at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will
soap's whole deal being sniper and demolitions gets me going bc on the surface they sound so different but when you get into it, you realise it's bc soap's smart
sniping is all math; calculating distances and wind interference and bullet drop. something i think people overlook is he was listed as a sniper first so it can be implied that he's better at it than demolitions. he does more sniping in both campaigns than demolitions work; in capture or kill, ghost specifically calls on him to take down the aq snipers
and demolitions is math with a hit of chemistry; knowing what mixes with what, knowing how much to use, recognising environmental factors and adjusting accordingly. it's not just about the boom; so much work goes into contained/ planned explosions. especially when having enough power for a breacher charge and not bringing down the whole building is the difference between mission success and failure
the chemical bombs he makes in alone can't just be any old cleaners, they have to have the correct reaction to each other; he just knew off the top of his head what would mix with what to create what reaction. he would also potentially have to recognise them by sight/smell bc they would’ve been written in spanish
soap would also have to know architecture; recognising structural integrity and weak points so he knows exactly where to plant a charge to bring it down and how it'll come down
he has an incredible soldier's mind people just forget that bc he's sociable which itself is a skill
we know he tends to buck against orders he doesn't agree with like when he pushes back against ghost in capture or kill and shepherd when he tells them to release hassan
he gets closer to people and sees if he can trust them and that's when he follows them without question. really think about how he talks to alejandro and rudy; he asks about their home and alejandro's family and rudy's relationship with him. those aren't questions you ask a stranger after a few hours of knowing them. that's not even touching on his relationship with ghost
he also deliberately brings people of higher ranks down to his level; talking informally with ghost and giving him a shoulder punch, addressing alejandro (a colonel!!) by his first name and rudy by his nickname despite literally just meeting them. he personalises all of them and it’s in direct opposition to the reason most characters do that; it’s not due to insubordination or lack of respect, the more he respects and trusts someone, the more casual he is with them
he digs into people; he wants to know what makes them tick and that determines if he can one, trust them and two, follow their orders. once he decides that, he's the ultimate soldier; he bleeds loyalty which makes him vicious when that loyalty is taken for granted
he isn't naive or bubbly or insecure; he's an incredibly smart and aware soldier. he's aggressive and bloodthirsty and loyal and intuitive and i love him so much
Huzzah! It's birthday time! I'm slowly accumulating more and more things I like (latest additions this vest I made and a travel typewriter! Still need to fix the latter one though)
[Image description: it is dusk, and Mabel and Ford from Gravity Falls are wearing witch hats and hanging by Bill’s statue in the woods. While holding a puppet of Stanley, she does an impromptu eulogy for Bill, dramatically saying, “Goodbye Cipher, you are dead. Blown up in my Grunkle’s head. Too much power hurt your soul. Reincarnate as a vole. Amen.” Ford laughs in response. End ID.]
Hello everyone! I hope the holidays have been fun and that all of you are looking forward for the new year!
I for one have been fighting for my life with this little animation/animatic for the Cryptid Sightings au. I’m still not quite satisfied with it, but at some point you gotta say “enough is enough” especially when you’re working with windows old MovieMaker as your editing program because you’re an old cheapskate who refuses to buy a proper animation program
But anyway! Naff I really freaking love this au and I can’t wait to see more of it! I thought this classic vine would fit the au, so I hope you like it ;D
As always; Cryptid Sightings is an au and story written by lovely @naffeclipse which you can read here! Moon’s design is just his normal look and Y/N’s design is a bit of a twist from my side ‘cause I’m quirky like that ;P
Imagine Buck saying “i love you” first and for the first time Tommy feels behind. He feels like maybe they are moving too fast.
Then he has a talk with some of his team. They’re not AS close as the 118 but they put their life in each others hand’s on the regular and that counts for something.
Andy asks Tommy about last week, when Buck was complaining about his apartment being so far so they started talking about moving in together? Aubree mentions how much he jokes about buying a ring for his beau, and Tommy sits back because he does joke a lot about (he hasn't spoken to Evan directly about it but anytime the kid does something sweet he asks him his ring size). Lucy mentions the time they spend talking and texting, she calls it nauseating with a wink, but Tommy doesn't remember the last time he wanted another person in contact with him at all times and who returned the feeling tenfold.
And after all, with their job they could die any day. He sits in his kitchen and replays the moment Evan said it again and again: "I know I'm dragging you through milestones like a cat with a mouse, and I want to let you know that you don't have to say it back. But I love you, Tommy. You mean a lot to me and I'm so happy we met."
Nine months is the longest relationship Tommy has ever had. And he still wishes he could spend every waking second with Evan.
By the end of the night he's barging into Buck's apartment and sticking his tongue in the younger man's mouth. He stands back and pushes his chest up and smiles and says "I love you too, Evan."
Buck is laughing, he's smiling and kissing his boyfriend back and hugging him tight. He can feel Tommy's heart racing when he puts his hand to Tommy's chest. He expected it to take longer. He'd heard about all the ways Tommy had been hurt before. But in the end it only took a day
then they hear a flush and Eddie walks out of the bathroom. He's smiling because Buck's loft is Not Big and he might have heard every word. For just a moment, they all stand in silence not uncomfortable per say but definitely charged.
Then Eddie says "I love you too, bro." Buck lovingly rolls his eyes and Tommy is cracking up. If it were anyone else he'd probably feel embarrassed but Eddie has shared friendly declarations of love before and its not uncommon for the L word to be passed around a 118 dinner party like hors d'oeuvres.
thank you for saving my kpop booseoksoon <;3 i'd been drifting away from kpop for a bit but then booseoksoon happened and look at me now. changed my whole year literally don't know who i'd be if it wasn't for booseoksoon comeback. thank you for providing amazing music, even better performances and just entertainment all around. kings of fun, kings of energy, kings of adlibs, kings of performance please come back next year 😫
cr: x