Beware the following mindless deranged rambling that randomly hit me at 3am, but I can't be the only one who felt this way when playing for the first time...
Not having Officer Singer conspiring with Rookwood was a big fat missed opportunity
And whether it was intentional or not, it was all perfectly laid out for a plot like this since the start!
From her first theatrically heroic appearance in Hogsmeade:
As a Magical Law Enforcement Officer, I assume Singer is equipped with the basic knowledge of evacuation procedures e.g. steeling all persons away from the ongoing threat and ensuring they exit the area safely.
But what did she do instead?
Luring the massive troll into rampaging further into Hogsmeade, leaving a pair of 15-year-olds completely out in the open, vulnerable to new imminent dangers. And sure enough, as soon as MC and Natty/Sebastian were alone, another troll bursted in, mere seconds after Singer left the scene.
What's not to say she was only there to clear of any potential civilian witnesses, using the first troll to scare them away under the guise of doing her job, while the second troll quickly comes crashing in, with MC being served up in a silver platter.
Later we saw Singer comes running back and is understandably surprised to see MC unscathed. We get this strange piece of dialogue:
She didn't bother assessing, or at least securing the crime scene when it's literally the first step to ensure an initial investigation can later be conducted properly. Instead she does the complete opposite by having someone else to practically wipe it clean of anything worth further investigating; there definitely would’ve been debris or bits of damaged armour with lingering traces of dark magic, now all gone. Then she just vanished, leaving a couple of teenagers alone in an deserted area, again.
Later we meet Rookwood for the first time.
From here we learned that Rookwood watched the whole incident unfold, implying he planned to abduct MC at the first chance he got, one which Officer Singer very conveniently provided. The only thing stopping him was seeing the new kid had absolutely Thanos-ed a troll using an unfamiliar form of magic.
And he wasn't exactly discreet either. Rookwood, an infamous criminal gang leaders was allowed to so nonchalantly wander around Hogsmeade in the broad daylight and it was clear he could to barge into public establishments whenever he wanted while openly threatening a pair of minors. A Dark Wizard who was now actively stalking a literal child got to walk away scot-free. Pretty lenient...
At this point it wouldn't be too outrageous to say Singer is systematically participating in organised wizarding crime. Here's an interesting piece of dialogue from Rookwood:
"Favours." now we have proof that Rookwood somewhat has a little power in the Ministry. There could've been a transactional relationship between Rookwood and Singer too.
British policing wasn't exactly well liked; venal and corrupt as it was, elite officers colluding with criminals weren't new.
Assuming it applied to the Wizarding World too.
At the era HL takes place (the 1800s), bribery and cover-ups were daily occurrences, which could garner favours that often came from the very criminals from whom corrupt officers have collected in exchange for "turning a blind eye".
This one's a bit of a stretch to be honest, but it may have explained how Rookwood evidently was able to be as active as he was for "months." And it certainly would make more sense in how Singer maintained keep her position a lawwoman that's reputable and admired by the locals as long as she did despite her blatant inactions, considering the possibilities he helped pulled some strings.
It'd be too easy to claim Officer Singer was never fired simply by theorising the Department of Magical Law Enforcement were as unfit, unintelligent and incapable as the forces from the Victorian Metropolitan Police.
But it's later found out the locals felt very differently:
People trusted her, relied on her. They felt safe whenever she's near and all have nothing but praises for her.
Imagine the potential - the level of public outrage and betrayal - among the common folk, that the person who was supposed to defend them has been aiding the Ashwinders extorting, threatening and bullying them this whole time, possibly allowing said group access to all the needed private information to terrorise them even further (e.g. their names, private residences, workplaces and occupations, and all that of their loved ones, too)
This can easily be backed up by Natty’s questline: A Basis for Blackmail
We meet a few of the victims - targeted by Theophilus Harlow, another notorious Ashwinder leader and Rookwood’s right hand man - most notably Mr Isko Rabe and his wife.
