#i mean like big creators get hate all the time

[going-to-ikea-for-the-fries]

why did you tag your post with gaz erasure my ass? like what was hard to believe that the cod fandom has blatant patterns of purposefully removing the only black character and replacing him with everyone under the sun? your friend lied about killing themself to make them look like a victim. and you participated in harassing people who saw this for what it was. you need to step back and reflect on your own self on why you thought that your friend’s “death” was caused by people calling out patterns of anti black racism and then go on to harass them. you are not an ally by any means.

Back when I used that tag, I paired it with another tag right after, it was meant to be an aggressive call out on misinformation, I had meant for it to read as 'Gaz erasure my ass, y'all just can't read'.

(This because the original post didn't read like intentional erasure but rather like codslut thought Gaz didn't fit the post, since she also didn't use Reboot Soap, she used *Captain* Soap, idk how best to explain it but to me the two soaps are different characters so i figured it was an intentional choice to use him and keegan rather than reboot soap and gaz)

Edit: I want to add that I also used codslut's own explanation as the basis for why I didn't think it was erasure. And at this point, she's clearly not to be fucking trusted, so it wouldn't surprise me if it really *was* erasure/racism and I believed her word that it wasn't.

As time went on, I dropped the last part of the tag of 'y'all just can't read', and looking back it not only reads as a racist dog whistle but also, just in general, sounds and looks fucking disgusting.

I've said this before, but I think it warrants saying again: I *didn't* mean to say Gaz erasure doesn't exist. It does very much exist in the community and even Activision themselves often erase Gaz from promo materials.

I'd hate for people to think that I either dislike Gaz or don't see the blatant racism/dislike/erasure that happens with him on the community. That's not the case. Gaz is a main character (unlike König like so many people try to replace him with) who I absolutely adore, and I call out erasure when I see it here on Tumblr, on Tiktok and on Twitter.

I never meant to make it seem like Gaz erasure doesn't exist. I only wanted to call out misinformation... and ended up doing the exact opposite of both my intentions. I'm sorry about that. It was not just disgusting but full on stupid of me.

I also want to say that I didn't think that that screenshot post specifically or even the act of people calling out racism where they saw it was the cause for codslut possibly killing herself. That is not what I meant at all. And I don't want anyone to think I blame @soapskneebrace or @glossysoap or anyone else for that. Blood was never on their hands, I want to make that very clear!!!!

When I was confronting people, I was doing so on the basis that they're big creators with big platforms and that by accusing codslut of racism/erasure they opened the door for anons to justify their actions when going after codslut because they have so much reach and people with bad intentions need less than that to justify the hate they send people.

Looking back, I know I was in the wrong for how I spoke. I was aggressive and rude and mean, and none of the people involved deserve that. Hell, my actions were hypocritical as hell and I probably opened the door for them to get hate themselves. I'm really fucking sorry.

If I could take it back, I would. I never believed nor wanted them to believe that someone potentially harming themselves was their fault. It wasn't.

I do plan on taking a step back to reconsider not just the way I acted but everything that's happened. In fact, I was already taking said break and came online only because I got word of @/fulltacs' post.

I appreciate and thank you for holding me accountable (and by that I mean you and everyone!). And I especially thank *you* anon for wording this ask this way, and giving me, at least, a chance to explain.

[goodolddumbbanana]

Creator is the one behind

Sadly it seems like New Moon will be the new antagonist this year. (Please don't let it happen because god I hate how that route ends. Although it seems logically what Tsams would do cuz Eclipse is kind of redeemed and we only have Creator as the main villain...)

Side note, I still don't think Dark Sun is the one behind it, not everything. I think, Dark Sun just takes advantage of the situation, just like how he used Puppet to kill Bloodmoon, or used New Moon to build him a machine.

I think, the culprit that makes Moon a little insane is the Creator. Why am I said that?

Because I just realised by now, not only Moon has changed recently, Earth's changed to. She becomes more aggressive, more... Lack of empathy (she sassed and beat up Bloodmoon, she snapped so easily toward people hurt her...), her glitchy protocol.

Her comments today made me think back when Creator approached them.

He said that "all of the children stick with their parents's hip or some crap..." And he can tempt with their code very easily without them knowing because he is, in fact, building them.

(Sun's body has been replaced due to overuse Start Power. Same with Lunar, having a "Monty, plea-" moment. Although Earth has the same replacement, but all her software still the same. And Creator has time to be more delicate with her. Only Moon has not changed, and the reason why He knows the code that can overwrite Computer, the same code that over wrote KC, is very suspicious.

I think Creator just wants to tear Moon's family apart and get Lunar, and Moon will go crazy whether Solar lives or not. Maybe Dark Sun knows, maybe he realises he could make the situations convinced to him.

Let reminded that Dark Sun is a Sun. Which means, they only do things that are affected to them, and they tend to have the habit of trauma dumping.

So 1+1 equal something big happens and Dark Sun thinks he can get something out of it by using New Moon, the one who already got Cray Cray

[redstone-sun]

I was watching Iskall's VH 1.18 vods as they came out until around VOD 30 or 40, and almost every other stream - which were 3-8 HOURS - he'd mention the comments or a chat member would ask. He'd have to START streams asking people to stop commenting on his VODs & videos if they have nothing nice to say. He'd call them nasty, hateful, rude, mean, dicks, but never did he lose his spark to keep his streams light hearted. He HATES having to make announcements about negative things, and it's been so repetitive that you can hear him getting more and more tired and frustrated. It even started fucking spilling into Hrry's chat after they hung out more and started to do their silly little dance (pranking each other, teasing, having a good time). It's affected STRESS'S chat at times if they're talking. It's insane the lengths people are going just bc they hate that Iskall isn't doing what they want all the time like a fucking doll. Sorry I am SO mad about this and I have been for nearly a year. It's revolting how he's been treated, and how long it's gone under the radar.

oh my GOD what the actual LITERAL fuck is wrong with them?? if any one of you have ever been shitty in one of iskall’s streams or left a shitty comment unfollow me right tf now. what the actual everliving fuck that is so disgusting. he has done nothing to merit this kind of hate.

how the fuck is it this bad??? who the fuck are these people who are harassing ISKALL of all people??? for fucking what???? i’m so fucking mad.

[ivettel]

does the reception of the fest and the increased flow of creative output make you feel like you would want to stay? does it make you rethink what you call your imminent exit? just sad thinking that we will lose someone with your passion and drive and dedication 😞

ahh well unfortunately it’s not really by choice 😔 i start law school in a couple weeks and i’m kinda piloting blind, yknow? in a whole new city studying material in my second language and i don’t really know anyone or have many connections in the field… so i’m rlly gonna try and dedicate myself to Being A Good Student and Networking and Being Normal, which means my time for Being A Seb Stan will probably diminish to almost nothing ): already even just with the move i haven’t been able to sit and work on creative projects and i’m so emo over it, it’s probably unhealthy..

idk, i know people have been able to manage a school-work-social balance and i may be good enough to do that at some point? but ugh atm this is the biggest opportunity of my life and i really don’t want to fuck it up by prioritizing things that aren’t as important ahhh 😭

[bylertruther]

"there's no basis or case to be made for will having powers" okay then genuinely please explain any of the following now after watching season four:

why does the upside down look like hawkins and is presumably stuck on the day will arrived despite the fact that vecna was there first and has been residing there this whole time? if vecna was capable of reshaping the world, as he's stated he wants to do, why hasn't he done it in his own world? why is he so intent on seeking out the person for whom time apparently stopped if it's all just coincidence? if will didn't do that and he doesn't have powers, then why didn't time progress or the setting change once the teenagers got there? why was time only influenced by will and will alone if he has no powers whatsoever?

how was will able to call joyce multiple times? the only person we've seen so far be able to do something similar is eleven when she would channel what she heard through the radio. electricity doesn't work in the upside down, so how did will do that? why did it cause a shock and ruin the phone, the same way that the radio went up in flames when eleven did it, if he doesn't have powers?

how did he manage to wake joyce up at one point? (it could've been her imagination, but the show made it pretty clear that joyce had been right about everything the entire time even though everyone thought she was crazy, and will was wearing the same outfit but he looked and sounded distressed + exhausted like he may have been while hiding in his upside down version of the house.)

how was will able to see his mother and guide her with the lights to the place he was hiding?

how was will able to see the letters she wrote on the wall?

how was will able to light up the lights that fast and sometimes simultaneously? especially with the lights that were on the ceiling? the way he communicated with joyce isn't totally similar to the way the teens communicated with the party in season four. he's too short to reach the ceiling and he doesn't have elasti-arms or super speed, so he couldn't have been touching that many lights that fast all by himself with his own hands. if anything, it's more similar to the training exercise brenner had the lab kids do, because they didn't need to touch the lights (obviously) to control them. so, how do you explain that if he has no powers?

how did he acquire true sight before his possession? the doctors thought it was ptsd and all in his head, but just like with joyce, we come to learn that will had been right the entire time. the mind flayer was real and it was coming for them all and eventually it did. how did he know that? how could he have had such knowledge before it ever melded minds and bodies with him? no other powerless human could do that, so how do you explain it?

