ghost has a flat he rarely goes to
it's covered in a thick layer of dust from disuse. none of the cupboards or closets have doors, not when they're so easy to hide behind. the windows are covered in thick black paint that no light can penetrate
but worst? worst is the glass
mirrors, cups, bowels, every single reflective surface is shattered; the glass left lying where it fell
he never cleans it; just steps around the crystalline piles, the shards too fine to hold a reflection
there's little need to guess how they were broken, not when there's a fist-sized hole in the mirror backing in the bathroom. not when fine scars riddle his knuckles, torn from ripping out glass splinters with shaking hands
ghost has a flat he rarely goes to
there's no doors, no light, no glass
because everywhere he turns, simon riley's waiting to stare back at him and ask if he's finished burying him yet
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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I love your writings so much!! I was thinking if you could do some scenarios of tall-man chilchuck and reader
`✦ ˑ ִֶ 𓂃⊹ thank you so so much anon WAHHHH!!! i hope these are okay!! it’s currently almost midnight where i’m at but i wanted to get these out for you!!! us tall-man chil fans gotta have something to eat fr!!! <333
— TALL-MAN!CHILCHUCK: x gn!reader hcs.
꒰ warnings: ꒱ none, sfw + fluffy!!!
꒰ wc: ꒱ 585
✦ hope these are what you were wanting!! if not, feel free to submit another request for more tall-man chil and i will happily oblige!! :D <333
✦ Even though he wasn’t a tall-man for very long, you still found yourself enamored with him in this form. You were already smitten with Chilchuck anyways, but this was something very different to the both of you.
✦ The fact he towered over you like this made your heart beat a little faster, and once he found out his effect on you in that way, you were doomed.
✦ It started with him instead resting his head on top of yours, using his height to his advantage now. Sometimes he’d even pull you to his chest, your back to him, and laugh at the reaction you gave him. You didn’t find his teasing very amusing at first.
✦ Even so, you couldn’t help but wrap your arms around his waist occasionally, nuzzling your head into his own back and causing him to jump slightly. You weren’t going to let any time you had him in this form go to waste, so you spent it giving him even more affection.
✦ Your hand sought his out any chance it could, your fingers intertwining and causing him to look up at you. All you gave him was that cheeky smile and a wink, causing him to grumble. The effect you had on him…
✦ If there was ever a time you took a moment to rest, you’d sit between his legs and just admire him. Holding his hand in yours and comparing the size, studying how broad his chest was, noticing little details like the shape of his chin… Chilchuck’s cheeks were always rosy when you gave him that kind of attention, embarrassed to be doted on like that in front of everyone. (Not that they cared all too much; Marcille was definitely squealing at the moment.)
✦ Chil was always so fun to mess with, especially with him being like this. You couldn’t help but pull him down to your height and place tender and sweet kisses to his cheek, before letting go and walking off like nothing happened. (Oh, that’d get him all flustered for sure.)
“Chil…” You’d whisper, hands behind your back in that innocent way you always did when you were scheming something. Raising a brow at you, he walked over to the sound of his name, waiting for you to continue.
Instead of giving him what he expected, you reached up for his neckwarmer, pulling him down until he was level to you. Before he could pull away, you pressed soft, fleeting kisses to his stubbled cheek. Letting your lips trail along his skin until you reached the corner of his mouth, you abruptly let go of him and walked off. Chilchuck scrambled for something to say, anything at all, but instead watched as you caught up to the others.
You knew just how much you drove him insane.
✦ You were used to protecting him before, but now he still couldn’t do much in this state. More than happy to assist, you’d make sure he stayed safe, while also appreciating just how handsome he was. (You’d give him another wink and he’d yell out for you to stay focused!)
✦ Noticing just how skinny he was, especially like this, you’d try and convince him to eat a little more than usual. All this affection and doting wasn’t unusual in the slightest, but he could tell you were enjoying yourself a little too much like this. Not that he’d ever catch himself saying anything about how he secretly revels in it…
— dividers by @/cafekitsune! <3
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Win
@wolfstarmicrofic - word count: 199
Sirius is determined to win Remus’ heart this year. Sure, he’d said the same last year and that hadn’t happened, but this time he’s prepared.
He even has a plan.
Step 1. Compliment him
Step 2. Give him gifts
Step 3. Flirt
Step 4. Repeat until a date has been obtained
It’s the perfect way to show Remus he’d be an amazing boyfriend, he can’t fail—it’s in the science!
“Hey, Moony!” he shouts, rushing up to Remus’ side as they walk to Potions. “I like your hair today.” He beams at Remus, trying to inject every bit of earnestness he can into his words.
“Thanks?” Remus narrows his eyes suspiciously. “It’s the same as everyday.”
“No!” Sirius protests, his smile straining. “It’s—um—fluffier today.”
“Whatever you’re thinking of, no, you can’t test a prank on my hair. Find someone else.”
Sirius sighs, disappointed but unsurprised. Maybe he should’ve waited to turn all the Slytherins’ hair red and gold, this morning’s prank had clearly left Remus overly paranoid.
“Ok, well, I like your eyes too!”
“Thanks, they do their job well enough. No, you can’t test anything on my eyes either.”
This plan is going to take a while, isn’t it?
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