has PTSD, indicating he’s not exactly mentally well? ... What the fuck?

And you’d better be considering this when you come to Volume 8, after his army has been beaten and just got stretched thin.

‘In Volume 4, he stands kindly by Weiss’ side, stands up for her against the Atlas elite and when the girls meet him again-’

... *graps Judgmental Critter by the collar as they pass by.* Don’t think I didn’t notice that.

Jacques: You've never trusted anyone other than yourself!

Ironwood: (shouting) And for good reason!

Weiss covers her mouth with her hand as she gasps at the sound of Ironwood slamming his fist onto the desk.

Ironwood: If Oz had just listened to me from the start...

Jacques: You need to get a grip.

Ironwood: That's exactly what I'm doing. Our people need protection. By this time next week, the Kingdom of Atlas will be officially closing its borders. No one in; no one out. Without the council's permission.

Jacques: You mean, without your permission?

Ironwood: And if that becomes the case, I would think you'd want to be on my good side.

Funny you don’t mention this in your summary of him, considering this is portrayed as a deeply personal reveal of the man.

I also remember that you ignored what he said in Volume 2.

Glynda: Trouble sleeping?

Ironwood: (Looking back, gripping his shoulder with the other hand.) Arm was acting up.

Glynda: Of course, so logically, you got out of bed, dressed yourself completely and decided to gaze menacingly out into the distance. (Approaches all the way to his side, then looks at him concerned.) What's wrong?

Ironwood: I've trusted him for years. We both have. I just... I can't help but feel like he's keeping us in the dark.

Glynda: Don't be ridiculous! You know very well that we are not the ones in the dark.

Ironwood: (Laughs humorously.) That makes it worse! I refuse to believe that a man that I've trusted for so long would act so... passively.

Glynda: (Puts a reassuring hand on her friend's shoulder.) You're a good person, James. You've always done what you think is best for the people, even against strong protest. It's admirable. But it's high time you stopped talking about trust and started showing it. (Drops her hand as they stare into the distance together.) Ozpin has experience that the rest of us lack. And I think that's something worth remembering.

These things that connect Ironwood’s actions in the past and his actions in the future...

And you don’t mention them despite being big character moments for him? Maybe this is a coinc- 

‘He knelt to spoke to Oscar, which showed his dad energy!’

... *steams starts to rise from my face*

Ironwood: Without him here to guide us, all I can do is use my best judgment.

Behind him, Oscar shifts uncomfortably. As if sensing something, Ironwood stops and looks back.

Ironwood: What is it?

Oscar: Actually, Oz isn't completely gone.

Qrow: Uh, Oscar here is… is the next Ozpin.

Ironwood: Oz?

Smiling, Ironwood quickly and eagerly approaches Oscar, who looks nervous.

Ironwood: I'm so glad you're here. I didn't think you--

Oscar puts his hands up and interrupts Ironwood, as the latter crouches to Oscar's level.

Oscar: Not quite. He's kind of, um, gone... at the moment.

Ironwood's smile fades, and he lowers his head.

That wasn’t him acting like a dad, that was Ironwood being desperate, given a fleeting glimpse of hope that the man he respected and looked to above all others is...there, standing in front of him, where he can finally have an equal again.

That was...so blatant and obvious I am finding it hard to believe you’re not doing this intentionally.

“He spoke to Oscar as if he was a trusted ally despite missing Ozpin’s words of guidance!”

Oscar. Has. Ozpin. In. Him.

Ozpin. The man that James, AGAIN, respects and follows.

No. Fucking. Shit.

“He gave Team RWBY the Huntsman title and upgrades!”

‘Huntsmen’ in Atlas meaning ‘soldiers’. And that is STILL not contradictory to what he does later.

‘He was well meaning and kind...until he found out they lied to him.”

Which was bad of them...but they were also in fault when they treated Ozpin harshly and James did WORSE so what does that tell you?

‘His PTSD comes flooding back!’

...

......

...........

You skipped how he refused to trust the council, his PEERS, with the info about Amity or even Robin, whose entire issues with him could have been solved if he TALKED to her, all because of his trust issues.

You have completely shoved his trust-related skeletons into the closest and play up his more pitiable PTSD issues. You’re fucking Mary Sueing him.

‘Was all of it Team RWBY’s fault? They didn’t give him the truth but neither did Ozpin-’

Was it Team RWBY’s fault that the Fall of Beacon or Atlas’ issues happened? No! In fact, James was more culpable in both scenarios (if he listen to Ozpin then the machines COULDN’T attack Vale citizens and if he told the truth and listened to Team RWBY before he had no choice then he could have stopped all that shit!) than them. And just as Ironwood’s issues don’t excuse Team RWBY’s fuck ups- Ozpin’s issues don’t excuse James’ fuck ups.

‘Who can he trust? How many levels of precautions does he need to take?’

You know, I’d buy this shit if not for how the depth of his trust issues isn’t actually shown, how his issues with trust went beyond this and came around to how he was isolating himself. This is still trying to play pity for the man instead of seeing him for who he is.

‘We left Ironwood last Volume as a complex man whose filled dwith grief, guilt and fear-’

And what have we seen as the end result of these emotions time and time again in RWBY?

They cause the person to devole.

Hazel is filled with grief and used that to help justify his shit actions.

Ozpin is filled with guilt and let it distance himself from others.

Yang was filled with fear and couldn’t move on.

And Salem...Salem is all fucking three and we KNOW how she turned out.

The way that ‘complex man’ is portrayed is the same way one says a character is complex as an excuse to ignore their darker issues. She goes onto portray Volume 8′s beginning with Ironwood as somehow not in line with his ‘complexness’ when this has been an issue with him since Volume 2.

And as a special fuck you to that:

Do you have any idea how tempting Ironwood’s position is? To be hurt again and again by others as you try to defer to them? To see yourself as right time and time again but still struggling to see other’s point of view as valid? To resist the temptation to discard what EVERYONE says, to not care about what others say and carve your own path regardless of what others think, feel or say?

I have. Countless times and it is SO HARD to not do what Ironwood did. 

‘In his first scene, Ironwood crossed the line!’

Not really. From Ironwood’s point of view, Slate was standing in his way with Salem at his doorstep and in a worse shape than ever and he can’t afford to waste any time with him. Killing him is rather logical and why would Ironwood care? It’s right in his eyes and the morality of other people has only been chains to him.