if will is truly a powerless human being, why did vecna hunt him down? we know that vecna stalks his prey before he strikes. we know that "the monster" followed will from mike's house all the way to the shed where they vanished without a trace. we then saw it stalk will again and eventually possess him. will said that vecna wanted to kill everyone else, but not him. why? we know that vecna doesn't care about people. so what did will have that he wanted so bad? what was it about will that made him more valuable to vecna—a self-perceived god among useless, pitiful, and brutish men—alive than dead? what was it about will, a supposed powerless and normal human boy, that made vecna want to spare him and use him? if he wanted access to the lab, weapons, or tools that could bring down entire nations and rendered millions around the globe defenseless to his attack, then he wouldn't have picked a sweet twelve year old boy who lives a tiny little life in a tiny little town who just wants to hang with his friends and play games. unless... he was the key to achieving his plans? but according to this argument that will is just a normal boy, why is it then that vecna did all of that if will isn't capable of anything?

additionally, we know that gates are opened with a psychic connection. when the psychic connection was made in that shed, will entered the upside down. there, he was hunted for a week. why did the demogorgons kill and eat everyone else, but never will? why did they only carry him to the library aka the source of it all? why didn't they treat him roughly or eat him like they did all of the others? will didn't suffer any serious damage from the upside down, so he couldn't have been "dead" for long when his parents found him. why was it different with him? why did he get special treatment even in hell if he's just a boy?

why does will still sense the creatures of the upside down even after he's been exorcised? how is it that the psychic connection is still there? how is he still able to know what vecna is feeling, the kind of state that he's in, and what it is that he's planned? how does he have this connection still even though he shouldn't if he's Just Some Guy?

if will was just a normal, powerless boy... then why did a self-proclaimed god try so hard to recruit him more than once? why did it hunt only him? why did this god want to kill everyone but him? why did this god deem him more worthy and useful in life and at his side than in death? why did it seek him out and not eleven, a girl who actually has powers, powers that were once stronger than his own even and that he clearly wanted as we saw in s3? why is the upside down stuck on the day will went missing, despite it clearly being inhabited by other creatures that we assume to be more powerful than him? why is will going to be central to season five, the season where it will all come to a close and we'll be learning about the upside down and more, if... he's Just Some Guy that had to brave it for a week and that's it? why did season four (and the show overall, but said outright and explicitly here in 4x09) reiterate that it has always been vecna and that will has always been his victim/in his sights/connected to him? why did vecna choose will byers, who some of you claim to be Just Some Boy, of literally all people on planet fucking earth to achieve his plans?

vecna stalked will. he hunted him. and when his plans were foiled, he tried again. when he couldn't do it his way, he sought to kill eleven so that he could absorb her powers (s3). and now, they're back in each other's heads. the silver cat fed when blue met yellow in the west, but they're back now and we've been told that this is only the beginning. if will is just another powerless human, then what is the point of any of that? how do you explain everything that we've seen? how do you explain the choices these characters have made and continue to make? how do you explain away the connection that they keep drawing our eyes to? the connection that shocked the duffers and made them ask jamie if he'd seen the scripts when he brought it up (that it all goes back to will, how everything and everyone is connected to will)? the connection that they themselves are saying we'll see clearly in season five?

that isn't even scratching the surface of all the obvious instances where they make it clear that will is vecna's narrative foil, because that would make this already gargantuan post thirty miles longer.

they wouldn't have done everything that they've done over the span of multiple seasons now if it was just for nothing.

it doesn't make sense if will is just some normal kid and a random fluke in the master plan. the writers could've had vecna pick anyone. they could have made it so that will's connection was severed or lessened, but they didn't. they could've admitted that will was just a meaningless casualty, but they didn't because he wasn't. it wasn't a random animal that took will, he wasn't possessed for shits and giggles, and he doesn't continue to have that psychic connection for no reason. they don't tell us that nothing is a coincidence and they don't have the characters themselves remind us that they need will just for it to be... nothing.

will knows what's coming, what's happening, and the condition of the person who will do it all. why have him experience all of that, and even be able to in the first place, if he's... powerless? how do you even explain the connection in the first place? no other character, not even the ones cursed by vecna, are able to do what he's done. how is that not considered a power? and how do you write off the hours of content that you've witnessed as nothing?

clearly, at some point you have to realize that something is going on, no? like, you don't even have to take my (one-too-many) word(s) for it. jamie and the duffers themselves have been saying it over and over again. so... honestly, what's not clicking?

[taylor-titmouse]

hey i want to talk about how you should be promoting your work as an erotic author/illustrator

i'm writing this up because the marketing aspect of my work as an erotic author/illustrator is a science to me, and also because i'm the guy who gets unreasonably annoyed when i see other creators not properly advertising their work. you presumably want to make money off your work. this post will be written under the assumption you want to make money off your work but are doing a bad job at it. it will be very confrontational. if you read this and feel attacked you're right and i am attacking you.

this is geared toward selling erotic comics/writing/books/art as products. i will probably write more than one post about this subject so if i didn't touch on something you want to know more about, comment/send me an ask and i'll keep it in mind for the next one.

i will start with my first and least specific but most important point:

DON'T GET FUCKING CUTE

hi are you paying attention. i'm gripping you by the sides of your face. do not get fucking cute with what you are trying to sell. you are not a big enough property to get cute, nobody LIKES it when big properties get cute, and you are selling porn. you have to own this. you have to be up front about this. don't be tongue in cheek, don't be all teehee i wonder what this could be~, don't be secretive. you are selling a product. you have to fucking act like it. you are an adult selling pornography to other adults. i am GRIPPING your HEAD you NEED to understand this.

and to be clear when i say 'cute' i mean coy. i don't mean cutesy, as in the aesthetic. you can be as hello kitty pastel ten emojis a post uwu as you like when you're building your audience and generating hype. but when you start trying to sell, don't be vague, don't be sarcastic, don't mislabel your work as a joke and assume everyone is on it. because they're not.

you must always assume 75% of the people seeing the thing you are advertising have no fucking idea who you are. and that includes a huge chunk of the people who already follow you. they do not know who you are or what you've been working on for two months or why they should care about it. they just got here. somebody just reposted it. they are seeing it for the first time. most people are only looking at social media for a tiny chunk of their day. they are not keeping up with you. you cannot get cute about what you are trying to sell because nobody knows what it is until you tell them.

okay are you still with me. we are going to talk about clarity now.

YOU GOTTA TELL ME WHAT IT IS

good lord the amount of times i have gone to buy somebody's comic or book and had no idea what's actually in it or what it's about. who are the characters? why should i care about them? what do they do in it? what is the premise of this thing you want me to spend $5 on? why would you not tell me? i'm shaking you again. please i have to know what i'm buying i only have so much money to spend on porn.

porn, arguably more than any other genre, relies on knowing exactly what is in it. you do not want to surprise your readers with a kink they were unaware of! and on the flip side, you do not want to miss out on your target audience! if your book contains a hot spider babe laying eggs in an elf, you have to say so. not just so people who don't want to read about eggs know it isn't for them, but so the people who are egg crazy can see that and go "oh fuck YES i love EGGS here is my $5 and an extra $2 tip for catering to me specifically". a contents/features list is as much an advertisement as it is a warning!

as for re: who the characters are and why should i care, i'm sorry but you need to learn how to write sales copy. you have to write blurbs. you have to get good at the shit that goes on the back of a book. we all hate it but we have to do it. i want to know who the characters are and what the context is. i, personally, am not interested in contemporary stories as much as fantasy and historical. please tell me what genre this porn exists in so i know if it aesthetically appeals to me. pull some books off your shelves and see how they do it. hell man go look at mine.

while you're there, note that every single book of mine has a sample of what's in it. this feels like such a no-brainer to me but again! the amount of times i have gone to buy somebody's work and they don't show me what their work looks like! you gotta give me the first page or two! just enough that i know if i like the way your writing sounds, or the way you draw your comics! i don't know you! i am not going to trust that you're good at what you do just based on a cover. the cover is to get me to this step, it is not the only step. you have to show me that you're worth spending my money on!

to put it less cynically, you want to catch my interest. you want me to go 'oh i want to see more of this', you want me to go 'ahh i want to know where this goes!' you need to get me invested and craving more. earn my $5!!!

YOU HAVE TO MAKE IT EASY TO GIVE YOU MONEY

hey go look at your bio right now. go look at your pinned post. do you have a link to your patreon there? do you have a link to your itchio/gumroad/whatever? do i have to click more than once to get to the places you want me to go to give you money? why? why are you making me click twice? have we learned nothing from every website making you click an extra time when they make some stupid UI update and how much it pisses us off? i have already given up, i have forgotten you, i am not giving you my $5 today. put your links in the easiest places to get to them.

god literally as i was writing this post i went to go find somebody's itchio to see how they described their work and it was not anywhere on their profile. grabbing you and shaking you PUT THE LINK WHERE I CAN FIND IT. don't make it hard! make it easy! i am a dickhead sitting on the toilet scrolling, saw your post, and was interested enough to read further. but you made me go to your bio to find your linktree and oops i have already gone back to my timeline to look at the boobies in the next post. stop wasting precious bio space on DNIs and put your fuckin links there!!!

this is more for the twitter people, but: just put the link in the damn post. just say the word commission. just say it's for patreon. "wuh wuh the algorithm" it is not the damn algorithm it's that everybody hates advertising and nobody wants to retweet ads. putting slashes in the words doesn't do anything and you look like a fool. i have posted so much art that says it's 'a commission for ___" and it did exactly as good as any other art despite having the word commission in it. and by doing the slashes you just made it impossible for anybody to search your account for your commission information (which should be at the VERY LEAST in a post under your pinned tweet if you're not actively posting about them being open).

okay that went on a tangent i'm going to back to the point of putting the link in the tweet. put it in the first post. not in the first reply. don't tell them to go to your bio. put it in the post people are actually going to share. it's fine to put more information in the thread but people are only ever going to share the first post. so put the link there. you have to make it easy. putting links in tweets can hurt you algorithmically, even in the replies. so you're better off having it in the post that actually gets seen and shared. i don't want to open the tweet and scroll to get to your sales page where i ASSUME you will have put all the information anyway. put it in the tweet that just got retweeted by itself onto my dash!

also you have to share it a ton of times. i repost my shit every few hours when i'm trying to push a new product. as i said before people are not 24/7 looking at their timelines. they missed it the first time. they missed it the second time. they didn't get paid yet that week but they were after the eighth time and you reminded them again so they finally bought it. that i will still get sales every time i repost a book ad weeks after release says there are always people who missed it, or who only just showed up.

abandon your pride and shill. shills pay their bills. anyone who gets annoyed about it isn't giving you money in the first place. don't worry about looking like a sell out. don't apologize for plugging your own work. post about it often, post about it in different ways. post about it. post about it. you are not going to make money if people don't know you have something to sell them. if you want to make a career out of it, you need to act like it.

