#i wonder if he remembers this

[scrollonso]

fernando alonso wants to know where the 6 calamari are

[professorcalculusstanaccount]

I remember discussing Tintin casting choices with a friend from Germany and remarked how it was odd he often has an English accent in adaptations rather than a Belgian one, and my friend just replied "that's because Tintin gives incredibly strong English boy energy (derogatory)"

Here in the UK there's a lot of weird classism tied into accents. Today accent diversity and representation in broadcasting is actively pursued but in Tintin's time there certainly was a preferred accent to have.

imagine this exchange happens between pages 28-29 in The Crab with the Golden Claws

[turtleblogatlast]

Leo learns something about himself 🏳️‍⚧️

Based roughly on this old post.

Bonus:

[Leo is taking the fact that he was born biologically female simultaneously very well and also not so well but overall he’s mostly coping with the fact that it was Draxum that just essentially gave him the turtle equivalent of ‘The Talk’.]

[ryllen]

(jamil said, no forehead kisses 😔) [x] [x]

[puppyeared]

horrible truth bomb dropped on my head 20 min ago

[tesscourtes]

triangle guy shenanigans!! I've been drawing this Bill since 2015 and he is still dominating my thoughts. drawing him feels like coming home.

[bastardlybonkers]

feetman

[poorly-drawn-mdzs]

Good morning, Sleepyhead.

[First] Prev <–-> Next

[lazycranberrydoodles]

getting back into the untamed and i had a thought. / follow for more yllz babygirlism

[anakirui]

hot take ??

the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.

it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)

anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.

they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.

for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.

for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.

their insecurities are incredibly similar.

in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.

in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.

just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.

now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.

for mafuyu and tsukasa it's pretty straightforward.

mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.

tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.

and even then, there's some overlap.

tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.

mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.

and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.

mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.

tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.

mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.

tsukasa has not yet cut his.

[franziskasxwhip]

john trying to bring a man back to life w his bare hands while sherlock watches in awe vs sherlock trying to kill a man with his bare hands while john watches in fear

[franeridart]

The Housecat Philosophy - Ep 65

Ep 00 || < Prev || Next >

Read ahead on Patreon || Catch up on Webtoon || support me on ko-fi~✨

[mediumgayitalian]

i keep seeing sad posts talking about "may castellan making sandwiches every day waiting in hopes that her son will return" and.

guys.

there is no hope for may castellan. she is not waiting at the door with lunch and a tentative smile, waiting for him to come home even though he didn't yesterday, or yesterday, or yesterday, or yesterday. "in hopes" implies that there will come a day when that hope fades. in hopes implies she knows the odds are bad. in hopes implies reality will eventually catch up to her.

there is no hope for may castellan.

she is not waiting in hopes for her son to return. she is preparing, day after day after day (after day after day after day after day after) for the inevitability that luke will return to her. she does not know he is dead. she does not understand he is gone. she does not realize that time has passed; to her luke is nine, still. to her she is still placidly awaiting to return of a fourth grader. luke is not nineteen and betraying his camp. he is not twenty and housing a titan. he is not twenty one and watching his friends get slaughtered in an arena, twenty-two and forcing his sister to hold up the sky, twenty three and realizing, soul shuddering in his chest, that he has made a mistake he can never take back, that he can never undo what he has done.

luke castellan to his mother is a child who has not yet lost all his baby teeth. the cookies she makes for him are soft, because she remembers that. he still leaves the crust behind on his sandwiches. he has scrapes on his elbows and dirt on his nose. he flinches before he hugs her. he spends a lot of time outside, but he comes home before dark.

may castellan's tragedy is not that she is penelope waiting for odysseus to one day return and we know that he will not. may castellan's tragedy is that she does not understand her hero has left at all. may castellan's tragedy is that she will never understand, and she will continue to age, and continue to deteriorate, and one day she will die and she will spend eternity walking the dying poplar fields, whittled down to the memory of something missing from her.

there is no hope for may castellan.

[vroom-vrooms]

Charles answering with “we have a good relationship” to a question about beating Max is like the direct opposite of Lewis answering with “I remember the first time i looked up the girls. When I met my girlfriend. I remember the first time having sex” to someone asking if he remembered meeting Nico

Lewis tries and fails to deflect in the most unconvincing way possible, Charles chooses to expose himself very clearly

Weird tactics but ok guys 🙄

[faunandfloraas]

Countdown to Seungmin's Birthday ↘ D-6: Fanboy.

[somegrumpynerd]

(They did not stop shredding the curtains)