‘This isn’t playing on his paranoia!’

Gee, what emotion is it that causes Paranoia again? ... Fear? And Ironwood did this out of what again? ... Fear of Salem?

How is it RWBY can bee so unsubtle to cause blunt force trauma on it’s audience and yet they STILL routinely fail to see it.

‘He’s just a shitty cartoon villain!’

Ah huh. Again, I heard the same about the P5 villains. And they all had real world counterpart (Madrame in particular can be compared to ROOSTER TEETH).

‘Cartoon villain’ is just a buzzword at this point.

‘His personality before was so much more intriguing!’

The personality where you chopped off the stuff that shows this coming?

Yeah headcanons tend to appear that way.

‘Everything he was just thrown away to give us a laughable shell of a character!’

AKA ‘Two Ironwoods’ right?

Newsflash- characters and people can change for the worst. People can reach this point and beyond for the same reasons as James did. Good people can devolve and change. And yet he still had his humanity. He still tried to hold back in some manner before he felt concerned even more. He never took joy in what he did. And he still cared for his people. 

To call all that effort just a ‘shell’ because you BLATANTLY cannot accept this change in a character enrages me beyond what text can show!

‘He didn’t develop into a colder, heartless man-’

Yes. He. Did.

He ignored his people’s concerns and feelings just for a greater goal. He treated people as a whole instead of individuals. He kept secrets more and more. He constantly questioned if his compromises gave Salem the advantage.

He did devolve. You just blinded yourself.

‘I could see this happening!’

Right, if the show jumped through X+1 hoops right?

‘But instead-’

No fuck you, I’m done.

God what is with these twins and pissing me the fuck off?

[blue-bower]

Lotor Rewrite

I’ve given my thoughts on how horrendously Prince Lotor’s character arc was handled. I’ve reblogged a couple posts that sum up my thoughts on the matter. https://blue-bower.tumblr.com/post/185061129226 https://blue-bower.tumblr.com/post/185061352401 https://blue-bower.tumblr.com/post/182574536376 So, this is going to be my personal re-write of the end of season 6, and the events following in seasons 7 and 8. This is not going to be a rewrite of the entire last 2 seasons; I'm just focusing on Lotor (and Allura later on). There's just so many forced/rushed plot points and distasteful choices on the writers' part that it would take an entire essay to break everything down. But ultimately I feel like Lotor - and at the very end of the series, Allura - were given the worst treatment of any character. Also, keep in mind that it’s been four years since I’ve watched the series in full, so I may not be remembering things 100% accurately. But frankly I do not feel like returning to season 6-8 again just to flesh out a headcanon. This also isn’t a fully set-in-stone fanfic or script, just a general gist of ideas. I have several ideas for potential rewrites with various branching paths.

There are two main ways that I believe the end of season 6 could be revamped.

In the first rewrite, the plot twist with the dead Alteans in the lab never happens. A lot of people saw it as a very ham-fisted way of adding conflict for the hell of it. There could (and imo, should ) still be an Altean colony founded by Lotor, and Romelle would still be a character that is introduced to the Paladins at some point. But I feel like the only thing she would really contribute - at least in season 6 - is siding with Allura in trying to warn Lotor about the dangers of messing with quintessence. If she had a bigger part in the last couple seasons, I personally would have liked to see more of her learning magic and fighting from Allura.

In my opinion, there was already a plot element in place that could have just as easily led to a conflict and possible falling-out between Lotor and the Paladins: Giving the Galrans access to unlimited quintessence. It baffles me that no-one at any point even questioned this, or tried to warn Lotor of the possible ramifications of handing over this kind of power to a power-hungry empire. They just went along with it. So I think they should have steadily built up the unease with going through with this plan, ultimately leading to a battle over whether the gate should be destroyed. It could still be revealed that Lotor did have the ulterior motive of starting his own empire, using quintessence for his own gain. But it would still paint Lotor as a sympathetic antagonist, who truly believed he was doing the right thing.

If the twist with the Altean colony & lab has to happen, then at the very least, it should have been given more time to be resolved. The audience should have been given more answers.

So in this rewrite, the confrontation with Lotor and Romelle still happens. She explains what she and Keith saw, she explains her brother's death and sees Lotor attempting to cover up his death. Lotor still looks like a deer in headlights, but also seems to look guilty. He doesn't deny the facility existing, however. Cue his ass still getting knocked out by Allura. 

Whether the facility happens or not, season 6 still leads to Voltron and Lotor confronting each other at the rift gate. In the first scenario, Lotor tries to reason with them; he claims that under his new leadership, the Galrans will not be using the rift for evil purposes. In the second scenario, Lotor pleads with Allura to let him explain himself; that he never intended to kill Alteans. Allura and the Paladins are conflicted on what to do, and whether to believe him. Most importantly, though,

Allura does not compare him to his shitty abusive father.

If anything, I think she may point out that he's actually a lot more like Honerva than he's willing to admit. It still stings, but doesn't send him into a violent frenzy or a cringeworthy monologue fitting of a Saturday morning cartoon villain. Allura tries to compromise with him; she says she'll come with him to the Altean colony if he destroys the gate. He refuses.

I can see either of these rewrites branching into two potential scenarios: A solo battle between Lotor and Voltron like we saw at the end of season 6, or an interruption to their confrontation: A fleet of Galran ships appearing in an attempt to claim both the phase gate and Voltron. Lotor and the Paladins are forced to cooperate, and get into a battle with the Galrans. Lotor realizes the only way to get them to back off is to destroy the gate, but he also tells the paladins that his ship can phase into the Quintessence field at will - which prompts Voltron to do the same. He convinces them to phase there with him after they destroy the gate.

In either of these conflicts, Lotor starts to lose control of himself in the Quintessence due to his stress and heightened emotions. In a rage, he starts phasing in and out of the quintessence field in order to attack the Galran fleet outside, despite his own advice on staying hidden. The Quintessence starts messing with his mind, making him start to go power-mad (because let's face it, this scene is still hot).

The Paladins try to get through to him, and Lotor fights off the darkness that corrupted his father. But it isn't enough. Voltron is forced to fight him, and blasts him into unconsciousness.

And instead of leaving him to fucking rot in the quintessence field, they manage to save him in time.

