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perseabeth · 14 hours

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< What If >

this is a one shot written about @anotheroceanid amazing fic titled When the Horizon Bloom, read it on AO3 you will enjoy it very much and cry very much too - i do not own the idea of the fic and i certainly do not own any character. this is a version of “What if” things happened differently in the fic. enjoy ✨ and i’d love to thank the author again for the amazing fic that i’m becoming obsessed with

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Percy paced back and forth in her cabin, a growing sense of unease gnawing at her. She felt lost, unsure of whom to turn to, and the lack of dreams last night only heightened her fear. Sleep eluded her; every time she closed her eyes, she was jolted awake by terrifying nightmares.

She had faced Kronos, defeated titans, and held the weight of the world on her shoulders in Atlas’ place. She had endured experiences far worse than any nightmare could conjure, living through horrors that would break most. So why was she so afraid now?

A soft knock on the door pulled Percy from her spiraling thoughts. A blonde-haired girl peeked in. "Seaweed brain?"

Percy lifted her gaze to meet her friend's. Annabeth's gray eyes were filled with concern, as if sensing something was wrong. "You missed breakfast... is everything okay?"

Percy tried to muster a small smile. No, nothing was okay. Morning sickness was wreaking havoc on her, and the nightmares of gods punishing her were relentless. "Yes, I'm okay. I just woke up late," she managed to say, though it was far from the truth.

Annabeth looked at her silently for a minute, her eyes seeming to penetrate Percy’s thoughts. Percy was always amazed at how Annabeth’s eyes mirrored Athena’s, reading a person like an open book. she gulped, hoping Annabeth would believe her words. After a moment, her friend nodded slowly. "Your training starts in 15 minutes. The class is almost ready."

Percy gave a slight smile and nodded. "I'll be there." Yet Annabeth lingered at the door, as if waiting for Percy to confide in her. Realizing she wouldn't get any more information, Annabeth gave a final nod and closed the door behind her.

Percy hated lying to her friends and hiding anything from them. Since the war, they had all promised to be open with each other, to support one another through the healing process. But what could she say? That she was pregnant? Carrying a god’s child? No, not even one—three. Three small lives growing inside her, and she had no idea who to turn to.

She did have an idea. She wanted to turn to everyone around her, but her dreams held her back. Demigod dreams weren’t mere dreams; they were messages, visions, and warnings. And here she was, sleep-deprived because she dreamt of her children being killed while their father watched, emotionless.

The day passed rather quickly, as if Kronos had cursed time to hasten her doom. Everything was normal; life at camp went on as usual. Campers were enjoying themselves, chatting, sneaking drinks, and partying as if there were no worries for tomorrow.

It was ironic how carefree they all seemed. They had won a war and were free, savoring the remnants of their mortal lives. Yet, Percy was once again carrying the weight of the world. It was only a matter of time before someone noticed something strange about her. Then the news would spread like Greek fire, reaching the gods, who would learn of the prophecy. Percy and her children would be doomed.

Unconsciously, she wrapped a hand around her belly, as if trying to shield them from the inevitable. Just then, Percy noticed a pair of lingering gray eyes. "Still not feeling well?" Annabeth's voice pulled her from the ocean of her thoughts. Percy quickly removed her hand from her belly, afraid the gesture might reveal too much. "Yes, don't worry. I think I had too many cookies," Percy muttered, attempting a smile to reassure Annabeth. But she knew her friend wouldn’t buy it. Annabeth nodded silently.

The thing about a daughter of Athena was that she knew when something was wrong. But she waited for you to confide in her before uncovering the truth herself. That’s what Annabeth was offering Percy—time to reveal what was going on before she forced it out of her.

—————

The Olympus council raged with energy—too much energy for Percy’s mortal form to bear. She had been here multiple times before, she reminded herself, but nothing had prepared her for this moment.

She tried to catch her father’s eyes, but he immediately looked away, as if unable to bear the sight of her, ashamed. Her heart sank, and her soul felt like it was shattering. She needed someone to hold onto, but there were too many eyes on her, filled with anger and power. Desperately, she searched for other eyes, gentler eyes that had once looked at her with all the love in the world. Eyes that had held her tight, swearing to protect her from everything.

Percy sought his eyes—sky blue, like a beacon of light amidst the darkness. Her heart yearned for him, remembering how he had looked sitting leisurely on his golden throne, just like the first time she had seen him there. Yet, she couldn’t find those sky-blue eyes. Instead, she was met with golden eyes, burning with rage and a promise of pain.

"Well?" Her uncle's voice thundered through the room, the echo making Percy shrink. She had never been afraid of gods, never. She would have kicked the door of Olympus open and marched in like the hero she was. But today wasn’t about her. It wasn’t about harming her. It was about harming those precious to her—her children, hidden within her belly, shielded from the room's volatile energy.

"Apollo, what do you say about this, since you are, after all, the father?" Zeus’ voice was like thunder, each word more terrifying than the last. His tone dripped with sneer, as if the whole situation was beneath him.

Percy’s eyes remained on her lover, whose gaze had become a foreign land. Apollo did not speak; he just stared at her, as if silently threatening her, blaming her for their predicament. Then, with a cold, emotionless voice, he sealed her doom. "I will have none of this," he stated, turning his gaze back to his father. "They might be mine, but I will not claim them, and they will face the wrath of the gods like anyone else who dares to overstep their position."

Fog and mist clouded Percy’s vision. Tears welled up, blurring her sight. Perhaps her tears were merciful, blocking his face from her so she wouldn’t remember him like this—so emotionless, so heartless, promising punishment. This was the true Apollo, the one she had read about in books, the one who punished Cassandra and skinned a satyr alive. This wasn’t her Apollo. This wasn’t the gentle touch of the sun that had held her warmly. This voice wasn’t the sweet, melodic one that had whispered love to her. These eyes weren’t the beautiful ones she had always admired.

Zeus’ voice cut through the room again, sharp and authoritative. "Then the children should be punished and thrown into Tartarus, and they will take with them anyone who stands in the way." Zeus looked at her, a silent warning in his eyes—'You will go with them if you object.' He continued, "All in favor?"

Percy looked around in horror, her gaze landing on her father, pleading silently for mercy. But all she got in return was, "I agree."

All hands were raised, not one sparing her or her children. Cold, merciless eyes looked upon her, not with pity but with disgust, as if she had committed an unforgivable sin.

Percy’s tears could no longer be held back. She fell to her knees, perhaps because her legs could no longer support her, or perhaps because she wanted to beg. She didn't know. All she knew was that she was crying, her sobs echoing throughout the room, her trembling voice barely holding together.

"Please don’t. Please, please. I’m begging you. Please don’t harm them. Please. I’ll take them away. I’ll raise them far from here, but please don’t harm them."

She wasn’t sure if she was making any sense, wasn’t sure what she was even begging for. All she knew was that her heart was shattering, her soul was dying. She felt an immense, unbearable pain, and she was screaming.

——

Percy jolted awake, the room cloaked in darkness, but the light of the fountain was enough for her to recognize her surroundings. She was in her cabin. Safe and sound. She was safe, and her children were safe.

Tears filled her sea-green eyes once more, her heart shattering anew. For the first time, her cabin, her mini-heaven, felt suffocating. The events of her dream rushed back to her, and Percy could no longer hold back her tears. She needed to get out, needed to breathe. Air was scarce in the cabin, and she needed more.

With shaky legs, she stood and rushed to the door, trying to find air, trying to calm her sobs, but she couldn’t. She burst through the door and into the night. She didn’t remember where she walked or where her legs carried her. All she knew was that she found herself in the middle of a path lined with trees, the only light guiding her being the moon’s gentle glow.

She tried to control her sobs, tried to take deep breaths to calm herself. She was safe. They were safe, she reminded herself.

A sudden movement behind her froze the blood in her veins. She sensed him—felt his presence. His energy was always so warm, so peaceful, that she could always feel him. But this time, this peaceful energy brought her only fear. She didn’t dare look behind her, didn’t dare see if those eyes had turned golden again. She didn’t dare to hear that cold, merciless voice. So Percy stood there, wrapping her arms around herself, protecting herself, protecting them from the coldness she had just begun to feel.

"My love?" His gentle voice was like a sweet whisper, so lovely and filled with emotion. It carried love and concern, just as she was used to, before her nightmares.

"Percy, my love, why are you here?" he asked again, his voice almost a whisper, as if afraid of startling her. That’s when she broke down again. Hearing his voice like that only reminded her of her nightmare, her visions, and what his voice might sound like when all was exposed.

Percy didn't remember how it happened, but she found herself enveloped in warm arms. She remembered his gentle voice whispering sweet nothings in her ear as he held her, shielding her from the coldness of the night. It was ironic how the person she feared was the one giving her peace and comfort now, the only one capable of calming her tears. She sensed the fear and worry in his voice as he held her, felt his concern through the gentle touch of his hand soothing her hair.

If only he knew what he would become in the future...

She stayed there for what felt like minutes, maybe hours. She didn't even realize when he had picked her up and led her to a rock, where he sat with her wrapped in his arms, still caressing her hair and calming her down. She didn’t dare speak or look at him, afraid her eyes and voice would betray her

After what seemed like forever, she finally dared to look at him, to meet his gaze. He allowed her to lift her head, and she saw his eyes—beautiful, clear sky-blue even under the moonlight. His eyes were filled with love and gentleness, just as she remembered, now mingled with concern. Percy’s sea-green eyes locked with his, afraid that if she looked away, his eyes would turn to gold again. Her lover didn’t speak, only looked at her, always considerate, always patient, waiting for her to find peace before finding her voice.

“What’s wrong, love?” he muttered, his voice carrying the gentleness of the world. He brushed away the hair blocking her face, soothing her racing heart. He waited for an answer, but she shook her head, still unable to find her voice.

She felt terrible lying to him; she couldn’t look into his eyes and deceive him, so she averted her gaze, studying her surroundings. Only now did she notice they were in the middle of the forest. Suddenly, a warm hand gently held her chin, forcing her to meet his eyes again. “Percy… what’s wrong?”

She knew this tone—the tone of demanding answers, answers he would get no matter how long he has to keep her wrapped in his arms. A voice inside her head, a tiny voice, told her she could trust him, find peace in him, that he would protect her as he promised. But that voice was immediately drowned by the ocean of nightmares that filled her nights.

Percy shook her head again, trying to find her voice, now raspy from screaming and crying. “J-just a nightmare,” she muttered, still unable to look away as he gently fixed her chin with his warm fingers, holding her gaze.

Apollo studied her for a few minutes before gently stroking her hair again with his other hand. “A nightmare that made you run to the woods in the middle of the night?” he asked, still gentle and patient.

Percy simply nodded and muttered, “A bad nightmare.”

His gaze never left hers, studying her while his hands continued to soothe her. “What was it about?”

Percy gulped. She knew he would ask. He was always curious about every detail of her life, always there listening to her nightmares. He wouldn’t let this one go.

She looked at him, still holding his gaze, as if trying to show him she was being honest. “About the war.”

Apollo simply nodded before Percy felt the gentle touch of his lips on her forehead, kissing away her worries. His warmth spread throughout her body, comforting her, enveloping her in peace. For a fleeting moment, Percy wanted to believe that all was perfect in the world.

He whispered, his lips still on her forehead, "My love, have I ever told you how terrible of a liar you are?"

Percy's heart sank as nightmares rushed back to her—the memory of his cold voice, his golden angry eyes, and his indifferent gaze. She could feel her heartbeat in her hands, only for him to look at her again, his beautiful blue eyes meeting hers, guiding her through the darkness.

His eyes held nothing but pure gentleness, a hint of teasing, and a lot of love. His fingers started brushing her cheeks gently as he spoke again, his voice as gentle as a feather, "You are a terrible liar, and I love that you try to lie to the god of truth." He kissed her nose affectionately.

Speechless and unsure of what to say or how to react, Percy was overwhelmed. her silence didn’t seem to bother him as he continued to brush her cheeks and pepper her face with sweet, gentle kisses. "Now tell me, what’s wrong?" he asked softly, his voice filled with concern and love.

Percy couldn’t do anything but shake her head as she attempted to free herself from his embrace, only to find him holding her tighter. He remained silent, patient, silently facing their battle as she struggled against him.

She heard him sigh, and for a split second, fear gripped her—fear of him running out of patience, fear of meeting those golden eyes again. But the more she protested, the gentler his hold became. She looked into his eyes again, his lips curving into a small smile. “You aren’t going anywhere, my love, until you tell me,” he stated, his voice filled with warmth.

She shook her head as silent tears started rolling down her cheeks. “I-I can’t,” she whispered.

He shook his head, as if her answer wasn’t what he was seeking, before kissing her tears away, wiping them away with his lips. “Yes, you can, and you will, Percy,” he sighed before continuing. “I know you well enough to know that nothing, absolutely nothing, could make you run into the middle of the night like that unless it was something terrifying.” He kissed her forehead again, as if aware of the calming effect his gentle kisses had on her. And he wasn’t wrong. The more he did it, the more she felt at peace in his arms, despite all the nightmares.

He gently continued, still holding her gaze. “You looked at our dear grandfather eye-to-eye and stood your ground. I know my Percy. Nothing can scare her. So tell me, my love.”

She wanted to, oh how she wanted to tell him everything, to spill everything and hold him close. But she knew she couldn’t. She knew how he would react, and she knew what they would face.

Percy shook her head again, tears streaming down her face as she forcefully freed herself from his grasp. She couldn’t bear to look at his hurt expression, the pain in his eyes as she distanced herself from him, as if she were afraid of him. And who could she lie to? She was afraid of him.

She kept shaking her head, trying to make him understand. She didn’t want to hurt him, but he had to understand. She struggled to find her voice again. "I can’t, I can’t, I can’t!" she repeated, tears flowing freely. The night’s coldness enveloped her once more, while her body begged her to return to the warmth of his arms. Percy tried to look at him, hoping he would spare her from explaining anything, but she was once again met with his beautiful blue eyes, tinged with pain and uncertainty. His voice broke her, destroying all the self-will she had been trying to gather, as he whispered, "Don’t you trust me?"

She does! She wanted to scream at him that she does, that he was foolish to even doubt it. But does she? Percy questioned herself as she looked at him again. does she trust him? If she did, she wouldn’t feel afraid of him. If she did, she wouldn’t believe he would harm her or their children.

The longer she took to answer, the more pain showed in his eyes as his gaze locked onto hers. Then he spoke again, almost in a whisper, his voice showing hints of pain. "What did I do?"

Silence enveloped them, the night alive with the symphony of the forest. The rustle of leaves in the gentle breeze, the distant hoot of an owl, and the occasional chirping of crickets provided a backdrop to their conversation, amplifying the tension between them.

She kept looking at him, observing how he tried his best to understand what he had done wrong. Knowing him, he was probably going through a mental list of things he thought he might have done.

But how could she tell him?

“You didn’t do anything,” she finally said, her voice quivering.

“Then why?” he pressed.

“Why what?”

“Why are you looking at me like you aren’t sure whether you are safe with me or not?” he asked, his eyes still fixed on her, waiting for any reaction.

Percy couldn’t handle this anymore. She couldn’t tell him anything, yet she couldn’t not tell him anything. He stood there, hurt, thinking she didn’t trust him, yet he was so far from the truth.

Apollo slowly stood and stepped a little closer to her. Blame it on her nightmare or her lack of sleep, but she couldn’t help but take a step backward, earning her a quizzical look from him.

“St-stay away,” she muttered, hoping to stop him. She realized too late that her words had indeed stopped him, but not in the way she wished, as he stood frozen, looking at her with pained eyes. For the first time in her life, Percy witnessed fear in Apollo’s eyes.

She had hurt him, deeply. But who could blame her? If anyone with a healthy mind saw these visions every day, they would react the same way.

She tried to speak again, hoping to remove that pained look from his face. “I-I didn’t mean it that—“ But before she could finish, he spoke again.

“You are scared of me… What did I do?”

That’s when Percy broke down again. Maybe it was hormones, maybe it was nightmares, maybe it was a terrible mix of both, but she couldn’t bear to see that look on his face. She started sobbing, holding her face in her palms. She felt him hesitate, unsure whether to step closer or stay where he was, knowing she was scared.

