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jaskefer · 10 months

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Obsessed with the idea of Extraordinary Things being a back and forth between Jaskier and Radovid, with Jaskier trying to draw him out in the first verse, and Radovid finally answering him in the second.

Cause like, with Radovid, Jaskier meets someone who he can't fully read properly. He knows there's something under the front of a drunken, bumbling prince, but he doesn't know him well enough yet to be certain as to what.

So, he tests the waters a bit. throws out a line to see if Radovid will take it—and he does. A little bit. But it's so interesting to me, because it doesn't just feel like Jaskier is trying to nail down Radovid's truth in this verse; it feels like he's injecting elements of his own mask into it, as well.

"Keep your words on ice, your gaze lights the fire. They say 'keep on playing nice,' but I have no desire. Why waste our words when lips were made for extraordinary things? It's not a want, it's a need, it is paying no heed to what others say to sing."

This is Jaskier's read of Radovid as he knows him so far: a man hiding more complex wants beneath the veneer of a drunken party boy. But it's also Jaskier admitting that he knows this about Radovid because he wears the exact same mask himself.

Much like how Jaskier and Ciri speak through Geralt and Yennefer in order to process their own feelings about them later in the season, Jaskier sings through himself in order to comprehend who Radovid is. Jaskier is using the performative persona he's crafted for himself in an attempt to coax Radovid out of his.

All of it leads into the main intention of this song: "The greatest songs are made up of unspoken words of love. Of them, I've had enough. with you, I am enough." I am tired of having to put up a front. I want to be understood. I think you understand me. Prove me right.

And Radovid sees what Jaskier is doing. He comments on Jaskier's ability to see people for who they are and not who they pretend to be. But there's still more he wants to understand. This still feels like a game, in a way.

It's only after Radovid sees the brutality of Dijkstra and Philippa up close, watches them orchestrate the assassination of the queen and threaten to incriminate him if he doesn't fall in line, that he then grasps the vulnerability in Jaskier's lyrics. Jaskier is also caught between multiple conflicting desires, that of his loyalty to Geralt/Yen/Ciri, and that of his work as the Sandpiper & how said work is backed by his continued commitment to Redanian Intelligence. That internal conflict and the desire to escape it is also highlighted in the song's first verse ("they say keep on playing nice, but i have no desire"). Only after all of this, when true fear begins to take over and the game stops being fun, does Radovid truly begin to truly understand Jaskier.

And so, he seeks him out. And he responds.

“Drop the sweet disguise, your heart’s beating too loud. The fairytales and little lies can’t drown out all the sound.” You were right. I do understand you. I know what you really want, because we're the same. You can’t hide it behind a façade of a song and a story and a persona.

“Take this heart and break this heart for extraordinary things.” I don't know what will become of this, or us. I still don't fully know if we can trust each other. But no one has ever seen me in the way that you have.

It's not a want, it's a need. With you, I am enough.

#angel.txt #the witcher #jaskier #radovid #radskier #meta & theories #angel.doc #twn spoilers #i never wrote my wpb meta so have some extraordinary things meta instead shdfdfddfd #i truly think that first verse is so complex and multi-layered and can be read in multiple ways (both in-universe and externally)#like this is what i meant by 4d chess like how the FUCK can i explain what jaskier's doing in that first verse #its also little things. the background vocals that pick up in the second verse.#the way the second verse is omitted from the diegetic performance of the song which could imply jaskier hadn’t written it at the time #the way that we hear this song over the credits only after they get together in ep 4 and it's an extended version BUT #the extended version is entirely instrumental after the first half ends which also imply that the second half hasn't yet been written #as a whole i think that a lot of twn songs can be read through both internal and external lenses to enhance their existence in the narrativ #the fact that some of them have different names in-universe as opposed to on the ost. the choices they make in diegetic song placement.#im not very inclined in musical terminology but my brain is going insane over what this show does with its songs and how joey himself write #(and tbh i like to think of the sountrack/ost versions of songs as smth separate or alternate from the ones seen directly In the episodes)#idk. just very much intrigued with the idea of this song as a conversation #the entire song being an illustration of the masks they both wear #the truth that lies beneath them‚ and the way they both try to chip at each other until one of them drops it first.#obsessed with certain choices and going a little too insane about them <3

