#i love how complex all the characters are

[crystalizedcryolite]

Woah woah woah what's this I'm hearing about Green hate?? Is this true? Probably not, but this is a great opportunity to explain character flaws! :D (I was saving this analysis for when the entire arc is done but whatever)

A perfect, flawless character is a boring character. What fun will there be if your character did everything right in the world, no mistakes to let them grow or problems they can learn from? This helps create conflict, which helps expand on a character and develop them further.

Green's ego problem, his whole attention and fame-obsession thing, is a part of his character for a reason. Flaws in a character makes them more realistic and relatable, you feel me?

Green is actually a really complex character, and that's something I love most about him. That's why he's my favourite.

He can be kind, he can be a cocky jerk, he can be selfish, he can be selfless, he loves his friends, he doesn't understand what he's doing to them, all of it. His character flaws make him feel real.

His wanting for a bigger taste of fame, his slowly losing himself to the world of content creation? It's realistic. It happens everyday.

I, of course, hate what he's doing to his friends, hell, I've been there before, but that's simply necessary for his character arc. When he realises his mistake, he's going to grow from it. He's going to become a better person, I just know it.

How do I know? Because we've seen it time and time and time again.

Green showing off when he wins every build battle, Green getting cocky when dodging Red’s pranks, his anger when he loses? Those flaws have been established since day one.

Except he's still a good person.

He remained loyal to his friends, genuinely loves and cares about them so very much, and most definitely the type to drop everything for them.

(I hope, if my analysing skills are any good..)

And who's the one who comforted Purple after all he's done to them?

Green.

He's still including his friends, albeit a lot, lot less. He still cares about them, he's still trying to give them some spotlight, but he doesn't understand that they don't want that. Doesn't understand yet, anyway.

Sure, he's losing himself to the taste of fame, sure he's currently filled with an ego-driven, attention-seeking drive right now, but he'll learn soon.

That's what makes a character arc so darn good. Sometimes the problem isn't an outside force, or an enemy to battle, or something to stop.

Sometimes the problem is yourself, and it's something that needs to be changed.

Maybe the whole point of this fame-chasing arc is to let Green learn more about humility, in all it's glory, and the dangers of devoting your life to giving content to a bunch of strangers.

Or maybe not, who knows? There's still two episodes for the influencer arc, after all.

I can't wait to see how Green's character arc goes for it :D

(I don't mean any malice towards anyone, by the way! This is just me analysing Green's character :>

[sagelessichor]

Okay, so Apollo? We all know him, right? God of the sun, light, poetry, and one too many other fucking things? Including truth, knowledge, logic, and education?

Yeah, how are we all forgetting who the God of fucking Education and Logic is? Please, for the love of everything holy, stop characterizing Apollo as a dumb blond who can’t do shit on his own and whose only traits are pride, vanity, anger issues, and being horny because he is so much more than that and this is really getting out of hand. I’ve read too many damned fics and posts where everyone treats and characterizes Apollo as an immature teenager and I am just so fucking over it. He is such a complex character and we all really need to stop reducing him to a blond dumb-dumb.

[good-beans]

It makes me sad when people read the Milgram vote percentages as if it's saying characters are "more deserving" of a verdict with a higher percentage. A big ratio number doesn't mean we really think they deserve that verdict, maybe everyone who voted for that outcome just barely came to that decision. It's showing the ratio of final decision of the fan base, not the strength of their opinions...

I just feel like it dumbs down/ignores so much of the complex reflection that goes on for a lot of fans. Maybe some people vote with 100% of their spirit, but for a lot of people it's an interesting and complex choice that may be made hesitantly because of all the factors at play

[kexing]

my favorite thing about jack and joker so far is the pacing. the first episode took its time introducing the characters as they were in the past. especially jack, you really get to have a strong sense of him and yin did such a great job portraying jack’s good heart that i never bought his bad boy façade in the present. the kind of heart jack has isn’t easily swayed and instead of being tainted by the cruelty, it rises to the occasion and wants to help those who can’t. you just know it, you can FEEL it in the acting and the way he’s written. i appreciate that so much!

as well as war portrayed such a volatile teen who wanted to be seen and validated by his parents but never felt good enough and when he decided to help jack, he did it recklessly and caused a huge mess that only seemed to confirm to joke that he is broken for good but you know who isn’t in joke’s eyes? JACK

second and third episodes are the aftermath of the first episode and they really show just how much joke wants to make it up to jack for what he’s done. SINCERELY. as a person. it isn’t just because he likes jack romantically. you can see glimpses of joke’s feelings but they’re not all there is to it. jack represents the kind of goodness joke admires, that he wishes his world could be full of

joke likes jack for who he is as a person and he wanted to help him five years ago just as much as he wants to help him now

it’s not just about the romance. in fact, it has taken the backseat for now and i do like that a lot because the story is allowed to build up, just as the characters. they all have motivations that go far beyond romantic love. the drama talks about inequality and morality and nepotism and how much violence creates more violence, as well as extreme poverty leads people to make desperate decisions

jack and joker has a story that it wants to tell sincerely and characters that have depth and complex emotions and goals and i’m enjoying it a lot!!!

[neyafromfrance95]

galadriel's whole arc really can be summarized by nietzsche's quote:

"whoever fights monsters should see to it that in the process they do not become a monster. and if you gaze long enough into an abyss, the abyss will gaze back into you."

her whole rant to adar about exterminating all of his children while keeping him alive to witness it was actually so deranged, i can't believe that they let her be so flawed of a character.

and those aren't "accidental" traits that the show isn't aware are "vices" rather than "virtues", as adar basically called her morgoth's successor to her face after her speech!

she even rejected the heaven bc she couldn't let go of her desire to exact her revenge on sauron.

it makes one think, no wonder that the elves could no longer distinguish her from the evil she fought to defeat (galadriel/sauron's pre-raft storylines parallel too perfectly).

as she did inadvertently keep alive the very evil she sought to defeat, inside her very heart and also quite literally.

and that darkness she pursued so relentlessly, the darkness that is personified by sauron, looked back at her and from the first moment sauron lay his gaze on her, something like a revelation hit him, and the obsessive pursuit became mutual.

indeed, those were the seeds she'd planted and sauron would go on to grope for her mind forever bc she let him in. she let sauron in long before he won her trust as halbrand.

and she might have kept her own darkness at bay later on and closed the doors to it, not consumed by revenge anymore, but she never stopped fighting or thirsting for power, and with trop context all of this is intrinsically connected to sauron. even taking nenya to valinor is given a new layer of context, she holds onto the symbol of her fight and of sauron, taking it with her to valinor (remember how in 1.01 she asked elrond whether he would have her take the fight in her heart to the heaven? oh, maybe she did after all...)

i just love that the lady of the light actually has so much darkness of her own. she is simply so nuanced and complex, and not confined to the limits of what a female protagonist should be like. it's not just her darkness, her pride either. it's not just flaws she is allowed, she is allowed genuine weaknesses. she is so abrasive and reckless that sauron had to make sure she didn't get them drowned in the numenorean sea, lmao. and even her strongest virtue isn't a typical "feminine" virtue, it isn't common sense or nurture, it is willpower.

[barrenclan]

Raz you have me chewing on the bars of my enclosure.

it would have been SO easy to make Rainhaze a completely blameless party who had no hand in his own fall, had no agency, and was manipulated into all of it. But you didn’t do that. Rainhaze had a hand in his own fall from the very start. In his two most corrupting acts, the deaths of Dustfeather and Asphodelpaw, he had full and complete agency. He CHOSE to kill them. Ranger never told him to kill Asphodel but he did anyway. Rainhaze is sympathetic sure, but he’s also certainly not blameless in his own fall.

Rainhaze was a very fun character to write and I loved getting to explore the complexities of blame and responsibility within him. And I love how much analysis and long, thoughtful paragraphs he produced in readers! It was great.

[introvert-slushie]

Currently saw a few people joke about how Ford should take ALL the suffering from Fiddleford and Stanley. I’m keeping my mouth shut, but I can’t take it. Why do we keep blaming the victims? Some of you guys are dense, not to be mean though.

Bill Cipher deserves all the suffering he put Stanford, Fiddleford, Dipper, Mabel, and Stanley though. Filbrick deserves the suffering too of course. Please, get it in your head that victims deal with so much that they deserve to heal.

This is why Alex put Bill in Theraprism, to think about his own actions beyond after death. This is why Alex Hirsch wrote near the end of the book that Ford reconnects with his family and Fiddleford to heal himself.

The difference in their fates is interesting in the end.

I’ll be honest though, I did not like Ford either when I was younger. Once I read Journal 3 and the Book of Bill now that I’m older. I understand and love his character. People act as if they’re mature for siding with Stanley. When really you should side with Stanley and Stanford. We can argue for hours how “bad” either of them are. Really, I think after 10 years since the show ended, Alex gave us Journal 3 and the Book of Bill to wrap it up. Give us an insight of Ford and Bill, along with others.

It’s a good ending to a great show. And I love these characters and their complexities from what we were shown.

[nohoperadio]

I like Jane Austen a lot. I'm gonna attempt to say a few things about why:

It's very refreshing to read good fiction that takes seriously the importance of doing good by other people, and takes it seriously on lots of different scales: like there's big interpersonal conflict and moral dilemmas and stuff, but there's also like, spending an hour talking to your dad about cheerful things because you know he's likely to sit stewing in anxiety over something if you don't, even though you're kind of depressed at the moment and would rather be alone with your thoughts. That's a situation too!

Seriously it feels like not long after Austen fiction writers collectively agreed that all the interesting material was in the parts of the human mind that are normally hidden or repressed, or in people trying to forge some individual authentic path that's in conflict with the world or something, idk, maybe it's good that the thing I'm gesturing at happened. But I'm very glad we have at least one great novelist whose characters are primarily concerned with matters like "how can I best be a good friend to the people I care about?" and similarly-shaped questions.