Mortally wounded, they place him in a stasis pod. It's going to take him a while to recover, but it's clear that the quintessence is healing him - and quite possibly making him undead like his parents.

In the meantime, Allura wants Romelle to take her to the colony (or the research facility if that plot point stays), but Romelle keeps refusing, saying it's too hard for her to go back - not to mention the fact that travelling there is extremely dangerous and has the effect of warping time - plus it's imperative that Voltron focuses on undoing the damage done by Lotor creating a rift in spacetime. 

I see most of season 7 playing out as normal, since it mainly focused on the Paladins fighting for Earth. I feel like we should have gotten a season 9, because there was just too much going on in season 8 and not enough time to tie up loose ends. The main plot point I would change is Lance’s confession. He does still confess his love to her, but acknowledges that she may not reciprocate it. And she doesn’t. She tells him that she’s just not in a place to move on yet, or pursue another relationship. And he respects her decision.

After Lotor recovers, he isn't quite the same. He seemingly hasn't been corrupted the way his parents were, but his Altean marks are now permanently glowing bright purple, and his eyes are glowing light yellow, mirroring the vision that Honerva had of him.

The others reveal that everyone's actions in the Quintessence had altered time, and two years have passed. He feels remorseful for his actions, but also angry that the Paladins didn’t listen to him. They nearly get into a fight with him because he is still somewhat unstable, and very clearly carrying a massive amount of power within him due to the quintessence, putting him on par with Honerva’s abilities. Allura demands him to take her to the colony, against Romelle's wishes. Lotor’s powerful magic enables them to transport the castle/ship directly to the colony; something they weren’t able to do before because of the massive amount of spacial distortion coming from that region. And again, depending on whether the facility is kept, it can go one of two ways.

They arrive at the colony, and it’s clear that the Alteans don’t worship the ground he walks on the way they did before. Not only do his glowing eyes remind them of Zarkon, but Romelle has been sowing the seeds of distrust in some of the Alteans since the beginning. I know a lot of people were expecting Romelle to be outed as a traitor, but personally, I don’t really see her as the type to try and frame him. I just believe she genuinely disrusts him because of what Galrans did to Alteans in the first place, and she doesn’t feel comfortable with him declaring himself as their new ruler. But hey, maybe there could be a twist that Romelle lied about the facility all along? Some food for thought. But the combination of genuine unease about the half-Galran, and the testimony of what happened between him and Voltron, makes it clear to Lotor that he no longer has their complete trust. If the facility stays: When they arrive at the colony, there is almost immediate distrust and maybe even hostility toward Lotor. As it turns out, before Romelle returned to the Paladins, she told other Alteans what she saw that night her brother died. He tries to talk them down, explain that what he was doing, he did for the sake of Alteans and their future. Some of the Alteans don’t believe Romelle to begin with; others want to banish Lotor. Since he can’t persuade the masses to believe him, he tells Allura to come with him. When they arrive, Allura sees the chambers that Romelle described. When asked about Romelle's brother again, Lotor explains that he tried to save him, and that he never intended to kill the Alteans. He only wanted to harvest a partial amount of quintessence, because it would be the key to locating Oriande. This would make sense as to why he specifically needed quintessence from Chosen Alteans. But somewhere along the lines, something went wrong with the process. Lotor attempted to cover up the deaths, partially out of shame, but also because he knew Romelle already didn't trust him and didn't want more reason for her to lead a revolt against him. Though he feels remorse, Allura calls him out on his bullshit: Covering up the tragedy was a cowardly move. The consequences of Lotor always being the type to leave unfavorable outcomes in the past and keep moving forward have finally caught up to him, and now it’s his responsibility to face his mistakes. At the very least, he gives the Alteans’ bodies a proper burial. The arc ends on a somber note. Lotor is not a hero, nor a villain. He is the culmination of the tragic life that he had been forced to live; for better and for worse.

After this point, it's up in the air as to how the last season (or two) could be rewritten. I can still see a plot with Honerva trying to recruit Alteans to her side in the time span that Lotor was gone, manipulating them into believing that Lotor would have wanted them to continue Honerva’s experiments, and to fight Voltron in revenge for what they did to him. But ultimately, Lotor would confront them and force them to surrender.  All I know for sure is that, before the final endgame battle, Lotor would sacrifice himself for Voltron and to protect the universe. Likely in a very intense, emotional battle against his mother. I know that the most ideal outcome would be for him to stay alive, marry Allura, and rule the new Altean colony together. But this series has never been a stranger to death and the theme of sacrifice. If done well, I think a heroic sacrifice - especially from a character that was previously a villain - can have an extremely positive impact on a story. Maybe, in a scene mirroring his first encounter with the White Lion on Oriande (maybe Honerva has taken possession of the White Lion instead of just destroying it?), he would realize that fighting won’t do any good anymore. He’s forced to surrender. And in doing so, frees the white lion, the massive amount of quintessence within him, and all of Oriande. Honerva no longer holds power over the Alteans. And in a tragic sense, it means that she can no longer be accepted by Alteans either.

I’ve been very back and forth on whether or not Allura would still die in the end. I completely understand the fanbase’s frustration with the decision to kill her off. It felt very gross for PoC fans to see a main PoC character die in such an unceremonious manner. It felt like a cheap way for them to pay homage to the fact that Allura dies in the original series. But like I said, if done well, the theme of heroic sacrifice will leave a positive lasting impact on a series. On top of that, Allura has been shown since the beginning of the series to be an extremely self-sacrificing character. She was willing to put her life on the line on many occasions; and I almost feel like the scene with her surrendering to the white lion was foreshadowing her ultimate fate. If Allura does stay alive, then I feel like she would become queen of the new Altean colony, but would still leave on diplomatic missions across the universe. Altea IS NOT RECOVERED after all the space-time bullshit. The universe doesn’t just magically overlook complete time paradoxes to bring back dead planets. Allura and the Alteans have long come to terms with the fact that they will never get their original home back, but they can start anew. But, if Allura does die, then it damn well be a goddamn Iron Man from End Game moment. No cheap off-screen Deus Ex Machina, no half-assed goodbyes. Her sacrifice would leave a lasting impact through the universe/multiverse. We’d need a solid full episode of the Paladins (AND CORAN BECAUSE HOW THE FUCK DID THEY LEAVE HIM OUT OF REACTING TO HER DEATH) mourning her passing. Truthfully, the ultimate reason I believe they both might die is because I’d want to keep the final image of the series (before all the epilogue stuff). It’s such a profoundly beautiful image that perfectly encapsulates the sacrifices that Allura and Lotor made in order to bring peace to the universe. 