Percy kept sobbing as she muttered, "It’s not you... You will harm us... In the future, you will harm us... I can’t let that happen... They don’t deserve this!"

Apollo’s voice cut through her sobbing state as he simply questioned, “Us? They?”

Here’s a few things about Percy: sometimes words don’t go through her brain before speaking them out, which has gotten her into trouble with gods, titans, and monsters alike. When she is in distress, this tendency becomes even worse, and following order becomes harder for her. And in that special moment, Percy was in her most vulnerable state as she couldn’t control her sobs. Gaea had warned her to be careful with every word she says, but it’s not Percy’s fault that Gaea trusted her with such a mission. And it was too late when Percy realized what she had done as she looked at her confused lover. It was too late to withdraw her words; her tears still blurred her vision as he stood in front of her. “I-I mean us, me and you,” she stammered.

Apollo shook his head, didn’t he just tell her how terrible of a liar she is? “You just said ‘they’? Who are they, Percy?”

She wanted to run, to escape now, never look back because she just realized that she had messed up everything. Her tears were uncontrollable at this point, but she couldn’t let herself drown in them. She needed to stay awake to face him, but with what? What could she say?

In a blink of an eye, she felt warm palms cupping her cheeks, caressing them softly as his eyes poured into hers. “Who are you talking about?” he whispered gently, as if he was aware that whatever topic they were approaching was something destroying her.

Was it worth lying at this moment? Percy questioned herself. Maybe Gaea had promised to save her from all, but was it a real solution? Was she able to run from the twelve Olympian gods forever? Was she really able to postpone whatever destiny her children might face? She is a child of prophecy, and she knows how hard it is to escape prophecies. Was any of it really worth it?

She could feel a voice in her head telling her to confide in him, and another screaming and shouting at her, telling her that these nightmares would come true, and she was only making them come quicker. She could feel invisible hands holding her throat, preventing her from talking, a pressure almost preventing her from breathing. But one thing, one small thing, was holding her like an archer holding a ship amidst a dark storm: his eyes. Those gentle eyes that looked at her with all the love and concern possible. Eyes promising her that he would protect her no matter what. And in that second, she trusted those eyes, for they had never broken a promise.

“Our children,” she whispered, maybe even afraid that he would hear. But she knew that he heard, because the frozen state he was in proved that he did, in fact, hear.

His frozen state only fed her fears more; his eyes never left hers, but he was oddly silent, and that didn’t help her at all in this situation. She regretted blurting it out; she regretted not controlling herself, and she was about to regret confiding in his eyes when the silence was broken with his voice.

“You are—” he began, but couldn’t finish. He waited for her to finish, waited for her to spill the words so she could confirm them.

Tears rolled from Percy’s eyes again. That was it, that was the moment she had dreaded. But when was she a coward running away? Never, and she never would. Percy nodded, still holding his gaze, as she finished his own sentence. “—pregnant.”

And again, frozen, he was back again to that state where his eyes widened, looking at her, searching her eyes for any hint of a lie. She had to break this silence; she had to speak. She led armies, so she could lead a conversation, even with tears rolling down her eyes.

“triplet.. But there’s a prophecy… Dangerous… Gods will be angry… You will be angry… A lot of danger… Tartarus… I need to prote—” But before she managed to finish her incoherent speech, which she was sure made no sense, she felt warm lips on hers.

It was a gentle kiss, soft and tender, like a feather brushing against her lips. It was a kiss filled with happiness, reassurance and love, a silent promise. In that moment, all her fears melted away, replaced by a sense of peace and warmth. She closed her eyes, savoring the moment, letting herself be enveloped by his love.

Maybe she wished to believe that it was a normal pregnancy announcement; maybe his kiss did make her feel like that. And for moments, she wanted to believe that. He broke the kiss only to replace it with another tender kiss, and another, and another.

She tried to whisper between kisses, reminding him of their situation: “Prophecy.” But it only gained her an inaudible mumble as he kissed her one last time. Maybe he didn’t hear her incoherent speech; maybe he was also wishing to live in his own world for a few minutes.

He looked at her again, and if she thought that she already found his most beautiful gaze, she was wrong. Because at this moment, there she found the most beautiful gaze. He looked at her with eyes full of love, happiness, pure happiness he barely showed, besides when she confessed her love for the first time. But now, it was a new type of happiness, a new type of hope. His hands never left her cheeks as he kept caressing them with even more tenderness. He whispered, “I love you... so much,” before kissing her again softly and mumbling, “Thank you.”

She hated to break that moment for them; she hated to ruin this happiness. But she had to. She had to tell him the full truth since he already knew the worst part of it. “Prophecy,” she mumbled again. That’s when she caught his attention, and he spoke, “What prophecy are you talking about my love ? I heard of nothing.”

She took a deep breath before she spilled everything to him, from the moment she discovered her pregnancy to the prophecy, to the nightmares, and even Gaea's secret mission in 'helping her'. She could feel Gaea’s rage; don’t ask her how, but she could feel it.

Only after saying everything did she finally dare to look at Apollo, who was now holding her waist with his brows knotted in confusion. He was silent for a few minutes, her anxiety at its peak as she waited for any word from him, anything.

Maybe after telling him everything, he would agree with her plan with Gaea? Maybe he would agree with how dangerous her children are? Maybe he would say that the prophecy could be wrong? She didn’t know. But she did know one thing: his face showed pure curiosity and not anger.

After what seemed like hours, he finally spoke softly, "No." She looked at him in confusion.

"No..." he repeated again, Percy still not understanding what he was trying to say, when he cupped her cheeks and forced her to look at him. "I don’t care what this prophecy says. I’ll have a talk with Rachel for hiding this. But I don’t care what it means."

Percy whispered, afraid of raising her voice, "You are the god of prophecy, you can't say that."

He shook his head, his blue eyes still filled with determination. "If me being the god of prophecy means I’ll let harm come to my children, then I’ll let Delphi crumble to pieces."

"No harm will come to them. I will not allow any harm to come to them, and I don’t care if the price to pay was Olympus itself," Percy tried to shake her head, as if she was warning him that he was saying nonsense, but he fixed her face and made her look at him. "Nothing, and absolutely nothing, will harm you or our children, love," he stated. "I swear it on the River Styx." A sudden thunder broke the silence of the forest.

An oath... he just made an oath while holding her as if he didn’t just make the most sacred oath. Percy tried to reason with him, "But Gaea—"

Apollo shook his head again. "I’ll not let anyone take care of you. I don’t trust anyone with you, and especially not a primordial goddess that was supposed to be sleeping."

"But Olympus—"

"I’ll deal with them. Leave them to me."

"But—" She tried to protest when his lips found hers again in a gentle kiss, silencing her. "Stop with buts. Nothing will happen, and you have the word of a god. I will never allow anything to happen to you... all of you." That’s when his eyes were suddenly filled with happiness and gentleness again. He suddenly grabbed her and pulled her into a tight hug, burying his nose in the crook of her neck.

As he mumbled in her neck, in a soft, gentle tone, "Gods, Percy..." and "Thank you," she didn’t understand what he was thankful for, but she was sure of one thing: for the first time in weeks, she felt a huge weight lift off her shoulders, just like when Atlas took the weight of the Earth from her again. Yet this time, she felt utter peace. Complete peace.

For the first time in weeks, she felt her heart filled with happiness. She was in his arms, the arms of the one who made a sacred oath to protect her and her children. Not just her, but also them. And maybe, just maybe, it was worth it.

It was worth having this nightmare so she could find him here tonight. Maybe the Fates really took pity on her... just maybe, there is hope.

#when the horizon bloom #WTHB perpollo #WTHB percy #fic #wthb fic #WTHB #bahia writes

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elvenbeard · 2 days

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OC INTERVIEW - VINCENT EZAKI

(I was tagged by @cybersteal and @arcandoria for this a long while ago, and got real carried away with this idea xD also inspired by everyone else who took the "interview" bit a bit more literally, so yes! :D thank y'all for the great ideas and being an inspiring af fandom!)

Juanita Tseng: V, thank you so much for taking the time today, so happy to have you here! Let me ask, is that your full name?

V: Hah. Well, obviously not, but it’s served me well for many years now.

J: Any special story behind it?

J: What’s not a secret is that most of our viewers only know you as “mystery man” so far, at least that’s how the scream sheets often choose to refer to you. How do you feel about that?

V: Well, nothing I could say against either. I like my privacy and I’m a man, so they got that right at least.

J: Hahaha, that’s fair! Even more so I’m glad we’re getting the opportunity to get to know you a bit better today. As I told you in advance, there’s some burning questions our viewers have, and everyone’s been eagerly submitting them already as we speak. So, without further ado, let’s get to the first one. When is your birthday?

V: It’s in June, but I’d like to leave it at that.

J: Interesting! Gemini or Cancer?

V: Whichever is the one that comes first.

J: That’s fair! Alright, how tall are you?

J: Who is taller?

V: Me of course.

J: Of course! Okay, next question… Ah! Let’s stay on the topic of Kerry for a moment longer. From my last interview with him we know you two met through a mutual friend.

V: That’s right.

J: How did it go? Was it love at first sight, or more of a slow burn?

V: Well, I’d be lying if I said I wasn’t attracted to him when we first met. But it wasn’t love at first sight, no, more… curiosity. We crossed paths a few more times, also thanks to that friend, and got to know each other better like that. We just clicked. That’s all there is to it really.

J: Awwww, that's so sweet! Now, it’s no secret that Kerry has led a quite adventurous life and there is a bit of an age gap separating you. So, I gotta ask:

J: Only men?

V: Yup. And now the next question please, cause none of it matters.

J: Hahaha, sorry, I know I’m such a tease! But we gotta ask our viewer’s questions! Speaking of which, one of them is curious about your upbringing and cultural heritage!

V: Now that’s a 180° turn. Born and raised in and by Night City. Can’t say much about cultural heritage, as it’s a bit of a mix of many things.

V: Mh-hm.

J: Let me see… would you be up for some quick shotgun-style questions?

V: Ready when you are.

J: Favourite season?

V: Anything that doesn’t involve sandstorms.

J: Favourite flower?

V: Lotus.

J: Favourite Scent?

V: Clean bedsheets.

J: Average hours of sleep?

V: I aim to get at least 7.

J: Numer of Blankets you sleep with?

V: One or none.

J: Favourite Fictional Character?

V: Oh no, uuuhh… Hmm… No, I can’t just choose one.

J: Haha, that’s alright. Would you say you’re a bit of a nerd?

V: Oh yeah, unashamedly. Me getting started about my favorite fictional characters would be a whole interview on its own.

J: Anyway, that’s right on cue, we’re almost out of time for today! I think we could fit one… no, two more questions!

V: Alright, let’s hear ‘em.

J: What would be your dream trip?

V: Hmmm… Kerry asked me to come along for his tour next year. I imagine that could be fun.

J: Oh, definitely! By the way, dear fans, don’t miss out on buying your tickets!

V: Maybe.

J: It’s been really nice to have you here today, V!

V: Thanks again for the invite.

J: As you know, I like to end my show with a random fact, something fun I’ve heard about in the past week or something about myself! Would you like to share a random fact with the viewers today?

V: I try.

J: Haha, well, I'm glad you found your way to my little studio, too! As I said, would love to have you over again anytime!

########## a few minutes later ##########

##############################

Thank you again for the tags! This was so much fun and really turned into its own thing beyond an OC ask meme XD I did this meme before with some slightly different and/or more in-depth answers for anyone curious [here] cause like stated back then, how Vince replies to personal questions always strongly depends on who's asking. And he might be more or less truthful about the information given or keep it all very surface-level instead, too.

For this lil story here the idea was obviously that the whole interview is basically just a promo thing for Kerry's upcoming tour xD So of course Vince is gonna support his bf if it helps boost ticket sales XDD A year earlier he might not have done it even then, because he was veeery reluctant about having their relationship be known beyond telling their closest friends. But here at this point some time in mid-to-late 2078, he'd feel secure enough with his life, their ilfe really, that he wouldn't mind being seen in the public together like this and also "outing" himself like that in front of a larger audience, for lack of a better word. It's the character growth and support of each other and a love language and everything \o/

Also: not sure who to tag at this point cause I think most of you already did this, but if you're reading this and havent answered all of Juanita's questions for your OC yet, consider yourself tagged!

#cyberpunk 2077 #kerry eurodyne #kerry eurodyne x v #cp2077 #Cyberpunk2077 #cyberpunk v #male v cyberpunk #virtual photography #cyberpunk vp #oc ask memes #vincent ezaki #otp: to bad decisions #my vp

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mistbornhero · 2 years

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Reading The Prison Healer while knowing the truth about Kiva makes her entire reaction to learning who Jaren is the most hypocritical thing ever.

#the prison healer #i like lying characters who own up to their lying okay #take pride in the lies they craft #but she just pushes it out of her mind and pretends to be normal #... i do still ship it #yes #i have not read book 3 yet #rereading this one to try to Motivate Myself

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steelycunt · 1 year

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ridi im sorry i need to rant and i think youll get it 😭 like not to be a bitch but this fandom kinda going off the rails and annoying the shit out of me https://www.tiktok.com/t/ZTRbYASpf/ everybody in the comments unironically loving it,,, i mean wtvr ship who you want but its kinda getting delusional like ppl are just operating on thin air and pretty fancasts atp and i do Not understand or emotionally connect with any of it. at least w wolfstar theres so much material and foundation to explore but what is all the rest of this?? just hot celebrity fancasts and crack. to be fair part of me respects taking a terfs canon material and making everybody gay but the way it seems to be so oversaturating fics and the fandom that characters dont even feel like their original selves .. atp its all just surface level OCs

hello! yes! i'll be honest talking about things like this always make me a little nervous, and i feel obligated to preface anything i say with a disclaimer that none of it really matters, nothing i say matters, and you should do what you like, because--who cares. i am not an authority on--anything, frankly. my opinion holds no more weight than the next guy's, and all i'm doing here is giving it, so. essentially what im saying is--people are perfectly entitled to disagree with me, but people are not entitled to be mean to me about it xx

having said that. it is my personal opinion that s x barty is one of the worst fucking things i have ever heard lol. who even is barty who is that guy. why would s be interested in him at all. i do not understand it it does not make sense to me. from where are we sourcing the character traits and personality that we are giving barty that would ever endear sirius to him, because it objectively cannot be canon.

overall i do not get the new interest in barty + evan + pandora (+ regulus, but we won't go there)...at all, other than guessing that people were bored with the marauders and wanted a new version of them (and new celebrities to fancast) while simultaneously changing next to nothing about them other than superimposing them onto the first slytherin side characters they could rustle up. i expect ive become a bit of a broken record in regards to my dislike of the popular meow-meow-ification + complete absolution of regulus as a character in order to make him a loveable oc (just as i think erasing all the negative traits that r/s have in order to make them more likeable is just as boring), and all of that applies to those other guys as well (with the slight difference that they are, somehow, even less interesting and significant than regulus in canon), so i won't get into that too much. but i think what you say about having no emotional connection to any of it is exactly right lol--it is a sort of shift? i guess? in the fandom that is simply of no interest to me. they are characters that i just have no emotional investment in and admittedly struggle a little to understand why other people do. i am emotionally invested in, like, five characters overall (and even out of those--there's only two i'm really here for innit xx) and i personally cannot extend that investment to a creepy little side character who is mentioned maybe twice in the entire series.

and that is okay! i do not need to understand it. i don't want to say it annoys me because honestly--i don't go there, its nothing to do with me. if i dont like it i just wont interact with it, and the fact that it doesn't interest me has no bearing on what other people are into or want to do, and i couldn't give less of a shit what people do with the canon material, which is largely garbage anyway. take the bits you want from it, play around with those and ignore the rest. in that respect we are all doing exactly the same thing. but yeah i think s x barty is genuinely awful lol. hate it. very terrible. he's already got a loser werewolf boyfriend and he loves him so so much. leave him alone.