I think part of this is just that like, there is no part of her that believes goodness is boring, she fundamentally takes for granted that people who are trying to be good are more interesting and complex and deep than people who aren't, and it's very hard not to agree with this when you're reading her.

Something about the very particular tone of her comedy is connected to all this, she's mocking, near-scathing about all her characters including the ones she likes, but it's from a place of like... the most important thing in life is to hold your principles sacred, but also it's a guarantee that you and the people around you will fall short of those principles many many times, but also the correct attitude to take towards these human limitations is laughter instead of despair, but also the most important thing in life is to hold your principles sacred. She really makes it feel like "people are ridiculous" and "people are important" are two sides of the same coin, idk this is more abstract than I want it to be, but something like that is the vibe.

It's frustratingly difficult to say anything general about her fiction that doesn't make it sound boring... anyway I love her is the point.

[jessieren]

Here In America

I managed to go and see Here In America last night and, as promised, here's my (fairly brief) review. If you're going to see it and don't want to know anything in advance then don't read any further - although I've tried hard not to include any spoilers.

Firstly the theatre is tiny... and I mean really really tiny! When they said in the promo video 'you're going to be up close and personal with the audience' they weren't kidding. The stage area is incredibly tight and all the audience are within a few feet of the actors.

The scale of the theatre really gives the sense that you're 'in the room' with what's happening and adds to the sense of tension as the play builds. It also means that you can see the actors every expression and movement and they don't need to project/act up in the same way as you would in a large normal layout theatre. My personal view is that this suited Shaun's more minimal nuanced acting style really well - it was almost like acting for the camera.

The play is just under 90 minutes and is intense, quite complex, and dialogue heavy but the pacing is incredible and the 90 minutes disappeared in a flash. Shaun is on stage for pretty much all of that time and much of the dialogue and interaction happens between Kazan and Miller. The set, props and lighting are very minimal but work well and support the interactions (the scrabble scene near the beginning is great and sets the play up really well).

All four actors are absolutely brilliant but Shaun and Michael Aloni's performances are truly stunning. Shaun really does hold the entire piece together but without overwhelming or detracting from any of the other performances. Whilst it is intense there are some small moments of comedy and Shaun, in particular, plays those really well.

I enjoy plays with small casts as I think you get far more from the relationships and interactions and this is an absolute case in point. The details and nuance of the way the characters interact build a picture of their relationships that support and help move the play along and I think also build a genuine sense of empathy with the conflicts at the heart of the play. I went into it with a clear view of what/who I thought was right and wrong but the script and performances really made me reconsider my views throughout - and I'm still questioning how I feel about it 24 hours later.

Whilst Shaun doesn't look like Kazan (Aloni truly becomes Miller in an uncanny way, and similarly Jasmine is compelling as Monroe - not an easy ask), he is really convincing and plays him with a charm and charisma that gives a fully rounded view of him as a man and the choices he made, where it could have been easy to play him as a more two dimensional 'bad guy'.

I absolutely loved it and really hope it gets the praise and attention it deserves. Its one of the best pieces of theatre I've seen - and I go to a lot!

I'd highly recommend getting to see it - or paying to stream when its available.

Just as a side note: The play covers a lot of ground and refers to quite a lot of detail of Miller and Kazan's lives in particular. My personal view is that you get more from it if you already know the overall chronology of what happened in that period and also understand the basics of Kazan and Miller. I'm sure its still very watchable without the background but personally I felt I got a lot more from it from knowing something about the key characters, events and timeline.

[door-insurance]

So I played Life is Strange 2 for the first time ever

I didn’t wanna play it for a long time not cause it didn’t have Chloe or max (tbh I got sick of their asses around BtS they’re not even my faves)

By that point I was in college and had lost interest in the whole franchise but also I was very apprehensive of white creatives writing racism with no input from the group they’re portraying, they don’t usually do a good job

Sometimes they make it cartoony, sometimes they trivialize it, sometimes they romanticize it

So years later adulthood kicked my ass and I came back crawling to this franchise for some comfort, I finished True colors annnnd I finally started 2 after hesitating annnnd

^sketched this while playing

SPOILERS

I actually liked it

I liked Sean, the drawing segment he does- he was such a likable main guy, deserved better honestly.

I also liked Daniel, he was very adorable and I never got it when people called him annoying like no shit the 9 year old is gonna act like a 9 year old- just don’t be a jerk to him, I know he can be frustrating but that’s what taking care of a kid is like

And lis had always been about realistic complex characters, y’all can’t handle a traumatized nine year?

I have two younger siblings and two nieces plus I’ve been a bratty younger sibling to two older sisters

Maybe I’m just used to it?? But honestly Daniel wasn’t that bad

The racism portrayal in the first few episodes was not all that cartoony and it actually felt real at times, like I can check for American news rn and find stories similar to what you see in episodes 1-3 (minus the telekinesis)

Although the gas station racist hick spouting trump slogans was a bit on the nose, it’s more of dialogue thing

Some people thought the gas station detainment was egregious but it can happen unfortunately, especially to vulnerable people in rural areas and by someone of a higher systematic advantage

One other thing I did not like was the love interests, I thought Finn and Cassidy were alright characters on their own but why do we need romance in this game where the protagonists are always on the run?

I don’t like to compare lis 1 to 2 but when it comes to the romance the former did a better job as it spent more time establishing it, plus max stayed in the same place for the majority of the game- but you know what? Sean doesn’t have to be in a relationship right? It can be a one off thing, that’s fine

Which brings me to my next point

How old are Cassidy and Finn?

Cause Sean is still 16 and no, being on the road didn’t mentally age him- he’s not “mature” for his age

He is still a kid

So for some reason Dontnod never really specified their ages but some articles described them as teens (they look 30 to me) and they can be around 18 right? Their lives are hard stress ages you- it happens, we can with live that, it’s just a two years difference

But teens or not

why did they animate a whole knocking the boots scene???

Of all the games in the series, the only one that gets a sex scene is the one with the much younger protagonist and his ambiguously aged older looking love interest and I think it’s only with Cassidy you get to do it in the tent

Alex Chen was robbed of a on screen booty call from a beanie wearing lesbian with a sexy radio voice or a buff ass Adonis of a man who was Smokey the bear’s regional manager or something

Anyways I’m gonna move on I’m uncomfortable lmao

*im not hating on people who ship Sean with either Finn or Cassidy, I’m not even tagging your ship names- im just stating my personal preferences on my blog

One last thing I did not like about LiS 2 and it was the one thing that kept me from playing it for years

That one scene from episode 4

So at this point Sean Diaz went through the following:

-lost his father, had to abandoned his loved ones, education and home

-was accused of killing a cop

-had to take care of his little brother on his own while on the run, the same brother with telekinesis and none of them know how to control it

-was harassed, beaten then detained by a racist white man

-had to take refuge in an abandoned cabin with little resources

-the dog that they adopted at the gas station eventually gets mauled

-the one time they found solace at their grandparents house they had to leave abruptly cause the police was hot on their trail

-on their way out they can potentially witness the neighbors kid that they befriended get hit by the police car that’s chasing them

-they find shelter at a nomad campground but oh no they get involved with drug trafficking cause they barely have any other options to make money (unfortunately this happens a lot IRL this isnt egregious)

-Sean now has to deal with the trafficking, making sure that Daniel doesn’t get into any trouble with his powers while fake ass giancarlo esposito is breathing down his neck

-and guess what happens next… Daniel gets robbed into pulling a heist on temu gus fring and it goes badly, Sean can potentially lose a love interest/friend in Finn

-Sean gets hurt, Daniel goes so mad that he blows the whole place up; a shard glass flies into Sean’s eye and he ends up losing it

- Sean wakes up from a coma and learns that his brother is missing and he’s about to be taken to jail

- the one thing that consistently brought him joy during this trip was his art and because of the missing eye he can’t even do it the same anymore cause it hurts now

- Sean has to escape the hospital with a hot wired car, little money and has to drive across two states just to get to his brother

-on the way he dreams of his father, he wants him back he wants his old life back but that’s not gonna happen so he has to move forward

Im not listing all this as examples of bad story telling, a lot of these are real life experiences of homeless people. im just painting a picture of the shit that Sean had went through so far

Cause right after the dream sequence, Dontnod didn’t think all that was enough no you had to see Sean get hate crimed by two lifetime movie, sitcom special of the week racists- be made to either sing or suffer a brutal beating

It added nothing to the plot, it didn’t need a choice system either- it’s a hate crime, you’re not asking Joyce for fucking pancakes or eggs n bacon at the whales diner or hosing down Lisa the fckin plant.