I DON'T HAVE A FOURTH POINT

kisses your forehead. i'm sorry for yelling at you. i've been making and publishing and selling adult art for the past two-three years and have got myself to the point where it pays my rent, and i got there by paying attention to what does and does not work.

please do your best to make money. i want you to make money.

as i said above i plan to write more posts on this subject, such as cover design, how to actually write sales copy, and best practices with running a patreon, but if there's things you would want to hear more about leave a comment or send an ask! i will probably be less aggressive on future topics. these are just things that have grinded my gears for a grip.

[bee-ina-boat]

someone: hey dont be mean to others on my behalf! be kind!

their fans for some reason:

[ranboolivesaysstuff]

IMPORTANT POST PLEASE READ

Im gonna be honest and open for a sec, and please do not take this as "oh I HATE my community or I dont like the people who watch me" but honestly as of late (and I did highlight this during the mcc bit), ive felt like I havent been able to really be in my own community simply because of the constant way that "discourse" is handled. Making vague posts and not really tackling issues in a good way, all that is going to do is just show people a big "THIS COMMUNITY BAD" sign and not actually help anything within the community, all its going to do is have the good and potentially good people leave or not join in the first place. The way that discourse is treated that ive seen has been the main reason why I have started to try to distance myself, which has been the most heartbreaking thing I have had to do. I want problems to be solved in a mature, civil way, with either a dm or a reply, not an entire vague thing that only says "bad things are happening" and doesnt elaborate on anything or barely elaboratesa and only gives people on both the inside and outside a bad sign of what the community is. Making posts whenever something happens being like "here we go again" is only going to highlight the wrong things, and actually DOESNT help the issue at all! The problems should be discussed directly with the people who are doing said problems FIRST! Bring attention to behaviors and things that arent good DIRECTLY! And also, YOU DO NOT HAVE TO!!! It is not your duty as a viewer or fan of me to be involved in any of this if you do not want to! Just enjoy the content and make silly posts! As someone who constantly tried to fix and get into every problem as it was happening, it took a huge toll on my mental health, and I want you guys to just be able to enjoy the content without having to worry about what you say about it! Be constructive! Dont make posts again just being like "wow this community is so bad" because that doesnt solve literally anything! If you have enough passion to make the posts saying "wow this community is bad" then only post about that, you are only spreading that negative message, and not uplifting anything of actual value! And if the person you are trying to help is not willing or not listening, BLOCK! MUTE! DONT BRING MORE ATTENTION TO THE PERSON IF THEY ARE NOT BEING A GOOD PART OF THE COMMUNITY!!!! I know I say that if I see problems I will call them out, but I shouldnt have to babysit every single time a thing happens within the community as that just isnt a healthy way for a creator or a community to be handled. This does not mean that I do not care about the issues or dont want them fixed, rather it shouldnt take me having to make some grand statement every single time something happens it should take only your own self reflection and self awareness. And to add onto this, make sure that every once in a while no matter who you are you think and have that self reflection, you should be open to being willing to learn and grow as a person! And again, I do NOT want anyone taking this as "Wow this community is terrible" but rather that we just have things that need to be fixed and changed and THAT IS OKAY! I do not hate the community, I care so much about it that I want it to be a silly place for my content again! I want it to be the reason why people get into what I do because of it again! And I want to be able to just have fun and relax without having to worry about how every single thing that I may say could have someone stirring things up that simply dont help or solve anything! Take care of yourselves. And this isnt coming from a place of "I hate the community as a whole" but rather again I want to be able to exist and make content that we can all enjoy without having to worry about walking on eggshells around me or around eachother! At the end of the day im just a fella that wants to make silly videos for you all, and you are people who enjoy said videos. Nothing more. Nothing less.

[art]

Creator Spotlight: GDBee Art (@prinnay)

Geneva Bowers is inspired by the wonders of the natural world around us, and enjoys manipulating colors to create art full of mood and feelings.

Check out our interview with Geneva below!

How did you get started with art? Did you originally have a background in art?

I’m going to say yes because that’s all I’ve known how to do. It started because I wanted to draw better horses than my sister, and it just spiraled from there. People started asking me to draw things because they saw me drawing horses. I was like, well, I can draw things that aren’t horses, and then it was just kind of all I did. 

Have you ever had an art block? If so, how did you overcome it?

I have one right now! Honestly, with time, and I also collect art books; I think I have a couple hundred. If I really want to draw something, then I just flip through those and try to steal some ideas.

Which three famous artists (dead or alive) would you invite to your dinner party?

I mean, of course Van Gogh…I’m really inspired by Impressionism and Post-Impressionism, so I would invite Van Gogh, Monet, and Julie Dillon to a dinner party.

Have you ever wanted to dive into another medium before?

Yeah, actually, I currently am! I’m trying to do more traditional painting. I used to do a lot of acrylics, but I haven’t done it in years, and now I’m kind of bad at it. I’m trying to get into actual impressionistic art with oils and oil pastels. I’m like failing, but you know, you get there. Just fail until it looks presentable. 

If there is one thing you want your audience to remember about your work, what would it be?

I guess it’s more of a feeling. I create art because I’m inspired by things around me, like certain video games. For example, I have been inspired by a Japanese RPG called Chrono Cross on PlayStation 1. They make me feel a certain type of inspiration to create something, so that’s kind of like what I’m hoping to leave behind. 

Have any of your projects surprised you with their outcome?

Yeah! I did this Weapon Faerie series where I took three prompts: a weapon, a winged insect, and an herb, which I combined to make different characters. So, a faerie with a spiked club or a butterfly faerie with a katana. I made 13 of those, and they kind of took off! I wasn’t expecting that at all.

What is the hardest part of your process?

My whole art style is coloring, like the way it’s colored… but I hate the coloring process, haha. I like doing the color combos, but I don’t like the blending and shading. That takes like one-trillion years. It’s the part where I’m most likely to give up. You know how art kind of looks ugly before it looks good? I’m trying to trust that process. 

What do you wish you knew when you started creating art that you know now?

I guess one big thing would be knowing how to use lights and darks. When I do color, it is definitely colorful, but when you switch it to black and white, you see that everything’s the same tone of gray. I’ve learned that if you just use some brighter colors and some darker shades, you create a bigger impact in the end. So, now, when I paint something digital, I make it black and white for a moment to see where all the hues are, and if something is weirdly dark or not dark enough, I can change it.

Who on Tumblr inspires you and why?

Oh, @feefal definitely inspires me. She does a lot of spooky art.

[tropicalcryptid]

Ok so She-Ra pulled such a great hat trick with Hordak's characterization, and I LOVE it

One of my favorite things about 2018 She-Ra is Hordak's story and development (and Entrapdak cough but that's not the point of this particular post), and the cleverest thing is that so much of it is actually being set up and told to us in seasons 1 and 2 before we even realize that that's what's happening.

When we first see Hordak in the show, he's giving "generic evil overlord" vibes. Garden-variety baddie. Maybe a little more reasonable than some and clearly capable of long-term thinking, but that just serves to make him intimidating. Everything about him--the way he runs his empire, his armor, his color scheme, his minion, his Villainous Eye Makeup(TM), even his name--are all projecting to the audience "yup, Acme Bad Guy here. Move right along."

But then, backstory. And everything snaps into focus. Not only is it one of the first big oh SHIT moments of the show, where we suddenly zoom out and realize that there is SO much more going on than we realized--it's also the start of the audience seeing Hordak as a character rather than an archetype. Suddenly we realize that he's not conquering Etheria because he wants power, or hates happiness and sparkles, or whatever--he's doing it out of a desperate attempt to prove his worth to his brother/creator/god. This moment where Hordak lets Entrapta in is also the moment the show lets us in on what makes our favorite spacebat tick.

On top of that, we've also seen him bonding with Entrapta and opening up to this person that he respects and trusts...probably the only person he's ever respected or trusted apart from Prime. And she's Etherian--someone of a lower species, someone he's supposed to subjugate, someone who he has been raised and trained and programmed and mind-controlled into believing is below him in every way.

But instead she's brilliant and creative and mesmerizing. She's not afraid of him, and she's fascinated with his work. For the first time since being abandoned by Prime, Hordak finally has someone that he can talk to, who is on his level and both understands and cares about the science! (because he is a giant nerd). She's kind to him, a mere defect. And it just sends his whole worldview into a spin, and that's all before--

Bam, mans is a goner. Entrapta's "Imperfections are beautiful" comment punches right through all the toxic bs that Hordak has been steeped in his entire life. You can see on his face here--I think it's the moment Hordak fell in love with Entrapta, but this is also the face of a spacebat reevaluating his entire worldview. If Entrapta, who is amazing, believes something different from Prime...what does that mean? If Entrapta, who is brilliant, believes that he is worth something, and that she herself is a failure...