And that’s obviously meant to be Lotor right next to her. The figure is purple. You can see his hair, boots, even the outline of his skirt thing. Why would they put this in if Lotor was always intended to end up as a villain? The fact that they kept that silhouette after treating his character arc so poorly makes it clear to me that he was meant to have more of an overall impact on the story, but was ultimately thrown to the wayside just so the writers could go “WhAt A tWiSt!!!”

And that about wraps it up. Like I said, there isn’t one set storyline that I have in mind, because I have a few different ideas. IMO literally any path the story could’ve taken would be better than what we were given.  If anyone has any suggestions or feedback, feel free to comment/reblog and add your thoughts. Again, it’s been a hot minute since I’ve watched the series in full, so there may be some key moments I’m forgetting. What would you change?

[thanksjro]

Dark Cybertron Chapter 6: This Sure is a Comic I’m Reading.

The Dinobots are chilling out by the standing Titan, because Slag went and got his ass kicked by the super death wave a few issues back.

Excuse me, Slug.

There’s real-world context for this change- you see, in England, the word “slag” is often used as a derogatory term. Specifically, it’s either used as a stand in for “prostitute” or “whore”, or in more of a generalized “I greatly dislike this person” sort of way. It’s typically aimed at women, which is likely why Arcee said something to him as opposed to anyone else.

This little exchange is interesting, since Dark Cybertron Chapter 6 was published in 2014. Our boy Slug here first showed up in the original cartoon, back in the 80s, and was in the Marvel UK comics, where they didn’t change his name. A good portion of the IDW creative team, including 50% of the writers for this event storyline, are also from the UK. Seems like someone finally got sick of calling a whole-ass robot dinosaur a slut.

Not that there’s anything wrong with enjoying casual sex, or being a sex worker, but slapping labels on other people without their input is sort of a shitty thing to do, especially when you’re doing it in a franchise typically aimed at younger audiences, and with a surprisingly large following in the UK, where that term is used.

Anyway, while this conversation was happening, the Titan moved, and when it did, it kicked up a shit-ton of dust. Astrotrain, who is laying off to the side with his legs and an arm off, offers Swoop his binoculars. When asked why the hell he has binoculars- which doesn’t seem so strange to me, given that they’re standard military equipment in a lot of places- he tries to explain that he’s got shit eyes, and didn’t want Megatron to know about them. This would be an interesting glimpse into the inner workings of the Decepticons and how they view disability, if Swoop actually gave a damn.

But he doesn’t.

So it’s not.

Swoop sees with his special eyes that the guys who went down into the Crystal City have escaped, and are currently trying to outrun the Titan, and also the title of this issue.

Watch out, that typography’s gonna fuckin’ get you!

The Dinobots start firing on the Titan, which does fuck-all, and Prowl yells at them to head for Iacon, since that’s where the Titan’s going. Bumblebee, Skywarp, and Megatron are revealed to be MIA. Bummer.

Over on that weird water planet the Lost Light landed on a few issues back, the Rod Pod gang have puttered into Metroplex’s eye socket, and are currently making a Fantastic Voyage. Getaway asks where the hell Metroplex’s eyeball got to, but nobody has an answer for him, least of all Metroplex. Strange happenings on this weird water planet.

Ratchet gives everyone the skinny on Titan physiology theory- thank god he came along on the trip so I could at least get a little lore to feed my brain through this slog.

So, Metroplex’s spark could actually be out right now. Even though the lights are still on, that doesn’t mean anyone’s actually home, because the power of his spark needs time to actually travel through the body, and it needs a lot more time than the average robot, because he’s just so goddamned big. Humans also need time for their animating force… or, uh, blood to travel through the body. This is why we have a pulse. If it was instantaneous, we wouldn’t, but we’d probably also explode, because our squishy little bodies wouldn’t be able to handle that shit.

The gang starts scanning for life signs, even though they’re not even sure if they’ll be able to pick anything up. Brainstorm theorizes that the water could be causing degradation to Metroplex’s body. Getaway is still stuck on the Rod Pod existing. He’s having a moment. He’s been having a moment, really, ever since he saw the damn thing.

The results from the life-scan come in, and it looks like Metroplex might actually be okay, because there’s a blip for everyone in the Rod Pod, plus one! Hooray!

Nobody tell them about the hanger-on who’s basically glued himself to the ass of the Pod. We’ll let them have this little win, if only for a moment.

Ratchet suggests they head for the brain to check things out. Brainstorm reads back the report on the water sample he took, holding his data pad as precariously as he possibly can as he does. There’s admium flakes in the water. Nobody knows what this means, so they try to call Swerve, who is a metallurgist, for his professional opinion. The call goes to voicemail. Pity, that.

The fellas show up at the cranium, and there’s a small issue; Metroplex’s brain isn’t there. It wasn’t yanked out, either- it’s clean as a whistle in there, all things considered. Next stop- the spark. Hopefully they can get there before all the lights go out, because it’s beginning to look rather grim for ol’ Plexy.

Back on Cybertron, Starscream is asking about the fatality rate of the death wave, which is a bit funny to read now that I’ve typed it out. Tankor- who is our tie-in issue character today- decides he’s going to start some shit with Starscream, even as people are evaporating around him in the medical center he’s volunteered to assist at. Starscream takes the verbal stripping down with a straight face, because at this point, it’s just par for the course for him. Being head honcho of a whole planet kinda sucks, as he’s quickly finding out.

Flatline, who is also here, makes a crack at Starscream’s expense, and Starscream decides that that’s going to be the straw that breaks his camel’s back, as he starts getting dangerously sarcastic with the guy. Too bad this isn’t the time for that, however, because the Titan just showed up at the city limits.

Wow, Titan really said “fuck those two guys on the left in particular.”

Over in the Dead Universe, it turns out that the massive fiery laser blast from last issue DIDN’T kill everyone, and doesn’t actually seem like it was ever intended to. I suppose it was some sort of transport beam that Nova Prime used for his entrance, like the dramatic bitch he is. That’s neat, I guess.