This to me went straight to trauma p*rn category, it’s wheelchair Chloe all over again

I hated it then in LiS 1 and I hated now in LiS 2, this is why I don’t dick ride Dontnod that often

They always had this tendency right before the end they single out a particular character and mentally whip them, they become the writing teams punching bag- they think we didn’t get it the first time that this character is going through it, they just hammer it in with the subtlety of a heart attack and I hate it

“Yeah but it’s there to show Sean’s resolve to find Daniel-“

HE ESCAPED FROM THE HOSPITAL AND THE FEDS, HE HOT WIRED A CAR TO DRIVE ACROSS TWO STATES

He’s starving, dehydrated, suffering from chronic pain

That’s enough

Let the character breathe

You ask why not a lot of people wanna play this game and I’m gonna tell you, as much I enjoyed it myself it’s not an easy game to play- it gets brutal, especially right around the end

I’m not against bleakness or extreme conflict, I’m into that but sometimes that doesn’t translate well to any gaming format- especially a choices matter game that’s meant to be replayed

Some people have asinine reasons not to play LiS 2 like it dealing with racism and those people suck, lis had always dealt with progressive themes like calling out objectification, cyberbullying and sl*tshaming

Racism shouldn’t be the exemption

but misuse of racial trauma and not knowing when it’s appropriate to invoke it is a huge turn off and hella triggering to a lot of non white players and I remember when LiS 2 dropped I’ve seen (mostly white) lis fans at the time proclaiming that not wanting to play it meant that you were racist

Like I said there were probably racists who didn’t wanna touch the games cause of the main characters skin but there were people like me who were apprehensive of the “Let’s go to the mosh pit Shaka brah” people handling racism

This is the same studio that had Ms Grant (one of the few black characters from LiS 1) claim that the white settlers peacefully shared the stolen land with the native Americans

I find that shit harder to believe than the time traveling powers

And they were doing alright in the first episodes they covered stuff like unconscious biases slipping through, dog whistles, polite racism from the grandparents segment, police brutality, racial profiling and being targeted/othered- some of these things I went through when I visited western countries

Then they did the bullshit I feared theyd do…

I really don’t blame myself for being hyper vigilant at the time and honestly I was going through a lot then, even if I wanted to I wouldn’t have touched LiS 2 cause it’s a very heavy tasking game to play

I know I kinda made it seem like I didn’t like this game but I did, its the best one in terms of the choice system

It had more weight to it, seeing Daniel internalizing what you say to him or how you act around him was so cool

Also what the second game has over the first one aside from the choices system is the ending selection- I never liked picking the endings for max, I wanted her to pick the ending or her coding/script to do that

Its definitely more fleshed out technically even though LiS 1 has a special place in my heart it’s always gonna be no. 1- but im also glad that I got to experience the 2nd game for the first time, I liked it

Personal lis ranking

1: Lis 1

2: Lis 2

3: True colors

Discount bin: BtS

My personal fave moments from LiS 2:

- beating up the racist bully and giving him a concussion

-mushroom (rip icon)

- victorias letter

-winning that that bear from that claw machine

-gorillaz song that was not feel good inc

-Brody pointing at a fucked up looking arcadia bay yelling “that’s the past!”- that was hilarious

-Sean paying tribute to Arcadia bay in his sketchbook (this fucking kid man, he’s so sweet he deserves the world- what did he do to make DONTNOD mad at him)

- the wolf animation and the story that plays before every chapter

-this was the worst hate crime in the whole game

[literatureloverx]

One of the things I find curious about Fyodor is that in the latest bsd guidebook, he describes himself as the color white like his hometown's snow. Fyodor still remembers his hometown, after all he's gone through and after all this time. And he describes himself as the color white like its snow. That with his character's disconnect from people, makes me very excited for when Asagiri decides to reveal his character's backstory. Of course he probably means snow in a more way of "purity" than sentimentalism for his hometown itself but omg he mentions his hometown which is something enough. Not "like snow" which would convey purity enough but "like the snow from my hometown". Maybe it's because he found his faith there? Maybe he just wants to pay respect to where he was birthed? Idk but there's much to theorize. What are your thoughts?

-🎪 anon

I agree, 🎪-anon!♥️

I don’t know if it’s because he found his faith there, but I think that is very likely and seems reasonable.

However, I also believe he was born into a religious family to begin with. I’ve thought through other aspects as well. Let me break it down for you:

Purity and Fyodor’s inner moral code:

Fyodor describing himself as the color white, especially like the snow from his hometown, speaks volumes. It hints at his complex inner moral code—he engages in dark actions under the belief that they serve a greater good.

This idea of “purity” contrasts sharply with his behavior. But does it?

In my humble opinion, he is well aware that what he does is evil, but his inner moral depiction is influenced by Machiavellian tendencies.

He does whatever he needs to do to cleanse humanity of their sins. Therefore, his actions reflect Machiavellian principles.

In short: the ends justify the means (The Prince by Niccolò Machiavelli).

I’m imagining it like this: God has given him the enormous power of being immortal—never truly able to die.

God also gifted him with an intelligence that is above any other human being.

This means he must be someone important.

This means he is meant to be the rightful hand of God, tasked with creating a world that is worthy of God’s beauty.

Therefore, he wishes to help God’s creations, cleansing them and this sinful world of all their sins.

This is one reason why he says that he likes all humanity equally. Because he really does.

They are all the same to him—fools who could do better. Fools that could be worthy of God’s perfect world.

What fascinates me the most about him is that, even though he is doing all of this out of pure self-assurance and his own complex inner moral compass, he still claims that he is doing it for the whole world. And I believe he does.

I can totally see this being his ultimate end in the future.

His Hometown and it’s significance for him:

By referencing his hometown, he reveals a more humane side to himself.

If you haven't already, l'd recommend you read THIS and THIS posts of mine, where I explained very clearly how I perceive Fyodor's humane side.

It shows that he yearns for connection and perhaps misses the simplicity and innocence of his past.

This duality makes him such a fascinating character, caught between his dark pursuits and the remnants of his humanity.

Imagine feeling like, or even knowing that you're "the chosen one," only to end up isolated, dehumanized, and lonely, with nothing to hold onto but your belief in your God.

You can't die, because the only way for you to do so is by your own hands, which is considered the greatest sin.

You can't die. Not until you take your own life.

How deep must his religious beliefs run for him to be this dedicated to his goal, mentally able to endure and live for hundreds, maybe thousands of years?

This made me so emotional. I want to give him a hug. My precious love.♥️

[mamawasatesttube]

i don't know if my previous message sent through but.. my original ask about tim was just wanting to know his personality/character traits both positive or negative. i've been writing for him for a bit but have the idk how to describe emotions thus character traits-itis (alexithymia) and i know you've read a ton for tim so i wanted to ask you, if that's alright?

i just wanna make sure i've been writing him as canon compliant as possible while i keep reading for him. tysm and have a great day/night 💞

IT DID tysm for the reminder!!! ive had family in town this week (leaving tomorrow tho) and we've been doing a bunch of stuff so i havent had a ton of free time for writing up a thoughtful metapost and i wanna give u a good answer ideally with citations but ill have to hunt those down. SO!! if i havent gotten an answer to u by like. wednesday. poke me again!! <3

a very quick synthesis of tim's character for me tho would be that he is a people person. he is made of hubris. he is lawful good - if he sees a wrong happening and no one is doing anything about it, of COURSE he has to step in. he is a know-it-all and he is so nosy. he is the peak annoying baby brother. he is powered by love and the need to say 'i told you so'.

he loves his parents; his relationship with his dad is a complex thing wherein jack is emotionally abusive and tim really wants to pretend that that's not true because they do love each other and he hates how much he has to lie to his dad and sorta goes "well that's the real root of our problems" because if it's his fault then it's in his control. (this goes back to him being a hubris guy. he's a control freak. surely if it's in his control he can fix it.)

he's also very self-aware despite also having the capability to think himself into knots and tie himself into a pretzel or perhaps a balloon animal, which can be quite entertaining because he's aware that he's going balloon animal mode but he can't stop himself from doing it.

[kylieswift31]

Liar, liar, pants on fire

Taylor has referred to herself as the narrator of the story within her music over and over again, but what type of narrator is she referring to? It’s appears that Taylor has been alluding to being the unreliable narrator of her own story.

The unreliable narrator is a form of literary device utilised by authors to create plot twists and conflicted characters within a story. In the process the narrator may withhold information, lie to the audience or mislead them. This encourages them to cast doubt on the narrative and engage with the material on a deeper level. The benefit of telling a story in this way is that it forces the audience to come to their own conclusions when the narrator’s point of view cannot be trusted.

When we apply this context to Taylor’s role in retelling her story we start to understand why she has been affectionately referred to as ‘Tayliar’. There is a layer of mistruth sprinkled throughout her story to alter the way it is interpreted so that everyone can slowly see through the facade that was being presented to us. This is a gentle approach, but also an effective one.

Taylor has slowly been drawing more attention to the lies so that more people will notice. This has intensified the split in the narrative, leading to a hostile divide between those who can see the truth and those who believe that the fantasy is real. Both have different points of view but only one side is right, and it's the gaylors because we can see how all of the pieces of the puzzle fall into place when it's viewed through a queer perspective. There's a lot more to the story past this point, but it is the beginning point for many to begin questioning the narrative.

What we're continuing to see unfold now is the lies being told to keep up the facade for everyone else. This phase is supposed to feel contradictory as Taylor continues the process of leaving a trail of clues. I understand many have known the truth for years and are growing tiresome waiting for an ending, but I'd urge you to see that what's happening now isn't for us, it's for those who still believe in the fantasy.

Unfortunately the ending of a story told by an unreliable narrator is oftentimes anti-climactic. It sounds cliche but it really is about the journey and not the destination. But the good news is that there really is so much suspense, complexity and beauty when you are paying attention to all of the small cracks forming in the facade. This is where it becomes clear that Taylor truly is a mastermind.

It's likely that some will accuse Taylor of gaslighting her fans when they discover the truth, but the majority will begin to understand why she kept it a secret once they've had a chance to uncover the truth that has been hidden in plain sight for themselves.

"If you ask me if I love him, I'd lie" -Taylor Swift

A tortured poet,

Kylie x

[hollyethecurious]

CS AU: Once Upon A Grimm (2/?)

Summary: The world was far more complex than most people realized. Humans went about their lives, completely ignorant of the fact that there was a world of fairytales existing right alongside them. Well, not really fairytales. Not in the Disney sense, anyway. Many, like the Grimm brothers, had woven the truth into their stories, but the creatures they wrote about were even more nightmarish than their macabre and monstrous depictions. Creatures known as wesen. Supernatural, other-worldly beings who have always lived among humans and have always been hunted by those who had come to be known as Grimms. A struggle of secrecy, balance, and power among these species has existed since the beginning of time. This is a story of a man with his own struggle. The internal struggle of being a human, a wesen, and a Grimm, and the external forces that seek to eradicate one or all of his natures, especially those he tries to keep hidden. Fortunately, Killian Jones is not alone in his struggles nor his secrets. His personal savior, Emma Swan, has secrets and struggles of her own.

A/N: This fic is inspired by and will borrow from the NBC show Grimm. I confess I did not watch Grimm when it first aired, but absolutely fell in love with the show during a binge fest years later. If you have not seen the show, no worries! My beta - who has not seen the show either - assures me that it is not necessary. If you have seen the show, then I hope you’ll forgive the huge creative license I am taking with the material. This is not a strict Grimm retelling with Once characters. This is my own spin on the lore and cannon of both shows.