Well. We know what happens after that, and how Hordak begins to doubt, and eventually fights back against Prime (and remembers his love for Entrapta after TWO mind wipes help my heart ack). But we also get to see what life in the Galactic Horde looks like: the only life Hordak ever knew before coming to Etheria.

It's not nice.

It's really not nice.

Prime operates in a very specific way, and we learn a lot about it in season 5. Prime expects complete obedience, devotion and worship from his clones. He allows no individuality from his subjects, not even a name. Failure or deviations are punished, mind-wiped, or destroyed. We even learn from Wrong Hordak that facial expressions are considered a privilege reserved for Prime (apart from, presumably, expressions of rapture caused by being around Prime).

And once we learn all of this, suddenly thinking about season 1 Hordak becomes very interesting indeed. The time we spend with the Galactic Horde and Prime throws absolutely everything that we know about Hordak into a whole new context. Now all those traits that made him a generic villain are actually hugely effective characterization! And what that characterization is telling us is that Hordak had already moved much farther away from Prime than we (or, probably, he) had realized, even long before he met Entrapta.

Horde Prime does not allow his underlings to have names, personalities, or any differences of appearance. Not only does Hordak allow this among his own troops, he chose a name for himself as well! Season 5 tells us that his very name is an act of blasphemy against his god. And yet Hordak took one for himself, and that name is part of the core identity he is able to hold on to when rebelling against Prime.

Horde Prime cast Hordak out when he showed signs of physical imperfections. Hordak not only keeps Imp (who is by all appearances a failed clone or similar experiment) around, he treats Imp more gently than we see him treat anybody or anything before Entrapta. Imp is not simply "generic evil guy's minion," he is proof of Hordak's capacity for compassion, and evidence that Hordak cannot bring himself to cast aside "defects" as easily as Prime. Considering where Hordak came from, Imp's existence is a huge, flashing neon sign telling the audience this guy here is better than the hell that molded him, and we don't even realize it until 4 seasons after it's been shown to us!

Very cool, ND.

There's more, though. Hordak's red and black color scheme? His dark eye makeup and lipstick? Very Evil Overlord chic. But nope! Actually these are actually expressions of individuality on a level that Hordak knows would be abhorrent to Prime!

Reading between the lines, I see this as Hordak desperately trying to reconcile two diametrically opposed beliefs in his head: (1) devotion to Prime, whose approval he desperately craves, and (2) maintaining some degree of unique personhood, of Hordak, from which to draw strength. Because a failed, defective clone cannot survive on a hostile world, cut off from the hivemind and from Prime's light. A failed clone cannot create an empire to offer Prime as tribute, nor build a spacetime portal from scraps and memory to call Prime back. A failed clone cannot create cybernetic armor to keep his hurting, weakened body alive; to force himself to keep going no matter what, to fight through the pain and the doubt by sheer force of will.

But maybe Hordak can.

And so there it is. Hordak had plenty of time to gain and explore his individuality while separated from Prime, but I think the reason he did it so effectively (while still deluding himself that Prime would forgive him for these little sins, if only Hordak could prove his value) is because he had to.

Wrong Hordak gained his individuality surrounded by kind, quirky people who took care of him; Hordak was ripped from the hivemind by Prime himself and had to fight for his survival against all odds. And that produced a dangerous and damaging foe for Etheria. But it also produced the one clone with the strength of will to defy Prime himself.

This is long and rambling, but ultimately my point is that 1) I love Hordak, and 2) I love love love love that the show was so clever about his characterization. We learn so much about him and how much progress he's already made in breaking from his psycho abusive cult upbringing, and we don't even recognize it until the show wants us to. Hordak had come so far, all on his own, before he met Entrapta. She just helped push him over the edge and finally realize (at least consciously) that Prime's worldview might not be the correct one.

Idk, I just don't know if I've ever seen all the trappings of Basic 80's Villain(TM) so successfully subverted, where looking back 4 seasons later is actually a smack in the face with the "effective character building" stick. Amazing.

[thatdeadaquarius]

sagau with the language barrier issue except... the creator is sick and tired of trying to ask for things so they do everything themself.

and it gives their followers mass anxiety bc they can't even ask what you're doing... bc they know they won't understand anything...

SUCH A GENIUS NARVI 10/10 GOOD WORK SORRY IM SUPER LATE BUT THIS IS *chefs kiss*

Like, that's literally how I feel like I first played Genshin LMAO

Also this has a cont. Part 2 at the bottom bc tumblr fucking hates me UPDATE I FIXED IT THANK FUCK

Paimon was like "and then we go to Mondstadt- ! NO, not Wolvendom, to Mondstadt! NOT THE THOUSAND WIND TEMPLE WITH ENEMIES OUT OF UR LEAGUE, ENTER MONDSTADT FOR THE FIRST TIME BEFORE U EXPLORE THE REST OF THE MAP!! >:("

SO MANY IDEAS YET SO LITTLE WRITING SKILL GUYS HELP-

Also warning this is ROUGH in terms of spelling and editing and im so sorry abt that! I have my art show today so you're welcome to come back if you want to see it a little more readable tomorrow lmao

Edit Update 4/6/23:

Revised and fixed all the bad spelling and grammar (hopefully) so make sure to give another read if you havent read the cleaned up version lol

I dont have a beta reader so its just me trying my best ok-

Everything was like kinda chaos tbh at first

WOW- MY FIRST 1,000+ NOTES POST??!?! U GUYS, WHAT ARE R YOU DOIN??!!! THANK YOU SO MUCH!! IM GLAD U GUYS ENJOYED IT SM!! Also look out for more encoded stuff in the future since i mentioned wanting to continue stuff like this + ARG stuff :) <3

Edit 9/7/23: 2,000+ NOTES?? THANK YOU???

Like u wake up under the Irminsul, and u think ur hallucinating a goddamn gacha game for like a solid 5 minutes, or ur lucid dreaming, 

but once u actually took what felt like hours to process that u might actually be in fucking Genshin Impact-

Nahida came running from, somewhere?? Its kinda just very floaty dreamy in here so, unclear, she’s beaming with a giddy little smile (💘)

It’s… so much more than what her game model could manage.

I mean, you knew that, of course you did, but- to see the tiny goddess smiling in person, her cute chubby arms waving in the air, her cheeks all plump with baby fat from her excited smile, pretty green eyes that sparkle only in the way excited toddlers do-

It was just…wow. 🥺

You can’t help it, her sheer carefree excitement, exactly like a child but you know that she must be really overwhelmed with joy if shes letting herself act like that so blatantly, you feel ur muscles tug gently into a smile, you try to muffle it but ur happiness leaks out anyway

She's panting as she stumbles on short chubby legs to reach you.

After just staring at you with those big green clover eyes for a few seconds, she physically shakes her head to knock herself out of it,

Nahida places her hand over her heart, and bows elegantly, going back to looking at you with a small but bright smile, her voice is kind of quiet, muffled in a soft way, much like her game depiction,

“Hzozn! R'ev yvvm dzrgrmt gl nvvg blf! R wrwm'g gsrmp blf dlfow wvhxvmw fmgro R dzh zg ovzhg z uvd gslfhzmw bvzih low!” *

…Nahida begins to look a little concerned… her eyes get impossibly bigger.

…Oh no.

♧

Nahida had apparently quickly spread the news that you can’t understand them, but luckily it seems like all the characters still know you!

Alhaitham is pretty much a constant by your side, you knew he was vaguely studying linguistics in the akademiya… but that knowledge still didn’t prepare you to be intensely stared at with his diamond pupils for hours. 💀

Then he’d tap your shoulder or something, and you quickly picked up that he wanted you to just try and say something.

Then he would scribble for hours.

Turns out they can understand you about as much as you understand Teyvat language (s? You can’t even tell if there are multiple languages, that’s how unrecognizable this language is, damn)

The more extroverted or friendly people, like Venti, Yoimiya, Kazuha, Jean, Noelle, Amber, Xingqiu, Hu Tao, Zhongli, Ganyu, Barbara, Beidou, Collei, Ayaka, Gorou, Nilou

At least attempt to talk to you, and try very hard to watch what you gesture with your hands or body language

They're pretty much ready to play charades at all times for you lol

Interestingly enough, they only ever understood you when you typed in the chat (with other ppl)

But even then not immediately, 

Sumeru scholars basically had to make a whole new department (regardless of how much you play with others) to decipher your ancient language (to them) like those old clay tablets with cuneiform we’re still translating?

Like that, your words appear in elemental magic heavy places (so like that abyss lang. It’ll appear on walls or structures, so like Andrius’ stone colosseum? in Wolvendom gained some of your chat replies inscribed and glowing a rainbow of colors on the top edges of the walls)

Much like the abyss language you see throughout genshin, most Teyvat scholars (across nations/internationally) agreed your language is the oldest form of language known!