#i know most people are reasonable and thus it is perhaps overly cautious of me to insist on shrouding my unpopular #opinions in like. layer upon layer of placatory disclaimers but. well im a rather anxious guy i can't help it xx but im going to use these #tags to have a bit more of a consequence-less hater hour so. if you like regulus or barty or any of that lot i suggest you look away now #because i am about to express opinions about them that you probably wouldnt agree with + wouldnt enjoy reading!!#like full warning what im about to do is NOT any sort of analysis or defence of my opinion i will just be hating on them. is that clear.#okay. having said that. hater hour. barty and evan and honestly regulus were all cunts? like they were terrible people why do we care #about them now. regulus interests me solely as a piece of context for sirius' character. i could not give less of a shit about him as a #person in his own right. which leads me to my next hater moment: why oh why oh WHY on earth would canon james potter be interested #in canon regulus black. it makes sense in like a muggle au where they are virtually completely different characters but canon?#why would he be attracted to him. there is nothing. there is no chemistry i am ASLEEP and so is james. he would not give that #guy a second look. like it just baffles me it truly does. i feel like you have to bend over backwards to create a situation in which #james potter would ever show an interest in regulus. and i know jegulus is a fucking force to be reckoned with nowadays but god i just #do not like that ship. also i think the fact that barty and pandora and evan are essentially just oc characters who have been coloured #in by general fanon consensus shows in that what they have become is just. not interesting or complex or well fleshed out lol. like #idk i feel like they are just. very shallow. deliberately. so they are easy to like and easy to ship because that is what theyre there for.#god it feels so good to say all this. i will never be a hater again (<- lying) but i needed to be able to just. say this just once xx #also if you needed any more indication what barty and evan and regulus are here to do you just have to look at their #super-hot super-conventionally attractive celebrity model fancasts. like it all adds up its like but what if these death eaters were #not actually evil :-( what if they were really sweet and also? so so hot. like they were all so hot and actually really good #and none of them meant to be evil they didnt want to be :-( they were just hot good guys all in love with each other and the evil stuff #they did wasnt their fault :-( like that has to be. the most boring thing you couldve possibly done with these blank slates. surely.#anyway. im done now but i enjoyed hater hour immensely this was so fucking good for my soul xx thanks and goodnight xx #anon #telegram #scream hang on sorry. just looked at the comments of that tiktok where people are saying they were prison besties. girl. girl.#girl they were in prison for very different reasons baby. baby you know that right. baby look at me. look at me

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caxycreations · 7 months

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Okay, I've been nerd sniped, I'm sorry

NOTE: If you're going to reblog just to say "not reading that" or some other rude shit, DON'T. I've seen so many notifications of people just saying they couldn't be bothered to read it. I don't know if it's just that they don't see how incredibly rude and disheartening that is or if they know and don't care, but either way it really hurts to see, so please don't reblog if it's just to tell me you won't read it.

So let's go through the canonical likelihood they could each beat Goku. For the sake of keeping canon, we'll keep groups/pairs together if they would never reasonably be apart for something like this. Long post below the cut.

So first up are the ones I see that would, without a doubt, beat Goku.

Saiki K

Saiki is an omnipotent psychic/psionic with quite literally every single possible power out there. Now, this on its own isn't enough to beat Goku. Versatility doesn't mean everything, but Saiki is also powerful enough to rewrite the genetics and reality of everything within range, and his range is, so far, "Earth".

So this, on its own, would allow him to rewrite Goku's biology to make him Human. Bye bye zenkai boosts, bye bye Saiyan transformations. And Saiki, with his powers, has no trouble beating a Human of any caliber if he truly wanted to. And for those who ask "Why would he ever fight Goku?"

One simple reason: Goku would sense his immense power, and be excited for a fight. Goku is respectful enough to not force one if he's refused, but he's persistent enough to badger Saiki until he's given a chance. And Saiki, being Saiki, would simply take off one of his limiters, or both, and rewrite reality as such: "Being an alien isn't possible", thereby making it effective immediately that Goku must be lying/insane, and he is, in fact, Human. Easy win for Saiki.

And for those who would argue against this, bear in mind, the funniest way to beat Goku in this instance would be to simply make him weaker than Saiki, and Saiki is a gag character from a gag series, and it's already been shown in the world of Dragon Ball, and again in Dragon Ball Super, that Goku is incapable of defeating a gag character regardless of that characters canonical ability.

Saiki could win without gag character status, but even in the instance of Goku "beating" him, the gag would turn out to be that Saiki only pretended to get beaten, and is actually entirely unharmed because it was the easiest way to get Goku to leave him alone. Followed by a reveal that Goku will still show up now and then to ask for sparring matches, to drive the point home.

Popeye

Gag character. Would get beaten handily, crawl his way to spinach, and then be exactly as strong as he needs to be to take Goku down in however many hits is funniest.

Bugs Bunny

The gag character to end all gag characters. Someone on this hellsite once described Bugs as a "Trickster God who traps us in our own societal expectations" or some such. Like convincing Thanos to remove the Infinity Gauntlet by establishing a security checkpoint with a metal detector and shaming him into cooperating by telling him there's others waiting.

He could beat Goku in a billion ways, and each and every one of them would involve some shenanigan like Goku throwing a spirit bomb, Bugs showing up behind him holding it, saying "Ehhh, can you hold this for a second?" and as soon as Goku takes it and Bugs is off-screen, it would explode and Goku would be a pile of ashes with blinking eyes. Bugs would win because Bugs' gag is that...well, he simply can't be beaten.

The Warner Trio

Gag trio. Yakko, Wakko, and Dot would snark, sass, and sarcastic-joke their way into the scene, and they would spend the entire time poking fun at him, roasting his look, being unfazed by his attacks because "Nice laser show but we didn't bring our glowsticks." and just being too unbothered to care.

They would undoubtedly annoy Goku into admitting defeat simply to get away from them.

Road Runner

Gag character. Would force Goku to chase him, Goku would fire some blasts, chase him around, and inevitably be led right into the path of a blast he fired earlier to be disintegrated by it.

Pop Team Epic

I know nothing about this series except that it is a gag series. They are gag characters. That means Goku is inherently incapable of beating them.

ASDF Guy

Gag character. Could beat Goku with a simple "Hello, Mine-Turtle!" or "I like Trains."

Heart Diagram

Goku was literally killed by a heart virus in Future Trunks' timeline. This is one that has actually canonically already killed Goku.

Chowder

Gag character. Would likely be after S-Cells for some recipe and need to take Goku's as he's "The only Saiyan in this episode!" or some such, thereby ending the fight with a shot of Chowder wearing Goku's Gi for comedic effect while Dahl stirs raw Super Saiyan aura in a pot to hint that Chowder killed Goku for his S-Cells.

Force Ghost Trio

Gag versions of serious characters, and also ghosts. Goku is canonically unable to beat ghosts or gag characters, and these guys are both.

Those are the ones that would, without a doubt, beat Goku.

Now, let's go over the ones that could, potentially, be it likely or unlikely.

Kirby

Kirby is often considered a gag character, but he isn't. He has a very specific level of power, even if that level of power is "fuck you" levels of power. Kirby has beaten Gods, but so has Goku, even more often and with greater ease. However, Kirby has absorption and power-theft. Kirby could, potentially, absorb Goku (he isn't the brightest and Kirby has his unassuming appearance on his side) and take on his strongest form, including its powerup, and given Kirby in base form is likely more powerful than Goku in base form (Goku needed SSJ to scare Supreme Kai, Kirby beats Gods in base), it's possible Kirby would be more powerful than Goku with the same power up.

Kevin McCallister

Okay, hear me out.

Kevin is technically a gag character, BUT. He is not TRULY a gag character. He just happens to be a comedy character.

So he isn't guaranteed to win, but he could still possibly do so. How you ask?

Goku has been somewhat injured or lightly shaken by the following: planet-shattering attacks. Punches that rock the universe. Energy blasts so potent they would destroy entire galaxies.

Goku has been rendered inconsolable from the pain of the following: chest pain and a half-heartedly, boredly tossed pebble.

It is canon that when Goku and the other fighters in the series are expecting an attack or primed for battle, they are protected by their ki, like armor. It's how they're able to knock away attacks that would destroy planets, or put their "bare" hands on plasma energy that would normally burn the skin off you from a mile away let alone touching it.

This is why when Krillin threw the rock at Goku, it left him in agony and bruised him despite Goku being in Super Saiyan form at the time. This is why Chi-Chi is able to injure Goku regardless of how strong he gets.

So, how does this relate to Kevin being able to beat him? It's everything. It's critical information.

Kevin McCallister's entire M.O. is unexpected attacks. You open a door, you see a bucket fall, think it's over, turns out no, second bucket pulled by the first, second bucket is full of paint and open, you're blinded, you get your bearings, you take a step and feel cars, you smirk and step over them only to find marbles, you slip, you land on the cars which turn out to have been rigged to break easier to let loose a single thumbtack which is now firmly stuck in your back or butt. You bolt upright only to slam your head on a 2x4 that was rigged to hang down from a rope when you fell because your impact shook things enough to make it fall from a precarious perch above.

You get the idea. Every time you think it's safe to let your guard down, that's when the next wave hits. So you say "well he would stop letting his guard down" right? You fool. You know nothing of Goku. He would never put his guard UP. This is a human child, Goku can sense his pitiful power level. His strength? His speed? His ki? Weak. Pathetic. Nothing. A scouter wouldn't even register his power it's so low.

Goku never raises his guard to Chi-Chi, or to Bulma, or to Hercule. He does not raise his defense against normal, powerless, non-combative humans.

"BUT KEVIN IS COMBATIVE" No. He isn't. Goku can sense intent, power, and location. But Kevin isn't actively intending to hurt Goku. He's intending to protect himself and his home. He's not actively wanting to hurt Goku, he's just wanting Goku to leave. He doesn't have power to threaten Goku with, so Goku won't pick up on any threatening aura. And while Goku could simply instant transmission to Kevin and do what he will, we're not talking about how Goku could win, we're going over the fact Kevin could POSSIBLY win.

Enough injury and Goku is down for the count. Otherwise, Goku leaves to avoid further injury, and thereby admits defeat. Both cases, Kevin wins.

Shedinja

This one took me...quite a while. I had to do a lot of extra research for this. So, my immediate thought was Shedinja is a Ghost type, so ghost rules, right? Nah. Bug and Ghost type, and they are the physical shell left behind that has been reanimated. So they very much are physical beings, and given their ability to faint in the games and show they are capable of being physically damaged.

But There's a real case to be made for Shedinja beating Goku.

It can learn Ghost type moves, which operate on ghost-logic, and therefore are a canon weakness Goku is known to have. So things like Shadow Ball, Hex, Curse, and the like would all effect Goku regardless of Ki or form.

It also has access to Wonder Guard, which renders it "immune to all damage types that are not Super-Effective". For those unaware, we can actually attribute Typings to Goku's moves based on attributes and traits they share with Pokemon moves. His melee is, by nature, Fighting type, which Shedinja is immune to. In fact, Shedinja is immune to ALL attack types except Flying, Rock, Ghost, Dark, and Fire type moves, which are all Super Effective.

Goku's most common methods would actually fall under Fighting and Normal type attacks. "But his Ki blasts-" would be Normal type moves. You want proof?

Focus Energy is Normal Type. Quick Attack is Normal Type. Self Destruct is Normal Type. Techno Blast is Normal Type. Tera Blast is Normal Type. These are all energy based moves similar to ki blasts. Know what other energy based move is Normal Type? Hyperbeam. Which is almost identical to the Kamehameha and every other beam attack in DBZ.

Those few attacks Goku has that aren't going to be Normal Type will be Fighting Type.

Shedinja is Immune to all Normal and Fighting Type moves. Goku literally can not damage Shedinja, but Shedinja can damage Goku through Ghost Type moves. Shedinja can beat Goku. But why is it not "absolutely will" beat him? Because Goku can also transform his Ki and if he finds out Shedinja is vulnerable to fire, he can and will use that to his advantage.

That's who could potentially beat Goku. Here's who absolutely could not.

Saitama

I forgot to go over Saitama originally so here's the edit that features that analysis. Bear in mind I am saying this as someone who has seen Seasons 1 and 2 of the show AND is aware of some of the events of the manga.

A lot of reblogs over Saitama claim he is a gag character. But there is a case to be made that he is NOT. What is that case you ask? Well, for the sake of fairness, here is how I am handling gag characters: if their gag is in effect in 100% of all cases (such as looney tunes like Bugs or Road Runner) or if the gag is triggered in 100% of all cases (such as Saiki K or Chowder) then they are a True Gag Character and will insta-win.

However, if their gag has failed (such as Wario, or, yes, even Saitama) in ANY case, then it CAN fail again, and the fairest fight is one against two non-gag characters, so we can safely apply non-gag Saitama here since his gag has failed and Goku meets the conditions to cause it to fail again, which I'll explain.

So, first off, how does his gag fail? Well, his gag is that he kills everything instantly in one hit, unless he actively chooses not to. So we can safely say his gag fails if any of the following are true: he fails to instantly kill an enemy with a single hit while intending to do so, OR if he fails to kill an enemy with a serious hit intended to kill.

He meets both of these conditions. Boros survived for several seconds AFTER Saitama hit him with a Serious Punch. It was a single hit that intended to kill...But he didn't kill Boros INSTANTLY with it. Another example of his gag failing, if that doesn't satisfy, is Garou. Garou, in the manga, has survived MULTIPLE Serious Punches with intent to kill. This, on its own, is proof Saitama's Serious Punch does in fact have a limit to its output. It also proves his gag can, and does, fail against certain opponents.

So the next thing we need to look at is similarities between Garou and Boros to identify what they share that could possibly allow them to get around Saitama's gag, or to nullify it entirely. First similarity is that both are determined to have a good, satisfying fight. Boros crossed the stars seeking one, and Garou sought to become a true Monster powerful enough to force every hero, every do-gooder, to unite under one banner just to take him down. They both seek a battle to end all battles, even if Garou's intention is to end it in his favor, not simply enjoy the fight.

The second similarity is that they have incredibly unique circumstances, even by OPM standards. Garou is a man who has always felt love for the bad guy, he looks to the monsters as inspirations, as the misunderstood and the victimized by those claiming to be heroes. He's trained by an S-Class hero, and has developed into a being of unimaginable power in the pursuit of his dream. Very much a true foil to Saitama, who looked to heroes in comics as inspirations, as the righteous and unshakably moral, self-taught through and through and developed into a being of unimaginable power in the pursuit of HIS dream. Garou is, in this way, a reflection of Saitama, the Tails to Saitama's Heads, the dark to his light.

Boros on the other hand is an alien, forced to become strong by his homeworld's unforgiving conditions, developing a level of power necessary to survive and then some, and on realizing he was far too powerful for his own good, he sought purpose, meaning, and when he heard he may find a worthy opponent, he did everything he could to achieve that future, to realize his dream of facing a foe that would give him a true challenge.

So what are the similarities we can identify? Notably unique circumstances even by OPM standards, sharing strong similarities to Saitama's desires or dreams (Garou dreaming of becoming the greatest Monster vs Saitama dreaming of becoming the greatest Hero, Boros feeling lost in life and seeking a worthy foe vs Saitama feeling bored with living and wishing for the sensation of a real fight again), and the desire for a serious and ultimate battle.

Goku fits ALL of these conditions. He is an alien sent to Earth for his protection, grew up in hostile conditions (surviving on his own for most of his childhood, constant battles with Nation-level threats throughout his teen years, constant battles with world or universe-level threats throughout his adulthood), trained extensively until he was the best of the best, has the ultimate dream of a truly satisfying battle (a dream he routinely seeks out by facing down powerful foes), and being entirely bored with mundane life because there's absolutely no challenge to it, not to mention the fact he has the ultimate dream of becoming the strongest, something he shares with Saitama's pre-OPM self.

Since Goku fits ALL the conditions needed to make this battle exempt from the gag, we will NOT be considering it, as Saitama is not a True Gag Character, and Goku fitting conditions for nullifying it means we can assume actual power limits and such.

So let's look at feats of power. Saitama's Serious Side Hop technique allowed him to create AT LEAST 60 after-images (based on the manga panel) which, when compared with Sonic's 4, means Saitama was moving 15x faster than Sonic in that moment (bare minimum). An afterimage like that is created by moving at least 572mph, stopping in each position for at least 1/255th of a second (any less and the human eye can't pick up on it), so by moving from position A to B for 1/255th of a second and back to A, going 572mph between the two, you create the afterimage.

Sonic creates 4 simultaneously, meaning he needs to move to 3 positions and then back to starting position, or go from A to B, B to A, A to C, C to A, A to D, and repeat.