Harlow knew their names, where Mrs Rabe worked (Gringotts), what she and her husband do for a living (bank security and curse breaker) and where they lived (to plant the threatening note and destroy their garden). Both careers are as high profile as they are dangerous, so it’s not surprising Mrs Rabe was approached about extorting the bank itself. What is disquieting was that their private homes were infiltrated a little too easily, especially concerning her husband is a talented curse-breaker.
Interestingly, Mrs Rabe and officer Singer were likely colleagues (as per the cutscene of the first Hogsmeade troll attack, you can see Mrs Rabe following closely behind Singer). Someone with Singer’s position would have all the necessary connections and know-how to learn all she needs to someone of lower rank, especially when divulging them to a powerful gang leader she may had been conspiring with…
—
I got so excited because I was convinced there would be a twist of some sort, where we may get to pull a Houdini or a Scooby-Doo then unmask Singer as another sleazy dark witch that's been undercover and lying to the locals for years, secretly exploiting with Rookwood and manipulating the same people she's meant to protect.
I was so mentally prepared for the scandal, already so gleefully imagining the reactions of the villagers, the teachers or students from the sheer betrayal after speaking so highly of her and putting so much trust in that woman.
Imagine my disappointment when I find that she really was just hilariously incompetent 😂
Shit, even MC themselves pointed this out ( after local businesses were being extorted and a student was just kidnapped by a group of adults:
I can always incorporate this post in the fic, that'd be fun.
138 notes
·
View notes
bf deku who's a little creepy with his love for u..
in a good way ... or a bad way?👁️👁️
Anywayyyyyy yeah. Yeah. You think it's just the honeymoon stage at first, cuz I mean, you feel the same and think it's all very sweet... but suddenly it's your year and six month anniversary and you realize none of his """"wacky"""" behavior has ever really stopped or changed.
But it is... cute? Sweet, at least, the way he's a lil overbearing about things. Always trying to feed you, whether at home or out in public... little bits of his lunch he breaks off to give you when you're sitting on his lap, to watch you eat and make sure you smile about.
(Or the ones he comes into the room just to give you, like he was specifically thinking about you when he ordered a bento at the cafe, spoon in hand loaded with all your favorite things. you glare, cheekily, cuz you always tell him to order what HE wants, but no, never. he'd rather split everything with you than have anything of his own, and if he had his way, he always would.)
Even shower time, cuz if he's not in the water with you (big hands always peeling the soap and loofa and shampoo out of your grasp so he can wash you for you, big hands doing other things to your body that you enjoy but definitely do not include what you're supposed to be doing)... he's sitting on the toilet right next to you, playing on his phone while he waits for you to get out, OR even sitting against the door outside, after jiggling the handle and whining about you not letting him in.
(i saw a funny tik tok that was like, "whenever they say they're showering" and it was the guy running across the house naked LMFAO to get in with her... that's deku.)
And when you get mad at him, lock him out of the bedroom cuz he won't stop weeping and apologizing... he'll lay down on the floor outside and stick his fingers underneath the door to wiggle them at you, his nose too, like it will make you less angry, like he couldn't just bust the whole thing down if he REALLY wanted to (which he doesn't really, not unless you were in danger, not including the time you accidentally locked him out and he came home from patrol so exhausted that he popped the knob right off it's handle accidentally slamming it into the wall trying to get into bed with you).
LOOOOL and you go to his agency one day for some reason (he always wants to see you, his favorite days are when you visit for any reason), and while he's packing up to take a break with you, his computer backgrounds and screensavers are literally all just pictures of you. literally. every single one you've ever taken practically, even the gag photos you send your friends, with your hair all done for bed and face shiny from moisturizer...
It's almost like he snuck onto your phone once or twice to download everything onto his... which like. hmmmmmmmm. LOL. okay. Not to mention the fact that he has locations on and texts you whenever you go ANYWHERE. Even to the konbini across the street. Like he's constantly looking.
Bakugo def adores u for keeping deku out of his hair, but lowkey also has a little beef with you, too, for being practically the only other thing he talks about aside from work and business lksdfjadksljf.
and tbh? i'd feel bad for him, too.