It’s like modern languages having roots in older ones, like English with Latin, greek, or German roots, or Sanskrit and the Prakrit for Hindi language today

…so of course no one really speaks the root languages anymore, because they’re so old, so those ancestors who spoke those languages would have little to no understanding of their modern counterparts…

◇

Occasionally if you turned your mic on for whatever reason there would be a gentle whisper on the winds in Mondstadt of your voice,

or your laugh in the waves washing ashore in Inazuma and Fontaine,

your startled noises or screams from battling bosses mixed with the landslides in the mountains of Liyue

So they know what you sound like, but that doesn’t mean they understood your language :/

Nahida had been hoping that you’re actual physical form being here would help improve the language barrier

But unfortunately, those things remained the same, but at least you were physically here to talk to now and give more content for the scholars to study rather than them having to make do with your snippets of language from chats

…so needless to say, it took you a long time to realize they viewed you as a god of sorts.

You kind of knew something was up when at least two allogenes were by your sides at all times, or eremites would replace them if they really couldn’t stick around

You figured they knew you weren’t nearly as combatant-ready as they were at all times, hell you obviously didn’t have a vision hanging off you somewhere, and you only really had a knife strapped to a belt, courtesy of the Thirty Corps

You are still kind of convinced that the people of Teyvat, or Sumeru at least, are just pretty polite (and in the allogenes case, very kind or friendly, even people like Alhaitham or Cyno, resting bitch faces they have, seem to soften a little when they’re walking around with you… maybe you’re just imagining it…)

And as much as you would love to wait until they understand you to do something more fun, as you can see the frustration on Tighnari’s face (and his ears try to flatten back hehe) as he looked like he was debating heatedly with some of the Sumeru sages who insist you stay in the city

…so why not go?

It’s not like they’re going to get it anytime soon, and it’s still too frustrating for yourself to charade things or draw things for them because you can’t even hear their guesses 💀

You can totally handle being like the traveler too, 

You still have access to your inventory afterall! Plus, lucky for you, you still find a pass for the Serenitea Pot in your little pocket dimension!

So now you have somewhere to sleep at night, and while most of your stuff went to the traveler’s pack, the things like Primogems

(which.. Okay now you really want primogems bc theyre so pretty and shiny irl)✨️

And other high-level things, or just objects of no use for the traveler (so basically all your hoarded level up stuff and infinite amount of weapons lol) came along with you

So you did have to wander the first week or so around the city and even commission the Adventurer’s Guild to grab you food supplies to cook with

Filling up, along with a few big waterskins, you’re off!

...and everyone collectively has a heart attack!

◇

When you show up in Ghandaraville essentially all “✨️💖☺️✨️” on Tighnari’s doorstep-

He chokes on the tea he’d been sipping on before he opened the door lol

He looks a little frazzled so you try to just gesture with “calm yourself small animal” energy with your hands

“Tivzgvhg Oliw! R'n- R- sld wrw blf-?! Mvevinrmw, xlnv rm, xlnv rm, ivhg! ...R mvvw gl hvmw z nroorlm ovggvih mld gl ylgs gsv vmgriv xrgb lu Hfnvif, gsv Zxgrmt Tizmw Hztv, zmw gsv Nzgiz nlhg orpvob…” he began out looking at you and talking and gesturing to his small dining table (the game sucks, his house looks great and has lots of cool rooms filled with interesting plants… oooo…so pretty...) 

But then he kinda just devolved into rambling, no need to understand, you can read the vibes and just know that's what he's doing lol

Collei eventually ducks in, and she looks a little panicked?

She’s quickly followed by Cyno, pushing past her to call out into the house,

His voice seems hard and stressed, looking at Tighnari, “Grtsmzir, szev blf hvvm gsv Tivzgvhg Oliw zmbdsviv, gsvb dviv hvvm xlnrmt gl Tszmwziezeroov ozhg-” 

Cyno stops and blinks.

Collei’s mouth is slightly dropped open, she also just, blinks.

You blink. 

Tighnari blinks tiredly, he looks like he’d rather be done for the day, you think.

The doctor sighs, and moves his head to nod towards the other dining seats.

◇

Sumeru foods are so much better looking in real life, and they’re so good too, your practically bloated by the end of dinner, 

As a thank you, bc u cant say it obv, you just gesture for Tighnari to stay sitting, and he gives you a raised eyebrow and a suspicious ear twitch

But stays still, and you reach out to finally hit the eight-pointed star hovering over his, and all playable characters chests at all times.

Like you suspected, it brings up a holographic character menu, but rather than his full model, it kind of hovers in front of Tighnari’s face, replacing his old 3D model self with framing the real thing for a portrait just in front of his face

The poor Denro user nearly jumps a foot out of his chair as he looks in shock at your screen, you do the same “chillll boy” gesture with your hands and press his shoulders for a second to remind him to not run off or panic

Cyno and Collei had done the dishes and put up leftovers, and are now standing behind Tighnari, watching with equally wide eyes,

“...Dszg ziv gsvb wlrmt gl blf?

Cyno’s voice is even deeper and quieter than usual, you feel goosebumps run up your spine

“Ziv blf tvggrmt yovhhvw, Nzhgvi Grtsmzir?!” Collei’s sweet voice is also hushed like she’s witnessing something sacred, Tighnari gently shakes his head negatively in response, his shoulders shrugging,

“Nzbyv? R uvvo... z orggov hgilmtvi, zmw nb Erhrlm rh zxgrmt fk zh dvoo…”

Though he’s replying, Tighnari’s eyes haven’t once left your ancient magic? technology device? hovering in front of him,

and as he crosses his arms and squints to try and look closer at everything floating in front of him, you can see the childlike gleam of awe in his green eyes, (so cute) in fact, now that you glance up and look, both Collei and Cyno have the same quietly excited and fascinated sparkle in their eyes too

With a displeased sneer, you chuck his old level one bow into the material grinding spots, hope he wasn’t attached to that…

Oh well, he’ll like the new one better, afterall, with no characters, all your best weapons and artifacts are ready to use!

With a small smile of reassurance, you finally finish gearing Tighnari up, tap a miniature version of that 8-point star in the corner like an “X” button, and it retreats like a classic TV set📺 turning off into his chest, he startles but then carefully stands

You decide to just start making decisions bc its worked out so far ¯\_(ツ)_/¯

And grab his hand and haul him out into the forest, Collei letting out a surprised squeak, her and Cyno hurrying after

You reach the nearest clearing, and gesture at Tighnari like a bow and arrow firing, he gets it, and your glad he already trusts you, because he doesn’t take long to summon his bow

He takes aim at a smaller tree about two cars length away

You can feel them all holding their breathe, as Tighnari charges it with Dendro, the arrowhead glowing, (it looks so cool and badass irl god you feel envious even tho ur already here-)

The ranger lets it fly, it streaks neon green, whistling through the air, it hits the tree-

and it fucking explodes.

Vines and leaves and the trees roots all rapidly swell like theyre filled with water, like it literally got hit by a superhero with plant powers, which, not that far off actually.

The green floating Dendro seeds make a ring around the tree its so full of elemental energy-

You give a wild grin, you still got it, hell yeah. >:)

Your grin widens as you look over at Tighnari, Collei, and Cyno

Cyno has a smirk lighting up his face, eyes eager, Collei’s jaw has dropped and she’s just frozen staring as the tree finally settles from the burst of the dendro powered arrow

…Tighnari has lowered his bow, and his mouth is only slightly open, his ears perked straight up into the air, shaking with excitement? Happiness? Interest? You don’t know how peopl-animal-hybrid ears work,

and you STILL cant talk to any of them to ask what they thought, so looks will have to do >:/

Tighnari is the first to move, his head snapping over to look at you, the brightest, kinda feral tbh, smile taking over his face-

“Blf pmld, dv xzm'g fmwvihgzmw blf, zmw blf fh, bvg R xzm'g dzrg gl hvv dszg rm gsv dliow blf'iv tlrmt gl wl mvcg. Blf'iv znzarmt."

… and you just 🙂? Cool!

And give a thumbs up👍LMAO

☆

Bonus:

Alhaitham was literally running around Sumeru City trying to find you when you left, tho you did try and leave a translatable-in-3-to-5-business days-note, he didn’t have time to translate that because you were gone.

Or worse, lost in the city, and he would never forgive himself if he lost you, esp as Acting Grand Sage-

Kaveh got a letter a day and a half later from Tighnari letting them know you were having a sleepover in Ghandarvaville lol

Kaveh also had to hunt down Alhaitham to give him said news, then force his roommate to go sit or lay down for the rest of the day to recover lmao

(Haitham honestly kinda freaked Kaveh out bc he’s never seen him that... desperate, it was like seeing a statue emote lol)

♡

ARE YOU KIDDING WE ALMOST HIT LIMIT AGAIN?!

Bro has anyone else had this problem???

I literally had to switch from PC to mobile and copy and paste it there to get all my shit in and tumblr not throw a hissy fit???!!!

FUCKING TUMBLR- SUCK MY BIG FAT- 👹👹 UGH

ANYWAYYYY SO I FINALLY CAVED 

And started doing ciphers for when you dont get teyvat’s language! I meant to do something fun like this for awhile but I wasn’t sure if that would be kind of annoying, but if you’re interested in learning what they actually say (which the whole point of this is that dw it doesnt rlly matter lol) here’s a hint:

*hint = Atbash

:> good luck!

Wish me luck on my art exhibition today!! Then I’ll be homefreeeee 😭

Safe Travels,

💀♒

♡ the beloveds ♡

@karmawonders / @0rah-s / @randomnatics / @glxssynarvi / @nexylaza / @genshin-impacts-me / @wholesomey-artist

[zee-rambles]

Lets. D0. This.

(Please note: Post will be updated as I find more resources and think of more strategies)

(Please do not re-use gif without permission…unless it’s to save Rise…)

Mutant May

YOU can watch Season 1 and Season 2 of RISE right HERE!