This means Sonic, to move into each of these positions in less than 1/255th of a second, would need to be moving ~4x faster than the speed for one afterimage. That puts him as moving at 2,228mph while creating those 4 afterimages. Given he is capable of Mach 5 speeds (he's said to be hypersonic) this feat is easy for him, as Mach 5 is 3,805mph. I assume, just as it's easier to move at top speed in a straight line than at sharp turns for a normal person, it's likely more difficult to create such consistent afterimages and so the difficulty that makes it his best attack is from the technique and reaction involved, not the speed itself.

In any case, if Saitama made at least 60 afterimages, putting him at 15x faster than Sonic's speed while creating 4, that puts Saitama's speed at 33,420mph just to account for the 60 we can count in the manga panel. This means 33,420 is the MINIMUM speed we can assume for Saitama's max ability. To be generous, given he wasn't winded after doing that and given he was able to react incredibly easily to the near-instant directional changes, I'll be kind and put his maximum speed at 10,000x this number.

That puts Saitama's speed at 334,200,000mph, or 49.8% the speed of light. We'll be kind again and say 50% the speed of light, round up that last .2%

So we have a speed value for Saitama. Now what about Goku? Well, let's look at Goku on Namek, for a moment. Base form Goku, at the start of his fight against Freeza. Goku, BEFORE his super saiyan transformation, was moving at 3.26 (we'll round down to 3) times the speed of light. How do I get this number? Buckle up, it's involved.

The Namekian ship Bulma, Krillin, and Gohan took to get to Namek made it from Earth to Jupiter in "seconds". That means less than a minute, so we'll say it took them 1 minute just to lowball it and to have a solid starting number. Jupiter, when the two planets are at their closest to each other (assuming shorter distance for slower speed, another lowball), is 365,000,000 miles from Earth. This means the Namekian ship moved 365mil miles in 1 minute.

That puts the Namekian ship at a speed of 21.9 billion miles per hour. They made it to Namek in 30 days of travel. The ship Goku took to Namek made the trip in 5 days. That means Goku's ship is 6 times faster than the Namekian ship. Don't worry, the ship speed DOES matter in this, I promise you.

So Goku's ship moves at 131,400,000,000mph. That's 131 billion, 400 million miles per hour. Or 195x the speed of light.

Why does the ship speed matter so much, you might ask?

Because King Kai could visually keep up with the ship. He was able to track Goku's progress with ease, and could see his ships movements without problems. This means King Kai's eyes and brain are capable of perceiving and processing things that move at 195x the speed of light.

Why does that matter? Because Super Saiyan is canonically a 50x multiplier to ALL base ability. Strength, speed, durability, etc.

And Goku, in Super Saiyan, was moving so fast King Kai stated he could no longer keep up. King Kai, capable of seeing and processing the input of vision on a ship moving 195x the speed of light, could not see or process the input of vision on Super Saiyan Goku.

We'll lowball it, and say Goku only needed to move 1 mph faster than 195x the speed of light for King Kai to lose track of him. So whatever value we get, we'll add 1mph to for Goku's base form speed.

So 195x the speed of light +1mph. 195/50=3.9x the speed of light. That's 2,616,900,000mph, adding in the extra mph makes it 2,616,900,001mph. So Base Form Goku moves at ~3.9x the speed of light, ON NAMEK. Super Saiyan is a 50x multiplier, putting him at ~195x the speed of light. Super Saiyan 2 is a 100x multiplier to Base, so 390x the speed of light. Super Saiyan 3 is a 400x multiplier, so 1,560x the speed of light. Super Saiyan God is a 20,000 multiplier so 78,000x the speed of light. Super Saiyan Blue is a 1 million times multiplier, so 3,900,000x the speed of light. And lastly, Mastered Ultra Instinct is a 300 billion times multipler, so 1.17 trillion times the speed of light.

Why did I bother going through all those multipliers? He wins in Base as of Namek saga lol. Anyway, continuing on to strength now that we've established Base Goku on Namek could move 3.9x faster than the Speed of Light while Saitama could only move at 0.5x the Speed of Light.

Strength. Okay. This one is harder to gauge, but we CAN gauge it. We'll go in terms of level of damage, so human level (would be on-par or less than peak human ability), town level (small towns), city level (large cities), nation level (an entire nation, less than a continent), continent level (one or more nations that span an entire continent), world-surface level (the surface of an Earth-sized planet), Planetary (capable of destroying an entire Earth-sized planet), Solar (capable of destroying a solar system), Galactic (capable of destroying a galaxy), multi-galactic (capable of destroying many galaxies), Universal (capable of destroying an entire universe), Multiversal (capable of destroying multiple universes).

We'll start with Goku this time. Goku's punches are, as of the Battle of Gods arc, strong enough to match Beerus perfectly to nullify the shockwaves of Beerus' attacks. Mind you, the mere shockwave of Beerus' attacks are enough to rip and tear the fabric of the universe itself, as stated by Elder Kai. This puts Goku's punches as being powerful enough to tear the fabric of the universe in when he first obtained Super Saiyan God. Why does this matter for Base Goku? Because Base Goku retained his SSJG power, as stated by Beerus.

So Goku in Base, post-battle of gods, is physically capable of punches that can tear apart the universe from the aftershocks alone. This is important to note because Elder Kai could physically feel the shockwaves from the World of the Kais. This makes Goku Universe-level in strength. This means Goku, post-BoG, in Super Saiyan is 50x stronger than what's needed for Universal, while Goku, as of current manga canon (assuming he didn't actually get any stronger since BoG and is simply more powerful due to new transformations) is capable of a form (Mastered Ultra Instinct) that puts him 300 billion times stronger than minimum Universe level strength.

And Saitama? Where does he fit here? Well, I thought this gap would be bigger honestly? But after researching, it seems the gap isn't all that big. Saitama has, canonically, with a Serious Punch, snuffed out an entire cylinder of stars and presumably every planet, moon, asteroid, and more, at a distance surpassing that of our solar system, and with a diameter surpassing it as well. This puts Saitama's power (if we lowball it MASSIVELY) at Solar. He could, in a single punch, destroy our entire solar system, and he wouldn't even need to be serious to do it. It's worth noting this is coupled with Garou's own Saitama-level Serious Punch, so we can assume this level of power is double Saitama's own.

So how do we determine the specifics? Well, he cleared an area large enough to cover, presumably, half the area of stars destroyed in the path of his and Garou's serious punches.

Through future revelations in the series we learn they didn't "destroy" every star in that path, but likely only several were destroyed, and possibly a galaxy, while the remainder of the void left behind was from the shockwave forcing every other star within range into a new position, creating a void in space that all stars had been moved from, save the few that were in the DIRECT path of their attack.

Another theory is that the Serious Punch^2 simply distorted the photons in the area, resulting in the appearance of a massive void, and this theory is based on the angles in the manga and comments made by other characters that paint Earth as the only thing in real danger from the power of the attack.

To be fair to Saitama, where we would lowball Goku, we'll highball Saitama, and say the Serious Punch^2 outright destroyed every star in the area. That level of power would, naturally, have shockwaves that push nearby stars out of the way AND distort photons in the area, resulting in a massive cone of destruction surrounded by a large cylinder of force.

This puts Saitama at, quite easily, multi-galactic level of strength.

But why did I say this gap isn't as big as I expected? One simple thing. Saitama has canonically punched his way into a different dimension in the manga. That means he's capable of brute-forcing his way out of the bounds of his universe. He is capable of physically destroying the fabric of the universe.

Meaning Saitama's strength is, bare minimum, Universal in close proximity. That puts him, strength-wise, on par with Goku, who through training has become stronger than Super Buu (who was so strong he could shout his way out of the Hyperbolic Time Chamber, a dimension separate from our own), meaning Goku is also Universal in close proximity.

So...while I expected Saitama to be ~Planetary, MAYBE he'd be Solar at most...Research indicates he's actually Universal, or near-Universal, meaning the fight may not be too far a gap after all.

Goku may have Saitama beat on speed (given recent manga events in OPM, I'm willing to allow that Saitama is faster than light speed, but Goku having as many forms as he does (Kaioken, which he can combine with other forms and can hit a multiplier of x100 on top of whatever power he currently has, SSJ1-3, SSJG, SSJB, MUI) means even if Saitama matches Base Goku, he's likely not going to stand up to his stronger forms).

But on strength, I'd wager they're close enough for this fight to be one hell of a battle.

What about Durability? After all, all the strength in the world won't save you if you're as easy to kill as a simple bullet to the head, right?

Goku has withstood universe-ripping punches (from Beerus, the God of Destruction, and based on comments in the manga he's one of the stronger Gods of Destruction too), dimension-tearing attacks (from Goku Black, pre-Fusion), energy blasts that even the Gods of Destruction were nervous of (from Jiren during the Tournament of Power), and he survived multiple blasts from Granolah post-wish buff, who was renowned for his sniping power pre-wish, and post-wish was as powerful as he would be if he had spent every single second of the next 147 years training non-stop with the absolute healthiest amount of rest and physical care, making him, presently, as powerful as he would be at the END of that time, with the price paid being that he only had 3 years to live as he lost 1 year of his lifespan for each power boost.

It was also clear that Granolah was the strongest in the universe...at the time of his wish. Goku and Vegeta, who were already on their way, were not as powerful as Granolah even with their transformations. They became stronger during their fight with him, and stronger still during their fight with Gas (who was more powerful than Granolah after Gas transformed and mastered his transformation).

So we can safely assume Goku is Multiversal in Durability, as he himself was able to output Universal damage with each punch, and he was able to survive hits from beings drastically stronger than himself.

What about Saitama? Well, Saitama was able to survive the force of the Serious Punch^2 and he was able to casually bust his way into another dimension. So his Serious Punch, if he wanted it to, could easily destroy the barrier between universes or dimensions.

And given he survived the force of two of them impacting each other, I would put Saitama at, bare minimum, Universe-level durability. But given he was able to survive prolonged battle against Garou, who is a Power Mimic and has shown Saitama-level strength, we can safely assume Saitama is BEYOND Universal-level durability, and so we can put him right there with Goku at Multiversal durability.

So what do we have so far?

Goku has speed equal to, in Base Form, 3.9x lightspeed, and 1.17 trillion times lightspeed in his most powerful form.

Goku has Universal level strength in Base Form, 300 billion times that in his most powerful form.

Goku has Universal durability in Base Form, Multiversal durability in his most powerful form (300 billion times his Base Form's durability).

Saitama has speed equal to, at minimum, 0.5x lightspeed, and at maximum, if we highball it, 2x lightspeed.

Saitama has Universal strength.

Saitama has Universal durability at minimum, and Multiversal durability at maximum.

At this point, I'm convinced the speed difference between Base Goku and Saitama means nothing. Saitama's durability means even with Base Goku moving at his top speed, his impacts won't be enough to beat Saitama. At top speed Base Goku may be putting out Universal damage, but he's not putting out enough to actually BEAT Saitama. Only injure.

Making me rethink my "Goku wins in Base lol" claim earlier, how dare you!

Anyway, at this point, Goku would HAVE to transform to beat Saitama. His ability to sense power and Saitama's evident inability to suppress it (as evidenced by multiple characters sensing his ungodly power even while Saitama is completely relaxed) would mean Goku would know, right away, he needs to transform for the fight.

Saitama's durability means Goku would likely need Super Saiyan 2 or 3, or, more likely, SSJG. Super Saiyan God's multiplier to Granolah-arc Goku, after all of his training with Whis and Vegeta, would most likely be enough to beat Saitama. And given SSJG is enough to "most likely" beat him, then Super Saiyan Blue (aka Super Saiyan God Super Saiyan, the form above SSJG) is surely enough, and Mastered Ultra Instinct (a form drastically more powerful than SSJB) is absolutely more than enough to beat Saitama.

And given Goku's mastery over the Kaioken technique, and he's been shown to enter Kaioken x 20 while in Super Saiyan Blue for fair amounts of time as of the Moro saga, meaning even if SSB wasn't enough, given MUI is overkill, it's possible SSB x10 or x20 would be.

The point being, Goku wins this fight due to a combination of technique, experience, and power from his transformations. Given Goku is faster than Saitama and would sense his power as Saitama doesn't know how to suppress it, nothing Saitama could do would be a surprise attack to Goku, meaning Goku would have ample opportunity to react to everything Saitama does.

And given the relatively similar strengths the two bear, Goku would recognize he needs to transform to beat Saitama's output.

And given Saitama's greater durability than Base Goku, and greater durability than even what Saitama himself can put out, Goku would see he needs to transform to have enough of his own output to beat Saitama's durability.

Conclusion: Goku would absolutely win this fight, BUT...I'll give Saitama credit where it's due.

Out of everyone on the entire list, Saitama is the fairest matchup here, and the one most likely to give Goku a truly satisfying fight, given it would be a battle on par with those Goku has enjoyed most.

Kingdom Hearts Mickey

K.H. Mickey has a clear power limit and ability set. He is not strong enough, fast enough, smart enough, or durable enough to beat Goku, but he is just enough of a threat for Goku to actually put his guard up, which is why K.H. Mickey would lose; Goku would see it as a fight, unlike with Kevin.

Crash Bandicoot

Crash isn't nearly powerful enough to be a threat to Goku, but he IS insane enough to push Goku to hostility. Goku would feel the need to put effort into getting him away and that is his downfall.

Hatsune Miku

Goku would assume she is a Red Ribbon android and fight her on assumption she's trying to kill him or bring harm to Earth. He would hit her full force expecting her to tank it and she would keel over dead instantly.

Wario

Everything he could possibly do, the Red Ribbon Army has tried and done better, and they've never beaten Goku. Neither would he.

Sans

Lost to a child with slightly above average human determination, and standard human strength and speed. He does not beat Goku.

And just because you specifically told me not to @ you, have this :)

@that-one-enby-onyx

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comicaurora · 4 months

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Hey Red, sorry if this was asked already, but do you have any advice on writing a trickster hero? And do you have any favorites yourself?

Huh! This is something I've never really thought too hard about before, but I do have some loose and unformed thoughts!

So the trickster archetype is, broadly, a character who wins by being cunning and tricking the people around them. Typically this is because they are an underdog facing a powerful opponent, and if they face that opponent on the terms that opponent defines, they'll lose. For instance, a physically strong opponent might want to make everything into a contest of raw force; a politically powerful opponent might want to make things a legal battle; a commander of a large army might want to battle on a flat terrain-less battlefield and overpower the smaller enemy force through raw numbers; etc etc.

A trickster doesn't have the raw power to make a scenario happen. Instead, they achieve that scenario by making other characters make it happen, usually by misleading them into thinking it'll have some other outcome they want.

A classic example of this is found in a Brer Rabbit story where Brer Rabbit has been snatched by Brer Fox, and Brer Rabbit begs and pleads with him to not throw him into that briar patch, oh the torment he would experience in that briar patch would be unimaginable, drowning or burning would be bad but still better than that briar patch. Brer Fox naturally throws him into the briar patch, at which point Brer Rabbit vanishes into the underbrush and helpfully clarifies that he was born and bred in a briar patch. He was unable to escape through his own power, so instead he convinced Brer Fox that yeeting him into the briar patch would give Brer Fox something he wanted (Brer Rabbit's unimaginable torment) when in actuality it gave Brer Rabbit exactly the cover he needed to escape. It only worked because Brer Rabbit understood that Brer Fox was fundamentally not just hungry, he was cruel.

Tricksters usually achieve victory through lying, stealing, sneaking around and generally being dishonest. These are usually not seen as heroic traits, but the trickster hero is an archetype of character who is broadly heroic - and uses trickster tactics to win. It's an interesting suite of character traits to balance. In order to make a trickster heroic, them being the underdog usually needs to be played up. It's not really easy to root for someone with power to manipulate people for their own ends, but it's easy to root for someone scrappy and underleveled to manage to gumption their way to a victory over a broadly superior opponent.

A sympathetic trickster usually isn't someone who picks fights. Trouble comes to them, and then they need to find a way to escape or stop it. This is the paradigm that makes Bugs Bunny work as a trickster hero - he starts off basically every adventure minding his own business, and when someone comes around with a blunderbuss and a hankering for rabbit stew, their actions are what prompts him to unleash absolute hell on them by using toon physics and trapping them in ironclad social conventions to completely unbalance them until they're eventually defeated.

