#i mean maybe some do

[justa-smalltown-gargoyle]

Hey batman/batfam people, I wanted to talk about something. I know this might not be received well, but...this is my blog. So if you disagree with me, feel free to block me! Literally that's what's great about this site. (I've been trying to do so on my end, but I thought I'd reach out a bit.....idk maybe try to form some understanding?)

I have been a batman fan since like...age 13 or something. Batman as a character means so fucking much to me, as does all his kids and massive extended family. (can't forget Alfred, Kate, Lucius, and Jeff Gordon!!) And I know that they mean a lot to you guys too.

In comic book and fandom spaces we talk a lot about misrepresentation of characters in fandom, but even in "canon" or rather published/produced content. I have beef with a lot of live action adaptions of Batman for example.

The thing with comic book characters, even more than some fandoms/pieces of media, is that there is SO MUCH content out there, that two people can say they like this one character but those two versions might be in total contradiction. But does that make one right over the other? does that make one superior?

Now, I hate Ben Affleck's Batman. And to fans of his, I'd say, you want the punisher, not Batman, because to me, that goes against who Batman is fundamentally. I read the comics, watch a lot of the animated stuff, and formed my own opinion and version of Batman. However, and this seems to be a controversial take, i really enjoy Wayne Family Adventures.

I see a lot of hate on here for WFA (and on tiktok but they're another beast), which, it's not for everyone, that's okay! Not everyone has to like what I like. But what I don't agree with, is that people who like WFA are seen as "not true batman fans", "they haven't ever read a comic". "they only like the flat fanon versions of the characters", etc.

These comments I would like to rebut- some comic readers such as myself might enjoy WFA. There might be people that have never read a comic or even watched anything batman related but like WFA. Are they not valid to enjoy that and have their own fandom for that? Are they not allowed to be fans of Batman?

I also would ask, how much of WFA did you actually read? In it's nature, it's suppose to be the bat family on their time off, or more light stories, but it actually addresses things like Jason's trauma, Duke moving in to the Manor, Damian struggling to fit in at school, things like that. Now if you read pretty far and still didn't like the portrayal of the characters, that's fine, I'm not asking you to change your opinion, however I am asking you to make space for those who do enjoy it, or that WFA is their first introduction or only experience with the Batman and co.

WFA isn't perfect, but it holds a special place in my heart, and gives me more content for Not Perfect but Trying and Cares Dad Bruce Wayne which I am grateful for. And tbh I feel like it just shows other sides to the characters we don't see that often!

And again, obvi people have their opinions, I guess I'm just asking for us to be more aware and create a space where people can feel free and excited to talk about these characters that we all love. I enjoy content and discussions I see in the tags and different blogs but then I see the hate for WFA fans and it just puts a real damper on otherwise really good content.

Anyways, thanks for reading!

[rendevok]

Moon dance 🌕✨

[tagerrkix]

WHERE IS HE D:

(sorry for deleting and posting this again 🙇‍♂️🙇‍♂️ one tiny insignificant thing was bothering me and when I edited it it wouldn't show on reblogs and that kinda made me go 😠😠😠)

[chloesimaginationthings]

You should totally have Jeremy meet the gang if you haven't already!

I definitely should, so far this is the only time I’ve drawn him in the comic!

[artist-rat]

more gif inspired kitty hugs 💌

[pocchi-poket]

You know, I feel like we're not talking enough about the fact that Alastor has in his room a full reproduction (?) of a swamp-forest that's highly likely very similar to the one where he was killed. Talk about being morbid.

Edit: someone pointed out in the comments that the swamp-forest is called bayou. It's a kind of ecosystem in Louisiana.

[buggachat]

(random s5 finale musings) tbh I don't think Marinette chose to keep The Secrets™ from Adrien because Gabriel asked her to. I feel like Marinette keeping secrets like that is so consistent with her character; she hates giving people bad news, she hates rocking the boat, she hates upsetting people, she always chooses to keep any 'controversial' information to herself for as long as she can get away with (examples: bubbler scarf, telling Queen Bee she was benched, confessing to Adrien, warning Chat Noir about Scarabella or Rena Furtive, never told Chat Noir about Chat Blanc, etc) that I just totally believe she would've done it either way. She was even already having nightmares about Adrien hating her for finding out she defeated his father, so I feel like Gabriel's request was moreso giving her a go-ahead than it was a primary deciding factor, yknow?

[lucabyte]

you dream of devouring your friends whole

[tofixtheshadows]

This is one of my favorite minor details in Dungeon Meshi, firstly because what in the femme fatale, but also because it's one of those little things that raises so many questions about worldbuilding.