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just-another-obsessed-fangirl · 2 months

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theories as to where Grace got the cigarette she was smoking after fucking Max's ghost:

she has actually secretly been an active smoker for a long time and always carries a pack with her

she bought a pack of cigarettes when she was on the run from the cops because she was stressed, and figuring that she had already disappointed the Lord by touching herself and lying to the police and dismembering a body, decided that she might as well relieve that stress by taking up smoking

Max died with a pack of cigs and a lighter on him and they stayed with him when he turned ghost and Grace pocketed them from his clothes after they had sex

she just found them in the school or on the ground somewhere after the Lords in Black meeting, and perhaps her mind made the association between sex and cigarettes and that's how she came up with the idea of giving up her chastity to end Max's reign of terror

Grace had immediately thought of giving up her virginity as the sacrifice after the Lords in Black meeting, and the entire time Steph and Pete are running away and tearfully coming to terms with Steph having to kill Pete to stop Max, Grace is running around the school or off to a drug store for cigarettes because she felt having a smoke after was that necessary

#grace chasity #nerdy prudes must die #npmd #seriously where did she get that cigarette ive been wondering abt it a lot #her being a secret smoker doesnt seem very in character to me #but weirdly i feel like it makes the most logical sense?#itd easily explain why she has cigarettes on her and she seemed pretty comfortable with smoking #she wasnt like coughing or anything. like she couldve done it before at least once.#2nd most plausible to me was maybe that it was actually max's?? but idk doesn't seem that much more plausible than some of the other ones #her looking for cigs could explain where she was when the steph/pete stuff was happening but not necessarily explain the other way around #though maybe she did think it was necessary. grace almost definitely didn't have accurate sex ed and was sheltered #maybe thru like the media that she could watch she just believed smoking after was the expected thing #or some church sex ed lesson she had that combined abstinence only and no smoking messages #idk. it's 4 am. i dont know what im doing.#my posts

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iwritenarrativesandstuff · 1 year

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Hello! Hope you don't mind the random ask 🥺 You said after the newest episode that Mushitarou is one of your favorite BSD characters; could you talk a little about your thoughts on him/why you love him/his arc? He's one of my favorites too, and it makes me so so sad how underrated he is, because imo he's one of the most well-written and tragic characters in the entire series, despite how little screentime (pagetime?) he gets :' ) I wish more people would talk about him. Really hope that changes after the next episode 💚

I honestly almost screamed when I got this ask YES I CAN TALK ABOUT MUSHITARO. I CAN TALK ABOUT HIM ALL DAY.

Ok well first of all he is the poor little meow meow. Pathetic scrunkly man. I'm sorry but you can't deny that it's true. Even in-universe, it's like he's the BSD world's chew toy. He keeps getting kidnapped by different organizations with like. No breathing room in between. Give him a BREAK. Funnily enough, I enjoy and usually like to poke fun at these kinds of characters, but they're not typically my favourites. Mushitaro is, by far, an exception to my usual favourite character types.

Second, I am a lover of bittersweet tragic storylines. Yeah. Honestly, the way the storyline built to the slow reveal - I knew immediately after Poe mentioned the water droplets that they were his tears, and I was starting to suspect what was really going on, but the way it was unraveled was so, so painful and beautifully done. Even knowing it was coming today when I watched the episode, it still hurt.

Thirdly, Mushitaro's circumstances raise some intriguing questions we still don't have answered. He was captured by the Seventh Agency and made to work for them with his ability - he considers them a worse alternative to Dostoevsky and refers to them as tyrants. (We also know of another shadowy organization that takes on ability users with useful skills for nefarious purposes, V. V also somehow managed to not be discovered by either the government or Ranpo in 13 years. I'm not saying there's a connection there but... but... there might be. 👀) Anyways, point is, there's stuff goin' on there. And I wanna know. (Also I like the motivation parallels with Ango very much.)