If we see a big, loud, powerful jerk try to stomp on someone small and innocuous, we're inclined to root for the small and innocuous person. This setup makes us very eager to see the small and innocuous person use tricks and shenanigans to make a fool of the powerful jerk, and it automatically makes us more okay with the sympathetic character doing on-paper unheroic things like lies and manipulation as long as they're doing them to someone we're primed to dislike.

So trickster heroes are usually fundamentally reactive characters. Something bad happens and they respond by unleashing hell. Another easy way to make a character instantly more heroic is to give them an even weaker, even more sympathetic character to protect or assist. Thus, many trickster heroes have a suite of supporting characters they're protecting who are not tricksters by nature, and are instead just there to be endangered or bullied by Nasty Mean Powerful People. Our trickster heroes stepping in to aid and protect other people thus gives their actions an even more heroic cast, because not only are they reactive to an outside threat, they're selflessly reactive.

This is the framing that's used in Leverage, where every episode has a victim of the week being cruelly taken advantage of by a jerkass of the week, at which point our team of liars, grifters and thieves roll up to ply their trade on the jerkass and award the spoils of war to the victim of the week. Because the person they're tricking is proven unequivocally to be truly awful and completely insulated from legal consequence a solid 98% of the time, we don't feel particularly bad seeing our team of heroes manipulate, gaslight and eventually absolutely destroy them over the course of a crisp 40 minutes. The vileness of the villain combos with the innocent powerlessness of the person they're advocating for, and thus their assorted unheroic qualities become reframed as absolutely heroic due to the circumstances under which they use them.

Crucial to the formula is the horrendous nastiness of the villain of the week, because if we were even kind of sympathetic to them, the schemes of the protagonists would be kinda scary. They are very good at quickly getting the bad guy to trust them and then taking apart everything they've built, and that's only fun to watch if the audience is 100% sure the villain deserves it and is not going to spend too much time thinking "wow, it would be terrifying if that happened to me." The fact that our heroes almost always take them down simply by leveraging (heh) the bad guy's badness is a big part of what makes the formula work. Almost every episode is functionally similar to a Briar Patch scenario - "oh gosh I sure hope no SOULLESS CAPITALIST VAMPIRES take advantage of how MANIPULABLE I am to try and get my MONEY and/or VALUABLES", and then the villain's own established cruelty cascades into their downfall when it runs into the dominos our heroes have set up to expose them. And that does a lot to make the audience sympathize with a crew of four self-admitted terrible people (and Hardison, who's an angel and we're delighted to have him)

Another way to get the audience to root for a potentially nonstandard protagonist is to set them up against a villain who is smug. Smugness is a very dangerous trait for any character to have, because it primes the audience to want to see them break. A villain who thinks they are too powerful or too strong or too smart to be defeated has the audience immediately rooting for them to be proven wrong just so they can watch the expression on their face. This is the strat they use in Columbo.

Every Columbo villain is rich and powerful and very insulated from legal consequences, and we start every episode seeing them arrange and execute an attempt at a perfect murder. We know from the start how they did it and usually why, and because they are smug - they are almost never regretful or reluctant - we become invested in seeing how Columbo figures out what they did, how they did it, and how he can prove it and get them arrested. Columbo is a nonstandard kind of trickster hero, because he is deeply and fundamentally a Lawful Good archetype, but he is also a very casual liar. The only time the audience sees Columbo almost certainly telling the truth is when he's dealing with background characters, his fellow policemen or his dog, or when he's by himself silently putting the pieces together; at all other points in the episode he will typically conceal how much he knows, how he knows what he knows and why he's asking specific probing questions. The audience has a tremendous amount of dramatic irony in terms of information about the perfect murder Columbo has to disassemble; we'll see Columbo zero in on exactly the one small detail that pokes a hole in the supposed airtight alibi, but instead of saying "I think you killed them and I am determined to prove it" he'll dance around why he's focusing on those details - just curiosity, just a desire for completeness, his superiors told him to continue the case and he doesn't know why, his wife is just such a big fan of their work, etc etc.

As a rule, the first time in any given episode that Columbo admits he's suspicious of the villain is the beginning of the last scene of the episode when he proves that they did it and they subsequently surrender. When Columbo is dealing with the villain, absolutely nothing he says can be trusted until that final scene - and it's a rare treat to get a glimpse of Columbo showing an honest emotion, especially something like genuine fury. Most of the time he maintains a very harmless and affable attitude, but sometimes when the villains are very smug and they know he's suspicious of them but can't prove anything yet, his righteous anger peeks through and we see why he does this.

He's a trickster hero because he can't unravel the case, the villain's motivation and the shape of the crime if the villain knows everything he knows and can correspondingly keep up with him. But he is 100% committed to exposing the truth of the situation and making the murderer face justice. Their perfect alibi is supposed to protect them from everything, but it's their confidence and certainty that they could never be caught that Columbo leverages to win. They never know entirely what to make of him, and he's never wholly honest with them - and with the audience - until the very end of the episode. It's good, cathartic payoff to an episode's worth of lies and manipulation from both main players, and it's always fun to see the non-smug party on the side of justice come out on top.

Some trickster heroes are more like standard heroes with trickster tendencies that occasionally surface. These guys are usually pretty straightforward, but in a pinch they can bust out a surprisingly cunning scheme or two - one such moment hits at the climax of Across the Spider-Verse, and it's a great moment of characterization for Miles, who has thus far been a pretty typically heroic guy who has unfortunately spent the entire movie thus far being lied to by people he trusted. It kicks off an enormously long and complicated chase sequence that takes the entire spider-community out of the home base chasing him through an absolutely massive complex and eventually onto a space elevator. It's such a fluid scene, you kind of just accept that it's a desperate chase sequence - Miles is just running. It doesn't occur to the other spider-people that Miles might have a plan beyond running until he basically tells Miguel that, hey, he did just get every other spider-person out of the facility that has the portal to get him home. He wasn't just running away, he was luring everybody away so he can leave.

And this moment is fantastic on a meta-level, because Spider-Man is traditionally a bit of a trickster hero. Most of his enemies are able to physically outpace him, and he needs to use mobility and strategy to take them down, often luring them into environments that work against them - like a fun moment in Spectacular Spider-Man where Spidey defeats the Rhino by luring him into a steam tunnel and basically giving him heatstroke through his armor plating. But because the entire core theme of this movie is "Miles isn't a real Spider-Man," it literally doesn't seem to occur to the other spider-people that Miles's seemingly panicked running might be him pulling a Spider-Man on them. We're so used to being in Miles's head and knowing when he's got a plan or a ploy that this is a very fun moment to watch. He's successfully deceived an entire army of spider-people, and the audience is just as blindsided as Miguel - and a little less electrocuted, so it's a lot more fun for us.

So yea, trickster heroes are a fun little space of character, but you gotta be careful to put them in the right kind of situation, lest their fundamental dishonesty come across as alarming rather than extremely rad.

#I also have a reboot example but I shan't inflict that on you guys without due cause #asks #writing stuff #not aurora

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armageddidnt · 9 months

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Welcome to My Collection of Random Thoughts during my nth* rewatch of Good Omens Season 2

*only amazon prime knows the exact number at this point but I’m fairly certain it’s in the double digits

Episode 1: Gabriel’s fly lurking in the box when Aziraphale first takes it inside 👀

Crowley’s promise of “two minutes” basically means that he’s been homeless and living in his car for the past 4 years strictly so that he can be within 2 driving minutes of Aziraphale at all times in case his angel needs him I’m not crying you are

So here I think the key word is “fragile,” Crowley knows they are ostensibly safe from their respective sides but that could change at any moment so he’s basically spent the last 4 years in anxiety-ridden terror hovering as close to Aziraphale as he can to try and protect him from heaven, hell, and anyone else that would want to bring him harm after all that business they pulled in season 1 with stopping Armageddon

Episode 2: I just happened to pause the episode while Aziraphale is lying to the angels about his miracle and LOL Michael really outdid himself here (Sheen, not the Archangel)

Gabriel trying to swat flies and almost smashing the repository of every single one of his memories

I’m cAckling

So if Good Omens exists in Good Omens, does that mean Neil Gaiman and Terry Pratchett exist in Good Omens?? Do you think they based their Aziraphale and Crowley characters on Aziraphale and Crowley??

Episode 3: So I’m trying to find any hints or foreshadowing of the Gabriel Beelzebub thing bc tbh I did kind of feel like it came out of nowhere which is really the only issue I have with them. I found this one scene where Beelzebub almost ?? seems to be concerned about Gabriel ?? But it’s blink and you miss it and there could be lots of other reasons why Beelzebub doesn’t want to fail in locating Gabriel (pressure from/leverage over heaven, etc) so idk

More Foreshadowing Fly content 🪰

Episode 4: So here we’ve seen that Shax can just appear inside the Bentley bc she did it earlier to talk to Crowley. Shax only pretended to be a hitchhiker so she could be invited in because Azirpahale was driving so technically she needed permission to cross the threshold of an angel 👀

This scene will never not destroy me the 1941 flashback is the absolute sOFTEST thing ever to happen on this show

We really need more context here I need to see the Crowley-Furfur Monkey Rides

Episode 5: ahahaha thank you google translate for absolutely destroying my sanity this evening

POP goes the Ziraphale

Okay I know you can’t hear it in the gif but just before Nina takes Maggie’s hand, there’s a very quiet miracle noise, like Azirpahale literally MADE Nina dance with Maggie, he said I’m writing a Mina Jane-Austen-Ball-AU and my otp will KISS godDAMMIT

Azirpahale seems lowkey kind of manic this whole scene tho, he’s controlling literally everyone to force Nina and Maggie together and whenever Crowley says anything that pokes holes in Aziraphale’s Magical Jane Austen Ball Fairytale, Aziraphale just straight up denies it. He wants Nina and Maggie to dance and he wants him and Crowley to dance and he refuses to acknowledge anything beyond that.

Is this just Shax insulting Crowley for how much of a nuisance he’s been or a reference to his former status as an angel ???

They’re both completely dismissive of each other when they’re trying to say something important and that’s the main issue they’ve been having this entire season tbh

Episode 6: I think it’s funny that Crowley describes the angels as bees here because in the book, Neil/Terry describe humans the same way. Guess we have more in common than we thought huh?

So the metatron was the one who originally decided Gabriel would be memory wiped and not sent to hell, and he was also the one that decided not to sound an alarm about Gabriel for some reason and said ‘just go find him yourself’ instead. The metatron has definitely got his own agenda and you can bet he doesn’t want Aziraphale up there in heaven because he’s a “leader” and he’s “honest” like that’s exactly what Gabriel was and look where it got him 👀

There’s just something I can’t quite put my finger on about the metatron bringing Aziraphale a coffee from “give me coffee or give me death” and then asking Aziraphale if he’s going to take the coffee he’s giving him…

I have not seen a single person talk about this since s2 came out but Nina literally calls Maggie “angel” because that’s the term of endearment they hear Crowley using for Aziraphale !!!! I’m still going fERAL over this and I can’t believe no one else is eitHER

Something about this part of The Final Fifteen compared to this scene from the first episode is so representative of the entire season. Azirpahale keeps saying “my way or get out” and Crowley finally hits a wall and can follow Aziraphale no further. So he does just that. He goes.

I’m sure a lot of us by now have seen this post that brings up how Aziraphale literally pushes the remains of Crowley into his mouth and swallows and it’s the only thing I see when I watch this now

We still don’t know for certain if Crowley queued up this song to play on their way to the Ritz or if the Bentley started playing it all on its own and it’s driving me insane

Basically how I am doing after my Truly-Alarming-Number-th watch of this traumatizing episode/season. WELP hope you enjoyed this garbage dump of my thoughts and feelings time to go cry for a bit again BYE

#good omens #good omens 2 #good omens season 2 #my season 2 rewatch aka: I Went Insane #i am unwell #I haven't slept properly in 44 days and counting #ineffable husbands #aziraphale #crowley #angel #demon #armageddidnt-blog #armageddidnt-gifset #armageddidnt-screaming #armageddidnt-pain #good omens 2x06

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cutecatlov3r · 8 months

Text

kinktober: hate sex~ katsuki bakugou

synopsis: your rival is sneaking into your tent, seeing you though just in a tee and panties made his dick hard . and he hates you even more for that .

warnings/tw: aged up! dryhumping, hair pulling, piv, degrading, unprotected sex, choking, and creampie

character ai bot that I made in honor of this: here

not proofread

katsuki opened your tent, going inside, not caring if you were awake or not. he looked pissed off and annoyed. you were startled by the sudden intrusion, propping yourself on your elbows to look at his grumpy face… it may sound stupid but you honestly wished it would’ve been a bear instead of him being there. why was he here? you both hated each other.

noticing your confused gaze, he rolled his eyes, looking at you.

“tch! shitty hair and raccoon eyes are making out in my goddamn tent! so I’m staying here dumbass,” he said in his gruff voice, shitty hair being kirishima and raccoon eyes being mina. “it’s already past 8, I’m going to fucking bed so make some room,”

“what?! no way!” you furrow your brows yelling.

he looks at you, a disgusted look as he sees you aren’t even wearing any pants. you pull your cover over yourself quickly, not saying anything. he scoffed slightly.

“im going to. i wasn’t even asking, dumbass,” he stated in an irritated tone. he laid as far away from you as he could, turning around so he didn’t have to face you.

“ugh! are you serious? go ask-“

“shut the hell up and go to sleep. share your fucking cover too, don’t be a selfish bitch,” he grumbled, snatching away your cover.

you groan, snatching it back.

“go get your own!”

“no! I’ll be lucky as fuck if kirishima hasn’t already got his cum all over it right now!”

“okay fine! god, you’re so annoying!” you gave him some of your cover, facing away from him.

you try to shut your eyes after a few minutes… that was until you accidentally feel his back press up against you. both of you tensed up.

he was a guy, don’t blame him. don’t blame that his immediate thought was to feel those plush thighs of yours. he made a disgusted face to himself the more he thought about how you were in your underwear. were you even wearing a bra? ew! snap out of it, he hates your guts… yet the thought of rearranging them did make his dick ha- oh no.

you just stared at the tent wall in front of you. neither of you said a word.

“fucking shit,” he muttered. sighing, he turned to face you. “oi face me, I know your ass can’t fall asleep that quickly,”

you groan, facing him.

“my dick is hard,”

WHAT?! ew! that’s fucking disgusting why would he tell you that!… why are your thighs instinctively squeezing together at the thought that you were the person who made him hard…

after a long silence you wanted to see if he was lying. was he? you couldn’t tell, you couldn’t even see his facial features in the darkness of your tent. you silently move your hand, fingers grazing his abs. but once they reached his crotch it was obvious, he was painfully hard.

he winced slightly, he was sensitive.

“do something about it, whore,”

you roll your eyes at his insult.

“why should I? i don’t even like you,” you reply, taking your hand back from his dick.

“i fucking hate you too but this is your fault. you wanted to be a slut and not wear pants to sleep so you’re gonna fucking deal with it,” he placed a hand on your hip, rutting his hips upwards slightly, you can feel his dick rubbing your clothed slit and clit. you let out a shaky breath, feeling slightly turned on. “need to fuck you… dumbass,”

you stay silent, allowing his big fat cock to tease your clothed pussy.

“no…”

he grabbed your chin, pulling you into a hot and sensual kiss, his tongue rolling against yours, your spit mixing together with his. you let out a small moan.

“take off those panties… im going to fuck you,”

without hesitation you took off your panties, throwing them somewhere in the tent, you didn’t care where, you just threw them.

he smirked to himself, you couldn’t see it. he went on top of you eagerly, pulling your legs apart. the cool air hitting the wetness of your cunt.

he used a finger to feel how wet you were, dragging it up and down.

“so fucking wet for me…” he mumbled, mostly to himself for his own ego. “you know, only whores get turned on this much over a guy showing them attention. are you a whore?”

“no!” you furrow your brows. he pulls your hair, gripping it at the scalp, leaning close to your face. “yeah I am,” you changed your mind.