The Occam's Razor defense attorney in me says that Ryoko Kui gave Kabru a boot knife because she wanted him to escape from his bonds here. And Kabru is a very competent swordsman, why wouldn't he have a boot knife, sure. He's already got a dagger, he can have this too.

And yet: the implications. Kabru, why do you have that? That is not remotely something that could be easily accessed or used in combat. Nobody is pulling out a pen knife from the heel of their boot during a fight with a monster. It's useless in the dungeon ... unless you're the type of person who isn't just worried about monsters.

I've mentioned this before, but I consider one of Kabru's functions in the narrative as being the character who fully brings the idea of human ecosystems into the story. There's a reason why he's always connected to large groups of people (Toshiro's party, the Canaries). He (along with Mr. Tansu, briefly) introduces the reader to the social and political forces working on the dungeon, showing us that none of this is happening in a monster-filled vacuum. His confrontation with the corpse retrievers, who very nearly kill Kabru's party permanently with their reckless murder-for-money scheme, reminds us that monsters are not the only things that prey on humans. Kabru understands the ways the dungeon causes people to put profit over human lives.

We only get hints of it in the story, but like any gold-rush-style economic boom, it's implied that there is a lot of crime and corruption surrounding the dungeon.

So yeah, it really makes me wonder why Kabru keeps a tiny knife in his boot, meant to be carried on him even in situations where he would otherwise be unarmed. Stored exactly in the place where it's easy to reach, even if, for some reason, your hands are tied behind your back.

[kagoutiss]

din’s champion

[swiggity-swexual-i-am-asexual]

I love seeing Danny Phantom showing up and being like ‘don’t ask too many questions but John Constantine I own your soul. All of it. Lmao sucks to suck bitch’, and he’s usually all Ghost King Full Regalia as he does it, at least in front of the Justice League, but consider—

He just shows up as Danny Fenton.

“yeah I got bored and collected the pieces like Pokémon. Gotta catch ‘em all” says the 5’2 teen who looks like a stiff breeze could trip him. He denies being a sorcerer, or a magician, concedes he’s maybe psychic but mostly he’s just…. The kid of two mad scientists—who have a basement lab where they opened a portal to what he SAYS is not hell but no one is frankly CONVINCED, by the way—and he hasn’t decided what to do with Constantine yet besides getting Danny into some r rated horror movies, but figures he should tell the dude probably.

“What’d you even trade for some of his soul contracts?”

“Don’t worry about it”

They worry about it

[natelia-aldelliz]

Ghost after meeting Soap.

Price : Have you slept?

Ghost : Depends what day it is

Price : Go to bed.

[sage-nebula]

"Suffer No Fools" - Shiver vs. Marina Analysis

It's been a few days since "Suffer No Fools" released, but I wanted to go ahead and release my analysis of Shiver's and Marina's verse since that's the one that has caused the most discussion within the fandom. I've seen a lot of debate over Marina's section in particular, with people unsure whether she was being sincere or sarcastic, and I think the actual answer is a little more complicated than one or the other, at least with regards to the first couplet of lines both she and Shiver sing. Of course, people are free to interpret this song however they wish, but after seeing numerous interpretations I personally didn't vibe with, I just wanted to put my own out there, breaking it down line by line.

So! Here we go.

Exchange 1:

Shiver: "Your haunting voice -- there's no escape. How nice it must be for your fans." Marina: "You're far too kind! I love your vibe. I can learn so much from your style."

Analyzing from dialogue only:

Shiver is insulting Marina's voice by calling it haunting and saying there is no escape, insinuating she wishes there was one. She says how nice it must be for Marina's fans, again implying that she isn't one.

Marina says that she loves Shiver's vibe, which on the surface could be a compliment, but given the context (a music battle) it could also be a Mean Girl "ooh I love your [thing] :)" passive-aggressive drawing-attention-to-something-ugly insult. More direct though, is the "I can learn so much from your style"; you can learn what not to do from someone just as much as you can learn what to do from someone. Marina's engaging in plausible deniability here.

HOWEVER. Lyrics are NOT the only thing that need to be analyzed from this first verse, which is arguably the MOST important exchange between these two. Instead, we need to look at how these lines are delivered.