Hardhead’s pretty upset by Nightbeat’s betrayal, not that Nightbeat really cares- being brainwashed tends to have that effect. Hardhead starts slamming his skull against the containment cube, living up to his name and also making himself look like a fool. Cyclonus is beginning to regret agreeing to this trip. Orion Pax punches the wall and starts yelling at Nightbeat for being a traitor, pretty much breaking his hand in the process. Rodimus tries to get him to chill out, and gets a knuckle sandwich for his troubles.

Also, this whole thing is a ruse. Orion managed to crack the cube, and he’s gonna try to get them out, but he can only do it if Nightbeat doesn’t realize what’s going on. Once Rodimus is let in on the plan, he tries to butter up ol’ Ikea Johnson, who notices the very mysterious something that’s on Rodimus’ palm. The thing that’s NOT his forcefield generator, that we don’t get to know about just yet.

Seeing the mysterious something makes Nightbeat fall to his knees, clutching his head in pain. At least, that’s what Orion says happened. I don’t know what happened or why, or why Orion would fucking know what happened or why. Or even, really, if it was Orion making the claim in the first place.

Not even any feet to try to connect to characters. I’m just guessing on previous panels.

“Dark Cybertron” makes me so, so tired.

Anyway, Nova Prime tells everyone to get on their knees, lest he shoot them with his big honkin’ back turrets.

Back inside Metroplex, the fellas have exited the Rod Pod and are on the hunt for Metroplex’s spark. Someone’s gone and drawn arrows pointing in the direction of the spark chamber, though who exactly is a mystery. Lots of mystery going on this issue. The boys decide to see where the graffiti takes them, leaving the Rod Pod to whatever fate might befall it while they’re gone.

Nobody likes the Rod Pod very much.

Also, that hanger-on from earlier is still there. This’ll turn out great, surely!

We get treated to a double-page spread of Escher proportions, as the gang tries to traverse the inner workings of Metroplex, until they hit an arrow that seemingly hits a dead end. When they brute force their way through the ceiling, it’s bad news bears; they’re right back where they started. Whirl, our most volatile friend, takes out his frustration on the Rod Pod, only for more bad news to reveal itself: the Pod’s been rigged to explode by the hanger-on!

And that’s a series wrap on the Rod Pod Squad! Let’s give ‘em a hand, folks!

Back in the Dead Universe, Nova Prime is busy deadnaming Orion, and generally just being an asshole. He notices Cyclonus off in the corner, and starts being an asshole at him too, because that’s how Nova interacts with the world. It’s all he knows.

It’s at this point that Cyclonus gives Hardhead the signal, and Hardhead bashes through the crack in the cube. Too bad it reseals itself directly behind him. Hardhead goes to punch Nova Prime, and gets his hand crushed into pulp for his troubles. Then he dies, because that was his forcefield hand.

And that’s a series wrap on Hardhead!

Nova Prime informs everyone that he’ll be taking them to visit a pal of his.

You know, this reveal would be a hell of a lot more poignant if I could FUCKING TELL WHO THE SHIT THAT’S SUPPOSED TO BE.

[lady-of-disdain]

If you're so bothered by a cartoon ship (which... no words) still don't understand why you take it out on shippers, not like you could do much about the studio anyway, they don't care, as they should, but then being on our ass is entirely pointless... maybe that's the problem at the same time, maybe to some extent you do realise no one cares so you've decided persecuting a bunch of fan creators and consumers would be the next best thing. That said I feel it's imperative to point out, we're not Sunrise, we're not the ones with the power to shape this story, so you bullying us is frankly just devoid of any meaning other than raw intent for violence. At the very least admit that and drop the pretences, it's the only thing you've done after all, one would have to be blind not to see it.

If you're afraid a puny ship might be canon, and whatever you've twisted it to mean for you, take it up with the studio, alternatively with god since you're so into fictive characters over real life. Come to think of it didn't you guys have a friend that has a friend working at the studio? How come you're still so insecure? Why don't you tell the friend of the friend to influence the plot? Why hasn't this friend of a friend provided any other inside scoops to make themselves credible? Questions, questions.

Either way, hurting shippers will achieve nothing, we were gonna ship no matter the canon status of the ship, and I pity you people who think that shipping something has to be done because you want something canon, as opposed to just... for fun... but maybe that comes naturally with being pathetic, anyway, the possibility of it becoming canon now has nothing to do with us. Even less so as Westerners, if audience even has any sort of influence in all this, it would be the Japanese one way before it would be any Western one. Appreciate you giving us so much importance, but we don't need it, and we're just not really as important as you attribute, we'd just love it if you stopped hurting people over cartoons. You made something gruesome out of a fairy tale, that's on you, that's your problem, and we'd all be better off if you found a way to deal with that didn't rely on abusing others.

Honey, are you lost? I think there was maybe a different blog this rant was supposed to be sent to but I got it by mistake. Because I have no worldly idea what you are talking about in about half of this ask.

The first thing that confuses me: that I’m apparently “taking it out on shippers”, “ persecuting”, and “bullying” them? Please show me your receipts. I’ve literally never directly initiated contact with a sessrin blog. Hell, the one time I considered answering a post made by a pro blog, it was going to be in direct response to a question they posed in the anti tag, directed towards antis, and it turns out I couldn’t even answer the post because the user had most of the anti community blocked. (Silly, I know, but this is what we’ve been dealing with so what can I say.) Any time I want to respond to a sessrin argument that wasn’t directed to me anyways, I would usually screenshot it and blackout the names.

I can count on one hand the times I’ve even posted in the same thread as pro sessrin blogs, and in those cases, I either A) didn’t directly call out the other blog/blogs that were posting in the same thread as me, or @ them, or B) was only even interacting in said post because pro shippers were piling on and harassing people in the thread, and I was simply pointing out that there were shippers in said thread acting fools. The only time I ever even pointed out a particular blog I did it via screenshot and did it to keep a record of a blog that was admitting to flagging our posts as spam. 

If you would like to see proof of my interactions, all you have to do is check the #receipts tags on my blog, you’ll find all of my interactions conveniently tagged. (Oh and don’t worry, I’ll get back to that receipts tag shorty.)

The second thing you said that confuses me, that I have a “friend that has a friend working at the studio”? What (and I can’t stress this enough) the FUCK, are you talking about? 