So I’ve seen a a lot of people still wondering if Rise of the TMNT can be saved.

There’s is a lot of hope, especially with the boom of fans joining the fandom after the movie dropped last year, people making more art on tumblr, twitter, tik tok, and so on. But also a a lot of doubt, especially after JJ Conway’s post on twitter.

BUT…I still think there is a chance…a GOOD chance. WITH ORIGINAL CAST AND CREW! Why?

We live in the internet. Information is more then easy to get out now thanks to social media. There is all kinds of ways to get the word out to people. Let’s abuse it. 😎

Fans have brought back shows before.

We need a MAJOR push through social media, more fans, more art, it’s up to us…and I think we can do it!

Fans convinced Netflix to bring Sense8 back for a finale

Fans convinced fox to bring back “Futurama” after it was cancelled in 1999.

Hey Arnold got the jungle movie thirteen years after the show was cancelled

Animaniacs got a 3 season revival 22 years after it stopped airing.

Brooklyn 99 was cancelled in 2018, and the fans convinced NBC to pick up the series.

Arrested Development was canceled after 3 seasons, but AFTER it was cancelled, it grew an audience and they made it come back!

Fans saved the original Star Trek in the 60s with letters.

They did it. Why can’t we?

So what can we do?

Well…

1. PETITIONS TO SAVE RISE that we can all sign…

PETITION 1 (The strongest one, but the more petitions signed, the better!)

PETITION 2

PETITION 3

PETITION 4 (save the content that was cut/we missed)

PETITION 5! (Make an ROTTMNT season 3)

2. Pester Nickelodeon and Netflix on social media (THE BIG ONE Y’ALL, THIS IS THE MOST DIRECT AND IMPORTANT)

Be polite, be non-toxic (don’t be rude or mean, the boys would not want that, and the Nick/Netflix won’t listen), but be LOUD, PASSIONATE, AND ANNOYING! Ask for DVDs of the show/movie, and then BUY THOSE DVDs!

MAKE SURE TO ASK FOR THE FULL ORIGINAL CAST AND CREW TO COME BACK, INCLUDING ANDY SARIANO AND ANT WARD.

Sample DM/Letter (but try to come up with your own. Too many repeats and they will ignore it)

“Dear Nickelodeon/Netflix/Viacom, I can’t tell you how much Rise means to me, and I really love that you put the show on air. But it was not fair that the show was cancelled before it got the chance to reach the audience it deserved, only because of a few bad reviews and a lack of advertising. The show is great, there’s tons of fans, tons of art, and people, including me, want so much more! Please bring it back! We want the original crew to come, Flying Bark, for the show to get it’s full second season restored, and it’s five season run like it was originally intended. People hated the 2012 TMNT when it came out, but it got it’s chance and now there are people that love it. Why can’t Rise of the TMNT have the same? It’s clear that the creators love their work and there’s a growing fan base for it. Rise just came out at the wrong time, but it deserves it chance to shine.”

The more personal you made the letter, the more you say what Rise means to you, the better.

As for me? I’m sending them a picture of Pizza Pigeon with the #wewantmoreriseoftheTMNT and #saverottmnt

Request movies/seasons on Netflix.

Ask for Rise Season 2, another season, another movie. Just keep asking!

Nickelodeon’s facebook page (Look, I know that facebook is a relic at this point, but the more people go there and PESTER Nickelodeon, the better!)

Rise’s facebook page

Leave good reviews. Share. Leave TONS of comments

Nickelodeon’s instagram

Nickelodeon’s Twitter page (treat carefully, there be Musks out there…only use if you are over 18)

Nickelodeon’s TikTok

Niceklodeon’s letter inbox

Nickelodeon, 1515 Broadway, New York, NY 10036

Rugrats was brought back because fans bombarded Nickelodeon with letters saying they wanted it back. Might as well cover our bases. This one is a BIG DEAL!

Nickelodeon’s Corporate Number

1-212-846-2543 Call them! Annoy them! Ask how we can get their attention! Tell them why you love this show! Why it deserves to come back.

Contact Paramount

Paramounts Request form

Official Fan Page Rise’s Instagram

The more followers the better.

Netflix’s instagram

Netflix’s facebook

Netflix’s Twitter (Treat carefully. There be MUSKs out there…only use if you are over 18)

SPAM NICKELODEON’S EMAILS!

feedback@nick.com

contactus@nick.com

Letterbox@nick.co.uk

help@paramountplus.coM

If anyone has any more, any deeper more direct points of contact, or more ideas, please share!

3. Leave good reviews for Rise anywhere and raise awareness everywhere you can!

One of the key reasons Rise did not do too well because it was unfairly review bombed before people could give it a chance…so get out there on tik tok, IMDB, Rotten Tomatoes, and ESPECIALLY youtube.

Make reviews! Analysis! JOKES! Support other content creators! When the Rise Reanimated video comes out, share it like no tomorrow!

No one paid attention when How to Train Your Dragon came out, but word of mouth and people saying it was good, made it the success it was. Let’s repeat history!

Anytime there is NEW RISE CONTENT on Nickelodeon’s YouTube channel, watch it, share, spread it.

Share this post on social media, across various sites, use the information here to spread awareness about how people can help and what they can do. Be relentless! (Like Leo in Lair Games)

Ask influencers to review, react, and give RISE a chance without placing judgement.

4. Make. ART!

Draw, Write, TWEET, Make MERCH, Sell MERCH, Make Tik Toks, Videos on YouTube, posts on instagram, discord, what pad, demanding more Rise, spreading the word, and just showing how much you love this show! Not only will it attract attention, but it’s also good for all of us. There will be more Rise content either way.

Make sure to @ nickelodeon on ALL of your art! SPAM THEM! ANNOY THEM! DROWN THEM IN LOVE FOR THIS SHOW! Demand DVD’s and Blue rays of the SHOW AND THE MOVIE! It’s not fair that we can’t have access to it!

PLAY THIS GAME!

If you see official Rise MERCH in the while, buy it if you can! Also support as many rise content creators as you can. If you can’t draw? Write! If you can’t create! Like! Share! Comment! Support each other!

Rise April ART Challenge

Keep in mind…there WILL be pushback.

Companies as big as Nickelodeon and Viacom care about their bottom line: $$$…money. BUT pushback, whether they are taking down your videos on Tik Tok, striking artists on twitter, mean that they’re taking NOTICE. So don’t. Give. UP!

One last thing to remember: DO NOT harass fans for enjoying other versions of TMNT

Even though Rise is the first and only TMNT I have ever loved, I don’t believe in shaming other fans for looking forward to, or enjoying other TMNT series. Gatekeeping like that was what stopped Rise from (heh) Rising as high as it should have. All Rise fans are welcome, and all TMNT fans are welcome. Rise deserves to reach more fans, it deserves another season, and it does not need to knock down other TMNT series to do it. Show them your love and your need for more Rise, without making other TMNT fans feel unwelcome.

Share, spread the word, give it your best shot! A village can move MOUNTAINS! SO let’s do it.

So that in the near future…we can MAKE THIS JOKE!

[acourtofswiftiesandshadowdaddies]

How You Get The Girl

pt 2

luke castellan x reader

Summary: going on a holiday with everyone

a/n in love with smau

liked by iamlukecastellan, persassy, silenab and 4789 more whosyn bali here we come ✈️ ☀️ view comments

persassy IM SO EXCITED ➔whosyn bags not babysitting him ➔ groverishere bags not ➔ iamlukecastellan bags not ➔ imannabeth bags not ➔ clarisselarue bags not ➔ silenab bags not ➔ itschris oh man not me ➔ persassy you guys are mean user45 everyone being mean to percy in the comments lol liked by creator

liked by whosyn, silenab, imannabeth and 1756 more iamlukecastallen not percy almost burning annie’s hair view comments

imannabeth i swear some of its burnt ➔ whosyn we should burn percy’s ➔ imannabeth we should ➔ persassy why are my sister and girlfriend conspiring against me

liked by iamlukecastallen, clarisselarue, itschris and 1789 more whosyn i want him to [redacted] me tagged: iamlukecastallen

groverishere y/n the children??? ➔ whosyn i didn’t say anything persassy ew 🤮 ➔ whosyn not you hating on the sister who paid for your ticket iamlukecastallen she means she wants me to kiss her ➔ whosyn yeah definitely that…

liked by whosyn, iamlukecastellan, clarisselarue and 675 more itschris who knew luke could cook and so well tagged: iamlukecastallen view comments

whosyn he cooks for me all the time 🤭 persassy i aspire to be like luke when i grow up ➔ whosyn aspires is a big word perce who taught you that ➔ persassy annabeth did 😔 liked by creator

liked by iamlukecastellan, clarisselarue, silenab and 4534 more whosyn my dinner is plating your dinner 🤭 view comments

persassy huh ➔ itschris annabeth pls explain ➔ whosyn DONT clarisselarue now i don’t want to eat the food ➔ whosyn sorry bae 😔 iamlukecastellan you have no shame darling ➔ whosyn you love it 🫶🏻 ➔ iamlukecastellan i do liked by creator

liked by imannabeth, groverishere, clarisselarue and 476 more persassy what did i walk in on view comments

groverishere percy their naked… ➔ persassy ew itschris so that’s what all the screaming was last night ➔ whosyn chris shut up

liked by whosyn, iamlukecastellan, silenab and 1653 more clarisselarue cutest couple ever view comments

whosyn love you ris 🫶🏻 liked by creator

liked by iamlukecastellan, clarisselarue, persassy and 7121 more whosyn to the plans that make it out of the group chat 🥂 tagged: iamlukecastellan, clarisselarue,, imannabeth, itschris, groverishere, silenab comments are closed

a/n if you read my other works sunflower (flowers series) will be up by tonight 🫶🏻

[mostlysignssomeportents]

Why Millennials aren’t leaving Tiktok

I'm on tour with my new, nationally bestselling novel The Bezzle! Catch me TOMORROW NIGHT (Mar 22) in TORONTO, then SUNDAY (Mar 24) with LAURA POITRAS in NYC, then Anaheim, and more!