Shiver is singing in a traditional Japanese folk singing style, specifically a style based on Shima-uta, which her voice actress has a background singing in. Unfortunately, I don't know the actual term for this style of singing, only that it's not kakegoe, something Shiver also does that is different from this. Anyway, in these lines specifically Shiver is singing in her Shima-uta style, a style that she has presumably been practicing since she was a small child, a style that is probably culturally significant to the Hohojiro clan. Singing in this style is not something that just anyone can do. It's completely different from singing in a (for lack of a better word) "western" style. The way you breathe is completely different. The way you incorporate your voice into your breathing is completely different. So by singing in this style, which Shiver has been doing practically her whole life and which, presumably, only she of the four there can do, Shiver is FLEXING on Marina regardless of what lyrics she chooses to sing.

But then Marina, who grew up under the domes in Inkadia, who presumably has never heard Shima-uta before she started listening to Deep Cut and heard Shiver sing, who presumably has had absolutely no training whatsoever on this style of song . . . mimics it perfectly and flexes on Shiver right back.

Could Marina's words to Shiver be interpreted as passive-aggressive in turn? Yes. But does it matter? No, not really. Because in this first verse, Marina's ACTUAL comeback is to take the style of singing that Shiver has been perfecting her entire life and throw it right back in her face despite having never (as far as we or Shiver know) practiced it herself. Shiver was flexing by presumably doing something Marina couldn't do, only for Marina to do it flawlessly, being every bit as divine with a voice so fine as Pearl said she was previously. Marina says "I love your vibe" so she takes it. Marina says "I have so much to learn from you" but does she really, when she can already do exactly what Shiver can, and has, just now, right in front of her?

And Shiver noticed, hence:

Exchange 2:

Shiver: "You remind me of my neighbor's little daughter . . . What's that saying? 'Octo see, octo do.'" Marina: "Glad you approve -- your praise has left me moved. Thanks to your notes, I'll find my groove!"

Shiver drops the Shima-uta singing, because now there's no point. Marina can also sing in that style, so it's no longer a flex. Shiver lost ground on that one, so instead we're back to the same (again, for lack of a better word) "regular" style of singing that everyone else is using. For that reason, we can go back to analyzing purely based on the words alone.

Shiver is calling Marina a copycat, essentially, because Marina copied her Shima-uta singing style in the previous verse (hence why Shiver had to drop it, as previously noted). Marina then gives her "glad you approve -- your praise has left me moved" . . . basically noting that by Shiver accusing her of copying, Shiver is saying that Marina -- someone who just tried the singing style off the cuff right there on the stage for the first time -- was just as good as Shiver, someone who has trained in that style her whole life. The audience saw for themselves that Marina was able to emulate the style, but Shiver saying, "you copied me!" is basically admitting that Marina was just as good as her in Shiver's own eyes, and Shiver is a pro. That's Shiver's aggravation handing Marina the win and Marina smiling wide as she accepts it.

Exchange 3:

Shiver: "Oh, look at the time. Isn't it getting late?" Marina: "Not at all! I could go on like this all night long."

This one doesn't even really need an analysis. For all that she prides herself on being "so cool even sharks call her cold-blooded," Shiver is known for being easily irritated and riled when she's losing due to her competitive nature. Marina successfully got under her skin, and this is her trying to end the battle fast because she didn't have any further comebacks. Marina, meanwhile, gives the classic "I could go on all night" because she's not riled at all, and is instead perfectly comfortable in this environment, knows what she's doing, and has had the upper hand from the start.

It goes back to another post I made about Experience vs. Inexperience. Shiver and Frye are still new idols, whereas Pearl and Marina have been at this for a long while. And while off the stage Marina is a sweet, kind, gentle person who will go out of her way to help others, and can sometimes be a little spacey or naive, she's also a 23-year-old literal genius who has been in the music industry for years now and knows full well what a rap / music battle is and knows her way around a stage. Personally, I found it to be a little infantilizing to insinuate that she "didn't realize Shiver was insulting her," when not only do I think she knew full well, but also she was the one with the upper hand not because of sick burns (that's Pearl's department), but because of sheer innate musical talent.

But those are just my thoughts! Everyone else is free to have their own.

[chaosgenasi]

We came to a young world. We came to a world of raw, elemental wonder. Of chaos and exultant passion. Of energy vaster, and more potent than anything we beheld in the cosmos... It doesn’t seem like it’s random or chaos. It just seemed like potential.

[poorly-drawn-mdzs]

💙❤️Happy Holidays!❤️💙

[beanghostprincess]

I did not just see somebody on TikTok rating OP ships and saying they don't like Zolu because it's often portrayed with Zoro being dominant and Luffy being infantilized. I do not know what Zolu content you're seeing, bestie, but I have never once in my life consumed Zolu in another way that isn't Zoro on his knees for Luffy, either ready to worship him or suck his dick religiously.