“i know,” he rolled his eyes. “I’m only gonna fuck you so I can cum, I don’t give a damn about you. this is all your fault anyway,”

you didn’t like the sound of that. “what the fuck? no way, you’re gonna make me- ngh…” you pause in your sentence feeling as he led his, now unclothed dick, up and down your folds.

he had his usual grumpy face on, holding back his groans as he slapped the tip of his dick on your clit. it caused little jolts of pleasure for you and him.

he let go of your hair, throwing one of your legs over his shoulder. “im gonna fuck you so good,” he said, cockily, lining his cock at your entrance. your heart raced. anticipating on how full he’d make you feel.

as he entered in you and stretched you out, his other hand grabbed your throat, applying enough pressure to where it felt amazing. not too hard yet not too soft.

your fingernails dug into his back as he pushed himself fully inside of you. you felt so full, so so full. he kept his hand on your throat, rutting his hips. he didn’t even wait for you to get adjusted to his long cock. he just needed to cum, you were his useful toy.

he pistoned into you, his hand reaching down to lift up your shirt. no bra. he smirked, head moving down to suck on your hardened nipples.

“k-kah~ katsuki,” you moaned. you continued to moan his name.

he felt his ego grow bigger.

“yeah? you like being fucked like a dumb slut by the man you hate?” he asked, gruff voice in your ear, causing you to clench around his cock. “yeah. that’s what I thought. clenching around me like you need me,”

you couldn’t even say a proper sentence, just nodding off as he angled his hips to fuck you right where your g-spot was. his cock touched and rubbed against that spot, clit throbbing.

you felt as if you were seeing stars. oh god, katsuki wished he could see your pathetic face. drool falling from your chin because of the fact you were being fucked so dumb. his cock slipped in and out of you with ease, your sticky slick coating his poor needy cock.

the way he fucked into you as if you were nothing made both him and you so fucking horny. you needed release, feeling that knot in your stomach come so close to being undone.

“fuck yeah… yeah…!” he groaned, your pussy kept clenching the more he spoke those dirty words.

sooner rather than later you couldn’t stop, you couldn’t stop that insane feeling that was happening. you whined, fast breaths, shutting your eyes as you creamed on his cock, clenching him tightly, milking his fat cock.

the more you twitched around him, the more faster he fucked into you, he could feel the cream you made, a soft and moist feeling as he fucked into your velvet walls.

he straightened his posture, grabbing your hips in the air, fucking you like a fleshlight. sweat dripped from his forehead and he grunted and groaned. he was so close. he needed this.

he continued to fuck you, you moaning his name and only his, not caring if others heard.

“cum in me…! please! please!” you beg.

he let out an almost pornographic and sort of high pitched moan as his seed shot into you. along ropes of his cum filling you up. he kept rutting his hips, he couldn’t stop it, fucking the cum that seeped out of you back into your messy pussy. his moans getting so goddamn whiny.

“so good…! ah! so good, fuck! fuck!” he trembled, fucking you as much as he could.

after fucking you, his heart rate slowed down, as did his breathing. he set you down, collapsing next to you, heavy breaths as he stared at the tent ceiling.

“such a whore…” he mumbled, looking over at you. you were so drained, he pretty much fucked your brains out… and you wanted more.

#bnha smut #bnha thirst #mha smut #bakugou katsuki smut #bakugou smut #bakugou katuski x reader #katsuki bakugo x reader #katsuki bakugou smut #bnha bakugo katsuki #katsuki smut #katsukibakugou #bnha bakugou #bakugou x reader #bakugou katsuki

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rissouu · 3 months

Text

+ synopsis: you make the mistake of pissing the wrong fushiguro off in public.

+ note: we’re gonna pretend they’re all fucking friends for the sake of this.. okay?? toji is toxic in this ngl, and baby let me just warn you.. second hand embarrassment at the end.

you and toji hadn’t been exclusive yet, and any chance he got, he’d remind you of it. to him, you were nothing but a toy, nothing but something for him to use and toss away whenever he pleased, yet here he was pissed off at all the attention you were getting.

both of you had been at a dinner gathering with his friends and co workers — of course you were forced to go as usual. he didn’t want to put a label on what you guys had and yet here he was acting like he was your significant other?

“you look so lovely in your dress y/n, sadly you’re here with toji..” gojo spoke, purposely trying to rile his friend up like old times. you wondered if you should thank him or not, but it was a compliment after all. it would be rude not to say thank you.. right?

you reluctantly smiled before replying in such a small tone, gojo almost couldn’t hear you. “thanks so much, i really appreciate it.” you tried to ignore the death glare toji was sending the both of you, but it was hard to do so when his hand crept beneath the table and pinched your thigh.

“gojo, shut up. and please, learn how to be respectful” nanami groaned, grabbing his handkerchief from his back pocket and using it to wipe away any bits of food left on his mouth.

gojo waved him off before looking back in toji’s direction, only to be met with the same scowl as before. “boy you have gots to chill! y’know i’m only fuckin’ around.”

toji rolled his eyes at the man’s cocky way of apologizing — he was clearly still annoyed. annoyed with the way his friend dared to flirt with you— right in front of his face, and you had the audacity to flirt back— right in front of his fucking face. though all you did was say thank you, he still saw it as flirting.

at this point you could tell he was steaming with rage. it wasn’t hard to figure it out with the way his hand was spread flat across your thigh, harshly squeezing your skin.

his grip on you becoming more painful by the second, but surprisingly pleasurable as well. he didn’t miss the small glances you and his other friend— geto, would share with eachother, the slight giggles and side conversations the two of you had while he was forced sat back and watched.

he’d been holding his tongue all fucking night. he allowed you to flirt with gojo, allowed you to have conversations with geto, shit, he even allowed you to wear the most revealing dress in your wardrobe, causing all eyes to be on you.

even nanami glanced at you with lustful eyes here and there, and that wasn’t even in his character. you were just so beautiful, anyone could see that. that’s exactly why he was done fucking around.

a part of him knew his once cold heart was falling for you, and you knew it as well, it’s the reason you never gave up on him. even when there were times he got distant. you just wished he would show some emotion towards you, and stop ignoring the feelings he clearly had.

the black haired man pretended to engage in his friend’s conversations while faking smiles here and there. he needed to make sure no eyes were on him for what he had planned next.

once he was sure his friends were too distracted in their own conversations, he slowly turned his head in the direction of your ear.

you could feel his breath all over your cheekbone and you’d be lying if you said it didn’t turn you on..

“you’ve been playing with me all fuckin’ evening, need i remind you who this belongs to?” he asked, bringing his hand that rested on your thigh up to your— no, his soaking pussy.

the three men in front of you were completely oblivious to what was being displayed right in front of their eyes. they were too caught up in their conversations to give a damn what the two of you had going on.

“i swear, it’s like you love pissin’ me off. fuck.. you’re fuckin’ soaked. you like making daddy upset, mhm?” he whispered softly before pulling your panties to the side, forcing his fingers in circles around your throbbing clit.

you gasped— gripping onto the arm he had resting on your thigh, “t-toji wait, not here, please” you whimpered, using all your strength to push his hand away, little did you know it did nothing but add on to his fire.

“nuh uh, move ya fuckin’ hand baby. you wanted to tuck around, right? let me show you somethin’” he chuckled, glancing up to see his friends still intrigued in their conversation.

“p-please, we’ll get caught” you whined, knowing your body wouldn’t be able to hold out for much longer. sooner or later you were going to start giving in, and you were never one to conceal your moans.

“that’s the plan mama. i want people to watch me finger my girl’s pretty little pussy, maybe then they’ll know you’re mine.” was all he said before slipping his finger past your folds and into your gummy walls.

you leaned your head into his shoulder in an attempt to muffle your moans. his suited jacket soaked them up pretty well thankfully, no one could hear you but him.

“can you take one more for me baby? gonna fill my pussy up good with these fingers.” he asked softly, as your pussy clenched around his finger once more, giving him all the confirmation he needed. with that he added another one of his fingers to join the other inside of your tight walls.

he made sure to curve his fingers at the angle you loved most, knowing how quick it could make you go dumb. that’s why he always aimed for it, he didn’t even need your help finding it anymore.

“t..toji oh my g..gosh. it’s too much, im almost—“ you exclaimed, biting into his suit and clenching your eyes shut as he slipped a third finger in. he made sure to leave a small kiss on your forehead because even though this was technically a punishment, he still wanted to reward you for taking him so well.

“shh it’s okay princess, you’re doing so good for me. just let it out. give daddy all that shit” his mouth was once again towards your ear, ready to talk you through it like always.

as soon as you heard his words and the way his voice boomed through your ear, you couldn’t hold back any longer.

with a slight lift of your hips, you were now cumming around his fingers while his free hand pressed on your lower stomach— something he usually did to make you squirt… but surely he wouldn’t do that here? well, that’s what you thought.

your face scrunched up when you felt something else coming, and it wasn’t like the orgasm you’d just had. this feeling was awfully familiar.. you were about to squirt.

“hell no toji! you better stop doing tha-“ you tried to smack his hand away.. but you were too late. the familiar feeling only got stronger, especially with the way toji wasn’t letting up anytime soon.

a pit formed in your stomach and with one more push, he had you exactly where he wanted you. you couldn’t keep quiet for any longer, and the sound of you squirting echoed throughout the entire table. well, that’s what it felt like to you.

luckily you guys rented the restaurant out, so it was only the five of you. you’d much rather embarrass yourself in front of them than anyone else.

toji let out a low chuckle, still having the audacity to play with your clit after everything he’s done. “bet you’ll stop testing me now, huh?”

bonus. (the trio’s reactions)

gojo snapped his neck over at the sound of liquid spilling, at first he thought it was someone’s drink.. but he put the pieces together as soon as he saw you.

his face was full of disbelief, and he couldn’t help but to comment. “oh my goodness, you two are some nasty little fucks!”

his outburst caught the attention of geto, and he too paused his conversation to see what all the commotion was about. it didn’t take him long to figure it out.. with one look at your facial expression, he already knew what was going on. “and here i was thinking that poor girl was innocent..”

similar to geto, nanami got nosy and wanted to be included into the mix as well. but unlike the others it took him a little longer to figure out what was going on. poor guy was jerking his neck back and forth through out the whole restaurant, trying to find who they were talking about.

but once he finally caught on, he couldn’t suppress the sigh that fell from his lips. in this moment he felt like a disappointed dad, watching you adjust yourself before beating toji’s ass.

“well this is just a damn shame. trust, i won’t be attending a dinner with you dumb asses ever again”

©rissouu 2024

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tkingfisher · 1 year

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So I write all sorts of things (fiction, fanfic, screenplays) and my mind is cluttered garden of flowers and weeds and shiny ideas, and I'm wondering how to form a writing practice to clear it into tidy rows? Is it possible to shepherd untamed ideas into order?

How do you manage all your wonderful worlds, characters and inspiration and not feel haunted by the story bits and pieces in your head? Any practical tips beyond dark magic?

Thank you, you are such a constant inspiration for me, both prose and just your presence. <3

*laugh* Oh god, Nonny, if I ever find out, I’ll tell you! When you read books, you’re getting the Instagram-filtered view of a writer’s brain, all the flowers that grew out of the compost heap, carefully composed and shot in optimal lighting. The real inside of my skull is a magpie nest of Neat Shit I Read/Saw/Thought Up While Lying Awake At 2 AM. There are characters and ideas in there that I’ve been trying to get into a manuscript since I was twelve and typing on an Amiga 500.

But, that said…really, I think it’s okay. Creativity is inherently untidy. The compost heap can be corralled into a very pretty box made of sustainably harvested materials, hand-stained by traditional artisans being paid a living wage by an employee-owned company, but as soon as you lift the lid, it’s all worms and coffee grounds and old potting soil and cow shit and the vegetables you swore you were gonna eat this time before they went bad. That’s what compost is.

Nevertheless, having been in the business for…uh…fifteen years now? (@dduane is snickering at me, I can feel it) and having written nearly forty books, I can offer three bits of something less than advice. It’s what I do. It may not work for anyone else, but it’s what I do.

Un-Advice The First: If you get a shiny idea and you are super excited by it? Go ahead and chase it. Pull up a new page in Word or whatever and slap down a couple thousand words while it’s exciting. I know that this absolutely flies in the face of common wisdom, but quite frankly, my enthusiasm is a much rarer commodity than my time, so if I’m excited about something, I write it down until I’ve taken the edge off.

Then I usually save it into a big folder called “Fragments” and go back to work on whatever I’ve got a deadline on. (Usually. Sometimes the edge doesn’t wear off, and I wind up with another book. Which, y’know, darn.)

There are vast numbers of people who will tell you that a shiny idea is a sign that something is wrong with your current project and the solution is to knuckle down and work! through! it! And those people are probably right for them, and I trust they know how their own brains work. Me, though, I got ADHD like a bat has wings. My hard drive is a vast swamp of story beginnings, neat ideas, random scenes. And that’s okay because I still get books finished.

In fact, it’s better than okay. Not that long ago, my agent sent a novella to a publisher and they said “We’ll take that novella and three more novels. What’ve you got?” And I ended up plundering my hard drive and sending the editor a good dozen random beginnings until we found one that we both liked, and then I wrote the rest of that book. And then another one. If I hadn’t had all those fragments lying around, though, it would have been a miserable experience of writing book pitches and trying to think of stuff I could get excited about. (This may not be how some editors work, but it’s how my editor and I work, anyhow.)

Un-Advice The Second: Trust that everything will find a home eventually.

This one is easy to say and hard to do because sometimes you get that overload that if you’re writing the book about, say, werebear nuns, you aren’t writing the one about the alien crustaceans. Or worse, you feel guilty. If you don’t use that one cool thing, was all that time you spent on it wasted?

Breathe. Be easy. Every single cool thing does not need to go into a single book. There is no sell-by date on the neat character. You will probably write many books in your life and all those random characters will find a home. (Seriously, the werebear nuns were lurking for like a decade.)

For me, at least, when I find the spot where something fits, it often snaps into place like a Lego. Easton’s backstory as a soldier from a society where soldiers were a third sex had been kicking around in my head for a few years, derived from about three different sources, and then I wrote the opening to What Moves The Dead and all of a sudden Easton was there and alive and they had strong opinions about everything and I had ten thousand words practically before I turned around.

You can also stave off guilt by writing some of your ideas in as highly personal Easter Eggs. A couple of my books have references to a white deer woman, a heroic deed done by a saint and the ghost of a bird, and a woman with dozens of hummingbirds on tiny jeweled leashes. Those are all characters and stories I’ve had vague notions about, but haven’t managed to work in anywhere or learn much more about. Still, the passing reference is enough to make me feel like I haven’t abandoned them.

(The advantage to this is that once you DO write those in, the readers are all “oh my god, she foreshadowed this a decade ago, she must have planned this all out in advance!” Then you look really clever and well-organized and no one has to know that you have no idea what you’re doing.)

Un-Advice The Third: Write the kitchen sink book.

At one point, I had so many stray ideas that hadn’t gotten into a book yet—the tree of frogs, the dog-soldiers, the stained glass saint, the albatross and the shadow of the sun, and also I wanted to write something with Baba Yaga—that I hauled off and wrote a book where I just put in everything and the kitchen sink. It’s called Summer in Orcus. There are bits in there that I had been cooking in the mental compost heap for decades, but that weren’t enough on their own to sustain a whole book. The phrase “antelope women are not to be trusted” showed up in my head some time in college. It’s a fun little book and I’m proud of it, but it’s very much a patchwork quilt of weirdness. But it’s also written so that if later on, an antelope woman shows up in another book in another context, that just adds to their mythology, it doesn’t break canon or whatever.

(Pretty sure I’m not the only one who has done this, either. China Mieville has said that he wrote Perdido Street Station because what he really enjoyed was writing all the weird monsters.)

So yeah, that’s my advice, for what it’s worth. Some days I just tell all the fragments and ideas that I promise that I’ll get them a home eventually but I need to write this thing here now. Sometimes I throw down enough words to get the story stabilized and then I’m okay to move on. Sometimes I write multiple books simultaneously.

Any method you use to write the book, so long as it doesn’t hurt you or anyone else, is a perfectly valid method. If anyone tells you different, you send them to me.

(…god, I hope that was the question you were actually asking, Nonny, and that I didn’t go off on a completely different tangent when you just wanted to know how I keep track of a plot or something.)

#long #rambling #writing

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antiquarianfics · 10 months

Text

Marry me? Nah. Marry me? Yeah.