The news that Gen Z users have abandoned Tiktok in such numbers that the median Tiktoker is a Millennial (or someone even older) prompted commentators to dunk on Tiktok as uncool by dint of having lost its youthful sheen:

https://www.garbageday.email/p/tiktok-millennials-turns

But "why are Gen Z kids leaving Tiktok?" is the wrong question. The right question is, why aren't Millennials leaving Tiktok? After all, we are living through the enshittocene, the great enshittening, in which every platform gets monotonically, irreversibly worse over time, and Tiktok is no exception:

https://pluralistic.net/2023/01/21/potemkin-ai/#hey-guys

To understand why older users are stuck to Tiktok, we need to start with why younger users relentlessly seek out new platforms. To some extent, it's just down to youth's appetite for novelty, but that's only part of the story. To really understand why people come to – and leave – platforms, you have to understand switching costs.

"Switching costs" is the economists' term for everything you have to give up when you change products or services. Switching from Ios to Android probably means giving up a bunch of your apps and purchased media. Switching from an airline where you're a high-status frequent flier to another carrier means giving up on free checked bags and early boarding.

In an open market, rivals have lots of ways to lower these switching costs (it's an open secret that you can call an airline and say, "Hi, I'm a 33rd Order Mason on American Airlines, will you make me a Triple Platinum Diamond Sky-Baron if I switch to Delta?"). Of course, big incumbents hate this, and do everything they can to increase their switching costs, finding ways to impose high switching costs that punish disloyal consumers who have the temerity to go elsewhere.

With social media, lock-in comes for free, thanks to the "collective action problem." Getting people to agree on a given course of action is hard, and as you add more people to the picture, the problem gets harder. It's hard enough to get half a dozen people in your group-chat to agree on where to go for dinner or what board-game to play. But once you're reliant on a social media service to stay in touch with friends, relatives around the world, customers, communities (say, rare disease support groups), and coordination (like organizing your kid's little league car-pool), the problem becomes nearly insoluble. Maybe you can convince your overseas relatives to switch to a Signal group, but can you do the same for your small business's customers, or your old high-school pals?

https://pluralistic.net/2022/10/29/how-to-leave-dying-social-media-platforms/

Taken together, switching costs and collective action problems make platforms "sticky," and sticky platforms inevitably enshittify.

Platforms, after all, generate value. They connect end-users with each other (say, little league parents) and they connect end-users to business customers (you and your small business's customers). That value needs to be parceled out among end users, business customers, and the platform's shareholders. A platform can make life better for business customers at its end users' expense by increasing the number of ads (hello, Youtube!), and it can make life better for its shareholders at its business customers' expense by decreasing the share of ad revenue given to publishers or performers (oh, hello again, Youtube!).

From a platform's perspective, the ideal state is one in which end users and business customers get no value from the platform, because it's all being captured by the platform's shareholders. But if Youtube interrupted every 30 seconds of video for ten minutes of ads and paid the video creators nothing, both users and creators would ditch the platform – and advertisers would follow:

https://www.youtube.com/watch?v=Dab8sKg8Ko8

So platforms seek an equilibrium: "what is the least value we apportion to end-users and business customers without triggering their departure?" Maybe that means giving more value to end-users (for example, keeping Uber fares low by suppressing wages), or to business-customers (crowding more ads into your social media feed).

Every business – including brick-and-mortar, non-digitized ones – wants to find some kind of equilibrium between the value going to its suppliers, its customers and its owners, but digital businesses have an advantage here: digital systems are flexible in ways that analog, hard-goods businesses are not. Digital businesses can alter pricing, payouts and other dynamics from moment to moment – second to second – and make a different offer to every supplier and customer. They have a bunch of knobs, and they can twiddle them at will:

https://pluralistic.net/2023/02/19/twiddler/

Well, not quite at will. Businesses face constraints on their twiddling. If they get too greedy, users or business customers might weigh the cost of staying against the switching costs and decide it's not worth it. But the more expensive – the more painful – a platform can make leaving, the more pain they can inflict on the people who stay.

In other words, there's two ways to keep a customer or supplier's business: you can make a better service so they won't want to leave, or you can make leaving the service so painful that they stay even if you mistreat them.

There's three ways a digital company can make things worse for their customers and users without losing their business.

First, they can eliminate competition (think of Mark Zuckerberg buying Instagram to recapture the users who'd fled Facebook to escape his poor management):

https://pluralistic.net/2023/09/03/big-tech-cant-stop-telling-on-itself/

Second, they can capture their regulators and avoid punishment for trampling their suppliers' or users' legal rights (think of how Amazon has raised the price of everything we buy, both on- and off Amazon, through its "most favored nation" deals):

https://pluralistic.net/2023/04/25/greedflation/#commissar-bezos

Third, they can use IP law to prevent competitors from modifying their services to claw back some of that value (think of how Apple used legal threats to block an Android version of Imessage, blocking Apple customers from having private conversations that included non-Apple customers:

https://pluralistic.net/2024/01/12/youre-holding-it-wrong/#if-dishwashers-were-iphones

Companies can't just use this tricks at will, of course. Antitrust laws can block companies from making anticompetitve acquisitions or mergers. Regulators can punish companies for cheating their customers, workers and users. Technologists can come up with clever ways of modding or reconfiguring existing services with "interoperable" add-ons that let users bargain for better treatment by refusing to accept worse:

https://www.eff.org/deeplinks/2019/07/adblocking-how-about-nah

Day in, day out, the decision-makers at tech companies test these constraints, twisting the knobs that shift value away from users to shareholders. Their bosses and boards motivate them with "KPIs" that dangle the promise of huge bonuses and promotions for any manager who successfully enshittifies part of the company's products:

https://pluralistic.net/2023/07/28/microincentives-and-enshittification/

Decades of pro-corporate, pro-monopoly policy has loosened those knobs. 40 years of lax antitrust meant that companies had a lot of leeway to buy or merge with rivals – that's changing today, but it's tough sledding:

https://pluralistic.net/2023/07/14/making-good-trouble/#the-peoples-champion

As sectors grew more concentrated, they found it easier to capture their regulators, so that they no longer fear punishment for price-gouging, spying, or wage-theft, so applying the same amount of torque to the "break the law" knob cranks it a lot further:

https://pluralistic.net/2022/06/05/regulatory-capture/

Once you've captured your regulators, you can aim them at your competitors. A monopoly-friendly policy environment has transformed IP law into a bully's charter, allowing powerful companies to strangle would-be competitors who dare to offer their customers tools to shield themselves from enshittification, like scrapers, ad-blockers and alternative clients. Big companies can crank the enshittification knob all the way over and know that smaller rivals knobs won't turn at all:

https://pluralistic.net/2022/10/20/benevolent-dictators/#felony-contempt-of-business-model

At one point, bosses faced one more constraint on knob-twiddling: their workforce. Many tech workers genuinely cared about their users' welfare, something bosses encouraged as a sneaky trick to get techies to put in long hours without exercising their leverage by quitting rather than destroying their lives to meet arbitrary deadlines. These workers would fearlessly slap their bosses' hands when they reached for the enshittification knob, threatening to quit rather than allowing the products they'd given so much for to be enshittified. Today, after hundreds of thousands of tech layoffs, tech workers are far less like to challenge their bosses' right to twiddle, and far more likely to get fired if they try:

https://pluralistic.net/2023/09/10/the-proletarianization-of-tech-workers/

All this means that tech bosses don't have to change their approach at all, and yet, their services will grow steadily worse. The boss who twiddles the enshittification knob in exactly the same way as he did a year or a decade ago will find it turning much further, because his customers are locked into his platform, his regulators won't protect them, the same regulators will stop his competitors' attempts at countertwiddling, and his workers fear losing their jobs too much to speak up for their users.

That's the contagion that produced the enshittocene: the forces that constrained companies (competition, regulation, self-help and labor – all melted away, allowing every company's MBA-poisoned knob-twiddling leaders to shamelessly caress their knobs with every hour that God sends:

https://pluralistic.net/2024/01/30/go-nuts-meine-kerle/#ich-bin-ein-bratapfel

Which is why people want to leave platforms. When a platform loses its users, those users have weighed the switching costs against the pain of staying and decided that it's better to bear those costs than to stay.

So why have Tiktok's younger users found the costs too high to bear, and why have their elders remained stuck to the platform?

For that, we have to look at the unique characteristics of young people – characteristics that transcend the lazy cliche that kids are easily bored, fickle novelty-seekers who hop from one service to another with unquenchable restlessness.

Whether or not kids are novelty-seekers, they are, fundamentally, a disfavored minority. They want to do things that the platforms don't want them to do – like converse without being overheard by authority figures, including their parents and their schools (also: cops and future employers, though kids may not be thinking about them as much).