Sorry I am so late with this update. I underestimated how demanding real life was gonna be now that we are back in full swing with school. I'll do my best to stay on track going forward!

I cannot express how much I have enjoyed being a part of the @cssns all these years. Thank you to the mods who have kept it going year after year. We've had a terrific run! Huge shout out to @kmomof4 for always being my cheerleader and for her exceptional beta skills. A HUGE thank you and many fangirl squeals to my artist @eastwesthomeisbest for the amazing job she did on the cover art that accompanies this fic. Please go show her some love!

FYI: Because the show took cues from the Grimm brothers’ works, much of the vocabulary associated with the supernatural creatures was based on German or German coded language. For words like wesen and woge (which will be explained in the text) the w is pronounced with a v sound on the show. I’ll be using terminology from the show and more common creature names interchangeably within the fic.

Rated E (eventually) / Also available on ao3 and ff.net / buy me a coffee / add to tag list / Curious? Come Ask Me!  / Prologue

Chapter One

Two and Half Years Later…

“What have we got?”

Killian approached the scene with his partner, Robin. Their mate and uniformed officer, Will, brought them up to speed, keeping his voice low as the men conversed on the walkway that led to the grand house towering before them.

“Grace Hatter. Eight years old. Never made it to school this morning,” Will informed them, reading over his notes. “Father says she left the house at a quarter to eight like usual. An hour later he got the call from the school telling him she was absent.”

“Do we know if he’s clean?” Killian asked, assessing the distraught man who was being questioned by other officers.

“No,” Will replied. “Dad’s name is Jefferson Hatter. We're looking into him.”

“Mom?”

“Deceased.”

“Okay. Thanks, mate. We’ll go have a talk with him.”

Killian and Robin continued up the walkway. When the father caught sight of them, he rushed down the front steps to meet them halfway.

“Are you the detectives?”

“Yes, sir,” Robin responded. “Detectives Locksley and Jones. Can you tell us more about your daughter? When you last her? What she was wearing?”

“Yeah, um…” The man took a moment to try and compose himself. His hand shook as he brought it up to run down his face. A shuddering breath filled his lungs and a sob caught in the back of his throat. “She uh, she left here about 7:45. She’s wearing purple leggings and an oversized, purple top that has a white rabbit on the front of it. She also had on a red hoodie and her backpack is pink and purple with her name on it.”

“Does she often walk by herself to school?”

The man, Jefferson, nodded, tears welling in his eyes. “Ever since the beginning of the school year. She wanted… She wanted to be a big girl this year.” He took out a handkerchief from his pocket and wiped the freshly fallen tears drops from his face. “I was reluctant, but the school isn’t far and normally she walks with another little girl and her brother down the block.”

“But not today?” Killian inquired.

“No,” Jefferson answered. “Ava and her brother are both out sick this week. Grace walked alone yesterday, so I didn’t see an issue with her walking alone again today.” His face reddened, the tears now cascading down his cheeks as he pleaded, “Please. You have to find my little girl, please!”

“We’re going to do everything we can,” Robin promised him, digging a card from his pocket. “An officer is going to stay with you as we canvas the neighborhood, but if you think of anything else, give us a call.”

“Th-Thank you, detectives,” Jefferson said, taking the card then following one of the officers back to the house.

“So, what do you think?” Robin said under his breath as they turned back towards the street and surveyed their surroundings.

“If he’s involved then he’s an excellent actor,” Killian replied. “I think it more likely she was grabbed on her way to school. The question is… where?”

The street was lined with houses on one side, facing a wooded park area. The little girl would have made her way to the end of the block then turned to go around the woods. The school was located on the other side, about seven blocks away.

“We’ve spoken with all the neighbors who are home along the route she would have taken,” Will said, joining the detectives. “No one saw anything.”

“Maybe she didn’t take the usual route,” Killian said, jutting his chin towards the woods. “Maybe she took a shortcut.”

“Dad was very specific about the route,” Will told him. “He said Grace wasn’t allowed to cut through the woods.”

“Yeah, and we all know you did everything you were told when you were a kid,” Robin quipped, slapping Will on the back before heading towards the woods.

The three of them followed the worn path, carved out of the foliage by those who had used the woods as a shortcut over the years. Although focused on the task before him, Killian could not help but acknowledge how fortunate he was to do this job with his two best mates at his side.

It had been a series of unfortunate events that had led them here. Two and half years ago, he and Robin had been uniformed officers at different precincts and Will, after washing out of the academy years before, owned a local bar. After being attacked and having his life, once again, turned upside down, Killian had spiraled a bit. Neglectful of his duty and spending too much time at Will’s bar had made him a less than stellar candidate for detective, despite his high scores on the exam. However, everything changed once more the night Will’s bar went up in flames.

Though it had been deemed arson, they still weren’t sure how it had happened. The explosion and fire claimed the lives of more than a dozen officers and detectives from both Storybrooke and Glowerhaven. In the aftermath, personnel had been reshuffled, reassigned, and reevaluated, giving Killian a second chance at a detective slot and transferring Robin to the Storybrooke precinct. Will, determined to bring the perpetrator to justice, had reapplied to the academy and finished top of his class before being assigned to the Storybrooke PD.

Although the arson case had gone cold, Killian and Robin, with an assist from their favorite uniformed patrolman, had managed to garner the highest number of closed cases of any rookie or veteran detectives within the city or its outlying suburbs. Robin often joked that the reason the three of them were so good at this job was because in another life they would have been criminals themselves - and therefore knew how their perps thought - dubbing themselves the pirate, the bandit, and the thief.

Of course, he had no idea that Killian possessed abilities beyond those of a normal human detective which gave him an advantage. Abilities he was currently applying in the hopes of bringing this little girl home safely.

When the trail forked, the trio branched off in separate directions. Once out of sight from his mates, Killian crouched down and closed his eyes, homing in on the sounds around him as he inhaled deeply. Over the years he’d made peace with his wolf side. It wasn’t always easy to keep the wesen reined in, or explain away how he’d been able to accomplish some of the things his supernatural abilities allowed him to do, but as time went on he found ways to balance his human and wesen side.

Not able to pick up anything out of the ordinary, Killian resumed his search further up the path. A moment later, Robin’s voice called out.

“I’ve got something!”

Killian rushed towards Robin’s voice, arriving alongside an out of breath Will. Both men were too focused on the pink and purple backpack laying among the ferns to notice Killian’s lack of exertion.

“Grace Hatter.” Will read the name where it had been monogrammed in bright pink, confirming it belonged to their missing girl. “She must have been grabbed somewhere in this area.”

“Careful where you step,” Killian reminded them. “Will, call it in and inform the others that we have a crime scene in Wonderland Woods Park across from the victim’s house.”

Will stepped away to radio it in, leaving the detectives to peruse the area.

“Killian, we got boot prints here. They look fresh.”

Killian noted the direction of the prints and commented, “He took her this way.” Setting off down the path, he shouted over his shoulder, “Stay with Will until CSU arrives. I’ll see where the prints lead.”

Once out of sight, Killian crouched down again and took in a deep breath. The hairs on the back of his neck stood at attention and a primal growl rumbled in the center of his chest. He could tell the scent was wesen, although he wasn’t sure what species. There was something vaguely familiar about it, but he couldn’t quite put his finger on why.

Never before, since his transition, had he ever wished for the moon to be in its full cycle. If it were, then his sense of smell would be stronger. He’d be able to discern the little girl’s scent better, as well as her abductor’s, and he’d be able to tell which direction the two had gone once they’d reached the road on the other side of the woods.

Cursing under his breath, Killian made his way back to Robin and Will. The Crime Scene Unit had already arrived and the area was being cordoned off so they could work making casts of the boot prints. Killian eyed Grace’s backpack as it was being bagged and tagged so it could be processed for fingerprints. He wished he’d gotten a chance to scent it, but the K-9 unit was already seeing to the task.

“There isn’t much more we can do here,” Robin told him. “Will and the other officers will follow up on the neighbors they didn’t get a chance to speak with earlier. Maybe one of their security cameras will have caught them coming out of the park.”

“Aye,” Killian said with a resigned sigh.

Clapping Killian on the back, Robin suggested, “Let’s go get some lunch. By the time we’re done, more evidence will have been collected and processed, then we can focus on whatever they found.”

“I suppose I could eat,” Killian relented. Robin was right. There was nothing more they could do that the other officers didn’t already have handled. They’d need their strength and their wits about them for the long afternoon and evening ahead. “Where did you have in mind?”

“How about Aesop’s?”

Killian cocked a brow his partner’s way. “Aesop’s? A bit swanky for lunch isn’t it?”

Robin shrugged. “I hear they have a great burger menu.”

“Mhmm,” Killian hummed. Something in Robin’s demeanor had him dubious as to whether that was the real reason. “I suppose we could check it out,” he replied with a shrug of his own, followed by a wolfish grin. “So long as you’re buying.”

~/~

“So that’s the real reason you wanted to come here,” Killian ribbed in a sing-song tone. “The lovely and elusive Miss Mills.”

Robin’s cheeks flamed pink behind the bun of his burger as he took as long as he possibly could to bite off then chew a mouthful.

“You know this constitutes stalking, right? Why not just ask her out?”

Robin swallowed and chased the bite with a sip of water, once again taking his time running his napkin over his mouth before placing it back in his lap.

“You’re hopeless,” Killian exasperated, getting up from his seat. He shot a wink over his shoulder to his mortified partner as he approached the nearby table, teeming with lawyers in their power suits. “Miss Mills?” he said in a feigned tone of surprise.

“Detective Jones,” she said in a friendly yet reserved greeting. “Funny running into you here?”