4 times Bucky Barnes asks you to marry him and you refuse. 1 time Bucky Barnes asks you to marry him and you accept.

A/N: I have been working on this for the last day, so enjoy. HOWEVER, I wrote it on my phone and refuse to proof it. Warning(s): Some canon level violence, swearing. Note: I do not own Bucky Barnes or any other Marvel affiliated characters.

You do not have permission to steal or repost my work; however, feel free to like, comment, and reblog.

—

Proposal 1

The first time Bucky Barnes proposes to you, you aren’t even dating. The two of you are paired on a mission to dismantle a HYDRA base hidden deep in the Appalachian Mountains in Kentucky. You had met before but never shared more than polite conversation. Steve had assured Bucky you weren’t scared of him, but that you wouldn’t push him to speak with you. Bucky never quite believed him, so he never attempted to converse with you either.

However, when you’re paired on this mission, you take that as the go-ahead to finally speak to him.

“So, Barnes,” you say, nudging his shoulder with your own, “guess we’ve got to come up with more conversation topics than the weather.”

“Guess so,” he replies.

It is during the mission he proposes. There are more HYDRA agents active than expected, and they come at the two of you guns blazing while you’re distracted setting up an explosive at a structural point of the complex.

“Y/L/N,” Bucky says to grab your attention, “we’ve got company.”

You bite your lip, finishing your task before standing and pulling your rifle from your back, preparing yourself for a fight.

“Don’t worry, honey, I’ve got this one,” you tease, shooting him a wink before unleashing precise kill shots before Bucky even thinks to pull his own trigger. After taking out a dozen soldiers, a few manage to get close to you, and you hit one in the head with the butt of your gun and then quickly pull a knife from a thigh holster while pivoting on your foot to slit another’s throat. You shoot the unconscious soldier in the head for good measure before wiping your knife on your pants.

With your knife returned to its home on your thigh, you look up at Bucky who is staring at you with a dumbfounded, albeit impressed, look on his face. You had taken out 14 men on your own. He was in love.

The words “marry me” slipped past his lips before he could stop them, and you laugh.

“Maybe buy me dinner first, Sarge.”

Proposal 2

The second time Bucky Barnes proposes to you, you’re comforting him after a nightmare. It is late at night, at the point it was really morning, and you happen to hear his screams through his bedroom door.

You stop at his door, letting a frown set on your face before reaching out for his doorknob. You hesitate before opening it, wondering if he’ll appreciate you barging in on him in such a vulnerable state. Then, he screams again—louder—and you turn the doorknob, letting yourself in.

The sight you’re met with is heartbreaking. Bucky is tossing and turning, his sheets bunched at his feet, comforter on the ground. He’s sweating buckets and whimpering what sounds like, “Please, no. Not the chair. Please!” over and over again. You choke back a sob before crossing over to him, gently lying a comforting hand on his shoulder and calling out his name.

“Bucky, honey, wake up. It’s just a dream, hun.”

The touch and sudden sound wake him up from what is truly a light sleep. Bucky shoots up into a sitting position, right hand shooting out to grab the hand touching him, and eyes darting around the room until they land on you.

“Shh,” you coo, “you’re okay, Bucky. It’s me, Y/N. It was just a dream. You’re safe.”

Bucky’s heart rate slows to a normal pace, and he lets out a shaky breath.

“Y/N?” He asks hesitantly. “W-what are you doing here?” His voice is small, like a terrified child’s, and you can’t help but frown at the thought.

You let your hand move to cup his face, noting that he relaxes at the gentle touch, leaning his face ever so slightly into your touch.

“I was headed to the kitchen and I heard you scream. I just wanted to make sure you’re alright.”

He nods, eyes searching yours for some sort of anger or resentment for bothering you. He doesn’t find any.

“Can I do anything to make you feel better?” You ask kindly.

“Um,” Bucky says, voice shaky. “Would you mind—you don’t have to—but would you mind staying with me? Only if you want.”

You smile kindly, pressing a comforting kiss to his cheek before climbing into his bed with him, pulling his head close to your chest.

“When I was little, I lived in a house in the woods for a while,” you say randomly, catching Bucky’s attention. His eyebrows scrunch together in some sort of confusion, but he says nothing. “At dinner one night, I look out the glass door onto the porch. Wanna know what I saw?”

Bucky hums his agreement as your hand works it’s way into his hair and your fingers begin to massage his scalp.

“4 raccoons!” You exclaim. “3 babies and a mama. We had a toddler slide on the porch at the time,” you continue, “and the baby raccoons kept climbing the little ladder and sliding down. The mama just sat a little bit away and watched and stole cat food occasionally.”

Bucky chuckles, finding your story cute but also recognizing your attempt to distract and soothe him after his nightmare. He appreciates it more than he himself understands; he is comforted by your voice more than he feels he should be. He lets the proposal slip a second time: “Marry me?”

You grin and press a kiss to his head.

“Not yet, hun.”

Proposal 3

The third proposal comes after the two of you begin dating.

Bucky takes you out on a date to a little coffee shop in Brooklyn you both had become fond of. You’re standing to the side of the café, out of the way, waiting on your order. Bucky has his right arm around your shoulders while you lean into him; his left hand stuck in his jacket pocket.

“So Natasha’s screaming at Clint to show himself so that she can kill him, right? Like, she was so fucking pissed at him. And Clint is in the fucking air vents—like those big ones people crawl through in action movies—hiding from her. Over a remote, Bucky!” You excitedly recount one of the most ridiculous encounters you’ve ever had with the Avengers to your boyfriend who is quietly listening with a fond smile.

“Like, ‘Earth’s Mightiest Heroes’ my ass,” you scoff. You’re about to add another thought to the discussion when you hear someone else’s conversation from a few feet away.

Bucky tenses. You tense.

“Personally, I think they should’ve carted him off to the South, or somethin’, and put him in the chair,” a younger man—college age—says. “The death penalty, y’know? An eye for an eye, and all that. I mean, the guy killed a lot of people.”

“Fuck, man,” his companion, another college aged man, says. “Don’t you think that’s a little harsh? I mean, he’s also like a war hero and a prisoner of war.”

“He killed innocent people, man. Like, people’s kids and shit.”

“I guess.”

Bucky clenches his jaw, and he also tightens his grip on your waist when he feels you start to move away from him.

“It’s fine, doll,” he assures you, but he doesn’t seem fine to you.

The barista calls out “Barnes” and Bucky kisses the top of your head before moving to grab your drinks. You, however, take the opportunity to address the disrespectful boys while your boyfriend isn’t holding you back.

“Excuse me,” you say, walking up to them.

“Fuck!” One says, jumping a little. “You’re an Avenger.”

“Mhmm,” you agree. “So is Sergeant Barnes who you so innocently suggested deserves the chair.” You jam a finger into his chest.

“You have absolutely no fucking right to talk about him that way. He gave his life for this fucking country; fought alongside your grandparents. The fuck is wrong with you?”

“Ma’am, I’m sorry. Shit. It’s not like my opinion is gonna change anything.”

Before you can say anything else, you feel Bucky’s hand wrap around your bicep, pulling you away from the college kids and into his side. He leans close to your ear to whisper, “Doll, it’s fine. Come on.”

He pulls you out of the coffee shop before you have time to protest.

Walking down the street, you’re ranting, letting your arms flail around angrily.

“What the actual fuck is their problem?! You can have your obviously wrong opinions, but why would you express them so loudly in front of the person you’re talking about? You’re a fucking Avenger. You’re a good man. Why would they pardon you if you weren’t? Why would the Avengers adopt you as one of our own if you weren’t? Pieces of shit! Hateful, fascist, brain dead, ungrateful, military-hating, assholes!”

Bucky can’t help but laugh at your insults, and he can’t help but feel flattered that you care enough to defend him.

“Sweetheart, it’s really fine. I’m used to it,” he assures you, finally handing you your coffee he’d been balancing in his hand.

You take it, but shoot him an incredulous look.

“Like hell it’s okay! You deserve better than that bullshit, Bucky. You deserve to go out on a date with your girlfriend without being fucking harassed.”

Bucky pulls you into his side, kissing your head like he had earlier, and murmurs into your hair his third proposal.

“Marry me.”

You smile softly.

“Nah,” you say, leaning into his hold. He laughs.

Proposal 4

The fourth time Bucky proposes to you, it’s less direct.

In fact, you’re in the field, lying on your back in Bucky’s arms while he frantically puts pressure on a bullet wound in your gut.

“Steve,” he says into the coms, “Y/N’s down. She got shot. I’ve got to get her back to the jet.”

“Go,” Steve responds quickly, “I’ll cover you.”

Bucky’s attention falls to you, grimacing at the blood covering his hands.

“Hold on, baby. I’ve got you,” he says, lifting you into his arms as gently as you can.

“I’m fiiinnneee,” you slur, unsteadily and awkwardly reaching to pat his face. Your action, meant to be comforting, only adds to your boyfriend’s anxiety.

“Doll, you’ve been shot, and it isn’t a clean wound.”

“That’s nothin’!”

Bucky grunts indignantly in response.

Finally, he gets you back to the jet, moving through the aircraft quickly to get you to a stretcher to triage you best he can. When there is nothing more he can do, he holds your hand, doing his best not to cry or show how scared he is.

“Y/N, stay awake for me, alright?” He pleads, squeezing your hand.

Your eyes flutter open and you smile goofily.

“No worries, Doll,” you giggle as you call him by the pet name he reserves for you. “I’m A-Okay.”

Bucky scoffs.

“You’re bleeding out.”

“You fixed me.”

“Not fully; I put a bandaid on you really.”

“Silly. Bandaids fix you!” You try to comfort, but you fall into a laughing fit.

“Doll, I need you to take this seriously so you make it. You’ve gotta marry me.”

“You didn’t ask me to!” You say, narrowing your eyes and pointing accusingly.

Bucky smiles at your antics.

“Marry me, Doll?”

You smile fondly as you stare up at Bucky.

“Ask me again when I’m not bleeding out.”

Proposal 5

The fifth time Bucky Barnes proposes to you is the last time.

You convince the super soldier to go hiking with you; you argue he deserves to sit and watch a waterfall with his girlfriend. He gives in easily because you’re not easy for him to say no to.

The two of you find a local hiking trail that leads to a decent sized waterfall, and you’re pleased to find the trail is mostly deserted. You only run into a few stray hikers along the trail.

Bucky smiles as you hike, watching as you excitedly stop to watch centipedes cross the path, or point out woodpeckers, or smell flowers. Finally, the two of you reach the waterfall and you squeal in excitement, running a few paces ahead of Bucky and jumping to let out some excited energy.

“Buck, look! It’s gorgeous!”

“Yeah,” Bucky agrees, slowing to a stop behind you, wrapping his arms around your waist and resting his chin in the crook of your neck.

The two of you stand like that, in each other’s embrace, for a few minutes, watching the waterfall, listening to nature around you.

“Thank you for coming up here with with me,” you say, turning around to place a grateful kiss on Bucky’s lips. He gently returns the kiss before pulling away.

“Anything for you, sweetheart.”

You peck his lips again before turning back to the waterfall.

“Look!” You say upon turning around. “Bucky, a rainbow!” The spray of the water and the beams of sunlight meet to display a rainbow in front of you.

When Bucky doesn’t respond, you curiously turn around.

“Bucky? Oh!”

Bucky is on one knee, a ring box open in his hands, held out to you.

“Y/N, will you marry me?”

There is no speech, there is no absurd gesture. There is just Bucky, and there is just a question.

It’s perfect.

“Yes.”

“Finally.”

#bucky barnes x reader #bucky x reader #marvel x reader #bucky barnes #bucky x you #bucky barnes x reader fluff #marvel fanfiction #bucky barnes fanfiction #bucky barnes x you #bucky x g!n reader

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inbarfink · 8 months

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Any analysis of how Undertale deals with Pacifism and how it tries to guide the Player towards it has to take a deep look at Papyrus. Because Papyrus is the one character in the game who will never kill, the one actual ‘True Pacifist’ in the game’s main cast.

I mean, the Player can be an even bigger Pacifist. Papyrus does still FIGHT, and the Player can get through an entire run without draining a single sliver of HP. But… they can also be the world’s biggest murderbastard and literally stab reality to death.

Toriel would very much like to not kill, but she is also fully capable of doing so.

Same with Asgore, but he has a lot more actual blood on his hands. Undyne and Mettaton are both fully 100% willing to kill to accomplish their goals. Sans is non-violent in most runs because he’s too lazy and depressed to do anything, and when he is motivated into actions - it is in the form of a FIGHT to the death. Alphys… the timeline is a bit fuzzy cause both she and Mettaton love lying so much, but it seems like she did sincerely add deadly weapons to Mettaton cause killing humans would make him more 'useful' and then had second thoughts once she developed a parasocial relationship with the Human Child and THEN she and Mettaton started hatching their little play-acting plan. I think??

With Papyrus there is NONE of this ambiguity, we know for sure - no matter what timeline or what may come - The Great Papyrus will always choose MERCY.

And the interesting thing about that is on a Meta-Sense, Papyrus is a very rare example of the game giving MERCY towards the Player.

Because the game starts out being really obtuse with the Sparing mechanic and how it works. If you want to be a Pacifist in Undertale from the get-go, you’re gonna have to work for it. You're gonna have to figure it out on your own and commit to it and believe that it's possible. It's basically a test of your own belief in non-violence and your moral integrity. Then, the RUINS end with the Toriel boss battle - in a way, that’s probably the hardest Sparing puzzle in the whole game. And it’s very very easy to accidentally kill her. (I’d almost say that’s the intention of the battle, to try to goad the Player into Resetting so they can see how the game remembers across RESETs)

And then we have Papyrus, and it’s not just that his ‘Sparing Puzzle’ is something as simple as outlasting him and letting him run out of dialogue - and it’s not just that he’s the only boss that will just give up and let you continue if you lose to him enough times. it’s also that, just as Papyrus is the only boss incapable of accidentally killing the Player - he’s also the only boss that the player is incapable of accidentally killing.

(Okay, fine, to be pedantic, there’s also Asgore)

I mean, the Player can certainly kill him if they want to - but draining Papyrus’s HP just makes him skip through his battle dialogue right to the end of it. It’s designed in such a way that, no matter what Route you're on and no matter what approach you take with Papyrus - you will always end up on this screen.

Unlike basically any other Monster in this game, including the major boss battle just before him - you can’t kill Papyrus accidently. You can't kill him without also having Sparing him as an option. The game kinda treats killing Papyrus as one of the Worst Things You Can Do because killing Papyrus will always be a deliberate, considered action done to a person who will not kill you and who has stopped wanting to FIGHT and has extended a hand of Mercy. With the game clearly communicating what you need to do to Spare him at that moment.

And that means that - even if you killed before, even if you don’t have the patience of a True Pacifist, even if you spent all this time in the game without even trying to engage with the Sparing mechanic… as long as you don’t want to be a Huge Rat Bastard, the game is basically gifting you with the very very easy option to not be. Being a Pacifist in Undertale is usually a challenge - a puzzle to be solved, a test to pass. But as long as you aren’t intentionally trying to be the Worst Person - the game is basically giving you Papyrus.

If you accept his Mercy, you are accepting the game’s Mercy. That sort of benefit-of-the-doubt assumption that maybe all of the LOVE you might have accumulated so far was all due to honest mistakes or panic or an attempt in self-defense. That you still deserve this one chance to prove that you are not intentionally, maliciously cruel - or at least not like the Worst Person in the World. Even if you did kill before, you still deserve at least one friend.

And Sparing Papyrus leads you to his wonderful Hangout/Dating Sequence and to his Phone Calls and they all add so much wholesome charm to the Undertale experience and no matter what happens Papyrus will always think the best of the Player and he will always trust them and it also makes Sans also kinda your buddy by default. And more than just adding a little bit of wholesome charm into even the more LOVE-filled Playthroughs, I think this is meant to try and incentivize these players into trying out the Mercy mechanic a bit more.

Whatever it’s, like, for future playthroughs or Resetting the game right there to try a True Pacifist Run right there and then or just trying to be a little kinder for the rest of this current playthrough - especially since there’s an emphasis about the close friendship Papyrus has with the upcoming boss Undyne, and to a lesser extent with his idol and next-next boss battle Mettaton. It’s like “well, if you didn’t figure out how to spare before, this is how you do it? And isn’t it nice to have a friend? Isn’t it nice to not have to kill this lovable skeleton man? You should do this more often wink wink nudge nudge!”