387 notes
·
View notes
Alina didn’t choose to have her powers taken from her and she didn’t intend for them to be lost. You can’t say Alina chose her ending when the ending was deliberately forced on her without her consent, and she is actively upset by this.
It has been said before and I will say it again:
Alina explicitly wants her power in the books. She has conflicting feelings on it, which is normal, but does on multiple occasions admit to herself as well as others that she likes the power, that she wants it, and that she does not wish to lose it.
This is not due to a lack of conceptualizing Alina liking her powers and Alina’s greed for power as separate things. This has nothing to do with Alina’s greed. Outside of Alina’s greed for power, she comes to love this part of herself she neglected all her life because she was raised by people who could not understand her and who taught her to be wary of her own people and culture, so much so that she subconsciously avoided dealing with who she actually was.
Equating Alina’s power with her greed is exactly what those oppressing grisha do in justification for their hate crimes. You are using the same logic as a cast of people set on genocide and oppression. Not to mention the direct connection between grisha being based on jewish persecution and how the thing that defines grisha is equated with greed, which is a highly common antisemitic depiction of jewish people.
Alina is the ethnic jew raised by goyim. She is the repressed queer child of homophobic parents. She is everybody who only got to realize and express themselves after finding and connecting with their community late in life.
A story about a persecuted minority hunted because of what makes them different ending with your main character, who is a part of that minority, losing that piece of themselves and being forced to assimilate, is incredibly problematic. And anybody who makes this criticism about “Alina choosing” forgets that Alina is a character who’s only choices are those made for her by the person who wrote her.
Another thing that people constantly misrepresent is that Alina is not happy to be stripped of her powers at the end, and explicitly expresses sadness, grief, rage, and anger about the loss of her powers. This is separate from her finding happiness despite her grief, but the grief never goes away. Which means that anybody saying she was happy to lose her powers or chose to do so is factually incorrect. Her agency is stripped from her in the end.
She doesn’t get to choose the peaceful life because the peaceful life is chosen for her. This is not a natural ending to a meaningful character arc of self realization. This is the regressive and brutal shafting of a character who’s arc was abused at every turn, and who’s actual development was walked backwards. Not because of her powers but because she is prevented from ever finding peace with her powers by the narrative.
She doesn’t have to fight a war ‘because of her powers’. She has to fight a war because her people are fucking oppressed. Laying the blame on what makes her different instead of the people who have singled her out because she is different indicates a severe lack of understanding in regards to racism, persecution, and oppression.
Her powers didn’t become so corrupt that they failed her in the end. She didn’t see the consequences and choose peace to avoid them because she wasn’t allowed to see anything at all. Her path was decided for her before she could even look down the other.
People focus on Alina and her powers because that is the story. It is a story about realizing something crucial about yourself that has been kept from you and repressed your whole life. It is an incredibly important story to tell. It is a coming of age story about self realization and self actualization and finding agency after a life where you realize you had none.
Blaming Alina being grisha for why she is stripped of her grishaness is fundamentally flawed argument. If the greed for power was what was supposed to be punished, then she would only have lost that which she sought in her greed. And if a balance needed to be reached, then there would be just as many sun summoners as shadow summoners in the world. Because she lost more than that and because of the discordance in thematic symbolism, the message becomes a punishment not for “greed” (which shouldn’t have even been the message in the first place for a plot and setting like this), but for something else. It becomes a punishment for her being grisha and coming to love and accept herself for it. It becomes a punishment of reveling in one’s difference. It becomes a statement about living outside of the boxes society tries to place people in. It becomes a message about oppression and assimilation on the side of oppression and assimilation.
The most important criticism about the ending will always be about the framing of Alina losing her powers. Alina choosing peace and love over power as a message would only have been able to work if Alina had been able to choose it. And to do so she would have had to choose it when she still had her powers. That is the only progression her developmental arc of “choosing peace and love” could have taken if it didn’t want to become regressive and strip her completely of her agency.
197 notes
·
View notes