“Aye,” he said. “The lunch burger menu was recommended to Robin and me, so we thought we’d give it a go.” He gestured back towards the table Robin was metaphorically trying to hide beneath. Miss Mills - Regina - gave him a wave which he awkwardly reciprocated. “I won’t keep you,” Killian continued. “I was on my way to the facilities when I spotted you and just wanted to say hello. Enjoy your lunch.”

“Thank you, detective. A pleasure seeing you,” she replied, though her attention was not set on him but rather still subtly fixated on his partner.

When Killian exited the lavatory hall on his way back to the table, he slowed his steps and his lips twitched up in a smile. Robin and Regina were standing at the table conversing as the prosecutor’s colleagues were filing past, on their way out the door. Regina slipped Robin her card, her painted lip caught between her teeth, and he accepted it with a full, bright smile. Killian chuckled to himself, eager to take the mickey out of his friend, when something in Regina’s countenance shifted.

She’d turned towards the door, prepared to follow her colleagues, when her entire body went rigid. Something rippled through her expression and Killian was taken aback by what he saw.

She woged.

Regina Mills was… a hexenbeist?

No. He had to be seeing things. She couldn’t have woged. If she had, the entire restaurant would be in an uproar, especially Robin. There’s no way anyone would have missed the gruesome sight of a hexenbeist revealing her true form. Unless…

No. That wasn’t a possibility either. The full moon wasn’t in cycle yet, so there was no way he could have witnessed a demi-woge. Could he?

Regina’s features returned to normal, but her posture was still stiff and on guard. He followed her eyes to try and determine what had prompted such a response and was stunned to see another woged hexenbeist casually standing by the hostess stand. She had flaming red hair and was dressed in a tight, green dress. When her human face presented itself once more, she wore a smug, slightly challenging smirk.

Finally collecting herself, Regina marched past the woman without a word or backward glance, but the red-haired witch watched her all the way out the door and down the block.

“Did you see that?”

Robin’s question shook Killian from his shock, but a fresh, confused panic spiked within him. “See what?”

“The text,” Robin said, lifting his phone for Killian to see. “We’ve got a body.”

“A body?” Killian parroted, attempting to get his racing heart under control while processing what his partner said.

He didn’t see it, then. Didn’t see them change. Then why did I?

“Not Grace Hatter?” Killian’s heart dropped a little as his mind finally caught up.

“No,” Robin assured him. “Not the missing girl, but the captain wants us to take point on this one, too.” He beckoned Killian to follow him through the tables towards the exit. “I’ve already settled the bill. Will’s waiting for us at the scene.”

Before heading out the door, Killian scanned the restaurant for the red-headed hexenbeist, but saw no sign of her. He tried to shake off the unnerving feeling her and Regina’s woge had elicited in him. The mystery of why he had been able to see it at all would have to wait. He had more pressing issues to concern himself with.

~/~

“Are you sure this is even a homicide?” Killian heard Will ask under his breath. “Looks more like an animal attack?”

For the second time that day, Killian’s hackles rose. The scene before him was familiar. Too familiar. He could remember, as though it were yesterday, making the same inquiry to the detectives working a similar scene. A scene that had led to Killian being attacked and transformed. A scene that had been declared an animal attack after the DNA had come back as inconclusive. A scene where no other evidence had been left behind except…

“We got a boot print!”

Killian’s entire body reacted in a ripple of goose bumps and a sharp inhale confirmed the truth as a familiar scent penetrated his sinuses.

It’s him! He’s back. The blutbad who attacked me. The blutbad who made me. He’s back and he’s killed again. He’s killed again and… HE’S TAKEN GRACE HATTER!

“Oi! Kill, er… detective. You alright?”

“You look as though you’ve seen a ghost, mate.”

Killian’s Apple apple bobbed painfully. “We need to go see the Captain. Now.”

It was a quick ride back to the precinct, though Killian’s silent stewing had probably made it feel longer to his partner. Robin knew him well enough to not pepper him with questions when he was like this, allowing him space to get his thoughts together. It didn’t mean his mate didn’t side-eye him with furtive glances the entire way back to the station, though.

“Captain Gold, do you have a minute?” Killian asked at the open doorway of their captain’s office.

“For my two best detectives? Of course,” Captain Gold said, gesturing them forward. “How’s the investigation going into the missing girl? Or is this about the body we found? A jogger who was a student at the local university?”

“Actually,” Killian hedged, still unsure how he was going to convince his captain and his partner of what he knew to be fact. “It may be about both.”

“Go on.”

Killian and Robin took a seat in front of the captain’s desk. Leaning forward, Killian began to fill them in on what he’d pieced together.

“A little over two years ago, there was a hiker who was attacked in a similar fashion to how we found the jogger today.”

“I remember,” Gold said, nodding his head. “That was ruled an animal attack, wasn’t it?”

“Aye,” Killian said. “The DNA was inconclusive, but that wasn’t the only evidence left at the scene.” Flicking his eyes towards Robin, he said, “There was a boot print. Just like the one at the scene today. And that’s not all…” Sitting back, Killian wiped his hand down his face and let go a heavy breath. “The same day the hiker was attacked and killed, a little girl went missing in Glowerhaven.” Robin’s eyes widened and Killian knew he didn’t need reminding, but the Captain still needed to know. “I know because Robin helped work that case and we were mates back then.” Setting his attention back on his captain, Killian continued. “Look. I’m not saying all these cases are connected, but we did find boot prints where we suspect Grace Hatter was abducted, and it all feels a little suspect to just be coincidence.”

Captain Gold tented his fingers in front of him, and his eyes narrowed at Killian. “I’m inclined to agree,” he said, after a few agonizing seconds. “It’s all too coincidental to not look into.” His eyes shifted to Robin. “Locksley, reach out to Glowerhaven and see if you can get a copy of the missing girls file from two years ago. Check it for any similarities to the Grace Hatter case. Jones,” he continued, focusing his attention back on Killian. “Follow-up on the boot print. See if the one from the hiker’s scene matches the jogger’s, then compare it to the ones we found at the abduction site.” With a dismissing nod, he added, “Keep me informed.”

“Yes, Captain,” the two detectives replied on their way out of Gold’s office.

“How did you put all of that together?” Robin asked. “Remembering that girl from more than two years ago who went missing the same day a hiker was mauled? I don’t think I would have put that together.”

“I don’t know,” Killian deflected. “Something about that night just… stuck with me, I guess.”

“Well, good pick up,” Robin said, clapping him on the back. “I’m gonna call GPD, then head over to collect those files. Check in later?”

“Aye,” Killian told him. “Later.”

It took Killian less time to confirm the boot prints were a match at all three scenes than it did for Robin to make it back with the files. Although it proved the crimes may be connected, the boots that matched the prints were a very common brand. It would be nearly impossible to find their suspect that way. Frustrated, Killian shot off a text to Robin and Will, letting them know he was gonna go out for some air.

There had to be a way of finding this monster.

Not that he hadn’t already tried. He’d gone back to the scene of the hiker’s mauling time and time again in search of any clues, hoping to discover the identity of the killer and the wesen who had turned him. Once the case had been cleared from homicide, investigators believing a wolf or mountain lion had caused the grizzly death, there had been little Killian could do inside the law. He’d been too preoccupied with the changes he was facing as a newly made wesen to pursue the blutbad on his own, and too worried about what his brother’s reaction might have been if he’d turned the case over to a Grimm. A Grimm who might have been able to detect such changes in his little brother.

Now, he couldn’t help but feel as though the jogger’s death and the missing girl were his fault. He should have told Liam about the rogue blutbad or gone after it himself.

He wouldn’t make the same mistake this time.

Digging his phone from his pocket, Killian dialed his brother’s number and held his breath as the call rang.

This is Liam Jones. I’m not available to take your call. Leave me a message.

“Liam. It’s Killian. Call me back. I’ve got a situation here that might require your expertise.”

Typical.

Killian’s phone vibrated in his hand. He glanced at the screen, expecting it to be Liam returning the call. Instead, the caller ID displayed Will’s name. Killian knew he’d been pouring over videos collected from neighborhood cameras, and he was eager to hear if he’d found anything that might help them locate the missing girl.

“Will? What you got?”

“Not much,” Will confessed over the phone. “I’ve checked all the cameras we collected from Tweedle Drive, the street the perp would have exited the woods from, and there’s nothing out of the ordinary.”

“Nothing?” Killian asked, defeated. “From the whole street?”

“Well, there’s a bit we don’t have footage of, but none of the videos show any car, truck, or van he may have used to move the girl. The only vehicle on the street at that time was the mail truck.”

“The mail truck?” Killian repeated, an idea coming to him. “Do me a favor. Find out who was working that route today and whether the postal service issues a certain type of boot for their employees' uniforms.”

“You think it was the postman?”

“It’s the only lead we’ve got,” he told Will. “If nothing else, the postal worker may have seen something. We should track them down as a potential witness.”

“I’ll get right on it.”

“Text me the name when you’ve got it.”

“Will do.”

A renewed rush of hope filled Killian as he made his way back to the precinct, but it was hindered by a fresh realization.

If the postal worker did turn out to be their suspect, then he wouldn’t be going up against their usual perp. He’d be going up against a wesen. A blutbad. And not just any blutbad… his sire. The one who had turned him. Would he know? Even without the full moon bringing out his wesen characteristics, would his sire be able to tell what he was?

Killian stopped short of the station door and did an about face. He needed to better prepare himself for this confrontation, and there was only one person who would be able to help him do so.

Searching his contacts as he made his way to his vehicle, he prayed this call would not go to voicemail.

His prayer was answered.

“Hello?”

“Swan. It’s me. I need your help.”

~/~

The fingers of her left hand drummed against the counter as the nails on her right were being assaulted by her teeth. Normally, Emma Swan would not allow a situation to unnerve her this way. Of course, it wasn’t the situation, not really, it was the man involved in the situation. The man who only came in once a month to pick up his wolfsbane tonic and share polite pleasantries with her or her brother, who assisted her at the shop. The man who had agreed to keep things between them strictly professional after the one time thing incident that had occurred early on in their association. The man who had kept to that promise… until now.