And it’s like… all of Papyrus’ loved ones care about him so much but they also look down on his pacifism. They see his inability to kill and desire to make friends as simple naivete and that’s why all tend to hide the truth from him all the time. About what will happen to the Human he will capture, about what his new Human friend might’ve done, about the fact that they view him as so naïve.

They admire it on some level, that’s why they want to protect it, but they also see it as a weakness which is why they want to protect it by lying to him all the time. But, you know, Undyne says that if Papyrus goes into battle he’ll be ‘ripped into little smiling shreds’ and that is certainly what happens every time a Player chooses to refuse Papyrus’ Mercy and the game’s Mercy and press that FIGHT button…

But have you thought about all the times that doesn’t happen? All the careless or violent players who were offered that skeletal hand of friendship, accepted it and then carried that offered kindness forward for the rest of the game? All the players motivated to do good for the sake of their buddy Papyrus? All the Murder Routes stopped because the player just didn’t have it in them to kill someone who believes in them so earnestly?

Like, no, it’s not a surefire thing - especially since Papyrus has so much less narrative power than the Actual Unkillable Time God that is the Player. But it happened, and it happened many many times to many players. Papyrus offered Mercy, the game offered Mercy. And much like Frisk’s Pacifism, it comes from a place of seeing the honest goodness in your ‘enemy’ and can inspire them to become a better person - this little sparkle of goodness being passed forwards.

And I think that’s beautiful, even if it didn’t happen in every timeline. Any potential future where Papyrus’ kindness can have such an effect on the Player and thus the entire trajectory of the Underground validates his kindness and pacifism on some level - even if there are also always the potential worlds that it backfires completely.

And there’s also one other way in which the Great Papyrus Proves Pacifism Pays. One that is a bit more practical, perhaps. And one that Papyrus himself is not even aware of.

Papyrus’ boss battle can be a surprisingly challenging one specifically because he is the only one who doesn’t kill the Player.

Like there is a reason why Papyrus will just offer you to skip his Fight after you lose to him three times, because if he didn’t do that - there’s an honest risk that the Player can get stuck in a much stuckier way than anywhere else in the game.

Because, like, for basically any other character in the game, being killed is the Worst Thing that could ever happen to them. For everyone except the actual Player Character because we are an Actual Unkillable Time God and dying is nothing more than a minor annoyance that sets you back to your last SAVE Point. So, leaving aside Papyrus’ admirably kind intentions - there is not much material difference from the Player’s perspective between getting Captured and getting a more traditional GAME OVER. Except…

Except getting Captured does not undo everything that happened in your inventory during the battle. In every other Undertale battle, if you use all of your items but still lose - the GAME OVER at least means you get your stuff back. But because Papyrus doesn’t kill you, any healing item you’ve used during the battle is still used. I have watched so many Undertale Let’s Players waste all of their valuable items on their first Papyrus battle and then have to face him again without them and thus do even worse in their second go… and then their third go... and thankfully then Papyrus offers them to skip the fight.

And while that technically can be circumvented by just manually closing the game and opening it back again on their pre-battle SAVE Point, a lot of players are gonna reflexively Save over it if they pop over to the Shop or the Snowed Inn before their second attempt at the battle. If Papyrus didn’t offer that chance to skip his battle, it could’ve easily become a softlock situation for a huge chunk of players - because he doesn’t kill the Player.

Most of Undertale deals with the value of non-violence from a standpoint of morality and kindness and personal connections. Since most people do die when they get killed. But when dealing with an Unkillable Time God like the Player, Papyrus proves that not-killing might actually be the most practical solution.

Of course, it doesn’t seem like Papyrus is aware of any of this. From his perspective, he is just offering genuine mercy to a being just as ephemeral as he is. But it accidentally turned into one of the most effective methods of blocking the Player’s way… at least he didn’t offer us an opt out so soon after that.

And it’s interesting when comparing him to how his brother Sans - one of the few people actually aware of the existence of SAVEs and RESETs - deals with the Player. Because the Sans boss battle at the end of the Murder Route is entirely based on the concept that death is nothing but an annoyance to the Player. Sans is less trying to kill the Player (the way Undyne the Undying did), he is simply trying to annoy the Player into a ragequit. But he is still killing the Player.

Now imagine a Sans battle where he has all of his usual annoying tricks, but also instead of killing you - he captures you just like his brother would’ve in a happier timeline. And while it’s not a fool-proof plan to stop the Player in their tracks - he could very easily stick them in that sort of softlock situation where they have to battle him again and again without any Healing Items. Forcing them to either abandon the game or RESET the whole world back the way it was - just like Sans wants them too.

But instead, by killing the Player, he is just allowing that perfect second-third-fourth-fifth-sixth-try where they get all of their Stuff back. And he does actually knows that. And why doesn’t he do that? (Speaking here from an in-universe character study perspective. Obviously the Doylist answer is that the game doesn’t want to Softlock you even in the most deliberately-frustrating part of the game).

Maybe, even though he intellectually knows that killing the Player will be of no help - he still does it because he wants to. Because he just wants to get back at the evil murderous monster that took his brother from him and destroyed his entire world even if he knows it’s actually ineffective. And this thirst for bloodshed is, ironically, blinding him from a new exciting way to actually practically stop that murderous bastard who is themself motivated entirely by bloodshed.

Maybe he just can’t do something like that. Reducing an enemy to exactly one HP and then stopping is not a feat anyone else in the game is capable of pulling off - even the ones who would obviously use such a thing (like Toriel or a Player with a Pacifist intentions). Maybe it’s something that requires a lot of hard practice and discipline and carefulness, that Sans never thought to put in because he didn’t see it as a useful skill the way Papyrus did.

Maybe that wouldn’t have worked anyways. After all, and that’s something I kinda touched on in a previous Overly Long Rambly Hot Take - Sans’ War of Attrition against the Player is greatly helped by the fact he can’t remember every single previous try and so he can’t get exhausted the way the Player can get. Obviously, without a GAME OVER induced RESET that will not apply. Which is especially notable because… Sans’ laziness is literally what brings him down at the end of that Boss Battle.

So maybe, while Papyrus, as long as you decline his offer to skip the battle, is capable of offering just the same Battle as before over and over and over again.... It’s possible that Sans just won’t be able to pull off two or three or more battles of the same intensity and difficulty in a row without a RESET to undo his own exhaustion.

But I think it’s at least worth considering the option, y’know? That after all this time of viewing Papyrus’ kindness as sweet-and-yet-kinda-foolish-naïveté - that exact viewpoint made Sans overlook the perfect solution to dealing with his little Murderous Time God problem. Cause he just never considered that while killing might be fully morally justifiable in this situation and very very satisfying, that does not necessarily mean it is actually the most practical solution. And that maybe, in a weirdly twisted way, Pacifism WAS the answer.

#undertale #ut #utdr #under tale #papyrus #the great papyrus #papyrus undertale #papyrus ut #sans #sans undertale #sans ut #sans the skeleton #papyrus the skeleton #undertale analysis #undertale meta #genocide route #genocide run

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sparrowlucero · 2 months

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Even if a creator is a bad person it's still okay to like their work. People need to mind their own business.

Honestly it's not really that sort of situation. I'll actively defend Steven Moffat here.

There was a huge hate movement for him back in the early 2010s - which, in retrospect, formed largely because he was running 2 of the superwholock shows at once, one of which went through extremely long hiatuses* and the other of which was functionally an adaptation of an already well regarded show**, making him subject to a sort of double ire in the eyes of a lot of fandom people. Notably, his co-showrunner, Mark Gatiss, is rarely mentioned and much of his work is still attributed to Moffat (and yes, this includes that Hbomberguy video. Several of "Steven Moffat's bad writing choices" were not actually written by him, they were Gatiss.)

People caricatured the dude into a sort of malicious, arrogant figure who hated women and was deliberately mismanaging these shows to spite fans, to the point where people who never watched them believe this via cultural osmosis. It became very common to take quotes from him out of context to make them look bad***, to cite him as an example of a showrunner who hated his fans, someone who sabotaged his own work just to get at said fans, someone who was too arrogant to take criticism, despite all of this being basically a collective "headcanon" formed on tumblr. Some if it got especially terrible, like lying about sexual assault (I don't mean people accused him of sexual assault and I think they're making it up, I mean people would say things like "many of his actresses have accused him of sexual assault on set" when no such accusations exist in the first place. This gets passed around en masse and is, in my opinion, absolutely rancid.)

On top of that a ton of the criticism directed at the shows themselves is, personally, just terrible media criticism. So much of it came from assuming a very hostile intent from the writer and just refusing to engage with the text at all past that.

Like some really common threads you see with critique of this writer's work, especially in regards to Doctor Who since that's the one I'm most familiar with:

A general belief that his lead characters were meant to be ever perfect self inserts, and so therefore when they act shitty or arrogant or flawed in any way, that's both reflective of the author and meant to be viewed as positive or aspirational.

An overarching thesis that his characters are "too important" in the narrative due to the writer's arrogance and self obsession

A lot of focus on the writer personally "attacking" the fans or making choices primarily out of spite.

A tendency to treat the show being different to what it's adapting as inherently bad and hostile towards the original

Just generally very little consideration of the themes, intent, etc.

This one's a little more nebulous and doesn't apply to all critique but a lot of it, especially recently, is clearly by people who haven't seen the show in like 10 years and their opinion is largely formed secondhand through like, "discourse nostalgia". Which. you know. bad.

I think these are just weird and nonsensical ways to engage with a work of fiction. I also think it's really sad to see the show boiled down to this because that era of who is, in my opinion, very thematically rich and unique among similar shows, and I hate that it's often dismissed in such a paltry way.

This isn't to say people aren't allowed to critique Steven Moffat or anything, but the context in which he basically became The Devil™ to a large portion of fandom and is still remembered in a poor light is very tied to this perfect storm of fan culture and I just don't agree with a ton of it.

* I'm sure most people have seen the way long running shows and hiatuses will cause people to fall out with a show, with some former fans turning around and joining a sort of "anti fandom" for it while it's still airing. That happened with both these shows. ** Doctor Who will change it's entire writing staff, crew, and cast every few years, and with that comes a change in style, tone, theme - the old show basically ends and is replaced by a new show under the same title. As Steven Moffat's era was the first of these handovers for the majority of audiences, you can imagine this wasn't a well loved move for many fans. *** I know for a fact most people have not sought out the sources for a lot of these quotes to check that they read the same in context because 1) most of them were deleted years ago and are very difficult to find now and 2) many of them do actually make sense in the context of their respective interviews

#and yeah i think the hbomberguy video is kind of bad #I can pull up examples but a lot of what he's saying is very rooted in this sort of critique #maybe most egregiously he sometimes just explains something very poorly or outright incorrectly to make it seem worse or more nonsensical #ex. saying a scene in doctor who 'steals a huge chunk of the plot' when it's less than 30 seconds long #saying two characters randomly start hanging out again while not mentioning the episode entirely dedicated to this #or the way her decision to keep hanging out with him is the emotional turning point of the entire season #etc etc etc.

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nagy-bari · 4 months

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on the appeal of Chilchuck Tims

short spoilery rambles on why i zero-ed in on this old man instantly and how i realized the patterns he gets to people.

subversion of the trope: oh they just look like a child while actually they are XXXX years old and--- yes. he's older than he looks, with a good 10 years and it's a boyman design now instead of a loli girl.

BUT wait there's more!

he's older than he looks and he has the experience of his actual age: that man is a father. of 3. the story he's in is his midlife crisis. he's planning on retiring from dungeering after this, he asked for payment UPFRONT (and got it) he has insane (for other characters, but really he's just normal, tries to be normal) work ethics - he got paid, he does the job, he's good at the job, he knows his own worth, strength and limits.

This Man Is Self Aware. He knows his weakness, the job's weakness (how adventure parties slip up and why) he knows he's seen as a bit closed up and he's OKAY WITH THIS.

what he's not okay with? not knowing if a party member is a cannibal or not when they are on this insane survival trip and he's the cook. what does he do?

he knows how to communicate and how much to disclose. Rare one, i know. With the party having an average gossip queen, an autistic foodie, and mysterious chef he knows when to take the lead so they can still function.

so to round it up:

Subversion of the 'looks young actually old', closed up and grumpy rouge who's motto is 'never trust those who don't ask for payment' and has the 'it's called personal life for a reason' philosophy rooted into their blood. Good? good.

BUT WAIT THERE'S MORE

because he knows he and all halffoots look young to others he actually started up a guild so they can re-enforce their rights as adults and independent people, so they are taken seriously and they can work against bad stereotypes and all.

we see his struggle through volumes, how hard it is for others to finally understand that a short live-spam people is actually just as old and mature as a long live-spam would be, it's mostly the numbers that are different.

we can learn with the other character to take him seriously, to accept the differences.

so he has good work ethic, looks out for his people, has plans for his and other's future, CARES for the future in general and ACTS so it will be a reality- rather sooner than later.

so he's charismatic and lovable while still being the usual tsundere setup for any joke.

BUT WAIT

THERE'S MORE

we first learned that he's actually is an adult (middle aged in half-foot culture)

is an estranged husband

who was left by his wife

cause he cheated-

BUT WAIT ACTUALLY NO

HE LIES ABOUT THE CHEATING!

cause he wants to keep his work persona intact, and it fits more if he says he cheated, cause then people won't BOTHER him with further details

BUT HE DIDN'T

he just went home one day and the wife was gone, with a note

and we learn ALL of this through a subversion of a UNICORN BICORN TALE - a feckin roll up of the whole pure maiden true virtue stuff - and we find out cause the feckin monster SNEERS AT HIM for lying then bites him.

so he's really soft with all the hidden 'better keep to yourself' and don't jump to conclusions cause that only fuels drama, which will hinder your work. but he was clearly hurt by this.

so the subversion here? we are Marcille. the whole fandom is Marcille. we are just as nosy and gossipy as her and it's a tiny little metanarrative joke and i love it, it's wonderful writing and it keeps you wanting more and more, you want this grumpy middle aged father to finally tell you his life story, the mundane little things, to see him brag about his children and all cause he's so goshdarn professional about everything.

but is it subversion at all?

wait...

there's more.

while we get actual introduction to his daughters we truly never seen anything about his wife.

it reaches the hights of Mrs. Columbo level of secrecy and i love it.

but! we know:

they were childhood friends

married when Chilchuck was 13 (almost full grown adult for their culture) and had the twins(?)

left their village at 14

3rd daughter at 15

he started adventuring at age 24 and formed the guild.

wife left when he was 25

Chilchuck started to work with Laios at 26.

he's now almost 29.

they were childhood friends and married for a good 10 year. he was there when he was needed to be a good dad (he's clearly proud of his daughters) and their fallout only started when he started adventuring.

let me say it again.

they. were. childhood. friends.

as much as we see the unfolding of young love in media, with all the teen dramas finding true and forever love in highschool and live happily with the white picket fence for 50+ years we see less of the loves that fizzle out, but were and probably will be friends.

love this. love this little detail cause there's so much in it. The confusion, the still remaining anger, the fustration. they probably would be able to talk it out. they've known each other for most of their life, but his logic and compromises for work (clear communication and a clear head) does not work here.

we don't know how exactly he feels and i love that, but we know he struggles to be open about 'mushy' feelings, grand gestures and all.

he knows his limits. His wife probably knows it too. That's why she's with the middle daughter. The assumed-ly closest to her rather than the oldest (locksmith) or the youngest (conartist?freelancer?life-artist???)

if we learned anything from Dungeon Mushi, it's that Kui Ryoko is a master of diverse characters visually and personality wise as well.

you can reverse engineer the wife if you want to from the girls but i love the joke and the actual comfort this whole Mrs. Columbo it gives.

cause Chilchuck has Columbo vibes. He's competent in his work, knows his limits, knows how to help others and when, knows when to quit and when to move on. and this tiny flaw of his, this domestic mystery we assume is his background (and ground of his disarming normality) is just enough to keep you thinking and re-think and re-think and just grow to love and appreciate the little details and love that was poured into this character of many in this wonderful story.