But most of all, I fully agree with you - he is very well-written. What I love most about his character is actually the way his narrative showcases what I believe to be some of the series' character writing's biggest strengths - to excellent (and heartbreaking) effect.

Characters are often revealed to be quite different than what their initial introductions would suggest. Later revelations serve to recontextualize earlier character cues - these early cues are often misleading but not outright lies.

To be clear, this isn't a hard or particularly unique thing in character writing - in fact, this is... kind of a minimum requirement. Your audience should be able to go back after the fact and notice new things about characters that you only get on re-read. But I find BSD is interesting for this because these initial impressions don't frequently tell you what these characters actually value - the "establishing moments" are often incredibly misleading. Mushitaro is an excellent example of this.

The best part of the perfect murder arc is the way it slowly unravels piece by piece - and as it unravels, more and more, we get to see the real Mushitaro. He starts off with these terrifying facial expressions, bragging and boasting about how he is the "detective killer" and how none stand in his way, cackling like a shallow cartoon villain. There's not much there to suggest a deeper character. Then there's the first flash to Yokomizo's murder, and Mushitaro appears to revel in it and the idea that he can't be caught. Another flashback shows him making these arrogant demands of a literal terrorist, like all his tableware being silver and porcelain and having access to a library of occult books for his study. Ok dude. This all paints the picture of a selfish individual, primarily concerned with expensive things and money and image - all things that perfectly fit Ranpo's initial conjecture as to the kind of person behind the Kindaichi murder. And just like Ranpo later says, it's a little too perfect.

The reveal builds slowly but surely, and Mushitaro's built-up image as a dramatic, remorseless murderer crumbles. Because he didn't kill out of hatred at all. He killed Yokomizo because Yokomizo asked him to do so. Because this, and the legacy of a mystery that transcended fiction into reality, was his only friend's dying wish. It was enough for Mushitaro to delay his escape just to fulfill it - what Ranpo refers to as a kind of willing self-destruction.

What Mushitaro ultimately values then is honouring the wishes of those he cares about and repaying those he owes. He will take the secret of Yokomizo's ultimate mystery to his grave. He used what he likely thought were his last moments alive to grab the transceiver and warn Ranpo about the danger the Agency was in. He only decided to trust Ango after Ango admitted his use of the Seventh Agency was to honour Oda's memory and wishes.

So, going back and re-reading his intro again, it becomes more clear that he was suffering from a kind of cognitive dissonance. "But wasn't he just playing the role he was supposed to?" No. He wasn't. The first flashback to Yokomizo's murder is much more violent and ends with Mushitaro cackling and going into a full villain monologue when there is no one else around but him. There's no one to perform this role for - except Mushitaro himself.

Both the killing and the ensuing grief stemmed from the exact same source - Mushitaro loved his friend deeply. But there is, I believe, no small amount of bitterness too, for the way they argued frequently, and the way his friend asked this of him. It's practically irreconcilable in his mind, and so Mushitaro leans into his role as the evil perpetrator who hated Yokomizo to such a degree that I honestly think he started to believe it - Mushitaro, with two narratives in his mind running parallel to each other that are fundamentally conflicting, tried to make a monster of himself. Insisted on being the monster, at least until Ranpo made it impossible for him to deny the true motive behind his actions - protecting his friend's last wish.

Fittingly for the climactic reveal of a mystery storyline that blurs fiction and reality, Mushitaro's real-life grief was his perfect fictional role's undoing.

Is he boastful? Arrogant? A bit of a coward? Absolutely. But Mushitaro is no monstrous villain - he is a man unable to confront his grief over his friend's death, and who, ultimately, doesn't intend any real harm.

Because other than Yokomizo, revealed as an agreed upon assisted suicide - Mushitaro never murdered anyone.

2. Characters are not cured of their pain and trauma. They continue to struggle with it during their development and it actively impacts the way they view and interact with the world around them.

Mushitaro's story is heavily themed around grief and his consistent denial of it's effects on him. At first, he denies by embodying the role Yokomizo wanted him to play - it seems to the point where he legitimately started to lose it. He's slipping when we first meet him. In a weird way, for as much as Ranpo tore his perfect crime apart... I feel like he also saved him, in a sense. The dissonance he was experiencing likely only would've gotten worse if he had not been forced to speak the truth aloud.