He wasn’t coming here for his tonic - the full moon was still over a week away. He wasn’t coming here for tea, or spices, or herbal remedies, or anything within the purview of her business. No. He was coming here because he needed help on a case. He was coming here because he had nowhere else to turn. He was coming here because he needed… her.

Although they had managed to keep one another at arm’s length these past two years, it hadn’t been that way at first. The month following his attack and introduction into the wesen world, they had texted and chatted numerous times, having built a rapport by the time of the next full moon.

A rapport that simmered with attraction and temptation.

Fortunately, they had both understood the seriousness underlying his stay with her during that first full moon. Setting aside the obvious chemistry between them, they focused instead on the alchemy of finding the right balance of wolfsbane. Everything had gone as expected… until it hadn’t.

“Emma, sweetie,” Granny said in her admonishing tone. “Are you trying to drive us both mad with your fidgeting?”

“Sorry, Granny,” Emma mumbled, removing her nail from her teeth and flattening both hands on the counter.

The elderly woman’s soft, weathered hand covered hers and she gave it a light, comforting squeeze. “What’s got you all riled up? You said he was a regular customer.” Her eyes narrowed and her head tilted to the side. “Is it because he’s a lycanthrope?” Patting Emma’s hand she assured, “I may not look it, but I can still hold my own. If he gets unruly, then--”

“No, it’s not like that,” Emma said, cutting the woman off in a rush, not wishing her to get the wrong impression. “Detective Jones is much more disciplined than lycanthropes are believed to be. He’s… he’s a good man.”

“Then why on earth are you worked up in such a state?” Granny inquired. “I can practically smell the anxiety and tension wafting off of you.”

Emma chewed her bottom lip, then silently cursed herself. Get a grip, Emma. Tossing her hair over her shoulder, she straightened her posture and schooled her features. “It’s nothing.”

Granny let out a dubious hum. “Try again,” she said. “If you want me to help a lycanthrope - and a detective to boot - that has you all tied up in knots then you’re gonna have to give me a reason.”

Emma released a heavy sigh. She knew Granny was right. The woman was going out on a limb for her, the least she could do was give her the truth.

Given that she expected the detective to arrive at any moment, Emma quickly told Granny about her and Killian’s first meeting, and the subsequent month that had followed.

“Sounds like the two of you became fast friends,” Granny remarked, though Emma thought she could detect something slightly off in the woman’s tone. “What happened?”

Glancing at the door, Emma wasn’t sure if she was irritated or relieved that he hadn’t arrived yet. She’d never told anyone what had happened.

“He came to stay with me for the full moon, as planned,” she began.

“Here?” Granny asked, knowing the proprietor lived above her shop.

“Yes,” Emma confirmed. “In my spare room. I wanted us to be close to the workshop so I could make adjustments on the fly.”

“What do you mean?”

Swallowing, Emma told Granny about the experiments they did, testing the effectiveness of the wolfsbane. “Things like, provoking his temper and trying to elicit responses that were more primal,” she hedged, with half a shrug of her shoulder, “to see how well he could keep control under such stimuli.”

“And?” Granny prompted. “How did he do?”

“He did great,” Emma said, then winced slightly as she added, “Until August showed up.”

A knowing huff left Granny. “Yeah. I’d imagine the presence of another male might have set him off a bit. Did your brother come away unscathed?”

“Barely,” Emma replied. “Killian didn’t know who August was and when he saw him hugging me he… woged.”

“As in… fully?”

“Yeah.”

“That must have been intense for all of you.”

“It was,” Emma sighed. “I had to use magic to diffuse the situation, but once cooler heads prevailed and I was able to introduce the two of them, I thought things were resolved.”

“Until?”

Emma’s mind flashed back to the morning after he’d woged and tried to attack August. The morning after the final full moon.

“So… you made it through your first full moon.”

“Aye. Thanks to you, love.”

“No need to thank me,” she told him. “I should be thanking you.”

“For?”

“For not ripping out my idiot brother’s throat,” she said in a tone mixed with amusement and annoyance. “I told him not to come here this weekend, but does he listen?”

Killian hummed, a sultry, toe-curling sound, and sauntered forward. “Perhaps gratitude is in order then?” he murmured, tapping his lips suggestively with a raised brow and challenging smirk.

“Yeah,” she said, a little breathlessly. “That’s what the thank you was for.”

Another sinful sound echoed past his lips as he pressed further into her personal space. “Is that all your brother’s life is worth to you?”

“Please,” she scoffed with an eye roll, trying, and failing, to get her heart rate under control, knowing full well he could probably hear its erratic beat. “You couldn’t handle it.”

The corner of his lips lifted in a feral and taunting manner. “Perhaps you’re the one who couldn’t handle it.”

The crack of the t against his tongue reverberated through her, and without thought she grabbed the lapels of his jacket, fusing her mouth to his. It took him the briefest of seconds to respond, inhaling deeply before thoroughly devouring her.

It was hot. It was primal. It was all-consuming.

“That was…”

It was a big fucking mistake.

“A one time thing,” she murmured, pulling back from his chasing lips. “We… we can’t do this. I… I can’t do this.”

Releasing him, she took several steps back, unable to meet his eye or look upon his confused expression.

“Swan,” he panted, both of them still working to catch their breath. “Have I… Have I done something? I know attacking your brother was bad form. Please don’t think I’m unaware of the seriousness of that--”

“No, it’s… it’s not that,” she said. “I know you didn’t really have control over--”

“Then what?” he asked. “What’s changed?”

Crossing her arms over her chest, Emma rocked back on her heels and said, “I just don’t think it’s a good idea for us to… I mean… this is all new to you and the last thing we both need is to complicate an already complex situation. I think it would be best if we… kept things professional between us.”

She braced herself for his response, expecting him to be angry. Expecting him to accuse her of leading him on, or taking advantage of him while he was vulnerable. She hadn’t expected him to run a hand through his hair while letting go a heavy sigh before agreeing with her.

“Aye,” he said, softly. “Perhaps you’re right. Perhaps now is not the best time to…” Flicking his too blue gaze up to hers, he gave her an earnest smile. “I appreciate all you’ve done for me, Swan. I think I’ll be able to manage on my own now, thanks to you.”

“You’ll still need the tonic each month,” she reminded him with a slight edge of panic in her voice. She didn’t mean for their association to end altogether. “And you can still call or text me if you have questions about--”

“Thank you,” he interjected, cutting her off before she could continue with her offer. “I’ll swing in for the tonic in a month’s time. I’ll be sure to let you know if there are any issues regarding the treatment.” Reaching up, he pawed at a patch of skin behind his ear. “I, uh… I should go. I have a shift in an hour.”

“Right,” she said, letting him pass so he could collect his things from where he’d set them by the door. “See you next month?”

“Aye, Swan,” he said over his shoulder as he exited the shop. “See you then.”

“Only… I didn’t see him then,” she told Granny. “I chickened out and left the order with August.”

“Are you telling me,” Granny chastised, “that you haven’t seen that young man since--”

“No!” Emma replied, indignantly. “Of course I’ve seen him. We just… it’s been…” Another heavy sigh expelled out of her lungs. “After our… shared moment, I did avoid him for a bit and I know he struggled to cope with his transition, which made me feel worse about how we left things, but then there was this fire at his friend’s bar, and he made detective, and I don’t know… something about him changed. Things were less weird when he came in and we managed to carve out this nice, albeit superficial, relationship and yet--”

“The feelings are still there?”

Emma laughed a rather hysterical sounding laugh. “Uh, no. No feelings. I mean, obviously I care about him, as a person, but my current demeanor has nothing to do with feelings.”

“Oh? What does it have to do with, then?”

Emma didn’t get a chance to answer the woman’s smug question. The bell over the door chimed and the two women's heads snapped in its direction. In walked Killian Jones, as handsome and alluring as ever.

“Swan,” he greeted with a reverential nod. “Thank you for seeing me.”

“Of course,” she managed to choke out, her mouth having gone dry. Clearing her throat, she gestured towards Granny and introduced, “This is, uh, Granny Lucas. She runs the new B&B and diner up the street. I thought she might be able to help. Granny, this is Detective Jones.”

“Please,” he said, taking Granny’s hand and offering it a polite shake. “Killian will do.”

“A pleasure to meet you, detective,” Granny said, obviously sizing him up. “You’re not at all what I expected.”

“Meaning?”

Her gaze still assessing him, Granny quipped, “Most lycanthropes have me wanting to rip out their throats within seconds of meeting them, but you… you’re different.”

Killian’s brows shot up and his eyes flicked to Emma even as he continued to address Granny. “It seems you have me at a disadvantage,” he said a little too calmly. “You know about me, yet I have no idea why Swan brought you in on--”

“Granny’s a blutbad,” Emma blurted out, causing his brows to raise even higher as his head snapped back to the elderly woman. “I thought, seeing as you said your case had something to do with a blutbad, and that you needed more information about them, that you’d like to have your questions answered by someone who--”

“Not just any blutbad,” he said, cutting her off in a tone laced with menace and anger. “The blutbad.”

Emma gasped. “The one who turned you?”

“Aye.” His gaze turned dark and his features hardened. “He’s back and he’s killed again. He’s even taken a little girl captive.”

“That’s terrible,” Emma said, keeping herself from reaching out to offer him a hand of comfort. “When did you--”

“Today,” he told her, catching both women up on the case of the little girl and the jogger and how he’d connected them to the cases from over two years ago.

“We found matching boot prints at the crime scenes, but I also detected his scent at each location. I knew there was something familiar about it, but didn’t put it together until I smelled it mixed with the jogger’s blood. It brought back the olfactory memory of that night,” he said, momentarily getting lost in thought until he shook his head and added, “Of course… I can’t enter that into evidence. Fortunately, we have a lead, but I am wary of confronting him without knowing more.”

“More?” Granny said, her countenance a bit stand-offish and very imposing. “Like what?”