I.....have never made this claim? Where have I ever said this, where have I ever reblogged this? I’ve never even read this? I need some clarification here, because either you are from an alternate timeline where I’m living a much cooler life, or like I said, you have the wrong blog.

~

Anyways, regardless of the fact that I’m pretty sure you sent this to the wrong person, I guess I can render a response to the base question you seem to be asking here: Why argue with shippers?

Really, at the end of the day, I’m not arguing with your average shipper. Hell, there are a few blogs I even follow and interact with that have said they like sessrin content, but they understand this is not an appropriate thing for a kid's show. And I can respect that because I’ve been in the problematic ship boat in other fandoms. (Here’s a hint, in one of the fandoms that I followed content for a problematic ship in, a content creator was given cookies with sewing needles baked into them, yikes right?!)

The main message of mine and many other blogs I follow is that this ship isn’t appropriate for children’s media, and what happens is a lot of salty people come out of the woodwork who feel the need to argue and say there is nothing wrong with it, which causes us to have to list the reasons why there is indeed something wrong with it (thus why it shouldn't be in said children’s media), then what happens is people like you come at us and act like all we’ve been doing is bullying shippers, and “why don’t you just let us ship in peace!?!?!?!!!??”

In fact, I shouldn’t even be surprised that I got this ask eventually, because as I’ve pointed out in the past, the shipper argument seems to be a cyclical one.

A blogger will make a statement something along the lines that they really don’t care if people ship sessrin, but the shippers really shouldn’t be making a lot of noise to the studio that they want to see this ship in the show because kids watch it, and it’s not a great message to send to kids.

A shipper will then message the blog (usually anonymously if possible) something along the lines of you’re wrong about the ship sending a bad message to kids because of xyz, or it’s a totally normal and healthy relationship, and you’re wrong, or Yashahime isn’t for kids, etc.

The Blogger will then respond with actual evidence, a well-worded response, or even just fucking common sense (like come on, some of the mental gymnastics I’ve seen people employ to try to validate this fucking ship to us is hilarious).

The blogger will then get another message something along the lines of  “why don’t you just let us ship in peace!?!?!?!!!??”

The blogger responds with JESUS CHRIST I SAID FROM THE VERY START THAT I DON’T CARE WHAT YOU SHIP I JUST DON’T WANT TO SEE IT IN A GODDAMN KIDS CARTOON”

At which point the whole process is rinsed and repeated. Congratulations you’ve just witnessed a new grey hair grow out of my fucking scalp.

However, there is a new facet to this shit gem that I’ve noticed during this whole annoying cycle, and that is the fact that a lot of pro shippers are making claims that they are being harassed by anti blogs, but I’m not seeing a lot of proof of this. And make no mistake, if I see an established anti blog being terrible, or making a false claim, I have no problem calling them out, or correcting false information. Please, feel free to screenshot proof and post it in the anti tag, and see how many other blogs won't put up with this either.

And to be clear, I don’t really count anonymous asks as harassment, because people can be sending that shit to themselves. Just like I don’t mind asks I get like this one because I naively respond to them in the hopes that maybe someone will actually understand what the argument has been about this whole time. And if I didn’t like it, turning off anon magically gets rid of it, so *shrug*.

No, I’m talking about actual, out in the open harassment, or shitty behavior. 

Like oh say, Patreon art being reposted in a discord server, then when a good samaritan reports the art theft they are harassed by their fellow discord members. 

Or maybe the ongoing flagging and harassment campaigns that are going on over almost all online social media platforms. 

Or how about the time some people tried to start a Twitter smear campaign against a voice actor who has some opinions about their ship they don’t like.

Yeah, remember how I said I’ve got a receipts tag. I see ya’ll.

[feliciohno]

IMPORTANT PSA FOLLOWERS PLEASE READ

Hiya everyone, Feli here! So this is a really important PSA that I really need you all to read. I’ve rewritten and reworded this like a million times over the last few months so oof I hope this goes over well but here we go-

So this blog is a side blog that is mostly for Hetalia and where the main fandom I interact with in this blog is Hetalia it’s not the only one, and that’s gonna be an important factor. You see, about a year ago I made this side blog because I got back into Hetalia and wanted to post about it online. However, I knew of the discourse and I knew of the drama and I just didn’t want to be apart of it. I also knew that Hetalia made a lot of people uncomfortable (for valid reasons of course) and I decided I didn’t want that on my main blog. Ultimately it is not my job to be concerned with other people’s internet experience (things like blocking tags and following certain blogs is all up to the individual) but I do like to at least do what I can to make it easier on everyone and myself. So I made this one. However this blog was never really meant to be just Hetalia. Mainly Hetalia, yes, but not just Hetalia. If you remember I have actually posted stuff like South Park on this blog and an anime called Rosario + Vampire (SP needing no introduction but R+V is an anime where there’s no discourse mainly because there’s no fanbase it’s still a,,,, not very good show,,,,,) but of course neither of these ever stuck around long enough in my brain to make much of an impact on this blog so I never addressed it. (South Park might continue to pop up here and there it’s a very old hyperfixation and though I dislike the show these days I still like the characters and just have momentary brain rot ig.) Ultimately this was always meant to be what I call my ‘Discourse Blog’. A blog where I could quietly like content I know has major issues with it and is not well liked while both making sure others on my main blog don’t have to see it unless they want to and keeping any discourse off my main blog all together. (Still not sure if I wanna keep Homestuck stuff on this blog or my main tbh.) The reason I’m bringing this up is because lately I’ve been getting into some stuff that might start being on this blog a bit more often and I wanted to acknowledge it before just randomly doing it that way everyone is prepared and not confused. Please know this blog is still MOSTLY going to be Hetalia so you don’t have to worry about that. I’m still a nasty little Italy kinnie who only thinks about Germany’s hot man tits a good 85% of the day(/hj). 

One of the things that might start popping up a bit more is Danganronpa. I’ll be real honest I don’t know why Tumblr’s purity police has such a vendetta against this game there is WAY worse anime out there that I rarely ever see people bitch about. But I started playing it and I like it (wish Kokichi was in the first game but apparently he’s not). I can see some of the issues people might have with it which is understandable so yeah if you wanna keep Danganronpa off your dash just block the tag. 