After that point... the denial focuses solely on the idea that Mushitaro doesn't miss Yokomizo at all. That he's doing just fine and Yokomizo should be jealous (he's far from fine; he doesn't even see a point in going outside anymore now that he won't be able to see his friend) and that he hated him (he doesn't. he never did. but he has to. he can't deal with it.).

Another thing I really like about his arc is that Mushitaro's grief also clearly stems from the entire thing being traumatic for him - but neither Yokomizo nor Mushitaro are demonized or victimized for this; rather the situation is just shown as it is. It's nice, that the story allows the reader/viewer to draw their own judgements. Both had their reasons for their actions - Yokomizo was already dying and wanted to go out in a way that was meaningful to him, while Mushitaro chose to fulfill this wish in spite of the cost to him. They both mutually self-destructed, in a way.

The narrative doesn't frame either as the villain. It doesn't fully frame either in victimhood either. It's a tragedy all the same.

Mushitaro continues to see and hear Yokomizo wherever he goes, not because he can't get rid of him... but because he never wanted him to be gone in the first place. Stabbing me would hurt less I think. :/

3. Characters often grow and change before they consciously realize it or have any sort of "epiphany".

This ties in a lot with the ongoing theme of uncertainty, and I above all really like this aspect of the series. BSD has characters grow and change and try to be better, do better by themselves and others... without being sure of the outcome. Sometimes before they're ready to consciously admit a change is necessary. There are few epiphanies. The characters are forced to slog through hardship and only then suddenly realize how far they've come - for better or for worse.

Mushitaro does change, even in the short span of time he is a focus character. I love the first little signs of it too - Mushitaro, who doesn't even like mystery novels, uses a trick Yokomizo told him about to help himself, Atsushi and Kyouka escape. Look at him :')

Afterwards, he starts to wonder if he can see Yokomizo whenever he enters a locked room - as in, if connecting to the memory of his friend through what he loved in life will mean that he keeps that memory alive.

And as annoyed as he is with Poe's attempts to get him to write a mystery... a part of him is happy to be around people that he could start to consider his friends. Enough that the Yokomizo he hallucinates wonders if maybe he doesn't need him there anymore. And finally Mushitaro bursts.

But this is actually good. He's finally past that denial phase, the part that had him talking about hate when really he missed him all along. Thing is, he'd already been developing and changing by this point, in that he needed the growth to come to terms with this truth, and it was not the truth that drove the growth.

In a sense, Mushitaro working through his grief and uncertainty led him to a brighter outcome, one where he has more friends and can start anew. He lost the closest person in his life. But his arc continuously asserts that in spite of the fact that he will always miss his friend, Mushitaro himself is still alive. And he should live that life - both moving forward and keeping the memory of his friend with him.

Odasaku believed that writing a novel was to write people. Poe was so insistent on getting him to write because it's a way of seeing the people we want to see anytime we want.

What a beautiful character arc, that began with fiction as an escape from real-life pain, and concluded with fiction as a means to work through it and with it instead.

Plus he's just such a funky little dude.

I. Love. Mushitaro.

#also mushitaro mentions his late father a few times when talking to ranpo - it seems his dad told him to be kind to strangers #and perhaps enjoyed deductions?#idk i'm curious as to what kind of dynamic mushitaro had with his father #since his ability is so inherently sneaky and his father sounds like an honest man #anyways. i love him so much. i want good things for him.#bsd #bsd meta #bsd mushitaro #thanks for the ask!#this is so long holy shit #no wip wednesday take this meta i spent four hours on instead #hmm. sskk 'i only have so long to live due to illness' parallels #rimlaine 'i refuse to rejoin the world because the only person i care for is no longer out there' parallels #or maybe skk 'you never take my suggestions'/constant bickering and death threats parallels #and for all of the above: 'i hate him' <- actually doesn't #storyrambles #<- i really did.#bsd spoilers #bsd season 4

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front-facing-pokemon · 10 months