“Like,” Killian hedged, wetting his lips and taking a moment to assess Granny as she had him. “Whether I’ll be able to know him by scent even if he isn’t woged. Typically, I can’t detect wesen by scent whilst they’re in their human form or see them demi-woge unless it's the full moon, so I can only assume he was in full woge when he abducted the girl and attacked the jogger.”

Granny remained stoic and stone-faced, still unsure whether she should trust the gemacht wesen in front of her.

“Look,” Killian said with a tone of authority Emma imagined he employed often in his line of work. “I know there’s a code among wesen. This desire to look after one's own kind. But this guy is a killer. He’s killed two people that we know of and may, even now, be holding a little girl captive, so please. Help me find him. Help me find her.”

The reminder of the little girl softened Granny’s features. “If he’s done what you say he has, then he’s putting us all at risk.” Quickly, she flicked her gaze to Emma then back to him, conceding, “You’re right. There is a code among wesen, but it only extends so far. It sounds to me like this blutbad has gone feral, and his behavior is only going to escalate the longer he’s allowed to run wild.”

“Then… you’ll help me?”

Her posture relaxed further and she stepped up to the counter, bringing her closer to both Killian and Emma. Nodding, she said, “Yes, I’ll help you.”

A relieved breath fell from Emma’s lips and she took Granny’s hand, giving it a squeeze. “Thank you, Granny.”

Granny patted her hand then straightened her shoulders, getting down to business. “Now, I’m no expert on lycanthropes, but unless he fully woges, I don’t think you’ll be able to tell whether your suspect is the blutbad you’re looking for. If he is feral, then it wouldn’t take too much to provoke a response, but you’d have to be ready. Once he woges… he’ll be out for blood.”

Emma saw a shudder pass over the detective and she wondered if he was remembering his own experience with an uncontrolled woge.

“What about the girl?” Killian asked. “What motive would he have for taking her?”

Granny pursed her lips together then hesitantly replied. “If he’s feral, and attacked someone before, then he’s likely gotten a taste for human blood.” Killian and Emma both grimaced, sickened by the notion. “I’d wager he attacked and fed on that jogger first. Probably lost control. He knows he’ll be good for another week until the urge takes hold again, but by then it’ll be the full moon and it’ll be risky for him to be out and about. He probably took the girl in preparation of making a meal of her later. Taking her now gives him time to fatten her up.”

Emma thought she might be sick, and while she could see the shared disgust in Killian’s face, she also saw rage.

Granny caught his eye and imparted, “Having her will make him even more territorial and dangerous. So you’ll need to be ready for anything.”

“Will he, uh…” Killian began, haltingly. “Will he be able to discern who I am? What I am?”

“No,” Granny said, shaking her head. “I only made that quip about lycanthropes because Emma had already told me what you are… and I wanted to see how you’d react. You ought to know by now that wesen can only sense you during the full moon.”

“Aye, but he isn’t just any wesen,” Killian countered. “He’s my maker. Are you sure that won’t have an effect?”

“I don’t see why it would.”

Killian’s Adam’s apple bobbed as he swallowed hard, a reluctant question seemed to pause at the tip of his tongue.

“So there won’t be any… connection between us, then? No weird side effort of my turning that would make me sympathetic towards him or beholden in some way?”

Granny scoffed and cocked an amused brow at him. “Such sire bonds only exist in fiction.”

Killian’s head fell in relief and Emma could now detect how much tension he must have been carrying over that worry.

“Gemacht sometimes latch on to those who aid and guide them through their transition, and many times that is the wesen who turned them, so if you were to have bonded onto someone it would have been the person who was there for you at the beginning of and during your first change.”

Killian’s head snapped up, his eyes locking onto Emma’s. Her heart stuttered, then began pounding in her chest while her breath remained trapped in her lungs.

Granny’s gaze volleyed between the two of them, her heading tilting to one side as she quipped, “I suppose that explains the pent up tension I’ve been sensing between you two.” A warm smile lifted the corners of her mouth in response to their awkward reaction to the call out, and she assured them, “Don’t worry. The bond was temporary. I dare say enough time has passed that it would be gone altogether.” Her no nonsense demeanor returned as she focused her attention solely back on Killian and asked, “Anything else?”

Unsticking his tongue from the roof of his mouth, Killian cleared his throat and said, “Just one last thing… Do you know who this blutbad might be?”

“Afraid not,” Granny told him with obvious regret in not being able to provide him a name. “I only relocated to Storybrooke a few months ago, and I find it best to avoid my kind as much as possible.” Her eyes fell down to the counter and on a bit of a grumble she added, “Bad things happen when we get into a pack. Especially when we see red.”

Killian’s eyes went wide.

“What?” Emma asked. “What is it?”

Killian locked eyes with her once more. “The little girl. Grace. She was last seen wearing a red hoodie. And the jogger and hiker both had on red jackets when their remains were found.”

“So, red provokes him?” Emma said, shaking her head in confusion. “But you weren’t wearing red when he attacked you. You were in uniform.”

“Which,” Granny interjected, “along with your natural demeanor of dominance and authority, he would have seen as a threat.”

“Which means he’ll likely view me as a threat when I confront him.”

“Most likely,” Granny warned. She glanced at the clock on the wall, and Emma knew she needed to get going so she could get back to the diner before the evening rush. “My advice,” she said, rounding the counter on her way out. “When you do confront him, do it alone. You don’t want him to feel trapped or backed into a corner, and if things go badly…”

“Aye,” Killian agreed. “I don’t want anyone else getting hurt.”

Extending her hand, Granny offered him a sincere expression as he accepted the gesture. “Take care of yourself, Detective. I hope you can bring him to justice, but if not… bring him down any way you can.”

With that, she said a quick goodbye to Emma then exited the shop.

“Tough old bird,” Killian said in her wake, causing Emma to huff out an amused breath.

“Yeah. Granny is… something else.”

“Terrifying, I believe is the word you’re looking for,” he quipped with a light chuckle.

The two shared a laugh then stood awkwardly regarding one another for a long moment before Killian cleared his throat and said, “Um… thank you, Swan. I truly appreciate your help. I didn’t know who else to--”

“It was nothing,” Emma blurted out, tucking a strand of her hair behind her ear. “I mean… I was happy you called and that I could…”

Her words fell away and a wash of something akin to embarrassment or bashfulness swept over her. Her face was hot and her palms were starting to get slick.

You're being ridiculous, Emma. You’re not a silly school girl unsure of what to say to her crush. In fact… you don’t have a crush. This isn’t a crush. This is--

Killian’s phone chimed with a notification. Pulling it from his pocket, he checked the text and his grip tightened to the point that Emma feared he’d crack the screen.

“Killian? What is it?”

Slowly, Killian’s eyes lifted and met hers. The look that swirled in those blue depths made her breath hitch.

“We found him, Swan.” His voice was low, almost a growl, and it made the hair on the back of her neck stand in a way that caused her to shiver.

“Who is he?” she asked in a whisper, only vaguely aware that she was rounding the counter to move towards him.

His eyes never left hers and once she was standing before him, they flickered between her own as he answered. “His name is Quinn Adair. His address puts him outside of the city. Out in the woods.”

Emma swallowed hard as an eruption of worry filled her chest. “Are you… You’re not going to go after him now are you?”

“I have to, Swan,” he insisted. “He has Grace, remember? I have to get to her before he…”

Emma nodded, knowing that time was of the essence for that poor girl who was probably terrified out of her mind.

“Just… be careful?” she said, wetting her lips, which caused his gaze to drop down briefly. “And, um… Call me later so I know how it… so I know the girl is okay… and you.”

“Aye,” he said, pocketing his phone. “I will. I promise.”

She expected him to rush out after that, but he continued to stand there. Conflicted.

“Swan, I know this isn’t the time, but… what Granny said earlier. About us. About the bond that might have been created between us. Was that… Was that the reason you pulled away? Did you suspect?”

“Killian, I…” Emma didn’t know what to say. It would certainly be a plausible reason to give him. One that was safer than the truth.

It would be a lie, though.

“It doesn’t matter,” he said, waving off the question and sparing her from having to answer. “As Granny said, whatever was going on between us at the time, it’s likely run its course, so…”

“So?”

Stepping forward, Killian grabbed her hand and lightly held it in his. A rush of goosebumps swept up her arm when his thumb brushed over her knuckles.

“So… Maybe when this case is solved and things go back to relative normalcy, we could… try again?”

“Try again?” Emma parroted. A contradictory cocktail of hope, elation, dread, and panic collided within her as her good sense warred with her wants and desires.

“As friends, I mean,” he clarified, and in tamping down her own disappointment she missed the tone of it in his voice. “We had the start of something I was beginning to cherish and I miss…”

“Me, too,” she told him, turning her hand in his so she could give it a squeeze. Maybe it was reckless. She’d avoided close relationships all her life for a reason, and yet… “I’d love to start again. As friends.”

His smile took her breath away, but it was quickly schooled so he could focus on the dangerous task that lay before him.

“Do you want me to come with you?” she asked, filled with concern about him facing his maker alone. “I know Granny said not to make him feel trapped or backed into a corner, but I doubt he’d see me as a threat. And I doubt he’d be expecting a witch.”

His lip curled up on one side. “As much as I would love to see him go up against your magic, I won’t put you in harm's way like that.” When she opened her mouth to argue, he quickly added, “Besides. I need to try and do this by the book. I’m a cop before anything else.”

“I get that,” Emma relented, begrudgingly. “But I’m going to keep my phone close by in case you get in over your head and change your mind.”

“In over my head?” he said in feigned offense. “I’ll have you know, love,” he murmured in a low timber, edging a bit closer to her. “If there is one thing I’m good at… it’s surviving.”

“Mhmm,” Emma hummed, meeting his taunting expression of challenge with one of her own. “Well, I’m going to insist that you stop by afterward in order to prove that to me.”

He smiled down at her, another message alerting from his phone, indicating it was past time for him to go.