The other thing (and arguably the one that makes me way more nervous and is why I kept putting off talking about it) is Hazbin Hotel and Helluva Boss. Before you go get your pitch forks and shit let me just talk about this for a second. Yes Vivzie and the shows have very big obvious issues with them but, much like Hetalia, I don’t think it’s actually as bad as people make it out to be. I spent hours in the anti tags and just like Hetalia antis its just people making out things to be a lot worse than they are and throwing around words that really don’t need to be used in this situation. My honest opinion on Vivzie is she’s a woman who never grew out of her 2012 shock humor phase that came with watching too much South Park and she’s too prideful for her own good. She made dumb mistakes and did dumb shit and she did apologize for it all. Of course her apology post kinda sucked and when people bring stuff up she’s not exactly very graceful in her responses. But never the less she’s not the pedo transphobic satan spawn everyone makes her out to be (for more info on this drama and why I think what I think I highly recommend this video, he actively does his research and looks into everything really well and I agree with most of his points). And even if she was I’ve personally never been the kinda person to let people who work on or have made stuff stop me from liking it. I hate JK Rowling but still like Harry Potter, I don’t like Tony Anselmo but I still love Donald Duck. Letting others’ shitty mistakes and bad personalities dictate what I watch and how I live my life has never been the way I lived and I’m really not gonna start today. As for the shows themselves, yeah they got issues. Some of them, again, a bit drug out of proportion by the antis, but still issues none the less. Giving Alastor Voodoo is a big one (it leans into the constant negative connotation that Voodoo is always strapped with despite being a real world religion that actual people follow), Vaggie is very much a bad stereotype and even though Vivzie wasn’t trying to be racist (openly stating that as a Latina she wanted more firey Latina representation) it still has the potential to harm and upset Latino viewers, and then Angel Dust who is kinda a mess and honestly a big way she could have fixed him was just to keep him by his original version instead of changing so much about him (that honestly would need a whole separate post to explain). 

So, yes, I acknowledge the issues and stuff in all this content and I’m very open and vocal about the issues just as I am with Hetalia. Liking these things doesn’t change that and I mostly made this post to make sure everyone knows that. But like I said before, your internet experience is up to you. If any of these things make you uncomfortable please do yourself a favor and block the tags. I promise I always keep things perfectly tagged on my blog down to the characters and ships. This isn’t gonna change. I’m pretty confident that no one here will take much issue with this. After all, if you like one of these things you know what it’s like to like things critically. If you have issues with anything on this post or me or anything I say or do come talk to me about it respectfully so no one is left thinking I’m some asshole for liking some dumb cartoon. 

TL;DR This blog is gonna stay mostly Hetalia but it’s ultimately a blog for any content I don’t want on my main and if there’s anything you don’t like or that makes you uncomfortable please just block the tags and keep about your day happily 

[soyouareandrewdobson]

Charles Schulz vs Andrew Dobson: What a Blockhead!

There are certain things about Dobson’s behavior and particularly his approach at being a nerd and presenting himself as someone who enjoys the art of storytelling that I have issues with. Issues I want to tackle on in more detail within later entries quite a bit.

One such tendency is, that he mocks directly or indirectly the work and accomplishments of others.

See, if Dobson doesn’t like you as a content creator because he does not like something you work on, he will try to show it. He will make stupid assumptions of you (like how he accused Kojima of being a sexist creep because of Quiet and how he deals with “male gaze” in MGS compared to Death Stranding), half heartedly mock you (look at anything he makes about Ethan Van Sciver) or he will call a piece of work boring and dull based on a minor element instead of overarching problems (calling Batman the character a white supremacist based on the dumb work of only one author).

By doing that he also tries indirectly to insinuate that he is better in some manner, though most of the time it really just shows his own ego and that his pet peeves are rather petty compared to the overall quality of the work he criticizes as well as its flaws.

One such sight of ego boosting while mocking the work of his better is in my opinion to be found in this comic he uploaded sometimes around 2016/17 randomly online.

This comic in my opinion is both laughable and insulting. Why? I will explain soon.

First however I want to clarify that I get that this comic is supposed to be a joke mostly. The old “What others expect, what I expect” thing, where the punchline is supposed to be the discrepancy between the two fractions and what they expect, mostly by making one of the expectations come off as worse than the other. However, I find the punchline to be Charlie Brown (and as such what Dobson seems to see as something he does not want to be favorable compared too) quite insulting. Why, as I said, will be elaborated on sooner.

First, let me just get on the part I find laughable: The fact that Dobson in his own head seems to believe he can be even remotely compared to people like Paul Dinni, Bruce Timm, Greg Weismann, Justin Roiland, Miyazaki, Shigeru Miyamoto and all the other character creators and animators whose creations we see in the first panel.

 Dobson, don’t make me laugh. Putting aside the fact that those people are animators more than cartoonists, what makes you even believe in your wildest dreams you are on the same level as them? The fact you too are an animator, seeing how you graduated from an art school with a degree in that field? I have seen your contributions to the field and honestly, I would expect a bit more. https://www.youtube.com/watch?v=v0tdWNCrIxo

 https://www.youtube.com/watch?v=Ps6PfiUCxHQ

 https://www.youtube.com/watch?v=4PyonOqClf8

 I give you credit, you can animate. Which is more than I can say for myself when it comes to the arts. But when you look what other freelance animators can do online, some of them younger than you and NOT with a degree in animation…

  https://www.youtube.com/watch?time_continue=64&v=FmkAcGz1BJk&feature=emb_title

https://www.youtube.com/watch?v=97IfPfjSaDg

 https://www.youtube.com/watch?v=eEUoxQ4qSfs

 Viviepop’s demo reels alone are just gorgeous to look at and more fluid than what I have seen of you. https://www.youtube.com/watch?v=gFlha-KOKCc

 And it is not just the technical quality, Dobson. It is also just the overall “originality” of your work. Cause this is the thing with those animators hinted on in the first pic and even many, many freelancers/fanartists as well as webcomic creators online: They have a spark of originality in presentation and storytelling that you lack. I will one day go more into detail for that, but here is the most brutal thing I can say at the moment: I know shitty porn fanfictions, that have more plot development and character growth than all of Alex ze Pirate.

Your characters and stories tend to be derivative and you barely take any risks in telling a story. Neither in your fanbased work (like the Miraculous comics) nor your original content (mostly because you take comfort in four panel strips anyway)  and when you have an idea for something on which the basis idea actually sounds good, you screw it up by a lackluster execution. One example I want to give for that, would be this fanart of yours in regard to Steven Universe.  