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#claydol #i totally forgot baltoy had an evolution. and apparently i'm being told this guy is from steven's team in rse also which is the only thing #they're relevant for. if anyone else knows any other ways this guy is relevant then i'd be interested to know. i got like 4 hours of sleep #they got too many eyes. how does that work. idk i'm not looking up their pokédex entries right now. how are they compeititvely #about what i expected. it was good in its hayday when it came out in gen 3 and then slowly fell off. i have nothing else to say abt this pok #émon. let's read some dex entries. yep it's a clay doll. never would've gotten that one #alright. what evar. claydol fans you'd know more about this than i would

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nicmares404 · 4 months

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Bruh, this is the third time i've been sick in the last 2 months. Viruses have to actually be targeting me at this point, cause this is just ridiculous (⊙_◎)

Like yeah I have a weaker immune system, but I'm literally not even going anywhere! I guess whatever traces my sister brings home from school (she's in HS) is enough. To make matters worse, my toddler brother is about to start pre-school. I sense so many more illnesses in my future O|￣|_

#i'm really excited he's starting school though #he's practically my kid so that adds to it #i guess this is kind of a vent? rant? idk #i'm just really irritated #especially since everyone else is usually fine #or if they do get sick they are better within a day or two #and i'm out for like a week #and also to find out that i can't even take dayquil/nyquil anymore without severe pain (i have been taking it my whole life)#yeah this is a rant #feel free to ignore #i just need to complain a bit😅#i'm also gonna take a covid test cause this sore throat is worse than normal #i've only had 4 things that made it this bad and covid is one of them #cheese says stuff #rant

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artseuki · 6 months

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Mini shop update this time--we're getting into stickers now!! 🎉🎉🎊

As always, you can find my shop 👉here!

#fullmetal alchemist #fma #fmab #pikmin #pikmin 4 #shopseuki #my favorite part of making shop stuff is making knockoff franchise names #Hi hello yes I'm still making things!#For those wondering More Kirby Stuff Will Be Made Eventually #taking things slow!#also heads up for the Magolor Fans I only have like #one of them left atm #damn he's a popular egg!#Theres restocks on the way but idk when they'll arrive! Screams!!#Before the end of the year ideally though!#There's like a Billion of the others left though!#So get em while you can!

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itsbrucey · 6 months

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If I got a DnDads tattoo would that be peak cringe or-

#listen. alright. hey listen listen listen #I have like. 3/4 tattoo ideas currently.#I want a bear skull with flowers for my shoulder. a garfield on my shoulderblade.#and then a bigtop burger tatto and now recently. a dndads tattoo. havent sketched out ideas for either but im thinking!!!!#i was like “ oh maybe i can like. commission?????? handwriting??? from the cast??” bc thats normal #but also in the unfortunate circumstance of Public Figure being exposed for Bad Thing i would fucking personally skin myself .#Bigtop Burger one would either be Penny based or something with the J family from Wire......#OK I DID SKETCH OUT A FOREARM TATTOO. OF THE J FAMILY SLIDING DOWN A WIRE TOGETHER but idk if i want something that obvious yknow #Other dndad tatto ideas: Darryl Wilson's fucked up hand. Like a Dndads “crest”. A D20 with different character items as numbers?#Also was thinking a doodler tattoo bc that covers S1 and 2 #And if i got cast handwriting. it would either be just Matt or All of Them. and just having Matt feels wrong??????#like “ sorry.... only he gets his handwriting on my body” thats just Weird.#dndads #dungeons and daddies #tagging this because fuck it we ball #maybe one of Darryl's brew? like the bottle. i do like bottles #it would be a forearm tattoo ideally

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quietwingsinthesky · 16 days

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youtube stop recommending me that five hour long “fall of doctor who” video challenge. there is not a video i could be less interested in watching.