“As you wish.”

Chapter Two - Coming Soon!

Tagging the Curious Crew: (add to tag list)

(Please be advised that I only keep one tag list for all fic updates and new works. If at any time you wish to be removed, just shoot me an ask or a DM. No worries.)

@kmomof4 @jrob64 @zaharadessert @laianely @booksteaandtoomuchtv

@the-darkdragonfly @undercaffinatednightmare @killianxswan @mie779 @motherkatereloyshipper

@jennjenn615 @jonesfandomfanatic @anmylica @superchocovian @caught-in-the-filter

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@qualitycoffeethings @idristardis @phoenix-untamed @bluewildcatfanatic @bananachickens

[asksythe]

Imprisoned-Fairy-King-of-the-Nameless-Woods Oberon x Magic Victorian Sheltered Maiden Riri! Commed art. Artist: 婕珍

Why does not only my husband but also my fellow shipper in the VN FGO fandom think Smolberon is hugging her boobage??!!! I swear it's a cute, innocent piece! 😥

Well, I guess if they are having fun and enjoying the artwork, that's fine.

In any case, I love Ritsuka in this blue dress. She looks so ladylike, so soft, tender, and sweet. Blue really suits her. Canon Ritsuka has to endure so much that it makes me want to give her the sweetest, most magical things. Haha! I tell you, this is what it's like to be a mama fan!

I want to write a 90s classic Shojo manga Cursed Fairy King Oberon x Victorian Noble Maiden Riri romance story!

Sheltered maiden Riri of the Chaldea noble lineage is born and reared her entire life in her parent's estate, never once allowed to step foot outside. On her 16th birthday, just a year before she debuts before high society, her parents allow her to leave the estate for the first time to go on a picnic in the prairie right outside the Nameless Woods. It is here that the Fairy King of the Nameless Woods sees her and becomes enchanted with the young girl. Deciding to pursue this beautiful mirage, the Fairy King disguises himself in a tiny form and flies through the girl's window, making fast friends with her.

In the classical 90s and early 2000s shojo manga traditions, this plot line marries elements of magical reality with everyday life and is a hybrid romance and a coming-into-oneself tale.

Fairy King Oberon's first impression of the girl in blue sitting in a field of yellow flowers is like seeing a young firebird in a gilded cage. Her impeccable wings have never taken to the skies. He is inexorably drawn to her and wants to see if she will take to the skies or fall into the mud and drown.

I also want to see how Ritsuka will develop in this kind of world and upbringing. Like classical shojo manga heroines, she will go through a lot of personal growth, stepping out of the pretty cage that defines her early life, weathering adversaries, maturing brilliantly and taking flight. That sort of incredibly empowering and magical 90s plotline!

In other words, it's a story of demure Victorian Ritsuka finding the strength of Canon Ritsuka and growing closer to her in another world.

@erimies asked: what about Oberon's role in the story? Is he going to be Tuxedo Mask?

Hahahahahahaha!!! No... I'm not about to waste such a wonderfully complex character in such simple, limited narrative roles.

I'm thinking, Oberon is probably the final big bad that Victorian Maiden Riri has to overcome. The Fairy King imprisoned in the Nameless Woods, whose terrible secret lies beneath a dreamlike fantasy. So, instead of Tuxedo Mask, he would be a forbidden love interest archetype, serving as the catalyst of the heroine's growth, the friend and confidante by her side, the betrayer that breaks her heart, and the final villain that she must overcome. Their love story would be a hybrid transitioning from sweet magic to heartbreak to falling love with the villain and then overcoming the villain.

Yes, very 90s Shojo!!! Also very Jareth and Sarah from Labyrinth! Much heart! Much ham! Magic, beautiful gowns, dances in the woods and in glittering ballrooms, heroine's journey, so on and so forth!!

Haaa... I really wish I knew Kage Bunshin no Jutsu, so I can write all these story ideas I have.

[imbecominggayer]

How To Write Characters With Addiction

From @differentnighttale: "I am curious if you give advice about writing people with addictions for example substance. I have reasons my male MC does it. But how can I describe the addictions the MC has correctly."

In this post we are going to be talking about addiction! From alcoholism, substance abuse, nymphomania, to everything else that can be a possible addiction. This post will be all about making this realistic and complex :)

A) What Are The Benefits?, Make It Convincing

Grab a fucking piece of paper or whatever you have and just write a paragraph from your addict's perspective on the situation. Omit the bad stuff. Make it highly convincing. if you aren't thinking "hmm, understandable" after you've written and read it, you did it wrong.

What do they get out of it?

Why did they like it at first?

Are they calmer, more intensely concentrated, does it take the edge off?

Are they more confident?

Does it ease the sense of being fundamentally wrong or dull some other pain?

Is it fun to do something rebellious?

What made them like this thing so much they tried it again, and again, and again?

B) Think About The Consequences, And Ignore It

Oftentime, at least in my experience, people will continue with a bad habit if it means they don't have to be the one to think about the consequences.

The Consequences For Addiction Include:

Financial. Depending on what your character uses to get their fix and how much they use, they might be spending hundreds a week if they are a particularly aggressive user. People often steal money from their loved ones. Addiction also tends to get people fired. Write a scene where your drunk character gets fired for operating machinery. Have them be a burdenous sponge.

Social. It's common for addicts to lose their loved ones since it often gets to a point where it's impossible to care about these people despite how much you love them. Make love ones leave your character! And don't blame them

Physical. STDs, Overdose, Liver Failure, and a shit ton of other issues from the chronic to the fatal either cause, exacerbate, or are linked with addiction. Recovery can't automatically save your character so don't write that story.

Psychological. Being an addict isn't fun since you get to struggle with points 1, 2, and 3 all at the same time! Write about your character issues. Their lack of control. Their spiralling life.

Write all about your character's suffering. And then have them justify it. Make it convincing.

They need it. It's not their fault that this is the only that helps them! Everyone just doesn't get it. I'm trying to work on it, OK?! It'll all work out! They know that it's wrong but...

My most hated shit is when a character's arc is easy. They struggle with some things like a big dramatic argument with their wife, they cry a bit, and then they learn that "drugs are bad" so everything is fine :D

NO!!! Why don't you write about a friendship that doesn't get mended? A chronic illness they now have to pay huge medicine bills for? A fucked-up rap sheet that they can't escape?

And it's not because we want to punich addicts. It's because it doesn't matter if you care about addicts if you don't care about the messy shit!

It's easy to sympathize with an addict if you make them the most innocent victim who never hurts someone intentionally and who gets rid of the addiction in a second and never struggles with it ever again!

Do the hard shit. Make your readers sympathize with the unsympathetic asshole addict! Addicts aren't always good people! They can be dickbags. And they still deserve resources. Life isn't some kind of karma game where dickbags suffer and good people rise! Everyone deserves to not suffer!

Addiction is ultimately a disease. But it's a disease that can make someone you love into an absolutely unlikeable person. And this is coming from someone with an alcoholic dad <3 He does good things and bad things. I can sympathise with my dad and not let him walk all over me.

C) Withdrawal Is Leaving An Ex, Relapse Is Returning

Addiction is a motherfucker trying to leave. It's basically the equivalent of a clingy ex who keeps contacting you, asking for just one conversation, and the moment you so much as acknowledge them you are fucked.

And suffering the brunt of a clingy ex who won't take the hint tends to cause the same symptoms as withdrawal!

Obviously, withdrawal symptoms depend on what type of ex you have and what age you are and yada yada yada. Research for specificity :)

Withdrawal symptoms can include:

Headaches

Insomnia

Fatigue

Hallucinations

Seizures

Tremors

Cravings

etc.

BE AWARE: Relapses are when someone returns back to their drug if they were going cold turkey or going back to their original dose. Relapses can sometimes result in an overdose due to the fact that the brain has been weened off the substance and is now overwhelmed by the high dose.

Relapses often happen when a person makes the deliberate choice in order to stop these fucking nightmarish symptoms. To use the analogy of a clingy ex, you start talking to them in order to tell them to stop contacting.

Relapses can also happen through being in a setting where the behaviors associated with the addiction such as sex, gambling, drinking, substance use, and all manner of things are normalized.

This setting could be a party, a bar, or even a friend group.

Relapse is made more likely if someone is self-detoxing away from a support group or a doctor.

Writing about withdrawal and relapses are an important part in making a story feel more authentic. Just like with mental illness, people rarely learn the lesson and follow it perfectly. They make mistakes. Slip back into old habits. Do shitty things.

We aren't writing their suffering to punish them. We are doing it because you can't say you care if all you are willing to do is look at the easy parts.

D) Little Tidbits To Keep Track Off

This is the miscellanious things that didn't fit into their own boxes.

Friends!

Do they have friends who also have their addiction? How do they hang out? What are they like? How are their substance using friends different from their non-addict ones?

Slang!

Don't just look up slang for your substance of choice. You'll need to look at some first-hand accounts of addiction. Find an influence who has struggled with substance abuse in the past and see how they talk about it!

Variables!

Remember to keep their geographical location, socioeconomic status, time, and a host of other factors. If your character is a penniless alcoholic then it's unlikely they'll get their hands on some type of expensive gin. They'll probably use rubbing alcohol. Keep the price of your drug in mind.

A character's status will also impact their slang. No one unironically says doobie anymore.

A character's location will also impact how they get their shit and how other characters will react to that addiction.

A character's financial status also impacts how the consequences of their actions impact them. A low-income character wont be able to afford the same medication as a rich addict. They also won't have the same luxury for quality therapy, rehab, programs, time, anything really.

Look At The Addict And The Loved Ones

Try not the skew the reality of addiction to paint the addict as the victim and the loved ones as evil for not being forgiving and tolerant enough.

Keep sympathy for both the addict and the loved ones. Or drop sympathy for both of those characters.

E) RESOURCES

FDA and DEA online databases and drug resources

Social Networking Groups

Medical Journals

Local medical professionals, police, and medical examiners

The US national poison center