In other words, kids pay intrinsically lower switching costs than adults, because a platform will always do less for them than it will for grownups. This is a characteristic kids share with other supposedly technophilic, novelty-seeking "early adopters," from sex-workers to terrorists, from sexual minorities to trolls, from political dissidents to fascists. For those groups, the cost of mastering a new technology and assembling a community around it is always more likely to be worth bearing than it would be for people who are well-served by existing tools:

https://pluralistic.net/2022/06/21/early-adopters/#sex-tech

Pornographers didn't jump on home video because of its superiority as a medium for capturing flesh-tones. Home video was a good porn medium because it was easier to discreetly get into the hands of porn consumers, who could, in turn, discreetly view it. The audience for porn in the privacy of your living room is larger than the audience for porn that you can only watch if you're willing to be seen marching into a dirty movie theater.

Every new technology is popularized by a mix of disfavored groups and neophiles, who normalize and refine it – and yes, infuse it with their countercultural coolth – until it becomes easy enough to use to become mainstream. As more normies drift into the new system, the switching costs associated with leaving the old system declines. It gets easier and easier to find the people and services you want in the new realm, and harder and harder to find them in the old one.

This is why tech platforms have historically experienced sudden collapse: the platform that gets more valuable and harder to leave as it accumulates users gets less valuable and easier to leave as users depart:

https://www.zephoria.org/thoughts/archives/2022/12/05/what-if-failure-is-the-plan.html

If you're a Gen Z kid on Tiktok, you experience the same enshittification as your Millennial elders. But you also experience an additional cost to staying: as late-arriving adult authority figures become more fluent in the platform, they are more able to observe your use of it, and punish you for conduct that you used to get away with.

And if you're a Millennial who isn't leaving Tiktok, it's not just that you experience the same enshittification as those departing Gen Z kids – you also face higher switching costs if you go. The older you get, the more complex your social connections grow. A Gen Z kid in middle school doesn't have to worry about losing touch with their high-school buddies if they switch platforms (they haven't gone to high school yet – and they see their middle school friends in person all the time, giving them a side-channel to share information about who's leaving Tiktok and where they're headed to next). Middle-schoolers don't have to worry about coordinating little league car-pools or losing access to a rare disease support group.

In other words: younger people leave old platforms earlier because they have more to gain by leaving; and older people leave old platforms later because they have more to lose by leaving.

This is why Facebook is filled with Boomers. Yes, their kids bolted for the exits to avoid having their parents (or grandparents) wading into their sexual, social and professional lives. But the reason the Boomers were late joining younger users' Facebook exodus – or the reason they never joined it – is that they stand to lose more by going. Facebook deliberately cultivated this dynamic, for example, by creating a photo hosting service designed to entice users into uploading their family photos while disguising how hard it would be to take those photos with them if they left:

https://www.eff.org/deeplinks/2021/08/facebooks-secret-war-switching-costs

The irony here is that tech has intrinsically low switching costs. All other things being equal, a new platform can always build a bridge to ease the passage of users from the old one. There's no (technical) reason that moving to Mastodon, or Bluesky, or any other platform should mean cutting ties with the people who stayed behind.

A combination of voluntary interoperability (where old platforms offer APIs to allow new services to connect with them), mandatory interop (where governments force tech companies to offer APIs) and adversarial interop (where new companies hack together their own API with reverse-engineering, scraping, bots, and other guerrilla tactics) would hypothetically allow users to hop between networks as easily as you change phone carriers:

https://pluralistic.net/2022/12/19/better-failure/#let-my-tweeters-go

Tech platforms tend to offer APIs when they're getting started (to ease the inward passage of new users) then shut them down after they attain dominance (locking the door behind those users). The EU is tinkering with mandatory APIs through the Digital Markets Act (though bafflingly, they're starting with encrypted messaging rather than social media). Restoring adversarial interoperability will require extensive legal reform, which is getting started through Right to Repair laws:

https://www.techdirt.com/2024/03/13/oregon-passes-right-to-repair-law-apple-lobbied-to-kill/

The people who are stranded on social media platforms shouldn't be mistaken for uncool, aging technophobes. They're not stubborn, they're stranded. Like the elders who can't afford to leave a dying town after the factory shuts down and the young people move away, these people are locked in. They need help evacuating – a place to go and a path to get there.

Name your price for 18 of my DRM-free ebooks and support the Electronic Frontier Foundation with the Humble Cory Doctorow Bundle.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/03/21/involuntary-die-hards/#evacuate-the-platformsr

[homunculus-argument]

If there's one movie genre that's gone missing and which should be picked up again, it's affectionate genre parodies. Movies written by people who genuinely love some one specific type of goofy movies, pick up all the tropes and clichés of it, and then take all of the unintentionally comical elements of the genre and then do them on purpose. Both the big overarching big defining traits, and the subtle little details that can only be noticed by someone who's seen 1000 movies of this genre.

Like yeah yeah the hero always has one of these two or three occupations and the sidekick is always someone like that, but did you notice the background actress with that exact specific shade of bad hair dye that was the cheapest when these movies were being made back in the day? One specific glass bottle prop that was nicknamed "the bomb bottle" because you knew the movie was going to bomb if they couldn't afford anything better than that, except this time it's a lore gag because they make a makeshift bomb out of it. They use the bomb bottle as a bottle bomb! A pun as a plot point! And nobody but the film fans would even know that!

I know that "imitation is the sincerest form of flattery" doesn't mean what people think it means, but I miss that time when movie parodies were made by people who love what they're mocking. I can't sit through one of those mean-spirited "we hate everything about the source material so hard that we didn't even read/watch it" movies. If the creators got nothing out of creating it, I'm not going to get anything out of watching it.

[elizakai]

I like thinking about their more canon adjacent dynamic (character wise)

MINI ANALYSIS TIME

Because while I love the soft interpretations, even WITH those let’s be real; that’s not how they’d act off the bat

Horror would be extremely judgmental (fair) and hate Dust for what he did. He’d despise him and probably be very passive aggressive. Making jabs and making his disdain apparent when they have to interact. I think getting a read on Dust is also difficult and would piss Horror off. Horror is unpredictable and has a sadistic streak, if he was mad or manic and had Dust in a corner he’d have no qualms about manhandling the guy. (And Dust probably wouldn’t do much to stop him.)

Meanwhile, Dusttale’s creator was asked once how Dust may feel if he met Horror, to which they said he feels bad for Horror. He likes him, sees him as someone who went through something horribly undeserved. In my mind Dust is somewhat protective of Horror.

I interpret these clashing of dynamics as Horror’s just utter disdain for this guy, and Dust’s resigned acceptance of Horror’s judgment. He’d agree with him if he were to judge himself, but I think a part of him wants Horror’s approval. He doesn’t EVER expect to get it, but Horror is….

While he’s seen hell, he’s almost a less tormented version of Dust himself. Deep down they are the same. Horror has suffered greatly, but even still hasn’t hit the deep end dust has, and I think he’d want to protect that sort of innocence he’s granted. One could think of it as him protecting a piece of himself he himself has already sacrificed. And wanting APPROVAL from him, wishing to be forgiven, craving that small piece of validation or understanding as he tries to reconcile with himself.

Horror’s formed opinion makes sense, he agrees with it, and simply wishes he disagreed, that he could have proof of himself being a FRACTION worthy of forgiveness or understanding.

The judge in both of them has both formed an opinion of the other, and they happen to differ greatly. Horror sees Dust as an abuser and Dust sees Horror as a victim.

I like to imagine that, while reluctantly thrown into the same general vicinity, Horror would grow to be more understanding (again if we are going with a PROGRESSIVE plot line) and come to understand that, yes, he wasn’t WRONG, but there is nuance to the situation. They both have a very grim understanding of what it’s like to be trapped. I think he has the capacity to understand Dust better if he was given time. His hands aren’t clean after all, and he knows what it’s like to be forced into a situation and to feel backed into a drastic decision. He knows what it’s like to lose your autonomy and to feel your mind break itself under pressure.

I think the simple fact that Dust wouldn’t TRY to change his mind or justify himself would be part of why Horror could come to understand him. He’s devestated by his actions, he is by no means a sadist.

Horror coming to understand Dust and sort of reconcile/forgive him I think would be rather BIG for Horror, especially if you factor in other situations he now has to consider. (For example, his Undyne and her drastic attempt at freeing the undergroud…) reconciling his OWN arguably cruel decisions he has made with pure intentions, when he feels there’s no other choice (like his Papyrus and tricking him into doing something so outside of his beliefs, to protect him)

It would also be healing for Dust to get that reconciliation with Horror because again…Horror’s opinion actually may MATTER.

And in the same way that Dust may see Horror as a sort of person to be protected from further harm, Horror would probably pick up on all of the VERY bad habits Dust has that (in my observation at least) are EXTREMELY similar to his own habits/past habits (isolation, obsession, deprivation, paranoia, bringing harm to self etc) and I could see him being sensitive towards those and trying to prevent it worsening (it’s a sore subject💔) Horror is shown to prioritize taking care of those he cares about, even when he’s a bit mad, and he has the capacity to grow an understanding for someone he doesn’t like initially :))

I think they have potential to be VERY good for one another, Horror (while being fucked up) encourages (and maybe forces) better habits and actually has an opinion that matters to Dust, and Dust is inclined to be VERY loyal (Horror needs someone to show him loyalty.) to anyone who cares to give him the time of day, as it’s far beyond what he’d expect, and he’s got the sympathy/protective streak towards Horror as an actual in character detail.

And from there it would be wonderful to explore their dynamic in whatever way you like to interpret it🤫💥

I could go on but I’ll stop here, if you read this all CONGRATS!!!

Share your thoughts I love it