#the youtube clickbait hyperbole is not doing it any favors. im sure there’s nuance in the video. maybe.#god there must be its five hours long.#but i do not think i am interested in a video that wants to be about ‘the fall’ of doctor who when. far as i can tell. seems more like #occasionally it stumbles. and that’s about it.#AND thirteen being the doctor that’s on the thumbnail is also not helping. im sure im making assumptions there too and its just that she was #the current doctor at the time but. this is youtube. you have a negative video. and you put a woman on there. i am primed to believe you are #about to say something insanely sexist lmao.#anyway. whatever.#its a me thing. i dont like watching negative epic teardowns™️ of stuff im not finished with myself. and doubly so when im unfamiliar with #the creator and don’t know if they’ll just be stomping and yelling at something for hours with no purpose or if they’ve got. anything #to actually offer. idk. it’s the shovelware lover in me i think. im not interested in someone’s negative opinion about a thing unless i know #they’re the kind of person who can respect that people still had to put months or years of work into it. maybe that work did not have a #good outcome but someone had to do it. the effort is worth being documented and looked at and not. i don’t know. yelled at like you’re the #nostalgia critic you know? im rambling on to much here #this is why the only good youtube video is folding idea’s video on the american tail video game. he gets it. its about how bad art is still #worth existing and being examined. and doctor who is far from being bad. so.#………..where was i going with this. its 4 am.

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lord-squiggletits · 8 months

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I need to reread the comics again to have specific arguments/evidence for this, but like

I feel a bit like I could've been sympathetic to the way other Cybertronian colonies view Cybertron, if it weren't for the fact that at least several of them (as in, ones that get notable dialogue/screen time) are so low-key self-righteous?

Like, idk... there's a lot of criticism of Cybertronians because they're so "warlike" and how their obsession with violence and vengeance is just dragging the whole galaxy down with them, but uh. The Autobot-Decepticon war was basically a product of societal ills bubbling over for like 6 million years beforehand and then finally boiling over into a 4 million year war that lasted as long as it did because the people involved had immense social/psychological trauma from being "raised" in an oppressive society.

So when the colonists come in being all 'omg you people are so violent and uncivilized why don't you just like, stop fighting' it kind of pissed me off a little bit as a reader/person like. Idk the colonists really came into this society of people full of massive amounts of trauma where even before the war society was super oppressive and no one has any experience of living "normal" lives unaffected by violence and bigotry. And the colonists were like "ummm wow why don't you guys just??? stop fighting???." Like idk it wasn't EVERY SINGLE MOMENT, in fact I think that when it was played for laughs it's quite a funny "fridge horror" type element. It was just annoying because like.... IDK???? It's just really annoying to watch a bunch of people who lived relatively sheltered lives on their own planets come to a different planet full of traumatized people and be like "omg why are you people so fucked up" IDK BRO MAYBE BECAUSE THEIR SOCIETY WAS OPPRESSIVE AND THEY LIVED THROUGH A LIFELONG WAR???

It also doesn't help that the colonies were literally founded based on imperialism and conquest so like, it's fucking rich to hear colonists scolding Cybertronians for their violence ruining the whole galaxy while literally sitting on planets that their Primes colonized from others. The hypocrisy of this is briefly mentioned in Unicron (literally the FINAL STORY OF THE SERIES) but like, that's basically the only time Cybertronian characters are given a reprieve of sympathy from other characters in universe and it's so tiresome.

I've talked to other people who didn't like the colonists and thought they basically (narratively speaking) existed just to shit on the existing characters, and it's actually really easy for me to sympathize with/outright agree with that assessment of the story considering how much of exRID/OP seems to be preoccupied with "Cybertron/the Primes/Optimus sucks" with very few reprieves for anything positive happening and even fewer chances for characters to get to explain themselves and experience a little bit of justice? Like, as the audience, it's just very frustrating to see the characters you spent hundreds of issues keeping up with get shit on by a bunch of "literally-who"s and then not really get a chance to ever defend themselves, either by literally defending themselves in conversation or having some sort of narrative thing happening that vindicates them at least symbolically