(I apologize for not getting one in better quality) This pic was something Dobson created around 2015 for Steven Universe. The picture is supposed to show Lapis, trapped under the ocean following the events of the season 1 finale of the show. A very emotional situation if you are aware of why Lapis sacrificed herself and was “banned” to the ocean floor. Short explanation: Fused with Jasper and then took primarily control of the fused being they became (Malachite) by using her water powers to bond it with heavy water chains on the ocean floor, so that Jasper would not hurt Steven anymore.

 How much of that was even an emotional strain on her and her psyche was in one episode of season 2 even a theme, as seen here.

 https://www.youtube.com/watch?v=SK3l8mGNhMg

 I am not even a fan of the show and I get the emotional weight and impact of Lapis actions.

So… why is that not conveyed in the artwork? If you are so talented Dobson, why is none of the strain and despair on the character? The idea of a pic showing Lapis under water, longingly looking up, even in despair is a good basis for a fanart. But the execution lacks any emotional detail. You want to know how I would execute the thing if I had the artistic talent? Make the picture a huge horizontal pic, where we slowly decent from water surface down the ocean. The light getting dimmer. Blue turning into dark. The silhouette of a hand and an arm similar to Malachite’s in the background, trying to travel up, the fingertips barely touching the surface. Heavy chains around the flesh. Symbolic of the fusion trying to break free and cause havoc. And down on the dark bottom, beaten and exhausted Lapis with tears in her eyes and chains all over her body like she is Jacob Marley, desperately trying to keep Malachite at bay for the sake of the only being on earth who ever showed just a little bit of kindness towards her.

 Why can’t we have something like this here, Dobson? If you were even remotely as original as the creators you want to be compared with, I think you could come up with something like that and perhaps even draw it.

But you know, his delusions of being as good as them is one thing. It is even funny.

Pissing over the Peanuts is another. Dobson, what are you trying to hint at?

That people comparing you to Charles Schulz and his creation is in your eyes automatically a sort of insult? That it is something that should at best only be a mockable punchline in a comparison?

Just to clarify a few things: I am NOT much of a fan of Charlie Brown and the Peanuts as a property. As a child, I was just not very entertained by them. Yes, I saw animated movies, episodes and specials of them here and there and my grandparents gave me volumes of them to read, but as a whole I never thought them quite as entertaining than other comics or cartoons I watched. Some parts of Peanuts animation felt to me often times like just dead air (especially parts of Snooby dancing with Woodstuck, as they had no function to move the plots forward) and I really could not stand how some characters treat Charles on a regular basis. I mean, we all agree that Lucy is one of the worst female characters in fiction and that even while we hate Family Guy, this clip likely gave some of us some sort of satisfaction, right?

 https://www.youtube.com/watch?v=mZkJAx8FycI

 But before the Peanuts fan out there go and want my head on a silver platter, let me make one thing clear: I may not like the Peanuts franchise… but I respect it and the man behind it.

 Charles Schulz drew the comic strip from October 1950 till late 1999 (the final strip being finished months before it would be published on February 13 of 2000, one day after he died of colon cancer) , creating a total amount of 17,897 Peanuts’ strips. His work marks a major impact in the nature of newspaper comic strips and inspired many people out there, including Bill Watterson, to create comics or be in the field of animation. His achievements include among other things, that he created what many people consider the first animated Christmas special ever. The names of his creations became nicknames for the Apollo 10 command module and its’ lunar modul. Four of the five Peanuts movies in existence (animated made for tv specials not withstanding now) were written by him. And the fifth was only not by him, because that one came out in 2015, a decade and a half after he died.

And speaking of things Schulz wrote for the Peanuts, let me mention two things. Two things that though I am not a fan of the Peanuts, I have mad respect for existing in the realm of animation. Two animated specials that stuck with me ever since I was eight.

 “What have we learnt, Charlie Brown?” from 1983 and “Why, Charlie Brown, Why?” from 1990.

 In the first special, which functions as a semi sequel to the fourth Peanuts’ movie “Bon Voyage, Charlie Brown”, the characters actually travel across France and after ending up on Omaha Beach and Ypres the special turns into a tribute to the soldiers who fought in World War 1 and 2, elaborating on the sacrifices made during the war by showing actual footage of fights, recordings of Eisenhower and reciting the poem “In Flanders Fields” among other things. Do you know how impactful it is to learn about the world wars as a small kid, by being reminded of the actual sacrifices others made in order for your own grandparents to survive?

 And speaking of grandparents, I lost my grandmother as a child by cancer. So when I saw the second special I mentioned, you can bet it stuck with me. After all, of all the things in the world, the Peanuts addressing the seriousness of cancer by having a story where a friend of Linus is diagnosed with leukemia and we follow the emotional impact it has on Linus and the girl? Again, I may not like the franchise, but I am not ashamed to admit I think the special treats the subject with a lot of respect and dignity while telling a good story. You bet your ass I get a bit teary eyed when the little girl survives her leukemia treatment and finally gets on that swing again. Those two specials alone are more mature than ¾ of the shit Dobson likes to gosh about, including his oh so precious gay space rocks. And just for those things existing I have respect for Schulz, his creation and the impact it had on so many people. As such, Dobson “belittling” the Peanuts, at least for me, is a freaking insult. The only way Dobson could have been even more insulting is if he called Schulz something derogative.  Dobson should be glad if his life’s work in total could even amount to 10% of what Schulz has done and achieved.

 Cause Dobson, you are NOT a Charles Schulz. Schulz served during the second world war on the front, fighting actual Nazis instead of calling idiots on the internet fascists for not liking Star Wars. He had integrity and work ethics that drove him to draw and write over 17.000 strips, while you can not even finish one FREAKING story. He knew how to tackle a mature subject, while you make shitty shipping jokes involving Ladybug and Cat Noir and claim Steven Universe knows how to be about psychological trauma, when it just romanticizes abuse. He may have drawn simplistically, but at least he could tell a joke instead of constantly berating others for not sharing his opinion. He did all of that and more without having graduated from college.

 And what have you done, Andrew Dobson?

If Dobson reads this, there is one thing in my opinion he should take away from more than anything else: That if people compare him to Charles Schulz’s work, that it means a) he should not be ashamed of it and b) they overestimate him.