#squiggposting #paused work to muse about this which i prolly shouldn't have lol #oh well i'll still get stuff done #like idk an example of this is how pyra criticized OP for using religion to manipulate people #(lets just ignore how she said she would teach OP but never actually did)#but in the story there's never any sort of confrontation where pyra learns about history or talks with OP #and OP gets to be like. yeah on my planet primes fucking sucked and i'm the only one trying to redeem their image #also ive been fighting an endless war that lasted 4 mil years in which me being a shining figurehead was basically #the sole motivating force keeping my army from just collectively succumbing to endless despair #and i also had to use this shining figurehead image i had to keep the opposing army from genociding a bunch of organics #like not once does OP get to express his side of things he's basically just shit upon endlessly by other characters as he keeps doing plot #i feel like i had another example but i can't recall who/what was involved lmao #like idk it's not just that barber's writing is depressing and dark and edgy. i LIKE stories that do that kind of thing #it's just that it feels a bit as if the story is ENDLESSLY depressing and dark and edgy with almost no reprieve #as if it's mostly presenting the flaws of the characters with no chance for them to justify or redeem themselves #idk i feel like there was another better point/example i was gonna make but i can't remember it #like idk i guess a dark depressing story would've been better if the characters at least got to defend themselves #bc as is it basically feels like they (esp OP) get shit on endlessly and never once get to express anything about it #so like. they get shit on in universe. but also as the reader since there's never a contradicting viewpoint or the character defending them #it's as if you're supposed to take this one-sided criticism of them at face value and it just doesn't seem fair AS THE READER #if i read about OP getting shit on by some people and defended by others and also him expressing his opinion on himself #then that just feels like a normal fair narrative where i get to take sides #but if it's just OP being shit on and he hardly expresses much about it #then it feels like i as the reader am expected to agree with the portrayal being shown?#but in reality the portrayal just feels negative and unfair and one sided to me #and why the fuck do i want to read a story that's just the characters i know and like on an endless shame parade #also shout out to 'literally who' aka slide calling OP 'literally fascist' lmao #one of the most cringe moments of the entire comic. wait no. i can think of a more cringe Slide Moment #when unicron is about to destroy the planet and trypticon is getting shot and dying(?) in the background #and the story decides to pause and focus on Slide so she can monologue about how evil and tyrannical OP is

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cha1cedony · 1 month

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Idk what it is that makes me fixate so hard on one specific thing for years at a time, but I need it to chill out 😭 DnDads has been my only long-term media interest for like 1 and 1/2 years now, and it’s BORING to only like one thing ever lol I’m BORED!!! I need other things to be interested in, but I struggle with getting into new stuff (other than video games) sooo bad :(

That said, if you have DnD podcast recs that have interesting characters……… GIMME 👀 Also where the early episodes aren’t a nightmare to listen to 🙏 I have never listened to any other DnD podcasts, and I think it’s mostly bc the earlier seasons are always poor audio quality or like 3 hours long 😭 I’m also good with any type of narrative podcast. I just want compelling characters and platonic/familial dynamics pls. Stuff I can write sad shit about!! But also not TOO sad the whole time… maybe a little bit silly idk

So far, ones I’ve written down to listen to are Cast Party and Friends at the Table? I don’t know anything about either of them, though so? Also I keep seeing my mutuals posting Oxventure and Woe.Begone (although the latter isn’t a DnD podcast.. I think?) sooooo let me know your thoughts. And recommendations! Send me your propaganda! Tell me about your blorbos

#the only podcasts I’ve really listened to are dndads and tma #but not the new tma one or whatever it’s called #I don’t really remember anything about it and was never into the fandom anyway #it was interesting ig but just not for me #I listened to it on 2x speed 😭#I’ve also listened to a bit of wtnv and it was fun #but I also just wasn’t super invested. I like the concept a lot though hehe #anyway pls give me podcast recs. you guys can probably assume my favorite types of characters/relationships #I’m easy to read lol #tv show and book series recs are also appreciated #but idk I feel like there are probably a lot of podcasts and audio dramas I’m missing out on #and I drive 45 mins - 1 hour pretty often so it’s nice to have something I can listen to instead of sitting down with #also my last super long-term media interest was fucking danganronpa 😭#which I exclusively fixated on and talked about ad nauseum for like 4 years so. so yeah #chalcy stuff #tma #danganronpa #<- remembered I should probably tag things that aren’t what I usually post lol sorry #hopefully the other stuff doesn’t need tags

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